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"michelangelo" poems
Admire the proportions, the features, the confidence. These are supposed to define the ideal male. These things have nothing to with my perception of ideal. When I put myself in that position I call myself Michelangelo, David in front of me. I admire his proportions, his features, his confidence. I throw myself so far into the fantasy, reality becomes a fog. Enamored by him, his features, our closeness. I am entranced by him, we transcend into the unknown. I return to reality, and realize that I've gone too far. I can't take back the words I've said, or the time I've spent staring into his eyes. But I'm no Michelangelo and he is not David. My inspiration is much closer to my heart. The love in my heart. The passion beneath the gaze.
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Jan 12, 2016
Jan 12, 2016 at 10:46 AM UTC
Michelangelo's David: the Artist's Perspective through the Male Gaze
I was thinking of a son. The womb is not a clock nor a bell tolling, but in the eleventh month of its life I feel the November of the body as well as of the calendar. In two days it will be my birthday and as always the earth is done with its harvest. This time I hunt for death, the night I lean toward, the night I want. Well then-- It was in the womb all along. I was thinking of a son ... You! The never acquired, the never seeded or unfastened, you of the genitals I feared, the stalk and the puppy's breath. Will I give you my eyes or his? Will you be the David or the Susan? (Those two names I picked and listened for.) Can you be the man your fathers are-- the leg muscles from Michelangelo, hands from Yugoslavia somewhere the peasant, Slavic and determined, somewhere the survivor bulging with life-- and could it still be possible, all this with Susan's eyes? All this without you-- two days gone in blood. I myself will die without baptism, a third daughter they didn't bother. My death will come on my name day. What's wrong with the name day? It's only an angel of the sun. Woman, weaving a web over your own, a thin and tangled poison. Scorpio, bad spider-- die! My death from the wrists, two name tags, blood worn like a corsage to bloom one on the left and one on the right-- It's a warm room, the place of the blood. Leave the door open on its hinges! Two days for your death and two days until mine. Love! That red disease-- year after year, David, you would make me wild! David! Susan! David! David! full and disheveled, hissing into the night, never growing old, waiting always for you on the porch ... year after year, my carrot, my cabbage, I would have possessed you before all women, calling your name, calling you mine.
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27.1k
************ at Forty
I was thinking of a son. The womb is not a clock nor a bell tolling, but in the eleventh month of its life I feel the November of the body as well as of the calendar. In two days it will be my birthday and as always the earth is done with its harvest. This time I hunt for death, the night I lean toward, the night I want. Well then-- It was in the womb all along. I was thinking of a son ... You! The never acquired, the never seeded or unfastened, you of the genitals I feared, the stalk and the puppy's breath. Will I give you my eyes or his? Will you be the David or the Susan? (Those two names I picked and listened for.) Can you be the man your fathers are-- the leg muscles from Michelangelo, hands from Yugoslavia somewhere the peasant, Slavic and determined, somewhere the survivor bulging with life-- and could it still be possible, all this with Susan's eyes? All this without you-- two days gone in blood. I myself will die without baptism, a third daughter they didn't bother. My death will come on my name day. What's wrong with the name day? It's only an angel of the sun. Woman, weaving a web over your own, a thin and tangled poison. Scorpio, bad spider-- die! My death from the wrists, two name tags, blood worn like a corsage to bloom one on the left and one on the right-- It's a warm room, the place of the blood. Leave the door open on its hinges! Two days for your death and two days until mine. Love! That red disease-- year after year, David, you would make me wild! David! Susan! David! David! full and disheveled, hissing into the night, never growing old, waiting always for you on the porch ... year after year, my carrot, my cabbage, I would have possessed you before all women, calling your name, calling you mine.
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62
SEASHELLS Seashells Humble shells of the sea Each seems to be still alive and staring at me In its matchless symmetry- Like the wondrous beauty of a painting A tender poem written with poignancy Not of life’s sorrows but joys For celebration –each is like a happy Mozartian symphony Such perfection in a tiny manifestation Natura in minimis maxima- The envy of Michelangelo or Da Vinci Seashells—nature’s glorious gifts by far. Seashells Always remind me of happy childhood days Lucky finds—spotted often in half -buried golden sand Proudly displayed in a jar---I won every classmate’s praise. Seashells Tell of the sea’s unknown stories Events that had stretched through millions of centuries When you spot one on the shore, readily Pick it up as a treasure----contemplate upon its profound mystery.
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Sep 4, 2015
Sep 4, 2015 at 7:35 PM UTC
SEASHELLS
*Beauty is in the eye of the beholder. This becomes more evident as we grow older. What we once may have thought was a work of art, now because of age has fallen apart. When we started out we might have looked like a Michelangelo, but in the end I fear that we shall all become Picasso's. Written by James M Vines*
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Sep 30, 2017
Sep 30, 2017 at 12:19 AM UTC
Michelangelo to Picasso
I've been painted pink the instant the doctors Wiped me of red. I looked like the boys I knew - our differences a Color palette provided by Mommy and Daddy. I was their little girl, their princess who wished Her hair would stop growing, Lest she be locked in a stone tower. I didn't mind the dress so much then, Not when it was the only difference between me And them. Magic mirror before me, is wrong all I'll ever be? I shut my eyes, unable to stand my body bare. My knight, your skin simply is not right. I've read the mirror never lies. Mommy and Daddy are yelling About my butch haircut. Our little girl the **** they say. I did it myself. Mommy still buys me dresses, Daddy tells her to spend the money on Therapy instead. Daddy asks about boyfriends, Mommy tells him I don't have any because I Hide my ******* I tell them I'm all wrong. They agree. We're talking about two different things. I don't change for gym anymore. The girls are secretly relieved I won't be there To cast a wandering eye in their soft bodies. I'm relieved I won't be in the wrong locker room. Mommy and Daddy don't like me Telling them who I am. I've finally found my way out of the tower and The king and queen are upset because their Princess never made it home, just the knight. My little girl, Mommy cries. I follow the point of Daddy's finger to the door Until I'm on a bus bound for somewhere else. I shift from Pangea into separate pieces. Finally I have space to breathe. Needles, knives, pills bend my body to my will - It took Michelangelo three years to build David. Mommy and Daddy believe me to be A delivery man. They are expecting to sign off On a television set, yet when they see me Idle in the doorframe there is a hesitance, a hope. But most of all there is silence. Mommy cannot speak, her hand curls like a gasp Around her mouth. Daddy begins to cry, his eyes pale and blue. I am hugged. They don't say sorry, but I hear then whisper. My little boy, they say. My little boy.
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Mar 12, 2014
Mar 12, 2014 at 8:33 AM UTC
FtM
I've been painted pink the instant the doctors Wiped me of red. I looked like the boys I knew - our differences a Color palette provided by Mommy and Daddy. I was their little girl, their princess who wished Her hair would stop growing, Lest she be locked in a stone tower. I didn't mind the dress so much then, Not when it was the only difference between me And them. Magic mirror before me, is wrong all I'll ever be? I shut my eyes, unable to stand my body bare. My knight, your skin simply is not right. I've read the mirror never lies. Mommy and Daddy are yelling About my butch haircut. Our little girl the **** they say. I did it myself. Mommy still buys me dresses, Daddy tells her to spend the money on Therapy instead. Daddy asks about boyfriends, Mommy tells him I don't have any because I Hide my ******* I tell them I'm all wrong. They agree. We're talking about two different things. I don't change for gym anymore. The girls are secretly relieved I won't be there To cast a wandering eye in their soft bodies. I'm relieved I won't be in the wrong locker room. Mommy and Daddy don't like me Telling them who I am. I've finally found my way out of the tower and The king and queen are upset because their Princess never made it home, just the knight. My little girl, Mommy cries. I follow the point of Daddy's finger to the door Until I'm on a bus bound for somewhere else. I shift from Pangea into separate pieces. Finally I have space to breathe. Needles, knives, pills bend my body to my will - It took Michelangelo three years to build David. Mommy and Daddy believe me to be A delivery man. They are expecting to sign off On a television set, yet when they see me Idle in the doorframe there is a hesitance, a hope. But most of all there is silence. Mommy cannot speak, her hand curls like a gasp Around her mouth. Daddy begins to cry, his eyes pale and blue. I am hugged. They don't say sorry, but I hear then whisper. My little boy, they say. My little boy.
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54
Led down from the tower Head high and hands bound Blindfold declined against the wall Black square pinned to his heart Eyes afire and shining proud He sang... He sang of Caruso, Townes Van Zandt Pavarotti, Bocelli, Mercury, Carreras, he sang of Antoine, Of Sinatra, Lennon, Morrison, Redding He sang and songbirds paused in flight He sang like them all He sang a song of himself Of leaves of grass, of second comings Of Byron, and Bharti, and Cummings He sang of Neruda, and Plath, Tagore Dickinson, Kamala Das and Naidu Oh, he sang of them all He sang of art and beauty Of Mona Lisa and starry nights Girls in green dresses and pearls He sang of Van Gogh, of Picasso Of Rembrandt, da Vinci He sang of Michelangelo He sang of sadness, pain He sang of My Lai, Sand Creek Of Guernica and Krystallnacht He cried and sang of Wounded Knee Of Katyn Forest, Sabra and Shatila Oh, he wept as he sang He sang of history and wonders He sang of Olduvai and pyramids Machu Picchu, Tikal, and Angkor Wat He sang of a great wall, the Taj Mahal Stonehenge, Easter Isle, Mesa Verde His song took us to them all He sang of courage A song of Bunker Hill, Gettysburg Of the Alamo, Normandy, Stalingrad Of Lincoln, Guevara and Dr. King He sang of Bolivar, Bhutto, Ghandi He shamed us with their song He sang his song... As women sighed and peasants cried He  sang until the rifles fired, he died Songbirds fell from the sky Soldiers broke their guns on stones And marched into the deep blue sea. r ~ 4/12/14
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Apr 12, 2014
Apr 12, 2014 at 7:05 PM UTC
Song
Led down from the tower Head high and hands bound Blindfold declined against the wall Black square pinned to his heart Eyes afire and shining proud He sang... He sang of Caruso, Townes Van Zandt Pavarotti, Bocelli, Mercury, Carreras, he sang of Antoine, Of Sinatra, Lennon, Morrison, Redding He sang and songbirds paused in flight He sang like them all He sang a song of himself Of leaves of grass, of second comings Of Byron, and Bharti, and Cummings He sang of Neruda, and Plath, Tagore Dickinson, Kamala Das and Naidu Oh, he sang of them all He sang of art and beauty Of Mona Lisa and starry nights Girls in green dresses and pearls He sang of Van Gogh, of Picasso Of Rembrandt, da Vinci He sang of Michelangelo He sang of sadness, pain He sang of My Lai, Sand Creek Of Guernica and Krystallnacht He cried and sang of Wounded Knee Of Katyn Forest, Sabra and Shatila Oh, he wept as he sang He sang of history and wonders He sang of Olduvai and pyramids Machu Picchu, Tikal, and Angkor Wat He sang of a great wall, the Taj Mahal Stonehenge, Easter Isle, Mesa Verde His song took us to them all He sang of courage A song of Bunker Hill, Gettysburg Of the Alamo, Normandy, Stalingrad Of Lincoln, Guevara and Dr. King He sang of Bolivar, Bhutto, Ghandi He shamed us with their song He sang his song... As women sighed and peasants cried He  sang until the rifles fired, he died Songbirds fell from the sky Soldiers broke their guns on stones And marched into the deep blue sea. r ~ 4/12/14
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49
The naked is not dangerous. Lust filling the eyes of young. Full bodied stretching yearning for what is to *** or merely done For the sake of comfort. Not a foreign folly But a jolly adventure letting the wind and water wash away the stress of the days. Naked as the snakes or the furless babies breastfeeding at their mother’s breast. **** and curved. Fat or muscled. Not dangerous, but beautiful like Michelangelo’s David. The **** does not destroy neither does the ****** ****** does not diminish our morality.
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Oct 21, 2015
Oct 21, 2015 at 1:03 PM UTC
Naked
So it has come to this insomnia at 3:15 A.M., the clock tolling its engine like a frog following a sundial yet having an electric seizure at the quarter hour. The business of words keeps me awake. I am drinking cocoa, that warm brown mama. I would like a simple life yet all night I am laying poems away in a long box. It is my immortality box, my lay-away plan, my coffin. All night dark wings flopping in my heart. Each an ambition bird. The bird wants to be dropped from a high place like Tallahatchie Bridge. He wants to light a kitchen match and immolate himself. He wants to fly into the hand of Michelangelo and dome out painted on a ceiling. He wants to pierce the hornet's nest and come out with a long godhead. He wants to take bread and wine and bring forth a man happily floating in the Caribbean. He wants to be pressed out like a key so he can unlock the Magi. He wants to take leave among strangers passing out bits of his heart like hors d'oeuvres. He wants to die changing his clothes and bolt for the sun like a diamond. He wants, I want. Dear God, wouldn't it be good enough to just drink cocoa? I must get a new bird and a new immortality box. There is folly enough inside this one.
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5.6k
The Ambition Bird
Said The Raven To The Raven Which Raven are you? I said The Raven Am The Raven Of Samuel Taylor Coleridge. And I said The Raven Am The Raven Of Edgar Allan Poe. Apparently there's a rave on - Shall we go? Yes - let us go then you and I As the evening is spread out Against the sky. But not like a patient Etherised upon a table. Let us like Thunderbirds Not gentle go into this dark night. So dressed in sable White gloves And whistles They went on their way - Not looking forward To conversations about Michelangelo at all. For as we all know Old age should rave and burn At close of day. And not just fizzle out. More big shout........................................... And rave until you fall.
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May 30, 2014
May 30, 2014 at 8:09 AM UTC
The Raven And The Raven
a lover by day and an artist by night the epitome of perfection let me paint you like you are the heavenly piece of art you are let the world see you through my eyes the likes of an angel of love sculpted by michelangelo blessed by venus herself brushstrokes simply cannot do you justice 50mm lens still cannot show the world the truth cold clay cannot compare to eucalyptus eyes forget these superficial takes let's make art, my love let's make love
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Mar 22, 2021
Mar 22, 2021 at 7:55 AM UTC
unconventional art
Like a lotus emerging Unsullied From the mud, So have you appeared, In this world, Yet not of it. I consider myself Most blessed of all men For having glimpsed upon your face. Not even Michelangelo, With all his magnificent frescoes, Could have conceived of such beauty. The most flowery prose of Marquez wilts, Inadequate to fully describe your radiance. The supple, rich compositions of Mozart Are a rancorous cacophony Compared to the melody of your voice. Your entire being is a testament To the masterful craftsmanship of our Lord. I may circumnavigate this world Sample the most luscious of delicacies Climb the lofty peak of Everest Swim the English Channel Trek the Ural Mountains Watch the Caribbean sunset Walk the entirety of the Great Wall But none of these shall hope to compare with the blissful moment When my eyes fell upon you. It was truly a day of days, One which no other can rival. You stood out A swan Regal in its repose Amongst Ducks Babbling away In their ignominy. I have found my muse -- Alas! -- But for a moment. Yet I shall not rage. Neither shall I weep. Just because He got to you first. Just because He is Perhaps More worthy Of you. I shall not fly Into a maelstrom of emotion Sulk with resentment And seethe with envy Just for losing Something Someone I never even had. Just because She will never be mine. I shall not have To lower and abandon myself To the maddening clutches Of grief To wantonly fling My artless soul At the burning altar Of undignified melancholy. For it is foolish. Yet I cannot help But do exactly this. Act like the boy, The child, That I am. For what else am I? I am not a man Like him After all. Not adequate For anything Resembling a soulmate For anyone Like her. I can never hold you In my arms Never gaze Into your eyes My ears can never hear you Whisper Sweet nothings. And My lips shall never Meet yours. So what Else Can I do But mourn?
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Mar 6, 2014
Mar 6, 2014 at 11:48 PM UTC
Lotus
Like a lotus emerging Unsullied From the mud, So have you appeared, In this world, Yet not of it. I consider myself Most blessed of all men For having glimpsed upon your face. Not even Michelangelo, With all his magnificent frescoes, Could have conceived of such beauty. The most flowery prose of Marquez wilts, Inadequate to fully describe your radiance. The supple, rich compositions of Mozart Are a rancorous cacophony Compared to the melody of your voice. Your entire being is a testament To the masterful craftsmanship of our Lord. I may circumnavigate this world Sample the most luscious of delicacies Climb the lofty peak of Everest Swim the English Channel Trek the Ural Mountains Watch the Caribbean sunset Walk the entirety of the Great Wall But none of these shall hope to compare with the blissful moment When my eyes fell upon you. It was truly a day of days, One which no other can rival. You stood out A swan Regal in its repose Amongst Ducks Babbling away In their ignominy. I have found my muse -- Alas! -- But for a moment. Yet I shall not rage. Neither shall I weep. Just because He got to you first. Just because He is Perhaps More worthy Of you. I shall not fly Into a maelstrom of emotion Sulk with resentment And seethe with envy Just for losing Something Someone I never even had. Just because She will never be mine. I shall not have To lower and abandon myself To the maddening clutches Of grief To wantonly fling My artless soul At the burning altar Of undignified melancholy. For it is foolish. Yet I cannot help But do exactly this. Act like the boy, The child, That I am. For what else am I? I am not a man Like him After all. Not adequate For anything Resembling a soulmate For anyone Like her. I can never hold you In my arms Never gaze Into your eyes My ears can never hear you Whisper Sweet nothings. And My lips shall never Meet yours. So what Else Can I do But mourn?
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98
And for the first time Someone made me feel as beautiful As chiseled Renaissance marble
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Mar 30, 2015
Mar 30, 2015 at 4:06 AM UTC
By Michelangelo's Hands
This terribleness. The blur of traffic lights and puddles paints Los Angeles on my face at night. It's so hard to know who will doze in my blind spots. Sunflower seeds and ******* lining the carpet. I sat on the front porch for five hours gutting the wolves from my appendices. Usually the headaches go away with the squashing of the lights. Fluorescents are the worst, halogens second, and 60-watt 120-volt light bulb the bane of my existence. I look at my phone but I cannot summon a quirky 120 character quip. I need excedrin but all I have to grape flavored children's aspirin. I should have asked for the water. How many unfinished glasses of water have I left around this world? Maybe Bruce and I will squash after work. I can hear his weekly catalog of two night stands with those married transient women who drive from Santa B. I hate golf, I could have made carried a career in this resentment. Maybe rolling down the window will alleviate some of this pressure. Maybe it's barometric pressure, The Baby is here in time to drag the houses out to sea. It feels like Michelangelo is carving The David in my head and it's the chiseling I've never wanted. It's Tuesday and the drugs were horrible. They killed five of them today. We wrapped their heads in blankets from the Thrifty, and had to have the interns find clothes that would fit for the Christian caskets. Two days until Giving Thanks Day. I am wrapped in copper and stuck in amber. I am acquitted by nonsense and stipulation, sick with nausea and pushing my forehead into the steering wheel. This is all terrible. The lying I've never told myself. The people that don't even know it's lying. Her and I always seem to escape with our happiness and pleasure in tow. The odds are slim, but our clothes have never fit too tightly.
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Nov 25, 2014
Nov 25, 2014 at 2:54 AM UTC
The Neon Alien Blouse
This terribleness. The blur of traffic lights and puddles paints Los Angeles on my face at night. It's so hard to know who will doze in my blind spots. Sunflower seeds and ******* lining the carpet. I sat on the front porch for five hours gutting the wolves from my appendices. Usually the headaches go away with the squashing of the lights. Fluorescents are the worst, halogens second, and 60-watt 120-volt light bulb the bane of my existence. I look at my phone but I cannot summon a quirky 120 character quip. I need excedrin but all I have to grape flavored children's aspirin. I should have asked for the water. How many unfinished glasses of water have I left around this world? Maybe Bruce and I will squash after work. I can hear his weekly catalog of two night stands with those married transient women who drive from Santa B. I hate golf, I could have made carried a career in this resentment. Maybe rolling down the window will alleviate some of this pressure. Maybe it's barometric pressure, The Baby is here in time to drag the houses out to sea. It feels like Michelangelo is carving The David in my head and it's the chiseling I've never wanted. It's Tuesday and the drugs were horrible. They killed five of them today. We wrapped their heads in blankets from the Thrifty, and had to have the interns find clothes that would fit for the Christian caskets. Two days until Giving Thanks Day. I am wrapped in copper and stuck in amber. I am acquitted by nonsense and stipulation, sick with nausea and pushing my forehead into the steering wheel. This is all terrible. The lying I've never told myself. The people that don't even know it's lying. Her and I always seem to escape with our happiness and pleasure in tow. The odds are slim, but our clothes have never fit too tightly.
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3
lines, the curves of your neck, your eyelashes that flutter. color, the brown in your eyes, the barely there pink of your chapped lips. texture, the bumps on your cheeks, the smoothness of your hands. space, the width of your shoulders, the space between your eyebrows. shape, the way your shadow looks as the spotlight's on you. van gogh, da vinci, munch, and michelangelo, they'd all be ashamed, for they could never make art in the form of you.
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Nov 28, 2016
Nov 28, 2016 at 1:13 AM UTC
elements of art
Sarin – An organic molecule Used for inorganic purposes Showering civilians Effectively icing their insides Contorting the human form into forced frozen sculptures Acting as if torture was an art of the highest caliber An acquired taste reserved for society’s finest And this was the Michelangelo masterpiece. Atropine – The organic antidote, Shoot up the stimulant to hurdle your paralysis, Relax the respiratory muscles caught in your throat, Your eyes team with tears because you’re allowed to melt, Your eyes team with tears out of profound shock, Your eyes team with tears because humans forgot humanity.
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Sep 9, 2013
Sep 9, 2013 at 9:41 PM UTC
Gas! Quick Boys!*
Seldom doth man stop and stare At the caste iron manhole cover there, Seldom doth he analyze The majesty, which beneath it lies. The pipe work systems vast and long Dark catacombs so precise and strong, Buried deep beneath our feet Extending forth from street to street, Out across the breadth of town Those secret fluids trickle down. Laser levels carve the pathway Through the walls of solid stone, Shovels scrape and dig with effort Forging hard trajectories home. Digging, digging metal mountains Sweat cascades upon the brow, We lay the pipes in straight formation Precision's satisfaction now. An Artisan's great work is hidden Lost beneath the earth's grey stone, Appreciation camouflaged in that, The cast iron manhole stands alone. Magnificence unrealized For deep beneath your feet, A subterranean Michelangelo's Sisteen Chapel, lays discreet. Unsuspected rivers Flowing darkly to the sea In caverns of unwanted waste Quite unbeknown to thee. Vaulting brickwork chambers Which are ancient works of art, Carry oceans of excretement Far from where their journey's start. With thunder's crash and lightning flash And torrents of cold rain, The road's awash and gutters flow Through roadside grates to drain. Gushing torrents cascade down In waves of flowing might To the storm water system Which promptly swallows it from sight. Magic, you say ? Nay, nay I say unto you That the drain layers artistry Is unappreciated, that's true ! That the Herculean effort wrought In winning his great fights Is largely lost to all and sundry Who avoid construction sites. They miss the planning and the layout And meticulousness too And the rubber seals which stop the leaks Which really bother you. The massive holes and danger Of being buried in collapse And the wondrous satisfaction Of achieving downhill flows... Perhaps! Marshalg Apprentice drain layer MHX Beachcroft site and Eastport 19 September 2009
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Jan 22, 2010
Jan 22, 2010 at 3:08 PM UTC
The Caste Iron Manhole Cover
Seldom doth man stop and stare At the caste iron manhole cover there, Seldom doth he analyze The majesty, which beneath it lies. The pipe work systems vast and long Dark catacombs so precise and strong, Buried deep beneath our feet Extending forth from street to street, Out across the breadth of town Those secret fluids trickle down. Laser levels carve the pathway Through the walls of solid stone, Shovels scrape and dig with effort Forging hard trajectories home. Digging, digging metal mountains Sweat cascades upon the brow, We lay the pipes in straight formation Precision's satisfaction now. An Artisan's great work is hidden Lost beneath the earth's grey stone, Appreciation camouflaged in that, The cast iron manhole stands alone. Magnificence unrealized For deep beneath your feet, A subterranean Michelangelo's Sisteen Chapel, lays discreet. Unsuspected rivers Flowing darkly to the sea In caverns of unwanted waste Quite unbeknown to thee. Vaulting brickwork chambers Which are ancient works of art, Carry oceans of excretement Far from where their journey's start. With thunder's crash and lightning flash And torrents of cold rain, The road's awash and gutters flow Through roadside grates to drain. Gushing torrents cascade down In waves of flowing might To the storm water system Which promptly swallows it from sight. Magic, you say ? Nay, nay I say unto you That the drain layers artistry Is unappreciated, that's true ! That the Herculean effort wrought In winning his great fights Is largely lost to all and sundry Who avoid construction sites. They miss the planning and the layout And meticulousness too And the rubber seals which stop the leaks Which really bother you. The massive holes and danger Of being buried in collapse And the wondrous satisfaction Of achieving downhill flows... Perhaps! Marshalg Apprentice drain layer MHX Beachcroft site and Eastport 19 September 2009
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62
Tingly under the daisies; Glassy-eyed, glazed, greasy; Shaking, shivering, shuddering, Wishing, wandering, whimpering, Westernizing— Romanizing— Constitutionalizing— Institutionalizing— Perpetually searching And dying And living, Watching Death survive And scythe the frolickers, The prancers, The rompers, The merrymakers. A rose clamped between his Grinning teeth glistens brightly, And he dances so joyously. “Yes!” say the naysayers, Confused are the soothsayers, Lost are the cartographers. Oh, Utopia! The monks are extravagant; The meditations are a farce! The preachers are beggars And swindlers and chargers, And Machiavelli fulfills his wishes! Babies are stillborn, stabbed, and Ritualistically sacrificed, And their blood is spilled, drunk, Slathered over the ***** man. The evangelists scream and lie: “You are all predestined to die!” Oh, hail Utopia! Wedded are the girls to the girls; Wedded are the boys to the boys; Wedded is Death to Death, Life to Life, And Life to Death. Wedded are the living to the existent. And the milking babes are slaughtered Ceremoniously, Surreptitiously, Ostentatiously. Oh, hail great Utopia! We are all dead and unintelligent: Laugh, laugh, Einstein, at your Stupidity. Laugh, laugh, Temple Grandin at Your retardation. Laugh, laugh, laugh! Look at the sluggard, thou ant; Look at the boy, sobbing wolf; Aesop was drunk, Aristotle was delusional, Michelangelo was blind, Beethoven could hear, Poe was sane. And I can't read. They ramble, I watch. They sleep, I watch. They dream, I watch. They sleep-talk, I watch. They scream, I watch. They choke, I watch. They suffocate, I watch. Stone-faced, I stare; Raspingly, I breathe; Uncontrollably, I twitch; Inwardly, I rage. I hope you die, I hope you die. I hope you bleed, I hope you die. I want you begging and crying, I want you blubbering at my feet, I want you gnashing at my ankles, I want you writhing in pain, I want your arm twisted off, Cracking with the snapping sinews, I want your beating heart in my hands, I want your genitals uprooted and stuffed in your throat, I want your stomach so I can eat the still-digesting food, I want your shrunken head and I want to force my thumbs into your unblinking eyes and I want to tear your face in two and I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, to die, to die, to die, to die, to die, to die, to die, to die, to die and die and die and die and die and die and die and die and die and die and die and die and die and die.
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Nov 3, 2015
Nov 3, 2015 at 9:47 PM UTC
Utopia
Tingly under the daisies; Glassy-eyed, glazed, greasy; Shaking, shivering, shuddering, Wishing, wandering, whimpering, Westernizing— Romanizing— Constitutionalizing— Institutionalizing— Perpetually searching And dying And living, Watching Death survive And scythe the frolickers, The prancers, The rompers, The merrymakers. A rose clamped between his Grinning teeth glistens brightly, And he dances so joyously. “Yes!” say the naysayers, Confused are the soothsayers, Lost are the cartographers. Oh, Utopia! The monks are extravagant; The meditations are a farce! The preachers are beggars And swindlers and chargers, And Machiavelli fulfills his wishes! Babies are stillborn, stabbed, and Ritualistically sacrificed, And their blood is spilled, drunk, Slathered over the ***** man. The evangelists scream and lie: “You are all predestined to die!” Oh, hail Utopia! Wedded are the girls to the girls; Wedded are the boys to the boys; Wedded is Death to Death, Life to Life, And Life to Death. Wedded are the living to the existent. And the milking babes are slaughtered Ceremoniously, Surreptitiously, Ostentatiously. Oh, hail great Utopia! We are all dead and unintelligent: Laugh, laugh, Einstein, at your Stupidity. Laugh, laugh, Temple Grandin at Your retardation. Laugh, laugh, laugh! Look at the sluggard, thou ant; Look at the boy, sobbing wolf; Aesop was drunk, Aristotle was delusional, Michelangelo was blind, Beethoven could hear, Poe was sane. And I can't read. They ramble, I watch. They sleep, I watch. They dream, I watch. They sleep-talk, I watch. They scream, I watch. They choke, I watch. They suffocate, I watch. Stone-faced, I stare; Raspingly, I breathe; Uncontrollably, I twitch; Inwardly, I rage. I hope you die, I hope you die. I hope you bleed, I hope you die. I want you begging and crying, I want you blubbering at my feet, I want you gnashing at my ankles, I want you writhing in pain, I want your arm twisted off, Cracking with the snapping sinews, I want your beating heart in my hands, I want your genitals uprooted and stuffed in your throat, I want your stomach so I can eat the still-digesting food, I want your shrunken head and I want to force my thumbs into your unblinking eyes and I want to tear your face in two and I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, I want you to die, to die, to die, to die, to die, to die, to die, to die, to die, to die and die and die and die and die and die and die and die and die and die and die and die and die and die.
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86
Why, you must be a man made of marble— What else could have sculpted a face so beautiful And a form so lithe, yet untouchable?
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Jan 16, 2024
Jan 16, 2024 at 11:59 PM UTC
Dear son of Michelangelo
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the **** Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it by, FRANK O'HARA
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Mar 13, 2013
Mar 13, 2013 at 12:27 PM UTC
Having a Coke with You
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the **** Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it by, FRANK O'HARA
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28
When I describe you to a stranger, I do not mention your flawless makeup Instead I think of your eyes, the window to your soul. I describe the love that flows through soft hazel gaze that only a mother can produce When I describe you to a stranger, I do not mention your perfectly done hair Instead I see you reading a novel on a hot summer day, As if it were your true reality in that moment. I see the power that literature holds I describe your mesmerizing voice repeating the lines of Eloise in Paris to me, I mention the soothing way in which you read the Velveteen Rabbit, And I credit you for making me fall in love with words and the way they can make people feel. When I describe you to a stranger, I do not mention your schooling history Instead I picture you and I see a symphony around your soul that courses cannot teach I see Mozart's Sonata No.11 and Bach’s Brandenburg Concertos I see Monet’s Water Lilies, Veronese's Wedding at Cana and Michelangelo’s David I describe the joy in your eyes when we saw the Sistine Chapel and the Champs-Élysées I describe the vast knowledge and art that makes up your personal mosaic. When I describe you to a stranger, I do not mention your professional accomplishments. Instead I mention your ability to hold someone and make them feel loved I picture the times you embraced me while I silently sobbed over circumstances that you tried to protect me from. I picture the words that you gave me at just the right times I see the comfortable silence you provided when I couldn't bear to hear words through the pain. When I describe you to a stranger, I do not mention your clothing or the way you dress Instead I mention the way you clothe yourself in humility before God I see the verses that you have sown into my heart since I was young I speak of the way you clothe yourself with the armor of God I remember the scriptures that you so carefully knitted on my heart When I describe you to a stranger, I describe you as A woman after God’s own heart. A woman who understands that beauty is vain but a woman who fears the Lord is to be praised, A woman who teaches wisdom and kindness and serves with joy, A mother who clothes herself in strength and dignity and laughs without fear of the future, A mother who encapsulates the love of Christ here on Earth. I describe you as everything that I hope to become.
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Aug 12, 2021
Aug 12, 2021 at 12:42 AM UTC
When I describe you to a stranger
When I describe you to a stranger, I do not mention your flawless makeup Instead I think of your eyes, the window to your soul. I describe the love that flows through soft hazel gaze that only a mother can produce When I describe you to a stranger, I do not mention your perfectly done hair Instead I see you reading a novel on a hot summer day, As if it were your true reality in that moment. I see the power that literature holds I describe your mesmerizing voice repeating the lines of Eloise in Paris to me, I mention the soothing way in which you read the Velveteen Rabbit, And I credit you for making me fall in love with words and the way they can make people feel. When I describe you to a stranger, I do not mention your schooling history Instead I picture you and I see a symphony around your soul that courses cannot teach I see Mozart's Sonata No.11 and Bach’s Brandenburg Concertos I see Monet’s Water Lilies, Veronese's Wedding at Cana and Michelangelo’s David I describe the joy in your eyes when we saw the Sistine Chapel and the Champs-Élysées I describe the vast knowledge and art that makes up your personal mosaic. When I describe you to a stranger, I do not mention your professional accomplishments. Instead I mention your ability to hold someone and make them feel loved I picture the times you embraced me while I silently sobbed over circumstances that you tried to protect me from. I picture the words that you gave me at just the right times I see the comfortable silence you provided when I couldn't bear to hear words through the pain. When I describe you to a stranger, I do not mention your clothing or the way you dress Instead I mention the way you clothe yourself in humility before God I see the verses that you have sown into my heart since I was young I speak of the way you clothe yourself with the armor of God I remember the scriptures that you so carefully knitted on my heart When I describe you to a stranger, I describe you as A woman after God’s own heart. A woman who understands that beauty is vain but a woman who fears the Lord is to be praised, A woman who teaches wisdom and kindness and serves with joy, A mother who clothes herself in strength and dignity and laughs without fear of the future, A mother who encapsulates the love of Christ here on Earth. I describe you as everything that I hope to become.
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39
The seed had been planted long ago. The words had been prophesied to give life. I'm making deliveries, although I'm not a midwife. These words are a key to unlock the invisible bars for those who have lost their voice......due to a bad choice. He observed her movements, like a lion that stalks its prey. She found him to be quite handsome when he spoke to her that day. She had been praying the her loneliness would soon come to an end. The third wheel activities needed to come to an end. He wasn't a big time star....just a regular dude. His mother instilled manners ....so he made it a point not to be rude...... He was well aware of the female's who thought that men only wanted to see them **** Although, he had to admit there was some truth to this myth. There was something about this woman ......that had him in awe. She was a Michelangelo type woman.....rare and precious. He didn't have any crafty lines....so he didn't know how to catch this. Opportunity that he knew would only come once. He had read about the Proverbs 31 woman and wondered if she could be. The addition to eventually make three. How did he jump so far along in his thoughts? Just married a woman and had a family...... All this from watching a beautiful woman walk down the street. Hopefully....one day he will muster up the courage eventually to speak. The seed has been planted.....
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Oct 14, 2012
Oct 14, 2012 at 9:26 PM UTC
The Seed
I look at her and I close my eyes, And oh where my imagination, Send my eager mind, The wiles versus my wills, oh those hills they bind, Men like me, like demons versus the Lion, Exorcized, exorcized, Yeah, but I am Legion, if they beat me one time, Oh, next time, time, They'll be mine. And those mountains of lust, That once seemed unclaimable, Unclimbable like Everest before Edmund Hillary, like the Sistine Chapel, Before Michelangelo, oh I will persist, I will pursue, with the littlest smile, And the darkest hue, Where after many days fight, Suddenly. Then, in the night, when alas my victory is won! My prize I will take, And her pleasure I will reign.
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Dec 4, 2014
Dec 4, 2014 at 2:18 PM UTC
Her Curves
Oh Darling, look at what you've done Believed the tall tails of boys instead of the female at your feet But why would you when you have an ego that towers over the David? And you thought it was silly that I gifted you the name Michelangelo I couldn't have picked more right You though have forgotten that I am a master piece of my own creation, sculpted by none other but my own hands and never appreciated by yours And my sweet Michelangelo, if you think to call yourself my muse then you are nothing more than a fool For everything I have been through has led to my life's legacy My family chiselled out the shape My childhood chipped away at the detail And men like you did nothing more than carve in the finishing touches I am a beauty in my own right And as always too much for some to handle, and never fully understood by the rest But still she will live on through the ages So the next time darling that you fall confused, I implore you to simply ask the master herself And you would come to realize that this artist was far too focused on creating to let anyone interfere with her work
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Dec 19, 2021
Dec 19, 2021 at 1:29 PM UTC
Michelangelo's Rival
I sit, perched upon this star - Watching the world change; evolve, Sculpted in time, as if by the hands of Michelangelo, Morphing this vacant, plain stone - into a beautifully crafted masterpiece.
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May 12, 2013
May 12, 2013 at 10:10 PM UTC
Artist
Great Michelangelo, with age grown bleak And uttermost labours, having once o’ersaid All grievous memories on his long life shed, This worst regret to one true heart could speak:— That when, with sorrowing love and reverence meek, He stooped o’er sweet Colonna’s dying bed, His Muse and dominant Lady, spirit-wed, Her hand he kissed, but not her brow or cheek. O Buonarruoti,—good at Art’s fire-wheels To urge her chariot!—even thus the Soul, Touching at length some sorely-chastened goal, Earns oftenest but a little: her appeals Were deep and mute,—lowly her claim. Let be: What holds for her Death’s garner? And for thee?
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1.9k
Michelangelo’s Kiss