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"midtown" poems
*A girl wearing a flowing gown, on which yellow butterflies are in profusion sows seeds of happy confusion inadvertently in midtown. The day on its upward swing pauses a moment,  catching my breath I jump on, with her, we fly up the girl smiling to herself allowed me to arrest herself inside me for keeps, without persuasion*
0
May 13, 2014
May 13, 2014 at 8:23 AM UTC
A wave of yellow, a weave of love
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
0
Apr 12, 2010
Apr 12, 2010 at 10:01 PM UTC
The Musician and the Businessman
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
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75
Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan. Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country. Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts. The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.” Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited. We wish Patricia Michaels and PM Waterlily success in New York City and beyond. According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses
0
Sep 3, 2016
Sep 3, 2016 at 1:38 AM UTC
Patricia Michaels' Line in NYC Sept 10 for Style Fashion Week
Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan. Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country. Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts. The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.” Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited. We wish Patricia Michaels and PM Waterlily success in New York City and beyond. According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses
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7
dandelions I sail to you through the great unknown And tip toe on your white lines of gray matter An acidic, atomic baby light blonde with a heart of stone trapped in a yellow rain cloud dandelions In the syndicate of the hazel night moon I smell their broken stems of wire Wrapping my thighs in a sealed cocoon Dancing in a brimstone fire Melting in the midnight winds dandelions She can’t wait to roam free tonight Feel the air flow between the thistle of my thyme And find her midtown morphine To soothe the demons, dancing in her mind dandelions Dispersing on a front porch swing I scatter in the wisp of an ivory snow Break a rhyme scheme, scream for rain Pray for laughter, bleed for growth
0
Dec 17, 2020
Dec 17, 2020 at 1:02 PM UTC
Dandelions
written in midtown Manhattan while waiting for a bus, last year, and dedicated to anyone who has been cold latest lately. sustained winds magic-make 20 degrees feel like zero, waiting for the M57 bus that cannot iceman cometh soon enough. bus shelter soldier marching to and fro, a guardsman on duty, passing the he-waiting time by dream reviving last night's pastime, secret activity, like coffee cup comet tail sips, re-image, re engage, re-heat just enough, to temper and mind deceive. recall dreams of painting, the frame, already hung, the naked white wall, blank canvas, dreams are time to experiment. what I paint, however, extends beyond the frame, the mind visions, landslide down, secreted colors, images, born and lifted, upward bound, street steam rising, from wall to sky, letters float. tho scarfed and gloved, my painted words, crisp and crackle, boundary break, extend beyond the frame. wind-chill tactile exterior defeated, the burn of mind creativity succeeds. Jan 24th 2013 2:42 AM
0
Jan 9, 2014
Jan 9, 2014 at 9:17 PM UTC
wind chill painting
A beggar lays chained to concrete, to skyscraper that stretches past clouds, breathing aside, neither dead nor alive, we've given up on his release. For what purpose does he survive? When his stomach knots empty, he curls fetal, hands clench chest, and sobs escape in pants and whines and saliva and not an eyelash is batted toward his cup that silently watches: It hasn't jangled in days. Lashes litter the sidewalks from eyeliner applied while rushing to an extravagant event in midtown Manhattan, lights lips reflections, where all will will be watching her every move, her every step. If he wills himself survive, we can clean him up in loving arms of sleep deprived nurses before we kick him back to the curb, abandoned again with rip-rotting liver, while we vultures eye another ***** But that girl? She better not trip over Prometheus or we might just chain her next.
0
Oct 2, 2012
Oct 2, 2012 at 12:24 AM UTC
Chains and Apathy
How you know him: Gurung’s label, established in 2009, reimagines traditional textiles with a sportswear attitude. January Jones, First Lady Michelle Obama, and Oprah Winfrey have taken memorable turns in his fiery red gowns. What’s new: Gurung is teaming up with Toms this month with exclusive designs to raise funds for Nepal’s recovery from the 2015 earthquake. For each pair of shoes sold, $5 will go to Gurung’s Shikshya Foundation to support education and relief efforts. What does heritage mean to you? When I left Nepal and told people I wanted to be a fashion designer, they thought I was crazy. I didn’t know anyone here. But I still remember coming up to the Midtown Tunnel and seeing all the skyscrapers for the first time, and I finally felt that I was home. I became myself in America, but Nepal gave me my core. The reason I am grounded and pragmatic is simply that I was brought up this way. What was your childhood like there? I was born in Singapore and grew up in Nepal, where I went to an all-boys Catholic school. I was different and made aware of it. It was a challenging time, but I had an incredible relationship with my family that helped me. Trekking became a kind of escape, and I was always inspired by the Patan Museum, near my house. I still go back for the memories attached. How is Nepal reflected in your designs for Toms, and also your foundation work? The ikat pattern is called dhaka, a hand-loomed weave that I wanted to modernize as a digital print. Black, white, and red are very typical of Newari women [from Kathmandu Valley] and my favorite colors, which I used in my first collection. Five years ago, when I started getting all this attention, I started Shikshya with a focus on education as a way to give back. Since the 2015 earthquake, we have raised more than $1 million to help rebuild, but the process is slower than people think, and the world’s attention turns to someplace else. So it’s my job with everything I do to keep awareness alive.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/vintage-formal-dresses
0
Aug 29, 2016
Aug 29, 2016 at 10:36 PM UTC
A Leading Force in Fashion’s New Guard
How you know him: Gurung’s label, established in 2009, reimagines traditional textiles with a sportswear attitude. January Jones, First Lady Michelle Obama, and Oprah Winfrey have taken memorable turns in his fiery red gowns. What’s new: Gurung is teaming up with Toms this month with exclusive designs to raise funds for Nepal’s recovery from the 2015 earthquake. For each pair of shoes sold, $5 will go to Gurung’s Shikshya Foundation to support education and relief efforts. What does heritage mean to you? When I left Nepal and told people I wanted to be a fashion designer, they thought I was crazy. I didn’t know anyone here. But I still remember coming up to the Midtown Tunnel and seeing all the skyscrapers for the first time, and I finally felt that I was home. I became myself in America, but Nepal gave me my core. The reason I am grounded and pragmatic is simply that I was brought up this way. What was your childhood like there? I was born in Singapore and grew up in Nepal, where I went to an all-boys Catholic school. I was different and made aware of it. It was a challenging time, but I had an incredible relationship with my family that helped me. Trekking became a kind of escape, and I was always inspired by the Patan Museum, near my house. I still go back for the memories attached. How is Nepal reflected in your designs for Toms, and also your foundation work? The ikat pattern is called dhaka, a hand-loomed weave that I wanted to modernize as a digital print. Black, white, and red are very typical of Newari women [from Kathmandu Valley] and my favorite colors, which I used in my first collection. Five years ago, when I started getting all this attention, I started Shikshya with a focus on education as a way to give back. Since the 2015 earthquake, we have raised more than $1 million to help rebuild, but the process is slower than people think, and the world’s attention turns to someplace else. So it’s my job with everything I do to keep awareness alive.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/vintage-formal-dresses
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8
Back and forth we've made rounds with this unrequited love. Shifting blames while stroking egos. I think it's time we let this go before we drive each other out of our heads. © Sonia Ettyang   November 2018
0
Feb 16, 2019
Feb 16, 2019 at 4:04 PM UTC
Midtown madness
He's giving her a piggyback ride across Harvey Avenue. She's barefoot, her legs tightly wrapped around his waist. In her hands a killer pair of heels click against each other. She whispers something to him and laughs. I want to know what it is--but to know would unravel both space and time--it would make this Monday night, in this anodyne, red-brick district partly mine. Walking past, I let them go with a nod and a "beautiful night."
0
Sep 17, 2014
Sep 17, 2014 at 5:17 PM UTC
Midtown
I’m always afraid you’re gonna kiss me in the elevator you ask me out to lunch and I always think you mean it we just wind up at the nearest mock irish dive every bartender in midtown knows your name even when it’s swarmed by the christmas crowd they always point to you, give a nod and laugh we pull up stools in the mid day snow my nose whines over the **** floors we order warm whiskeys and work on the crossword puzzle you say my company is charming but you’ve never asked me a single question and your eyes are always on the room but when everythings still and no women are near sometimes you’ll stop on mine I take your picture in the snow remember the morning I left and startled you with an exiting touch your cheek painted with drool I couldn’t sleep the night I stayed so I scribbled neil young quotes on your chalkboard walls listened to you snore, waited for the sun walked through stuytown like I’ve lived there all my life boarded a train back to the man who loves me prayed both of you never care too much and that I start soon
0
Dec 20, 2013
Dec 20, 2013 at 5:09 PM UTC
laughing too loudly at yourself
Leong's watching TikTok on her laptop (as always) and she asks Lisa (a NYC girl) “Are you familiar with the the “downtown girl” aesthetic?” Lisa’s dismissive, “Yeah, it just looks like Urban Outfitters grunge to me.” Leong explains, “It includes headphones and it’s supposed to be a Lower Manhattan style.” “Yeah,” Lisa snorts, “Because Greenwich Village and the Lower East Side are SO cohesive.” Lisa considers herself an Uptown girl (like the song) even though 59th Street, where she lives, is the border between Uptown and Midtown Manhattan. I’m learning that these distinctions are culturally key to New Yorkers. “And,” Lisa adds, “why would someone wear, and lug around, giant, clunky headphones when you can use AirPods??” “Amen sister.” I proclaim and even Leong nods in agreement. “Later, Sunny, Leong and I are on a study break, eating salads and talking about who we hope Yale invites to the next “Spring Fling” concert. We aren’t being realistic; we’re covering who we wish would come. I’d named Charlie Puth, “Kat-Tun!” Leong squealed (A Japanese boy band - apparently Chinese girls LOVE their boybands) and Sunny countered with Ed Sheeran. “I don’t like Ed Sheeran,” I mumbled, making a yuck-face. “Why no Ed?” Sunny gasps with shock (She’s a big Ed fangirl). “I don’t know,” I shrugged, “he’s a star by all measurable metrics,” I admit, “but,” I fade out. “You want my theory on Ed hate?” Sunny offered, “He’s beyond talented vocally - whoever your favorite artist is, Ed’s probably not that far behind. He’s a stellar song writer and he’s making hit after hit; do you want my theory?” “Too basic, too popular?” I guess. “No, he’s not appealing to the gaze,” Sunny states. “The gays?” Leong questions, stepping back into the conversation. “No,” Sunny corrects, “the gaze - G-A-Z-E, he doesn’t try to look pretty all the time.” “Ha!” I snort, “Gaze, I thought you meant gays too,” as Leong and I chuckle together. “No,” Sunny laughs, “nothing like THAT. Ed’s just not trying to be a heartthrob, he knows that’s not his core strong point - and that’s why he’s discounted.” “Like lesbians don’t comb their hair or wear makeup and wear pajamas to class” Leong observes, “they don’t want to attract the male gaze?” “No, we’re not imbued by the male gaze.” Sunny states, “Ed just wants to lowkey.”
0
Dec 14, 2022
Dec 14, 2022 at 10:51 AM UTC
gazes
Leong's watching TikTok on her laptop (as always) and she asks Lisa (a NYC girl) “Are you familiar with the the “downtown girl” aesthetic?” Lisa’s dismissive, “Yeah, it just looks like Urban Outfitters grunge to me.” Leong explains, “It includes headphones and it’s supposed to be a Lower Manhattan style.” “Yeah,” Lisa snorts, “Because Greenwich Village and the Lower East Side are SO cohesive.” Lisa considers herself an Uptown girl (like the song) even though 59th Street, where she lives, is the border between Uptown and Midtown Manhattan. I’m learning that these distinctions are culturally key to New Yorkers. “And,” Lisa adds, “why would someone wear, and lug around, giant, clunky headphones when you can use AirPods??” “Amen sister.” I proclaim and even Leong nods in agreement. “Later, Sunny, Leong and I are on a study break, eating salads and talking about who we hope Yale invites to the next “Spring Fling” concert. We aren’t being realistic; we’re covering who we wish would come. I’d named Charlie Puth, “Kat-Tun!” Leong squealed (A Japanese boy band - apparently Chinese girls LOVE their boybands) and Sunny countered with Ed Sheeran. “I don’t like Ed Sheeran,” I mumbled, making a yuck-face. “Why no Ed?” Sunny gasps with shock (She’s a big Ed fangirl). “I don’t know,” I shrugged, “he’s a star by all measurable metrics,” I admit, “but,” I fade out. “You want my theory on Ed hate?” Sunny offered, “He’s beyond talented vocally - whoever your favorite artist is, Ed’s probably not that far behind. He’s a stellar song writer and he’s making hit after hit; do you want my theory?” “Too basic, too popular?” I guess. “No, he’s not appealing to the gaze,” Sunny states. “The gays?” Leong questions, stepping back into the conversation. “No,” Sunny corrects, “the gaze - G-A-Z-E, he doesn’t try to look pretty all the time.” “Ha!” I snort, “Gaze, I thought you meant gays too,” as Leong and I chuckle together. “No,” Sunny laughs, “nothing like THAT. Ed’s just not trying to be a heartthrob, he knows that’s not his core strong point - and that’s why he’s discounted.” “Like lesbians don’t comb their hair or wear makeup and wear pajamas to class” Leong observes, “they don’t want to attract the male gaze?” “No, we’re not imbued by the male gaze.” Sunny states, “Ed just wants to lowkey.”
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20
midnight taffeta calves, your mom’s rose-gold diamond pendant resting between ******* too-long hair tamed, fastened at your nape this peculiar impasse between pretending you’re prom-young and you’re midtown-gala-elegant-old you’re a little both, at twenty-one, and a little drunk—fourteen-dollar champagne, picklebacks and the desperate paradoxical preservation of this memory you can hold your cloud-head up beautiful still so you hitch your dress runrunrun behind the Rhodes crouch down in the thorns with every-elegant-one you love twenty-one, desperate, ebullient, **** and **** stand up straight again, glowing, sage check your coat and dance nobody’s the wiser
0
Mar 18, 2014
Mar 18, 2014 at 3:21 PM UTC
The Last Dance
“There’s a museum of *** around the corner” “A what?” “A museum of *** A lady hums a melody on the bus to Queens, I lean in and listen to her quietly, but don’t say a word. Crowds choke avenues as protestors call out the police. The police surround them. The irony of being protected by the same force that destroys is not lost. Rain puddles on the black cement, I notice how soft the yellow water is in contrast with the harsh taxis. A stray glove sits lonely on the subway stairs, useless without its other half. “This entire factory used to be covered in graffiti, the city keeps painting over the art” A snotty waiter recommends watery wine that costs an arm and a leg, he snorts when I don’t tip. At a flea market a lady assures me this moonstone will “cleanse me,” I lost it rushing off to midtown. The lights twinkle like flecks of gold against black stone and I realize night is never night here. My guy tells me he doesn’t like me in the city, I tell him I’ve never liked myself anyways.
0
Dec 13, 2014
Dec 13, 2014 at 1:16 PM UTC
New York City
Country boy you haven't lived till you see the lights on Peachtree Street.. I could say the same thing about the fireflies on a July evening , The Buckhead nights on the north side of Atlanta , The solitude with your maker on the Chattahoochee River .. A baseball game at Turner Field on a May afternoon , a flock of Wild turkey's against the setting Sun in June .. Piedmont Park and the Botanical Garden , Wood Ducks feeding on a quiet , country pond in late August .. People watching at a outdoor cafe in Midtown , Meditating amongst the Tall Pines with no one around .. The High Museum and the Downtown nights , The morning call of Crows with the first glimmer of sunlight ..
0
Jan 23, 2016
Jan 23, 2016 at 7:33 PM UTC
One Mans Treasure
we met up for a coffee and we both got extra hot but it was her eyes of gold that would shimmer and scald at that little midtown shop three years and a day went past where we almost tied the knot and I stayed enthralled 'til I got a call saying lets meet at our usual spot and she didn't sip the coffee as it went from hot to cold like her eyes that glazed on an autumn day while they lost their flecks of gold
0
May 7, 2023
May 7, 2023 at 6:44 AM UTC
gold
I was in 2nd grade when the twin towers were hit. I remember all the children in my class one by one being picked up from school. I had no idea at that point what was going on, but I was so jealous. I wanted to go home early from school. Eventually, my Aunt picked me and my cousin up. She told us about the towers as we walked home. I could see the thick, montrous black smoke of the fallen towers from the street I lived on in Greenpoint, Brooklyn. We went inside and turned on the television. Report after report confirmed the devastating aftermath of the attack. ● My mother was in Manhattan, for she was a secretary at the Wall Street Journal. At the moment the towers were hit, she was just arriving, walking towards her job that was located in a building right across the street from the twin towers. But what she saw bewildered her. Hoards of people covered in white ash were running in the opposite direction of where she was headed. She asked one of these people what they were running from, and they frantically responded that the twin towers had been attacked. After learning this, she walked to my Grandmother's job in midtown Manhattan. They later arrived home safely. ● Looking back at this recollection of my 2nd grade self, I have to admit I wasn't traumatized by these events personally. But in retrospect I can see now how it had affected all those around me. On the ten year anniversary of September 11th, Paul Simon sang Bridge Over Troubled Water at a memorial service in New York. As I watched it on the news, the lyrics filled my heart with warmth. What I suggest, through the healing of old traumas and in the handling of new wounds, is that we make ourselves a bridge to others, a source of stability in an uncertain world. This is described so beautifully within Simon's song: "When you're weary, feeling small, When tears are in your eyes, I will dry them all, I'm on your side, Oh when times get rough, And friends just can't be found, Like a bridge over troubled water, I will lay me down, Like a bridge over troubled water, I will lay me down." Through every unexpected tragedy, if we come together as a community, the most horrific pain will inevitably shrivel in the light of sefless love.
0
Sep 11, 2017
Sep 11, 2017 at 8:12 PM UTC
The World Trade Center
I was in 2nd grade when the twin towers were hit. I remember all the children in my class one by one being picked up from school. I had no idea at that point what was going on, but I was so jealous. I wanted to go home early from school. Eventually, my Aunt picked me and my cousin up. She told us about the towers as we walked home. I could see the thick, montrous black smoke of the fallen towers from the street I lived on in Greenpoint, Brooklyn. We went inside and turned on the television. Report after report confirmed the devastating aftermath of the attack. ● My mother was in Manhattan, for she was a secretary at the Wall Street Journal. At the moment the towers were hit, she was just arriving, walking towards her job that was located in a building right across the street from the twin towers. But what she saw bewildered her. Hoards of people covered in white ash were running in the opposite direction of where she was headed. She asked one of these people what they were running from, and they frantically responded that the twin towers had been attacked. After learning this, she walked to my Grandmother's job in midtown Manhattan. They later arrived home safely. ● Looking back at this recollection of my 2nd grade self, I have to admit I wasn't traumatized by these events personally. But in retrospect I can see now how it had affected all those around me. On the ten year anniversary of September 11th, Paul Simon sang Bridge Over Troubled Water at a memorial service in New York. As I watched it on the news, the lyrics filled my heart with warmth. What I suggest, through the healing of old traumas and in the handling of new wounds, is that we make ourselves a bridge to others, a source of stability in an uncertain world. This is described so beautifully within Simon's song: "When you're weary, feeling small, When tears are in your eyes, I will dry them all, I'm on your side, Oh when times get rough, And friends just can't be found, Like a bridge over troubled water, I will lay me down, Like a bridge over troubled water, I will lay me down." Through every unexpected tragedy, if we come together as a community, the most horrific pain will inevitably shrivel in the light of sefless love.
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5
And suddenly. . . I was there!!! Amazed by what I saw The truth lies in the middle On the road for six years And honestly I don’t care If I ever make it back alive. The small stones in the road Represent the fragments of my skull That I left in many different Black holes across this wicked Universe and in this second verse. I love when the rain falls I feel you I love the smell that is left When you stay the night I feel your fingers slide Softly           d           o           w           n                        d           o           w           n        my back and my head Cannot grip this memory and keep it Together for you Long enough To shake me out of the crossfire And back into that sparrow’s nest Of hair that I call my home, you know Girl, you need to know what’s going on On the other-side Your life is going nowhere down there Midtown is not downtown It is the final circle of hell And you are just getting started I’m getting all backwards and forwards Is ****** for good stories Take a step, take a breath back In and out, out and in A little love, loves a little sin I want you I want you too I want you to remember This
0
Feb 11, 2013
Feb 11, 2013 at 9:39 AM UTC
This
how many stories can we pour into our summertime beer steins how much before the foam spills over into real-time there’s no numerical answer to that, let’s state plainly bubbles geometrically become one another, shrink and multiply and turn amber-red in the august nightshade and dogs skitter under basketball hoops, couples play in shadow fathers sneeze and industry marches on under our noses, outside our windows, between our ribs how many stories can we swallow before we’re drunk on the skyline and the view to the next does it matter? that one brew is for sale only in midtown and sometime I might go back, drink it with you not there watch the spinning hexagon floor tiles and I’ll write you that I had it, and it was all right how many stories can we fit into the new year stuff into the hamper, hide in creases of the couch like quarters like hands on knees, yours, yeah, the soft elegant spider-hands I wanted on my knees since the first day— two perfect hands how many stories can we write on our palms as reminders, how many can we fit between appointments the ending’s not so important, is it— bubbles join together, multiply, change shape go hexagonal, spin touch, remember, forget, divide always even numbers just shy of eleven shy of prime but amber-red in august like that first time
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Feb 20, 2014
Feb 20, 2014 at 1:58 AM UTC
Underneath the Concrete Sky
Keep your head down, Don't attract attention to yourself. Be polite, but not too nice to that stranger in a bar in midtown, He might mistake it for flirtation and try to buy you one off a shelf, Maybe mix something in a drink. Don't be a **** and don't be a bore, And swallow your fear Of the man on the subway who sized you up and winked. While the world may stand and jeer, You must work twice as hard, Thrice, even, to be thought of As just as good. Which is why you ought to keep Your guard, And never give an excuse to show Emotions, lest everything you Worked for be written off as "It's that time of month."
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Jun 7, 2017
Jun 7, 2017 at 1:02 PM UTC
A How to Guide to survival, written by a woman
Vanilla mint chai the taste attaches to refracted light from the gothic stained glass Ornate banisters mingle with the curves of human perspective human inspiration Golden tunes pulse my brain to desire a crawl between literatures into historical corridors To escape the biting cold of the streets to perch upon an easy wave of knowledge and knowledge yet gained that would be living the dream
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Feb 18, 2014
Feb 18, 2014 at 1:22 AM UTC
Midtown Scholar
Lead turns into a lighter here, While corruption blackens the fuse, Nothing hospitable, The buried Now are liveable to the factors of badge and gruel! Exuberance of pallets line ten down each row, What a sight to see being so chained down. Cardiac pains, Silent to creep upon Stiller's, An encore for real life movies, Yet this mine friend, is the dominant thriller!!!!! Bland supervision ruins ones child play, What beauty is on the outside? Doth thou remember oh bill paying citizen? Now where doth thou stay futile servant? Pervertist, Comrade to systematic function!!!! Colleagues betray thou for midtown luncheon? Do many perturb you to greatest of all lengths yet? Didst thou trade in dead money for thine new raincheck? Predecessor's are predatory, tenants of hatred filled temples..... Art thouest them? Or art thou thyself? Thy theatrical artista!!!!!!!!!!
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May 13, 2015
May 13, 2015 at 12:02 PM UTC
monetary slavedriver
stepping onto the E train where it's so claustrophobic you might as well cut out your lungs and die that would be a bit dramatic though not as much as the pain bottled up in the eyes which want to cry but can't looking through you not at you just don't take it personally walking along 3rd avenue where cars colonize the street like it's a newly found kingdom labeling yourself a New Yorker is a title not yet earned since you still check Google Maps sometimes why bother getting lunch two blocks down at some unheard of but kinda cool pizza place when there's a Chipotle right here and Nintendo World is a few blocks away and Midtown Comics is right around the corner there's magic to this setting your search on Tinder to one mile away where your options are as endless as your "swipe lefts" wondering if the next one is the one it could be, couldn't it? work ends and you reenter the flux of people moving so fast it's like they're running away maybe it's getting Happy Hour drinks or simply going home there's less summer every day only a little bit of sunlight at the end not much but something to cherish the ******** about it being hot will soon be the ******** about it being cold seeing yourself march through a labyrinth of strangers going here to there sometimes with life scaring you moving into territory without open arms
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Sep 11, 2016
Sep 11, 2016 at 1:34 PM UTC
Metropolitan
*"This is my letter to the world     That never wrote to me."*                                     —Emily Dickinson We would sit under New York skyscrapers Upon the marble steps of Midnight My friends and I Dwelling on the Good Times We knew it then Our laughter was vastly infinite Above us The prosthetic Heaven Of concrete and iron beehives Overtaking Sky and Sleep Heady Days Drunken Nights Our Youth lost Rather wasted And a devil-may-care Hope for Tomorrow We sang the Songs of the times The tunes that would soon forget Us It was alright to stroll down the gutters Of our endless Urban Paradise But those days and nights are long gone now And I now wonder whether Space & Time Will someday reconcile those memories and these dreams Of the age that came and went and fled and lingers still
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Jun 5, 2015
Jun 5, 2015 at 6:50 PM UTC
Anonymous: @ Midtown NYC Circa XXI Century
I possess no soul I possess no mind I am the wanderer Of the dead forest I am the black bird Who sits on the highest branch Of the empty tree In the spring I am the dead drunk On the midtown subway pavement That you cringe at I breathe while the earth sighs I sleep while the vultures cry I walk around this dark town Slow like an elephant As you stare me with pity I stare at you like a hawk I carry a universe with me I live your worst nightmare I have a thorn That carves devil’s stories On my skin every second I scream every night My voice screeching like an eagle’s But all you can hear is a whimper My body trembles My eyes are red with blood Sweat drips from every Inch of my skin As I stand here In front of you Telling you this I have lived through hell But let the death be sweet 13.32 3.28.18
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Apr 5, 2018
Apr 5, 2018 at 4:55 PM UTC
Death Be Sweet