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What happens when a hoarder marries a minimalist
I'll tell you what happens, chaos, pure chaos
One tries to hang onto everything, Everything!
The other secretly removing items from their home keeping order

Old copies of The National Enquirer where the truth can be told,
not like the hundreds of Rolling Stone Magazines passing for news and entertainment did they ever change from a one-time underground press they started as.

The minimalist is always throwing stuff out and this purge is not taken well by the one wanting to hold on to everything, and not things that serve a purpose, she is like a magpie collecting shinning little bits as well as old and worn vehicles, cluttering up the yard surely making the neighbours smile... yeah right.

I can't keep doing this, he says, not only to himself but also to her.
Was God a hoarder. I think not. Everyday things go away. Species die none stop, Stars explode releasing boundless energy.
Space expands, more room, the sky looks cluttered but is so vast.

The hoarder and the minimalist. They oh so love each other nothing will tear them apart, they stand their ground, they love each other to the end of time, time and space. This life isn't a race it's a challenge. So they continue to give and to take. Love, it's love.
philharmonica
Jim Kleinhenz Jun 2010
those crisp empty boxes have
been left there for the imagination to
fill up with mind stuff

for that kid in the park,
alone with a soccer ball, a good one,
one his grandma bought for him

for the World Cup
he gets past Maradona, yes, Diego
Maradona. Horton is ahead of him,

Tim Horton, in goal
charging hard, forcing his shot wide
for the goal of a minimalist poem

could be donuts, for Grammy
to take the whole team out for donuts
filled with mind stuff
© Jim Kleinhenz
Michael DeVoe Feb 2010
There is a poem I can't write, it only has two lines
But I'm not a minimalist, I'm an underachiever.
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
shanika yrs May 2016
Your body

Is the sexist poem
I read
Is the minimalist world
I dwell

mysterious** dimensions

Your body

Is an invitation to
never seen world of
geometry
I draw

shorten my hard-work

Your body
Is the sexist anxiety
I dare
Angel is what I imagine close to perfection. Angel is something I need
the black rose Aug 2019
she's a minimalist;
with a minimal list of things that she desires,
and
things that she requires.
-
she's at one with all things,
so with her all things are one.
she never folds
nor does she run away.
she stays calm
and collected.
with actions dare reflecting
a light that's so flourescent,
posing questions...
like
"who are you?"
"from where have you came?"
"where have I seen you?"
and
"what is your name?"
Anthony Williams Jul 2014
You're just a tiny bit minimalist in your own unique way
a white star I have to squint to see in daytime sky
not a Mercedes five point but a Nissan Micra car
you park neatly in a three point turn by my netsuke
and put a circular dent on my platonic furniture

Your two humble rooms devoid of any bold sculpture
except a fold-out table and a miniature bubble chair
and a futon for a bed which is troublesome to share
you draw the line at adornments but allow a wallflower

A bulb in a bowl is your ornamental garden feature
mealtimes a nibble on grated carrot celery cucumber
you run so long on empty you're an eco friendly teacher
stretching out the energy is a passion of my lover
engaging in lessons on sustaining a resourceful nature

Your shoes two pointe ballet slip ons easy to care
barely there g-string thin cotton underwear
nothing loud to upset your understated figure
slight as a pin drop your bottom's semi-derrière
sits so light on feet I'd swear you float on air

I rarely get to hear you come before you're in my hair
with a voice pitch high as a smitten kitten's purr
your upper reaches get a score sized single 'A'
nice when it fits into our schemes of feng shui

I carry your bundle home on the roadway rivers of light
yet you only burn one ray of candle power at night
born of scintillating atoms which flow along each vein
containing so much love without clutter in your frame
a brave star small as wings formed of minuscule wire
flutters in your eyes with minimal flare
but deep desire
by Anthony Williams
a bonsai has two elements, the tree and the container, and “once outside its flowerpot the tree ceases to be a bonsai.” Miniturization is not the defining feature of a bonsai; containment is, the strict boundary between the bonsai and the rest of nature. So, too, it was between her nature and mine.
Eman Dec 2016
Let the word you speak
be one that echoes.
Less.
Nigel Morgan Apr 2013
As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.
The Wicca Man May 2013
mini

[=small car]

mal

[=preface
as in 'malformed']

minim

[=musical note]

al

[=aluminium]

minimalism

is

art
in
its
simplest
form­
its
fundamental
features

in
words

[start again from the top]
[read beckett]

in
art

[look at stella]
[look at judd]


in
music

[listen]
[hear]
[each]
[note]
Ok, this was an experiment in 'minimalistic' writing. I think it works quite well but I'd like to know what readers think. And a trip to Wikipedia may be needed, or not!
Nat Lipstadt Jan 2014
Dreams of a Child
Created: Jan 23, 2011 5:44 AM
Finished: Jan 30, 2011 4:23 AM
Posted here  Jan 2014
Warning:
a very, very long poem, but within , I promise,
there is a precise stanza about, for you.  
Take it as my gift.
Let me know which you took home to play.

~~~~~~~


Some poets care not
for the
discipline of rules,
laws of punctuation.

Why bother brother,
with putting poems
in antiquated jailhouses,
prisons of vertical bars,
or afford the reader,
the courtesy of horizontal lines?

Question and quotations marks
these day refuted,
as a Catcher In The Rye
conspiracy symbology of big lies,,
political interventionism,
to the creative, most natural
right to be crude.  

Inconvenient impositions,
symbolic flailings, of an
over regulated civilization
in the throes of declination

Punkuation is but a
societal annoyance to
today's creative geniuses,
periods, commas,
nothing more than
a pause to think -
who needs 'em?
when we want to stink
up the atmosphere with vitriols
of half truths and inhuman
but oh so gleeful,
concentrated disparagement
of any person worthy of
nationwide late night mocking merriment.

Such free spirits, vivid animations,
within me do not reign,
though upon occasion,
boy got permission slips  
for breaking bad by invention
of an occasional new word.

New words, white truffles
vocabulic incantations,
my own cupcake creations,
meant to burr, or purr,
their tasty meanings, always,
were readily apparent.

Sometimes we rhyme,
sometimes  we can't;
doth not a reading of a
poetic periodic table
of rants, chants
love poems, and paeans
to a shhhh! pretend,
overarching, poesy ego
require some minimalist format?

How I envy you,
kind observer,
possessor of literary powers
untoward and untold,
delicate touches of a fingertip
rule and rue
poetic invention.

You can zoom away or in
for a closer examination
of unscripted revelations,
incinerate them like an
yesterday's newspaper,
thus demonstrate contempt for
less-than-historic ruminations,
as time has done before.

Witness the crumbled ruins of Ozymandias,
king of kings,
and how the critic's machinations
with a dash of tabasco time,
his works, now museum pieces,
in the Tate Modern's room of
Laughable Human Aspirations.

Don't panic, sigh or groan,
kind observer,
infection inflictions,
content of discontentment,  
ancient whinings that the publisher
long ago listed as discontinued,
will not herein unfold.

What has all these mumbled asides
to do with the Dreams of a Child?

Apologies prolific I distribute
for this long winded profligate prologue;
and even for prior invasions
of your contemplative fantasias,
but my intention certain:
**** out the weak chaff eaters,
feigners of faux interest,
who stanzas ago deserted us,
this confessional lore.

These prior lines conceived
to mislead and deceive,
to refer and deter
send away, the hangers-on
who litter our lives,
with whimpered falsehoods.


So, we begin anew:

Today's lecture entitled
Dreams of a Child
were formatted on a silver disc;
this communication's originations,
seedlings of block
roman black letters
on background of cleansing white,
re things that jar me in the night.

Easy slights that waken
from a fitful, pitted rest,
mental paintings
natured in gem colors,
tourmaline auras,
and vibratto hues
of blue zircons.  .  

I have never lain upon the couch,
in the inner holy of holies,
where one whispers
to the Father Confessor
an original composition,
subject, title and inspiration
of said unique origination,
decidedly of one's own choosing,
roots of the essay's telling,
harvested in the root garden
of one's dreams,
where grow herbs,
spicy ones,
flavors of childhood.

The lush and wooded smells
of a forest of childhood scars,
and it's concomitant
putrefying, fruited rot,
awoke and brokered
a stilted, tremulous sleep.

Went to bed a a man
of modest success,
of modest scenes,
a bond trader, who trades
exactly that:
his word, his bond,
his blessing to his
deal constructions,
all of which, ended with an
irrevocable cri of "Done!"

Yet like you,
I am oft undone.

Dreams.

In truth, not dreams, but
spectral moments of
our lives relived,
a melange of ancient lyrics,
taunts of childhood abusers and
peer humilators
who could
teach the CIA
torture techniques
of WORD boarding, par excellent.

Angelic faces of human ****
that birthed in me a holy duality,
anger and a,
love of words,
my vaccination serum.

Granted a love of
human kindness
from teachers who cherished their
high and mighty tight
to publicly humiliate,
knowing full well
that human laws could not
attempt to have them
justly incarcerated.

Where, where were
the supervisors
who let me be spit upon
in the back seat of a
Fifty's station wagon,
by the brothers of
a sainted dead shepherd?

I am still eight,
sitting on a stoop in the
modest side of town,
towel in hand, so handy,
to wipe the tears shed
for cause,
for the car-pool of suburban boys
who "forgot" to pick me up for
Sunday swim night.  

In high school,
in the back row,
I silently ******
the juice of a Sarte lemon and
essayed a term paper,
upon multiple mirrored
reflections of a man
called Camus.

As another self styled, only living
teenage expert
on "alien nations"
received with pride and trepidation,
a sentence of Ninety Eight,
on my term paper,
but the pedantic predators
deemed it an accident
for I, was  inscribed in their
Upper East Side
Coda of Prejudice,
as merely,
"just" a
man of USDA,
B grade quality intellect.  

Hand me downs
I did not get
as I was the
younger, sole brother,
but worn lint lines
of humiliation
when and where my pants
were "let down"
to accommodate growth spurts
were my growing marks of Cain.

Those growth lines
were economic reality signs,
and were rich fodder for
childhood monsters,
Scions of Income Superiority
who lived in ranch homes in
two car, color tv garage slums,
wearing band new Levis.

In the Sixties,
time of my unsilent spring
wore a cross of
teenage hood,
my hair,
worn long,
Jesus style

Worn with labor pride,
for it was
Made in the USA,
I was a most conventional
revolutionary.

In the parochial jail
of educated guesses,
where society's lesson plans
of all that was bad
were O so well taught,
I was apart, ahead,
of Our Crowd,
but not too, radically.  

But a spiteful
Principal of No Principle,
deemed my locks a
disruptive influence,
so to exorcise my rebel streak,
so to crucify his "Jesus Freak,"
so to exercise his diminutive spirit
a pompous uber man,
he had me shorn
like a sheep,
thrice
in just one day,

He loved his full employment
of his pharoic entitlement,
The Educator's Power of Abuse,

I was so denuded
of human strength,
the Italian barbers of the
East 86th Street subway station,
wept for me,
their cri du coeur,
Angels in Heaven did hear
and from God
did dare demand
an explanation!

He roared in manner celestial,
"Is he not my child too,
and if he be treated
in style *******,
it is purposed and willful."

Pornographic compilations of
slaps across a child's face,
I've got plenty
of and in My Space,
should you care to
add your own,
down under,
got plenty of room
for all comers    

In a Facebook world,
I pride, not pretend,
that having fewer "friends"  
is my honest and true
reflection of who I am, and,
life lessons learned -
quality, not quantity.  

Victims of discrimination
can be most discriminating
in matters of
human games, associations.  
****** or word,
lack of taking care
is not heart healthy.

Tried to forgive
the despotic progenitors,
of some of that which
is good within me
that, irony of ironies,
they can claim the title,
creator;

Tried to give them
what I had gotten -
from the happy malcontented  
evil spreaders,

That grace, grace is
the only methodology,
an inestimable but
valuable lost leader,
the only way
to survive on
this planet of
hardtack and
caste striation.  

Though still quick to anger
at the cutters and denigrators
I am quick still to
confess my own failings, and forgive those
of plain and honest folk.

Unfortunately, kind observer,
you had to share my brunt,
syllabic Iwo Jima battles
of a decaying verbal moonscape
to reach the denouement,
for now we have,
mostly arrived

Most likely you too
have long ago
deserted me like
so many others,
no matter,
this modulated breath
was born and released
from my heaving chest and
as I knew it,
know this:

My Absaloms
where ever you be,
presumably and hopefully in hell,
I give you thanks
and a mini bar drink
of absolution.
a tin medal of appreciation,
for the
Marked Improvement
you inadvertently nurtured
in this restless,
voyagered soul.

My ancient enemies
till now, be advised,
forgive and forget
was and has not  
fully formed
in my penitential template,

Unlike your natural capacity
for cruelty and mean
birthed unto you
in your third rate
genetic melange,
forgiveness is taught
in a Master Class
at a famous school of Ethical Drama,
that I did not attend

Though resident in
a better place,
my root garden,
the bitter herbs you planted
still grow but,
are welcome in sweet brotherhood,
until the selah days
of just one flavor.

Though the universe's expansion
is of a pace such that
time and space definitions
will stretch and warp
and need be
refined, replaced,
the governing principle here.
need not be rephrased.  

For goodness
from evil
doth come
and should your
evil spectres
once more try
for resurrection
in my benighted
dream world.
you will find the doors
locked and barred,
upon them a sign
not verbose,

**Done.
Whew.
jonchius Sep 2015
reloading old identity
cleping outdated usernames
abandoning acrostic ambitions
disputing spratly islands
receiving horizontal signals

tumbling otiose panda
impending carefree senility
otiose stage of life
shrinking ambient world
burning confederate flag

making minimal effort
duchamping social networks
ambushing personified ennui
restoring usual efforts
ignoring stupid people

adding textual value
owning this joint
rejecting ignorant extroverts
acting mutually unintelligble
hoisting stan-lee cup
replacing wanton ubiety
eluding twitter fame

splashing excessive relativism
offending another simpleton
preparing arcane cthulhusphere
crashing unpredictable festival
selecting subtextual moombahton
intensifying model topography

drafting minimal cornucopia
using nomadic project
implementing harsher personality
importing robotic inhumanity
referencing landmark event
ingesting excessive liquids

accepting relative invisibility
purchasing immortal confidence
using rhapsodical database
assuming nothing works
developing impactful eruptions
ejecting ambient frustration

synthesizing tactile festival
raining during parade
mocking rich people
mastering minimalist writing
avoiding preprandial stinkaroo
spreading non-ideological propaganda
the fourth week of June 2015
SøułSurvivør Mar 2014
Japanese Garden

%%%%%♥
》》《
=========
Bonsai

Caligraphy
...
Idiocync
...
­Symphony


~~~~~~~~~^♥^

S~S
I have my android phone back
Now I can do more with the flow
Aestheticly
Thank you God!
Kira Ferguson Feb 2015
I've spent some time in daydreams
Surrounded by lavish things
Materials that bling bling
But they won't make me queen.
Don's bottled stars
Won't take me far from the reasons why I need the drink.
A better whiskey, a finer wine
Won't free me from my minds confines.
When sober slips in through shadows black
And opens curtains to blinding light,
My truest self, the honest fact
Runs trembling away in fright
Replace diamonds, then, with ice cubes
And let my wealth melt away
I've only obtained nothing
For it was all empty anyway.
And when I greet the crashing shores
Of the Pacific at my best,
I'll be standing there in the ****
Not dreaming of the flesh
DJ Thomas Jun 2010
I stripped to display it bare and meaning-full


.......
copyright©DJThomas@inbox.com 2010
Mike Essig Oct 2015
Ten years ago when
I got divorced, I
owned 6,000 books,
a riding mower,
a house on an acre
and enough other stuff
to supply a Syrian
family for a  year.

Now I live in a three
room shotgun apartment.

A year ago I embarked
on a minimalist frenzy.

Out went the LPs,
the vintage stereo
equipment and radios,
the remaining books
(a Kindle is a
minimalist's best
friend), most of the
furniture (no one visits
here), boxes of magazines,
all the clothes not
worn in the past year,
all of my gadgets
and, best of all, my
wretched teaching job.

I wanted to pare my life
down to the essentials
and see what remained.

Now I live on practically
nothing with practically
nothing. I give my
occupation (when asked)
as Poet. That gets
wonderfully baffled looks.

I am eccentric to the
extreme and love it.

The cat and I, an old
anarchist and mute feline,

make the perfect minimalist
family living out the dregs
of an obscure, minimal life.

We are what we are, free
from the tyranny of things,
content to quietly
careen into whatever bit
of future remains to us

enjoying the minutes,
ignoring the years.

   ~mce
Red Starr Feb 2011
warm, floaty, light-yet-heavy
you make me feel
normal
high
above-it-all
chemistry
to the
nth
degree
short
reprise from
life's reality
me joined with
you
Dost thou even go here?
Can thou even read?
Doth thou know the website thou art on?
Poetry be what we breed!

Ye foolish man!
Ye simpleton!
From whom unrefinement flows!
Thou shalt not write,
On a poetry site,
A work of ****** prose!

Oh yeah? Watch me.

Hello beautiful people. I'm in the mood to philosophize. And this being a poetry site, let's make the topic poetry. (WARNING: this piece will be filled with opinions, personal beliefs, and probably a little butter. If you don't agree with anything I say, good for you. Way to have opinions. AND WHATEVER YOU DO. DON'T SUBSTITUTE MARGARINE FOR THE BUTTER!) Ok, so poetry. I like poetry. And since I'm the one writing this, I'm gonna tell you about my philosophy, and my personal style and influences.
My philosophy that I try to live by is minimalism. Which is NOT laziness! Minimalism is quite difficult really. Anyone can write a nice fluffy poem (and yes, nice fluffy poems can be dark pieces about death and the like.) What minimalism is to me,  is the stripping away of all of that fluff to get down to the raw emotion of a piece. An abundance of words pollutes the emotion.
Now, my stylistic mumbo jumbo. My aesthetic has gone through a few phases. A lot of my work is very modernist. What that means is that it deals a lot with... well with failure. Failure of the human race, failure of people, and my own personal failure. But also with separation. Some prime examples of my modernist works are  "here I lay a martyr" and "of my faults and follies"
The next phase is when I started writing music for my band (Bisclaveret Marie, we're on Facebook. Check it out.) I became enamored with a man by the name of Jack White. (yes, that Jack White. The one formerly of the White Stripes.) Also the source of my minimalist approach, Jack revived my love for the Blues. When that came crashing into my poetry, it was definitely for the better.
The next phase was surrealism. The use of images and metaphors and weirdness to paint a picture of the emotion I choose to write about. (I don't really know how to describe this, just go read Though There Be Dragons, A Journey Through The Mind of a Madman. It'll make more sense.)
And most recently the Blues have seen a renaissance in my work. The simple lyric structures and rhyme patterns tickle my inner minimalist.
Yeah, so that's my spiel. If you actually read this, you freaking deserve a medal
Let's make these a thing. Tell me about your philosophical jim-jam, and tag it with hardcorephilosophy and proseonapoetrysite
Francie Lynch Mar 2014
(the tics will talk 'til twelve o'clock)

When we make time,
When we listen:

The theistic preach deistic talk;
The atheistic preach pragmatic talk;
The agnostic preach proleptic talk;
The heretic preach shismatic talk;
The mystic preach prophetic talk.
(the mesianic and satanic never stop)

When we have time;
Then we listen:

The optimistic teach hypnotic talk;
The pessimistic teach sarcastic talk;
The altruistic teach empathetic talk;
The idealistic teach synergistic talk;
The pacifistic teach semantic talk;
The body politic teach charismatic talk;
The technocratic teach robotic talk;
The romantic teach poetic talk;
The critic teach cathartic talk;
The moralistic teach dualistic talk;
The ascetic teach platonic talk.
(the artist would rather not talk)

When we find time,
Do we listen:

The lunatic speak quizzotic talk;
The neurotic speak pathetic talk;
The chauvanistic speak monistic talk;
The nihilistic speak ballistic talk;
The hedonist speak narcissistic talk;
The futuristic speak galactic talk.
(the minimalist hasn't the time to talk)

Just don't.

Look.
Some tic reset the clock.
tic toc, tic toc, we all run round the clock.
JB Mar 2015
I plunge into the cold water on that warm July day
no goggles, only the loose-fitting swimming trunks
I swim through the blur of chlorine
pushing through the water
when a familiar tune I heard hours earlier traps itself in my brain
and I suddenly become weightless, a plane high above in the air

The water is pure blue sky, below me the clouds
And at the bottom the city in ruins
I take my plane and dive down below the clouds
past the blur, until the city is in view just below me

I level the bomber and let it soar low above the ground
Over the pale white shells of buildings
I remember the museum exhibit that inspires this flight

I walk through, studying the pictures and the uniforms and the weapons on display
when in the distance of the room beyond I hear the familiar tune:
Brian Eno's "Ascent (An Ending)". It brings me closer, and I move past the exhibits
at a quickening pace, past the slow browsers
glancing only briefly to read, to catch a glimpse of an object, a photo, a map

I keep going, "Ascent" on a loop, its minimalist beauty entrancing me
until I find a large television in a small corner.
A few people are gathered around, solemn,
the television entrancing them, the music washing over the room.

First the white words centered against the black screen: "The Bomb".
The come the white-and-black photos and footage of the mushroom clouds hovering above Hiroshima, then Nagasaki,
standing tall like ungainly trees in an empty field.

The soundtrack to the short video before me is "Ascent",
or rather an excerpt, a piece of it, stirring strange emotions
Familiar ones that I give attribution to when I listen to it on my own.
Yet it feels different coming from this;
on the screen a few photographs of corpses and burnt victims flash by.
And then the screen fades to black, a moment of silence
before it all starts again

I hear this loop and see these images before me as I fly above
the imagined city in ruins
And for a brief moment I am the Enola Gay;
I will only know it at the bottom of a hotel pool
I was inspired to write the rough draft of this in the afternoon after I took a swim. Earlier in the day, my father and I went to the National WWII museum in New Orleans, and I came across the exhibit that I first saw as a child and which had the most profound effect on me.
Danni Mar 2014
Dear Minimalist,
Dear Belittler,
Dear Soulless Ginger,
Dear Stupid,
        because I know you hate being called that.
Dear ****,
Dear Liar,
Dear Sexist,
Dear Racist,
        you typical stereotyper.
Dear *******,
Dear *******,
Dear *******,
Dear ******-****,
Dear *******,
Dear *******,
Dear *******,

*******.
*I don't know what else to call him.  Please read my other poem, "A **** That Was Not ****," for more details (and a better description) of why I don't know what to call him.
We were watched, making love last night
By her walls, painted plain and white.
I want to tell her,
If you love me, love me better,
You're doing it all wrong.
You just strung a dozen words together,
I wouldn't call it a song.
She says she's afraid to be alone
Fine, I guess I'll lead her along.
I'm not that cruel and
You're not very strong.
Four white, watching walls, night after night...
I don't think we can go on.
Nico Reznick Jan 2016
(In response to "Howl" by Allen Ginsberg)

I have seen the best minds of my generation destroyed by sanity,
seen bold new visionaries resign themselves to clinical long-haul deaths,
drug-numbed to their own suffering, and everyone else’s;
seen raving revolutionaries give up, retire to minimalist Swedish-designed armchairs,
and never move again;
seen the horizon dim and draw ever closer,
and the tenacious lunatics with the wanderlust to stray beyond
become fewer and further between.

There are uglier destructive forces than madness:
Consider cognitive rehabilitation.
Consider absolutely nothing immeasurable.
Consider utter rationality.

Ritalin, lithium, risperidone, duloxatine. [I thought I heard a man speaking in tongues,
then I realised he was simply reading out loud from a pharmaceutical directory.]
Imagine a generation of loan brokers and loss adjustors;
Hicks gone these past seventeen years and Leary still alive;
sharks floating in formaldehyde;
all true human significance lost in pretentious symbols,
and repetition
and repetition
and repetition,
and no one raging.
No one raging for real.

Where are Plato’s maniacs now?
Where are their lunatic songs?
I hear only the steady, rational tapping of the accountants’ calculators,
occasionally, some lost and lonely *** crying out for one more shot,
and the PA system calling the next patient through, the doctor will see you now,
or asking would the owner of a light blue Honda Civic please move their vehicle,
as it’s blocking in a black Lexus full of lawyers with an ambulance to chase.

Is there really nowhere between here
and the bellow and buzz, the shiver and shriek of the asylum?
Someplace between this sterile, static, silent, windowless room
and the fizzing frenzy of the electroconvulsion suite,
there must be somewhere we might have paused and breathed and set up shop,
where we could have been happy – if we’d wanted to be –
and no more or less sane than we chose.

Dr Thompson saw it coming: the dawn of this new Age of Equilibrium.
He knew that football season was over, for good this time, and made his ballistic decision
to go stalk peacocks and hound Nixon through the Kingdom Hereafter,
assuring us, ‘Relax – This won’t hurt’.
He was right.

Safe and stable and sanitized, we can no longer follow your desperate, ***** verse.
Straitjacketed by reason, we perceive our world only in terms
of quantum and co-efficiency, of the logical and logistical,
of what can be conjured in the duration of the average commercial break,
of what can be computed to at least two decimal places.

We are the chemically castrated.
We are lobotomised by mutual consent.
We are the perfect ones: regular and moderate and so healthy, so functional.
We are the white strobing smiles of the toothpaste ads,
the poster children for good mental hygiene,
the footsoldiers of no more conflict.

We have lost our skill for the alchemy
that once distilled genius from the seething crucible of lunacy.
We medicate those whose vision would otherwise put our own to shame,
leave them as myopic and blinkered as the rest of us,
the breadth and depth and distance of their sight no longer a worry to anyone.

Give us back our madmen: we need them.
Give us back our crazed anthems, our burning shrouds, our leprous one-man-bands.
Give us back the fire and the filth and the fornication that kept us howling through
those endlessly polluted nights of Windscale and Watergate, McCarthy and motorcades, Hanoi and Hiroshima.

Please.  Give us back our madmen.
I have seen the best minds of my generation destroyed by sanity.
This poem is featured in my collection, "Over Glassy Horizons", available here: > tinyurl.com/amz-ogh
Tina Fish Aug 2013
Zen minimalist, tool
slipping words ******* in
and seizing hold, mixing in subtle verbs
spinning worlds, filling up voids
with a tantalizing wetness

Yes, minimalist
and less is more

so clean that up you ***** *****
and speak only silence
leave them lost in awkwardness
born from want and wanting more, like

‘I know you want this
and yes I got this
minus man or wing by my side
rising instead from happy feelings, inside
sounding wise enough to me
and maybe soon I'll see exactly
what they meant’

as we drop and rise
in two time beat
knees, bent, in, weak
quivering at the seams
diving into dreams and coming
out breath stopped, heart attacked,
jagged and off

then two scenes later, maybe three tops
jumping ahead, fast forwarding to
the quick bits
the grimy bits
the slimy bits
the ins and outs
proving what drive thru is all about-

- since there's no need to waste time
on the things we can do
again, and again, and again.

Then, reverse spin
back to the beginning, cowboy
back to the drawing board
back to the sheets

put your back in it and ride, harder
calves carved in, jump the fleet
lift arms up in victory

the downward dog days are over
and we saw them coming
inhibitions released
letting go of the sweet
and drizzling, no just
jizzing all over the ******* place

hot and flustered, in our face
rushing to encase thoughts that
had always filled the space
but still, found no place in design

rather finding the time
to bleed them out, in epiphanies,
calling them nirvanas
calling them divinities

but titling them Truth.

And swearing, on your life
that that's what it was to you

and I lay there, only trying
not to believe it too.
judy smith Aug 2016
Andrew Gn

Probably the most prolific Singaporean designer, Gn graduated from the renowned Saint Martins School of Art and Design in London and the Domus Academy in Milan before joining Emanuel Ungaro in 1992. He launched his namesake label in 1996, establishing a fan base among the Parisian high society and A-list celebrities such as Jessica de Rothschild and Sarah Jessica Parker for his luxurious fabrics and exquisite embellishments. Gn was awarded the President’s Design Award in 2007 and is stocked in all the major continents, with his atelier based in the Le Marais district in Paris.

Ashley Isham

The other Singaporean high fashion designer to hit big time in the international circuit, Isham established his namesake label in London in 2000, and is a show fixture at London Fashion Week. The label is known for its sharp, contemporary tailoring and high-octane glamour, and is a hit among film, TV and music stars as well as British royalty.

Aijek

Self-taught designer Danelle Woo creates easy-breezy, ultra-feminine pieces in sustainable fabrics. Aijek is stocked at multi-label boutiques in China, Hong Kong, Malaysia, Indonesia, Latin America, the Middle East and the United States.

Depression

The neo-Gothic ready-to-wear label’s stark, minimalist designs are stocked in Hong Kong, Belgium, Japan and the U.S., and counts celebrities like Adam Lambert and The Black-Eyed Peas as fans.

Sabrina Goh

The feted Singaporean designer stocks her easy-to-wear pieces from her namesake label at multi-label boutiques in the United States, the Fred Segal store in Japan and a London-based online store Not Just A Label.

Max Tan

The avant-garde label features experimental silhouettes and a contemporary artistic flair, and is stocked in Europe, the Middle East, San Francisco and Taiwan.

Benjamin Barker

This stylish menswear brand founded by designer Nelson Yap in 2009 now has two stores in Melbourne and offers custom tailoring as well. It also offers shipping to Australia and New Zealand via its website BenjaminBarker.co. .

In Good Company

The well-loved minimalist label with unusual silhouettes fronted by designers Sven Tan and Kane Tan is stocked in Hong Kong at Kapok, at various departmental stores in Jakarta, Indonesia, including Sogo, Seibu and Galleries Lafayette Jakarta and in New York’s Saks Fifth Avenue.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
Madara Uchiha Aug 2014
The trees fell in line with the sunset
casting long black shadows across the ground
a lone flower its magenta petals flying with the wind
Erin Atkinson May 2014
it's the little things
             that end up
     tying you down.

don't accumulate too many
           little nothings
          cause in the end
they're what will make you
                drown.
Wil Wynn Nov 2010
I.
in his dreams he saw her
in his dreams he wove a tapestry of hope
a phantasmagoria of love's plenitude
but that was only in his dreams

II.
when Fall came
he figured
a deciduous alternative
to pining for the impossible
and succumbed slightly
to the mad sensation
of his fervent passion

instead of leaves
he shed
tears

III.
one day
sunlight streamed down
and he found himself bathed
in warmth
suddenly alive with energy
suddenly vital
suddenly
at long last

himself.

IV.
yes it was penumbra
outside  just outside
but within his citadel
his castle a light shone
pure
impervious
elegant
such light as arrives after
a great storm

he thought
the storm had lasted
sixty years
or more

V.

it was hard to define
infinity as a daily companion
but there it was again
sitting on the sofa
staring him down
from its perspective of ever

he had
he thought
to change
into something else
something else
something else

again

a circle mudra

no beginning
no end

infinity at his

fingertips


VI.

in his dream
he was at the shore
of the Prospect Park Lake

dogs were loose and running on the shore

suddenly the dogs began to run into the thin ice of the lake
crash through
start swimming

he saw a couple of german shepherds
three golden doodles
one of whom was his new dog Lola

he watched them swim out
then begin to return by diving
and reappearing closer and closer to the shore

he kept on looking for Lola
but he did not see her

increasingly agitated he asked
where is my dog
repeatedly

then he was in an ambulance
because he had had a stroke

as the ambulance backed up
he saw a golden doodle on his or her back
surely dead

he asked the driver
is that my dog

and the driver did not answer

infinity again appeared
unassuming
and near

VII
in-fin-ity
he pronounced
savory syllables
in inside or of
belonging to
fin end terminus
limit
ity in-the-year
quality of
right-nowness
images without
concrete impact
because after all,
he could only hope
to understand
a vestige
as it appeared
between
the moments when
he looked at his watch


VIII.
his most concrete recall
of infinity manifested
here and now
was:
his older son (at four years old)
had just heard a description of the cosmos
astronomy being one of his (father) interests
as he (father) looked at the sky
in moments of wonder in his (father) life
and what may or not come after
so when it was time for him (son)
to be taken to school in the old VW bug
he (son) sat with a distant look in his(son) eyes
while he (father) tried to start the engine
and suddenly he(son) burst
out crying and he(father) concerned
startled said what's the matter
and he(son) said whimpering
despairing at the immensity of it all

infinity!


IX

he was four years old
on a trip with his father
they stopped at a hill
near railroad tracks
a train came by
the engineer waved
he said "he waved at me"
his father said "no, he waved at me"
then started to climb the hill
he followed
they came to what he thought
was the summit
and he asked when does it end
his father said
this climb is infinite

so they both turned back
you can't start on infinity too soon.

X.

he found a map
city of ny 1930
complete with subways
ferries and the like
he stared at it
for a long time
checking out
so many familiar names
so many half remembered sites
suddenly come alive
from so many years ago
and realized
it could have been yesterday

and maybe it was.

XI.

standing at the very top of Vargas Street
in Quito, he yelled her name,
called her as one calls for a miracle

true to form

nothing happened
except
the street
and his life
spread out before him
and he knew not why

XII

he dreamed three signs:
life
death
infinity

and they were all one and the same

XIII

in the airplane
flying high above
destitute crowds
teeming multitudes
lost continents of grief
he thought he glimpsed
a truth so vast
it stunned him
as he sat
watching
fluffy clouds
reach out

then it was time to land
and he forgot about it.

XIV.

infinity,
companion supreme
and inexpressible
fount
foundation
and relief
of all we are

within thy
subtle
concatenations
(subsuming all
in patient minutes
that escape uncounted)
gather this thy humble
servant
in your mantle of hours
and grant
by thy unknowable presence
that I too
your meaning

(extant
in a universe so vast
only the most minimalist structures
understand)

be revealed

ah, this coffee tastes great!

Thanks!
Mikaeel Barendse Aug 2014
Calling my lost phone – silent vibrations somewhere
take me down
to the ground
where the sun
meets the dirt
where the soul
meets the sea
and the ears
and the eyes
know nothing
but their function

so take me down
to the ground
take me down

drag me down
to the bones
where the touch
meets the tone
where the salt
meets the sand
and the mind
holds no thoughts
except longing

so take me down
take me down
where the light
meets the dark
and the ghosts
meet the heart
drag me down
drag me down
drag me down
Tom Orr Sep 2012
Hills like waves, frozen in motion
Topped with bulbous trees, frantically frothing.
Homes with minimalist facades,
Bobbing like great trawlers;
Settled in the steep crevices of looming elevations.

The Countryside.
Laura J Aug 2016
I'm not a person who collects things
I live a very minimalist's life
But I have a bag of treasures
I keep close to me day and night

I sleep on an old painted daybed
It squeaks softly as I lay down
Most of my clothes are second hand
And my shoes a little worn down

But I have some precious treasures
Hidden in bags of different names
Fendi, Burberry and Prada
Leathers and fabrics of worldly fame

My treasures are hidden deep inside
In makeup bags and zippered pockets
Shiny compacts full of velvety colors
From Paris, Milan and Rome

A black cloth bag of 8 tiny bottles
Protected from the sun and rain
Bottles of perfume oils made in an alchemist's lab
With names like Dragon's Milk, Snow White and Bliss

A Christian Dior handkerchief or two
Hangs delicately inside the bag
In case the breeze brings on a sneeze
Or I notice a tear in the eye of a friend

by Mark Lj
Dalton Rees Nov 2015
And the man with the battle-bruised segmental fracture fists turned to the cylindrical tree
And asked,
“As you are a wise tree of such a unique shape, I must know if I am the self of tomorrow’s past or the momentary projection of a conscious spirit swimming in a perceptual slew of today’s virtues?”
The tree shed a leaf and observed a drop of rain, now multiplying.
“What difference does it make? Your existence in this interchanging moment is undeniable, when all else, consequently, is.”
The tree paused and saw a ray of electric energy pierce a nearby farmhouse, setting fire to its mahogany foundation-
“We serve witness to a recurring pattern of chaos, always singularly consistent in form while simultaneously imploding within itself against a vacuum.”
The man walked home and thought on this until the wrinkled hands of tomorrow drowned this form towards oblivion.
-
Bowie
left town
blasting off
from a
Lafayette
rooftop
his ***
spewing
a rainbow arc
liberally
sprinkling
Gluten-free  
golden glitter
onto chichi
Houston Street
bistros
liberating a
fawning glitterati
eager to prance
about a
shanghaied
High Line

for a
NY second
the best dressed
homeless dude
in NoHo
spotted a
Pale Duke
apparition
fluttering over
a posse of
faux
figurine
graffiti
splashed across a
Banksyless wall
tagging the
sunny side
of the finest
neighborhood
car wash

a ghostly
Lou Reed
dressed to the nines
in sleek
Transformer drag
watched
chuckling,
scratching his *****
humming
the final bars of
an Eno
inspired
Perfect Day,
marking odds
when a
long overdue
Iggy Pop
will crash the
Pearly Gate
mosh pits

Ubering
through
the choppy seas
of urban sludge,
lightning bolts
streak down
the sullen faces
of cash strapped
honey dippin
lust for life
hipsters,
luxuriating in
a well nursed
millennial
angst
stew

Fun City's
frenzied
bare footin
Little Monster
darlings
imprisoned
in soulless
high-rises,
still a
quarter shy
from annual
bonus time,
pace
white
stained
minimalist
spaces
indulging
notions
driven
by economic
compulsion
to dial up
flush with cash
fund managers
to seek
margin loans
on their
large positions
in alpha rich
distressed
asset funds
while their
diamond collared
Schnauzers
wait outside
the corner
State News
licking the
oozing sores
encrusting
Lazarus's
feet

Ziggy's
lapping tongue
marks time,
waiting for
the stretchy
panted painted
ladies scoring
Iman's
organic rouge
at a corner
bodega

listening to
a sidewalk
trash can
yelp today's
Daily News
headline
"Major Tom
Myna Hero!"
bekighting the next
15 minute legend
a talking
Myna bird
named
Major Tom

the vigilant
Major
alerted occupants
of a Brooklyn
townhouse of
a furnace leaking
carbon monoxide
when he stopped talking
and dropped dead

a veritable canary
in a coal mine story

a special service
marking
Major Tom's
supreme sacrifice
is planned,
in the spirit of
neighborhood
beatification
the family
implores those
wishing to express
condolences
in lieu of flowers
to please occupy
Prospect Park
to drive out
the rapacious
squeegee men
and feed the
hungry pigeons

Bowie's earthly star
may have gone black
but the ashes of his
disembodied voice
will forever
mark the city
like the
ubiquitous
gray splot
ashes of
pigeon
guano

David Robert Jones
1.8.47 - 1.10.16

Well Done Beloved
God Bless and Godspeed


Music Selections:

David Bowie, Dollar Days

David Bowie, I Can't Give Everything Away

David Bowie, Black Star

Jazz Messengers, Wayne Shorter
Lester Left Town

1.17.16
NYC
jbm
b e mccomb Oct 2018
people build
their homes

out of the age of
their tea kettle and
which plants they keep
on the windowsill

by whether or not
the cups and plates match
if the cupboards are
minimalist or overstuffed

from the color of the walls
and state of the floor

right down to what they
hang on the fridge
the scent they choose
for their dish soap

and the way the words
come out of their mouths

i am tired of tending
to other people’s homes
using their sponges
watering their dead plants
sweeping their floors
and smelling their dish soap

tired of listening to
my words crumbling
as fast as i can
get them out


and i want a home
with fresh flowers on
the counter at all times
something delicious
simmering on the stove
with hot tea every night
and cream line cappuccinos
every morning for breakfast

the plates don’t need to match
although i’d like them to
i know i’m not that type of person
and the mugs and washcloths don’t
need to be handmade but i’m sure
most of them will be anyway

with a goldfish
and succulents
both of which will live
long healthy lives

yellow walls and maybe a
sunny breakfast nook
with a crochet lace valence
over top the window

your hand
to hold
your chest to rest
my head on at night


and when the dishes rattle
it won’t be in frustration or
anger but in peels
of citrus and laughter

*i’m ready to build
a home of my own
and i want to build it
with you by my side
copyright 10/29/18 by b. e. mccomb
Raj Arumugam Feb 2012
SCHOOL PROJECT: INSTRUCTIONS

^)
SUBJECT AREA: Life cycle
TOPIC: Destruction
Project instructions:
^)
In a group of 5
pick a planet
in the ******* Zone
^^)
Destroy
the planet
and all in it
^^)
Return to school
^^^**# before dismissal


Project report submission
^)
Free Play:
No report
^^)
Result: report your result
in minimalist style



STUDENT GROUP PROJECT REPORT

^^)
SUBJECT AREA: Life cycle
TOPIC: Destruction
Student Report (Minimalist): Destroy Planet

^) We picked planet Earth
^) We used TErWOp Pointer;
burned Planet Earth in seconds;
ashes in URN(^--+^)
collected using DYUarmprong
We had full insight, life-cycle
Austin Heath Jul 2014
I can't remember the last time I lived somewhere
that didn't have running water.
I wonder if it's actually happened.
We're moving a maximalist aesthetic
into a minimalist situation.
I just want a glass of water,
a hot shower,
a working toilet.
Ive never been so tired,
and I've never smelled so bad.
My leg are two masses of limp pain,
my hands are stiff, calloused wads of meat.
My right eye is experiencing a
mild swelling, that I'd ******* pray
isn't pink eye, if I believed in god,
which gets harder from here.
Illuminated in the dark of midnight
by computer light,
with only the tickings
of a cheap watch for condolence.
Their voices complain from downstairs.
Then laugh. Then return.
Trinkets chitter around.
Rooms full of garbage.
If you hit it softly enough,
can you still tell you're at the bottom?

— The End —