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Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda's sight
Is old and gray and *****;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?

Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?
You have the right not to look into Miranda's eyes.
Anytime you do look into Miranda's eyes,
Anything you see there can and will cause you to fall in love with Miranda.
You have the right to counsel on how to write a proper love letter to Miranda.
If you have no pencil and paper, they will be provided for you.
Do you understand this, as it has been explained to you?
The Miranda warning always came just
a little bit too late to be of any real help..
Odysseus struggles needs to prove to himself world he is talented painter determined to achieve recognition goes from art dealer to art dealer seeking support one dealer says Schwartzpilgrim stop changing settle on 1 style you can be known for what you’re doing now is good stick with it call me in 6 months with 300 drawings just like these another dealer says Odys you must learn great art is a **** beneath bed sheets another dealer says Modigliani knew how to paint flesh paint like Modigliani you need to learn more about painting Schwartzpilgrim you’re too young inexperienced another dealer says thank you for your interest in our gallery we’re not taking on any new painters at this time Odysseus knows there are people so much more talented better looking than him he feels inadequate intimidated

thinks to himself sister Penny is right female wish list is curse Bayli haunts she alone always be my ideal until i met Reiko Lee now Reiko Lee Furshe holds me captive i long for her voice eyes shoulders wiry delicateness crazy outrageous humor fiery ****** appetite i need to tear apart wish list leave myself open need to learn to seek inner beauty let anatomy fall where it will need to cultivate new standards it’s difficult to see with different eyes i am so biased how do i do this?

Odysseus muses with Reiko’s ghost 6 months since separation lights candles burns incense opens bottle of red wine pours glass for her and himself sips watches her glass while he makes toasts speaks elaborately of her beauty charm cites reasons why each of them does not need the other why couldn’t you have been the one? what is it about me you didn’t like? what did i do wrong? pours another glass begins talking louder ending in rage why aren’t you here? why? what went so terribly wrong? i love you where are you? how come you’re not here with me tonight? looks at her glass sees she has not even taken sip feels slightly drunk fearful he has sunk too deep  gets up staggers to bed sniffs blanket for traces of her tonight is their anniversary his only excuse

telephone rings sometime in late july hi it’s me Reiko how’ve you been Odys? he questions Reiko Lee? uh yes Odys it’s meee your stray puppy Reiko’s voice sounds playful tender Odys are you there? what’s up? let me come over **** and ******* please he speaks into receiver Reiko Lee is dead hangs up wonders if he has done right thing paces room writes a woman like that you tell yourself you do not need  ignore her deny her let her pass because if you admit how much you want her you become fugitive in chains running from dogs men with guns a woman like that is all you need a woman like that is motive seed chance of a lifetime a woman like that takes chances at twice your speed a woman like that keeps you guessing hoping waiting a woman like that leaves you destitute you cannot have her because she possesses you a woman like that is a wanted woman

decides to move finds new place blocks away apartment on lill street changes telephone number in his heart he knows nothing more thrilling beautiful than joyous girl yet he attracts women who seek abuse because they see themselves in him because he lets them try to mend his abused mind because he misuses them so well reaching finding joyous girl looms impossible breakup feeds venting bitter fires

the most dangerous woman eludes meall other women are too attainable chinese green tea gestapo limousine it doesn’t matter that you don’t understand that is the line darling dangling darjeeling your lips bleeding your ***** on fire imagine i am running sprinting in relay race just up ahead i’m about to pass baton this is life expectancy of poet indonesian cigarettes made of clove leaves i held your wrists pinned your fragile body to floor strummed you like guitar while other men looked on i knew one of them would take you next

miranda comes out on verandah with lemonade on hot summer day hair blows free in breeze leans back against beam softly hums inside time bomb ticks somewhere fly caught in room knocking itself against window ricocheting off corners  buzzing crisscross ceiling floor miranda sips just enough so lips are wet eyelids flutter like butterfly wings ******* swell in heat of midday sun she calls to us with hand stirs more sugar in lemonade late afternoon when fly is caught entangled in spider’s web buzzing is muffled ice has melted lemonade watery we are dozing in hammocks rocking chairs miranda is changing dress perfuming thighs crafting character in mirror screen door slams she looks up recognizing it is only wind sun is sinking orange ball spider crawls fixing aim grabs thread swings in for **** we are passed out in grass at dusk lights around verandah beam on miranda appears wearing low-neck dress with one strap down breath heavy with anise invites us inside giggling shyly as we follow timeless newsreel vision men hard at work war room spins as fly ***** desperately spider opens legs miranda lies arched on bed eyes weaving

he gets drunk loudly sings she must be some kind of witch flying in the wind she must be some kind of ***** to dig this grave i’m in he rhymes it was just another **** stunt forgive me for speaking so blunt she was just being a lady no need to get crazy it was just another **** stunt he scribbles she gets ****** hair styled eyebrows plucked nails done walks out new woman miss fox Mrs. G. Fox madame de faux meeting the girls for lunch wearing her pearls writing her name in swirls talking up a storm pack of women is worse than pack of hungry wolves wolves stop at carrion women carve combs out of bones

Cal is driving Odysseus sits in passenger seat heading to pit & pendulum for cocktails it is raining down hard Odysseus looks out beyond sweeping windshield wipers sees red cowboy boots the ones they found together at flea market there she is Reiko Lee Furshe arisen from wasteland Odysseus tells Cal to stop car turns to see her she is running across street his hand reaches for car door handle what’s happening? Cal demands are you there? i can’t stop cars behind me! this is crazy Odys what’s going on? i’m not stopping! Odysseus stares through rear window frozen watching her disappear behind red brick wall in pouring rain

ghost girl it’s difficult to write in comatose passage apart i am in theater of mirrors with empty seat beside me black hole inside me itinerary of fears i’m seeing dancer but haunted by you look in your eyes smell on your fingers clonking up stairs of your wooden clog shoes feelings we dared plans we knew might never come true la laahh la lay la lay dee la lady of shady lagoon weeping willow pisces moon like India ink you’ve left indelible stain i fumble in dark of empress’s tomb like necrophiliac i grip onto memory stroke ashes of you lantern licorice amethyst bone you are gliding in your canoe cutting through mist swirling whirlpools that untangle themselves behind you dancing nearer to flame la shady lady does pirouettes in rain
Sunstroke.

There is nothing in the way she looks at me
that would lead me to believe
she'd ever read a book with me
or take tea out on the verandah.

Miranda
Miranda
I dream of Miranda out on the verandah with me
wish she could see what I feel
Wish I could steal her away for a day
wish she would say
'hey
how are you doing
I've got the tea brewing
come out to the verandah'
Oh Miranda
you make my heart ache
wish I could take you and make you believe
put my heart on your sleeve
put my lips against yours.

I woke up out of doors
I'd fallen asleep in the sun
waiting just waiting for Miranda to come.
S E L Dec 2013
welcome

she welcomes my energy inside and gives me tea
calms my busy light without a single word
smiles at my bright aura
a tabby ginger cat purrs on a gingham cloth
blue Delft plates in a row

this was a time with no fuzzy
no noise
no waste
no haste




dimming of all goodness

a woman’s head rolls on the fine sifting sand
dry and warm
a rapier juts forward, pierces the guts of an old man
who carries a child on his back
there’s a red blanket what flies on the line
soggy and now,  it’s hard to tell whose blood drips so

an elongated horn is blown from a desert hill
nobody lives in the mountains of Miranda anymore
her ghost has found voice in the echo of the brambles
her secrets still buzz in heavy hives of long ago
discovered and ravaged by trusted traitors
now hanging in clusters, newly unfound
dried corpses also hang (unmolested) in bloodwood trees
where every trace of gall is let flow in kino



the blood of Miranda flows on**

she of terminalis
lives on eternal
in brook and vale and bush
in veins of progeny bee
and also
in the crickets of the field
miranda schooler Mar 2014
The pavement glistens with it’s new top coat of shiny rain and she is driving back to school; back to too much noise and too many faces. I don’t want to go. I would give anything not to go. It happens then. I hear the impact first: metal pushing and crunching upon and into itself. The windshield gets closer and closer and in this moment it reminds me of a first kiss, but glass is inexperienced and uses too much tongue. I think I hear her say something. I am praying that she says something. She asks me if I’m okay. I feel dead and cold, and underaged corpse in the passengers’ seat. I say nothing. I hear her get out of the car to check on the woman who is screaming in the driver’s seat of her smashed vehicle. I feel warmth down my face that I assume are unwelcome tears, and open my frightened eyes to red. Red. And all I can think is ‘why have I not cried blood before?’ I open my mouth to say something, but end up tasting death. I blink my eyes more times than I need to. The windshield is cracked. She comes back to the car and keeps saying my name; a question. “Miranda? Miranda? Miranda?” the words I’m sorry cannot escape my mouth fast enough. The panic in her voice is undeniable. “Miranda? I’m calling the police sweetie, okay?” “I’m sorry.” “Don’t be sorry, it’s going to be okay.” “I’m so sorry Allison.” I can hear blood rushing from my head like Niagra Falls and I cup my hands to catch it. There is so much of it and it is burning my fingertips and all I can say is “I’m sorry.” I’m trying not to think of god right now, but I can’t help it. I will never capitalize that word again. I can hear her ask me questions that I forget as soon as they reach the beating drums of my ears, but I am guessing I answer them. She talked to 9-1-1 for days, months. I kept crying. I kept saying “I’m sorry.” When I closed my eyes everything happened backwards. Eve put the apple back on the branch. The tree shrank back into the ground. god said let there be light… and there was darkness. The pool of blood in my teacup hands grew more and more full when my door opened. I remember trying to get out on my own; I remember trying to run away. The officer told me to settle down and to not move and that everything would be just fine and that they were going to put me on a gurney and asked if my neck or back hurt or if I was seeing spots and what my address was and when my birthday was and other things and other things and other things. I dropped the blood and it flowed over my pants and my insides were on the outside and I couldn’t breathe. They placed my shaking skeleton into their ambulance. I had never felt so dead in my life. I went into shock. I only breathed when they reminded me to. I felt sick to my stomach; I felt drunk. The old man sitting in the back of the ambulance kept telling me to breathe. Kept telling me that everything would be fine. “I’m sorry.” “Sweetheart just try to steady your breathing. We’ll be at the hospital soon.” “I’m sorry.” “What’s your name sweetie?” “I’m sorry.” My head is feeling lighter and lighter and I can hear my heart slow in my ears. I see him writing on a clipboard and I hope he is writing Sorry, I’m. I want to be defined by my mistakes. Every speed bump we hit feels like Hurricane Katrina. He tells me to let him know if anything hurts. I want to tell him my heart hurts; that when we arrive at the hospital my mother will most likely be 10 minutes late, and my father will not be there at all. I want to tell him to not let them pray for me. I want to tell him that I’ve bled before, but not this much, and that the day before when I whispered to the heavens that I would give anything to take my last breath, that I didn’t mean it. That the intersection of Western Row and Kings Island Drive would become my gravestone.

The rest is blurred from 3 shots of morphine and the effects of shock. I still shake when my mom doesn’t stop far away enough from the cars in front of us. I still feel trapped when my car door won’t open. I am still sorry.
judy smith Jul 2016
The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

If you want to meet tech guys, you might catch them at Silicon Valley parties, which is how the Uber chief executive Travis Kalanick met his partner, Gabi Holzwarth, a violinist hired to play. Or they might be schmoozing clients downtown in a swanky Noe Valley club in San Francisco or a boring Union Square hotel in New York. In London you find them around Old Street, aka Silicon Roundabout, in bars, at hackathons, or start-up meet-ups. In the day they are coding at Google Campus or practising their pitching in a co-working space.

Some tech boys date the old-fashioned way: on Tinder. Airbnb founder Brian Chesky met his girlfriend of three years, Elissa Patel, through the app. When I interviewed Instagram co-founder Systrom he admitted that when he had been single he had signed up.

Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*
bitchesgetleid”.

No wonder some women are not inspired to become Twags. Especially when you could be a tech billionaire yourself. Would you not rather be Sheryl Sandberg, chief operating officer of Facebook, than married to the boss?Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/black-formal-dresses
We’d travelled more than a hundred miles
From the nearest outback town,
The sun was roasting the plains out there
And the heat was getting us down,
We’d left all the eucalypts behind
And there wasn’t a patch of green,
Only a scrubby saltbush there
Where the natives used to dream.

We halted just as the sun went down
And Miranda let out a sigh,
‘Have ever you seen such stars as these?’
And pointed up at the sky,
The heavens shone with a mighty glow
From the stars that glittered, proud,
Each was lighting the earth below
From the inky black of its shroud.

But underneath us the ground was hot
And the track it lay, bone dry,
There’d not been even a single drop
Of rain, since the last July,
We huddled up in the four wheel drive
As the air began to chill,
I pulled a blanket across our knees
And we slept for a little while.

Miranda had some Arunta blood
From her great-grandmother’s side,
She’d learned of some of their culture, and
She had the Arunta pride,
We woke to a distant whirring sound
And Miranda sat up straight,
And murmured, ‘That’s a Tjurunga
Trying to open heaven’s gate.’

‘The white men call it a Bull Roarer,’
She said, with a hint of fear,
‘And I’m forbidden to hear it, for
It’s not for a woman’s ear.
They’ll **** me if they should find me here
For breaking their sacred law,’
She slid down over her seat, and sat
Her head down, close to the floor.

I climbed on out of the cab, and stood
Surveying the dark surround,
The whirring seemed to be closer now,
And the pitch went up and down,
An icy chill ran along my spine
As I saw a movement there,
Something slithering over the ground
Not far from where we were.

I froze in shock, and I held my breath
When I saw a pair of eyes,
Both the colour of rubies, and
Of quite enormous size,
And then I saw the head of the snake
As it ploughed a furrow, deep,
Its body the colours of rainbows, then
Miranda took a peep.

She said, ‘It’s the Rainbow Serpent,’
As the whirring sound went on,
Covered her ears and shut her eyes
And said, ‘It’ll soon be gone.’
I climbed back into the cab and locked
The door, and lay down flat,
Trembled in fear, I’d never seen
A snake as big as that.

The dawn was gradually breaking as
I took a look outside,
And there, where the ground had been quite flat
Was a creek, ten metres wide,
And water, straight from the Queensland rains
Was pouring over the land,
Sluicing along the new creek bed
Where before, there was only sand.

I’d never believed in the Dreamtime
Or the tales that the natives tell,
But somewhere the Rainbow Serpent roams
With eyes from heaven or hell,
We turned the nose of the jeep around,
Drove back to the town once more,
I’ll never return to the desert, where
You can hear the Bull Roarer’s roar!

David Lewis Paget
NickBlockOneLove Dec 2017
Listen to my words
the kids they going crazy
Getting locked up
All they can clutch,
Miranda rights
at the same time
alright
Miranda writes
Our thoughts put to paper
Play it out on the stage
Never know the difference
Its a turn of the page

Some use their bullets
some wield a knife
Others preach the dollar
Is How they take our lives
Grab you by the collar
And break you down with lies
Don't matter what your searching
Only what you find
This is our misfortune
Blinded by distortion
Someday we might wake up
As we struggle to align

You cannot be free
all that blood in your eyes
Round and round in circles
A place I call my home
Just a lonely misfit
With the strength of a stone
Wonder round these valleys
While you sit upon your throne
Sometimes it's hard to admit
The scale of this dismay
Indeed we are alone

Some use their writing
The bullet is a pen
I killed oppression
Does that mean
That I'm insane
I killed oppression
What's left to be?
waiting in vain
I killed oppression
a fury made of fire
Brought down all the people
We were never equal
I killed oppression
Standing on the sun
The flames
You can keep em
They killed oppression
Shot it right between the eyes
Third, you may see
Lead you to your destiny
They killed oppression
Look at the world
Crumble let it be
No one really cares
About the people
No one really cares
About the people
They killed oppression
The wars about a dollar
Corporate oversight
Disguise pain with laughter
Gotta feed the horde
Seduction is their nature
They killed oppression
Read between the lines
They. Have drawn for you, as
We **** oppression
Anthony Sep 2012
The once timid

Shores of my resistance.

Fearing an inundation of the sorts

of Flotsam and Jetsam that can cure a man of loneliness,

Were trampled like soccer fans in Venezuela, when you appeared on my shore.

Certain that the fraughting souls within, were to cover me in stinking pitch.

I retreated to the hills and played the wait and see.

Waiting and watching and hoping to pray.

And when you legged your way

onto my beach,

I cried like a gangster on new years eve
My dear one is mine as mirrors are lonely,
As the poor and sad are real to the good king,
And the high green hill sits always by the sea.

Up jumped the Black Man behind the elder tree,
Turned a somersault and ran away waving;
My Dear One is mine as mirrors are lonely.

The Witch gave a squawk; her venomous body
Melted into light as water leaves a spring,
And the high green hill sits always by the sea.

At his crossroads, too, the Ancient prayed for me,
Down his wasted cheeks tears of joy were running:
My dear one is mine as mirrors are lonely.

He kissed me awake, and no one was sorry;
The sun shone on sails, eyes, pebbles, anything,
And the high green hill sits always by the sea.

So to remember our changing garden, we
Are linked as children in a circle dancing:
My dear one is mine as mirrors are lonely,
And the high, green hill sits always by the sea.
Pumatak na ang ulan,
Tumunog na ang kampana.
Sa hindi maipaliwanag na dahilan,
Sa gitna ng mga maninimba
Tumigil ang oras saiyong mga mata.
Hindi ko naman akalain na sa dinami-rami ng lugar na pwede kang makita, sa Plaza Miranda lang pala?
princessninann May 2015
tulungan mo 'ko sayo ay muling magtiwala
wag mo na ko bigyan ng rason upang magduda,
hindi naman masama maging tapat diba?
hindi rin masama magmahal ng isa.

kung si Eba ginawa para lamang kay Adan,
si Adan ba ay ginawa para sa dalawang Eba?
nagkamali ba ang Diyos sa disenyo Nyang ginawa?
tulungan mo 'ko, sinta na sayo ay muling magtiwala.

sabi nga ni Chito Miranda,
"ang tiwala parang tsokolate"
pag natunaw na, di na mababalik
sa dati nitong itsura, sa dati nitong sarap.

*babalik ako sayo, hindi dahil bumalik ang tiwala ko
babalik ako sayo, dahil tumitibok pa ang puso ko
babalik ako sayo, sana tama ang pinili ko
babalik ako sayo, dahil pinili kong magtiwala ulit sayo.
this is me giving my second chance, to love again and to trust again :)
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
JJ Hutton Jan 2012
Lipstick cigarettes and the empty soul of modern rock n' roll
laid in ruin amongst my collection of black soul addictions and sultry benedictions.
MIDI saxophones and an ex-girlfriend on the telephone
directing me to find my home, to rebuild the comb, to banish the bartender and the Reverend ******.

Alamo idiot stand and a neon Jesus
waving newcomers into the whitewashed port town known as "Cuba North".
At the Caged Gorilla, Linda, the waitress,
laughs through yellowed teeth, while my bloodshot eyes crawl up her red gums.
Binge'd and my brain keeps parallel with the ceiling fan
while a plain clothes cop tries to give me the reprimand for nostalgic mischiefs.
Handcuffed and looking for that old fiend, Freedom,
while Miranda spews on the back of my skull, slides down my shoulders, dots the cement.
Out the door and tourists with cameras looking for evil behind my irises,
but I can assure my handshakes feel the same, I'm front pew tame, and I blend with the parade.
Rose Amberlyn Nov 2012
A wild fire.
Dripping paint on an open canvas.
Colorful, inspiring, vibrant.
Breathing life into art.
Bold. Strong. Straight forward.
Her words powerful. Her thoughts matter.
She was born a leader.
Her eyes deep pools of water,
far more lies beneath the surface.
Silent laughter, searching eyes,
she is tough as nails,
but her compassion runs deep.
Socks her best friend, and food her true love.
She is beautiful and she knows it.
An unforgettable character,
beloved like an old classic.
Challenge her, support her,
she carries herself without conflict.
A memorable person, and a best friend.

Love,
Sara Ashley
I Will Never Give Up on You  
By: Miranda Martinez-Perez  

I've  been to a place "they" would consider "the top,"
And it felt great... that was.. until I fell.
It was a long way down. Would it hurt? I thought not;
And I was wrong, cause it hurt like H*ll.

I've hit rock bottom with an awful THUD.
Took me a while to realize I was still alive.
I wondered if it'd even be worth it to get back up..
Then pondered if I should just accept this is how I would die.

But something inside of me wasn't ready to fail.
I wasn't  ready to give up the fight.
In my mental prison, I chose to make bail.
I can't change my wrongs, but I can make them right.

So I got up, though it took all that I had left inside,
Went to that place that for so long I feared.
I knew the first one with whom I had to make things right,
that one was the one looking back in the mirror.

"I'm sorry," I said, "your expectations were not too much.
I admit I've just let myself get in the way.
I never took it into consideration that I alone am enough.
And all the extras in life were only for show and play.

You are perfect, I love you, and I am going to change.
I don't deserve for you to believe me, but I swear it's true."
The response I got.. I never expected to hear MYSELF say..
That was, "I will never  give up on you."
I hope you all like it.
Katy Laurel Jan 2013
I
There are many moments in life when tenses collide.
Ones you felt carried a
certain suspension separate
from any other emotion.

But here you are.

The gravities have hit head on
and danced into an embrace of blinding light
and you have poorly handled defeat.
Claiming care and emotion where it is never planned.

Learn control over that desire to understand.
Humans do not need to actually understand
but simply have motivation
to care about the small puzzle pieces
that compose the whole of this
mad, mad clock machine,
gliding through something we observe as
space, nothingness, holiness, magnificence, terror-
All that we attribute to
something named god
high above our clouded atmosphere.

II

But here i am.

Something separate,
but whole,
but a part, and dancing two dances.
Flung between two rhythms
too unalike
to exist
within the same night.

But I force them.
I space out an afternoon or a day, but ultimately I bring the two pulses into my arms and scatter my identity among the veins pumping lustful confusions and the brain filling up with failures that overshadow the motion of the last decade.

Yes,
the broken fragments attract the healers and the hungry.

III

Let them howl lustfully at your moonlit window.
Lock yourself inside your head and convince yourself that they have taught you all you need.
You have always been a lover
of the losers, the vampires, the beautiful demons of lilith.
They make your blood pump with laughter.

Here you are.
The moon fills such cold nights
and you abide by her hymns.
But you always end up with some ******* hope,
useless ******* hope,
that will never aid your illuminated comfort.

IV

His long home of bones hold you
and slip small moans into your golden spirals.
you reach ecstasy,
but instead of immortality,
you just feel smaller,
and more in time with death herself.

The knowledge that he no longer needs to claim your bones.

You are a glittering pendant
among tomorrow mornings garbage.
Too soon has the sun touched your totality
and given it
to other thirsty pupils.
You are a book that has already been read.
You are the instruction manual
learned too early to be made sacred.
You are merely an example of comfort,
false hope.

V

I begin to hate the teeth within his smile.
Yellow smoked ivory pierces my mind with failure.
What exactly are you looking for?
What is it you need to surpass?
The embarrassment of something you had no control over.
Well, maybe you are confused by your own reaction to the situation.
Your anger.
Your misplaced desire.
Your frustration with his thoughts.
Your carelessness to understand.
Maybe placing myself in the second person will help me come to terms with my evil.

VI

And this is also the part where you,
the actual second person,
attempts to fill the spaces I once fit into.

Ah,
how easily nothingness,
space,
can be filled
with only itself,
yet give off the illusion of golden substance.

So many alluring souls to put
in your mind.
your heart.
your puzzle piece.
So, instead you resort to the comfort of loneliness.
I wish you did not take on my vices so.
But here she is.
Glimmering with the constellations of late summer and a white smile that is filled with bones of travelers who lost themselves to the lonely wild.

VII

You **** in your smoke,
another habit I painted upon your innocence.
The nicotine makes you feel as if all this play acting is alright.
You say your part,
You use your prop,
You make the audience laugh at your vulnerability.
Shakespeare could never paint you as such a fake.

But these tenses do not collide.

You leave Ferdinand behind on the island.
Miranda has drowned herself in the surf where she first saw your ship.
She can no longer beg the gods to dismiss their nature upon your journey.
Play your new part.
Defiantly sing right back at the sirens.
Claim your knowledge with loud confidence.

I will slip into the alley way,
let your bright comedic play continue.
I will not drag down the unnatural lights,
I will not set fire to the platform you find yourself laughing on,
I will not interrupt your monologues with my sad songs of history.

I will lightly applaud your hungry smile
and be gone with the night air.  
I will sip my wine and ****
and laugh at the girl’s voice traveling over the buildings of our lives.
The girl you’ve hired to play my part and sing my poetry.
She’s beautiful enough to let the audience
float above history books.

I slash my face with pleasure.
The mask of indifference covers my hideous scars.
I will never be known as the sweet girl who kissed you behind the curtains.

I am now the agitated wolf
who miserably howls
with the moon's sonnet for the sun.

VIII

If you step off your stage
and eventually smell the forest of our past.
maybe you’ll find me there,
nibbling on lost our maps.

You’ll remember how to wrap your bones
around my nervousness
and sink your soft words upon my fangs.

Maybe this will work,
Maybe I'll never turn back into the sweet wise child I was.
Maybe I am meant
to see all in the
eye of the wolf.
b e mccomb Aug 2016
we had been mopping
the kitchen floor all day
and the dirt never
stopped coming back

and earlier we had sprayed
the entire front porch
down with the garden hose
and now it was still wet
which made it feel as if
it had recently rained when in fact
the grass was a crunchy
brown carpet of regrets.

the night before we had
drunk orange smoothies
laced with lime and something
aged sleek and dark

(i think it must have been
the reason we couldn't
sleep that night
lay awake in my parents bed
and i told you why i
wouldn't go swimming
until the sun rose
the dog barked
the birds screamed
their morning songs
and my body stopped its
nightly spasms of fear.)

and the next evening
we put on a miranda lambert song
(the one we drank to
in your mother's van last winter)
sat on the wet
porch swing
and cracked open
our first beers

they were
really bad
i gagged
because it tasted
like carbonated
banana bread with
too much stale
baking soda
and we poured half of them
into the flower beds

the next morning
was sunday
and we had milk and muffins
in the kitchen with
simon and garfunkel
then went back out to the porch
drank iced coffee in the
eleven o'clock sunlight
and you said
"if this were a normal sunday
i would have been up at six
at church by eight
and done teaching my first
sunday school class by ten."

(is beer as much
of an acquired taste
as coffee is?
because i can't ever
remember not liking it
i used to think it was
bitter but i always
liked it anyway.)

i didn't say anything
because i didn't want to
say what was on the tip
of my tongue
that this kind of sunday
had become my normalcy
and our variety of saturday night
no longer felt like underage
drinking and more like
the way i was meant to be.
Copyright 7/18/16 by B. E. McComb
F White May 2015
it is time, dear one.

to move ( no longer dally here.)
and stretch your legs into the unknown-
dangle your toes into chaos and
tickle the chin of change.

inch onto the branch of
choices and follies and casually
inform fate that she's got a nice ****

So spill your daring chant
roaring the words of a cowardly
lion as
you sally down this saffron road

no scarecrow here, just the winds of tomorrow

to tell us where
to go.
Copyright FHW, 2015
Mateuš Conrad Sep 2016
the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?
Debra in Silence Dec 2017
What happened to the beautiful boisterous screaming queens of the 80's full of Gloria Gaynor dancing on bars & pianos & teasing & strutting & grabbing life by the *****?
Every time I go to the Op Shop & see a pair of size 11 patent leather red pumps I think of you & put them on & walk around the shop just to remind me of the fabulous times.
Are you making lounges in the shape of Cadillacs or corsets or sculpting **** - tail glasses delicately gold leafed - centre table?
Back up x 30 in the Botanical Gardens at Mardi Gras & remember the good times, the sad times, the Carmen Miranda, feather boer, wig, **** & lipstick times my friends........
smooth jazz grand piano

.......
Ryan Bowdish Jul 2013
Shannon, Mariah, Serena, Maria
Meridia, Midian, Sharon, Alliah
Rochelle, Camille, Rose, Halo
Trenna, Jessica, Ashley, Georgia
Marla, Olivia, Sofia, India
Daniella, Diana, Christina, Caroline
Isabella, Amelia, Amanda, Matilda
Nadine, Haley, Bailey, Francine
Eliza, Annabelle, Kathryn, Sandra
Melinda, Audrey, Aubrey, Emily
Tara, Emma, Ginny, Kathleen
Josephine, Helena, Charlotte, Laura
Chelsea, Arkady, Megan, Kelsey
Kayla, Karliah, Moana, Vivien
Kaysea, Macy, Stacy, Lorraine
Theresa, Felicia, Cecilia, Darlene
Holly, Brianna, Alexa, Ariel
Marianne, Miranda, Jennie, Coral
Korra, Daisy, Penelope, Rayne
Zoey, Cassandra, Grace, Stephanie
Female names are beautiful. Poetry on their own.

— The End —