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"modulated" poems
Too late for love, too late for joy, Too late, too late! You loiter'd on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leap'd, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now there are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seem'd never soft to her, Though toss'd of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs show'd in her locks That used to be so brown. We never heard her speak in haste: Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo, we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
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2.6k
Bride Song
Too late for love, too late for joy, Too late, too late! You loiter'd on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leap'd, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now there are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seem'd never soft to her, Though toss'd of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs show'd in her locks That used to be so brown. We never heard her speak in haste: Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo, we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
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60
"Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate. The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. "Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. "Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? "We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. "We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. "You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread."
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2.5k
The Prince's Progress (excerpt)
"Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate. The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. "Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. "Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? "We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. "We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. "You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread."
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60
"Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate. The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. "Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. "Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face Or is the hunger fed at length, Cast off the care? "We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. "We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. "You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread."
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2.2k
The Prince's Progress
"Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate. The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. "Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. "Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair. Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face Or is the hunger fed at length, Cast off the care? "We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. "We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. "You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep to-day That she is dead? Lo we who love weep not to-day, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread."
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59
He touched our hands But unconcernedly this famous man And would not look us in the eye For fear of contact or what might be worse, connection And we could hardly blame him, for after all He had each day been singled out for close inspection By ones like us, in awe of his celebrity Circled in the shade of his perfection Hoping for the star-dust sprinkle of acuity Or sparkling eyes, admission to his inner cult and clan He wore blue jeans And scuffed sneakers as a badge of proof Of his coolness and unconcern While we his audience with concealed attention Enviously eyed his hairy confidence, unconsciously Imitating in each phrase that low convention Made small adjustments to our store-bought suits and ties And nodded several times in bright pretension Made small amendments to our smiles and lies Flicked photo-phones in pursuit of custom and routine He gave a speech A flippant interview, this famous creature A well tossed phrase, a rounded cliche Poured forth like brandy in a glass, convivial Or apple cider-ed vinegar in pewter mugs A sardonically French-accented phrase habitual Well humored, heavy lidded with testosterone At interlocutor women with the pens and pads Delivered in a low and purring monotone For all the world as lovers, each to each He stretched a smile A modulated shift of teeth and beard "Genius? Not I"  with deprecation "My shallow intellect, so poor and so ephemeral" Delivered in a tone that mocked inclusion While we assumed an elegance, unintentional A nonchalance that shields the wide charades Unmoving in our breathless, but conventional Genuflection to the the notion that pervades                                                       Our addictive appetite now sated. For a while.                                                                                                                                  He kissed their cheeks And stroked their arms, with sensuous ambivalence But absently, as if he cared so little In his farewell. 'A bientot' he said and 'Au revoir' And slipped away amongst the moving Milan crowds Creative and creator, irredeemably a star With, in his wake the smiling scriveners staring At his retreating back in Stark excitement In the middle of the circling and squaring, at The alpha-wolfic effigy. The Shepherd and his sheep.
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May 6, 2013
May 6, 2013 at 6:46 AM UTC
This Famous Creature
He touched our hands But unconcernedly this famous man And would not look us in the eye For fear of contact or what might be worse, connection And we could hardly blame him, for after all He had each day been singled out for close inspection By ones like us, in awe of his celebrity Circled in the shade of his perfection Hoping for the star-dust sprinkle of acuity Or sparkling eyes, admission to his inner cult and clan He wore blue jeans And scuffed sneakers as a badge of proof Of his coolness and unconcern While we his audience with concealed attention Enviously eyed his hairy confidence, unconsciously Imitating in each phrase that low convention Made small adjustments to our store-bought suits and ties And nodded several times in bright pretension Made small amendments to our smiles and lies Flicked photo-phones in pursuit of custom and routine He gave a speech A flippant interview, this famous creature A well tossed phrase, a rounded cliche Poured forth like brandy in a glass, convivial Or apple cider-ed vinegar in pewter mugs A sardonically French-accented phrase habitual Well humored, heavy lidded with testosterone At interlocutor women with the pens and pads Delivered in a low and purring monotone For all the world as lovers, each to each He stretched a smile A modulated shift of teeth and beard "Genius? Not I"  with deprecation "My shallow intellect, so poor and so ephemeral" Delivered in a tone that mocked inclusion While we assumed an elegance, unintentional A nonchalance that shields the wide charades Unmoving in our breathless, but conventional Genuflection to the the notion that pervades                                                       Our addictive appetite now sated. For a while.                                                                                                                                  He kissed their cheeks And stroked their arms, with sensuous ambivalence But absently, as if he cared so little In his farewell. 'A bientot' he said and 'Au revoir' And slipped away amongst the moving Milan crowds Creative and creator, irredeemably a star With, in his wake the smiling scriveners staring At his retreating back in Stark excitement In the middle of the circling and squaring, at The alpha-wolfic effigy. The Shepherd and his sheep.
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50
Sunbeams crack through the tall trees Birds chirping along the window seals Wind chimes tunes fills the quiet room Nag champa wafts in the air Mat laid flat Squats and stretches Eyes closed In-hale Ex-hale Mind in the body Heavenly flow Frequency modulated Easeness Awareness Serenity Bliss Peace Silence Power © Sonia Ettyang
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Feb 24, 2019
Feb 24, 2019 at 4:37 AM UTC
Prana
jia jia of supple plastic face gracefully arranged hair hands that gesture, eyes that roll a lifelike porcelain doll docile ****** expressions perfect height to weight ratio fluent in English and Mandarin soothing, well-modulated tone what can I do for you, my Lord? the creator's goal to refine programming until jai jai can laugh and cry learn to interact naturally he calls her his robot goddess a wet-dream confection with none of the messiness of a full-fleshed playgirl though she is artificial and cannot feel I pity my non-sentient sister controlled by design submission absolute maybe she can fill the hole left by women who abandon conformity to seek being real
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Apr 22, 2016
Apr 22, 2016 at 11:07 AM UTC
Goddess
it's stupidly sentimental but I always feel a little sad when it comes time to shut the windows for the year and turn on the A/C or the Heat and start breathing our electrically-modulated air I feel as if I've only just started to work my way back out into the world and I'm not ready I'm not ready yet to go back inside and breathe my own rotten recycled breath the breath of my city is so much more so much more delightful so much more invigorating so much more intoxicating so much more than me I feel slightly lost and alone when this life requires that I wall myself off from that World breath to hibernate through our hot and cold winds I'm not ready yet I'm never ready I'm still trying to find my way out
0
May 29, 2013
May 29, 2013 at 11:12 AM UTC
Air
We're found to be cut off but not long ago! Some burn us with sparklers and we get modulated as flames in a flash by yielding fire flowers to your night sky And you numskulls think that we die. Some sculp us with molten cruelty as symbol of mockery. It's Good enough that we we're just called as devils. But what about those bed evils Who attack upon on lassies With the holler word called “babies” To accomplish their own seductive urge. What about those drunken buffoons In those paved streets under the feeble streetlights stalking the fragile once either for fun or for a wrong intention. What about the brute twice the age of his married daughter bites into the soul of a maiden. Spitting the venomous words and incapacitates the heart Numbness spreads all over her body after the spiteful attack. For heaven's sake Don't point your fingers on us We're better than you I being Ravan, The biggest devotee of lord Siva And had an extremely loyal wife like Mandodari Been burned with ten heads For just kidnapping Sita Whereas I returned her with due respect. But these days people use women like toys by fulfilling their joys. And Mahishasura, Who could worship so hard to impress three lords was eventually killed by Durga and could meet the death by hands of powerful women. But these days people **** the female child before birth thinking daughters as burden on earth. If still you don't get atonement Just think this poem as a complement And just think how better are we as your opponent. May the whole world call us demon or devil But first learn to tackle the inner evil. If possible put pins and needle to such people Then the world will be in next level.
0
Oct 5, 2017
Oct 5, 2017 at 2:51 AM UTC
Are Ravana and Mahishasura Devils? (Ankit Mohanty).
We're found to be cut off but not long ago! Some burn us with sparklers and we get modulated as flames in a flash by yielding fire flowers to your night sky And you numskulls think that we die. Some sculp us with molten cruelty as symbol of mockery. It's Good enough that we we're just called as devils. But what about those bed evils Who attack upon on lassies With the holler word called “babies” To accomplish their own seductive urge. What about those drunken buffoons In those paved streets under the feeble streetlights stalking the fragile once either for fun or for a wrong intention. What about the brute twice the age of his married daughter bites into the soul of a maiden. Spitting the venomous words and incapacitates the heart Numbness spreads all over her body after the spiteful attack. For heaven's sake Don't point your fingers on us We're better than you I being Ravan, The biggest devotee of lord Siva And had an extremely loyal wife like Mandodari Been burned with ten heads For just kidnapping Sita Whereas I returned her with due respect. But these days people use women like toys by fulfilling their joys. And Mahishasura, Who could worship so hard to impress three lords was eventually killed by Durga and could meet the death by hands of powerful women. But these days people **** the female child before birth thinking daughters as burden on earth. If still you don't get atonement Just think this poem as a complement And just think how better are we as your opponent. May the whole world call us demon or devil But first learn to tackle the inner evil. If possible put pins and needle to such people Then the world will be in next level.
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44
[ G Major 3/4 time] Some nights I cant remember All the things that happened I never will get over All the mornings after How many loves of a lifetime Walked right out my front door While I lied-awake hopelessly Wanting for more Each notch in my bedpost Another scar on my heart Of the ten-thousand maybes Who turned out to be not They march right through me In an endless parade Insufficient remedies For someone I cant replace My pulse is the drum beat Our love was the war And their harmonies choke me As I hang by my Guitar chords I keep on playing you A song written for her It has a different title now The contents are undisturbed Violins whisper A dull aching pain And in a hundred "I love yous" I whispered her name Each moment of ecstasy That rips you away Leaves the empty shell of me Searching for an escape But her song keeps playing A phantom theme in my head While you reach your crescendo I'm just here in our bed My pulse is the drum beat Our love is the war And our harmony chokes me As I hang myself by my Emptiness chokes me As I hang myself and I Suffocate As I hang by my Guitar chords <instrumental - strings bridge> <modulated harmony and waltz... piano> <drums and acoustic front + choral vocal overlay "suffocate..."> Her pulse was my drum beat My love was the cost Cashed-in in self-sacrifice It was me that I lost In mirrors like pictures I can see who I was But I look so different now... I became "I am because" We shared our heartbeat Our love was the war and this song hangs Something unfinished I suffocate Trapped in our tapestry It's just me Left to hang by my guitar chords
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Dec 23, 2011
Dec 23, 2011 at 1:08 AM UTC
Orchestral Movements in the Dark
[ G Major 3/4 time] Some nights I cant remember All the things that happened I never will get over All the mornings after How many loves of a lifetime Walked right out my front door While I lied-awake hopelessly Wanting for more Each notch in my bedpost Another scar on my heart Of the ten-thousand maybes Who turned out to be not They march right through me In an endless parade Insufficient remedies For someone I cant replace My pulse is the drum beat Our love was the war And their harmonies choke me As I hang by my Guitar chords I keep on playing you A song written for her It has a different title now The contents are undisturbed Violins whisper A dull aching pain And in a hundred "I love yous" I whispered her name Each moment of ecstasy That rips you away Leaves the empty shell of me Searching for an escape But her song keeps playing A phantom theme in my head While you reach your crescendo I'm just here in our bed My pulse is the drum beat Our love is the war And our harmony chokes me As I hang myself by my Emptiness chokes me As I hang myself and I Suffocate As I hang by my Guitar chords <instrumental - strings bridge> <modulated harmony and waltz... piano> <drums and acoustic front + choral vocal overlay "suffocate..."> Her pulse was my drum beat My love was the cost Cashed-in in self-sacrifice It was me that I lost In mirrors like pictures I can see who I was But I look so different now... I became "I am because" We shared our heartbeat Our love was the war and this song hangs Something unfinished I suffocate Trapped in our tapestry It's just me Left to hang by my guitar chords
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66
Each second, right here, right now, exciting moments are unfolding as if coming into flower.  Breathtaking wonder, its cadence rising, modulated and rhythmic, making the heart quicken. Who, for example, can resist a rainbow or not thrill to the cataract's roar?  Before God died in your eyes, He wrapped us in the safety of a blanket made of moral fiber; And set us on our way to look upon this beguiling and buzzing     beauty.  Life in a candy store, ripe for the taking! This fullness of manifestation is not lost on one looking.
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Apr 17, 2015
Apr 17, 2015 at 12:58 PM UTC
The Realization of One Looking
(I like..) Small ....productive groups .....quietly discussing .............simple, ...effective coups ......are inspiring... better to hear ......hushed conversations .........gentle voices, .....not heated discussions... i prefer, ....modulated, well-thought of ......responses, ........they discourage ...........frenetic dispositions... i'd rather ........have coffee .....in quaint cafes, ...........they offer ................privacy... i like, how s o l i t u d e .......nurtures, :::::::::::::: .....then...... sets my soul ::::::::: free! (10W X 5) Sally Copyright September 6, 2016 Rosalia Rosario A. Bayan
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Oct 8, 2016
Oct 8, 2016 at 10:43 PM UTC
SOUL-ITUDE
“Poetry needs both a mother and a father....” -Virginia Wolfe I am the poem that has been born of all the mothers who have come before me. In every fiber of my being, in every cell of my body, the words and deeds of these women beat through my soul in an eternal rhythm that will continue on to my daughters in a distant, unseen future. Each mark upon my body, every desire in my heart is an echo of all that they have loved, all that they have sacrificed. The words I write are their words, muted and modulated by time and society; my name written upon this page is written for their glory and the recognition of all that they have gained for us women of today. I am their testament, I am their artistic expression. We, now, are daughters, are grand-daughters, are nieces, are sisters of these women. We are the mothers of tomorrow and for all that is to come. We add to the poem, the story, the painting. We are all literary women by our birth; we are literature to our deepest core. We are the muses of the fathers, but the fathers cannot be the womb of creativity as we are. There is glory in being the mothers of expression. I am not a poetess, but I am a poem. Another line has just been added.
0
Mar 15, 2010
Mar 15, 2010 at 6:57 PM UTC
Unending Poem
(((( broken record )))) ..........it usually depends........... .......on prevailing circumstances....... The fragility, or inconsistency of excuses Can't just ignore the gravity of a situation Some behaviors....need immediate attention Could also be....the dominant mood of the day The five girls say, it's not the day's.........but mine However they look at it, or feel about it....they obey Right values must be inculcated in their growing minds Words have to be repeated....clarified.....and emphasized Advice given by kinsfolk, must be heard.............and I smile, As I ignore their pouting lips...unnecessary frowns....snorting. Can't ever be their Wonder Woman....to keep them from falling, So, with a loud or modulated voice...I say my piece over and over Like a record gone awry....playing off and on.....every now and then. Got to be broken at times Got to play my music As often as needed. Sally Copyright May 7, 2016 Rosalia Rosario A. Bayan
0
May 6, 2016
May 6, 2016 at 11:10 PM UTC
BROKEN RECORD
You found me churning, Bouncing up and down As I rolled dramatically downhill. You knew what would be better And calmly intervened You took hold with confident hands And bent my trajectory Up into U shaped happiness The highs and lows have softened The swings got smaller The direction now up and forward I want you with me on this gentle arc Our slopes equivalent Our speeds matched Ahead I can see sunny days on lakes crisp mornings in the mountains Autumns on golden ponds. I see popped corks and caps thrown, New suits for social media internships, Wedding toasts and father-daughter dances. We will visit new houses with old friends, Co-ed baby showers with pink predator t-shirts, Bad poems at retirement parties. Years from now, we will argue mildly about who packed the sweaters who brought the corkscrew, who thought the baby should wear that ridiculous t-shirt The lake will sit there pretending it has nothing to do with us.
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Mar 31, 2022
Mar 31, 2022 at 1:04 PM UTC
A Curved Happiness
I just came from the cafeteria. In a shocking twist, I have to actually meet people, I mean, can you imagine? And we have group projects, my least favorite thing, except perhaps, having a gym class. The cafeteria was so crowded—didn’t I see you there? Everyone there seemed to be wearing vintage Urban Outfitters. I felt left out, but no one openly pointed at me. Next, I expect to see bubblegum patch vests, skate-fit jeans and leopard-appliqué flats. Between us, I’ve gotten old, and lost what little fashion game I had. Now I’m modulated, that is, I’m over over-indulgence. When I pictured myself in college, *** what, a half a decade ago? I imagined myself in a Lime Fizz Dress from Modcloth. THAT never happened—which is all for the good. School and by extension - school work - is definitely happening. It’s not all studying while drinking back-to-back espressos at sunrise. This week’s assignments due are: a ‘reflective assignment’ on qualitative research methods, a policy memo, a case analysis, and a group presentation. Argh. So if you don’t hear from me—I haven’t been deported—I’m just oppressed. . . Songs for this: This is Why by Paramore Lauren by Men I Trust Margaret by Pomegranate tea [E]
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Jun 9, 2025
Jun 9, 2025 at 3:51 PM UTC
people!
styles change, in everything, can no longer catch your passing fancy I am Gap, says the sign of the four, no interest no more for what's behind the door, just samo samo variations on a four note theme, been there, done that, khaki is just so blah you're H&M;, four weeks, in store, then gone, no more, no returns, ever, edgy, trendy, and usually quickly, careless made, with haste cheap manufacture words are like clothes, patterns, cut, style, oft looking ridiculous a season later, it's the readers taste, ever seeking out the newest face the man's words, reversed alchemy, ha! golden-into-leaden, potpourri of variable seasonings from gardens of  ancient seasons, lol, stale, lacking efficacy, now ready for a burial permanent, deserving a small museum exhibition too long, too long, so wrong, so wrong, for quick and the digital attention spanners the easy riders of today these words, these words, so wrung, so wrung, so earned, from a life's stories reservoir an accumulated dictionary, now shared with modulated crafted care labelled by the new zoo review archaic, obsolete, old fashioned, worse curse, too **** long, hot **** if that's exactly not, how the man feels his days, these days, exacting and extracting, *too **** long* so drips and drops, will yet be canvas spotted and plotted, for those among us who taste the music, tingling skin with words, cherish the artistry of caring, workmanship, buying the best of what didn't come cheap, stuff that can't be bought in any store, in any style, the slow pleasure of taking care... gotta go, new store in town UNIQLO, hope there is in that name, maybe a chance, something unique, something that will glow
0
Jul 26, 2015
Jul 26, 2015 at 6:18 AM UTC
I am Gap, you're H&M
styles change, in everything, can no longer catch your passing fancy I am Gap, says the sign of the four, no interest no more for what's behind the door, just samo samo variations on a four note theme, been there, done that, khaki is just so blah you're H&M;, four weeks, in store, then gone, no more, no returns, ever, edgy, trendy, and usually quickly, careless made, with haste cheap manufacture words are like clothes, patterns, cut, style, oft looking ridiculous a season later, it's the readers taste, ever seeking out the newest face the man's words, reversed alchemy, ha! golden-into-leaden, potpourri of variable seasonings from gardens of  ancient seasons, lol, stale, lacking efficacy, now ready for a burial permanent, deserving a small museum exhibition too long, too long, so wrong, so wrong, for quick and the digital attention spanners the easy riders of today these words, these words, so wrung, so wrung, so earned, from a life's stories reservoir an accumulated dictionary, now shared with modulated crafted care labelled by the new zoo review archaic, obsolete, old fashioned, worse curse, too **** long, hot **** if that's exactly not, how the man feels his days, these days, exacting and extracting, *too **** long* so drips and drops, will yet be canvas spotted and plotted, for those among us who taste the music, tingling skin with words, cherish the artistry of caring, workmanship, buying the best of what didn't come cheap, stuff that can't be bought in any store, in any style, the slow pleasure of taking care... gotta go, new store in town UNIQLO, hope there is in that name, maybe a chance, something unique, something that will glow
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77
Modulated essence of vocalization does not escape my seized lips. Motionless they are without movement, a corpse of inactivity are my verbs. But when stain white sheets are lingering in front of my eyes, I'm jested to use movement of wording to express the convulsions that expire from my mind to that below. Seismic episodes expel and what was a land of undiscovered wealth ruptures forth. My expression is unformulated but even though whispers aren't heard, ever syllable is understood. Even though my vocalization is versed in silence, every word is throw into the words understanding. Hear me through muted words of expression that vocalize from your eyes on my versed words.
0
Dec 17, 2016
Dec 17, 2016 at 9:47 AM UTC
I'm Mute But My Words Speak
There once was a time when wooing women with carefully crafted words was a grand purpose. Significant sentiment, conveying desperate desire and intimate intent, were the staples of the ardent young man. His only recourse was to face the object of his affection, and, with tremulous tone and generous gesture, convey the earnestness of his cause from his heart to hers. These matters of love should perfectly pierce her heart with incisive inflection and amorous articulation. Instead, our mobile, modulated, mute-able media turns awry this enterprise of great moment and dulls its course. I now live in an age of digital despair where ghostly static and fast-food conversation are the new calamity of so-longed life. How much easier to bare the pangs of despised love when confronted by its whips and scorns, rather that face the eternal imagination of empty airwaves.
0
Dec 26, 2019
Dec 26, 2019 at 9:39 PM UTC
A Modern Lamentation
there is some magic in the changing sound of music in the modulated touch over the distance we have gained so much crossing great waters at a single bound while all the pains of the old hurt were drowned and honour met just one step past the clutch of oldest terrors we learn truth is such a mighty gift yet one we may expound our hope for progress turns right back to shame when out of darkness we find naught but force to hold us back and keep us from our right when what is needed is but one bright flame to serve as guide to set us back on course reminding hearts that not all is in night
0
Jul 19, 2012
Jul 19, 2012 at 4:59 PM UTC
not all is in night
The Tomb did not wake Upon the arrival of the muse, Her ******* sounded ample and modulated But the tomb kept silent- strange thought the muse This is where My husband Was buried
0
Oct 25, 2014
Oct 25, 2014 at 5:58 PM UTC
Toss without fall
i sometimes think of myself, phoning the radio station classic fm and asking them to play christopher young's something to think about (https://goo.gl/kdMemw), just so i don't have to hear another piano concerto, in #a no. 552 (i have to admit, those composers were really lazy when it came to naming their sweaty outputs), or someone asking to be played something resembling classical music with the words: smooth, soothing... dirge like? and where else would i wake up, hearing several bird songs on the morn's gloomy brow, if not here: the wood pigeons coo coo suddenly shortened to a quiver of tickled larynx, or the crow's harsh phlegmatic croak, or a magpie's modulated laughter of the crow's croak, or the blackbird's and the sparrow's chirping? too early for the seagulls to make entry into dry land about 30 miles from the sea, but they do come, and once a kestrel on my garden fence.
0
Jan 31, 2016
Jan 31, 2016 at 3:20 AM UTC
birds' morning
You used to believe Me to be beautiful, You used to believe Me to be Green; But when I went Along down The Road with you, You somehow Turned out really mean. I never thought I'd find someone Who I would connect with so close up to par; But somewhere down along those lines, For some reason we grew apart really far. I really wish you could tell me What it was that drove us away; For each week that goes by I wonder, Why my heart breaks that much more, every day. It's unbelievable to mention And completely embarrassing to care, The atoms of my being won't stop vibrating At high frequencies somehow, over there. It's like as though there was a time When we lived a full life at some point together; But then that time came short For some reason, And ended far too quickly, one season. It's like as if it's not me that's lamenting, But a considerable ghost from my past; Somewhere down Human History's line, Where for some reason The memories last. I really don't know how to Find it within me to fix this, Without a considerable shock to my brain; Some modulated electrical pulses, To ensure I am no longer in pain. If someone can please place me into that chair, The Grand Neural-Reformatting Beast, If something can be said about this, I would be most grateful, To say the least. Just so I can be finally done with this mess, And numb enough to no longer care; So I can happily continue To move on with my life, And not continue to bother everyone else, over there. I thought that I was useful, I though that I "belonged"; But when The Family turned on me, I knew that I'd been wronged. Whatever lessons I was to learn from this, I am still trying to figure out on my own; But it's become too hard to see the big picture, When the pieces aren't even being shown. It's easy to say "forget it", When it's already too hard to do; What would make things a tad easier Would be more time spent with you. I don't know how to stop this longboat From crashing right into the locks; And killing all five-thousand crew And sending them straight into the Rocks. Perhaps I shall simply admit myself To a life that exists behind bars; With a proper straight jacket and a foam head piece And a safely installed mouth guard. At least I will be protected there And given some safe refuge; Even though they may scream down the halls.... I'll know I'll be gone from you. -----------------------------------
0
Apr 30, 2015
Apr 30, 2015 at 7:35 AM UTC
Lamenting...Venting.
You used to believe Me to be beautiful, You used to believe Me to be Green; But when I went Along down The Road with you, You somehow Turned out really mean. I never thought I'd find someone Who I would connect with so close up to par; But somewhere down along those lines, For some reason we grew apart really far. I really wish you could tell me What it was that drove us away; For each week that goes by I wonder, Why my heart breaks that much more, every day. It's unbelievable to mention And completely embarrassing to care, The atoms of my being won't stop vibrating At high frequencies somehow, over there. It's like as though there was a time When we lived a full life at some point together; But then that time came short For some reason, And ended far too quickly, one season. It's like as if it's not me that's lamenting, But a considerable ghost from my past; Somewhere down Human History's line, Where for some reason The memories last. I really don't know how to Find it within me to fix this, Without a considerable shock to my brain; Some modulated electrical pulses, To ensure I am no longer in pain. If someone can please place me into that chair, The Grand Neural-Reformatting Beast, If something can be said about this, I would be most grateful, To say the least. Just so I can be finally done with this mess, And numb enough to no longer care; So I can happily continue To move on with my life, And not continue to bother everyone else, over there. I thought that I was useful, I though that I "belonged"; But when The Family turned on me, I knew that I'd been wronged. Whatever lessons I was to learn from this, I am still trying to figure out on my own; But it's become too hard to see the big picture, When the pieces aren't even being shown. It's easy to say "forget it", When it's already too hard to do; What would make things a tad easier Would be more time spent with you. I don't know how to stop this longboat From crashing right into the locks; And killing all five-thousand crew And sending them straight into the Rocks. Perhaps I shall simply admit myself To a life that exists behind bars; With a proper straight jacket and a foam head piece And a safely installed mouth guard. At least I will be protected there And given some safe refuge; Even though they may scream down the halls.... I'll know I'll be gone from you. -----------------------------------
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85
I am often asked, as the inn goes quiet Where is the dignity in a life anchored By the brothel, the public house’s riot. I note—politely—the base of the tankard Provides a grand, if somewhat modulated, Viewing of the so-called unexamined life, A happy one not discombobulated By the constant nattering of priest or wife. It’s not—far from it!—that my heart is not stirred By valiant men performing their valiant deeds, But the urge to take up arms remains deterred By the image of a knight face down in weeds, And my heart’s overruled by the misgiving That the stuff of legend precludes the living.
0
Jul 18, 2017
Jul 18, 2017 at 10:51 AM UTC
In Which The Good Knight Falstaff Is Of The Opinion That It's Your Round
but you weren't a ᚠᚱᚨᚢ ᛏᚱᛟᛚ... and i watched with geometric fascination how you modulated the shapes of sounds with footsteps that made agile the curling of lips and the flipping of tongue and gave us south american dances of blind tango from Buenos Aires. you complained how glasses shortened your legs, myopic the dwarf to your suitor, a fake.
0
May 24, 2016
May 24, 2016 at 8:41 PM UTC
ᚠᚱᚨᚢ ᛏᚱᛟᛚ
The rain-modulated trees and the hoarse leaf That in themselves tell a love so complete, Were once the playthings of lovers’ sights Who passed here once and once and never. Love the destitution of love.
0
Jan 31, 2020
Jan 31, 2020 at 6:47 PM UTC
In Destitution