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"mimicking" poems
With regards to Thomas Sayers Ellis Look at the     Lucent lava lamps, Dark craters     Hiring hands. We walked,     Mimicking magma. Hot, why is     This heat? Forget Vulcan     And his illusion Of kaleidoscopes,     A rip tide On the shore     Of our conscious minds. We held fire,     Pretending to swim Underground,     But only out Of pure respect.     Some had boots Made with     The clippings Of funky tripwire,     Others wore suits With goggles     Clamped to their faces, Gripping like     Bay Area earthquakes. One-by-one,     Jang-strangs were Attached to us and     Hurled into the Pit With rhythmic rituals,     Waves of S and P Flailed away     Like flags. One nation     Under a new. No one looked away     From the fiery daze. No one wept.
0
Aug 29, 2014
Aug 29, 2014 at 2:31 PM UTC
A Psychopermarevolutionarythermalhoopdee
the girls had been chattering and laughing in the dining room when suddenly nan, zoey, and madison charged in the room. making everyone stop and look at them. "Alright ******* Madison stood with her arms crossed and an enraged look in her dark brown eyes. "who the **** stole my money???" she questioned. the girls just sat there and looked at her quietly. "okay, none of you broke *** hos want to fess up? you're ballsy enough to take my **** but you're not ballsy enough to stand up to me? i see" Madison shouted. sadness and hostility in her eyes and voice. "who took Madisons money? i wanna know right now!" Cassie stood up in anger. quickly rushing to Madisons aid. Madison nudged her alittle and rolled her eyes. Cassie folded her arms, mimicking exactly what Madison had been doing. "BROKE *** HOESSSS!" Cassie screamed, pointing at all the girls. Pyper rolled her big blue eyes and flipped her long crimson red hair laughing, "nobody stole your money you idiot, you probably just misplaced it." she laughed, fearlessly looking madison straight in the eyes. which made nan look at pyper very suspiciously as she read her mind. "hold my earrings please." Madison began to put her hair up in a bun. "what is going on in here?" Cordelia stormed in the room with her arms folded. "put your shoes on Madison." Cordelia looked at Madison in confusion. "nothing, Madisons spazing out because she thinks that someone took her money. and now she's getting all 'ghetto' and bent out of shape about it. taking her payless heels off like she's actually going to do something." pyper rolled her eyes and joked, making the rest of the girls laugh aswell. "payless? i only wear chanel." Madison flipped her hair. Nan looked Pyper in the eyes suspiciously, shaking her head from side to side. "i'm going to say this once and once only." cordelia shouted. "i will not have any fighting or steeling in this house. and if anyone is caught fighting or steeling, you will be expelled. it's a big bad world out there girls, up until now you've all lived very sheltered lives and i'd hate to send you out in it to fend for yourselves." Cordelia sighed. pyper got a very sad look in her eyes. "sheltered" she snickered, "right." Nan looked at pyper sadly, still reading her mind. "what are you looking at?" Pyper shouted at nan viciously. "i'm not sure yet." Nan replied curiously.
0
Jan 29, 2015
Jan 29, 2015 at 1:14 PM UTC
coven fan fic part 4
the girls had been chattering and laughing in the dining room when suddenly nan, zoey, and madison charged in the room. making everyone stop and look at them. "Alright ******* Madison stood with her arms crossed and an enraged look in her dark brown eyes. "who the **** stole my money???" she questioned. the girls just sat there and looked at her quietly. "okay, none of you broke *** hos want to fess up? you're ballsy enough to take my **** but you're not ballsy enough to stand up to me? i see" Madison shouted. sadness and hostility in her eyes and voice. "who took Madisons money? i wanna know right now!" Cassie stood up in anger. quickly rushing to Madisons aid. Madison nudged her alittle and rolled her eyes. Cassie folded her arms, mimicking exactly what Madison had been doing. "BROKE *** HOESSSS!" Cassie screamed, pointing at all the girls. Pyper rolled her big blue eyes and flipped her long crimson red hair laughing, "nobody stole your money you idiot, you probably just misplaced it." she laughed, fearlessly looking madison straight in the eyes. which made nan look at pyper very suspiciously as she read her mind. "hold my earrings please." Madison began to put her hair up in a bun. "what is going on in here?" Cordelia stormed in the room with her arms folded. "put your shoes on Madison." Cordelia looked at Madison in confusion. "nothing, Madisons spazing out because she thinks that someone took her money. and now she's getting all 'ghetto' and bent out of shape about it. taking her payless heels off like she's actually going to do something." pyper rolled her eyes and joked, making the rest of the girls laugh aswell. "payless? i only wear chanel." Madison flipped her hair. Nan looked Pyper in the eyes suspiciously, shaking her head from side to side. "i'm going to say this once and once only." cordelia shouted. "i will not have any fighting or steeling in this house. and if anyone is caught fighting or steeling, you will be expelled. it's a big bad world out there girls, up until now you've all lived very sheltered lives and i'd hate to send you out in it to fend for yourselves." Cordelia sighed. pyper got a very sad look in her eyes. "sheltered" she snickered, "right." Nan looked at pyper sadly, still reading her mind. "what are you looking at?" Pyper shouted at nan viciously. "i'm not sure yet." Nan replied curiously.
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5
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
0
Feb 15, 2018
Feb 15, 2018 at 10:29 AM UTC
Article: Taylor Swift and why rhyme sells,
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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36
A head, gnashing and screaming Forgiving my unknown hospitality Pretty is weakening I'm a fatality deemed Obnoxious is my scene The mocking and mimicking comes easy for me No secret, I envy the earth's energy Depressed, sitting in my fancy dress Shoving and tugging with desirable credibility I ravish my personality Amused? As I show my tender meat bleeding Kissing, authentic generosity A bit suggestive Confidence in deranged descriptions making others nervous Excuse me, I must leave my head is blistering, Popping, Gushing and oozing profanities Dented durability, consume me I love the fact I'm lacking Becoming one with the barbaric queen
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May 28, 2016
May 28, 2016 at 1:06 AM UTC
Broken isn't cute
she has become my distant lover. my heels crave the cracked holiness of her cobblestone. old city, dome, wall, burial you are still circling at my feet. now i only feel at home when i am close to the ground. mimicking the comfort i found at her feet - Jerusalem
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Mar 2, 2015
Mar 2, 2015 at 11:31 AM UTC
homeland
I'm not a writer... Or anything resembling that I am just me... Sharing my words picked out from life's hat I can't find the most accurate to say So letters I dabble in various permutations Layers of letters turn into words and come to play Could call them journals, these text-laden creations But I'm not a writer... Or anything resembling that I am just me... Penning the words picked out of life's hat I'm not a poet... Or anything mimicking that I am just me... Relating experiences out of life's hat I can't conjure poems... About anything or everything Can't use my words to incite or inspire These are just ideas and I just like rhyming They are just experiences that fuel my fire But I'm not a poet... Or anything mimicking that I am just me...  Spouting rhymes out of life's hat I'm not an artist... Or anything pretending to be that I am just me... Drawing scenes from life's hat I can't sketch a portrait with a simple pencil Can't put together an installation and call it art I can paint fairly well; of which I have done several I can draw out emotions and depictions from the heart But I'm not an artist... Or anything pretending to be that I am just me... Producing paintings out of life's hat I'm not a musician.. Or anything fantastic like that I am just me... Playing melodies from life's hat I don't have the quality of voice to match that of a crooner I can't play instruments that could earn a place in a band I can sing in key without the help of a tuner I enjoy music best with a guitar in my hands But I'm not a musician.. Or anything fantastic like that I am just me... Singing songs from life's hat I'm not a writer, poet, musician or an artist... I do a little of everything, not excelling at any one title Although I wish to have everything clenched in one fist All I ever really do is just dabble....
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Aug 23, 2014
Aug 23, 2014 at 9:34 AM UTC
Dabble
I'm not a writer... Or anything resembling that I am just me... Sharing my words picked out from life's hat I can't find the most accurate to say So letters I dabble in various permutations Layers of letters turn into words and come to play Could call them journals, these text-laden creations But I'm not a writer... Or anything resembling that I am just me... Penning the words picked out of life's hat I'm not a poet... Or anything mimicking that I am just me... Relating experiences out of life's hat I can't conjure poems... About anything or everything Can't use my words to incite or inspire These are just ideas and I just like rhyming They are just experiences that fuel my fire But I'm not a poet... Or anything mimicking that I am just me...  Spouting rhymes out of life's hat I'm not an artist... Or anything pretending to be that I am just me... Drawing scenes from life's hat I can't sketch a portrait with a simple pencil Can't put together an installation and call it art I can paint fairly well; of which I have done several I can draw out emotions and depictions from the heart But I'm not an artist... Or anything pretending to be that I am just me... Producing paintings out of life's hat I'm not a musician.. Or anything fantastic like that I am just me... Playing melodies from life's hat I don't have the quality of voice to match that of a crooner I can't play instruments that could earn a place in a band I can sing in key without the help of a tuner I enjoy music best with a guitar in my hands But I'm not a musician.. Or anything fantastic like that I am just me... Singing songs from life's hat I'm not a writer, poet, musician or an artist... I do a little of everything, not excelling at any one title Although I wish to have everything clenched in one fist All I ever really do is just dabble....
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36
Trivial beauty holds me captive as i sit near the flower Reaching towards it, marveling at the colorful rainbow It flaunts its Sheer beauty, Having it wave with the breeze As i watch The stripes came to take the juice And then left to spread more Lo, the beauty of the stripes and the beauty of its job I followed. leaving the flower. Ever so noisily, It buzzed, harmonically, lovingly it danced in ways that intrigued me so i left the flower to pursue my bee it took me to its hive but disappeared back to join the others back to its life back to her lover ditching me. time flew by and by dark the flower still glows with its rainbow color no matter what comes to it it holds itself tall and proud it stayed in place waiting for me to come such purity i watch Dawn of fall came, and i opened my ears As a yellow flower sang nearby Nevertheless, a sunflower Ah, yellow was such a pretty color flower of the sun, reflecting the most powerful object in our vision this flower had the qualities to shine like one for it shined so brightly during the day i started to watch this flower instead and sing to it, hoping it would grow cared for it with everything i had but i failed to find it during the night for it changed throughout the month, throughout the day soon i found my efforts were nothing and that the sunflower was always in its own flock the yellow flower is still there always will be but its petals always faced something else in the opposite direction and as soon as i come close to getting it it turns away, mimicking its sister, the bee summer came and the rainbow flower, it was still here it never left why? confused, i sat i became sad why did i leave this flower, ever? it still stayed so i've decided to stay. forever.
0
Nov 1, 2018
Nov 1, 2018 at 3:34 PM UTC
Rainbow
Trivial beauty holds me captive as i sit near the flower Reaching towards it, marveling at the colorful rainbow It flaunts its Sheer beauty, Having it wave with the breeze As i watch The stripes came to take the juice And then left to spread more Lo, the beauty of the stripes and the beauty of its job I followed. leaving the flower. Ever so noisily, It buzzed, harmonically, lovingly it danced in ways that intrigued me so i left the flower to pursue my bee it took me to its hive but disappeared back to join the others back to its life back to her lover ditching me. time flew by and by dark the flower still glows with its rainbow color no matter what comes to it it holds itself tall and proud it stayed in place waiting for me to come such purity i watch Dawn of fall came, and i opened my ears As a yellow flower sang nearby Nevertheless, a sunflower Ah, yellow was such a pretty color flower of the sun, reflecting the most powerful object in our vision this flower had the qualities to shine like one for it shined so brightly during the day i started to watch this flower instead and sing to it, hoping it would grow cared for it with everything i had but i failed to find it during the night for it changed throughout the month, throughout the day soon i found my efforts were nothing and that the sunflower was always in its own flock the yellow flower is still there always will be but its petals always faced something else in the opposite direction and as soon as i come close to getting it it turns away, mimicking its sister, the bee summer came and the rainbow flower, it was still here it never left why? confused, i sat i became sad why did i leave this flower, ever? it still stayed so i've decided to stay. forever.
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58
I Stacked green crates by the futon, records sealed as buried letters, each sleeve longing to be drawn out into daylight by her small, thoughtful hands. I just want to play that Nick Cave again teenager’s resolve in her voice, she drops the needle on "Tupelo", traces Peter Murphy with her thumb, holds Kate Bush to the light like stained glass. She laughs at the ****** box on the speaker. I tell her it’s never going to happen. She grins, unbothered, says she only came for the vinyl. I watch her tilt each sleeve, never touching the grooves, brush the dust, lay the needle like a secret, slide the disc back without a wrinkle. Each time I’m surprised by her precision. It’s the third time she’s dropped by. She makes mixtapes. Pressing pause, pressing record, stitching songs into a spine of hiss. Once, to me, or to herself, she said her father wanted a tape. She’d mail it when he had somewhere to send it. She follows me across the bridge, talking about her brother, an ex-best friend, mimicking her professor, how he wags his tongue when he writes on the chalkboard. I haul a duffel: apron, uniform, boots heavy with grease. She skips in the rain, strumming cables, humming the last song played, still in the air. II I unlock the door, steeped in garlic and kitchen sweat, boots leaving grime on the boards. She isn’t there- only the crates, stacked neater, jackets squared, spines aligned, as if her care was meant for me. The room settles with her absence, yet holds me upright in its small, thoughtful hands.
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Sep 17, 2025
Sep 17, 2025 at 8:11 PM UTC
Crates
I Stacked green crates by the futon, records sealed as buried letters, each sleeve longing to be drawn out into daylight by her small, thoughtful hands. I just want to play that Nick Cave again teenager’s resolve in her voice, she drops the needle on "Tupelo", traces Peter Murphy with her thumb, holds Kate Bush to the light like stained glass. She laughs at the ****** box on the speaker. I tell her it’s never going to happen. She grins, unbothered, says she only came for the vinyl. I watch her tilt each sleeve, never touching the grooves, brush the dust, lay the needle like a secret, slide the disc back without a wrinkle. Each time I’m surprised by her precision. It’s the third time she’s dropped by. She makes mixtapes. Pressing pause, pressing record, stitching songs into a spine of hiss. Once, to me, or to herself, she said her father wanted a tape. She’d mail it when he had somewhere to send it. She follows me across the bridge, talking about her brother, an ex-best friend, mimicking her professor, how he wags his tongue when he writes on the chalkboard. I haul a duffel: apron, uniform, boots heavy with grease. She skips in the rain, strumming cables, humming the last song played, still in the air. II I unlock the door, steeped in garlic and kitchen sweat, boots leaving grime on the boards. She isn’t there- only the crates, stacked neater, jackets squared, spines aligned, as if her care was meant for me. The room settles with her absence, yet holds me upright in its small, thoughtful hands.
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57
We were born into a world of shallow minds and deep disturbances of young millennials mimicking mindless mimes because we were told to stay in line but be yourself but follow me but think "originality." A generation full of copycatting individuals with monotone mindsets mulling over social ladders and trends dictated by invisible monarchs of industry inviting and spoon feeding insecurities masked as improvements. A generation spending more time pretending not to care than on passions stifled by our peer pressuring playmates who are all prescribed Vyvanse, Adderall, Ritalin for their incurable imaginations deemed "learning disabilities." A generation of temporary friendships because no one can connect with each other but we can connect to the internet and chat with strangers and share thoughts, photos, and secrets to a virtual audience that loses interest in an entanglement of wires forming a noose around our sincerity.
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Oct 17, 2015
Oct 17, 2015 at 2:38 AM UTC
Still Howling
Dear Wildflowers, How does it feel to be the moons favorite child? How about the suns personal treasure? You're born in the spring, Bloom in the summer, And creep into our hearts in the winter months. Dear Wildflowers, How does it feel when the rain falls on your petals Washing away your impurities? Teach me how to guide the wind. Teach me how to live life Simple and Easy. Dear Wildflowers, How does it feel to be free? To have no boundaries? Share with me your secret, How did you do it? Did you charm them with your beauty? Or do you simply have the strength? Dear Wildflowers, I envy you. You're so beautiful, Graceful as you dance together, Mimicking the movement of the waves, Magnifying it. Love, Every teenage girl who has ever gazed out the wind, Across the lawn, And into life's eyes.
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Jul 17, 2011
Jul 17, 2011 at 8:09 PM UTC
Dear Wildflowers
she had an uncle who spent twenty years in the ring, landing solid blows until   he landed in a downtown Oakland hotel, older than he, wrecking ball got it in the dawn of the cyber age but for ten droning years, it was his cage he never had a title shot but he kept his belly full and had cash for the women, the drink   never drove a car, cabbies knew him and knew the smell of gin meant “keep the change”    when his legs got weak and his left eye went to blur the money stopped rolling in   but he still thirsted for the gym, the gin he got himself a gig at Big G’s   just enough hours to clean out the showers, to keep the johns from smelling of ****   and a few greenbacks comin’ his way   he would end each day alone in his room, inhaling the gloom   that seeped over the transom   like smoke from a smoldering fire   but there was no fire left in the ancient hotel   or Parrot’s burned up belly   only fading memories of a wounded warrior   who taunted his opponents by mimicking every word they said   in the ring, where he earned a bird’s name   but never its sweet song, before time took its tattered toll
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Oct 14, 2013
Oct 14, 2013 at 8:29 PM UTC
Uncle Parrot
There'll be a crowd encircling you, I'm sure. They'll nod at your every word, imperfectly mimicking what people look like when they actually listen. I'm sure the crowd will be people we know. Old high school friends with real estate ventures and gyms and multi-level marketing schemes. Most of them will be doughier, their cheeks permanently stained red from a decade of drinking. Most of them will have photos of their kids on their phones, and they'll tell you they're "sure you don't want to see them" as they pull out their phones and show you photos of their kids. I imagine I'll approach, stop just short of the circle, pretend to bid on an Alaskan cruise. As you talk about redoing your floor in a faux tile that looks just like the real thing for like half the price, you'll see me. I hope you'll think of that kiss five years ago, outside of a bar in Norman, when the world entire bent for us, when all traffic silenced for us, when all people vanished for us. Maybe you'll think of the time we ****** in a twin-sized bed, beside a wall decorated with newspaper clippings, which I thought made me look worldly and learned. I admit now the look was less academic, more serial killer. And maybe you'll think of the manchild fit I threw when I found out you had moved on after I moved away. And maybe you'll be totally present. Good to see you, you'll say. You will ask about my family. We will discuss the cooler weather. We will talk about your business, your kids. We will side hug and say goodbye. We will take the same route to the same exit. There will be children coloring the sidewalk with chalk. We'll each borrow a piece. I'll outline you; you'll outline me.
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Oct 8, 2018
Oct 8, 2018 at 11:59 AM UTC
What If Our Paths Cross at a Chamber of Commerce Silent Auction
There'll be a crowd encircling you, I'm sure. They'll nod at your every word, imperfectly mimicking what people look like when they actually listen. I'm sure the crowd will be people we know. Old high school friends with real estate ventures and gyms and multi-level marketing schemes. Most of them will be doughier, their cheeks permanently stained red from a decade of drinking. Most of them will have photos of their kids on their phones, and they'll tell you they're "sure you don't want to see them" as they pull out their phones and show you photos of their kids. I imagine I'll approach, stop just short of the circle, pretend to bid on an Alaskan cruise. As you talk about redoing your floor in a faux tile that looks just like the real thing for like half the price, you'll see me. I hope you'll think of that kiss five years ago, outside of a bar in Norman, when the world entire bent for us, when all traffic silenced for us, when all people vanished for us. Maybe you'll think of the time we ****** in a twin-sized bed, beside a wall decorated with newspaper clippings, which I thought made me look worldly and learned. I admit now the look was less academic, more serial killer. And maybe you'll think of the manchild fit I threw when I found out you had moved on after I moved away. And maybe you'll be totally present. Good to see you, you'll say. You will ask about my family. We will discuss the cooler weather. We will talk about your business, your kids. We will side hug and say goodbye. We will take the same route to the same exit. There will be children coloring the sidewalk with chalk. We'll each borrow a piece. I'll outline you; you'll outline me.
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17
Sculpted by the tides Marble faces Cold embraces Listless lies Float in the wind Drifting boats Sink and disappear A diaspora of shadows Misanthropic memories Malevolent, mimicking.
0
Oct 13, 2014
Oct 13, 2014 at 4:21 AM UTC
Sea Urchins
Long and thin, Claw like, Like spider's legs Frail They run Faster and faster, The talon-like nails tapping The table, Mimicking Beethoven's fifth symphony We grasp We clench With white knuckles a cold white A hard white An icy white Holding onto the last life we have. Without fingers, We cannot hold each other's hands, We cannot play music, We cannot write our thoughts. We are not human, Without our Fingers
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Oct 1, 2014
Oct 1, 2014 at 4:55 PM UTC
Fingers
Monogamy more like Fogogamy man playing woman Testing themselves Filling this Mythical void, only leaving women, so Toyed and torn. This False idea, If woman are not mimicking the hand they use to please themselves, they simply wash their hands of them all together. And then, the relationship, she thought was smooth sailing Completely switched up,became this sinking ship with no relation.
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Aug 6, 2015
Aug 6, 2015 at 5:21 AM UTC
Mislead and Misused
Oft, in the silence of the night, When the lonely moon rides high, When wintry winds are whistling, And we hear the owl's shrill cry, In the quiet, dusky chamber, By the flickering firelight, Rising up between two sleepers, Comes a spirit all in white. A winsome little ghost it is, Rosy-cheeked, and bright of eye; With yellow curls all breaking loose From the small cap pushed awry. Up it climbs among the pillows, For the 'big dark' brings no dread, And a baby's boundless fancy Makes a kingdom of a bed. A fearless little ghost it is; Safe the night seems as the day; The moon is but a gentle face, And the sighing winds are gay. The solitude is full of friends, And the hour brings no regrets; For, in this happy little soul, Shines a sun that never sets. A merry little ghost it is, Dancing gayly by itself, On the flowery counterpane, Like a tricksy household elf; Nodding to the fitful shadows, As they flicker on the wall; Talking to familiar pictures, Mimicking the owl's shrill call. A thoughtful little ghost if is; And, when lonely gambols tire, With chubby hands on chubby knees, It sits winking at the fire. Fancies innocent and lovely Shine before those baby-eyes, - Endless fields of dandelions, Brooks, and birds, and butterflies. A loving little ghost it is: When crept into its nest, Its hand on father's shoulder laid, Its head on mother's breast, It watches each familiar face, With a tranquil, trusting eye; And, like a sleepy little bird, Sings its own soft lullaby. Then those who feigned to sleep before, Lest baby play till dawn, Wake and watch their folded flower - Little rose without a thorn. And, in the silence of the night, The hearts that love it most Pray tenderly above its sleep, 'God bless our little ghost!'
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Our Little Ghost
Oft, in the silence of the night, When the lonely moon rides high, When wintry winds are whistling, And we hear the owl's shrill cry, In the quiet, dusky chamber, By the flickering firelight, Rising up between two sleepers, Comes a spirit all in white. A winsome little ghost it is, Rosy-cheeked, and bright of eye; With yellow curls all breaking loose From the small cap pushed awry. Up it climbs among the pillows, For the 'big dark' brings no dread, And a baby's boundless fancy Makes a kingdom of a bed. A fearless little ghost it is; Safe the night seems as the day; The moon is but a gentle face, And the sighing winds are gay. The solitude is full of friends, And the hour brings no regrets; For, in this happy little soul, Shines a sun that never sets. A merry little ghost it is, Dancing gayly by itself, On the flowery counterpane, Like a tricksy household elf; Nodding to the fitful shadows, As they flicker on the wall; Talking to familiar pictures, Mimicking the owl's shrill call. A thoughtful little ghost if is; And, when lonely gambols tire, With chubby hands on chubby knees, It sits winking at the fire. Fancies innocent and lovely Shine before those baby-eyes, - Endless fields of dandelions, Brooks, and birds, and butterflies. A loving little ghost it is: When crept into its nest, Its hand on father's shoulder laid, Its head on mother's breast, It watches each familiar face, With a tranquil, trusting eye; And, like a sleepy little bird, Sings its own soft lullaby. Then those who feigned to sleep before, Lest baby play till dawn, Wake and watch their folded flower - Little rose without a thorn. And, in the silence of the night, The hearts that love it most Pray tenderly above its sleep, 'God bless our little ghost!'
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Three thousand miles navigating a storm without drop of bad weather Abacus odometer clicks rotating forward ―   spinning with the world go round Circling back down a long and winding road;   where unforgotten memories were once searchingly explored,   untrodden pathways coursing way up north of alone on the low highway    Now an aging shepherd wonders without a compass ; a vagabond deprived of light from an ever blurring north star Heart empty as a gas tank with a broke down gauge, running on fumes of hope for unpromised tomorrows Running from loneliness just to be on the run The gales of silence bellow No feelings I can see ― lay me low Wild-eyed daydreams of Full sails billow out through the windshield, only hearing the unspoken moments sigh restlessly ―     The dull droning road rumble re-sighs renunciatively, a tired monotone voice mimicking the loathe silent echo wallowing in an omnipresent hollow void deriding unspoken chaos between the passing centerlines ― A frost heave pothole erupts, with a leaf-spring rattling thud, as a fleeting cloud of dust arises, set adrift with the draught headed off the east side of the Alcan highway: blown way outside the lines,   towards the Alberta prairie White knuckled steering wheel held sway,  rolling down a beckoning wilderness           reincarnation;  default reset button paused ―  stuck in a moment ― until another jaw rattling frost-heave pothole in the highway,             jars it free Leaving it all behind like a sigh breathed in a silence a heart has outgrown; just a fleeting cloud of dissipating dust,..          a paling whisper the past seems to send forth   like a fading last breath Letting it all unfold to become what it is      harlon rivers ... May 2018        ... travelogue 2 of some
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May 18, 2018
May 18, 2018 at 11:34 AM UTC
Finding lost rivers ― ( a travelogue )
Three thousand miles navigating a storm without drop of bad weather Abacus odometer clicks rotating forward ―   spinning with the world go round Circling back down a long and winding road;   where unforgotten memories were once searchingly explored,   untrodden pathways coursing way up north of alone on the low highway    Now an aging shepherd wonders without a compass ; a vagabond deprived of light from an ever blurring north star Heart empty as a gas tank with a broke down gauge, running on fumes of hope for unpromised tomorrows Running from loneliness just to be on the run The gales of silence bellow No feelings I can see ― lay me low Wild-eyed daydreams of Full sails billow out through the windshield, only hearing the unspoken moments sigh restlessly ―     The dull droning road rumble re-sighs renunciatively, a tired monotone voice mimicking the loathe silent echo wallowing in an omnipresent hollow void deriding unspoken chaos between the passing centerlines ― A frost heave pothole erupts, with a leaf-spring rattling thud, as a fleeting cloud of dust arises, set adrift with the draught headed off the east side of the Alcan highway: blown way outside the lines,   towards the Alberta prairie White knuckled steering wheel held sway,  rolling down a beckoning wilderness           reincarnation;  default reset button paused ―  stuck in a moment ― until another jaw rattling frost-heave pothole in the highway,             jars it free Leaving it all behind like a sigh breathed in a silence a heart has outgrown; just a fleeting cloud of dissipating dust,..          a paling whisper the past seems to send forth   like a fading last breath Letting it all unfold to become what it is      harlon rivers ... May 2018        ... travelogue 2 of some
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I am not woman still healing from scars, from wars, from lives, I’m not yet ready to talk about. I am not beautiful nor broken I am not a poet trying to stitch together my mind in a way that makes sense... I am not a doctor I am not birthed as healer, As nurturer I am not the light, The darkness. I am not black woman who leads Black woman who dances for hearts that are too afraid to beat a little unruly I am not at all dripping lonely Or mimicking the sun when morning comes again I am not both enamored by life and saddened by it I am not the lighthouse The storm The final destination I am not everything you’ve ever wanted I am not the woman who got away I am not what you stole from you. I am not waiting to be whole here.
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May 2, 2018
May 2, 2018 at 12:13 PM UTC
...lies about things I am not
Stream languid reason from the South Heave large sighs upon shores to the North Curl up and nest with the fragile East Rest your eys on the greenness of the West For from there to here: to back over there. We stand like willows in the great winds very own- prairie of time. Deceitfully mastering and mimicking   sounds that appear to make us whole although we are not. When what we are is faithfully moving in orbit around great fire with rest of everybody else.
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Jun 19, 2010
Jun 19, 2010 at 11:17 AM UTC
Compass
Even though your funeral was in the summer, It felt like autumn the way the tears Hung off Aunt Shelley's jawbone like cold raindrops On the eaves of the old porch, The way Grandpa's eyes were too red and wet and A thousand years away, The way Dad's sorrow poured out of folded arms and tight lips, Soft like worn leather, The way it rained too lightly to add any cliché dreariness. I just couldn't think of that red granite box as you, even though I Knew It was the soft gray remains of your body. Death is not like winter, cold and harsh Death is autumn, life draining from bodies, Life drip-dripping from stuttering lips and Once-strong grips Death is watching summers of laughter and hugs fade to Hospital rooms and rain-grey skin and Slow sad songs like wind in red-brown, dead-brown leaves And feeling a slow, quiet loneliness invade your veins. Your death was not cold, impersonal sterile white; it was the Aching melancholy melody of removing One shade of green From a palette, not noticed in the painting at large But felt  keenly in the way the artist's hand no longer Cues that brushstroke. Watching you die was watching all the green leach out of the leaves And turn them briefly, painfully on fire, Standing in a field of emerald grass and feeling it Crinkle and turn yellow-orchre under cold fingers Collapsing into mud. Watching Death from the outside is the single Most painful part of your painless process. When you took your last breath, your features were a Picture-perfect memory of peace, even as my face was a Mask of confusion, my chest heaving with stale hospital air The way yours would never again. I wanted to run outside and imagine all the trees turning red-gold In your honor, mimicking your final Blaze of glory in that last smile. Autumn came early that year, though no trees Turned Til October. Even in the middle of spring I can smell the Rain-woods-wind-wine scent of your autumn soul And it makes me smile.
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Sep 23, 2014
Sep 23, 2014 at 9:13 PM UTC
Great-Grandfather, of Autumn
Even though your funeral was in the summer, It felt like autumn the way the tears Hung off Aunt Shelley's jawbone like cold raindrops On the eaves of the old porch, The way Grandpa's eyes were too red and wet and A thousand years away, The way Dad's sorrow poured out of folded arms and tight lips, Soft like worn leather, The way it rained too lightly to add any cliché dreariness. I just couldn't think of that red granite box as you, even though I Knew It was the soft gray remains of your body. Death is not like winter, cold and harsh Death is autumn, life draining from bodies, Life drip-dripping from stuttering lips and Once-strong grips Death is watching summers of laughter and hugs fade to Hospital rooms and rain-grey skin and Slow sad songs like wind in red-brown, dead-brown leaves And feeling a slow, quiet loneliness invade your veins. Your death was not cold, impersonal sterile white; it was the Aching melancholy melody of removing One shade of green From a palette, not noticed in the painting at large But felt  keenly in the way the artist's hand no longer Cues that brushstroke. Watching you die was watching all the green leach out of the leaves And turn them briefly, painfully on fire, Standing in a field of emerald grass and feeling it Crinkle and turn yellow-orchre under cold fingers Collapsing into mud. Watching Death from the outside is the single Most painful part of your painless process. When you took your last breath, your features were a Picture-perfect memory of peace, even as my face was a Mask of confusion, my chest heaving with stale hospital air The way yours would never again. I wanted to run outside and imagine all the trees turning red-gold In your honor, mimicking your final Blaze of glory in that last smile. Autumn came early that year, though no trees Turned Til October. Even in the middle of spring I can smell the Rain-woods-wind-wine scent of your autumn soul And it makes me smile.
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Bubbles in a bath, loud moaning blaring in the back as I look down at the bruising on my muted skin. I try to imagine myself with your glowing frame submerged underneath the water. Without you, I've been a bit dramatic. A bit manic. Wandering and wonderin'; yeah, I've let my mind slip at night. In the hours of now until then, I try to refrain. I indulge myself into routine. I watch lovers on the screen. Envisioning myself with women in the late hours but mimicking your strokes in the morning. Without you, without you. I'm free to be me. With you, I'm happy. Molten coffee scorches my untouched tongue, reminding me that I can still feel warmth. Damp moss grazes my untasted body, reminding me that I can still dream.
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Aug 18, 2018
Aug 18, 2018 at 10:58 PM UTC
Soft Words Written From a Bath
I lie strategically in place Innocent framework fused With royal carapace Frail and allknowing fingers clenched and intertwined, Mimicking the honest silver circuit in the night sky As candid as the shore Each slumbered and delicate breath Vitally delivered from those sublime lips Both damp and potent I get a candied wind of An accidental consolation To my crippling worry Sorrowful, I am, my love For eavesdropping, but My reveries are your keepsakes And I, Watching you sleep, carefully In A placid coma, caging waves of covenants And exhaling tokens of a life once dreamt of I envisage the unvarnished truth, your marrow as my sustentation, Your veins, My lifeline Where each filament of platinum and sorrel remain entangled and sprawled in forever, impeccably And how drawn out and vexing My intervals of lingering for you Have been And then you leak a sigh in a dream And exhale a veil of whispers Directly to my ribcage And I simper, cradling you tighter So you can breathe my craving, My contented tribute To my one veritable sentiment. And I seal it all in the midst, Of a drifted and slumbered and deathless Kiss.
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Nov 26, 2013
Nov 26, 2013 at 7:24 PM UTC
007.
I think I am a mockingbird I wait for others to react So I can match them If I spend so much time mimicking What is my real personality?
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Jun 18, 2015
Jun 18, 2015 at 2:32 PM UTC
A Confession