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"miners" poems
mighty mighty miners   mining for a heart of cryptocurrency   mighty mighty houses   might end up empty   for fake fortune   for a drop of wine   for a speck of grain   for fake fortune   nec·ro·man·cers quick with answers will you be their broke financiers   will you be their paraplegic dancers   you've got nothing to lose   just a shield of children   wielding weapons   no one knows how to use   mighty mighty miners   mine on empty   too much vacancy   in a heart of cryptocurrency   all one person   all one horsemen   all fake fortune   all one horsemen   wish NPC weren't too dumb to understand mighty mighty houses built upon sand because every time jeff eats an iguana,   he's got the whole free market in his hands.
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Oct 7, 2018
Oct 7, 2018 at 12:22 AM UTC
"Lucifer, Lucifer, Lucifer, Lucifer, Who's been waiting on you?"*
the bus poets we are the modern day chimney sweeps, the ***** black faced coal miners of the city, digging up its grit, toasted with its spit, the gone and forgotten elevator operators, the anonymous substitutable, still yet glimpsed occasionally, grunts of urbanity provoking a surprised whaddya know! once like the bison and the buffalo, we were thousands, word workers roaming the cities, the intercity rural routes and the lithe greyhounds across the land of the brave, free in ways the founders wanted us to be us, the stubs and stuff, harder working poor and lower cases we were the bus poets, sitting always in the back of the bus, where the engines growls loudest, seated in the - the most overheated in winter time, so much so we nearly disrobed, and then come the summer, we were blasted with a joking hot reverie from the vents, but vent, no, we did not! no - we wrote and wrote of all we heard, passion overheated by currents within and without, recording and ordering the snatches and the soliloquies of the passengers, into poem swatches; the goings on passing by, the overheard histories, glimpsed in milliseconds, eternity preserved, inscribed in a cheap blue lined five & dime notebook, for all eternity what the eyes sighed and saw books ever passed onto the next generation in boxes from the supermarket, attic labeled, then forgotten beside the outgrown toys with our names writ indelible with the magic of black markers if you stumble upon a breathing scripter, let them be, just observe, as they, you, these movers and bus shakers, as they, observe you tell your children, you knew one in your youth, then take them to the attic retrieve your mother's and father's, teach your children how to read, how to see, the ways of their forefathers, the forsaken, the bus poets.
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Sep 29, 2017
Sep 29, 2017 at 7:53 AM UTC
The Bus Poets
the bus poets we are the modern day chimney sweeps, the ***** black faced coal miners of the city, digging up its grit, toasted with its spit, the gone and forgotten elevator operators, the anonymous substitutable, still yet glimpsed occasionally, grunts of urbanity provoking a surprised whaddya know! once like the bison and the buffalo, we were thousands, word workers roaming the cities, the intercity rural routes and the lithe greyhounds across the land of the brave, free in ways the founders wanted us to be us, the stubs and stuff, harder working poor and lower cases we were the bus poets, sitting always in the back of the bus, where the engines growls loudest, seated in the - the most overheated in winter time, so much so we nearly disrobed, and then come the summer, we were blasted with a joking hot reverie from the vents, but vent, no, we did not! no - we wrote and wrote of all we heard, passion overheated by currents within and without, recording and ordering the snatches and the soliloquies of the passengers, into poem swatches; the goings on passing by, the overheard histories, glimpsed in milliseconds, eternity preserved, inscribed in a cheap blue lined five & dime notebook, for all eternity what the eyes sighed and saw books ever passed onto the next generation in boxes from the supermarket, attic labeled, then forgotten beside the outgrown toys with our names writ indelible with the magic of black markers if you stumble upon a breathing scripter, let them be, just observe, as they, you, these movers and bus shakers, as they, observe you tell your children, you knew one in your youth, then take them to the attic retrieve your mother's and father's, teach your children how to read, how to see, the ways of their forefathers, the forsaken, the bus poets.
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_1981_ They came in like diseased eagles; mutated forms of those they wore on their chest and with the change once again in the weather, the ZOMO swooped in to quell what was ‘wrong’, what would bring them down. They run in the streets as well as the miners, running for different reasons and different aims. I look down, out my window and see the army helmets littering the street like rats.             Police.          Rats. I could no longer see a difference. My father went to work that morning. I clutch my doll knowing the chance of seeing him again is             Miniscule.   Poor. There is no more cereal in the cupboard; there is no more cereal in the shop; there is no more shop. The ZOMO set it on fire when the word                           Solidarity appeared in the window. “We are closing the border for the safety of the People”             Incorrect.     Unjustified. For the safety of You, the Elite. “Nine killed in mine shooting” Which side? Only the ZOMO carry guns.             Fascism.       Communism. I could no longer see a difference
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Apr 9, 2017
Apr 9, 2017 at 9:40 AM UTC
ZOMO
Lone walker, In the midst of the crowd his heart was always alone. Sank into the belly of tribulations, Unlike the missionary journey of Jonah he was vomited into more woes. Like how a beautiful mountain in a wilderness thirst for tourist So his heart was hungry for love. If loneliness is synonymous to poverty then he deserved this cross. Lone walker, He lonely walked on thorns, struggled with everything, sweated blood. He lived a life of trapped miners in a cave miles below fresh air. Lone walker, Rain of respite barely shower on his path. Sun bit his skin, dews often united with his tears, For there was no even a free den for him to rest his head. His days were worse than the trials of Job, For he had not even a wife to encourage him to curse God and give up the ghost. Like an eaglet without a falcon, he was accustomed to crying for his dying talents that was hidden too deep for any scout to discover. To him the world was empty and void of helpers Until a moment came when he decided to abort his worries, fears and his ugly past. In a flash he recalled the parable of the talents, In a speed of lightning he stood and put his hidden gift into use. I key my mind into the eyes of the reader of his biography, As I stood in the midst of his children offspring in his burial ceremony fit for kings, With the assurance that he is not walking alone to heaven or hell indeed And surely his once lonely heart would be filled with merriment and peace.
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Dec 21, 2013
Dec 21, 2013 at 6:47 PM UTC
Lone Walker.
It was hard in the Moonta Mines that year For the miners, down in the pit, It wasn’t a place for a weak man, but The Cornish Miners had grit, They burrowed deeper with every day Extracting the copper ore, And the skimps grew high in the heaps that piled Not far from the Moonta shore. They wore their helmets deep in the mine With a candle fixed to the brim, And worked in the glow of the candlelight While the pumps pumped out and in, They pumped for water, they pumped for air For the air in the mine was rank, And water seeped at the lowest lode Where the atmosphere was dank. They built their cottages out of lime And mud, with a building board, On Sundays, that was the only time Once they had prayed to the Lord, The Cornish Miners were Methodists Built numerous churches there, And Cap’n Hancock had said, ‘Attend! Or your job is gone – Beware!’ Those men of flint had hearts of gold And they raised their children fine, Sons would follow their fathers then And go to work in the mine, One Christmas Eve they were gathered there By their hundreds, on the green, A candle lit on their helmets each Like a glittering starlit scene. The wives and children were there as well With their voices raised in praise, The swelling sound of an angel choir With their humble miners ways, They called it Carols by Candlelight And the movement grew apace, It spread all over the world from this The Moonta Miners grace. David Lewis Paget
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Jan 1, 2014
Jan 1, 2014 at 3:33 AM UTC
The First Carols by Candlelight
Like sentinels of days gone by They're silhouettes against the sky A headstone for those still below A monument we proudly show Of times when our tin was the very best when quality counted not paying less When the work was hard and the day was long And the mines were filled by the miners song Their hymns tell tales of life in the deeps where darkness surrounds and dampness creeps where disaster can be just a minute away and you thanked the lord for every day For generations all our menfolk proudly joined the line never once imagining that we'd outlast the mine
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Aug 5, 2010
Aug 5, 2010 at 3:12 PM UTC
A Cornish tale
for Alyssa Underwood ~~~ my poems do not trend, go viral, Fast and Furious! yet, they do not die they lay in plain sight pebbles scattered, smoothed by time, upon the surface of the green earth waiting patient, virtuous, purposed for itinerants bards to trip over one one some someday somehow they accrete a readership, slow stepping and steady from, |the seekers and the stumblers, the droplet drinkers, meanderers of the tomes and tombs of prior years, miners for nuggets in the poem pools that form beneath the alluvial streaming of the waterfall crescendo of words I like this when another traveler sends me a like, a petite amuse-bouche bite of appreciation, for a long ago, barely recalled, writ, allowing them to carve their initials upon the external, visible roots of my tree trunk, invading me, by darkening a prior tree internal ring, forcing me to look down, look back, take measure of myself, accepting myself as not wanting, nor lacking in other's acceptance these statements are neither boastful or illusory, *yet still joyous, like caramel pleasures, slow to chew, fast to the taste,* reminding me of old friendships, well valued, though no longer fully employed, their uncovering is my own refreshed exposure, their discovery is my own re-discovery, exposing flaws and fallacies, even fallow, mostly shallow facts about me all of them, a sundae of truths and lies, sharing a happy laugh with and at me, when I think to myself, Holy Crap! did I write that? copyright 2015 by Nat Lipstadt
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Oct 8, 2015
Oct 8, 2015 at 3:35 PM UTC
2015: my poems do not trend
for Alyssa Underwood ~~~ my poems do not trend, go viral, Fast and Furious! yet, they do not die they lay in plain sight pebbles scattered, smoothed by time, upon the surface of the green earth waiting patient, virtuous, purposed for itinerants bards to trip over one one some someday somehow they accrete a readership, slow stepping and steady from, |the seekers and the stumblers, the droplet drinkers, meanderers of the tomes and tombs of prior years, miners for nuggets in the poem pools that form beneath the alluvial streaming of the waterfall crescendo of words I like this when another traveler sends me a like, a petite amuse-bouche bite of appreciation, for a long ago, barely recalled, writ, allowing them to carve their initials upon the external, visible roots of my tree trunk, invading me, by darkening a prior tree internal ring, forcing me to look down, look back, take measure of myself, accepting myself as not wanting, nor lacking in other's acceptance these statements are neither boastful or illusory, *yet still joyous, like caramel pleasures, slow to chew, fast to the taste,* reminding me of old friendships, well valued, though no longer fully employed, their uncovering is my own refreshed exposure, their discovery is my own re-discovery, exposing flaws and fallacies, even fallow, mostly shallow facts about me all of them, a sundae of truths and lies, sharing a happy laugh with and at me, when I think to myself, Holy Crap! did I write that? copyright 2015 by Nat Lipstadt
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Beat-Up Old Car Vastly under-appreciated possession In dull blue, a MK1, no less, with original rust Inside lingering scents of Exchange and Mart top-notes of WD-40 and miscellaneous mix tapes A car like this gets into your life in lumpy knuckle-barking unsubtle ways, stays there in subtle ones That long drive back to Yorkshire in the quintessential exemplar Clutch cable snaps. ****** and Crap. Hardly helpful but can be accommodated with enough thought rough though it is on starter motor and nerves whenever anticipatory powers inadequate and we are forced to a complete red-light stop Brakes dodgier, exhaust noisier than ideal or legal Gender-ambiguous elderly tyres flirt outrageously with slick tarmac Showing their canvas underwear and male-pattern baldness Keeping this unstable, unsafe, unreliable ultimately essential lump of metal moving and on the road is a fine art Engaging, fluid and intense art; The Clash and The Specials Costello and The Cure in support A distraction then getting hauled over by plod somewhere near Bury St. Edmunds Thatcher's boys. Tax? MoT? Insurance? ID? No real interest shown Any passengers in the back? Clearly no.  Pickets?   Pickets? What? Please open the boot sir... Oh. On your way lad. Drive carefully I was, officer, I was More than you will ever know
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Feb 17, 2016
Feb 17, 2016 at 9:52 AM UTC
Memories of The Miners' Strike
The Miner, Absolom (a haibun) green hill where sheep graze white bones and coal, buried, held seasons all the same My grandfather worked in the mines from age thirteen to seventy. His life was closed in by mountains, the green one at the back, the dark looming one at the front and the pit head along the valley., winding the men in and out of the shaft, day after day, dawn until dusk when they came home singing boots ring on the road deep valley voices echo backyard starlit smoke . They worked on their bellies or crouched, often in water for days, water that undermines rock. Shaft collapses where frequent. Life was cheap. He came home covered in coal dust to his wife and two sons, sons he was determined to keep out of the mines. Yet he loved that coal - coal that he always polished with care before lighting a fire, brushing dust off black diamond surfaces. water breaks through rock with wood and straining shoulders man becomes the beam He saved twenty lives that day, men he had known from boyhood. When his lungs were affected they laid him off, no pay, no pension, no life. He bought an insurance book with the money he had and every day he trudged over the mountains and valleys gathering pennies that would help to secure some livelihood to the widows who lost their men in the mines. He never told his wife that when a family couldn't pay he put the pennies in for them rather than leave them unprotected. winter, summer, fall the mountain hangs over all tired to the backbone When the mines were nationalised my grandfather went straight back to the coal face despite his age. He wasn't going to miss those days of glory. Safety was suddenly the watchword and changes were made very fast. Hot showers were installed at the pit head and the miners came home clean at last. men stripped to the skin hot water, steam, baptised brothers singing hymns
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Jun 13, 2014
Jun 13, 2014 at 9:25 PM UTC
The Miner, Absolom
The Miner, Absolom (a haibun) green hill where sheep graze white bones and coal, buried, held seasons all the same My grandfather worked in the mines from age thirteen to seventy. His life was closed in by mountains, the green one at the back, the dark looming one at the front and the pit head along the valley., winding the men in and out of the shaft, day after day, dawn until dusk when they came home singing boots ring on the road deep valley voices echo backyard starlit smoke . They worked on their bellies or crouched, often in water for days, water that undermines rock. Shaft collapses where frequent. Life was cheap. He came home covered in coal dust to his wife and two sons, sons he was determined to keep out of the mines. Yet he loved that coal - coal that he always polished with care before lighting a fire, brushing dust off black diamond surfaces. water breaks through rock with wood and straining shoulders man becomes the beam He saved twenty lives that day, men he had known from boyhood. When his lungs were affected they laid him off, no pay, no pension, no life. He bought an insurance book with the money he had and every day he trudged over the mountains and valleys gathering pennies that would help to secure some livelihood to the widows who lost their men in the mines. He never told his wife that when a family couldn't pay he put the pennies in for them rather than leave them unprotected. winter, summer, fall the mountain hangs over all tired to the backbone When the mines were nationalised my grandfather went straight back to the coal face despite his age. He wasn't going to miss those days of glory. Safety was suddenly the watchword and changes were made very fast. Hot showers were installed at the pit head and the miners came home clean at last. men stripped to the skin hot water, steam, baptised brothers singing hymns
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© 2009 (Jim Sularz) Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, by wagon, train or foot. Days not all that long ago, in tall ships made of wood. “A gold rush struck in’49, all quite by accident. A burning fever that cut men to bone, in a sea of dingy tents. Day and night, they toiled and tolled, many headed home without a cent. But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath." "The town’s mud logged street, deep with horse manure, bubbled like a shallow grave. With a Sheriff’s office, a livery stable, and a church for souls to save. And a fancy house, on a grassy knoll – sign read, “Madam Lil la **** With soft, curvaceous ladies who mined for hearts – and gold of a different sort. Didn’t take long before easy gold, was extremely hard to find. And burly miners, tough as steel, moved in to hard rock mine. With bloodied knuckles, dented hats, they blasted at a furious pace. To find the gold, called the Mother Lode, yellow blood coursing through their veins! The mine they worked was called “Long Shot”, the men thought that name a curse. But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed. As luck would say, they held a royal flush, when they hit that horse-wide vein. Of the purest gold, yet to be found, this side of the Pearly Gates. Eyes wide as saucers, they were all in awe, everyone was filthy rich. The miners should have all retired and should have cashed in all their chips. But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever. “Eureka! Boys, *** the dynamite and a whole lot more mining timbers!” They mined that vein to the bowels of the Earth, and the heat increased by day. "Buzzard’s Breath" became the hottest place, to Hell – the shortest way. And then one day, the men never came back. – Hell must have jumped that claim. Of the purest gold, yet to be found – that’s where the Devil mines today!” Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, died a slow and quiet death. Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
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Jul 8, 2012
Jul 8, 2012 at 5:46 PM UTC
Ghosts of Buzzard’s Breath
© 2009 (Jim Sularz) Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, by wagon, train or foot. Days not all that long ago, in tall ships made of wood. “A gold rush struck in’49, all quite by accident. A burning fever that cut men to bone, in a sea of dingy tents. Day and night, they toiled and tolled, many headed home without a cent. But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath." "The town’s mud logged street, deep with horse manure, bubbled like a shallow grave. With a Sheriff’s office, a livery stable, and a church for souls to save. And a fancy house, on a grassy knoll – sign read, “Madam Lil la **** With soft, curvaceous ladies who mined for hearts – and gold of a different sort. Didn’t take long before easy gold, was extremely hard to find. And burly miners, tough as steel, moved in to hard rock mine. With bloodied knuckles, dented hats, they blasted at a furious pace. To find the gold, called the Mother Lode, yellow blood coursing through their veins! The mine they worked was called “Long Shot”, the men thought that name a curse. But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed. As luck would say, they held a royal flush, when they hit that horse-wide vein. Of the purest gold, yet to be found, this side of the Pearly Gates. Eyes wide as saucers, they were all in awe, everyone was filthy rich. The miners should have all retired and should have cashed in all their chips. But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever. “Eureka! Boys, *** the dynamite and a whole lot more mining timbers!” They mined that vein to the bowels of the Earth, and the heat increased by day. "Buzzard’s Breath" became the hottest place, to Hell – the shortest way. And then one day, the men never came back. – Hell must have jumped that claim. Of the purest gold, yet to be found – that’s where the Devil mines today!” Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, died a slow and quiet death. Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
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Last night I woke up to the light of 1000 dead children from other places where faces have forgotten how to smile in ***** white shirts and smudged skirts holding up lanterns like lost miners looking for answers in a dark hole.
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Mar 20, 2016
Mar 20, 2016 at 10:41 AM UTC
Lanterns of the lost miners
Press your ear close. Sometimes you can hear the breath rattling in my chest like a bone shrugged its moorings and ought to be tied back down. It’s the sound of a canyon trying to expel a marsh: hear the stones tumble down, clatter and splash, the stiff reeds scouring the walls. Stuck bristles. Sticks. The marsh is dauntless. It can’t be pushed out through the canyon’s narrow mouth. It’s the sound of a cave-in. Press your ear close and listen to picks and shovels plinking on the rock. Soon the oxygen gives out and all the miners go to sleep, or they punch a hole through to the sky and breathe, mouths pressed to the breach, gasping a little at a time. It’s the sound of a brier patch growing in your lungs. It’s the sound of a brier patch set on fire.
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Oct 18, 2011
Oct 18, 2011 at 10:26 PM UTC
Brier Patch
Australia takes her pen in hand To write a line to you, To let you fellows understand How proud we are of you. From shearing shed and cattle run, From Broome to Hobson's Bay, Each native-born Australian son Stands straighter up today. The man who used to **** his drum", On far-out Queensland runs Is fighting side by side with some Tasmanian farmer's sons. The fisher-boys dropped sail and oar To grimly stand the test, Along that storm-swept Turkish shore, With miners from the west. The old state jealousies of yore Are dead as Pharaoh's sow, We're not State children any more — We're all Australians now! Our six-starred flag that used to fly Half-shyly to the breeze, Unknown where older nations ply Their trade on foreign seas, Flies out to meet the morning blue With Vict'ry at the prow; For that's the flag the Sydney flew, The wide seas know it now! The mettle that a race can show Is proved with shot and steel, And now we know what nations know And feel what nations feel. The honoured graves beneath the crest Of Gaba Tepe hill May hold our bravest and our best, But we have brave men still. With all our petty quarrels done, Dissensions overthrown, We have, through what you boys have done, A history of our own. Our old world diff'rences are dead, Like weeds beneath the plough, For English, Scotch, and Irish-bred, They're all Australians now! So now we'll toast the Third Brigade That led Australia's van, For never shall their glory fade In minds Australian. Fight on, fight on, unflinchingly, Till right and justice reign. Fight on, fight on, till Victory Shall send you home again. And with Australia's flag shall fly A spray of wattle-bough To symbolise our unity — We're all Australians now.
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3.5k
'We're All Australians Now'
Australia takes her pen in hand To write a line to you, To let you fellows understand How proud we are of you. From shearing shed and cattle run, From Broome to Hobson's Bay, Each native-born Australian son Stands straighter up today. The man who used to **** his drum", On far-out Queensland runs Is fighting side by side with some Tasmanian farmer's sons. The fisher-boys dropped sail and oar To grimly stand the test, Along that storm-swept Turkish shore, With miners from the west. The old state jealousies of yore Are dead as Pharaoh's sow, We're not State children any more — We're all Australians now! Our six-starred flag that used to fly Half-shyly to the breeze, Unknown where older nations ply Their trade on foreign seas, Flies out to meet the morning blue With Vict'ry at the prow; For that's the flag the Sydney flew, The wide seas know it now! The mettle that a race can show Is proved with shot and steel, And now we know what nations know And feel what nations feel. The honoured graves beneath the crest Of Gaba Tepe hill May hold our bravest and our best, But we have brave men still. With all our petty quarrels done, Dissensions overthrown, We have, through what you boys have done, A history of our own. Our old world diff'rences are dead, Like weeds beneath the plough, For English, Scotch, and Irish-bred, They're all Australians now! So now we'll toast the Third Brigade That led Australia's van, For never shall their glory fade In minds Australian. Fight on, fight on, unflinchingly, Till right and justice reign. Fight on, fight on, till Victory Shall send you home again. And with Australia's flag shall fly A spray of wattle-bough To symbolise our unity — We're all Australians now.
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Come up north to see the great outdoors Rolling hills Scenes leaving you wanting more Never mind the weather Whether its rain or shine Grab a pint Sit down And enjoy our way of life Born and bred northern boy But no flat cap or corduroys Yorkshire til the day I die I'll represent that West Yorks sign Faithful to my northern life Faithful to my northern rhyme Brought up well with northern vibes Through hard times, miners strike Times when maggie thatcher tried to stir up **** with lies designed Got miners and police to fight But don't believe that southern hype... Those brutal battles gave us life It redefined our future times Redefined our future lines Redefined the northern kind Redefined our northern humour Redefined our northern style Tourists come from far and wide to find out what the North is like Expecting lack of cultured life Surprised we're not uncultured swines Rewarded with our northern minds Our northern ways Our northern lives Come up north to see the great outdoors Rolling hills Scenes leaving you wanting more Never mind the weather Whether its rain or shine Grab a pint Sit down Enjoy our way of life
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Jan 26, 2016
Jan 26, 2016 at 3:50 PM UTC
Born and Bred
There was a whispering in my hearth, A sigh of the coal, Grown wistful of a former earth It might recall. I listened for a tale of leaves And smothered ferns, Frond-forests, and the low sly lives Before the fawns. My fire might show steam-phantoms simmer From Time's old cauldron, Before the birds made nests in summer, Or men had children. But the coals were murmuring of their mine, And moans down there Of boys that slept wry sleep, and men Writhing for air. I saw white bones in the cinder-shard, Bones without number. For many hearts with coal are charred, And few remember. I thought of all that worked dark pits Of war, and died Digging the rock where Death reputes Peace lies indeed: Comforted years will sit soft-chaired, In rooms of amber, The years will stretch their hands, well-cheered By our life's ember; The centuries will burn rich loads With which we groaned, Whose warmth shall lull their dreaming lids, While songs are crooned; But they will not dream of us poor lads Lost in the ground.
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2.9k
Miners
Mining we do for survival and art.. repeating processes both ancient and modern.. beginnings are quiet seeded by necessity.. badgers dig holes earthen tunnels and paths powerful digging discoveries sustaining of life.. coal miners diggings dark labor below planting cities above.. data mining a technology new in our time computer's patterns emerging never before seen.. startling creation of many new wholes...
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Dec 30, 2011
Dec 30, 2011 at 5:13 PM UTC
Mining
The thrush fly from up north locomotives leave at 05.20 precisely, they follow weeping  miners with ballletic dreams sipping  Burton ale.
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Sep 22, 2013
Sep 22, 2013 at 2:00 PM UTC
A career juxtaposition
HE lived on the wings of storm. The ashes are in Chihuahua. Out of Ludlow and coal towns in Colorado Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks. Killings ran under the spoken commands of this boy With eighty men and rifles on a hogback mountain. They killed swearing to remember The shot and charred wives and children In the burnt camp of Ludlow, And Louis Tikas, the laughing Greek, Plugged with a bullet, clubbed with a gun **** As a home war It held the nation a week And one or two million men stood together And swore by the retribution of steel. It was all accidental. He lived flecking lint off coat lapels Of men he talked with. He kissed the miners' babies And wrote a Denver paper Of picket silhouettes on a mountain line. He had no mother but Mother Jones Crying from a jail window of Trinidad: "All I want is room enough to stand And shake my fist at the enemies of the human race." Named by a grand jury as a murderer He went to Chihuahua, forgot his old Scotch name, Smoked cheroots with Pancho Villa And wrote letters of Villa as a rock of the people. How can I tell how Don Magregor went? Three riders emptied lead into him. He lay on the main street of an inland town. A boy sat near all day throwing stones To keep pigs away. The Villa men buried him in a pit With twenty Carranzistas. There is drama in that point... ...the boy and the pigs. Griffith would make a movie of it to fetch sobs. Victor Herbert would have the drums whirr In a weave with a high fiddle-string's single clamor. "And the muchacho sat there all day throwing stones To keep the pigs away," wrote Gibbons to the Tribune. Somewhere in Chihuahua or Colorado Is a leather bag of poems and short stories.
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2.8k
Memoir of a Proud Boy
HE lived on the wings of storm. The ashes are in Chihuahua. Out of Ludlow and coal towns in Colorado Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks. Killings ran under the spoken commands of this boy With eighty men and rifles on a hogback mountain. They killed swearing to remember The shot and charred wives and children In the burnt camp of Ludlow, And Louis Tikas, the laughing Greek, Plugged with a bullet, clubbed with a gun **** As a home war It held the nation a week And one or two million men stood together And swore by the retribution of steel. It was all accidental. He lived flecking lint off coat lapels Of men he talked with. He kissed the miners' babies And wrote a Denver paper Of picket silhouettes on a mountain line. He had no mother but Mother Jones Crying from a jail window of Trinidad: "All I want is room enough to stand And shake my fist at the enemies of the human race." Named by a grand jury as a murderer He went to Chihuahua, forgot his old Scotch name, Smoked cheroots with Pancho Villa And wrote letters of Villa as a rock of the people. How can I tell how Don Magregor went? Three riders emptied lead into him. He lay on the main street of an inland town. A boy sat near all day throwing stones To keep pigs away. The Villa men buried him in a pit With twenty Carranzistas. There is drama in that point... ...the boy and the pigs. Griffith would make a movie of it to fetch sobs. Victor Herbert would have the drums whirr In a weave with a high fiddle-string's single clamor. "And the muchacho sat there all day throwing stones To keep the pigs away," wrote Gibbons to the Tribune. Somewhere in Chihuahua or Colorado Is a leather bag of poems and short stories.
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45
Somewhere deep in the skies of Montana a lonely street corner flickers casting coded light upon the distant albino hillside It was once a great lake of snow and ice and melt and unseen by life It drained and died and its beautiful lakebed sands became the hillside again to tumble and fall into valley and time again there we built an impermanent road we pave and pave maintain with trucks and slabs of dirt and grain roaming those Roman roads again Somewhere deep in that heartland the strings that pumped the musculature of a dying nation slowly giving way to a violent attack from within oxidize and pool into great tides to one day see the coast I am in California but I see it clearly as a dream where the great plains meet the mountain face and the Cheyenne carved their heels into the dirt for a bit spirit eroded into the winds today the miners spit at a coffee-town bar into copper cans licker than split Owning the land that shakes and shifts redrawing god's lines with a paper pad and a pen for a bit And the dresses the ladies wear shine lacquered wood and the horses cry and beside the interstate the trucks steam and chuff and their drivers gaze starry-eyed onward, beyond into the night beyond those flanking hillsides to the flat ocean land sponged anew that left the oil fields in Texas and the tar sands in Athabasca set ablaze in the fervor of a death rattle American heart pumping to feed these hillsides again for tomorrow we begin.
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Jun 13, 2018
Jun 13, 2018 at 2:18 PM UTC
Missoula or somewhere out there
They carved a monument out of stone Made it stand so proud, Down by the coast, Fishermen drowned. They erected a monolith, In the heart of town. For local fallen lads, In bitter conflicts. They laid a stone flat, At pit entrance where, Miners had gone one morn. Never to return. A brother worked that boat. An uncle fell in that war. A father left down the pit. A family’s history drawn By sorrow and tragedy. © Nick Strong 2014
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Apr 16, 2014
Apr 16, 2014 at 2:30 PM UTC
They Carved a Monument
Come see black night.  Black night proposes                                                       more Than madness in a prophet's dream, sets free A lean uncertainty, sweet taste of all We dare not see. My sweet Kathryn, you were older than me, Knew all the black mountains--Olson, Creely, Duncan, Morley, Dorn... While I                                            was learning Levertov.  Your dark, unshaven armpits Drove me wild.  I understood the honor Of that crazy night--how could feather leave you--                our dance at the outlaw bar, Your sapphic gaze bemused by coal miners, In cowboy boots, as the band played Haggard, Coe, Willie, Waylon, Johnny Cash, Kristofferson & Emmy Lou.  I wouldn't trade it for a date With Miss Brazil, or Russia as it were-- Some people say you made that up, Changed heritage and grew the hair to seem more European.  I couldn't care Less. A great dark mystery I loved Now thirty-seven years ago with me Just old enough to drink and you come down From Bingington, I loved the way you said That frozen town, where your husband lingered, Teaching English to native speakers. I know you still loved him. I think you loved Me, but needed a woman's touch the same As I.  Strange how a night can be recalled More than years, one drunken naked sunrise, Pillow talk instead of class.  I ditched the speech At PBK, can't remember what they Fed us, coming for you in a straight shift Chevy pickup, red as the night was black.
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Oct 13, 2018
Oct 13, 2018 at 8:38 PM UTC
Black Night
Come see black night.  Black night proposes                                                       more Than madness in a prophet's dream, sets free A lean uncertainty, sweet taste of all We dare not see. My sweet Kathryn, you were older than me, Knew all the black mountains--Olson, Creely, Duncan, Morley, Dorn... While I                                            was learning Levertov.  Your dark, unshaven armpits Drove me wild.  I understood the honor Of that crazy night--how could feather leave you--                our dance at the outlaw bar, Your sapphic gaze bemused by coal miners, In cowboy boots, as the band played Haggard, Coe, Willie, Waylon, Johnny Cash, Kristofferson & Emmy Lou.  I wouldn't trade it for a date With Miss Brazil, or Russia as it were-- Some people say you made that up, Changed heritage and grew the hair to seem more European.  I couldn't care Less. A great dark mystery I loved Now thirty-seven years ago with me Just old enough to drink and you come down From Bingington, I loved the way you said That frozen town, where your husband lingered, Teaching English to native speakers. I know you still loved him. I think you loved Me, but needed a woman's touch the same As I.  Strange how a night can be recalled More than years, one drunken naked sunrise, Pillow talk instead of class.  I ditched the speech At PBK, can't remember what they Fed us, coming for you in a straight shift Chevy pickup, red as the night was black.
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33
.ah here comes england with its eccentricities, ah hier kommt polen mit seine christentum: where anyone can be a messiah, as stressed by the byzantines. my first love was the love of the english grey, (in honesty mentioned it was the double-decker first, since i fancied myself the great bus-driver of the no. 5 bus back home) earl grey came and said: ‘i can’t look at these skies without sunglasses!’ and so it was, mid-autumn with sunglasses at loss the sun-worshiper enter the moon idiot, looking for accents, looking for anything. in england they called him das deutsche - for reasons believable enough; the luftwaffe eagerly anticipating the tunnelling centipede that is the euro-star train-tunnel: the panzers are rolling in! the panzers are rolling in! strange he never minded the coal-miners as useful as minded by edvard gierek von silesia - to the dispute of silesians not ex-patriated to saxony (oh wait... texan boy doesn't sound as nationalistic as minnesota boy?). ooh pokey poo... writing about germany became so **** so recently, i forget that i started it: here’s to the english language’s chirality of s and z, actually being superimposable: from words in the socratic sense as encoded by plato i don't get a bunch of ideas... virtue does not make me ponder it with meaning or definition, i only see the kabbalistic sensibility of anti-alphabetical sequencing as v i                   r               t               u          e... otherwise              e      i    u             r         t         v; almost sounds like s.t.d.
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Nov 7, 2015
Nov 7, 2015 at 6:33 AM UTC
Naked Orthography
.ah here comes england with its eccentricities, ah hier kommt polen mit seine christentum: where anyone can be a messiah, as stressed by the byzantines. my first love was the love of the english grey, (in honesty mentioned it was the double-decker first, since i fancied myself the great bus-driver of the no. 5 bus back home) earl grey came and said: ‘i can’t look at these skies without sunglasses!’ and so it was, mid-autumn with sunglasses at loss the sun-worshiper enter the moon idiot, looking for accents, looking for anything. in england they called him das deutsche - for reasons believable enough; the luftwaffe eagerly anticipating the tunnelling centipede that is the euro-star train-tunnel: the panzers are rolling in! the panzers are rolling in! strange he never minded the coal-miners as useful as minded by edvard gierek von silesia - to the dispute of silesians not ex-patriated to saxony (oh wait... texan boy doesn't sound as nationalistic as minnesota boy?). ooh pokey poo... writing about germany became so **** so recently, i forget that i started it: here’s to the english language’s chirality of s and z, actually being superimposable: from words in the socratic sense as encoded by plato i don't get a bunch of ideas... virtue does not make me ponder it with meaning or definition, i only see the kabbalistic sensibility of anti-alphabetical sequencing as v i                   r               t               u          e... otherwise              e      i    u             r         t         v; almost sounds like s.t.d.
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35
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
0
Oct 9, 2012
Oct 9, 2012 at 11:51 PM UTC
Left
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
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93
I am a miners daughter. I am a gold panners' wife. He is busy gold panning while I run around the forest enjoying nature. Left alone, of no interest, no comparison to the prospect of gold. As I sit here naked, I wish that I was an interesting as the prospect of gold. I wish my gold were being sifted from the sands, with his hands. I am pure gold, why can't he see. He bought the claim, he has the deed. But my gold goes unnoticed, as does my needs.
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Dec 6, 2013
Dec 6, 2013 at 2:30 AM UTC
The Miners Daughter