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"mined" poems
*Contemplate a teardrop, and this is what I see. A drop of moisture from an irritation? Some agree. What is a teardrop made of, just some water from a gland? But brush it off and contemplate the moisture on your hand. It's also made of sorrow or from pain that you may feel A treasure of emotion on your cheek that might congeal "Tears of happiness" are made of joy or great suprise That fall like rain in summer from a pair of smiling eyes. They course down cheeks in rivers or collect on lashes there. They form in silent puddles when emotions are laid bare. Tears are gems as precious as a diamond that is mined So do not take them lightly if their origins you can't find. They're made of things like music that can make the heart take wing Or how the soul can elevate to hear an angel sing.*
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Sep 12, 2017
Sep 12, 2017 at 12:24 PM UTC
Treasure of emotion
As water is to cleansing rain and heat as to burning flame, so are you to me; the same. My fiery rain. Fill the gutter of my mind. Fire the coal your heart has mined. Burn me to the end of time. Your fire does reign. r ~ 4/1/14
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Apr 1, 2014
Apr 1, 2014 at 1:12 PM UTC
Water and Flame
Sweet Butterfly, with wings now dry 'tis time to break away and light upon the leaves of dawn while weeping willows sway, not reminisce 'bout chrysalis discarded yesterday, but treasure life, with colors rife in nature's cabaret. Sweet Butterfly, you sometimes sigh "terrene so strange and new”, but take a chance, with winged expanse of fairy-like bijou, to taste delight in random flight, to drift beyond the blue and then collect her naked nectar, sipped in morning dew. Sweet Butterfly, you question why the breeze is seldom soft when swirling you, your wings askew, while floating free aloft. Some seem to find their peace of mind believing gods have coughed, but others, downed, have often found more freedom when they've scoffed. Sweet Butterfly, you needn't cry, the fields are full of clover, and meadowlands bare braided strands that winds in waves flow over - but if you fear that, more than here, another mead is mauver, just flutter by, beneath the sky, unfettered flitting rover. Sweet Butterfly, farewell, goodbye, you've left this world behind. I oft gaze back along the track of flowers that you've mined recalling days of light sashays and movements unconfined that complement the firmament where beauty lies enshrined.
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Sep 24, 2014
Sep 24, 2014 at 4:23 PM UTC
Sweet Butterfly
(from “A Love Song” by William Carlos Williams) <•> familiar that apple google and amazon have me under 24 hour surveillance e-specially now as I am in their geosphere of influence but sending me a love poem of WCWs that isolates my locale, my intended inebriation status, and is addressed to me personally (“you”), that’s just creepy so charged am I, obligated to oblige, to counter-compose a love song of mine own, under the pinot “influence,” (in a manner of speaking) which a love taught me to love what if, a new love song ecrit, to an old and loverly land, a woman-land designed to be desired, no difference - kissing a new girl first time, a wet and unforgettable compote when falling on the neck of your one beloved anew renewed now I tremble-tread for the line of great predecessors, “the land lover scribes” skilled in natures homaging, is like a line out the door, around the corner as if a new flavor ice cream has just been isolated and mined and I... <•> *I, but a novitiate in a far away, wild untamed world where my nature taken by her nature cannot deny paying my just due: selvage late middle English, from self + edge how perfect! “an edge, woven on a fabric during manufacture, intended to prevent unraveling” the pacific coast air the irregular shoreline - expanding/receding, god’s own forestry reserve, the cascades, a goal on the horizon, country roads where ancient wheat stalks grow wild all a tonic intermingled, an alcohol to imbibe through mouth nostrils eyes and skin all will be my own selvage! preventing the eastern unraveling disease, a nearly incurable permafrost low grade kate spaded infection, brought along with me for decades, my loon June companion, now stalling out, lost from my happy head a vineyard on every corner, marijuana growing next door, rivers that change like children growing up and down, cheek to jowled property line live the berries and the hazelnut groves, god’s hay bales wrapped in plastic like marshmallows dotting the landscape* all daring you to say I could love it  here
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Jun 8, 2018
Jun 8, 2018 at 3:26 PM UTC
Songs of Oregon: No. 3 “you, far off there, under the wine-red selvage of the west!”
(from “A Love Song” by William Carlos Williams) <•> familiar that apple google and amazon have me under 24 hour surveillance e-specially now as I am in their geosphere of influence but sending me a love poem of WCWs that isolates my locale, my intended inebriation status, and is addressed to me personally (“you”), that’s just creepy so charged am I, obligated to oblige, to counter-compose a love song of mine own, under the pinot “influence,” (in a manner of speaking) which a love taught me to love what if, a new love song ecrit, to an old and loverly land, a woman-land designed to be desired, no difference - kissing a new girl first time, a wet and unforgettable compote when falling on the neck of your one beloved anew renewed now I tremble-tread for the line of great predecessors, “the land lover scribes” skilled in natures homaging, is like a line out the door, around the corner as if a new flavor ice cream has just been isolated and mined and I... <•> *I, but a novitiate in a far away, wild untamed world where my nature taken by her nature cannot deny paying my just due: selvage late middle English, from self + edge how perfect! “an edge, woven on a fabric during manufacture, intended to prevent unraveling” the pacific coast air the irregular shoreline - expanding/receding, god’s own forestry reserve, the cascades, a goal on the horizon, country roads where ancient wheat stalks grow wild all a tonic intermingled, an alcohol to imbibe through mouth nostrils eyes and skin all will be my own selvage! preventing the eastern unraveling disease, a nearly incurable permafrost low grade kate spaded infection, brought along with me for decades, my loon June companion, now stalling out, lost from my happy head a vineyard on every corner, marijuana growing next door, rivers that change like children growing up and down, cheek to jowled property line live the berries and the hazelnut groves, god’s hay bales wrapped in plastic like marshmallows dotting the landscape* all daring you to say I could love it  here
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70
An upright abutment in the mouth of the Willis Avenue bridge a beige Honda leaps the divider like a steel gazelle inescapable sleek leather boots on the pavement rat-a-tat-tat best intentions going down for the third time stuck in the particular You cannot make love to concrete if you care about being non-essential wrong or worn thin if you fear ever becoming diamonds or lard you cannot make love to concrete if you cannot pretend concrete needs your loving To make love to concrete you need an indelible feather white dresses before you are ten a confirmation lace veil milk-large bones and air raid drills in your nightmares no stars till you go to the country and one summer when you are twelve Con Edison pulls the plug on the street-corner moons Walpurgisnacht and there are sudden new lights in the sky stone chips that forget you need to become a light rope a hammer a repeatable bridge garden-fresh broccoli two dozen dropped eggs and a hint of you caught up between my fingers the lesson of a wooden beam propped up on barrels across a mined terrain between forgiving too easily and never giving at all.
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8.7k
Making Love To Concrete
don’t tell me “I love you” ~by Roxanne, for Cyrano~ <> that’s a verse I’ve heard many too times before, that’s a curse of low majesty, a quatrain too plain, if that’s your best sally, retreat, say no more, too simp verses, or ungolden silences, agents of dissatisfying pain I need the best of your taste the finest visions that you eyelids occlude, make haste for my mouth grows exceedingly impatient for the other senses to do their tandem wooing slap only my face with the creature comforts others savor, words of diamonds and pink pearls mined from your breast, the bejeweled words that will decorate my evergreen, that never dies, lest, unless and until, you want my mortal affection suppressed give me your linguistic promiscuity, wake me from the stupor of ordinary, arouse me with thy tongue coiling, a bee sting delivery, a wet poem that makes all my orifices!|offices weep, your mouth, my souls recouper, your wizardry bewitching, answer my inquiry with unbounded festivity then and after all, the plain simplicity of an “I love you,” will be edged with sublimity, my mercies, your mercies our jointed, sharp pointy, introverting, interlocking, *our futures becoming our pasts* 11:07am 19-9-30 <> https://thenewgroup.org/production/cyrano/?gclid=Cj0KCQjwz8bsBRC6ARIsAEyNnvoENpdnWyqeUEwq0avNStgWCf4CocB1i239c2mHdNSFF8gOlWZtfjsaAls4EALw_wcB
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Oct 10, 2019
Oct 10, 2019 at 11:35 AM UTC
don’t tell me “I love you” ~ by Roxanne, for Cyrano~
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head The world was fair, the mountains tall, In Elder Days before the fall. Of mighty kings of Nargothrond And Gondolin, who now beyond The Western Seas have passed away; The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote, There forged was blade, and bound was hilt; The delver mined, the mason built, There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen cold; No harp is wrung, no hammer falls, The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
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4.6k
Durin
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head The world was fair, the mountains tall, In Elder Days before the fall. Of mighty kings of Nargothrond And Gondolin, who now beyond The Western Seas have passed away; The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote, There forged was blade, and bound was hilt; The delver mined, the mason built, There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen cold; No harp is wrung, no hammer falls, The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
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46
© 2009 (Jim Sularz) Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, by wagon, train or foot. Days not all that long ago, in tall ships made of wood. “A gold rush struck in’49, all quite by accident. A burning fever that cut men to bone, in a sea of dingy tents. Day and night, they toiled and tolled, many headed home without a cent. But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath." "The town’s mud logged street, deep with horse manure, bubbled like a shallow grave. With a Sheriff’s office, a livery stable, and a church for souls to save. And a fancy house, on a grassy knoll – sign read, “Madam Lil la **** With soft, curvaceous ladies who mined for hearts – and gold of a different sort. Didn’t take long before easy gold, was extremely hard to find. And burly miners, tough as steel, moved in to hard rock mine. With bloodied knuckles, dented hats, they blasted at a furious pace. To find the gold, called the Mother Lode, yellow blood coursing through their veins! The mine they worked was called “Long Shot”, the men thought that name a curse. But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed. As luck would say, they held a royal flush, when they hit that horse-wide vein. Of the purest gold, yet to be found, this side of the Pearly Gates. Eyes wide as saucers, they were all in awe, everyone was filthy rich. The miners should have all retired and should have cashed in all their chips. But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever. “Eureka! Boys, *** the dynamite and a whole lot more mining timbers!” They mined that vein to the bowels of the Earth, and the heat increased by day. "Buzzard’s Breath" became the hottest place, to Hell – the shortest way. And then one day, the men never came back. – Hell must have jumped that claim. Of the purest gold, yet to be found – that’s where the Devil mines today!” Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, died a slow and quiet death. Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
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Jul 8, 2012
Jul 8, 2012 at 5:46 PM UTC
Ghosts of Buzzard’s Breath
© 2009 (Jim Sularz) Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, by wagon, train or foot. Days not all that long ago, in tall ships made of wood. “A gold rush struck in’49, all quite by accident. A burning fever that cut men to bone, in a sea of dingy tents. Day and night, they toiled and tolled, many headed home without a cent. But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath." "The town’s mud logged street, deep with horse manure, bubbled like a shallow grave. With a Sheriff’s office, a livery stable, and a church for souls to save. And a fancy house, on a grassy knoll – sign read, “Madam Lil la **** With soft, curvaceous ladies who mined for hearts – and gold of a different sort. Didn’t take long before easy gold, was extremely hard to find. And burly miners, tough as steel, moved in to hard rock mine. With bloodied knuckles, dented hats, they blasted at a furious pace. To find the gold, called the Mother Lode, yellow blood coursing through their veins! The mine they worked was called “Long Shot”, the men thought that name a curse. But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed. As luck would say, they held a royal flush, when they hit that horse-wide vein. Of the purest gold, yet to be found, this side of the Pearly Gates. Eyes wide as saucers, they were all in awe, everyone was filthy rich. The miners should have all retired and should have cashed in all their chips. But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever. “Eureka! Boys, *** the dynamite and a whole lot more mining timbers!” They mined that vein to the bowels of the Earth, and the heat increased by day. "Buzzard’s Breath" became the hottest place, to Hell – the shortest way. And then one day, the men never came back. – Hell must have jumped that claim. Of the purest gold, yet to be found – that’s where the Devil mines today!” Quiet mounds of yellowed tailings and dead weeds whisper low. And proud rusting relics telling tales of striking gold. The rush from East, from North and South, died a slow and quiet death. Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
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33
Sunshine radites though her hair, Soft moonlight liummantes through mine Thus the moon chases after the sun Eyes of steel emeralds, And pale opals The best perhaps ever mined Blackbeards most precious find Moonlight dances along her skin And fire on mine.
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Feb 12, 2018
Feb 12, 2018 at 11:34 PM UTC
The fire opal
We have mined our mountains, we have fished our seas, we have felled our forests, we have gathered our grains, but we have not yet embraced the infinite energy of our souls, which is love. TOD HOWARD HAWKS
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Jun 8, 2019
Jun 8, 2019 at 9:30 PM UTC
WE HAVE MINED OUR MOUNTAINS
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
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Sep 21, 2019
Sep 21, 2019 at 8:33 PM UTC
Fishing
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
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22
Snow White in fact to hell and back pursued the seven Dwarves Who daily mined their businesses and never minded yours She danced the ground where hammers pound She sang in quadraphonic sound She knew her scene was just on screen And screens were not of human beings She knew her life in truth to be Light flickering through transparency And that she soon as all cartoons Would roll back to her film's cocoon Then a sticky floor for a Disney ***** A princess serving clients She did her part, now Dwarven hearts Can beat the blood of Giants
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May 8, 2012
May 8, 2012 at 10:11 PM UTC
Snow White in Fact
we'm from the valleys, high in wales, dull  as donkeys, hard as nails. torvaen town,blaenavon gwent, council caves,that some pay rent. black and white tellys, run on gas, houses wiv lectric,is upper class. we shoplift in winter, cos summers no good, you  can't wear coats, you can't wear hoods. we once mined coal, made steel and iron, honest hardmen, pittance relied on. now thats all gone, thro government bullies, now hoodies steal goodies, from tesco and woolies. valley boy logic, philosophy real, all good fings come. ....to those who steal.
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Feb 24, 2010
Feb 24, 2010 at 9:58 AM UTC
valley hoodies
Lips, soft as petals, rarefied as undiscovered Wild orchids. Hair, threads of gold gathered, woven, mined From secret caves. Eyes, that fell from violet skies landing on new Isles of azure. Skin, so salmon flecked, subtle, delicate, solas, Destination. Your body is buried cask and gilded keeper Of jewels and flame, whispers, searing cold, Blue fires untamed— Lush, fertile wanderings, colourful birds, sweeping Moon, pools of sorrows and light, trees branching, Pleasures keen, crushing delights without name.
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Nov 28, 2012
Nov 28, 2012 at 9:24 PM UTC
Treasure
Lo, I have loved thee long, long have I yearned and entreated! Tell me how I may win thee, tell me how I must woo. Shall I creep to thy white feet, in guise of a humble lover ? Shall I croon in mild petition, murmuring vows anew ? Shall I stretch my arms unto thee, biding thy maiden coyness, Under the silver of morning, under the purple of night ? Taming my ancient rudeness, checking my heady clamor­ Thus, is it thus I must woo thee, oh, my delight? Nay, 'tis no way of the sea thus to be meekly suitor­ I shall storm thee away with laughter wrapped in my beard of snow, With the wildest of billows for chords I shall harp thee a song for thy bridal, A mighty lyric of love that feared not nor would forego! With a red-gold wedding ring, mined from the caves of sunset, Fast shall I bind thy faith to my faith evermore, And the stars will wait on our pleasure, the great north wind will trumpet A thunderous marriage march for the nuptials of sea and shore.
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2.8k
The Sea to the Shore
should I lay claim to the towers around me? to programmed ghosts in the machine? should I reap the gifts and ease of another man’s dreams? is it not a paradox to eat what flesh still has not surrendered just to me? I can pluck a cherry from a bush for my life until I find a small stone I can wield as a weapon; as a knife if the rock does not decay and my aim be born with truth and arm as strong as it should be uncrushed by blanket blue then I should eat what comes to me what I can take by force what in my lone punctuality I can chase without a horse if I can build a stone axe then I can start a war If I can gut a fish I’m as rich as caviar but here and now all diamonds are brought up from the earth and my coal-free pores are too un-mined to understand such worth can I lay claim to the towers around me? If I can build them all and if I am no god then I’ll have no Taj Mahal
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Dec 13, 2011
Dec 13, 2011 at 6:34 AM UTC
A Stone Axe
tomorrow’s raindrops falling on our shoes our sheds and our attitudes dead like winter feathers turn red in spring grief is a funny thing how the mind hides from itself its faults are shed like yesterday's skin frequent lessons to be earned and then dealt with never make a bargain with the devil rather let yourself listen and then swiftly walk away take your space and face your inner demons reside in the cave of safety within your heart we know that love is an art form with more music and magic bursting forth like fungus the moment after the storm passes i am drenched in your fabric within a glass iris lions dine on sunlight and a kind walrus dunks his head in your oasis drunk on stone fruit we drift into this music forensics are freedom as hungry lovers lick loquacious diamonds mined in eternity dine upon my consciousness and find the rivers edge why do we no longer beg to taste each other's lips anymore as long ago i wandered upon the ocean floor and saw a tiny star eyeing me curiously from beneath the sand but when i bent down to pick it up i was surprised to find it was not attached to anything it was just lying there shining like a diamond within it i could see everything as clear as day and it had a musical way of saying hello and that there was no need to worry because help was on the way
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Nov 4, 2018
Nov 4, 2018 at 5:30 PM UTC
tomorrow's raindrops
Is a realm where alchemy is alive and well It resides in the aether making it difficult to envision A place of dreams but if you are imaginative There is also structure Dreams without structure are just whispers of nothingness Quickly dissipating Without structure, dreams quickly fold back into the aether Waiting for a less superfluous re-imagination To make it on the physical plane, there must be roots When dreams are infused with structure, roots can be found There is potential that those dreams can wake up When the dreams are provided with structure and Are re-animated with function Then we have a breath of life Structure and function are what allows Us To step out of dreamtime and into reality To find the roots of that architecture you must have vision Not see with your eyes vision, but a different type This framework hasn’t always existed Relations have created it That’s why it’s recognizable The framework are the laws, both natural and synthetic It’s the place where duality and non-duality collide It’s a place of transcendence A place of truth Maybe we can learn to see holistically here Anisotropica has many functions It’s art and science fused It’s poetry and song and dance And mathematics and physics and chemistry It is an expression of sacred geometry An amalgamation of binary and analog The fusion of dreams and laws Creates a space that can be mined for transcendence A place where we can extend past many current limitations It's a springboard to become who you are
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Oct 20, 2014
Oct 20, 2014 at 4:26 PM UTC
Anisotropica
Is a realm where alchemy is alive and well It resides in the aether making it difficult to envision A place of dreams but if you are imaginative There is also structure Dreams without structure are just whispers of nothingness Quickly dissipating Without structure, dreams quickly fold back into the aether Waiting for a less superfluous re-imagination To make it on the physical plane, there must be roots When dreams are infused with structure, roots can be found There is potential that those dreams can wake up When the dreams are provided with structure and Are re-animated with function Then we have a breath of life Structure and function are what allows Us To step out of dreamtime and into reality To find the roots of that architecture you must have vision Not see with your eyes vision, but a different type This framework hasn’t always existed Relations have created it That’s why it’s recognizable The framework are the laws, both natural and synthetic It’s the place where duality and non-duality collide It’s a place of transcendence A place of truth Maybe we can learn to see holistically here Anisotropica has many functions It’s art and science fused It’s poetry and song and dance And mathematics and physics and chemistry It is an expression of sacred geometry An amalgamation of binary and analog The fusion of dreams and laws Creates a space that can be mined for transcendence A place where we can extend past many current limitations It's a springboard to become who you are
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36
We all need our walls They keep out that which is unwanted So, you ***** a simple structure of wood But wood can be burned And is therefore, insufficient So, you build it up with brick Encasing either side But brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with granite stone Encasing either side But granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with wrought iron Encasing either side But wrought iron breaks if struck in the right place And granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with four-inch steel Encasing either side But four-inch steel can be cut away And wrought iron breaks if struck in the right place And granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient. But then you ponder The wood The brick The granite The iron The steel And you realize In trying to protect your soft core In trying to spare others from the radiation that is your uniqueness In building your fortress You have isolated yourself And though you feel your wall Will always be insufficient In truth Nobody Will ever be determined enough Or brave enough To cut away the four-inch steel To strike and break the iron To mine away the granite stone To crush the brick to powder To burn the wood And crush the brick to powder And mine away the granite stone And strike and break the iron And cut away the four-inch steel In keeping others out You have locked yourself in Your own private, frozen hell Of toxic radiation The ice consumes you And only you can thaw it The wall looms tall and dark And only you can demolish it You cannot stop being who you are And only you can convince yourself that you are not toxic But you were never truly trying to keep others out, were you? You were trying to keep out yourself You are your own worst enemy
0
Jul 20, 2014
Jul 20, 2014 at 1:06 PM UTC
Fortress
We all need our walls They keep out that which is unwanted So, you ***** a simple structure of wood But wood can be burned And is therefore, insufficient So, you build it up with brick Encasing either side But brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with granite stone Encasing either side But granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with wrought iron Encasing either side But wrought iron breaks if struck in the right place And granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient So, you build it up with four-inch steel Encasing either side But four-inch steel can be cut away And wrought iron breaks if struck in the right place And granite stone can be mined away And brick can be crushed to powder And wood can be burned And is therefore, insufficient. But then you ponder The wood The brick The granite The iron The steel And you realize In trying to protect your soft core In trying to spare others from the radiation that is your uniqueness In building your fortress You have isolated yourself And though you feel your wall Will always be insufficient In truth Nobody Will ever be determined enough Or brave enough To cut away the four-inch steel To strike and break the iron To mine away the granite stone To crush the brick to powder To burn the wood And crush the brick to powder And mine away the granite stone And strike and break the iron And cut away the four-inch steel In keeping others out You have locked yourself in Your own private, frozen hell Of toxic radiation The ice consumes you And only you can thaw it The wall looms tall and dark And only you can demolish it You cannot stop being who you are And only you can convince yourself that you are not toxic But you were never truly trying to keep others out, were you? You were trying to keep out yourself You are your own worst enemy
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70
A wise man once told me that all people are like precious metals. He told me this in different words than I will use, but I took this to heart.
 We are mined from ***** places; these miners see the value that lies beneath our harsh surface. We are plucked from our resting places, sent to great, large cities where we will be put over fire to burn out our impurities. 
 We will go through pain and fire. We will melt and be tortured. We will cry and scream and we will suffer. All of our repulsive imperfections will float to the top while this is happening. To purify gold, it must be melted. To purify silver, it must be melted. 
 It must be melted and the rough **** that exists within and without these bits of precious metal must float to the top to be extracted. 
Sometimes, this process must happen multiple times. Sometimes, we must use chemicals and medicines to make sure it happens properly. To purify us, we must be melted. 
These are our trials in life. This fire represents our hardships. This fire represents every life change that we don't want to happen, but must pull through. This fire represents each truth that we don’t want to know, but have to accept. This fire represents each person that walks in and out of our lives like rainstorms, pouring for hours and moments before disappearing on the wind, never to be seen again. This fire represents each night we must spend alone, crying for someone to save us. This fire is us. This fire is self-preservation. This fire doesn't last. And after the fire is over, and our imperfections are drawn away from us, we are perfect.
 Of course no one is ever perfect, but no metal is ever completely perfect; everything that glitters is not gold.
 After the fire has died, and we have been poured into new molds, into new people, we are stronger. With our disfigurements gone, our molecules bond tighter to form a stronger metal. With our faults gone, we sparkle and shine for the world to see.
 After we have been pulled from the ground, after the fire has died, after we have come out as stronger, prettier people, there is still a chance for staining. 
We may scuff and stain, we may grow new impurities, but then we must suffer fire again. 
It is an ongoing process. We are never perfected. We are ever changing, yet we are solid as metal. 
 A wise man once told me that I resembled gold, that everyone around me resembled gold. He once explained this to me in such a way that it changed my mind about hardship. I now meet it with open arms. If I couldn’t handle the fire, it wouldn’t burn for me. 
A wise man once told me that eventually, when the fire was extinguished, I would be a stronger person. A wise man once explained to me that I am not alone, that everyone must hurt to get stronger, and that I will emerge from the fire. This man changed my life, and I hope that maybe I can change someone else’s life. That maybe I can help scrape the imperfections from someone’s boiling surface. 
 That maybe I can help myself become purer, by purifying some other gold or silver. 
After all, at the end of the day, a wise man once told me we are all like precious metals: We are all gold.
0
Apr 29, 2014
Apr 29, 2014 at 11:59 PM UTC
Gold
A wise man once told me that all people are like precious metals. He told me this in different words than I will use, but I took this to heart.
 We are mined from ***** places; these miners see the value that lies beneath our harsh surface. We are plucked from our resting places, sent to great, large cities where we will be put over fire to burn out our impurities. 
 We will go through pain and fire. We will melt and be tortured. We will cry and scream and we will suffer. All of our repulsive imperfections will float to the top while this is happening. To purify gold, it must be melted. To purify silver, it must be melted. 
 It must be melted and the rough **** that exists within and without these bits of precious metal must float to the top to be extracted. 
Sometimes, this process must happen multiple times. Sometimes, we must use chemicals and medicines to make sure it happens properly. To purify us, we must be melted. 
These are our trials in life. This fire represents our hardships. This fire represents every life change that we don't want to happen, but must pull through. This fire represents each truth that we don’t want to know, but have to accept. This fire represents each person that walks in and out of our lives like rainstorms, pouring for hours and moments before disappearing on the wind, never to be seen again. This fire represents each night we must spend alone, crying for someone to save us. This fire is us. This fire is self-preservation. This fire doesn't last. And after the fire is over, and our imperfections are drawn away from us, we are perfect.
 Of course no one is ever perfect, but no metal is ever completely perfect; everything that glitters is not gold.
 After the fire has died, and we have been poured into new molds, into new people, we are stronger. With our disfigurements gone, our molecules bond tighter to form a stronger metal. With our faults gone, we sparkle and shine for the world to see.
 After we have been pulled from the ground, after the fire has died, after we have come out as stronger, prettier people, there is still a chance for staining. 
We may scuff and stain, we may grow new impurities, but then we must suffer fire again. 
It is an ongoing process. We are never perfected. We are ever changing, yet we are solid as metal. 
 A wise man once told me that I resembled gold, that everyone around me resembled gold. He once explained this to me in such a way that it changed my mind about hardship. I now meet it with open arms. If I couldn’t handle the fire, it wouldn’t burn for me. 
A wise man once told me that eventually, when the fire was extinguished, I would be a stronger person. A wise man once explained to me that I am not alone, that everyone must hurt to get stronger, and that I will emerge from the fire. This man changed my life, and I hope that maybe I can change someone else’s life. That maybe I can help scrape the imperfections from someone’s boiling surface. 
 That maybe I can help myself become purer, by purifying some other gold or silver. 
After all, at the end of the day, a wise man once told me we are all like precious metals: We are all gold.
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41
Lips, soft as petals, rarefied as undiscovered Wild orchids. Hair, threads of gold gathered, woven, mined From secret caves. Eyes, that fell from violet skies landing on new Isles of azure. Skin, so salmon flecked, subtle, delicate, solas, Destination. Your body is buried cask and gilded keeper Of jewels and flame, whispers, searing cold, Blue fires untamed— Lush, fertile wanderings, colourful birds, sweeping Moon, pools of sorrows and light, trees branching, Pleasures keen, crushing delights without name.
0
Jul 17, 2013
Jul 17, 2013 at 11:59 AM UTC
Treasure
In the darkest corners you lurk with teeth snarling, unleashing your claws to tear at her fragile skin. The arrows of your pent up anger never miss their target, her. Time between dusk to dawn filled with ink stained air, You dug your paws on her once fragile mind, excavating the emotions she boxed and buried. Tears she shed when you mined her heart with crass hands, Shot daggers with your eyes, Stained countless sheets of paper. Remember: Nothing Builds Character More Than An Antagonist
0
Aug 19, 2014
Aug 19, 2014 at 8:45 PM UTC
Antagonist
*Smart phone paranoia, contagious at best Has the zombies a stumbling the streets without rest Transfixed to their cellphones, oblivious to all By the lure of the Tweet and the Facebook’s enthrall It’s ironically depressing that with all of this spin When you download the Apps…the Devil walks in. They access your contacts, Your banking, your loans Your credit card details, unravel your phones, Delve into your Facebook and spy on your life, Check back through your history and peek at the wife. They sell all your secrets to bidders galore And when you go bankrupt… they’ll show you the door. It’s “Caveat Emptor” or Buyer Beware ‘Cos technology’s clawed onto us by the hair, It’s the Devil you do or the Devil you don’t It’s progress with the crowd or resist and you won’t Compulsion is growing by systems in place By government, banking and big business pace Through Google and Apple and Microsoft sway The data is mined and the marketeer’s pay. Tomorrow is here and we don’t have a choice Ya live without Smartphone…ya won’t have a voice. And the dragnet for data accessed by the Apps And the sensors and whereabouts GPS tracks, With the malware evolving to beauteous height Means ya privacy’s shot and ya turn out the light.* PS: Beneficium accipere liberatum est vendere      (To accept a favour…is to sell one’s freedom!) Marshalg Waiting for it all to come back and bite me on the **** Pukehana AUCKLAND 21 February 2014
0
Feb 21, 2014
Feb 21, 2014 at 4:44 PM UTC
Caveat Emptor
I see you with him, questions in my mined on why you won't take me. Intimacy with you I wanted it to be! I guess that's not what you want from me. I don't understand, I shouldn't dwell I'll only put myself in hell. I care for you this is true attracted to you, for we have a lot in common. Though you said you don't want to loose our friendship with going out. I know that's not what its about. I don't want you not accepting me. To loose our friendship totally. Boyfriends may come and go. This I was told. Yet friends stay. I may not make you smile like him. I could only be there for you the best I can. To you my friend. I wish you happiness!
0
Jul 14, 2011
Jul 14, 2011 at 12:56 AM UTC
UnderStand