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"metaphysics" poems
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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23.3k
I'm Explaining a Few Things
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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78
I am the eclectic witch There are no gods to tell me how to live But the wind howls my fate Where the rain falls I will dance Because I prefer sandalwood to perfume I am the eclectic witch I have no coven Only the flora and fauna And the tip of a blade Where grass grows I will prance Because I prefer metaphysics to religion
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Apr 1, 2016
Apr 1, 2016 at 1:52 AM UTC
The Eclectic Witch
Webster was much possessed by death And saw the skull beneath the skin; And breastless creatures under ground Leaned backward with a lipless grin. Daffodil bulbs instead of ***** Stared from the sockets of the eyes! He knew that thought clings round dead limbs Tightening its lusts and luxuries. Donne, I suppose, was such another Who found no substitute for sense, To seize and clutch and penetrate; Expert beyond experience, He knew the anguish of the marrow The ague of the skeleton; No contact possible to flesh Allayed the fever of the bone. . . . . . Grishkin is nice: her Russian eye Is underlined for emphasis; Uncorseted, her friendly bust Gives promise of pneumatic bliss. The couched Brazilian jaguar Compels the scampering marmoset With subtle effluence of cat; Grishkin has a maisonette; The sleek Brazilian jaguar Does not in its arboreal gloom Distil so rank a feline smell As Grishkin in a drawing-room. And even the Abstract Entities Circumambulate her charm; But our lot crawls between dry ribs To keep our metaphysics warm.
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7.2k
Whispers Of Immortality
This Love Song seemed like a safe place to unpack my **** But a safe place is where Lyrics go to die. And this is Not a Song. and it starts like this. all the time. II i fella sleep in a widdle boat and told a seagull that i was having a dream about talking to seagulls and he was astonished to have the pleasure of meeting a boat that had the good sense to plug the hole with a poet…. because they never wake up and they do so with extreme prejudice. that simply screams Resident. In Fact! He’d never even seen a boat. So there’s THAT. I offered Seagull “ The Cool -Side of The Pillow. “ So I could sit upright for a moment and jot this down. He was like “ What’s a pillow? “ And I had no idea what it was that brushed against my legs but It was There. then It was Gone. when i stopped using the metaphor. I was treading a fathom of pixie dust and transgender proto-gods, all cuddling in a huddle of metaphysics as adorable as a radioactive abrupt stop. III Ah yes… someone was cooking bacon… and bacon is sleep’s kryptonite. so the dream was a wrap. and i had a bird’s nest woven from the silk of my discarded cocoon. codename: Chrysalis. and my mouth was dry. a stubborn dry that follows a deluge of phantasmagoria   on a Futon that is a God to cat hair. My Futon is Oblique and Omnipotent. Apparently. Uber Mecca for Cat Hair. I fell asleep on that.
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Jul 26, 2018
Jul 26, 2018 at 7:59 PM UTC
MECCA WATTS
She might laugh if she read this at the flat little version of her that lives in my mind. She may laugh at my comparison of her to a hideous sea spider but hear me out it could be touching. David Foster Wallace wrote: *“Since pain is a totally subjective mental experience we do not have direct access to anyone or anything’s pain but our own; and even just the principles by which we can infer that others experience pain and have a legitimate interest in not feeling pain involve ******** philosophy— metaphysics, epistemology, value theory, ethics.” *"[Lobsters] do have an exquisite tactile sense, one facilitated by hundreds of thousands of tiny hairs that protrude through their carapace. Although encased in what seems a solid, impenetrable armour, the lobster can receive stimuli and impressions from without as readily as if it possessed a soft and delicate skin.”* and so “We lift lobsters out of the bag or whatever retail container they came home in …whereupon some uncomfortable things start to happen. However stuporous the lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water."* As much as I cannot comprehend the pain of the exquisitely tactile lobster in a *** of boiling water, I wonder if I could walk a mile in a lobster’s 8 minuscule shoes and I wonder what it might mean or not mean to her with her armoured yet acute exoskeleton to be back at home with her father. They might try to butter you up or snap elastic bands around your oversized claws and use a wooden spoon to try and nudge your thrashing, clinging arms back into the *** but remember: lobsters can live to be over 100 years old and grow to over 20 pounds in size which is very large for an aquatic insect and remember that they are marine crustaceans of the family Homaridae, characterized by five pairs of jointed legs, the first pair terminating in large pincerish claws. And DFW famously said, “Everything I’ve ever let go of has claw marks on it.” and he's not a lobster either
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Apr 28, 2015
Apr 28, 2015 at 6:18 PM UTC
Considering the Lobster
She might laugh if she read this at the flat little version of her that lives in my mind. She may laugh at my comparison of her to a hideous sea spider but hear me out it could be touching. David Foster Wallace wrote: *“Since pain is a totally subjective mental experience we do not have direct access to anyone or anything’s pain but our own; and even just the principles by which we can infer that others experience pain and have a legitimate interest in not feeling pain involve ******** philosophy— metaphysics, epistemology, value theory, ethics.” *"[Lobsters] do have an exquisite tactile sense, one facilitated by hundreds of thousands of tiny hairs that protrude through their carapace. Although encased in what seems a solid, impenetrable armour, the lobster can receive stimuli and impressions from without as readily as if it possessed a soft and delicate skin.”* and so “We lift lobsters out of the bag or whatever retail container they came home in …whereupon some uncomfortable things start to happen. However stuporous the lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water."* As much as I cannot comprehend the pain of the exquisitely tactile lobster in a *** of boiling water, I wonder if I could walk a mile in a lobster’s 8 minuscule shoes and I wonder what it might mean or not mean to her with her armoured yet acute exoskeleton to be back at home with her father. They might try to butter you up or snap elastic bands around your oversized claws and use a wooden spoon to try and nudge your thrashing, clinging arms back into the *** but remember: lobsters can live to be over 100 years old and grow to over 20 pounds in size which is very large for an aquatic insect and remember that they are marine crustaceans of the family Homaridae, characterized by five pairs of jointed legs, the first pair terminating in large pincerish claws. And DFW famously said, “Everything I’ve ever let go of has claw marks on it.” and he's not a lobster either
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53
Anthropos apteros for days Walked whistling round and round the Maze, Relying happily upon His temperment for getting on. The hundredth time he sighted, though, A bush he left an hour ago, He halted where four alleys crossed, And recognized that he was lost. "Where am I?" Metaphysics says No question can be asked unless It has an answer, so I can Assume this maze has got a plan. If theologians are correct, A Plan implies an Architect: A God-built maze would be, I'm sure, The Universe in minature. Are data from the world of Sense, In that case, valid evidence? What in the universe I know Can give directions how to go? All Mathematics would suggest A steady straight line as the best, But left and right alternately Is consonant with History. Aesthetics, though, believes all Art Intends to gratify the heart: Rejecting disciplines like these, Must I, then, go which way I please? Such reasoning is only true If we accept the classic view, Which we have no right to assert, According to the Introvert. His absolute pre-supposition Is - Man creates his own condition: This maze was not divinely built, But is secreted by my guilt. The centre that I cannot find Is known to my unconscious Mind; I have no reason to despair Because I am already there. My problem is how not to will; They move most quickly who stand still; I'm only lost until I see I'm lost because I want to be. If this should fail, perhaps I should, As certain educators would, Content myself with the conclusion; In theory there is no solution. All statements about what I feel, Like I-am-lost, are quite unreal: My knowledge ends where it began; A hedge is taller than a man." Anthropos apteros, perplexed To know which turning to take next, Looked up and wished he were a bird To whom such doubts must seem absurd.
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3.5k
The Labyrinth
Anthropos apteros for days Walked whistling round and round the Maze, Relying happily upon His temperment for getting on. The hundredth time he sighted, though, A bush he left an hour ago, He halted where four alleys crossed, And recognized that he was lost. "Where am I?" Metaphysics says No question can be asked unless It has an answer, so I can Assume this maze has got a plan. If theologians are correct, A Plan implies an Architect: A God-built maze would be, I'm sure, The Universe in minature. Are data from the world of Sense, In that case, valid evidence? What in the universe I know Can give directions how to go? All Mathematics would suggest A steady straight line as the best, But left and right alternately Is consonant with History. Aesthetics, though, believes all Art Intends to gratify the heart: Rejecting disciplines like these, Must I, then, go which way I please? Such reasoning is only true If we accept the classic view, Which we have no right to assert, According to the Introvert. His absolute pre-supposition Is - Man creates his own condition: This maze was not divinely built, But is secreted by my guilt. The centre that I cannot find Is known to my unconscious Mind; I have no reason to despair Because I am already there. My problem is how not to will; They move most quickly who stand still; I'm only lost until I see I'm lost because I want to be. If this should fail, perhaps I should, As certain educators would, Content myself with the conclusion; In theory there is no solution. All statements about what I feel, Like I-am-lost, are quite unreal: My knowledge ends where it began; A hedge is taller than a man." Anthropos apteros, perplexed To know which turning to take next, Looked up and wished he were a bird To whom such doubts must seem absurd.
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56
Is it just I who gets that anxious, squirming Sensational feeling? Like creativity suppressed— But by what? My faults? The fates? My own self For I cannot convey how positively debilitating, Paralyzing, transfixing— I don’t want to live in subdued twilight, Sedated by my own ideas of inabilities, But who or what, or what in me Can prevent even the faintest of hindrances From annihilating the depth of my inspirational understanding… I’m yet to discern any of the undetectable barriers Or is it that—metaphysics? So engrossed, preoccupied, wearied by what The idea that there’s something Anything at all, preventing the finesse As here I cogitate Dimensions past me...
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Jul 17, 2014
Jul 17, 2014 at 3:19 PM UTC
Anxious Creativity
My Lucifer, unwitting Muse, dog-eared Vonnegut, afrobeatnik third eye, howls escaping from your headphones, wailing about secrets, about infidelity, about analyzing life until there ain’t nothin’ left. Then you shuffle by in your black and white Adidas, hair in twists, wearing the striped sweater of nihilistic intent, quoting the rants of Holden Caulfield in your blog like you never didn’t know him. I never asked to know you, to want who I can’t have when I can’t even love myself. And every fiber Of my being yearns for reciprocation. What is there to return? What is there to feel, you meditate on truth, fallen angel in the parlor of rebellion, blasphemous goodbye, bright and morning star simpering like crickets in the palms of daybreak. Your musicality radiates from subway chatter and overheard profanity down El Camino Real. I take in your ballad at my post office mailbox, in the abandoned echoes of daydream monologues. You’re a philosopher, exploring theory of mind, a cartographer, mapping the labyrinth of your deepest desires. Tell me again about desires, demonstrations of divine sadism. Tell me about human empathy, the animated faces of wordless expression, the metaphysics of free will, my beginning and my end, alpha and omega, my fortress in the land of chic. Blasphemous hustler, let your idealism simmer, your wit, your mojo, I come to you an amateur, a neophyte, a lowly scab in the strike against ignorance. Give me my melody, my song, my one-hit-wonder of all that is cliché and unknown. But I can’t be the other woman, your girlfriend, your aspiring Playboy bunny only 10-bucks-a-throw. Your highness-who-yells- his-ideas-into-the-ears-of-echoes, your every quirk spellbinds me. Each day I wake to your entourage vibrato. I am held captive by your brooding stare, empress of liberal doves. You visit in my dreams when the sky is a force of darkness viewing light through peepholes, your flaws an aphrodisiac, a love drug, a fast hit in the basement from the ecstasy of words.
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Aug 1, 2012
Aug 1, 2012 at 5:37 AM UTC
Fixation
My Lucifer, unwitting Muse, dog-eared Vonnegut, afrobeatnik third eye, howls escaping from your headphones, wailing about secrets, about infidelity, about analyzing life until there ain’t nothin’ left. Then you shuffle by in your black and white Adidas, hair in twists, wearing the striped sweater of nihilistic intent, quoting the rants of Holden Caulfield in your blog like you never didn’t know him. I never asked to know you, to want who I can’t have when I can’t even love myself. And every fiber Of my being yearns for reciprocation. What is there to return? What is there to feel, you meditate on truth, fallen angel in the parlor of rebellion, blasphemous goodbye, bright and morning star simpering like crickets in the palms of daybreak. Your musicality radiates from subway chatter and overheard profanity down El Camino Real. I take in your ballad at my post office mailbox, in the abandoned echoes of daydream monologues. You’re a philosopher, exploring theory of mind, a cartographer, mapping the labyrinth of your deepest desires. Tell me again about desires, demonstrations of divine sadism. Tell me about human empathy, the animated faces of wordless expression, the metaphysics of free will, my beginning and my end, alpha and omega, my fortress in the land of chic. Blasphemous hustler, let your idealism simmer, your wit, your mojo, I come to you an amateur, a neophyte, a lowly scab in the strike against ignorance. Give me my melody, my song, my one-hit-wonder of all that is cliché and unknown. But I can’t be the other woman, your girlfriend, your aspiring Playboy bunny only 10-bucks-a-throw. Your highness-who-yells- his-ideas-into-the-ears-of-echoes, your every quirk spellbinds me. Each day I wake to your entourage vibrato. I am held captive by your brooding stare, empress of liberal doves. You visit in my dreams when the sky is a force of darkness viewing light through peepholes, your flaws an aphrodisiac, a love drug, a fast hit in the basement from the ecstasy of words.
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36
Steps on the barren desert valley ground, I'd rather be in the alley. I'd rather be in the alley with you. Sun burnt rocks jut out at me, They shake their fingers at me, "You'll never get out, it's a dead end from here." I remember sitting out under the sun, I remember being under the sun on the roof, And I remember screaming at the skies, *" Mathematics has taught me nothing, School was nothing but sociological lies!"* I had my verbal reasoning skills, I had a bottle of Adderall pills, I had my quantum physical knowledge, I've been down the road of metaphysics, I even had foreign language skills. Italian artistry doesn't help you here, no. The coyote knows best, The wildebeast and dachshund know better. Animal supremacy, no. Conscious human foreclosure of higher arcane intelligence, If it ever yielded it's presence, Jesus would've resurrected already.
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Dec 21, 2013
Dec 21, 2013 at 4:27 PM UTC
The Pursuit of Perceived Happiness
He has this nervous tick. When a person is lying he will open his mouth. Sometimes his jaw will hit the floor. Sometimes words will come out. And sometimes there are consequences, if not only a sore jaw. He is an affable man. Many would say he's a good sport and in good nature, even though he's not athletic and has severe allergies. Handshakes are important to him. And he understands the appeal of a thumbs-up. Hugs are reserved for holidays, and tears were only had at funerals. Sunglasses optional, but the only pair he owns he keeps in the jacket of his black suit. Any man that has a tendency to speak too freely, or too much, will have to learn to talk their way out of a potentially harmful situation. The "Gift of Gab"did not die with the smock. It evolved with the suit. It became five words said in three. It is in relation to political correctness. It's knowing that government is not ******** but many representatives are mentally challenged. He tries to stay ahead of his mannerisms. Raised eyebrow. Twitching eye. Clenched teeth. But some things cannot be hid. Like the vein in his forehead. And of course his verbal diarrhea. But he would rather expell insight and opinion rather than hold it in only to force it out later in privacy. People involved in Fine Art are shot on site. Possession of a canvas brings a life sentence. The art departments are born from advertising. False pretense is considered flexible. When the program used is for the sole purpose of manipulation you aren't expected to become angry. Government turns the clocks back, stretching time and truth, with knowledge of a man who has done the same, and was considered a master. Metaphysics and a mustache, he changed the world with a canvas, and with an open mouth he expelled truth and injustice to a contemporary audience. He applied his paint with a poetic eye. Soon he learned that you don't need to start a fire to melt a clock. All you need is a brush, and sometimes a barren tree.
0
Nov 9, 2013
Nov 9, 2013 at 11:00 AM UTC
Dali
He has this nervous tick. When a person is lying he will open his mouth. Sometimes his jaw will hit the floor. Sometimes words will come out. And sometimes there are consequences, if not only a sore jaw. He is an affable man. Many would say he's a good sport and in good nature, even though he's not athletic and has severe allergies. Handshakes are important to him. And he understands the appeal of a thumbs-up. Hugs are reserved for holidays, and tears were only had at funerals. Sunglasses optional, but the only pair he owns he keeps in the jacket of his black suit. Any man that has a tendency to speak too freely, or too much, will have to learn to talk their way out of a potentially harmful situation. The "Gift of Gab"did not die with the smock. It evolved with the suit. It became five words said in three. It is in relation to political correctness. It's knowing that government is not ******** but many representatives are mentally challenged. He tries to stay ahead of his mannerisms. Raised eyebrow. Twitching eye. Clenched teeth. But some things cannot be hid. Like the vein in his forehead. And of course his verbal diarrhea. But he would rather expell insight and opinion rather than hold it in only to force it out later in privacy. People involved in Fine Art are shot on site. Possession of a canvas brings a life sentence. The art departments are born from advertising. False pretense is considered flexible. When the program used is for the sole purpose of manipulation you aren't expected to become angry. Government turns the clocks back, stretching time and truth, with knowledge of a man who has done the same, and was considered a master. Metaphysics and a mustache, he changed the world with a canvas, and with an open mouth he expelled truth and injustice to a contemporary audience. He applied his paint with a poetic eye. Soon he learned that you don't need to start a fire to melt a clock. All you need is a brush, and sometimes a barren tree.
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52
What am I? A part of the infinite. It is indeed in these words that the whole problem lies. ... And the cause of everything is that which we call God. To know God and to live is the same thing. God is Life. .. True religion is that relationship, in accordance with reason and knowledge, which man establishes with the infinite world around him, and which binds his life to that infinity and guides his actions .. and leads to the practical rules of the law: do to others as you would have them do unto you. (Leo Tolstoy, Confessions)
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Feb 20, 2015
Feb 20, 2015 at 9:40 PM UTC
Discussion on Metaphysics / Religious Philosophy of Leo Tolstoy 'True Religion' as our True Connection to the Universe (What Exists, God)
*“Since pain is a totally subjective mental experience" "we do not have direct access" "to anyone or anything’s pain" "but our own;" "and even just the principles" "by which we can infer" "that others experience pain" "and have a legitimate interest in not feeling pain" "involve ******** philosophy—" "metaphysics, epistemology, value theory, ethics.”* - From Consider the Lobster by David Foster Wallace David I've considered it and I think she might laugh if she read that a version of her briny and spined pint sized now resides in the depths of my mind, She might laugh at my comparison of her to a hideous sea spider but it’s because, as you say, one can neither comprehend the pain of an exquisitely tactile lobster in a *** of boiling water, nor walk a mile in it's eight lilliputian shoes So I am left to wonder what it might mean or not mean to her in her armoured yet acute exoskeleton to have quit school and be back to her fathers house on Prince Edward Island. and what I'd want to tell her is: They might try to butter you up, bridle your anger with blue rubber bands, Use their wooden spoons to nudge your thrashing, clinging arms back into the *** but as we know, lobsters can live to be over one hundred years old and grow to be over twenty pounds in size which is very large for an aquatic insect and they are marine crustaceans of the family Homaridae, characterized by five pairs of jointed legs, the first pair terminating in large pincerish claws I know she knows how to use them. Which reminds me of something else you said: "Everything I've ever let go of has claw marks on it." A feeling I can understand Though I'm no more lobster than she
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Sep 24, 2015
Sep 24, 2015 at 10:46 PM UTC
Lobster Shoes
*“Since pain is a totally subjective mental experience" "we do not have direct access" "to anyone or anything’s pain" "but our own;" "and even just the principles" "by which we can infer" "that others experience pain" "and have a legitimate interest in not feeling pain" "involve ******** philosophy—" "metaphysics, epistemology, value theory, ethics.”* - From Consider the Lobster by David Foster Wallace David I've considered it and I think she might laugh if she read that a version of her briny and spined pint sized now resides in the depths of my mind, She might laugh at my comparison of her to a hideous sea spider but it’s because, as you say, one can neither comprehend the pain of an exquisitely tactile lobster in a *** of boiling water, nor walk a mile in it's eight lilliputian shoes So I am left to wonder what it might mean or not mean to her in her armoured yet acute exoskeleton to have quit school and be back to her fathers house on Prince Edward Island. and what I'd want to tell her is: They might try to butter you up, bridle your anger with blue rubber bands, Use their wooden spoons to nudge your thrashing, clinging arms back into the *** but as we know, lobsters can live to be over one hundred years old and grow to be over twenty pounds in size which is very large for an aquatic insect and they are marine crustaceans of the family Homaridae, characterized by five pairs of jointed legs, the first pair terminating in large pincerish claws I know she knows how to use them. Which reminds me of something else you said: "Everything I've ever let go of has claw marks on it." A feeling I can understand Though I'm no more lobster than she
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49
Summer morning. Recrossing the borderline from the afterlife, the dreamer is expelled from sleep, the dream lost. I am a dream’s shadow, heavy with transition, jagged from sleep. Light gathers me from every room I have ever slept in onto the shrinking island of the bed. Someone cues the poetry. Unquiet lines. The past was worse than you thought, voices say.  Your life is a weighted skin. Stop swimming against the tide of loss. Sink. Yet gloom is porous. From the sky’s cracked mosaic, Daybreak seeps in. The light reassembles familiar objects, which replace mere longing in ordinary darkness. The things of the world resist but return to radiance, resume the work of existing. We are all day laborers. It's my shift. Summon the coffee. The world yawns before me. And I am, therefore (I think).
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Jul 17, 2016
Jul 17, 2016 at 10:06 PM UTC
Metaphysics of Morning (Reasons for Watching the Sky #12)
When Jacques Derrida's Mother Embraced the concept Of 'wholly other' She loosed her hold on life In the past tense And gave herself up to The 'Metaphysics of Presence'. How I love this new-found euphoria Now there is no more aporia. If only the world would grasp The concept of deconstruction. So she put down her knitting Logged onto the internet And signed up for a course on Basic Moxibustion. Such a great invention This internet But life is even better Without unresolved tension. Oh for a mother To understand her son.
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May 2, 2014
May 2, 2014 at 2:40 PM UTC
Jacques Derrida's Mother
A good place to start would be an introspective analysis of self, but what of the ramifications of objectified manifest? If evil is incarnate then what is the nature of corporeally preternatural? Can we save each other from the truisms of self we all embody, or do we all wallow in the pandemic phatic of our own fatidic as we seek augur's tout. My imagination tells me I can create a personification that has mystical properties but can this be functional garb or is it basically illusion. Can we touch each other, or even ourselves with these extrapolations? So many of us live by this platonic proxy photic aimed humanitarian instinct, maybe the reason we don't seem to succeed is because we need to be bad to be good. Further some of us are so bad that we obviously don't deserve to live but are those of us so inclined doomed to die of the ramifications thereof? And will this malady be a contagious virulence for all? Were it not for the astonishingly astounding and incredible nature of life itself I would almost be forced to abjure the nature of metaphysics on a corporeal level. Fortunately for me the answer is much more simple, I need someone to make love to, or **** if you will. I believe in retrospect this is obviously clear! Forgive my blither.
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Oct 19, 2013
Oct 19, 2013 at 10:06 AM UTC
Metaphysical Mystique
Please, to whomever is holding this Don’t be concerned In angst-prime I am spurred from deceit Of hours spent under a fluorescent glow And transcribed by way of indigo Am I here to lament a fallen future that my producer is so keen on? Here to recite a limerick, cheekily rhyming and miraculously Drawing a purpose Or a haiku from an oddly Western mind Who has no more drank words than the bearer has put mind to metaphysics And finds terza rima obscene Latin is rotting and Greek in isolation I feel I have little purpose on this page Besides reaching out a naïve hand And wishing with all my might That someone will reach back
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Jun 10, 2014
Jun 10, 2014 at 2:41 PM UTC
Ignore This
The ethereal plane goes silent. Pilot decides they are too tired to fly. Decrease cabin pressure to decrease cabin fever. The cousin of my cousin who is not my cousin cannot engineer a solution if not given proper tools. Cavemen can use simple tools but are adept at clubs if you injure their hearts so let’s call a ***** a ***** we know diamonds are only rocks but forever is simply tomorrow repeating. I can’t see what’s in the cards beyond that. Even worse is to look at the present you gave worn each day. Standing still a painful reminder. Best to keep moving. I'm in a precarious juxtaposition. One move and the King is toppled but the Queen reigns in this game. I shall grant our enemies no quarter, this game is free of charge. The truth is the true blue you doesn't know what to do but the blue blood in you requires more upkeep than that and you'll deny it until you're blue in the face. That's enough blue clichés, especially when I'm seeing red. Fell trees for the fires or gather the ones already fallen. It doesn't matter, you'll still wear multiple layers to get through the knight in shining arm morbidity. I keep all your sugar coated spiders sealed in jars. I'd rather they not bite me anymore either. Outside appearances mean little when one wears so many faces. See you on the flip side but remember on the inside I'm dying to meet you again. I am jumbled. I'm mixing my metaphors and metaphysics. They promised adult supervision but I can't see clearly without glasses. I'm like a deer caught in the dread lights. I'm under cardiac arrest and I've been coaxed into signing a police state meant just for you. How can I be held responsible for the consequences when everything is out of sequence, doesn't that leave me only a con? Paradigm shift has occurred. The door to my heart is closed.
0
Jan 16, 2014
Jan 16, 2014 at 9:53 AM UTC
All In
The ethereal plane goes silent. Pilot decides they are too tired to fly. Decrease cabin pressure to decrease cabin fever. The cousin of my cousin who is not my cousin cannot engineer a solution if not given proper tools. Cavemen can use simple tools but are adept at clubs if you injure their hearts so let’s call a ***** a ***** we know diamonds are only rocks but forever is simply tomorrow repeating. I can’t see what’s in the cards beyond that. Even worse is to look at the present you gave worn each day. Standing still a painful reminder. Best to keep moving. I'm in a precarious juxtaposition. One move and the King is toppled but the Queen reigns in this game. I shall grant our enemies no quarter, this game is free of charge. The truth is the true blue you doesn't know what to do but the blue blood in you requires more upkeep than that and you'll deny it until you're blue in the face. That's enough blue clichés, especially when I'm seeing red. Fell trees for the fires or gather the ones already fallen. It doesn't matter, you'll still wear multiple layers to get through the knight in shining arm morbidity. I keep all your sugar coated spiders sealed in jars. I'd rather they not bite me anymore either. Outside appearances mean little when one wears so many faces. See you on the flip side but remember on the inside I'm dying to meet you again. I am jumbled. I'm mixing my metaphors and metaphysics. They promised adult supervision but I can't see clearly without glasses. I'm like a deer caught in the dread lights. I'm under cardiac arrest and I've been coaxed into signing a police state meant just for you. How can I be held responsible for the consequences when everything is out of sequence, doesn't that leave me only a con? Paradigm shift has occurred. The door to my heart is closed.
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30
Bosch is not like any man. He eats his metaphysics raw. Great and globular, A sanguine fruit looms forth infinitely. Stars, like gleaming berries picked, Lay strewn across his astral dining set. He breaks bread with the Abstract Entities, Devouring the Earth and all its mortal sentiments. He voices his distaste for the fibrous pulp, Formless nose scrunched and curled With loathing at the terrestrial filaments Stuck between his teeth. Bosch's belly is an endless hollow Where darkness swallows light. There is no air, no sound. Its abysmal blackness knows no bounds. His hunger insatiable, He drinks in the Milky Way, Eager to fill the emptiness Of his ever-expanding void.
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Aug 24, 2018
Aug 24, 2018 at 8:45 PM UTC
Bosch
After seeing her stars and collection of astronomy posters, Ellis once asked if she wanted to be an astronaut. She simply replied, “What would be the point? It wouldn’t be any different than watching it on television.”   Ellis found this to be a pretty daft assumption but couldn’t find any real reasoning to contest it. This memory came back to him. He attempted to empathize a second time as he stared at the ceiling stars when the idea of the glass of an old television mimicking the glass of a cosmonaut’s helmet came to him. As he peered through the glass, it became apparent it wasn’t that being in space didn’t feel real, but that the television was more real than people gave it credit. Even other screens, which rarely projected the experience of walking around living, felt more real than reality. One doesn’t need to travel to see the world, and one doesn’t need to be near someone to feel close to them. A line that has always be present, that very glass pane, began to weaken. Ellis began to notice a headache as he traveled down the cavernous hole of existential metaphysics. He looked down at Ada. This vision had blurred unknowingly while lost in thought, and he frantically attempted to re-establish himself as a being existing in this plane of reality.
0
Nov 16, 2018
Nov 16, 2018 at 10:49 AM UTC
Snippet #1
I once wrote myself a poet. I once claimed musing my medium and creation complementary. I failed in contemplation and mistook my muse for a replenishing source of inspiration. My fictitious claims clogged my metacarpels with mismatched scraps of metaphysics and mistakes written out and expounded without fault, yet still incorrect in regards to truth. I once wrote myself a poet. Claiming creation was my destruction, I failed to reminisce with blank pages and remember our origin, the original flawed poem posed in prose. Words met the page before they came to mind, ink like water, my vessel was cracked and I was spilt before I recognized the filled binders stained, before I recognized the broken seal leaking. Emptying my head faster than I could move the pen, I wrote myself a poet, the lines were cramped with messages left between, I CLAIMED myself a poet, and all creations were an extension of me. My destruction was complete. Flowing like fact, I was held up by the people I couldn't help to think of with the break of every turning page. Inspiration but desperation to refill a tank of exhaustion and minor miscalculation when hesitation became the transportation for that dropping ink. I once wrote myself a poet. I once claimed myself a god, destroying me to find a being born from the pen and suckling from a disembodied self found at the fork of was and have been, some body got lost in translation, the rest was misplaced during the transition from wrote to was, and back to the road I traveled. I wrote myself a poet, became one only to lose myself to the title. I rode my self, a poet to an altar, though during my final sacrifice I faltered. I wrote myself a poet. I claimed myself creator. I lost myself to show it, skirting the opportunity to prove myself orator, and now I'm back to reading between those lines in hopes of finding my self. A poet.
0
Dec 13, 2012
Dec 13, 2012 at 1:57 AM UTC
When Self is Displaced
I once wrote myself a poet. I once claimed musing my medium and creation complementary. I failed in contemplation and mistook my muse for a replenishing source of inspiration. My fictitious claims clogged my metacarpels with mismatched scraps of metaphysics and mistakes written out and expounded without fault, yet still incorrect in regards to truth. I once wrote myself a poet. Claiming creation was my destruction, I failed to reminisce with blank pages and remember our origin, the original flawed poem posed in prose. Words met the page before they came to mind, ink like water, my vessel was cracked and I was spilt before I recognized the filled binders stained, before I recognized the broken seal leaking. Emptying my head faster than I could move the pen, I wrote myself a poet, the lines were cramped with messages left between, I CLAIMED myself a poet, and all creations were an extension of me. My destruction was complete. Flowing like fact, I was held up by the people I couldn't help to think of with the break of every turning page. Inspiration but desperation to refill a tank of exhaustion and minor miscalculation when hesitation became the transportation for that dropping ink. I once wrote myself a poet. I once claimed myself a god, destroying me to find a being born from the pen and suckling from a disembodied self found at the fork of was and have been, some body got lost in translation, the rest was misplaced during the transition from wrote to was, and back to the road I traveled. I wrote myself a poet, became one only to lose myself to the title. I rode my self, a poet to an altar, though during my final sacrifice I faltered. I wrote myself a poet. I claimed myself creator. I lost myself to show it, skirting the opportunity to prove myself orator, and now I'm back to reading between those lines in hopes of finding my self. A poet.
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67
Error code: PXZ003-2-b: "WAIT" Blinking blindly, unaware of absurd metaphysics, the device flashes its advice. For years now, probably; no one's sure. The rest of the machinery's in pieces; save this one brilliant gem of advice, slowly sipping energy through a dingy solar panel: just enough to keep going A red light blips on the untended prophet, yellow caution tape draping impotently in shreds -- *although there is an allure to what fabrics conceal.* He sees none of this. At first. He arrives in a huff, swearing and panting. Pacing nervously, he lights a spliff and throws his head back. "I know I haven't been around much," he speaks in a vaguely upward direction, "but some people say you're listening, and that you take requests." He laughs, flicks some ash, and lets a sigh creep out. "Just. Just. **** it, I don't know. Give me a sign, anything. I'll listen." He inhales and snuffs the roach on his sole. The serenity of stillness marches in as a pallbearer with an empty casket. A red light catches his peripherals. He walks to the device, removes the dress, and uncovers divinity. How could he deny the voice of fate? He waits.
0
Jan 4, 2013
Jan 4, 2013 at 4:31 AM UTC
Futility
by that time every body ventured had been a surrogate. a gateless gate left completely unopened wide so too was i. pretending pretending. they emerged out of nothingness like heart valves. metaphysics could not hold them shut or otherwise. the step-ins force me down and out like the street hands ignored. i am just a shadow in the dream of a ghost of these flows of light that are lost on you like so many endless turning maelstroms at a molecular level, i too not noticing through all the commotion i am in the orbit of a black sun.
0
Apr 8, 2016
Apr 8, 2016 at 2:00 PM UTC
in the absence of apricity