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"milton" poems
They say marriage is all about compromise. If that's the case, newlyweds Kia Parsons and Billy Bunning are off to an excellent start. The UK couple had different visions when it came to their wedding cake; the bride wanted an all-white tiered cake with cascading sugar flowers. The groom, on the other hand, wanted to incorporate his love of comic book superheroes into the confection. So they met somewhere in the middle: Julia Baker of Tier by Tier cake design created the cake for the couple's August 14 wedding in Milton Keynes, England. One side is the traditional-looking cake the bride wanted. On the other side, icing curtains reveal the logos of Marvel characters Captain America, Spider-Man and Iron Man, as well as Batman from the DC Comics camp. "I loved every minute making this cake, as I knew it would be something that people would be surprised at and appeal to all the Marvel fans!" Julia told The Huffington Post. In all, she spent 40 hours on the cake. It took 12 hours to make the sugar flowers, and the cake-baking and building took about 28 hours. Needless to say, Kia and Billy were thrilled with the finished product. "Julia did such a fantastic job and we were completely overwhelmed by how brilliant it looked!" the bride told HuffPost. "From most angles of the room, the cake looked like a traditional wedding cake -- just what we had wanted. It wasn't until the cake was moved for us to cut that our guests realized there was a hidden extra. Some didn't even realize until the photos went online after the wedding!" On Tuesday, a photo of the cake began going viral when it was shared by the Life Of Dad Facebook page. "I was surprised at how popular it was and how quickly the pictures circulated on social media," Julia said. "I have plenty more ideas to work on and I am calling these 'double-take cakes.'" read more:www.marieaustralia.com/formal-dresses-perth www.marieaustralia.com/white-formal-dresses
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Aug 20, 2015
Aug 20, 2015 at 11:16 PM UTC
This Supremely Awesome Wedding Cake Will Make You Do A Double Take
They say marriage is all about compromise. If that's the case, newlyweds Kia Parsons and Billy Bunning are off to an excellent start. The UK couple had different visions when it came to their wedding cake; the bride wanted an all-white tiered cake with cascading sugar flowers. The groom, on the other hand, wanted to incorporate his love of comic book superheroes into the confection. So they met somewhere in the middle: Julia Baker of Tier by Tier cake design created the cake for the couple's August 14 wedding in Milton Keynes, England. One side is the traditional-looking cake the bride wanted. On the other side, icing curtains reveal the logos of Marvel characters Captain America, Spider-Man and Iron Man, as well as Batman from the DC Comics camp. "I loved every minute making this cake, as I knew it would be something that people would be surprised at and appeal to all the Marvel fans!" Julia told The Huffington Post. In all, she spent 40 hours on the cake. It took 12 hours to make the sugar flowers, and the cake-baking and building took about 28 hours. Needless to say, Kia and Billy were thrilled with the finished product. "Julia did such a fantastic job and we were completely overwhelmed by how brilliant it looked!" the bride told HuffPost. "From most angles of the room, the cake looked like a traditional wedding cake -- just what we had wanted. It wasn't until the cake was moved for us to cut that our guests realized there was a hidden extra. Some didn't even realize until the photos went online after the wedding!" On Tuesday, a photo of the cake began going viral when it was shared by the Life Of Dad Facebook page. "I was surprised at how popular it was and how quickly the pictures circulated on social media," Julia said. "I have plenty more ideas to work on and I am calling these 'double-take cakes.'" read more:www.marieaustralia.com/formal-dresses-perth www.marieaustralia.com/white-formal-dresses
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11
Around the table, Literacy discussion turned elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stopped to check my sense of what I had just heard... Was transported to a prairie farm; Thought of my Father, then in his eighties Who felt no need and no sense of loss For not having read Shakespeare nor Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he read his Bible; Some nights he read the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He'd shout when I suggested a novel. What literature he had was in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way ("Storm's coming, boys! Let's get that hay!"); Cows and calves and bulls, (Which one was sick or well, dry or bred); Ways to diagnose mechanical ailments ("Start with the easiest options first"); Metals, to know which welding rod applied ("Aluminum sags, and cast iron cracks"); Grain, rolled crisp between hard hands, (a test of ripeness); Cement, to blend the perfect mix, ("Clean gravel/sand, no dirt, not too much water!); Conservation, ("Always keep some grain on hand" &   "Keep your fuel above half-tank"). So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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Dec 20, 2011
Dec 20, 2011 at 9:26 PM UTC
RR No Time For Books
Around the table, Literacy discussion turned elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stopped to check my sense of what I had just heard... Was transported to a prairie farm; Thought of my Father, then in his eighties Who felt no need and no sense of loss For not having read Shakespeare nor Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he read his Bible; Some nights he read the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He'd shout when I suggested a novel. What literature he had was in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way ("Storm's coming, boys! Let's get that hay!"); Cows and calves and bulls, (Which one was sick or well, dry or bred); Ways to diagnose mechanical ailments ("Start with the easiest options first"); Metals, to know which welding rod applied ("Aluminum sags, and cast iron cracks"); Grain, rolled crisp between hard hands, (a test of ripeness); Cement, to blend the perfect mix, ("Clean gravel/sand, no dirt, not too much water!); Conservation, ("Always keep some grain on hand" &   "Keep your fuel above half-tank"). So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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49
The nature of infinity is this: That everything has its Own Vortex, and when once a traveller thro' Eternity Has pass'd that Vortex, he perceives it roll back behind His path, into a globe itself infolding like a sun, Or like a moon, or like a universe of starry majesty, While he keeps onwards in his wondrous journey on the earth, Or like a human form, a friend with whom he liv'd benevolent. As the eye of man views both the east & west encompassing Its vortex, and the north & south with all their starry host, Also the rising sun & setting moon he views surrounding His corn-fields and his valleys of five hundred acres square, Thus is the earth one infinite plane, and not as apparent To the weak traveller confin'd beneath the moony shade. Thus is the heaven a vortex pass'd already, and the earth A vortex not yet pass'd by the traveller thro' Eternity. from The Illuminated Prophetic Books  Milton
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Oct 11, 2014
Oct 11, 2014 at 4:28 PM UTC
The nature of infinity (by William Blake)
"Under the flag Of each his faction, they to battle bring Their embryon atoms." - Milton WELCOME joy, and welcome sorrow, Lethe's **** and Hermes' feather; Come to-day, and come to-morrow, I do love you both together! I love to mark sad faces in fair weather; And hear a merry laugh amid the thunder; Fair and foul I love together. Meadows sweet where flames are under, And a giggle at a wonder; Visage sage at pantomine; Funeral, and steeple-chime; Infant playing with a skull; Morning fair, and shipwreck'd hull; Nightshade with the woodbine kissing; Serpents in red roses hissing; Cleopatra regal-dress'd With the aspic at her breast; Dancing music, music sad, Both together, sane and mad; Muses bright and muses pale; Sombre Saturn, Momus hale; - Laugh and sigh, and laugh again; Oh the sweetness of the pain! Muses bright, and muses pale, Bare your faces of the veil; Let me see; and let me write Of the day, and of the night - Both together: - let me slake All my thirst for sweet heart-ache! Let my bower be of yew, Interwreath'd with myrtles new; Pines and lime-trees full in bloom, And my couch a low grass-tomb.
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A song of opposites
eve's elongated shadows darkened the atmosphere for the company of hikers trekking Milton Ridge
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Aug 9, 2014
Aug 9, 2014 at 6:27 PM UTC
Milton Ridge (Dodoitsu Poem)
I am Alon Dy, Son of Mila and Tong Dy, Brother of Kissy and Milton Dy, Who loves his wife and his family. I am a nurse Who touches the hearts and minds of the patients, Who stands and fights for what is right, Who knows his limits as a nurse. I am a dreamer Who has always option one, two, and three. I never quit, as it is not in my vocabulary. Just because others  throw their hands up and cry, Doesn't mean I'll just leave it high and dry. I feel bad that some people are ignorant, Talking **** behind your back like this and that These people need to realize, I do not mind and I do not care. Backbiting, prejudice and hatred, These are negative attitudes that need to eliminate. Trust me, people still change and Do this now while there is time. So please, it is not too late. Once again, I am Alon Dy Who fears no one except God. I understand I cannot please everybody. I admit I make mistakes sometimes. I say sorry, but still, Need to love each and everyone. I'm aware I have many friends. I know I select only few. I understand, yet wonder why I'm like this. It's plain and simple, Few of them are true.
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Mar 22, 2013
Mar 22, 2013 at 11:20 PM UTC
I am Alon Dy
My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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Sep 19, 2017
Sep 19, 2017 at 10:52 PM UTC
Mansion
My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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80
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.] WHO says the Nation's purse is lean, Who fears for claim or bond or debt, When all the glories that have been Are scheduled as a cash asset? If times are bleak and trade is slack, If coal and cotton fail at last, We've something left to barter yet-- Our glorious past. There's many a crypt in which lies hid The dust of statesman or of king; There's Shakespeare's home to raise a bid, And Milton's house its price would bring. What for the sword that Cromwell drew? What for Prince Edward's coat of mail? What for our Saxon Alfred's tomb? They're all for sale! And stone and marble may be sold Which serve no present daily need; There's Edward's Windsor, labelled old, And Wolsey's palace, guaranteed. St. Clement Danes and fifty fanes, The Tower and the Temple grounds; How much for these? Just price them, please, In British pounds. You hucksters, have you still to learn, The things which money will not buy? Can you not read that, cold and stern As we may be, there still does lie Deep in our hearts a hungry love For what concerns our island story? We sell our work -- perchance our lives, But not our glory. Go barter to the knacker's yard The steed that has outlived its time! Send hungry to the pauper ward The man who served you in his prime! But when you touch the Nation's store, Be broad your mind and tight your grip. Take heed! And bring us back once more Our Nelson's ship. And if no mooring can be found In all our harbours near or far, Then tow the old three-decker round To where the deep-sea soundings are; There, with her pennon flying clear, And with her ensign lashed peak high, Sink her a thousand fathoms sheer. There let her lie!
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3.2k
H.M.S. Foudroyant
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.] WHO says the Nation's purse is lean, Who fears for claim or bond or debt, When all the glories that have been Are scheduled as a cash asset? If times are bleak and trade is slack, If coal and cotton fail at last, We've something left to barter yet-- Our glorious past. There's many a crypt in which lies hid The dust of statesman or of king; There's Shakespeare's home to raise a bid, And Milton's house its price would bring. What for the sword that Cromwell drew? What for Prince Edward's coat of mail? What for our Saxon Alfred's tomb? They're all for sale! And stone and marble may be sold Which serve no present daily need; There's Edward's Windsor, labelled old, And Wolsey's palace, guaranteed. St. Clement Danes and fifty fanes, The Tower and the Temple grounds; How much for these? Just price them, please, In British pounds. You hucksters, have you still to learn, The things which money will not buy? Can you not read that, cold and stern As we may be, there still does lie Deep in our hearts a hungry love For what concerns our island story? We sell our work -- perchance our lives, But not our glory. Go barter to the knacker's yard The steed that has outlived its time! Send hungry to the pauper ward The man who served you in his prime! But when you touch the Nation's store, Be broad your mind and tight your grip. Take heed! And bring us back once more Our Nelson's ship. And if no mooring can be found In all our harbours near or far, Then tow the old three-decker round To where the deep-sea soundings are; There, with her pennon flying clear, And with her ensign lashed peak high, Sink her a thousand fathoms sheer. There let her lie!
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54
Around the table, literacy discussion Turns elitist... Bemoaning some poor Johnny, Son of a plumber who does not read Beyond the practical need, And has no desire to. I stop to check my sense of what I have just heard... Am transported back to a prairie farm And think of my Father, now in his eighties Who still feels no need and no sense of loss For not having read Shakespeare or Kant For missing Milton's Paradises and Hemingway, For by-passing Black Elk Speaks and C.S. Lewis. Every morning, he reads his Bible; Some nights he reads the mail's Motley collection of literature: Ads and politicians and fanatics, Demanding money and his time, But mostly money. "I don't have time to read!" He shouts, when I suggest a novel. What literature he has is in his head, Poems memorized when he was a boy In a two room school, or His own lines, written as a young man, Describing work and friends Long distant now, but still alive In memory. Dad taught me how to read In different literacies and different texts: Nuances of sky to read the weather - What chill or storm or drought was on its way; Cows and calves and bulls - Which one was sick or well, dry or bred; Equipment to diagnose mechanical ailments; Metals to know which welding rod applied; Grain, rolled crisp between his hands, a test of ripeness... Cement to find the perfect mix, So many literacies... Dad, the Master Reader of them all... No wonder he'd no time for books.
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Jun 15, 2014
Jun 15, 2014 at 10:02 AM UTC
No Time for Books
First day of class, her nerves are crunching inside while she tries to maintain a cool surface. The nervous foot tapping and magnetically crossed legs I see giver her away. On top she is collected: calm, serene shirt color, long hair tied back in a ponytail and a smile as the teacher talks and jokes. Her pen is tapping out a nervous jig, but why? Is she eager to impress or is it nerves too anxious to start her first day of class actually ‘specified for her future.’ Is this class the first stepping stone on her “road to success?” Nervous laughter at all of Dr. Sandlin’s corny jokes, sometimes her laugh rings out a trill and true chime and sometimes it is stale. She has big plans, big dreams, a big hope. Creative Writing 3400 is her first “official” step, from there a journalism job in London perhaps? Her nervous feet are thirsting to walk the streets of history where Shakespeare, Milton, or maybe for her Dostoyevsky have trodden. Cold determination, a warm smile, she will succeed.
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Aug 27, 2012
Aug 27, 2012 at 12:38 PM UTC
Salmon Shirt
Milton! thou should’st be living at this hour: England hath need of thee: she is a fen Of stagnant waters: altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness. We are selfish men; Oh! raise us up, return to us again; And give us manners, virtue, freedom, power. Thy soul was like a Star, and dwelt apart: Thou hadst a voice whose sound was like the sea: Pure as the naked heavens, majestic, free, So didst thou travel on life’s common way, In cheerful godliness; and yet thy heart The lowliest duties on herself did lay.
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London, 1802
Scorn not the Sonnet; Critic, you have frowned, Mindless of its just honours; with this key Shakespeare unlocked his heart; the melody Of this small lute gave ease to Petrarch’s wound; A thousand times this pipe did Tasso sound; With it Camöens soothed an exile’s grief; The Sonnet glittered a gay myrtle leaf Amid the cypress with which Dante crowned His visionary brow: a glow-worm lamp, It cheered mild Spenser, called from Faery-land To struggle through dark ways; and, when a damp Fell round the path of Milton, in his hand The Thing became a trumpet; whence he blew Soul-animating strains—alas, too few!
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Scorn Not The Sonnet
O mighty-mouth'd inventor of harmonies, O skill'd to sing of Time or Eternity, God-gifted organ-voice of England, Milton, a name to resound for ages; Whose Titan angels, Gabriel, Abdiel, Starr'd from Jehovah's gorgeous armouries, Tower, as the deep-domed empyrean Rings to the roar of an angel onset-- Me rather all that bowery loneliness, The brooks of Eden mazily murmuring, And bloom profuse and cedar arches Charm, as a wanderer out in ocean, Where some refulgent sunset of India Streams o'er a rich ambrosial ocean isle, And crimson-hued the stately palm-woods
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Milton (Alcaics)
I O goat-foot God of Arcady! This modern world is grey and old, And what remains to us of thee? No more the shepherd lads in glee Throw apples at thy wattled fold, O goat-foot God of Arcady! Nor through the laurels can one see Thy soft brown limbs, thy beard of gold, And what remains to us of thee? And dull and dead our Thames would be, For here the winds are chill and cold, O goat-foot God of Arcady! Then keep the tomb of Helice, Thine olive-woods, thy vine-clad wold, And what remains to us of thee? Though many an unsung elegy Sleeps in the reeds our rivers hold, O goat-foot God of Arcady! Ah, what remains to us of thee? II Ah, leave the hills of Arcady, Thy satyrs and their wanton play, This modern world hath need of thee. No nymph or Faun indeed have we, For Faun and nymph are old and grey, Ah, leave the hills of Arcady! This is the land where liberty Lit grave-browed Milton on his way, This modern world hath need of thee! A land of ancient chivalry Where gentle Sidney saw the day, Ah, leave the hills of Arcady! This fierce sea-lion of the sea, This England lacks some stronger lay, This modern world hath need of thee! Then blow some trumpet loud and free, And give thine oaten pipe away, Ah, leave the hills of Arcady! This modern world hath need of thee!
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Pan—Double Villanelle
What had happened tis ecstasy i know what my limit and limitations... even i am not perfect in this language I never laugh at any one...... i know someone misunderstood about me but i was true my feelings were pure ...............think again don't judge me wrong you are the one i love and will ever love i feel ecstasy with your thought mere passion is not enough in relationship .....relationship is very conscious one ...; .......i know HISTORY true love never run smooth i never would like to insult you ....................think again what you and your reputation is i much careful about it . I never break heart .... never deals in disguise forever i liked your manners .............think again how could i give touchstone to my milkmaid sweetheart never ; no ;not ; never in my mind. How could i forget you taught me MILTON john Donne and all... how could i behave like other passionate shepherd like them those who tries to tempt love with beds of roses; fragrant posies ;fair lined slipper and so on.... ......................think again i know my LOVE was pure and now it is. Not count me in any psychological theory it was all humble feelings of my heart.. ....you ask your heart it will give you real answer. WHAT IS LOVE?.....its philosophy... is it beyond the physic ?...yes it is metaphysical love. i tell you my feelings were pure each and every gesture of mine was pure i never supply often unrealistic emotional response to you..... .......cowards only sin ; good man never..... no ;not ;even in my mind. o sweetheart please ....it mind.
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Oct 29, 2012
Oct 29, 2012 at 2:14 AM UTC
Rainbow
What had happened tis ecstasy i know what my limit and limitations... even i am not perfect in this language I never laugh at any one...... i know someone misunderstood about me but i was true my feelings were pure ...............think again don't judge me wrong you are the one i love and will ever love i feel ecstasy with your thought mere passion is not enough in relationship .....relationship is very conscious one ...; .......i know HISTORY true love never run smooth i never would like to insult you ....................think again what you and your reputation is i much careful about it . I never break heart .... never deals in disguise forever i liked your manners .............think again how could i give touchstone to my milkmaid sweetheart never ; no ;not ; never in my mind. How could i forget you taught me MILTON john Donne and all... how could i behave like other passionate shepherd like them those who tries to tempt love with beds of roses; fragrant posies ;fair lined slipper and so on.... ......................think again i know my LOVE was pure and now it is. Not count me in any psychological theory it was all humble feelings of my heart.. ....you ask your heart it will give you real answer. WHAT IS LOVE?.....its philosophy... is it beyond the physic ?...yes it is metaphysical love. i tell you my feelings were pure each and every gesture of mine was pure i never supply often unrealistic emotional response to you..... .......cowards only sin ; good man never..... no ;not ;even in my mind. o sweetheart please ....it mind.
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52
I pace the sounding sea-beach and behold How the voluminous billows roll and run, Upheaving and subsiding, while the sun Shines through their sheeted emerald far unrolled, And the ninth wave, slow gathering fold by fold All its loose-flowing garments into one, Plunges upon the shore, and floods the dun Pale reach of sands, and changes them to gold. So in majestic cadence rise and fall The mighty undulations of thy song, O sightless bard, England’s Mæonides! And ever and anon, high over all Uplifted, a ninth wave superb and strong, Floods all the soul with its melodious seas.
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Milton
Oft have we trod the vales of Castaly And heard sweet notes of sylvan music blown From antique reeds to common folk unknown: And often launched our bark upon that sea Which the nine Muses hold in empery, And ploughed free furrows through the wave and foam, Nor spread reluctant sail for more safe home Till we had freighted well our argosy. Of which despoiled treasures these remain, Sordello’s passion, and the honeyed line Of young Endymion, lordly Tamburlaine Driving his pampered jades, and more than these, The seven-fold vision of the Florentine, And grave-browed Milton’s solemn harmonies.
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Amor Intellectualis
Keen, fitful gusts are whisp'ring here and there Among the bushes half leafless, and dry; The stars look very cold about the sky, And I have many miles on foot to fare. Yet feel I little of the cool bleak air, Or of the dead leaves rustling drearily, Or of those silver lamps that burn on high, Or of the distance from home's pleasant lair: For I am brimfull of the friendliness That in a little cottage I have found; Of fair-hair'd Milton's eloquent distress, And all his love for gentle Lycid drown'd; Of lovely Laura in her light green dress, And faithful Petrarch gloriously crown'd.
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Keen, Fitful Gusts are Whisp'ring Here and There
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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The Lost Leader
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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32
There is no driver - go anywhere for a fiver Pod - cars troll Milton Keynes by no means seen piloted in four years time - where's mine? Then they come together in the land of never - never The sat-nav tells us where we're going ready to alight when it's finally slowing what will they think of next? Send a text with your suggestion - normality's in regression No one is to blame when there's an accident nothing is seen to describe an incident however, at least no one can go on strike and I won't be reduced to travel by bike The atmosphere is electric, technology hectic it was bad enough when we decided to go metric!
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Apr 28, 2016
Apr 28, 2016 at 2:20 PM UTC
DRIVERLESS CARS
Milton! I think thy spirit hath passed away From these white cliffs and high-embattled towers; This gorgeous fiery-coloured world of ours Seems fallen into ashes dull and grey, And the age changed unto a mimic play Wherein we waste our else too-crowded hours: For all our pomp and pageantry and powers We are but fit to delve the common clay, Seeing this little isle on which we stand, This England, this sea-lion of the sea, By ignorant demagogues is held in fee, Who love her not: Dear God! is this the land Which bare a triple empire in her hand When Cromwell spake the word Democracy!
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2.3k
To Milton
It is not to be thought of that the flood Of British freedom, which, to the open sea Of the world’s praise, from dark antiquity Hath flow’d, ‘with pomp of waters, unwithstood,’ Roused though it be full often to a mood Which spurns the check of salutary bands,— That this most famous stream in bogs and sands Should perish; and to evil and to good Be lost for ever. In our halls is hung Armoury of the invincible Knights of old: We must be free or die, who speak the tongue That Shakespeare spake; the faith and morals hold Which Milton held.—In everything we are sprung Of Earth’s first blood, have titles manifold.
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2.3k
England, 1802 IV
Read Shakespeare and Milton and all of the rest Keats, Coleridge and Wordsworth are some of the best Read Ted Hughes and Sylvia, Motion, Duffy They say what I want to say better than me Read Homer and Ovid, Basho and Su Shi Chaucer and Boccaccio they've stood the test Read Donne, Spenser, Marlowe, Jonson and Raleigh Read Shakespeare and Milton and all of the rest Read Swift, Pope, Blake, Tennyson, and Rossetti The two Barrett Brownings are of interest For feelings romantic as true as can be Keats, Coleridge and Wordsworth are some of the best Read Larkin and Betjeman if you're depressed Read Wendy Cope to enjoy all of life's zest Yes please don't think I despise modernity Read Ted Hughes and Sylvia, Motion, Duffy And how about all those I haven't addressed Yeats, Auden, Joyce, Longfellow, Poe and Shelley And all of the others I'm bound to have missed They say what I want to say better than me But what of the poet, with poets obessed? In prose I am prolix, in speech stuttery: So where will you find my emotions expressed? On MySpace, on Twitter, read my poetry It says what I want to say
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Oct 7, 2009
Oct 7, 2009 at 11:12 AM UTC
Rondeau Redoublé: The Shoulders of Giants
Floodlights. They’re ghosts right? From our memories, Have been seized, we From the perfect dream? Drip drop drip drop Turning tricks, dropped the jack ***** when you coming back? It’s off it’s off Seldom silence serves as sight’s severance. **** chop **** chop    OW! ******* pistol clock Whip glock whipping **** How many names can you think of for a knockoff Of soda pop? I’m sorry sir you’ve got the wrong Ryan, I haven’t starred in any movies that cryin’ Old seniles, and sensitive females, so honestly claim Was the way life should have been for them. Oh in that case I’ll show you the brain, Then kick you in the *** for being so gay. Hold on there, wrong Ryan. I ain’t waiting tables, or banefully fryin’ Up **** that I spit in for women with tips worth less Than my two cents. Oh I apologize, celebrity lookalike. Must be the weather or the windshield is cracked Or the antennae are bent or the cables are jacked But I can’t seem to figure out just who you are When I’m watching the TV pimped into my car, Let’s try a few shall we Not a cook…Not a lover boi…Silence of the…Birds, if you’re a bird I’m a…Bat…Batman! Batman and Robin! Red Robin! No not a waiter… Red hearse, Fred Durst, Paris Hilton, Ryan Milton Wrong Ryan, Wrong Ryan! Oh my god, silly me I seem to have gone on a tangent you see. Tandem bicycles, all of them for free. If you would only come visit. Agreed? Of course I know that you’re THE Ryan B.
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Jan 23, 2012
Jan 23, 2012 at 9:04 PM UTC
Wrong Ryan
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
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Jun 6, 2014
Jun 6, 2014 at 8:26 AM UTC
NEUROTIC LAW OF POETRY
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
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