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dennis gunsteen Aug 2010
softly you speak to me
softly you touch me.
in mid night blue of your  heart.
softly you kiss.
in the moon lite night tonight.
my heart sing of love.
in the mid night blue.
hold me in your arms.
in the mid night blue of your heart.
an talk to me my love.
in moon lite night.
an walk me talk with me.
an laugh with my love.
in the moon lite ,
are heart are free
tonight.
an dance with me my love
in moon lite .
in mid night blue of your heart.
as i wish upon the stars .
to hold you in my heart.
in mid night blue of your heart
tonight.
tonight.
i dream you my love.
in the moon lite night.
in mid night blue of your heart.
Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Spencer Carlson Jan 2015
Woke up to a nightmare
Where gravity disappeared
Scrambling around mid-air
Just to find no one's there
Bright florescent light
Hiding away midnight
It's just not the same
It doesn't feel right

All this pretending
Is bringing me nothing
All this anger
Is making me more empty
Scrambling around in mid-air
Just to find no one's there

Spending everyday
Breaking under pressure
Over digging countless holes
For some kind of treasure
Just to have someone
Fill them back up
Send me out again
And tell me I'm worthless

All this pretending
Is bringing me nothing
All this anger
Is making me more empty
Scrambling around mid-air
Just to find no one's there

And I don’t know where I’ll go
If this light bulb should break
Falling down into a deep darkness
That I’ve tried so hard to escape
The same darkness I have made

There are plenty of fish in the sea
But none like you
As the bottom feeders sank so low
We swam way up high
But we fell into a whirlpool
And I didn't take it right
Don't want any drugs
Don't want any alcohol
Just want you to know
I'm still here after all
Scrambling around mid-air
Just to find no one's there

https://spencercarlson.bandcamp.com/track/mid-air
Seventh track from my album *The Universe is Screaming*
Timmy Shanti Oct 2019
mid-autumn summer
thirty-five
(the things I know I did get right)

not ripe, ain't old
and neither young
no saint, no hero,
still unsung

midsummer autumn
feels like a dream...
so much to do
so much unseen

mid-autumn summer
starry-eyed
as wise as serpents
still a child

midsummer fall
amidst the leaves...
the snows shall come
only to leave

mid-autumn summer
feels like a song
so full of colour!
and before long

all systems go
and I - with them,
in shock and awe
to Bethlehem

midsummer autumn
-- like a stage --
what do you mean by
"Act your age"?

mid-autumn summer
feels like gold...
it cannot stay,
it shan't I hold

midsummer autumn
barren trees
at five-and-thirty
I am free

mid-autumn summer
thirty-five
too old to live
too young to die
15 x 19
  7 x 5

feels like summer
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of *****.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.

Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.

Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the ***** tonks and bars and ****
that man that gave me that awful name.

But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the *****,
mangy dog that named me Sue.

Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.

Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.

I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.

And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."

Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to **** me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?

I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
May I for my own self song’s truth reckon,
Journey’s jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care’s hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship’s head
While she tossed close to cliffs. Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood. Lest man know not
That he on dry land loveliest liveth,
List how I, care-wretched, on ice-cold sea,
Weathered the winter, wretched outcast
Deprived of my kinsmen;
Hung with hard ice-flakes, where hail-scur flew,
There I heard naught save the harsh sea
And ice-cold wave, at whiles the swan cries,
Did for my games the gannet’s clamour,
Sea-fowls, loudness was for me laughter,
The mews’ singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern
In icy feathers; full oft the eagle screamed
With spray on his pinion.
    Not any protector
May make merry man faring needy.
This he little believes, who aye in winsome life
Abides ’mid burghers some heavy business,
Wealthy and wine-flushed, how I weary oft
Must bide above brine.
Neareth nightshade, snoweth from north,
Frost froze the land, hail fell on earth then
Corn of the coldest. Nathless there knocketh now
The heart’s thought that I on high streams
The salt-wavy tumult traverse alone.
Moaneth alway my mind’s lust
That I fare forth, that I afar hence
Seek out a foreign fastness.
For this there’s no mood-lofty man over earth’s midst,
Not though he be given his good, but will have in his youth greed;
Nor his deed to the daring, nor his king to the faithful
But shall have his sorrow for sea-fare
Whatever his lord will.
He hath not heart for harping, nor in ring-having
Nor winsomeness to wife, nor world’s delight
Nor any whit else save the wave’s slash,
Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries,
Fields to fairness, land fares brisker,
All this admonisheth man eager of mood,
The heart turns to travel so that he then thinks
On flood-ways to be far departing.
Cuckoo calleth with gloomy crying,
He singeth summerward, bodeth sorrow,
The bitter heart’s blood. Burgher knows not—
He the prosperous man—what some perform
Where wandering them widest draweth.
So that but now my heart burst from my breast-lock,
My mood ’mid the mere-flood,
Over the whale’s acre, would wander wide.
On earth’s shelter cometh oft to me,
Eager and ready, the crying lone-flyer,
Whets for the whale-path the heart irresistibly,
O’er tracks of ocean; seeing that anyhow
My lord deems to me this dead life
On loan and on land, I believe not
That any earth-weal eternal standeth
Save there be somewhat calamitous
That, ere a man’s tide go, turn it to twain.
Disease or oldness or sword-hate
Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after—
Laud of the living, boasteth some last word,
That he will work ere he pass onward,
Frame on the fair earth ‘gainst foes his malice,
Daring ado, …
So that all men shall honour him after
And his laud beyond them remain ’mid the English,
Aye, for ever, a lasting life’s-blast,
Delight mid the doughty.
    Days little durable,
And all arrogance of earthen riches,
There come now no kings nor Cæsars
Nor gold-giving lords like those gone.
Howe’er in mirth most magnified,
Whoe’er lived in life most lordliest,
Drear all this excellence, delights undurable!
Waneth the watch, but the world holdeth.
Tomb hideth trouble. The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth’s gait,
But age fares against him, his face paleth,
Grey-haired he groaneth, knows gone companions,
Lordly men are to earth o’ergiven,
Nor may he then the flesh-cover, whose life ceaseth,
Nor eat the sweet nor feel the sorry,
Nor stir hand nor think in mid heart,
And though he strew the grave with gold,
His born brothers, their buried bodies
Be an unlikely treasure hoard.
RAJ NANDY Aug 2018
THE ENIGMA OF TIME IN VERSE: PART TWO
Dear Friends, having introduced ‘The Enigma of Time in Verse’ in Part One, along with few selected poetic quotes, I now mention what some of the important Philosophers thought about Time down the past centuries. But while doing so, I have tried my best to simplify some of those early concepts for better understanding and appreciation of my readers. If you like it, kindly re-post the poem. Thanks,  – Raj Nandy of New Delhi.

          THE ENIGMA OF TIME IN VERSE : PART TWO
   I commence by quoting Sonnet 60 of Shakespeare about Time,
   Hoping to seek some blessings for this Part Two composition of
   mine!
“Like as the waves make towards the pebbled shore,
  So do our minutes hasten to their end;
  Each changing place with that which goes before,
  In sequent toil all forwards do contend.
  Nativity, once in the main of light,
  Crawls to maturity, wherewith being crown’d,
  Crooked elipses ’gainst his glory fight,
  And Time that gave doth now his gift confound.
  Time doth transfix the flourish set on youth
  And delves the parallels in beauty’s brow,
  Feeds on the rarities of nature’s truth,
  And nothing stands but for his scythe to mow:
  And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.”

              PHILOSOPHY OF TIME
Animals are said to live in a continuous present,
Since they have no temporal distinction of past, future,
or the present.
But our consciousness of time, becomes the most
distinguishing feature of mankind.
Though we are mostly obsessed with objective time, -
As the rotation of our Earth separates day from night.
With the swing of the pendulum and the ticking of clocks,
Which regulates our movements, while we try to beat the clock!
But the ancient theologians and philosophers of India and
Greece,
Who were among the first to ponder about the true nature
of all things,
Had wondered about the subjective nature of time;
Was time linear or cyclic, was time endless or finite?

GREEK PHILOSOPHERS ON TIME:
I begin with Heraclitus, the Pre-Socratic philosopher of 6th Century BC born in Ephesus.
He claimed that everything around us, is in a constant state of change and flux.
You cannot step into the same river twice Heraclitus had claimed,
Since water keeps flowing down the river all the while and never
remains the same.
This flow and change in Nature is a process which is ceaseless.
The only thing which remains permanent is impermanence!
Here is a quote from poet Shelley reflecting the same idea:
“World on world are rolling ever
  From creation to decay
  Like the bubbles on a river
  Sparkling, bursting, borne away.”

Now Heraclitus was refuted by Parmenides, born in the Greek colony of Elea,
On the western coast of Southern Italy, as his contemporary.
Parmenides said that our senses deceive us, since all changes are mere illusory!
True reality was only eternal and unchanging ‘Being’, which was both indivisible and continuous - filling up all space.
Zeno, a pupil of Parmenides, through his famous ‘Paradox of Achilles and the Tortoise’ had shown, that when the tortoise was given a head start,
Swift footed Achilles could never catch up with the tortoise,
Since the space between the two were infinitely divisible, resulting in the impossibility of movement and change in motion!
Now the Greeks were never comfortable with the Concept of Infinity.
They preferred to view the universe as continuous existing ‘Being’.  
However, unlike Heraclitus’ ‘world of change and flux’,
Both Parmenides and Zeno have presented us, with a static unchanging universe!
Thus from the above examples it becomes easy for us to derive,  
How those Ancient Greeks had viewed Time.
Time has been viewed as a forward moving changing entity;
And also as an illusory, continuous and indivisible Being!
To clarify this further I quote Bertrand Russell from his ‘History of Western Philosophy’;
“Creation out of nothing, which was taught in the Old Testament, was an idea wholly foreign to Greek philosophy. When Plato speaks of creation, he imagines a primitive matter, to which God gives form as an artificer.”

PLATO AND ARISTOTLE ON TIME:
For Plato, time was created by the Creator at the same instance when he had fashioned the heavens.
But Plato was more interested to contemplate on things which lay
beyond the sway of time and remained unchangeable and eternal;
Like absolute Truth, absolute Justice, the absolute form of Good and Beauty;
Which were eternal and unchangeable like the ‘Platonic Forms’, and were beyond the realm of Time as true reality.
Plato’s pupil Aristotle was the first Greek philosophers to contemplate on reality inside time, and provide a proper definition as we get to see.
He said, “Time is the number of movement in respect to before and after” - as a part of reality.
To measure time numerically, we must have a ‘before’ and an ‘after’, and also notice the difference objectively.
Therefore, time here becomes the change which we see and experience.
Time takes on a linear motion moving from the past to the present;
And to the unknown future like a moving arrow travelling straight.
Aristotle had developed a four step process to understand everything inside of Time and within human experience:
(a) Observe the world using our senses,
(b) Apply logical rules to these observations,
(c) To go back and consult past authorities, if your logic agrees with their logic,
(d) Then only you can come to a logical conclusion.

No wonder in our modern times, experiments conducted by the LDC or the Large Hadron Collider, located 100m underground near the French-Swiss border,
By going back in time simulates the ‘Big Bang’ conditions, that moment of our universe’s first creation.
The scientists thereby, study the evolution of our universe with time, which  resulted in the  finding of the Higgs Boson !  (On 4thJuly 2012)

NOTES :  All elementary particles interacting with the Higg's Field & obtain Mass, excepting for photons & gluons which do not interact with this field. Mass-less photons can travel at the
speed of light with a mind boggling 186,000 miles per second! Now this LDC is a Particle Accelerator 27 kms long ring-shaped tunnel, made mostly of superconducting magnets, inside which two high-energy particle beams are made to travel close to the speed of light in opposite directions, and the shower of particles resulting from the collision is closely examined, presuming that these similar shower of particles must have been produced at the time of the ‘Big Bang’ some 13.8 million years ago, at the time of Creation! Sound like fiction? Well, Prof. Peter Higgs got the Noble Prize for Physics, for locating the particle called ‘Higgs Boson’ among those shower of particles, on 10th Dec. 2013.

NOW TO LIGHTEN UP MY READERS MIND, FEW TIME QUOTE I NOW PROVIDE :

“TIME WASTES OUR BODIES AND OUR WITS,
  BUT WE WASTE TIME, SO WE ARE QUITS!” – Anonymus.

‘Time is a great Teacher, but unfortunately it kills its Pupils!’ – HL Berlioz

“Lost , yesterday, somewhere between sunrise and sunset, two
   golden hours,
   Each set with sixty diamond minutes.
   No reward is offered, for they are gone forever!” – Horace Mann


PLOTINUS & ST. AUGUSTINE ON TIME:
Now getting back to our Philosophy of Time, there was Plotinus of the 3rd Century AD,
The founder of the mystical Neo-Platonic School of Philosophy.
He had followed Plato’s basic concept of Time as “the moving image of eternity.”
Mystic Plotinus tried to synthesize both Aristotle and Plato by saying that the entire process of cosmic creation,
Flows out of the ONE  through a series of emanation!
This ONE gave rise to the ‘Divine Mind’ which he called the ‘Realm of Intelligence’ and is an aspect of reality,
When everything is understood in terms of Platonic Forms of Truth, Justice, the Good, and Beauty.
However, the later Christian theologians had interpreted this ONE of Plotinus, -
As the Christian God, the Divine Creator of the Universe.
For God is eternal, in the sense of being timeless, in God there is no before or after, but only a timeless present.

Now this lead St. Augustine, to formulate a very admirable relativistic theory of Time!
St. Augustine, the greatest constructive teacher of the Early Christian Church, had written in Book XI of his ‘Confessions’ during  5th century AD, -
His thoughts about the enigma of Time which had perplexed the Greek philosophers of earlier centuries.
To simplify St. Augustine’s thoughts, I now paraphrase for the sake of clarity.
Time can only be measured while it is passing, yet there is time past, and time future in reality.
To avoid these contradictions he says that past and future can only be thought of as present: ‘past’ must be identified with memory, and ‘future’ with expectation.
Since memory and expectation being both present facts, there is no contradiction.  
“The present of things past is memory, the present of things present is sight; and the present of things future is expectation,” - wrote St. Augustine.

This subjective notion of time led St. Augustine to anticipate Rene Descartes the French philosopher the 17th Century,
Who proclaimed “Cogito, ergo sum” in Latin, meaning “I think, therefore I am”, and is regarded as the Father of Modern Philosophy.

Now cutting a long story short I come to Sir Isaac Newton, well known for his Laws of Motion and Gravity.
Newton speaks of ‘Absolute Time’ which exists independently, flowing at a consistent pace throughout the universe, which can only be understood mathematically.
Newton’s ‘Absolute Time’ had remained as the dominant concept till the  early years of the 20th Century.
When Albert Einstein formulated ‘Theory of Space-time’ along with his Special and General Theory of Relativity.

Now the German philosopher Leibniz during 17th century, had challenged Newton with his anti-realist theory of time.
Leibniz claimed that time was only a convenient intellectual concept, that enables to sequence and compare happening of events.
There must be objects with which time can interact or relate to as ‘Relational Time’ he had felt.
Ernst Mach, like Leibniz towards the end of 19th Century, said that even if it was not obvious what time and space was relative to,
Then they were still relative to the ‘fixed stars’ i.e. the bulk of matter in the universe.

CONCEPT OF TIME AS 'SPECIOUS PRESENT' :
During late 19th century, Robert Kelley introduced the concept of ‘spacious present’, which was the most recent part of the past.
Psychologist and philosopher William James developed this idea further by describing it as ‘’the short duration of which we are immediately and incessantly sensible’’
William James also introduced the term “stream of consciousness” into literature as a method of narration,
That described happenings in the flow of thought in the mind of the characters, - likened to an internal monologue!
This literary technique was later used by James Joyce in his famous novel ‘Ulysses’.

TIME CONCEIVED AS DURATION: HENRI BERGSON (1859 -1941)
Next I come to one of my favourite philosopher the French born Henri Bergson.
The Nobel Laureate and author of ‘Time and Free Will’ and ‘Creative Evolution’.
Will Durant in his ‘Story of Philosophy’ says Bergson was ‘the David destined to slay the Goliath of materialism.’
It was Bergson’s ‘Elan Vital’ that life force and impelling urge, Which makes us grow and transforms this wandering planet into a theatre of unending creation.
For Bergson, time is as fundamental as space; and it is time that holds the essence of life, and perhaps of all reality.
Time is an accumulation, a growth, a duration, where “duration is the continuous progress of the past which gnaws into the future and which swells as it advances.
The past in its entirety is prolonged into the present and abides there actual and acting.
Duration means that the past endures, that nothing is lost.
Though we think with only a small part of our past; but it is with our entire past that we desire, will, and act.”
“Since time is an accumulation, the future can never be the same as the past, -
For a new accumulation arises at every step, and change is far more radical than we suppose…the geometric predictability of all things, Which is the goal of a mechanistic science, is only a delusion and a dream!”  
Bergson goes on in his compelling lyrical style:            
“For a conscious being, to exist is to change, to change is to mature,
to mature is to go on creating one’s self endlessly. Perhaps all reality is time and duration, becoming and change.”
Bergson differed with Darwin's theory of adaptation to environment, and stated;
“Man is no passively adaptive machine, he is a focus of redirected force, a centre of creative evolution.”

Martin Heidegger, the German thinker in his ‘Being and Time’ of 1927, had said:
“We do not exist within time, but in a very real way we are time!”
Time is inseparable from human experience, since we can allow the past to exist in the present through memory;
And even allow a potential future occurrence to exist in the present due to our human ability to care, and be concerned about things.
Therefore we are not stuck in simple sequential or linear time, but can step out of it almost at will!

CONCLUDING  PART  TWO OF ENIGMA OF TIME IN VERSE
In this part I have tried to convey what the Ancient Greek Philosophers had felt about Time in a simplified way.
Also some thoughts of Medieval and Early Modern philosophers and what they had to say.
Where Sir Isaac Newton stands like a colossus with his Concept of Time, Laws of Motion, and Gravity.
Not forgetting Henri Bergson, one of my favourite philosopher, of the mid-19th and the mid-20th Century.
All through my narration I had tried to hold the interest of my readers, and also educated myself as a true knowledge seeker.
In my concluding Part Three I will cover few Modern Philosophers along with the relativistic concept of time.
Certainly not forgetting the space-time theory of our famous Albert Einstein!
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPY RIGHTS ARE WITH THE AUTHOR ONLY
The intense heat of summer begins to relax
Damp sticky air gradually changes to dry, comfortable breeze
In the dark clear sky there hangs the bright full moon
All these remind the Mid Autumn Festival is around

If not the story of Chang'e, the Moon Gooddess of Immortality
The Mid Autumn Festival will have lost its charm
Family gatherings, festive meals, gifts giving and greetings
Are all important and popular in this joyful season

Autumn is also a significant moment for the students
College students will prepare for their new learning programmes
New friends, new lecturers, new courses and new objectives
Seem like a beautiful and exciting world ahead of them to fulfill

On the night of Mid Autumn Festival
Crowds of people go out together to the parks
Children play with lanterns and people share the food they bring
The beautiful moon brings lovers together, pledging their love to each other
st64 Apr 2014
The poverty of yesterday was less squalid than the poverty we purchase with our industry today.
Fortunes were smaller then as well.
(The Elderly Lady)




After a while you learn the subtle difference
Between holding a hand and chaining a soul,
And you learn that love doesn’t mean leaning
And company doesn’t mean security.

And you begin to learn that kisses aren’t contracts
And presents aren’t promises,
And you begin to accept your defeats
With your head up and your eyes open

With the grace of a woman, not the grief of a child,
And you learn to build all your roads on today
Because tomorrow’s ground is too uncertain for plans
And futures have a way of falling down in mid-flight.


After a while you learn…
That even sunshine burns if you get too much.
So you plant your garden and decorate your own soul,
Instead of waiting for someone to bring you flowers.

And you learn that you really can endure…
That you really are strong
And you really do have worth…
And you learn and learn…

With every good-bye you learn.





{…}



As I think of the many myths, there is one that is very harmful, and that is the myth of countries. I mean, why should I think of myself as being an Argentine, and not a Chilean, and not an Uruguayan.
I don't know really.
All of those myths that we impose on ourselves — and they make for hatred, for war, for enmity — are very harmful.
Well, I suppose in the long run, governments and countries will die out and we'll be just, well, cosmopolitans.*    --J. L. Borges
Jorge Luis Borges (24 August 1899 – 14 June 1986) was an Argentine writer who is considered one of the foremost literary figures of the 20th century.
Most famous in the English speaking world for his short stories and fictive essays, Borges was also a poet, critic, translator and man of letters.



Words by Jorge Luis Borges

1.
"All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art." ----- J.L. Borges


2.
"Doubt is one of the names of intelligence."


3.
"May Heaven exist, even if my place is Hell.
Let me be tortured and battered and annihilated,
but let there be one instant, one creature,
wherein thy enormous Library may find its justification."

4.
"Dictatorships foster oppression, dictatorships foster servitude, dictatorships foster cruelty; more abominable is the fact that they foster idiocy.
(Statement to the Argentine Society of Letters, c.1946)

5.
I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature.
The baroque is the final stage in all art, when art flaunts and squanders its resources.
(A Universal History of Iniquity, preface to the 1954 edition)

6.
Do you want to see what human eyes have never seen?
Look at the moon.
Do you want to hear what ears have never heard?
Listen to the bird's cry.
Do you want to touch what hands have never touched?
Touch the earth.
Verily I say that God is about to create the world.
(The Theologians)


7.
Years of solitude had taught him that, in one's memory, all days tend to be the same, but that there is not a day, not even in jail or in the hospital, which does not bring surprises, which is not a translucent network of minimal surprises.
(The Waiting)



8.
Being with you and not being with you is the only way I have to measure time.
(The Threatened)


9.
Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation.
Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
(The Divine Comedy) (1977)

10.
Time carries him as the river carries
A leaf in the downstream water.
No matter. The enchanted one insists
And shapes God with delicate geometry.
Since his illness, since his birth,
He goes on constructing God with the word.
The mightiest love was granted him
Love that does not expect to be loved.
(Baruch Spinoza)
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Bo Burnham Oct 2016
Mid-October,
with leaves spilled
like colored pencil shavings ---

the streets dicing our town
into neat, unfair portions ---
and me, eatin' that *****.
SG Holter Feb 2015
There is poetry in my blood.
Some blood in my poetry, like that
Fresh from a broken heart
On a band-aid lip kissing
Old pain into fresh pleasure,

And promising truth, comfort and
Loyalty within a blizzard of rose
Petals and cotton candy dandelion,
Being easier to believe than anything
Else ever.

There's poetry in my blood. Cells
Red as new love; white cell soldiers
Devouring infectious threats; poison
Lies and painful heartless behaviour
Such as infidelity or being broken

Up with, in a bed at night; in a
Blossoming garden, or worse,
With a pen in hand, mid-love,  
Mid-poem; mid-
Heartbeat.
Black loom the crags of the uplands behind me,
Dark are the sands of the far-stretching shore.
Dim are the pathways and rocks that remind me
Sadly of years in the lost Nevermore.

Soft laps the ocean on wave-polish'd boulder,
Sweet is the sound and familiar to me;
Here, with her head gently bent to my shoulder,
Walk'd I with Unda, the Bride of the Sea.

Bright was the morn of my youth when I met her,
Sweet as the breeze that blew o'er the brine.
Swift was I captur'd in Love's strongest fetter,
Glad to be here, and she glad to be mine.

Never a question ask'd I where she wander'd,
Never a question ask'd she of my birth:
Happy as children, we thought not nor ponder'd,
Glad of the bounty of ocean and earth.

Once when the moonlight play'd soft 'mid the billows,
High on the cliff o'er the waters we stood,
Bound was her hair with a garland of willows,
Pluck'd by the fount in the bird-haunted wood.

Strangely she gaz'd on the surges beneath her,
Charm'd with the sound or entranc'd by the light:
Then did the waves a wild aspect bequeath her,
Stern as the ocean and weird as the night.

Coldly she left me, astonish'd and weeping,
Standing alone 'mid the legions she bless'd:
Down, ever downward, half gliding, half creeping,
Stole the sweet Unda in oceanward quest.

Calm grew the sea, and tumultuous beating
Turn'd to a ripple as Unda the fair
Trod the wet sands in affectionate greeting,
Beckon'd to me, and no longer was there!

Long did I pace by the banks where she vanish'd,
High climb'd the moon and descended again.
Grey broke the dawn till the sad night was banish'd,
Still ach'd my soul with its infinite pain.

All the wide world have I search'd for my darling;
Scour'd the far desert and sail'd distant seas.
Once on the wave while the tempest was snarling,
Flash'd a fair face that brought quiet and ease.

Ever in restlessness onward I stumble
Seeking and pining scarce heeding my way.
Now have I stray'd where the wide waters rumble,
Back to the scene of the lost yesterday.

Lo! the red moon from the ocean's low hazes
Rises in ominous grandeur to view;
Strange is its face as my tortur'd eye gazes
O'er the vast reaches of sparkle and blue.

Straight from the moon to the shore where I'm sighing
Grows a bright bridge made of wavelets and beams.
Frail it may be, yet how simple the trying,
Wand'ring from earth to the orb of sweet dreams.

What is yon face in the moonlight appearing;
Have I at last found the maiden that fled?
Out on the beam-bridge my footsteps are nearing
Her whose sweet beckoning hastens my tread.

Current's surround me, and drowsily swaying,
Far on the moon-path I seek the sweet face.
Eagerly, hasting, half panting, half praying,
Forward I reach for the vision of grace.

Murmuring waters about me are closing,
Soft the sweet vision advances to me.
Done are my trials; my heart is reposing
Safe with my Unda, the Bride of the Sea.
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.
ConnectHook Dec 2017
Christina Rossetti (1830 – 1894)**

In the bleak mid-winter
Frosty wind made moan,
Earth stood hard as iron,
Water like a stone;
Snow has fallen, snow on snow,
Snow on snow,
In the bleak mid-winter
Long ago.

Our God, Heaven cannot hold Him
Nor earth sustain;
Heaven and earth shall flee away
When He comes to reign:
In the bleak mid-winter,
A stable-place sufficed
The Lord God Almighty
Jesus Christ.

Enough for Him whom cherubim
Worship night and day,
A breastful of milk
And a mangerful of hay;
Enough for Him whom angels
Fall down before,
The ox and *** and camel
Which adore.

Angels and archangels
May have gathered there,
Cherubim and seraphim
Throng’d the air,
But only His mother
In her maiden bliss,
Worshipped the Beloved
With a kiss.

What can I give Him,
Poor as I am?
If I were a shepherd
I would bring a lamb,
If I were a wise man
I would do my part,—
Yet what I can I give Him,
Give my heart.
Also called "A Christmas Carol"

For all its lovely directness, “In the Bleak Midwinter” reflects Rossetti’s troubled religious faith. An Anglo-Catholic influenced by Calvinism and Adventism, she found God the Father terrifying and remote but identified with the humanity and suffering of Jesus. In describing the nativity, she mentions the attendant celestial spirits but stresses the earthier elements of the scene—the tangible milk and love that Mary gives her child and the comforting companionship of the animals in the stable. This attraction to natural manifestations of divinity may remind us of Emily Dickinson, who was Rossetti’s nearly exact contemporary and of whose work Rossetti was an early champion. (Both poets were born in the bleak, midwintery December of 1830—Rossetti on the 5th, Dickinson on the 10th—though Dickinson died in 1886, eight years before Rossetti.)


from: https://bookhaven.stanford.edu/2015/12/best-christmas-carol-ever-christina-rosettis-in-the-bleak-midwinter/
Mark Lecuona Feb 2012
Alright, alright, alright... so yesterday my boss says, "Your hair's getting kinda long." Now, he's a very cool dude and it don't confront him at all but he said, "People are talking." Of course I go, "What are they saying?" He said oh you know, "Is Mark having a mid-life crisis? Stuff like that..." So I got ticked and said, "They WISH they were me...." Ha... cocky Mark. By the way I've posted a follow-up to this entitled "Don't Put That Sign On Me." Anyway here's the inevitable poem that always happens:

They say
There's a crisis
Really? Whose?
Mine?
Or yours?
Yeah my hair is longer
Yeah the girls seem younger
Yeah the words are stronger
Yeah the struts in my wander
Yeah... yeah
That's what they say
But... I hadn't noticed
Maybe... just maybe
That's because
It's not my crisis
Maybe
It's yours
But
Like I said
I hadn't noticed
But
You sure did
Why is that?

I'll tell you what
Yeah
I'll tell you
I'll tell you what I've noticed
I've noticed my honesty grow
To match your bank account
With every deposit
Your true self dies
They bought you
Your brain
Your personality
Your heart
Your soul
But I guess
You hadn't noticed
That's because
You are in a crisis
But it's normal for you
You see life from inside
The flames
It's as if everything
And everyone
Is on fire
But one who steps out
From the flames
Is not
In crisis

You locked yourself in
I freed myself
And in freedom
I live
In *******
You die
But you don't want to die
Alone
So you bring me down
Don't bring me down
Just because you locked the door
On your own
Don't bring me into it
That was your choice
Leave my choice to me
When did my choices become painful
To you?
You don't notice me
I won't notice you
Unless you need help
With your crisis
Then I'm here
Otherwise
Don't invent one
For me
i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven
Micah Fagre Oct 2014
the planets. the peaches.
pruned. picked. for the reaches.
the centuries. a second to the eternities.
you can have it. say laugh when. you hear the jazz note.
the voice of all that i spoke. the saxophone.
like dialing digits of truth. on the telephone.
come on. say one and two. up and down. the diversity in one single crown.
upon the ears of sound. it's the heart's listening device. toss it like rice.
at a wedding. human genes get paired up. and twisted.
so simple. it comes in flavors of licorice. red and black.
off and on. check the track. when the needle skips.
we find all these differences.
let me bring it back. for diversity.
zeroes and ones. spread the spectrum. across high and low frequencies.
it's so easy. let the record speak. can you stay on beat.
the principles of the high. the sincerity of the meek.
whatever lies between. is one or the other. blended across the centuries.
and all mothers. give birth to the last. man to the first.
follow that. discussion of high low.
mid ranges get blown. saxophone pace the flow. get pricked by the tweeters.
soul from the bass feeders. save the appetite. for the words that i write.
and then speak. you you. not me. splitting hairs. atoms. quarks. and light.
beams. like a smile. across a broad spectrum. either off. always on.
high low. then get gone.
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Terry O'Leary Dec 2013
Ill-fated crowd neath foreign cloud: the Silent City braves
against a sudden sullen flood, unleashing lashing waves,
which washes stony structures clean with radiance that laves.

Deserted streets, once dense retreats, spin yarns of yesterday,
with  faded words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes...
They frame a frail forgotten tale,  in carved unwritten runes
with symbols hung like halos strung in lifeless, limp festoons.

The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
though churches, mosques and synagogues abide without a bruise.

A church’s Gothic ceilings guard the empty pews below
and, windswept blown above the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stilled chapel chimes! Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillons, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.

Stray footsteps swarm  through church no more (apostates that profane) -
their echoes in the nave ring thin, while chalice cups maintain
a taste of brine in altar wine decaying in the rain.


No face will come with jagged tongue to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, or beg lethean balm.


Six steeple towers, steel and stone, drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

Coiled candle sticks! Their twisted wicks no longer 'lume the cracks
with dying flame in smoky swirl mid pendant pearls of wax,
since deference to innocence dissolved in melting tracks.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, across a cruel moraine
reflecting white a wisp of light in ebon beads of bane
which casts a crooked smile across a faceless window pane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
haunt ballrooms, bars, bereft bazaars, with no one left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep... a clutch of clammy clouds.


No breath will come  'cross jagged tongue to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The castle clock, unwound, defrocks! Those peerless speechless spokes
unfurl the blight of reigning Night by spinning off her cloaks,
and flaunt the dun oblivion, her Baroness evokes.

Green trees gone dark, in palace parks, where children paused to play –
now voiceless things on phantom swings, like statues made of clay,
mark marbled tombs in graveyards groomed for grievers bent to pray.  

The sun-bleached bones of those who've flown lie scattered down the lanes
while other souls who hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The terrors wrought by conscience fraught once stalked and lurked nearby
to rip the shrouds from  curtained clouds, frail fabrics on the sky –
now wraiths that scream in sleepless dreams no longer terrify.

And fog no longer leaks beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears  in sheets of shallow gray.

Beyond the suburbs, farmers’ fields (where donkeys often brayed)
exhale a gust of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

A silo, still! Like hollowed quill, a ravished feather’s vane,
with traces of bespattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No souls will come with jagged tongues to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play...
They’re celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A
May
Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen
we like to shower afterwards
(I like the water hotter than she)
and her face is always soft and peaceful
and she'll watch me first
spread the soap over my *****
lift the *****
squeeze them,
then wash the ****:
"hey, this thing is still hard!"
then get all the hair down there,-
the belly, the back, the neck, the legs,
I grin grin grin,
and then I wash her. . .
first the ****, I
stand behind her, my **** in the cheeks of her ***
I gently soap up the **** hairs,
wash there with a soothing motion,
I linger perhaps longer than necessary,
then I get the backs of the legs, the ***,
the back, the neck, I turn her, kiss her,
soap up the *******, get them and the belly, the neck,
the fronts of the legs, the ankles, the feet,
and then the ****, once more, for luck. . .
another kiss, and she gets out first,
toweling, sometimes singing while I stay in
turn the water on hotter
feeling the good times of love's miracle
I then get out. . .
it is usually mid-afternoon and quiet,
and getting dressed we talk about what else
there might be to do,
but being together solves most of it
for as long as those things stay solved
in the history of women and
man, it's different for each-
for me, it's splendid enough to remember
past the memories of pain and defeat and unhappiness:
when you take it away
do it slowly and easily
make it as if I were dying in my sleep instead of in
my life, amen.
Ken Pepiton Aug 2018
A pocket of thought, ideas.
Impulses, has beens

epi-phenom-enal-con-currencies-synchron-icity
sorting places, thens and nows vying for attention

you see
we till stories in search of true tomorrows
not true
yesterdays (till, I said, not tell)
we **** the hard rows no one else will ***
so seed lies sown are never lies told, if the lies are never taught
or if the liars are caught before convincing the
intended crop to lie and swear a common liege Lord,
or die
for lack of knowing. Non-nascence, simplest
symptom to not see.
Whose death is yours to respond responsibly
to? My child's, or yourn?
In the early days, we knew less than we know now
about how knowing and growing were all
intended
to cost time. Ticks, ono motto whatever, the sound
gears and spiral springs pushing cogs
tick, one tooth tick at atime make

this rough, un polished, un glossed, is it wrong or

as I imagine a diamond in the rough must seem to a share cropper
experienced in diamond hunting, diamond prospecting,

prospecting expecting inspection to permit
seeing a 3.2 specific gravity,
specific
specify

species or spectacles,
spectators or special-if-eye-cation
value-en-abled. Weigh your mind in balance
with mine. I claim the mind of Christ.
What are the odds?

A wandering path, injoyable enable if-i-abble,
pacing is

everything, timing is everything, time is the test.

Time is the metagame.
Take your time. One word formed sylabble at a time.
Babble on, your confusion makes you mortal, to my mind.
Tick.
A quanta of time. Does time come in bits and pieces cernible,
but undiscernible from reality?

Babble.

Of course, time will tell. We learned that in our sleep, did we not?

Aesop taught us more than Moses, no,
Aesop taught us less than Moses.

But, we could learn to walk bearing the weight of knowing what
Aesop taught,
while we could not stand under the weight
Moses was said
to have taught.

Caught you, Jewboy. Whatchewknow?
The moral of the story.

THE IDEA is to win.
Beware the concision decision.
incisive devices, witty inventions.

Flip the shell, roll the bones, cast the runes and,
as luck might have it, die before your time.

Why factors are lies more oft than how factors.
Benefactors rule malefactors or
how or why would we invest our time in seeking reasons
to believe?

Is this the polished piece, the gemstone of specific gravity
(which currently means nothing to you. Here, you find too light
or too heavy, too weighty on the scale of specific value.)

Hard. Value hard, diamond hard, on Mr. Moore's scaled model of
Knowing exploding for reason's sake, raison d'etre, eh?
Too hard?
Not Mohs,
don't get me wrong.
We been Moore's law breaker all along.
We be manifested destinatory stories of heroes gone wrong.

Outlawed
knowing exploding to be reasoned with, by kind
children destined to become
written in stone, scarred by lies

Diamonds cutting diamonds, iron whetting iron
on eternity's edge.

Babylon, was it Bel's gate or fusion from below rising?

Magma fountains with diamond claws tearing the lands asunder
Is asunder still a word?, let me, allow me to define...
"into a position apart, separate,
into separate parts,"
mid-12c., contraction of Old English on sundran 
Middle English used to know asunder for
"distinguish, tell apart."
From <https://www.etymonline.com/word/asunder>
----

mumbler's humbler PIE, bowing before the knowers who
know nothing of my work.
Set apart, art thou holy aware?

Hermit me, meet the rest of me. The true rest that remained.
We live, you and I. Trust me, next is worth the wait.

Suffer needs no pain to make its point. Waiting is.

Grokk. WHO would believe that idea could live
through telegraphese to be tweet meets for the
Cosplay clans. How never grokked a rock,  why even less.

Strange, not be long in this
place. if
place this be. Odd
set aside
torn asunder
blown away.
Awake, little birdie, tell me true,
what's a man like me to do?

Did you meet the famous Mr. Blake?
I cleaned his chimney, way back when, chimbly's whut
we called em. Smoke stacks belchin' black
makin' black moths invisible to voracious
gulls.
Now the peppered moths are free
to be white-ish, for better or worse.

----

right, now, do right or

miss the mark,
the specific mark you made, maybe,
imagining, abstract obstructions missed
by the skin on Job's teeth as you run past

right now to more. You know?

----=

Story telling was the same as lying when I was a child, to me.

Telling stories was my gift I never took. Or am I lying? or mad,
in the old way.
Chailot's rag picker was my best friend.

No noble thought ever found it's home in my head, once
I thunk it, it stunk to high heaven, for me stinkin' thinkin' it.

Po' ems sang sour to fiddles wit' one strang and drums with no
cymbals
Screamin' he owed m' soul the comp'ny sto' bang bang thud.

I died, he lied, and lived to tell this story, ****** if I know,
****** if I don't.

True as true can be. I am lost, but once was found,
lyin' rough, uncut in acres of unseen gems.
----
* Voltaire refused to teach me any thing I could not define:
late 14c., deffinen, diffinen, "to specify; to fix or establish authoritatively;" of words, phrases, etc., "state the signification of, explain what is meant by, describe in detail," from Old French defenir, definir "to finish, conclude, come to an end; bring to an end; define, determine with precision," and directly from Medieval Latin diffinire, definire, from Latin definire "to limit, determine, explain," from de "completely" (see de-) + finire "to bound, limit," from finis "boundary, end" (see finish (v.)). From c. 1400 as "determine, declare, or mark the limit of." Related: Defined; defining.

So, imagine facets unseen, I am at least a meme, a bubble rising on the tide. Think, as you will. Amen?
Incorporating radical (root-related) definitions via cut and paste is my way of acknowledging that I have no ex-uses left for using words in a wrong, thus lying, way.
Sanaysha Aug 2018
She walks the day like a dark soul covered in dark clothes and jet black hair
She walks the night and her eyes collect the blue light of the silver moon ahead of her.
She's a modern day school girl with average grades and mid length black hair; she's interesting to me and I don't know why.
She sits at a lunch table full of people like a sociopath sometimes it makes me so sick, making me wait for someone to come up missing or found dead in the Manhattan plaza or so spooked they'll miss school.
I wonder if she eats or maybe she ***** the souls of her "prey" or maybe she doesn't eat and only wears a black hoodie because she's anorexic underneath. To me she's a little curvy to be nothing but bones.
Her presence is cold like ghost. She's wears her hoodie all four season 365 days, and all 12 months.
The night of a full moon, the night of a super moon, bright red moon I saw her walk straightforward into bright blue light skipping off the streets like dust I tried to catch up but it was too much. I got to the end of the street and she appeared behind me. Her hands ignited with blue flames and she took hoodie and her dark browns eyes wear now dark blue portals and her mid length black braids wear now was now straight blue flames. I am the girl in black hoodie.
howard brace Sep 2012
He'd been conceived in Flamborough, so his little sister assured him some eleven summers ago, which was a tad hard for Rocky to swallow, she was a whole eighteen months his junior and then some... and at that age, well... what did she know, she was only a kid, "on this very rock" River insisted, kicking her heels in delight, "next to this very rock pool" they were both sitting beside, "one sunny afternoon eleven years ago..." and that was how he came by the name of Rocky... she taunted as the rest of the colourful story unfolded... and that she had it all on the best possible authority... although the more she thought about it, had she meant concealed... she wasn't quite sure now, it was all so very confusing at her tender age but thought it sounded close enough not to matter too much and that she would just wait and see which way the wind blew.
        
     It was conceivably an ill wind that blew no one any good that day, especially if you were a boy and just happened to be sat by a rock pool next to your little sister...  Having just taken a well earned drink from a neighbouring rock pool, Sockeye the floppiest Springer Spaniel this side of the Pecos decided that he was going to dig a hole and that he would be digging it deep, then changed his mind mid-dig and decided to have a more down to earth back scratching wriggle instead... then promptly flopped over and slid into the hole... life was sweet.  Now covered from nose to tail with every species of deceased shore life usually found frequenting the high water mark Sockeye, in a blinding flash of canine inspiration judged it would be in everyone's best interest were he to have a really good shakedown which always appeared to go down well on these occasions... and give everyone a good peppering, just so they could see exactly what they'd been missing all their lives.  

     "A rock of all places, for goodness sakes..." and what's more, it was this rock, "Yuk..." he jumped up and wiped his palms on the back of his jeans in disgust, then onto his tee-shirt, then sat back down again and began exploring his left nostril in quiet contemplation before finally jambing his hands back into his pockets... what in Heaven's name had his parents been thinking of..? what on earth was his little sister talking about..? and more to the point, what in fact did conceived mean..?  these were the questions that were uppermost in Rocky's mind as he poked an exploratory stick into the rock pool...  a baby crab marooned by the tide scampered sideways beneath a large pebble and stuck one beady eye out at him... Rocky's sister, seemingly in a world of her own, much like the baby crab sat on the edge of the noteworthy rock kicking her heels, an innocent smile curled the corners of her mouth as she quietly hummed a little song of tuneful bliss to herself and considered what further mischief she could possibly pass her brother's way.

     Rocky tossed a piece of driftwood over his sisters shoulder at a nearby flock of seagulls, squabbling over what appeared to be a discarded bag of fish and chips... Sockeye, simply knowing that his little master wanted to play a game of fetch gambolled after the stick, his ears flying courageously in the still Summer air and burst, amid a melee of feathers into their midst, only to romp back moments later, the stick all but forgotten in the excitement but now proudly sporting the derelict bag of leftovers and the odd splash of guano, his tail lolloping magnificently from side to side... and for the moment at least, leaving the fratching seagulls wheeling noisily overhead and to go about their daily business without further interruption... as for Sockeye, it had been a no contest situation.

     After fourteen years of valiant endeavour his father... Red, so named for his vivid shock of wiry hair, was still engaged in man's eternal struggle to win his significant other half's approbation with the manful art of deck-chair assembly, beach barbeque and other significant gentlemanly pursuits, all while strutting his manly stuff, sporting top of the range beach wear in accordance with the social etiquette of the previous decade... his masculine paunch slumping gallantly atop his waistband...  

     After the same fourteen terms of domestic servitude and the same thirteen identically overlooked anniversary cards a certain someone had no intention of allowing another certain someone to forget so much as one of them... his better half, so she insisted would ride rough shod, administering her own brand of justice at every given opportunity, in much the same way you'd brandish a royal-flush on poker night... or better still, a loaded revolver... and that she personally carried the burden of every ill-fated card that Lady Luck had dealt strung about her neck like Adam's original sin on Judgement Day.  

     Red much preferred the shorter, more condensed name of Rock for his son, rather than the longer more protracted Rocky, as he struggled with the wood and canvas lounger badly trapping the mound of his thumb in the process, "Aaargh...!!!" plunging his throbbing hand deep into the cold, soothing rock-pool "aaah...!!!"   Still marooned by the tide, the baby crab stood poised and ready for action as it considered giving this latest intrusion a good offensive nip, then hang on spitefully as it gave Red the final withering once over with the same baleful eye it had successfully used earlier.

     Acknowledging her husbands misfortune with a perfunctory grunt as she rummaged in her beach-bag for the thermos, she refused to be drawn in where thumbs were concerned right now, after all with his DNA sequencing she was convinced he could probably grow a new one within the month... whilst Tina, well... she was just plain worn-out... but still rejoiced in telling anyone who cared to lend a sympathetic ear in her direction... and who in turn was more than happy to listen to the woes of others and went somewhere along the lines of... 'and had she heard any more of poor Mrs Dorey's lingering martyrdom recently..? you know, the downtrodden lady who lives in the next street but one... and how they would all miss her when she was gone... and how she couldn't wait...' and as rumour had it, neither could her husband...

      Feigning to be otherwise engaged, Tina... as her husband, now blowing frantically on his mangled thumb, stumbled backwards over the half erected lounger and with a spine jarring "Ooomph...!!!" landed squarely in Sockeye's subsiding earthworks... professed total disassociation with the entire fiasco as she plunged her nose even deeper into the overdue library book she'd purposely brought on holiday for just such an occasion, making it perfectly clear that she was a tourist and furthermore, planned to stick with the same itinerary once they returned home... and that while she was here, she did not under any circumstances wish to be disturbed, the notice was clearly displayed hanging from the door handle... but if anyone should, then whoever it was did so at their own peril... and she was keeping score... although a mangled thumb she luxuriated, with the same roguish smile curling the corners of her mouth as the one normally found playing around her daughter's... was equally as heart warming.

      All Tina wanted was one week of uninterrupted peace and quiet in Flamborough, preferably with a certain someone out from under her feet then spend what might pass for several undisturbed hours sitting quietly by the rock pool comparing notes on eye makeup and the feminine merits of pedicure with the little crab who, still marooned by the tide was now sat busily knitting four pairs of matching leg warmers in the cool, still water but that was only if that certain someone... a shrill  "AAaargh...!!!" somewhat more desperate than the first, ****** itself upon the as yet unaggressive afternoon as it gyrated across the warm Jurrasic rock and recoiled out to sea... "now where was I", twisting her book uppermost "oh yes..! someone was going to pay..." only now it was going to be sooner rather than later, but only if that certain someone didn't finish the seating arrangements before the Sun disappeared and drift into some backstreet tea-room before all the lemon cheesecake sold out, or was that she reflected, simply too much to ask.

     It was his Surname that Rock found so objectionable, or it had been right up until his little sister's enlightening disclosure, now it was both names Rocky disliked, it would have been far kinder had Rock Salmon been sandwiched between sliced bread and given to Sockeye... who's solemn duty, from the first mouthful to the very last, was to gaze up beseechingly from beneath the kitchen table  and devour anything that passed his way, even the postman had to be quick about his business or have his arm follow the mail through the letter box... then Sockeye would just smack his lips and help himself to seconds.  

     All Rocky's mum had thought about for the last fourteen years was seconds... every last solitary one of them since she'd suffered with an infection of matrimonial neurosis which had deprived her of common sense and her maiden name, from Chovey to that of Salmon and how with hindsight she should have taken an Aspirin instead, wedlock she asserted was everything the name claimed to be and was without doubt the worst move she'd ever made... and what's more was seen as a bad move in whoever's wedding album you just happened to be paying your condolences to.

     Rocky would never be so fortunate on that score, unlike his sister he was stuck with Salmon for good, his grandma-Ann by all accounts had been dead set against the union from word Go and saw his father as someone who would always be out of his depth in whatever rock pool he found himself in, swimming against the tide as it were, rather than going with the flow... and it appeared that Rocky, almost eleven years into a life sentence, was about to flounder in the same murky undertow as the rest of the Salmon family... only he couldn't swim.

     "There"! her husband exclaimed "all finished... better late than never eh', who fancies trying it"? his wife luxuriated over the words 'better late' and wondered whether her new earrings, her latest acquisition would complement formal mourning attire.  Red dusted off the palms of his hands with the certain knowledge of a job well done and cautiously took one step back, looking with justifiable pride at the outcome of his manly exertions of the last two hours, this was what holidays were all about he declared, one man pitted against insurmountable odds...  His wife meanwhile was getting to grips with more odds of her own than you could safely expect to shake a stick at... her husband being one of them.  

     Having gathered her offspring with the promise of verbal earache if they didn't... and finished packing the beach-bag, Tina finally located Sockeye peering out from the shade of an adjacent rock, wisps of feathers poked tellingly from the corners of his mouth, his tail beating mischievously on the shingle decided in one further blaze of canine brainstorming, as Tina attempted to slip his collar on that a game of tag would just about round the day off nicely... Tina then devoted the next ten minutes chasing him amid unrestrained salvo's of cheering from the rest of the family... then bid goodbye to the little crab who, still marooned by the tide waved a friendly pincer in return... and trusted that she wouldn't have too long to wait for the next rising tide back home, then she slid off the rock with a corrosive... "the deck-chair attendant would have shown you" she snapped "and don't forget the deposit when you take them back" then double checking that she landed squarely on his foot she marched past, her floral sun hat jammed resolutely on her head at what she considered a jaunty angle with her equally jaunty, angular children scrambling in hot pursuit, back in the direction of their lodgings.  

     "Woof "..? said a bewildered Sockeye, bringing everyone to an abrupt halt... and with paws the size of place-mats, he wasn't going anywhere he didn't want to... he hunkered down with a look of hurtful accusation on his face, "oh yes you are my lad"! said his mistress "I've met your sort before" and knew exactly where to place the toe of her dainty size-5 as Sockeye, digging his heals in even further created swathes of canine furrows up the beach, leaving her husband the unwitting holder and in sole possession of the overlooked guest-house keys... and somewhat resigned to clean up his own masculinity and dismantle the recently assembled, now redundant deck-chairs by himself... as for Tina, well... she'd had quite enough excitement for one day thank you very much.

     Morning register was always the worst he thought, as they trooped back along the shingle beach, Rocky making surprisingly good furrows of his own... but the rest of the class loved it and saw it as the highlight of each day... Rocky's form teacher, despite showing a brave face was always hard pressed to avoid bursting into hysterics every time she worked her way down the register to the letter 'S' and would attempt to bypass it altogether, jumping from 'R' to 'T' and just prayed that no one else had noticed, but it hadn't taken the class very long to point out her oversight and... "please Miss" they'd all chant "we haven't had Salmon all week" and while the rest of the class were having convulsive fits, Rocky would elbow the lad sat at the next desk in the ribs... and promptly get one hundred lines for his trouble... thank goodness it was school holidays.  Why couldn't they have been given respectable names like Seymour Legge, Rock wondered, who sat over by the window or perhaps the teachers pet, Anna Prentice or even, Robyn Banks at a pinch, but definitely not what they'd been given and certainly not Salmon, they were the most hilarious names he could imagine and if someone was looking down on them right now he thought... then they had a very unique sense of humour indeed and Rock said so... "why" his little sister asked sweetly, "what's wrong with River Salmon".

                                                      ­                         ...   ...   ...*

a work in progress*                                                        ­                                                              240­6
CK Baker Mar 2017
lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves

stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)

croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl

the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe

rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the  sepia face
(softened by the intricate frame)

donkey in tow
(with a fastened ***)
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells

tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
and that **** rabid fox
are drowning
deep in castles well
first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide
Mike Hauser Aug 2013
I frequent a little taco stand
Every time I'm out in the Mid-West
With Elvis behind the counter
Dressed in his leather best

Janice Joplin doing the dishes
With enchilada breath
Arguing with the fry cook Jim Morrison
Over the  best way of cheating death

Jimi Hendrix works the tables
That they have set up out front
Recommending the mushroom taco
With the psychedelic crunch

Marilyn Monroe...the entertainment
Nightly serenades the gents
Wearing her favorite T-shirt
Bobby Kennedy for president

I highly recommend the little taco stand
If you ever find yourself out West
Who's going to show up to take your order that day
Could be anybody's guess...
Nat Lipstadt Aug 2013
August 20th, 2011

Pink and white hothouse lilies
parfume the atmosphere
of our summer retreat,
the shelter upon our island redoubt.

Their scent, a scentry,
posted to guard against
the oranges and reds,
the piano notes of fall,
the ivory whites of winter,
the iconic colors of the
seasons of responsibilities.

Lock the doors.

Preserves of
oranges, peach and lemon,
summer fruits,
preserve my calm!

Mingle well
with the other summer's fruited sweets,
cherries, black berries, caramel,
all, ally thyself with salt air
and do thy fragrant work!

Ferry away, banish,
the wardens of the
workweek jail, like only
summer garden colors
and sun-rays can.    

Still yourself,
be calmed, becalmed,
there is no breeze,
tis but mid-August
and the grill still awaits
your further command.

Long days and humid nights
bid you drink red rosés,
and summer lemoncellos,
chilled to accompany
the sweet summer corn
covered in salty butter.
drink the jus of the
summer sea's bounty,
saltwater berries, seasonal delights.

But you know better.

Stepping outside,
you are tree felled,
senses red alerted
by hints, whiffs
of the odor of change,
a piano refrain.

Acorns in August?

Can't be, won't allow it,
that slight chill, dispatch it,
won't let go yet of
sun tanned lotion notions,  
and legalized
summer laziness.  

Beneath my flip~flops,
acorn shells irritatingly crunch,
uninvited guests,
they are the peas I feel
under the mattress and bed,
contaminating my head,
while I lay  cloaked beneath,
my summer weight comforter.

Too late.

Back to school flyers
litter the driveway and infest
the Sunday papers.
I am defeated,
my senses tingle,
at the sight of these
changeover secretions.  

Sap of the maples is acoming,
the Paul Revere warning
of Redcoated leaves soon to
invade my bay's sandy shores.

Come my friends,
be courageous
and of good faith.

One more time, unto the breach!
One more time, unto the beach!

Tho our armor of golden tan
will of necessity rust red by cold bitters,
the summer of our poetry,
recorded, will forever live.

Even tho summer's demise
draws near, its death most glorious and not in vain,
when we lay spent and slain
after our approaching defeat,
apres the Battle of
Labor Day,
We still have our body,
Our poems, summer crafted,
The cello and the piano
Reminding those few left to listen.
<•>
mid august suicidal
August 12, 2017

to the facts:
suicidal thoughts come as regular as a
teenager pimple

weekends summer sun burns the skin,
the inner gloom,
so that I just make from the
Monday to Friday bookends
of grey cloud doom, barely opened eyes

the acorns peas under the bed's mattress,
my summer-brain pod irritants
are
freshly arrived, fully ensconced,
antibiotic resistant sob's,  
the colored newsprint of hateful
back to school flyers still haunt and clog
the sinking sunking sinking
waste disposal

the newest indignity,
the emails proclaiming
end-of-summer better hurry
drink up those three cases of pink rose wine
down in the chilling basement

not a bad idea in *** actuality

nothing kills like suicide and
nothing kills suicidal thoughts
like a three week drunk
starting now

the truth burden just got harder;
Adagio for Strings, Opus 11,
whispers stay the hand


~~~
jackierutherford Sep 2016
Thousands of us were displaced
Started careers late
Not lucky enough to have had great jobs

So we work hard
Put ourselves through night school
While taking care of family

Finally ...
Yes, yeah,  whoopee
Did it !
Once again completed school

Another certificate added to the growing list of achievements.
More bills owed to uncle Sam

Going on numerous job interviews
No one's responding
Instead ...
All this knowledge stored in your head

Current jobs pays minimum wages
Those colleges attended; mounting

When you try to get ahead  -
They hold on to their employments
As if,
It's Rocket science

Looking for younger, greener admits

Once AARP comes a knocking on
Your door
You know they don't want your
Expertise anymore

What's one to do
Still strong, healthy, seasoned
Educated, no strings to boot

Hopelessly stuck in a world of
"We will call you "

So at the tender age of fifty
Thoughts of starting your own business floats in your head

Right
Now, back to school
For another certificate
A chance to use that knowledge
Put bread on the table
Feel useful

Quality of life renewed.

JRap /2016
martin Jun 2014
In the cold grey light of the sixth of June, in the year of forty-four,
The Empire Larch sailed out from Poole to join with thousands more.
The largest fleet the world had seen, we sailed in close array,
And we set our course for Normandy at the dawning of the day.

There was not one man in all our crew but knew what lay in store,
For we had waited for that day through five long years of war.
We knew that many would not return, yet all our hearts were true,
For we were bound for Normandy, where we had a job to do.

Now the Empire Larch was a deep-sea tug with a crew of thirty-three,
And I was just the galley-boy on my first trip to sea.
I little thought when I left home of the dreadful sights I'd see,
But I came to manhood on the day that I first saw Normandy.

At the Beach of Gold off Arromanches, 'neath the rockets' deadly glare,
We towed our blockships into place and we built a harbour there.
'Mid shot and shell we built it well, as history does agree,
While brave men died in the swirling tide on the shores of Normandy.

Like the Rodney and the Nelson, there were ships of great renown,
But rescue tugs all did their share as many a ship went down.
We ran our pontoons to the shore within the Mulberry's lee,
And we made safe berth for the tanks and guns that would set all Europe free.

For every hero's name that's known, a thousand died as well.
On stakes and wire their bodies hung, rocked in the ocean swell;
And many a mother wept that day for the sons they loved so well,
Men who cracked a joke and cadged a smoke as they stormed the gates of hell.

As the years pass by, I can still recall the men I saw that day
Who died upon that blood-soaked sand where now sweet children play;
And those of you who were unborn, who've lived in liberty,
Remember those who made it so on the shores of Normandy.
____________
Jim is a D-day veteran and folk singer who wrote this song. I just watched him perform it on tv at a banquet to commemorate the 70th anniversary.
Read and don't be ashamed to shed a tear for the thousands of young lives lost on that day.
'Mid my gold-brown curls
There twined a silver hair:
I plucked it idly out
And scarcely knew 'twas there.
Coiled in my velvet sleeve it lay
And like a serpent hissed:
"Me thou canst pluck & fling away,
One hair is lightly missed;
But how on that near day
When all the wintry army muster in array?"
September Roses Jul 2018
Ah the perfect boy

Mushy and gushy, all human like, with normal human skin, and smile

Scratch that

Heavy body armor, brandishing a sword, born in the mid 15th century

Hmmm, no

Aluminim for hair, copper in his head, lack of understanding of any type of human emotions

That's not right, no

How about
Scales?
Not possible
Gills?
Smells fishy
A being of pure light energy?
Sigh, beyond my comprehension

I guess I'll just get
A pet rock
Im celebration of international rock day
jane taylor Jun 2016
how i have ached to walk amongst the evergreens
encased by dazzling quaking aspen
in my rocky mountain home

i yearn to fall again while skiing
and catch a wisp of icy sky blue
snow powder crystals
on my tongue
******* feelings
rise and fall
as they melt
and disappear

i long to breathe in your scent
sitting on the peak of wooded ridges
amidst slate colored boulders
sea salt combined with cinnamon
laced with wildflowers
crisply filling my lungs

i hunger to once again
behold again your red rock formations
creating tender hollows
through which timid coral sunsets peer

i crave hiking at dusk
into your jagged emerald forests
and sit wistfully mid the columbine
while darkened sunflowers juxtapose
against the jet black emptiness
enticing the stars
to etch enchanting paintings
on inky cobalt skies

hankering to be at the sundance film festival
coyly peeking into restaurants
covertly spying on the movie stars
on old park city main

itching to experience waiting patiently
for a moose to cross the street
its majesty splashing gingerly
sending chills throughout the galaxy
magnificence abounds

i pine to have memories gently cradle me
like worn out patchwork quilts
warmed by incandescent fires
wrapping me in soft colored canvas
the past craving transformation
by an echo that’s now dim

faintly crying out for
an old familiar artist’s brush
that still lingers
to snag times gone by
and paint the future in

amalgamating the antiquated
with the present
luring in
my destiny

i dream to don my fringed leather jacket
and hear my cowboy boots
fiercely clicking
against charcoal shadowed midnight sidewalks
while i watch the harvest moon

i’m parched too see your autumn chestnut leaves
against the bloodshot auburn sky
as cardinal hues give way to glistening winter
melding into tender spring

your summertime birthing
tingles down my spine
as chartreus aspen leaves
morph to golden bisque
enticing ute country
to blow in
copper colored indian summers
with cherry fragrant wind

yutaahih you were called
by the apaches
their historic essence
somehow ingrained within
my every cell
thirsty to lie enveloped
like a long lost lover
in your rugged western terrain

once having left your presence
i return to you now
my heart flutters
with wild anticipation
to see your precious face again
utah

©2016janetaylor
after a 5 year absence, we are returning to utah at the end of this month
Mateuš Conrad Aug 2018
kate beckinsale & anne hathaway
can speak
the name... matthew all
day long...
                 and right into the night...
i'll try to fall asleep...
must be an Oedipus complex
sort of thing,
   in primary school my school
friends thought that my
mother had the visage for
   sandra bullock...
   ha ha! good luck to the men fathering
daughters!
          you ever find it easier
to pet casts, and cage tigers?!
              **** me...
my shatten is soliloquy central...
           i drink to excess and
listen to excess erotica latex ****
music...
      and then? do nothing about it...
i like cinema...
                         **** me...
a fetish for leather that extends
past a ******...
    i would have asked her sincere self:
can we drop the ******
so that i might attire myself
in gimp?
      she evidently replied
a no with her 19 years of existence...
oh... under-baked apple pie
my dear...
            ha ha!
           no, i have more cherries
to pick, i''m beyond stalking some famous grimace...
you are here           .



and i?



                                           .              am here...

who needs the excess of
quasi-journalistic coverage anyway?
    
           that transitioning harem
of rock stars...
     like Kafka said:
i'll be waiting for something
i never had,
and missing it,
            by never having touched
a peek behind the curtain...

   i'll wait... for what i could never have...
and within the confines
of what i could never have,
          i'll settle for what i can already, have.

kate beckinsale & anne hathaway
can speak the name matthew
all day long, and i won't mind...
        
      would i be the one following them?
train-spotting....
         taxi counts...
                 ******* crows that
croak mid-flight count...
           the number of canadian geese
in b-54 formation
migrating come mid-autumn...

          geek without the cartoons...
push me...
   keep pushing...
     i want the shove
and the ****** wording of auto-suggestive
courting of -
                           courtesy...

              thank you...
i'd rather stalk my own shadow...
looking out for the plot-line of
an eased out **** doing the olympic
gold medal dive into
the crapper pool,
via analyzing the shadow of plop
pop gold...

        zero splash...

                a ******* harmonium
on the neck of a Polish teenager,
traveling on a Warsaw tram
      to reach a girl who...
              was counting petals,
and the worth(s) of considering
the concise surmount of love...

             yeah... next time?
i'll be the one used to invigorating
the stance on stalking
one's own shadow...
             why?
because i fidget...
i get all jerky...
                  the hype instigator
movement...
   ******* a woman
like a piston of a car's momentum...

               does it really matter?
i thought the Madonna-***** complex
wasn't a man-"thing"?
   if man owns the Freudian Oedipus
complex...
  does man also have to lend in his
strap-on dictum for the
Madonna-***** complex?
   so...
              that's not a wholly woman "thing"?
she's doesn't own that
complex?
   it's man's fault?!

             i know the Rastafarian Putin
isn't rasp -
but you know that Israeli ******
are better than the Russian ones...
so the story goes...

               which kinda explains...
impotent with women trapped
within the Madonna-***** complex...
with Bulgarian prostitutes?
a limp **** only, and only when
i forgot to trim my ***** hair,
my Eden...

  i have the Oedipus complex...
am i also responsible for
the Madonna-***** complex?!
really?
                        you sure that women
are not supposed to attend to question
this trans-schizophrenic,
   squint / split /
           dichotomy?

                   prior mothers,
that prerequisite motherhood
with the basis of ******* themselves...

   the Madonna-***** complex
is outside the realm of the male constraint /
castration of rules...

   i already mentioned it...
i couldn't be circumcised...
   protruding veins, that met at the zenith
of the *******...
if they circumcised me...
        i would have bled to death...
the, "crime" of ******* is
a lot easier to handle...
   if you haven't been circumcised...

because?
   circumcision is a motivational tactic...
you are... technically... not allowed
to ******* once you've been
circumcised...
  
               you're free, to *******...
if you haven't been circumcised...
as a male...
            no problem...
problem of ******* comes...
when you persist in the act...
but you don't actually possess the excess
skin, that might allow you
the prime, solipsistic act...

    ergo?
******* is worth a justified critique...
ONLY, and only IF...
you've been circumcised...
sorry if you have...
           notably because?
your priest isn't a rabbi...
and there's no fiddler on the roof
matchmaker song
to boot.

oh no, there's no problem with the act
of *******...
  but there is... if you have been
circumcised...
  why?
    during ******* i used to pull my *******
back...
  and **** with an unsheathed
****...

      but in private?
the ******* was rolled back on,
to counter the imitation of experiencing ****
***... with a clenched fist.
jake aller Dec 2019
Snarling Cup of Coffee    




I like to start my day with a hot cup of coffee
I pound down the coffee
First thing I do every day
as the dawning sun
Lights up my lonesome room

Yeah, but not just a simple cup of java Joe, but a ******* snarling sarcastic smarmy cup of coffee

I mean, - we are talking about an alcoholic, all speed ahead, always hot, always fresh, always there when I need it, angry, attitude talk to the hand Ztude, bad, bad assed, beats breaking, beatnik, bluesy, bitter, ******, bombs away, capitalistic, caffeinated up the ***, cinematic, communistic, Colombian grown, Costa Rican inspired, Cowabunga to the max, crazy assed, devilishly angelic, divine, divinely inspired, dyslexic, epic, extreme vetting, evil eye, expensive, ****** vision inducing, Ethiopian coffee house brewed, euphoric, freaky, freazoid, foxy, Frenched kissed, French brewed, funkified, foxy lady, graphic, GOD in my coffee, with Allah, Ganesh, Jesus, Kali, Buddha, Christians, Durga, Hindus, Mohamed, Jesus and Mo and their friend, the cosmic bar maid, Sai Babai, Shiva, Taoists,

Zoroastrians, drinking my god ****** coffee in Hell;

growling, gnarly, happy, hard as ice, Hawaian blessed, high as a kite, hippie, hip, hipster, hip hoppy, hot as hell yet strangely sweet as heaven, jazzy, jealous, Kerouac approved, kick ***, kick my ******* *** to Tuesday, kick down the doors and take no prisoners, grown in the Vietnam highlands by exVietcong, Guatemalan grown, kiss ***, illegal in every state, imported from all over the ******* world,

insane, lovely, loony, lonely, lonesome, malodorous mean old rotten, *******, nasty, narcotic, never whatever, never meh, never cold, not approved by the CIA, not approved by DHS, not approved for human consumption by the FDA, not your daddy’s sissified corporate cup of coffee, NOT DECAFE coffee, not your Denny’s truck driver weak as brown water cup of fake coffee, not your establishment friendly cup of coffee, Not your FBI coffee, Not FAKE Herbal coffee substitute, but a real cup of coffee, not your farmer brothers dinner crap, not made in America for Americans, not safe for work, not your Starbucks average expensive overpriced ****** corporate chain cup of coffee, Not pretentious, Not White House approved, not State Department safe, nuclear, Not Patriotic, operatic, Peets’s coffee approved,

paranoid, pornographic, psychotic, pontific, politically aware, rapping, rhyming, right here, right now in River city, rock and roll up the Yazoo, sad, sadistic, sarcastic, sassy, satanic, schizoid, *******, silly, ****, smarmy, smelly, smooth, snarky, snarling, stupid, stinking, sweet as honey, sweat inducing, symphonic, Trump can’t handle this coffee, vengeful, Wagnerian, wicked, with nutmeg and cinnamon swirls, with a hint of stevia, with a hint of vanilla, with a hint of ***, with a hint of whisky, with a hint of cherry, with a hint of fruit overtones, with a hint of drugs spicing up the coffee, spendific, speeding, splendid, superior accept no substitutes, survived the Vietnam war, the Iraq war, the Afghan war, the first and Second Korean war, World War 11, the war on poverty, the war on drugs, the war on black people, the ****** revolution,

Soulful as a summer’s night in MOTOWN- James Brown approved, TOP approved, Berkeley approved, the coffee that Jimmy Hendrix drank before he died, the coffee that Elvis drank on his last breakfast, the coffee that Barry White crooned as he drank his cup of coffee – and the coffee that made the white boy play stand up and play that funky music, the coffee that made Jonny B Goode play his guitar, and made Jonny bet the devil his soul after he drank his morning cup of righteous coffee and the coffee that make the Rolling Stones Rock and Roll, the coffee your mother warned you against drinking, the coffee that Napoleon drank when he became the Emperor of all Europe, the Coffee that Beethoven drank when he wrote the Ninth symphony, the coffee that Mozart drank as he wrote his last symphony, the coffee that Lincoln drank before he was killed, the Hemingway drank before he killed himself, the coffee that started the 60’s, and ended the 20th century,

the coffee that Lenin drank as he plotted revolution, the coffee that ****** and Stalin drank with FDR as they divided up the world after World War 11, the cup that JFK drank before he was blown away, the coffee Jerry drinks while driving in cars with random celebrities and political figures, the coffee that Jon Stewart drinks before he goes on an epic take down of some foolish politico, the cup of Arabic coffee that Sadaam drank the day he was executed, the coffee that GW and Cheney drank when they bombed Baghdad, the Indian cup of coffee that Bid Laden drank before 9-11 and just before the seals blew his *** to hell, the cup of coffee that Tiger Woods drank with his mistresses while playing a 3, 000 dollar round of golf at Sandy Lane golf course in Barbados, the last legal drug that does what drugs should do, the cup of coffee that Obama drank when he became President, Vietnamese, Vienna brew, wacky, whimsical,

Whisky Tango Foxtrot, wild, weird, wonderful, WOW, Yabba dabba doo! Yada Yada yada Zappa’s favorite cup of cosmic coffee, and Zorro’s last cup of coffee, Good to the last drop rolled into one simple cup of hot coffee   
As I pound down that first cup of coffee
And fire up my synaptic nerve endings with endless supplies
Of caffeine induced neuron enhancing chemicals

I face the dawning day with trepidation and mind-numbing fear
I turn on the TV and watch the smarmy newscasters in their perfect hair

Lying through their perfect blazing white teeth
about the great success the government is having
Following the great leader's latest pronouncements

I want to scream
and shoot the TV
and run out side

Shouting
Stop the world!
I want to get
off this ******* crazy planet"

The earth does not care a whit
about my attitude problem

It merely shrugs
and moves around the Sun
In its appointed daily run

the universe whispers
in my ear
time to drink more coffee
for an attitude adjustment

And I sit down
The madness dissipating a bit
And enjoy my second cup
Of heaven and hell
In my morning cup of Joe

Coffee Revolutions



coffee cup
Coffee led to the American Revolution<span
As patriots drank coffee
To rebel against
the aristocratic English tea

Coffee started the London Stock Market
And started the gossip mills running
Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved
to coffee's magic

I sing my praises
Of the great
glorious coffee lady

Long may she continue
To be my sweet companion

Long may coffee continue
To rule my heart
And set my heart
on fire

Ode to Coffee



Mistress of sacred love
Sacred lady of desire

You start my day
Setting my heart on fire
With your dark delicious brew 

And throughout the day
Whenever the mean old blues come by
You chase them away

With your bittersweet ambrosial brew
Every time I inhale your witch's brew

I am filled with power, light and love
And everything is al right Jack
If only for a few fleeting minutes

I love you oh coffee goddess
In all your magical forms

In the dark coffee of the dawning day
In the sizzling coffee in the mid morning break
In the afternoon siesta break
And in the post dinner desert drink

I love you my coffee mistress
You are my refuge
From this horrid world

And you are my secret lover
Never disappoint me, ever
I've never had a bad cup
Of that I can be sure

Even the dismal coffee
Served at Denny's at 3 am
Is still sweet loving coffee

Even the farmer brother's diner coffee
Excites me and gets me going
Asking for another cup of divine delight

Coffee always is there
It is always on and piping hot
With hidden dark secrets
Swirling in its liquid essence

Coffee is my last vice
My only legal vice left

Coffee does not cheat on me
It is always faithful, always true
It does not turn on its friends

And all it asks in return
Is that you come back
Cup after cup after cup

A good cup of coffee
Is a little bit of heaven
In a cup of dark liquid hell

Coffee is like a drug
But a good drug that does what is should
And never complains

It does not get grouchy
It does not hurt you

It does not make you crazy
But allows the muse to come out
And play with it

Coffee led to the American Revolution
As patriots drank coffee
To rebel against the aristocratic English tea

Coffee started the London Stock market
And started the gossips mills running

Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved to coffee's magic

Yeah
I sing my praises
Of the great glorious coffee lady

Long may she continue
To be my sweat companion

Long may coffee continue
To rule my heart
And set my heart on fire

I love thee
Mistress coffee
And sometimes I think
You love me too

No More Coffee Blues








I love coffee
Always have

And coffee has loved me back
But lately I have soured on her
Soured on the whole coffee scene

On the harshness
of the morning brew
And the promises it makes

As I sip of its nectar
Drawn into its lair

Drinking drop by drop
As the caffeine takes over

Rewriting my every nerve
Turning me into a slave
For its perverted pleasure

Yes I love coffee
But I am afraid

Coffee is a harsh mistress
Demanding so much of me

Promising the sun
And delivering the moon

As I drink her swill
Deepening under her influence

I have the coffee blues
Can’t live without her
Can’t live with her

I try
But tea does not cut it
Not really

***** does not do it
At least not in the morning

Yoga is not enough of a buzz
Nor is the runner’s high

And I am afraid deadly afraid of *******
And speed and drugs and energy drinks

And so I remain a slave to coffee
My only legal drug

As I sip another
and fall under
her seductive spread

Once more failing my resolve
To skip coffee for that day
That morning that moment

I shall never be free of her spell
Ever and she knows it
As she beckons me
Every morning with her intoxicating smell

And I come to her
and drink her brew

And become her slave
again and again

Coffee Ya Du





must drink coffee
have every day
the morning dawns
drinking my coffee as I yawn

Morning cup of coffee 



every morning
I drink my coffee
as I contemplate 
the dawning day

watching the news anchors
blather on and on
drinking my coffee
thinking of life

and my coffee
consumes me
overwhelms me
and at time controls me

after all coffee is a drug
and I am her slave
from time to time

Drinking Coffee in the Morning



in the morning
dangerous mood
felling deranged
watching the news

trigger warning
you are ******* dude
end of the world
the end times come

I drink coffee
in the morning



Coffee *** Killed





His wife has banned my use
by my owner
says he makes too much
of a mess when he uses me

it is not his fault
I want to say
but being a coffee ***
can not speak

and so I am abandoned
thrown out into the trash

and feel very sad
for my owner

who was my friend
he liked me

he keep me going
and I did my job

providing him
with fresh coffee

doing my coffee *** duty
and now it is over

Drinking My Coffee


drinking coffee

drinking my coffee
early in the cool morning
thinking life is fine

everything will be okay
after I drink my coffee

morning coffee



morning coffee

dawning sun 











coffee MGur Poem


coffee

I pray to the coffee gods
every cup of coffee
is like a sacrament to me

I pray as I drink my coffee
that it will fill me
with wisdom

and find peace
with my coffee

as I drink
my devotion

Hot coffee


cup of coffee


take coffee with you
Hot hot coffee, makes my day -

Must drink My daily coffee, as the morning dawns - 

With out my morning coffee

in me,  I feel nothing at all -

Electrified Hot Coffee



coffee is the drug of choice
nothing else will do it
as I drink coffee
Electrified
Hot Coffee

Hot Coffee and Cake


coffee
coffee is the drug of choice
electrified circuits
as I drink coffee
coffee and cake



Coffee Patina



coffee
hot coffee
hot Hellish Heaven
Essence of coffee
the rest of the coffee poems can be found at
Teenage Mess Aug 2014
Mind
Soul
Body
All colliding into one.
Mingling together,
Keeping the flame of lust burning as bright as the mid-noon sun.
Cool breath fanning over burning skin.
The love they feel never wearing thin.
Wrapped safely in her lovers arms feeling far, far away from any harm.

— The End —