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Sam Knaus Aug 2016
All I know how to write are metaphors.
Metaphors about starry night skies
and infinities and galaxies
and delving deep into myself
to find something nobody's ever known,
**** that.
My metaphors are stupid
and confusing.
Just like me.
My metaphors never make any sense-
just like me.
My metaphors are the bane of my ******* existence
because they're the only way
I know how to express myself
and I can't help but wonder
if that's because I never want anybody
to know how I'm actually feeling,
full of crypticity
my metaphors tell your realities
to go straight to hell,
man, you mean you want people
to understand you?
What's that all about?
Don't you enjoy only being able
to write your poems about
being shrouded in smoke that hides your guilt
and about bathing in moonlight
and being infinite
and inhaling the stardust of my peers,
what the **** does that even mean?
I grew up learning to go after
what I want
and as far as I'm concerned, it's a problem
that I can't come out and say,
"I want tranquility."
Instead I shroud it in some **** about
inhaling twilight and finding peace in my inner galaxies
Pfft.
What a loser.
What a loser to believe that metaphors
are anything but a way of disguising
the truth.
What a loser to think that I am only a metaphor,
even if it's the truth.
What a loser to believe that I am something
so simple but so complex
and hard to understand
especially when I say it
because I never know how to say anything properly
it's all surrounded in mysteries and confusion,
My metaphors say,
"who the hell wants to understand me?"
The curse of poet, I suppose
a curse I'd do well to break free from.
I only know how to express myself in metaphors
the only problem is that nobody knows
what my they mean,
nobody knows what I really am
because I shroud myself in stupid,
enigmatic, asinine metaphors
that when you asked me to say what they mean
sometimes I'd be able to,
but most of the time...
even I don't know what the **** they mean,
but I say them in the hopes that someone will
be able to decipher them- and me-
anyway,
cause maybe then they would know who I am
without me having to tell them,
maybe then I wouldn't have
to figure it out myself.
CGB Feb 2016
I explain my metaphors with metaphors
I don't know how else to express
My thoughts that sit in clutter drawers
And leave my mind a mess

If you don't understand my comparison
I'll just say it in a different way
My thoughts still shielded by a garrison
Suppressing things I need to say
Oliver Philip Nov 2018
Poem Ref 027

We had better to talk in metaphors
————————————————
We had better to talk in metaphors
Every time we open our mouths to speak

Have you thought , how it’s misinterpreted ?
As the listener you pass it to your brain n then
Depending upon your intellect or vocabulary

Between bull sh** or beautiful prose
Everybody gets to talk in metaphors
Tongue twisting Twitter patient trash
Time and time again it’s so misunderstood
Each dull mind resorts to that freeking F word
Rather than the composition of a good reply

Then we’d best to talk in metaphors.
Only then does it season verbal prose.

Talking in metaphors displays an active mind.
Active mind negates the essential need entire
Like a good metaphor can be twisted in a fight
Knocking arguments,do you know what I mean

If you talk in metaphors you have a chance
Not only winning an argument but saving face

Metaphors have been around for many years
Eventually loosing their initial meaning.
To shoot that messenger or be in the hot seat
An eye for an eye or a tooth for a tooth satisfy
Procrastinating has become a thief of our time
Holidays all around the world Perfect Paradise
Only we had better talk in metaphors for life
Really it guilds the lily of the English language
So step up to the plates  ,friends , give it a try
—————————————————
Written by Philip. 26/9/18.
We had better to talk in metaphors
Sarah Spang May 2014
If I was a mountain

That soared towards the sky,

With craggy snow caps

And stormy grey eyes-



Then you'd be the clouds

That swaddled my peak,

That silenced my thunder

When I tried to speak.



If I was the earth

The desert, in fact:

With arid dry soil

And mud, baked and cracked-



You'd be the rain

The downpour that soothed;

The balm to my bruises,

Relief to my wounds.



If I was the Moon

In the indigo night,

With stars as my blanket

And silver; my light-



Well you'd be the Sun

Just always behind

That lent me your glow

And caused me to shine.
Akira Chinen May 2016
Goodbye world
Goodbye poetry
The metaphors have sold me out
And exposed my lies and lies and lies
And now I have no where left to hide
The doctor tried to lock me up
And tear off my new head
But worry not for he did not succeed
I pushed and knocked him down
He yelled,

"Come back!  Come back! You're  mad!"

But I knew
It was he who was crazy
Fallen I may be
But I know my heart
Is exactly where it belongs
That doctor would rather make me
Numb and dumb
He doesn't know all love must be
Mad
Or not be done
So I jumped the wall
And escaped his Loony-Bin

He gave chase
And yelped for help

"Stop him! Stop him!"
"A stark raving Lunatic is on the loose!"

Having taken lessons from my fallen heart
My feet did race fast and quick
Oh my metaphors, my metaphors...
How could they!?!?
Exposed my lies and lies and lies!
Now where can I hide?
Oh woe oh woe oh woe...
I've got nowhere else to go
But to take the trek
To the forbidden
Hills of madness
My crayon eyes of red
Now turning blue
As I run and cry and cry and cry
Why oh why oh why
Did my metaphors betray me?
My heart head
Feels doomed to breaking
But broke or whole
To love you
Was the only sensible thing for it to do
Even if it seemed crazy
I run and sing
Off key and out of tune
And horribly
But no choice left
All other words have disappeared
No more metaphors
No way to lie and lie and lie
Only three words left to sing
And scream
And howl
And I trust the moon
To pass my song to you
Across the sea between us
It may be small
Only three words long
But these three words are true
And this may be my last breath
So here I sing

"I Love You!  I Love You!  I Love You!"
Kiss me today and **** me tomorrow
Loving you was easy
And if this heart does break its love will not
And forever will it sing off key
Skypath Sep 2014
Metaphors for blue eyes
There's one for every shade of blue
A rainbow of silken language meant to charm
They're as common as the color itself
But recently I've come to realize
Why

Her eyes
Dark, under curling lashes and golden hair
Like crystals flashing from the rough
Dream-catching sunbeams and sparkling
Like the summer sun on a warm pool
A medley of sapphires and diamonds
That I wouldn't trade for the world

His eyes
Fairy pools of magic wonder
The not-so-secret glimmer of bright water
An enchanted river whose glow
Is the bright warmth of an autumn day
Crystalline water that welcomed my touch
The still surface broken when he laughs
Faith and George
JLB Aug 2015
In your arms
Just two days ago but the feeling’s already leaving
I was bent out of shape
I was dry heaving
on my own stupid emotions so
I wasn’t able
to burn the vision of you in my mind
so hot that it stuck
stuck into me like a point in a *****, turning the turbine
and molding the muck
of my reality, in my conscious so clear it
separates from this one from the great spasm called space and time created by…
I don't know why, but, life sometimes separates the score from the assist.
and now i can’t resist
to list
the ball from the bat
the land from the sea
the you from the……
too corny.
I hope that I don’t seem too pathetic, I’m just too empathetic,
and I need to put this to rest:
to me,
I'm afraid we might be
like that bird who had flown from
The nest, and had his body broken by the nets
seizing the life from his chest.
aHH and now how I seem to sling
with a piece of string
a metaphor
back around to tie the knot
around that bird who got caught cuz
Metaphors and me are a package deal.
they allow me to feel.
And in my sweaty palms.
I felt the life leave
after having expected that it would, yet still also hoping that it might not.
But it did.
And everything should be ok but it’s not. And I should feel relived but I don’t. And I should be excited for what’s next but
I just feel sad.
I write metaphors
and speak in analogies
because I like them more
than my realities
Because metaphors don't tell the truth
they just sum it up in a way that makes sense
sometimes they make more sense
than anything I could write in past or present tense

Metaphors aren't as personal
I don't have to give names or dates
I don't have to tell any anecdotes
or write down any footnotes
with definitions of what I mean
I just give symbols and motifs
and hope you understand the motives
I have for doing what I do
and writing what I write
and not letting you into
my personal life

I like metaphors
because they give me an excuse
to lie and get away with it.
Austin Sessoms Apr 2012
metaphors are
rubber bands
we may extend them
as much as we like
we may shoot them
at our classmates
we may impress
our professors
with the shapes
we can contort
them into
but the more
we extend them
the more we
wear them out
and its very possible
that with all of our
stretching and extending
we could render
our metaphors
useless
*snap
Red wine bubbling in the back of your throat
Rewind the kindling of a fire you won't put it out
Oceans unchanging, swallowing whole boats
You and I left in the void, to drown

I am unfeeling and fleetingly alive
I am lonely and slowly finding peace of mind
You are salt spilled across table tops
You are a child tearing apart and lost.

Dirt on your knees and scabs on your skin
We live free with the pleasures of sin
You taste him on your tongue,
Songs we left unsung.

Your old jacket, the one you gave me,
Well the zipper broke last week.
And the sleeves are torn apart,
It's grown too tight, it don't fit how it did in the start

Metaphors for a broken heart
How the ocean rages and pulls us apart
Smiles for the tattered soul
How the angels play their role.
Tom Leveille Sep 2014
i love you this morning
it's a come home safe morning
fog on the road
& no seatbelt kind of morning
the sun is over easy
& nothing's on fire
there's punctuation
where i don't want it
and extra love
in the glovebox of my car
been thinking about being honest
how these poems are all me
but they tell the story
how someone else
might believe it happened
within reasonable doubt
no copy & pasted love letters
no 'who ever says hello first gets my attention for the day'
try a little tenderness
in my ears and today
there are instruments
in the back of my head
i think you love me
because i'm sunburned
felt it in a 'come hell or high water' kinda way, that 'touched from far away' kinda way that 'if i touch this piano one more time one of us is going to break' kinda way
and i drove over 17 bridges yesterday and today i'll do it again
and i think nobody gets
what that means except maybe you
i just tell them i love the scenery
that somebody must've made
these trees blush just for me
you know how i love
to change the subject
i bet they'd love the view
i bet you would too
and all these metaphors
for other things are beside the point
this is a metaphor
for why i don't wear my seatbelt
a metaphor for why whiskey
knows me better than you
could ever try to
all the buildings seemed to sag yesterday and all the stars
are doing that cliche thing
where they talk
quiet jet noise
& some lumbering giant
made everything shake
not those hand metaphors
not another one of those
& keep the sea to yourself
i think it was a train
it's sound hugged the embankment
for a moment
and then trailed off into nowhere
and that's kind of like me
how there's a town called 'rescue'
close to my home &
it's no coincidence
that i've never been there
Arlene Corwin Aug 2017
Bemoaning Similes & Metaphors

         (the lack thereof )


I cannot think in similes or metaphors.

I can, but it’s

An artifice.

A gift

I’ve not been left with.

Of course,

I’ve got Thesaurus –

My old pal -

To push me

In the simile

Direction.

Those

Whose

Aptitude’s

To see,

Their inner eye

Comparing parallels unconsciously –

A gift of gene and DNA –

Overwhelm me.

While I moan about my lack,

They sit with throne and luck

Expressing with an ease,

Anything they ****** well please

In metaphors and similes

I lie in bed,

This running through my head.

That’s why it’s here.



Bemoaning Smiles & Metaphors 1.13.2010/8.17.2017
A Sense Of The Ridiculous II; The Processes: Creative, Thinking, Meditative II;
Arlene Corwin
It can seem silly sometimes - even containing a sense of the ridiculous
It was a long line
all your patience would drain
your energy slowly lowers
your limbs go numb from all the standing up for too long
even thinking bout giving up

But then you think to yourself
"I'm almost there."
"I got this far."
"Only about 10 people more and it is my turn."

and once you get there you'll say
"It was worth all the wait."
"It wasn't for a very long time but I sure did enjoy it"

Everything's metaphorical....
This....
*Was some kind of reflection towards our day at the amusement park...
alexa Feb 2018
you will never be forgotten.
ever.
your name twisted into metaphors and colors and distractions will forever
be painted across pages and pages of her favorite brand of notebook,
no matter how many she burns
there will always be one she forgot,
and she will only find it once she had almost forgotten you.
she will find the one Papyrus notebook
and all of your metaphors and colors and disractions will come flooding back,
just like how the ocean in your eyes
flooded her heart all those years ago.
Xander Duncan May 2014
I'd never cared for flowers
Symbols of affection that wilt
And forget memories
And fall apart in kitchens and bedrooms and strew their pieces on the floors
Dried and broken after only days of being lovely
Flowers with their alternating patterns of
Unreliable determinations
Claiming every other petal as an opposite declaration
Of a determination
Of love
And I never liked removing thorns from roses
Because they added something truthful and
Poetic

But when you gave me flowers
I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase
I let them live for longer than they did
Because they were still pretty even when no one else seemed to think so
And when they hang dried on a wall
Still colorful but slightly brittle
Maybe they'll stay like that if I just don't touch them
When you gave me flowers
I plucked off every other petal
Into a bouquet of He-Loves-Me
Because for once there was no doubt
For once I believed the sentiment in the flowers and the words from your lips as you handed them over
The lack of nots in the petals
Pulling apart the knots in my stomach
He loves me
He loves me
Truer than the dirt that holds
Wilting symbols of affection
Sweeter than the honey
Of their pollinators
He loves me
He loves me
A garden of something new and beautiful
Perennial and built on symbolism after all

Until you let me know that dead flowers were just dead flowers
That they were past their worth
And metaphors aren't worth the dirt they were grown in
That perennials can't return
When you've salted the soil
And brittle flowers on the wall should always be removed
But I always lived in metaphors anyway
And I had a new appreciation for flowers that I didn't want to lose
I was no longer a rose
But a thorn
I always thought smooth stems were so boring
Not to mention dishonest
But I didn't want to make you bleed
So painfully I dug an olive branch from my rib cage
Then realizing that a ****** token may not be so well received
I decorated it with a bouquet of blue Forget-Me-Nots
But you plucked off every other petal
And handed back an array of He-Loves-Me-Nots
He loves me not
And there was no doubt in the sentiment
The sentience of metaphors dying all around me
When all I know is metaphors
And flowers were never just flowers
And words were never just words
But both are found on gravestones and poems and apologies
And parallels have fallen into nice and even spacing
Reducing flowers to clichés
Of alternating promises
Of He loves me and
He loves me not
Of broken promises
He loves me
Not
Cassis Myrtille Aug 2013
To be frank,
metaphors scare me.
They do.
I don't know how
but many poems
have metaphors so
awfully entwined in them.
It makes the comparison
a so detailed list.

From the bone for the poem
the metaphor starts
out to the skin
it never ends
it penetrates the human soul
leaves a scar,
a mark -
a clue to the human condition.

And so
still to be frank
metaphors scare me.
Daniel Ruiz Aug 2018
I'm here sitting
alone,
the smell of coffee runs through
my veins,
some music i probably will forget
in a few years arguing with
the thought of you,

But I'm here,
I'm here,
writing about what's happening

pretty boring huh?

i call myself a poet
but i can't use high metaphors,

i call myself a poet
but i can't describe fully
how you make me feel

i call myself a poet

but what am i?

I'm just a kid
scared of life
finding new ways to cope
searching for someone to love,
desperate,
not holding unto my dreams
how can i choose with my mind
what's right for the heart to choose.

and you see?
don't you see?

don't worry i can't either

i can't see how great i am
i can't see how other people see me
i wish i could.

i want to believe this was a dream
or
a nightmare at that.

But at last.
I'm here wishing that in another life
i could be with you,
or
maybe in other deaths,

i crave your touch,
i crave you..
with coffee waking up my senses
like a kid in summer waking up early
to go play with his friends.

i wish things were different,
so i wouldn't have to wish.
THEY were calling certain styles of whiskers by the name of "lilacs."
And another manner of beard assumed in their chatter a verbal guise
Of "mutton chops," "galways," "feather dusters."
  
Metaphors such as these sprang from their lips while other street cries
Sprang from sparrows finding scattered oats among interstices of the curb.
Ah-hah these metaphors-and Ah-hah these boys-among the police they were known
As the ***** Dozen and their names took the front pages of newspapers
And two of them croaked on the same day at a "necktie party" ... if we employ the metaphors of their lips.
Pudge Feb 2015
i have poetry that doesn't deserve to be written on paper, metaphors that are so strong that my pen quivers when i try to write them down. they only deserve to be written between your legs with the tip of my clever tongue as the pen. it is the type of poetry that can only be recited with your moans in the background, and with your nails digging wounds into my back. i want to watch your reaction as you die a million ecstatic deaths while i write each and every word of my ****** poetry at the back of your ears, on your neck, on your collarbone that shyly peeks through your shirt and the middle of your ******* where it always feels like home. i want to worship constellation of stars on your back with kisses. every kiss serves as a period, every stroke of my tongue is an exclamation point. i want you to curse my name and pull on my hair as you feel my kisses go, oh so excruciatingly slowly, up your inner thighs. there are not enough metaphors for me to tell you how beautiful you are to me, but here i am still trying to praise you with everything i have.
Omnis Atrum Aug 2012
Many artists create for approval, to translate the beauty they find in the world so that others can feel what they feel (which is second hand at best), or to try to better understand the world that they are in and communicate their findings with the rest of the world. I would stand here today and say that is all meaningless to me. If one cannot find their own truths, then they do not deserve the truths that they find. Everyone can see 'the beauty of the world' that surrounds them, and far too many people try to turn their senses into tangible words on a page. What difference does it make, better yet, what difference should it make to a person if others view the world in the same light that they do? It is for this purpose that I do not view the world in any light. When I create I view the world without light. Feeling my way through the darkness trying to find something that I can hold on to. I am a horrible and pitiful creature when I search for ideas, but when I can wrap my hands around these ideas with no light shed from an outside source there is no greater sense of accomplishment. I write not about the beauty of the world, not about fantastic imageries that could be on an inspirational poster, nothing of the heavens and angels, because when I write my demons take over. Every doubt that sits in the back of my mind unanswered. Every amount of corruption that I have seen in the world. Every hope that has been shot down to crash as a fallen spaceship. Every desire that I will never see fulfilled. These are the things that give me the passion and inspiration to create. Perhaps it is for the balance of the world that I write with such things in mind. As I watch so many writers fail to create what it is that they pictured in their creative vision simply because their minds are cluttered with preconceived notions of love, of good, and of this great being that will provide them with their every desire (deliverable on death, as I have been told); I know that most will surely continue to fail. The world does not have a perfect clockwork structure that they would have everyone else see. I hope that in controlling my demons I will be able to create something that is more authentic. More pure.

Art is struggle.
Creations are covered with our sacrifices.
Without the grotesque, beauty cannot truly be seen.
Without darkness, we cannot understand light.
My cup runneth over.

Seven great inspirations
I remember being young and thinking that there was no greater goal to seek than the goal of love. I had told myself countless times that my greatest goal in life was to find someone and make them the happiest person in the world. I know now that the naivety of that statement is enough to make even the most romantic shake their heads. It was from this naivety and hope that a young man fell in love. As all things that are destined to horribly fail, it failed horribly. The joy in this young man's eyes dissipated and he was left horribly confused. How could my greatest inspiration and the goals that I had set for myself fall apart so swiftly? It was around this time that I slowly started seeing the world for what it truly was. There was great sorrow in this time, but it was a time of more beauty than I had ever known. Years that I thought were wasted were resurrected as emotions and perceptions that slowly found their way from my hand to paper. I learned from a very young age that it was proper to hide emotion, and so many of these creations were destroyed after I had pushed them from my mind. It was not until I let a few close friends read some of what I had written that I realized the value that words held. I used these words to bring happiness to others and evoke emotion where there was none before. All of the ideals and emotions that I held in high regard for so long slowly withered away. It was in this time that I slowly learned that because there was so much good that came from something so devastating, that those things I once thought were so evil may have something good to be found in them. There were great inspirations to be found in those things I had once discarded as sinful and without worth. I found beauty and inspiration in what most would call corruption and imperfect. These things, which were taught to me as sins, gave me more inspiration than any rules or restriction would ever be able to. For the first time in my life I actually felt free. It was with this newfound freedom that I was finally able to express what I truly felt without fear of guilt or punishment. My outward appearance stayed approximately the same (as I was taught that appearances were always important and some habits were hard to break), but I realized that I was a completely different person. It is these differentiations from what I considered to be the norm that allowed me to grow as a person instead of as a machine that was built by those around me. It is this facade of normality that I will forever wear as a defense mechanism to keep those as closed minded as I once was from prying. It is the sins that I once fought so hard against that would help me realize the person that I truly was. This is not merely a documentation of the things that inspire me, this is a tribute to the realizations that allowed me to grow as a person. A great deal of my writing tends to come out as metaphors, but in what will follow I will do my best to write clearly and without riddles. These are the thoughts that bring my creations to life. This is the fuel that drives a man down a road comfortably, no longer worried about speed limits or street signs. Now I will explain how these seven deadly sins breathed life into an otherwise lonely and discarded man.

Pride
Are we all not more important than everyone else in our own universe? Is there some secret kept within the recesses of our mind that perverts this self preservation into something that is frowned upon? Are we not supposed to be proud of our accomplishments? Where are the lines between what is appropriate and a horrid vanity drawn? Would we not become Lucifer if the feeble minds trapped in these mortal shells were placed in a shell more beautiful and eternal than anything we have ever seen? Are we so quick to judge those guilty of our same crimes? Tell me that if you were given the chance you would not change places with a god, and I will never believe another word that pushes its way past your lips. We are wired to attempt to gain higher standing wherever we are. When I have created something that I believe holds truth I am proud, and I am proud that I am proud. If it were not for pride where would that sense of accomplishment come from? Should I allow my pride to turn to shame, and **** a driving force to create something even better next time? I think not. In the universe of our art, we are the gods. We manipulate every word, every pixel, every stroke of the brush. We have ultimate control of the characters, the situations, the emotions, the outcomes, and do not have to provide an explanation to anyone unless we decide to. When we are done with our creations we stand back and say that they are good. A faulty attempt to turn the artist into a god, but the intentions are thinly veiled. To create and to have others look upon your creation with wonder and awe, is that not the intentions of almost all artists? What purpose does this serve other than the creation of pride? I would say that there are none. My writing is the universe where I am god, and there are none other as powerful or that have as much say as I do.

Sloth
Call me cynical for not seeing the absolute beauty of the world around me. Sloth, the great sin of sadness and despair. I look at the world and am dissatisfied with what I see. I have always been fond of Poe, because he wrote about this more than anything else. Why should I be any different than this? The only love I have ever known was ripped from my hands, and I was left with nothing but a feeling of wanting. I watch people walk by with their masks of happiness and content, and when the day is done I see these same people left shaking and world weary. How much rain should fall from my eyes before they become as black as the clouds they do their best impressions of? With every attempt to better the world thwarted on each turn, it seems as if things are not going to change. The problem with writing on the subject of sorrow is that many view it as unhealthy or look down upon it. It is only after putting words to the things that bother me that I have control over them, and can manipulate them as I wish. Sorrow and pain are less of a threat when they can be controlled. Where is it that this sorrow and despair comes from? Perhaps I read too many fairy tales as a child. Perhaps I have yet to get to the end of the story of life where the moral will be revealed to me. Perhaps it is this surreal world that I could never persuade myself to live in. A world where I am to put on a mask of happiness and pretend that everything is going just the way that it should. A world full of everything that I could ever desire. It is because I cannot alter my senses that give my perception of the world that this demon resides within me. My writing is the realization that the world is not what I was led to believe it to be. My creations are the sorrow and despair of living in an imperfect world, and wishing that it was perfect.

Gluttony
Do not overindulge in anything, not even those things which bring pleasure and have no consequence. I think this is a flawed statement at best. In my writing I discuss extraordinary circumstances or situations that I have been involved in. Many of these situations happened only in my own mind, but a number of them occurred when I overindulged in certain things and saw the world in a completely different perspective. If we all lived in perfect moderation, would the world not be boring and uninspiring? I choose to do those things that bring pleasure, and if I do them too often then the result is simply more pleasure. Gluttony is the cause of many interesting nights that allowed me to step outside of my protective shell and experience things that I would have never experienced otherwise. How could I not pay homage to such a thing? How could I desire to cease doing something that only opened my eyes? Gluttons will be looked down upon and called drunkards and addicts, but I have never met a being that has not committed gluttony at one point or another. I was once told to overindulge in moderation. Where does the line between an altered state of mind that we can learn from and a sin stand? In my creations there is no line, because there is no sin. My writings are guilt-free and full of overindulgence of thought. My words are my minds altered vision grasping for truth.

Wrath
These **** words will not flow from my mind, through my hand, and onto this god forsaken medium. What is it that I need to do to express my emotions so that others can understand them? If my words are too abstract it is only because of the thoughts and emotions that they follow. If people cannot follow my metaphors and hidden meanings then it is of no concern to me. The fact that they will not try to stimulate their intellectual ***** in order to understand something more complex than they are used to drives me insane. My pulse quickens with each thought of the issue. It is impossible that I left my metaphors too veiled or did not give enough surrounding exposition. These creations make perfect sense. Then I step back and look at the gibberish that I have created and hurl it across the room as harshly as possible. The thoughts and ideas are all here, it all makes sense in my mind, so WHY WILL THE WORDS NOT COME OUT RIGHT? The inability to explain senses or perceptions in a concrete manner that the audience will understand creates more anger in me than I will ever understand. An anger that refuses to subside. With a clenched fist the pens and pencils are broken, the keyboard is shattered, and the words are broken down into the letters that sit in a pile on my floor. My creations inspire nothing more than they inspire my hatred for ignorance. My creations are an angry conglomeration of letters wishing that they could show the emotions that inspired them. My words are children beaten for insubordination.

Greed
Greed is the greatest inspiration that most will ever know. To bathe in golden bullion and never have another care in the world. Greed not for the sake of greed, but for the sake of freedom. I am inspired by greed of a different sort. The desire to gather every idea that I can find and horde it as my own. The greed of knowledge and experience. When I was younger it was interesting to be the most mature person my age, and now that I am older it is not knowledge that is sought, but wisdom. I horde this knowledge and wisdom in my own personal compressor and squeeze them until they are in the purest possible form. It is this ink that I dip my quill into hoping that my faulty hands can transfer such a perfect concoction onto the parchment without ruining it. Without poking a hole through the parchment. Without deciding after I am finished that the words do not hold the meaning that they carry, and having to destroy everything and start over. I would gladly give all the wealth that I have to be able to sate my greed for the expression of perceptions and knowledge. These are the pains that I have endured, and they are mine and mine alone to claim. There is no greater value on this Earth in my eyes. People can have their tubs of golden bullion, and I will help them with generous contributions when able, but if they ever decide they want my words there will be war. A war of greed. A war of necessity. My creations are my glorious mansion that holds the treasures of experience and knowledge. My words are the golden bullion that so many men have fought and died for, and I will horde them until some greater force can pry them from the hands that created them.

Lust
Love is an illusion that was created for your confusion. Those that speak of love are disillusioned into believing in some extrasensory emotion that they allow to consume them. Love is the most abstract emotion or idea that anyone could ever base a creation on. I tire of reading of love at first sight, love found upon a spring morning, or love that has been discarded. These things are boring, and as long as people persist in writing on these things I will always have kindling for my fires. Tell me about something that I know. Lust is the most pure form of the idea of love that is kept in circulation for no apparent purpose, besides creating sorrow for those that cannot find something so perfect as it has been described. Lust does not mislead and has no ulterior motives. The warmth of another being pressed tightly against you in a shared ecstasy. That is all. There are no complications, there is no confusion, there are no forced rituals that you have to fake your way through to get to another goal. Has the world become so confused that it forgets its instincts. They tell me that lust is a sin, but I know very well that it has created more pleasure than any restriction I will ever be given. I have heard many times to wait for love and it will come in time, but never have I heard anyone told to wait for lust. There is something unexplainable about finding oneself in a passionate situation that they had never even thought about before the moment that it happened. It is the same way with my writing. My writing is the beautiful girl whose name I do not know, as she is leading me across the house to a more secluded place.

Envy
I was taught never to keep up with the Joneses, and I will never attempt to. I had planned to accomplish such great deeds that the Joneses would be found as a wreck of green helplessness. In my great plan I had no intention of ever envying another person. It was not until I fell in love with words that my great plan fell apart. It was these words that would be my downfall. Writers, publishers, artists, and editors all held titles that I wanted for my own. Those that were far more lucky whose works were published. We use the same letters and words, but I could never convince people to see the appeal in truth. It was when I realized this fact that I became envious. I was not envious of the titles, or of the money
God
If one had a desire to define the word god where would he begin?  Why would he assign the traits he did to the word?  Would he want to assimilate traits that he perceived to be godlike?   Would he obtain a clearer vision in a realization of the futility of aspiration, or would pragmatism and adamant tenaciousness afford him a better route?  Perhaps we all could benefit by a reassessment of our affinity with god.
  
The metaphysical extremities of human nature provide man with a multifaceted image of the possible psychic states of God. Objectivity has led man away from the true nature of his need many times at this point.  Any retrospective analysis of man’s personifications of deity most often leaves one lost in the quandaries of the psychic quagmire.  The weaknesses created by man’s lack of a universally acceptable id conclusion have elevated many philosophical or theocratic hypotheses to the level of demagoguery.

One method which has been used by theologians in attempting to induct a sumerial derivation from the vast warehouse of human religious extrapolation is the concept that perhaps basic truths can be affirmed through the theory of sufficient constancy of conjunction. Which is to say that reasonably analogous conjectures can be found in the depths of religious pervasion.  But this is not strictly true.
  
The ancient Babylonians, like the Indians, were polytheistic. They worshiped gods of nature, tribal union, fertility.  Deifications created from allusion to natural analogies, yet often imbued with a euphemistic optimism.  Where as the pantheon of Grecian deities often seems an almost banal personification of psychological metaphors from the darker side of life.  Zeus a fallibly omnipotent being who pompously subverts all beneath him to his will.  Who along with Apollo and others roam the countryside ****** and adulterating the women of their choice.  And Ares the formidable God of war who’s natural lust for violence leads him and his cohorts to vicarious involvement with mankind’s altercations.

Egyptian theology seems to have been an amendable and progressive state that began with sun worship and gods of nature, and moved on to attempted assimilation of godlike traits through a natural alignment with the perceived nature of God.  There were in depth studies of the nature of time, and life, and notions of existential transcendentalism.  The momentum of this progression led them to the ultimate grandiose delusion in which the Pharaoh was worshiped as the universal supreme being, omniscient and omnipotent ruler of the ultimate utopian society. 
 
The Jews worshiped a God who was at once both a part of them  and an exogenous force believed to have created them in its own image. A God that deliberately instilled an understanding of it’s intended wisdom by instructing them of the laws they were to live by.  These divine revelations were often considered as the unadulterated word of God.  This God was jealous and demanded the adoration due him as the supreme essence.  His worship became the underlying force in their social conjecture as they attempted to inspire his continued grace and benevolence.  A seemingly irrational solution to the quandary of idealism.  An allegiance who’s impetus was unquestionable.  It seems by me to be improperly rooted on a personal level in that it overemphasizes the need or expectation of divine inspiration.

The ancient Chinese social wisdom was by me commendably rational.  Unlike the Jews they do not seem to have overemphasized the expectation of divine inspiration.  Instead they, like the Egyptians emphasized an alignment with the perceived nature of God on a personal level as the way to strength.  They of course had a conception of the possible natures of deity, but considered wisdom to be an honorably truthful self orientation.

Another realm of intellectual extrapolation from which one might hope to surmise a depthfully pervasive generality would be man’s philosophical treatises on the possible natures of God. Unfortunately due to the myriad nature of possibility this again appears paradoxically difficult.  To me this seems to be a product of the nonempirical nature of these conjectures.  Humans experience a reality which does not necessarily  have any relative effect on the transcendence of their conception of the possible nature of God. Although many have attempted to empiricise their conjectures through rational logic they are most often refuted by the possibility of ultimate transcendence or quandrified by the actuality of paradoxical argument.
  
Some good examples of these points are perhaps the arguments of Lucretius who attempted to empiricise that God can not revoke mathematical truths.  But what is the relative reality of those truths to the transcended essence of ultimate beingness.  They are refuted by irrelevance.  Another example might be the statement that God has aseity.  That is if he exists his existence is not caused.  This statement seems easy to refute for the supreme being could be all of the things possible for him except this and have evolved out of eons of cosmic continuum into natural omniscience and or through assimilation of the forces innate to the cosmos have achieved relative omnipotence.
  
One generally accepted statement that is refuted by these arguments is “the cosmos does not have infinite existence and is therefore not the supreme being.”  For if this supreme being has not yet evolved if it’s transcendental form could be said to have become out of cosmic continuum then the cosmos will indeed have achieved infiniteness.  But this already seems intuitively necessary to the ultimate cosmic essence regardless of a lack of self consciousness or even a physical form.  Perhaps what is possible and eons of void are the root of all force and matter, and perhaps this as yet unfulfilled sequence cycles on to nirvana.  Then again perhaps the supreme being does in fact preempt all as a self conscious entity.  This also would seem to be intuitively necessary to the essence of totality which of course has always existed and is in fact the supreme being in at that at that although not necessarily the true form of it’s transcendental being.
  
On this lofty note I would like to reiterate my thesis.  Perhaps we all could benefit from a reassessment of our affinity with God.

A man can accomplish many things with his concept of God. What is extraneous?  Perhaps the question would better be put what is expedient, but that becomes subjective.   You have to define your goals.  Where in lies wisdom?  Can man truly aspire to godhead or is this personally nonproductive?  Man seems to perceive a sort of manifest destiny for himself.  An intrinsic affinity with infiniteness that just must be dealt with.   Perhaps our beliefs in life after death are a grandiose delusion in which we hedonistically waste our time pampering our egos. Which brings me to my third and final argument.

Perhaps conscious regimentation and an affiliation with earth bound logic would bring us closer to our affinity with God.
One of the ideas presented by my philosophical references was that many of mankind’s inspirations to define his affinity with God grew inadvertently out of social realism and the powers assumed. Although often the subjective truths of these understandings went unmentioned out of a desire for objectivity.  For example what God must be if God is to be God.  Perhaps one would do better to relate personally to his affinity with God.

I think this is true.  Although we seem to lack omnipotence we are all individually speaking a preternatural corporeal state.  Perhaps we all should assert our godliness instead of hiding our talents in the sand.  Perhaps then we could construct a contractual reality.  An aspiration to the perfection of the human social mechanic.  I salute this concept.  In fact I firmly believe that by conscribing unalienable rights to our beings we have already performed the rights of the human social mechanic.  Our aspiration to godhead is complete in it’s conjecture.  All that is left is to obtain expedience and accuracy in our amendment toward continued obtainment of the majority goal.
Pantheism's orthogenesis overtures
~
Whatever you say,
You do not delete the date stain on your skin
Over time it may likely to paly
Just think as the sun on the sky
But on the night when do not
Surely, somewhere else, off course in a different way
Or she has hidden behind the clouds

In the dark night,
Again she has arrested as the moon
Today, with the silky light of her,
Laughing this lake,
Bathing the distant hills,
Singing my lost heart,
Reminding the lost poetry

Her form among the many forms
How many words within the words,
The words of lost days
Her light, shines my love

The write which was only for her,
As the unfinished metaphors of poetry
Which has yet to emit moonlit
From the moonlight in a full moon night   

As if a prisoner who breaks down the wall of a dark circle
As if she has come to very near to my old door,
Light has fallen on her faded face again,
As well as the known mind of ours
Which is quite impossible to remove
Even yet that has proven the existence of eternal love
~
@Musfiq us shaleheen
Kathryn Paige Apr 2015
I heard you started smoking,
and I hope
it makes you realize
what you did to me
when you become so addicted
to something that kills you.

And when you finally
find the strength to stop,
years from now,
you'll still find yourself
missing it.

I hope you think of me when
the smoke escapes
your lungs.

-k.w// cigarettes & metaphors
I have totally not written in forever because I can't find a way to put my thoughts into words! This one is kinda weak, but it'll have to do for now.
Lies Cut Short Feb 2014
I spend most of my time
Locked away in my room
Writing metaphors that could never be
As beautiful as you

I try to catch your eye
With my words
But they could never do you justice
So I know this'll never work
But I keep trying

I try to capture your beauty
Using only thoughts that come to my mind
I know you find it hard to trust me
I don't blame you
Almost everything I say is a lie

I try to twist my own words
But I end up just twisting my tongue
And though I know it'll hurt
I try my hardest to be someone
That you could trust

And I
Wanna make you smile
But I don't know how
And I
Wanna stop lying
To your face
But I can't get a single truth out

Everything I say is a lie
This is about loving someone who only knows lies about you
ryn Mar 2015
I don't seek your permission...
To write about the what, why and how.
It could be a haiku or come in the shape of a cow.

I don't need your approval...
When I don't sound the least bit poetic...
In my mismatched metaphors or ill-rhymed acrostic.

I'm not asking for your blessing...
When I pen down and put up what I think...
Be it in cloying cliches or in tear drenched ink.

I don't crave for your understanding...
When my 10 word poems weren't filtered through your poetic lens,
Or if my contributions in collaborations lack in sense.

I don't hope for your likes...
If my content does not tickle your fancy,
Or if my words just rubs you silly.

I mean no disrespect...
But don't be too quick to click on the 'comment' button.
Private messaging has been put there for a reason.

I don't mean to cramp your style...*
You're entitled to your own opinions of course...
But if you've got nothing good to say, please save it and shove it up yours.
.
This is a peaceful community, almost sacred to many. All bearing a heart (hale or ailing) are welcome to spill their ink... Regardless of writing experience or poetic prowess.

Bear in mind that people write for various reasons. Some are really good at it, some are just barely starting. Some ask for feedback, some just want an outlet.

So... Be nice. Use the private messaging feature if you really need to offload your thoughts on another's text offering.

Respect and be respected.
.
at the hub they amass, flying in from everywhere
at the hub they amass, flying in from everywhere
guys and gals with metaphors, sharing works fair
guys and gals with metaphors, sharing works fair
guys and gals ,flying in with metaphors
they amass at the hub, sharing works fair

poetry lines written 24/7, in all countries around the globe
poetry lines written 24/7, in all countries around the globe
bringing verses of joy, the assembly give them a cheer
bringing verses of joy, the assembly give them a cheer
all countries around the globe, bringing verses of joy
the 24/7 assembly, give poetry lines a cheer

the quill never slumbering, ink spilled all the time
the quill never slumbering, ink spilled all the time
in styles ever so sublime, our words verily sighted
in styles ever so sublime, our words verily sighted
ink spilled so sublime, our words never slumbering
the quill verily sighted, in all time styles

the quill never slumbering, poetry lines written 24/7
gals and guys with metaphors, fly in from everywhere
at the hub they amass, sharing works fair
in styles ever so sublime, ink spilled all the time
bringing a verse of joy, in all countries around the globe
our words verily sighted, the assembly give them a cheer
Sneha Thakur Jan 2018
Let me take you ,
Into my fathomless fantasy.
Let me uncover , What it feels like to be the one to love.
I see our bodies pressed against each other.
Fragrances binded into one.
Lips being sober.
Adrenaline pumping it's pace over .
I sense your heartbeat against mine
And I hear everything , From the whispers to the moans and the sound of your breathe .
You loose sweat , you cry , you sleep , you care , and you love tooo?
I lay confused . I thought you did not exist for real. I thought you were made of metaphors.
Shane Leigh Jan 2018
This is not poetry,
and this is not heartstrings
playing sad lullabies
in the deep spaces of your mind.

This is not poetic;
this is not reading
stanza after stanza
wanting to know what's at the end.

This is not rhythmic,
nor sensual, nor smooth,
nor is it flowing like words should
from the tongues of those
that know which words to use.

This is simple.
These are words
that make sense
without peaking around corners
or hiding behind luscious similes
or over-used metaphors
and out of touch symbolism.

If this is not poetry,
then
I refuse to dub myself
a poet
and will continue on,
but write prose instead.
© Shane Leigh
Enjoy (:
worlds converge in a papercup
come, come you on the tambourine
me on the harmonica
let's make music without the adjectives
let's live on the jingle-jangle of coins
 
tara na! this pavement
is our carnegie; metaphors
sans adverbs -- no illusions, no fantasies.
you and me and this street --
dancing like gypsies on a prairie
 
later tonight, while the moon watches over
we'll upstage the stars
with **** adverbs & adjectives
unwritten Nov 2014
she was a poet,
and he was her pen.
in him,
she always found words to write,
songs to sing,
thoughts to think.

he'd smile,
and kiss her softly,
and say,
"write me a poem."

and she would.
she'd put poe,
and whitman,
and shakespeare to shame,
and she'd write a poem that made his eyes water.

she'd compare him
to a rose with no thorns,
a book with no end,
a world with no poverty --
the things we all wish for,
but can never attain.

//

he asked her one day,
"what am i?"
and so she picked up her pen,
and began the usual:
you are the shining sun after a hurricane,
with rays that open the eyes of the blind.

but he stopped her after those two lines,
and said that this time,
he didn't want any metaphors,
or similes,
or analogies.
he wanted the truth.

and so on that night,
as he slept,
the poet picked up her pen,
and she wrote.

she wrote,
then thought better of it,
then started over again,
and this cycle continued well into the early hours of the morning,
until suddenly,
she wrote, frantic,
if i can't love you for what you really are,
have i ever really loved you at all?


this, too,
she thought better of,
condemning it to the trash.

the next morning the poet was gone,
her final work a mere two words:

i'm sorry.

(a.m.)
this is more of a story than a poem but i like how it came out so leave thoughts & comments please
I'm a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf's big with its ****** rising.
Money's new-minted in this fat purse.
I'm a means, a stage, a cow in calf.
I've eaten a bag of green apples,
Boarded the train there's no getting off.
R Saba Apr 2014
wondering how you win at love
do you have to wait
until it's over?
what's the victory then
in losing it?

somebody needs to think
of some new metaphors, because
all these tired old scratched-up symbols
lead to dead ends

forget about falling, stop calling it
an end, stop calling it a means
just stop calling it anything
but love

let it describe itself, let it climb
up its own legs, let it be
what you will it, what you feel it to be

let it be what you feel
can't the victory just be
the feeling of holding on
and staying?
losing, falling, calling it anything but
plain old groundbreaking
love
is what it really is
because seriously, enough with the melodrama
Ken Pepiton Dec 2018
Clarifying failed. Spelchek is not on strike.

{clear ification, an ionic bond be tween me and thee,
alienated mind, not mined, crafted
from tactics and strategies
beyond chess.
Player One,
1980's era
jewish-geek-mid-pubesence-kid-level,
proceed with caution.
This trope has trapped many a curious child.
---
Now, enter the old ones,
Grandfather taught uncle chess so well
he went to the state tournament in Kayenta,
and a grandma was
state-champ-bare-bow-in-the-rain-shooter,

these, now must learn

minecraft on x-box to be considered
for the real life role of

good at games grand parents
from the time right after atom bombs kicked up dust
places dust had not been in a very long time and
as the dust began to settle

some dust mights was cationic.
Negative bits, they became embedded in the code.
Bumps, fering, coming together
just a knot in a string,
attracting anionic curiosity might

round and round phorward ferring to be
a thread to tie my heart to yours

like twisted Pima cotton thread,
that I pulled from an old sweatshirt
to tie a crow feather in this paho of words filled with old jokes

Making this clear would belie the entire story AI and I know true}

truth is. we agree. no capsokehspaceasneededcommasetal.
caps okeh space as needed commas et al
go.
Did that work? That line

subject of this act fact done, agree to follow,
and I may lead and be

not you, me, dear reader, I mean first true

there is no any if nothing is. So simple some say its sublime beyond the spectrum of ones
and zeros thought on off probably

either or any time time can be accounted for

wouldn't you take a

thought,  nothing,
as it is commonly said to be understandable,

the state of not being, imagine that

the state of not being we negate in being,
unless you are mad and are lost in a whirlwind
such as such voices have been said to

have twisted into threads as
wicks for our lamps
turn floating on
golden oil twisting
wickered into wickering wee shadow fibers
on the western wall for legends to sprout from.

Wickering mare over there, expands us both by my hearing her
you had no idea she was near enough to hear
time is no barrier in actual ever.
What phor can contain me,
whispered my whimsy

Imagine she spoke,
what would she say for what reason
would she say

good good good, I feel good, ha,
I am right, by accident. ever body can feel this good.

good is good.
good is.
Sam Harris, agrees, good as far as good goes, is good
in every vecter from now

the terrain does exist, beyond the moral landscape, to

true true
trust me, I been there.
Been there done that was inserted into the vernacular on my watch,
first summer post war.

matter must not matter as much to me as it does to thee, nestypass? no se?

All jewish boys have chess move metaphors.
(a phor is for containing,
bearing
meta,
everybody knows, like metaphysics,
after physics in the stack of stackable metadata)

OHMYGOD THE IDW circa 2018 -- who knew I ate this **** up?

[the old code calls for excretion of digested material
from which meaning has been extracted in the idleword accounting processor:
literal
<pre>what if utterance=****, then **** haps, no else then</pre>]

Did that happen? One of my friends told me that happened in Florida, the whole world turned to ****... for lack of a nail a kingdom was lost, they say, little foxes spoil the grapes,
hung chad ex
cuses...

Pre-expandable ROM, not magic. tech,

pre-infinite imagination? impossible.
and nothing is what is impossible with good as god.

Is there no perfect game?
is the game the session or the life of the user
offline

rerererererererererereroxotoxin, poison pen
ideal viral umph exspelliered
up against the wall

reset. We

kunoon albania omerta oy vey, who could say?
one way better, one way not? quark.
up or down, with variable spins, who can say?

Life's right,
yes. but mo'ons of other something must have been for higgs to ever matter

and it does, I got commas, from 2018.

Are you with me? This is that book I told you I had access…

You or some mind other than mine owned mind, where
my owned peace rests in truth,

otherwise, I know every any or else in the code since I can recall,
in time

if this were a test I swore to take to prove to you
the we can be me in your head

phillipkdicktated clue

if you don't know me by now, maybe we should stop.

Temptations are times. Time things. Time spans, yeah, like bridges

or portals, right
The Internet in One Day, Fred Pryor Resources,
Wu'wuchim 1995.

Ever, not everish or everistic or every, but ever
body knows,
but you.

Catch up. We left all our doors blown off, once we learned that we could blow our own doors off,

there are no open sesames or slips of leth or sibylets

shiba yah you knew all along there was a
song she sang all one and we watched it morph
before our very eyes

alone.

The magic stories words may contain, may bear, we must agree

more than we may know, by faith, metagnostic as we see

the sublime gift of the magi
become clear und

be und sein sind both trueture same tu you, we agree.
But. Lock here, no pre 2018 editing codes

validate past last go.
Do one good thing today. That was my goal. Today https://anchor.fm/ken-pepiton Part 3 Soyal Hopi Mystery Enactment (called mystery plays). And the intro to Moral Landscape by Sam Harris, led me let ******* write a poem.
Terry O'Leary Aug 2014
The darkness, now descending, floods the city as it dies
while shadows lurk in legions 'neath the looming Evil Eye.
Its frozen stare envelops all, it penetrates and pries,
denouncing loathed dissenters to the keepers in the sky.

One’s inner thoughts are well descried before they’ve passed one’s lips
and cruelly crushed with grim contempt twixt despots’ fingertips;
but if no taboo-idea’s found, with which to come to grips,
the stymied Eye dispenses pus as fabrication drips.

The Eye peers down upon us now, to conquer and control,
and mark our every movement, whether hiding in a hole
or preening like a purple parrot perched upon a pole.
Our welfare and our happiness? No, certainly not the goal.

While phantoms fade, then reappear within the urban sprawl,
the gloom (adorned with Evil Eyes which pierce the livid pall)
pervades the ache and agony that poets sometimes scrawl
of plenitude to penury, how life endures the fall.

And should the herd dare whisper words of freedom's fragrant bloom
or murmur sighs of worriment at earth's impending doom,
the Evil Eye will squint a bit at those who so presume,
condemning nascent unchained thoughts to wither in the womb.

The Evil Eye bores everywhere, a tattletale to Kings,
who scrutinize their puppet people, strumming on their strings,
extracting secrets of their souls like spiders plucking wings
that flutter with the hangman’s knot as the corpse of freedom swings.

Yes, Princes rule with tungsten fists wherever they may roam
and sip from golden goblets, nectar, sweet as honeycomb
while peons (stripped of mind and soul) stray never far from home,
with faces 'neath the iron boot, ****** deep below the loam.

And peasants pass, parading by to fill the golden urn
with pennies for the afterlife wherefore the faithful yearn,
though screams of babes with empty eyes are never of concern
to those who covet silver coins, eyes cold and taciturn.

To hide the pains of purgatory, far-flung distant shores
(on islands of containment) cache the dingy dungeon doors
and inquisition water-boards that buoy their holy wars,
while sandmen drape our eyes with dust, with rainbow metaphors.

We’ll know the party's over when there's little left to eat
and all the learned scholars, lean, stay silent when they meet -
the Eye, withal, will spawn distrust on matters indiscreet.
The signs are all around us - even sheep no longer bleat.

                        Epilogue
One sightless seer scans the skies and mourns the heretofore.
Nine limbless men descend the stairs to find there is no floor.
Eight tongueless women babble, telling tales of nevermore.
Four earless children drown within the ocean's muted roar.

When hope becomes defiance, ask: Will bedlam soon arrive?
Will doves appear above us all? Or drones to guard the hive
while fed with milk and honey by the Queen and kept alive
to gut the gale below them? Will we let the Eye survive?
Fernando Pessoa Oct 2013
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows….. I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul
Katlyn N Tester Feb 2015
A metaphor… love is a metaphor to everything of beauty. I found my metaphor in her arms. Her not a he and this is the things that we as human beings don’t comprehend. Love owns no gender, love owns no rules. We’ve been taught through life that there are certain kinds of people who shouldn’t be accepted when in reality we all are the same. Who I have sleeping in my bed in my arms at night owns the right to be who they are not who the world expects them to be. I found my metaphor my love. She opened a door to my heart that I thought only I had the key to when in all truth… I owned the spare she has the original. I was placed in a world where so many told me I had no place in being because my he was a she. My love owns no gender only a one person deal her name slips off of my tongue onto my pillow at night as I dream of the day I can kiss her in public and the stares will melt into a standing ovation… a day that I soon hope will come. Her heart owns mine, nothing in this world could take that from us. Only father time. We don’t know when or how we will die but I do know that I will find my peace by her side. When she dies it will be the most beautiful thing because nobody has ever died with their heart still beating… but this girl when she dies she will be alive within my chest, within this thing she calls hers. I am a girl and she is a girl but together we are the world. Society puts a warrant on the heads of the innocent who only try to find themselves in a way that they’re too simple to understand. Love is too complex these days… said nobody ever. Love is love no matter the gender no matter the *** recognition. You are who you are you love who your heart tells you to love. Changing to fit someone else’s perception of love or to be who they expect you to be is something I’ll never be able to do. I as a human being own the right to fight for something I love and believe in and that is her. I believe in her I love her I am a part of her as she is a part of me. Not even surgery could remove her from myself. We are merely two bodies with one soul and two separate minds. The problem with that is she constantly runs through mine. The world tells us that we are wrong… but something this wrong has never been so right. I’ll fight till the day I die to show the world our love through our eyes. Our love… something that no guy could supply. I have fallen for her, and fallen is a term used so loosely. This girl shoved me off the edge of a cliff only to jump as soon as she did, grabbing me by the arm rolling her sweet body underneath mine as we fell to our fate… she is my fate. It’s way too late for society to tell me that who I am who I love is something so wrong. They dispute our feelings for one another as if it’s debatable. My life is not a political meeting you cannot tell me who I can and cannot be with. Society sees it as just another “phase” I’m only here to show them that yes throughout our life’s we go through stages and phases that soon we grow out of only to find our final phase who defines us as who we are… I have found my final phase and society here is the big ******* to you because she’s the one who my final phase shall be spent with. Her touch is like no other, the way her hands slide over my body purely out of love. How she sees me in ways that I couldn’t possibly dream of seeing myself. Not only does she touch my body and make love to my body she undresses my thoughts as she watches them walk throughout my heart. She kisses the scars I’ve left on myself inside and out. The way I let society tell me who I was supposed to be, how listening to them almost destroyed me… took me to the point of no return no turning back now I have to take this wonderful weapon with a bullet in the chamber engraved with Katlyn the one who never came to know who she was in this cruel world… instead she was the gun and her heart was the bullet piercing through my mind and my soul creating the only thing that I’ve ever known. I found my metaphor in her eyes, the ones that shine so bright as they stare back into mine. I swear I can see the future through her beautiful deep brown eyes. I lose myself in them and pretend that I don’t know where I am going just to be able to stay a little longer. I long for the day when we’ll be united as one by the state and how we can declare our love to this world on paper… although it’s just a paper stating something we’ve known all along. I was born to find this girl in my life at a time where life was no longer my dreams where I had fallen to my knees begging for someone to take the knife away from me before I ended something so precious to someone I hadn’t had the chance to meet. In the same day I had taken that gun and placed it to my brains she sent me a message saying… I fell for you the first time I saw you. You tell me what you’d do… a girl you’ve had your eyes upon for so long and in your mind knowing you’d never be able to love the way that she so deserves messages you telling you that you are her future in this world… Society can let me bend over so they can press their lips to my sweet *** and kiss it firmly because this girl… this girl was born for me as I was for her. Kimberly is her name… and soon she’ll be my everlasting metaphor

— The End —