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"mercifully" poems
Pinto? No, not the wild-spirited, color-splotched mare with mane streaming like flames-thrown behind in the wind Taking desert inclines with scuffing hooves on rock catching her balance in mesquite curbing? The sage, dust All that nature throws in its pathway to knowledge toward treachery of crosswalks? “P-l-e-a-s-e  don't slow down! Stop signs--? ”No! Just keep going! Don't slow down now!” “They'll hear us coming 3 blocks away!” Pinto? Clogged carburetor--? No one much-mentioned rear-end inferno reputation?? A mere twinge in my signature Woman-without-a-clue “Hey, it runs, right? Gets where we're goin'?” Kids duck in back seat so as not to be seen In the cloud of smoke We make our approach Hiss Spitter, Belch, Pop and-- BANG! --Like a gunshot Kids take cover on street, in backseat duck down so not to be noticed... “Oh Ma!   MA!!! Not right here! Farther down!” ...so not to be seen ...by friends that matter... in this ride from hell! Backfiring Beast-- “Friends” skitter away from what will emerge from the smoke and fumes of high-risk-situation Kids spill out through jammed door to unexpected accolades onto equality's curb of laughter   Public school's wake of exhaust and relief I drive mercifully away Start of another school day
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Aug 7, 2018
Aug 7, 2018 at 1:11 PM UTC
Red Ford Pinto--Nice Body--$500
We embarked upon a titanic voyage to a new world. It’s said that behind every great man there's a great woman; But a woman needs a man like a fish needs a bicycle. 7 bells rang late that night, as our ship stuck fast; between the devil and the deep blue sea. Fingers frantic! tapping code…—-… Sailors quickly battened down the hatches and stowed away the Riff-raff, for they knew fine words would butter no parsnips, Better here than there in third class. Some fiddlers on the deck played “Nearer My God to Thee", As the bubbles rose from beneath the sea, come buckle down boys for the devils to pay, come hell or high water he’ll have his pay. Mothers row, land lubbers row, it's time to leave this god forsaken place. pulling hard for freedom. Ten steel decks split and snap, as they join the ***** and hundreds either shriek or pray; as La dolce vita slowly ebbed away. Mercifully the cacophony descends ever silent, as fifteen hundred souls become neither fish nor flesh, rotting from the head down. Save our souls •••- - - •••. … — …
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Oct 10, 2018
Oct 10, 2018 at 4:15 PM UTC
Gigantic
There is a gentle thought that often springs to life in me, because it speaks of you. Its reasoning about love’s so sweet and true, the heart is conquered, and accepts these things. ‘Who is this’ the mind enquires of the heart, ‘who comes here to ****** our intellect? Is his power so great we must reject every other intellectual art? The heart replies ‘O, meditative mind this is love’s messenger and newly sent to bring me all Love’s words and desires. His life, and all the strength that he can find, from her sweet eyes are mercifully lent, who feels compassion for our inner fires.’
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9.6k
There is a Gentle Thought
It's unfortunate that Parisians Are very hard to bear, In terms of flash obsequiousity, They drive me to despair! And patience is an attribute I don't profess to have To mercifully administer When accents veer to Slav. Baltics look like jellyfish, The Germans are obscene And loud and overbearing But the Swiss are very clean. Italians are a swarthy lot Who gourmandize on food And sacrifice their suavity By being impudently crude. The Spanish are no better, In fact they are probably worse, For obsessing in the blood sports I actually rate them in reverse. Starchiness is British They're convoluted to the core, The Old Boy system's lost it's sheen Aspirants flock to it no more. The Yanks are looking slightly crass Whilst fighting foreign wars, Their pinky held up squeaky clean To call "foul" to China's flaws. China sits inscrutably Holding all the cards Waiting for the moment To strike beneath the guards. India and Pakistan Are squabbling like kids The uproar over Kashmir Rates them lower than the Yids. The Yids are walking tightropes With Iran's nuclear ****** Whilst currying Yank approval, Eventual bombing is a must. The Dutch behave so anally They're always proven right When faced with rigid negatives They blanch with haunches tight. But not the Argentineans They love to dance and flirt, To chase the senorita Cavorting in the scarlet skirt. The South Pacific's wallowing They're adrift from World affairs Oz's self preoccupation Mirrors Kiwi's vacant stares. Africa's way past comment Lost to heat and dust, Warfare, **** and pillage And the rest decayed by rust. Eskimos are OK Clean living on the ice The population static, Zer-O pollution's nice! Marshalg @theGate Mangere Bridge 14 April 2009
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May 2, 2010
May 2, 2010 at 12:08 AM UTC
Eskimos are OK!
It's unfortunate that Parisians Are very hard to bear, In terms of flash obsequiousity, They drive me to despair! And patience is an attribute I don't profess to have To mercifully administer When accents veer to Slav. Baltics look like jellyfish, The Germans are obscene And loud and overbearing But the Swiss are very clean. Italians are a swarthy lot Who gourmandize on food And sacrifice their suavity By being impudently crude. The Spanish are no better, In fact they are probably worse, For obsessing in the blood sports I actually rate them in reverse. Starchiness is British They're convoluted to the core, The Old Boy system's lost it's sheen Aspirants flock to it no more. The Yanks are looking slightly crass Whilst fighting foreign wars, Their pinky held up squeaky clean To call "foul" to China's flaws. China sits inscrutably Holding all the cards Waiting for the moment To strike beneath the guards. India and Pakistan Are squabbling like kids The uproar over Kashmir Rates them lower than the Yids. The Yids are walking tightropes With Iran's nuclear ****** Whilst currying Yank approval, Eventual bombing is a must. The Dutch behave so anally They're always proven right When faced with rigid negatives They blanch with haunches tight. But not the Argentineans They love to dance and flirt, To chase the senorita Cavorting in the scarlet skirt. The South Pacific's wallowing They're adrift from World affairs Oz's self preoccupation Mirrors Kiwi's vacant stares. Africa's way past comment Lost to heat and dust, Warfare, **** and pillage And the rest decayed by rust. Eskimos are OK Clean living on the ice The population static, Zer-O pollution's nice! Marshalg @theGate Mangere Bridge 14 April 2009
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64
a perfect, newly unveiled horizon line ancient and promising yet reborn as a newborn to my industrialized eyes. I haven’t heard sirens in days. still, there is the hustle and bustle of movement everywhere, but not by people nor Porsches and Escalades and their infiltrating thick smog. no inane chatter and fake oohing and aahing over Louis’ and who saw who. no here the possessions move the so-called inorganic the buildings, doors, and gates yearning to be free swaying, creaking their tiny reins of confinement too much to bear for their free spirits. taking their cue from trees, plants, vines, leaves which are overgrowing fences and clambering over walls a massive riotous uprising at a glacier-pace to triumph over the bipeds imagine the horror of the flora at a sudden interment to La-La-Land the hopelessness and oppression at being trimmed twice a week mutilated and then slaughtered. no they are the secret underground rulers stubbornly proud but humble tyrants mercifully loving their lowly subjects feeling sorry for us we who have been forced into this unnatural industrial order not their beautiful chaos. and yet... they lie in wait patiently, silently anticipating the day when we throw up our arms in exasperation and relief and acquiesce to their dominion a return to times before times.
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Aug 13, 2011
Aug 13, 2011 at 1:33 PM UTC
Chloroplasts Unite!
Preponderant enchantments written With dawns bereft tears Of a hircine mendicant Upon a necromantic acorn Thirsting times wild-wize monition During a week of sundays Atide sins wake awash Clarities purification. Natures immure debt drawing Maledictions masterpiece, Leys bane web mercifully mirroring Obsidian sibilant eyes Peccably prenouncing the portent Languid whisper inquisitorially; Heavens augumented vestments Distinguishable amid eternities Pensive shade as thuriferous Hallowed tombs loom black As ink, somewhere that was Thought to be void far between The dark hour anchoring the Fractured talisman of loves memoirs. ELEETE J MUIR.
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Jan 13, 2012
Jan 13, 2012 at 11:49 AM UTC
The ghosts of chance
one mistake when you were too young to know how to play by the rules, when lines were blurred and first times felt like finallys. you had to tell him it was over seven separate times, had to endure each time he passed too close to you at work. until, mercifully, you never saw him again. two mistakes still too young to understand right and wrong but old enough to understand the spark and the beat of the music. you let him do the things that made him keep one eye out for anyone you knew, because you thought you were special until the night you realized you weren't. all the times you left smelling like him turned into a burning on your skin it took you years to wash away. three mistakes three strikes, old enough, but not for him. still too naive for the secret meetings that didn't feel wrong until they did. the first time there was lots of blood and he wiped away your tears while you hyperventilated on the bathroom floor. he brought you water and then kicked you out and found new ways to do it all again until you'd had enough.
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Dec 31, 2021
Dec 31, 2021 at 6:10 AM UTC
three strikes
Today I savored my own killing I could've done so at the twilight of my days while I dose off on a creaking rocking chair my old lean limbs entangling down my crooked joints melded to the arm rests my heavy head resting on my collarbone oblivious as I mercifully approach from the back gently stepping on the tube leading oxygen to my dying body watching as my breath become heavy as my blocked throat wheeze in exhaustion as my stressed lungs finally collapse as I quietly yield to sleep. I  could've done so sometime tomorrow or yesterday As I lay asleep on my back snoring as usual in an instant I'll roll over and be on top of myself clasping at my mouth and nose pressing my full body weight as I jolt awake, panicked and confused my arm randomly flailing around torn prayer flags swooped by a hurricane my fingers digging into the flesh of my arms attempting to pull me apart until finally my stubborn grip overcomes and defeated I dim onto stillness save for a twitch here or there. I chose to do so in my youth as the texture of a heavy rope grazes and bruises the skin on my neck while I send a chilling smile at myself from across the room pulling a handle that drops the floor beneath my feet accelerating for the first time relishing the hissing air the absence of gravity catching with my eyes my penetrating gaze older than I am full of grief, fatigue, and divination cut by the cracking rope torn like my snapped neck with a hallow sound much less revolting than I thought watch me dangling like a ragged pendulum a grotesque puppet an unripe miscarriage feeling but a slight pinch of regret for never knowing this moment
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Nov 23, 2018
Nov 23, 2018 at 11:36 AM UTC
Today I savored my own killing
Today I savored my own killing I could've done so at the twilight of my days while I dose off on a creaking rocking chair my old lean limbs entangling down my crooked joints melded to the arm rests my heavy head resting on my collarbone oblivious as I mercifully approach from the back gently stepping on the tube leading oxygen to my dying body watching as my breath become heavy as my blocked throat wheeze in exhaustion as my stressed lungs finally collapse as I quietly yield to sleep. I  could've done so sometime tomorrow or yesterday As I lay asleep on my back snoring as usual in an instant I'll roll over and be on top of myself clasping at my mouth and nose pressing my full body weight as I jolt awake, panicked and confused my arm randomly flailing around torn prayer flags swooped by a hurricane my fingers digging into the flesh of my arms attempting to pull me apart until finally my stubborn grip overcomes and defeated I dim onto stillness save for a twitch here or there. I chose to do so in my youth as the texture of a heavy rope grazes and bruises the skin on my neck while I send a chilling smile at myself from across the room pulling a handle that drops the floor beneath my feet accelerating for the first time relishing the hissing air the absence of gravity catching with my eyes my penetrating gaze older than I am full of grief, fatigue, and divination cut by the cracking rope torn like my snapped neck with a hallow sound much less revolting than I thought watch me dangling like a ragged pendulum a grotesque puppet an unripe miscarriage feeling but a slight pinch of regret for never knowing this moment
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59
Love has given up. It was the wrong religion. And London did not melt into the Thames. You teetered on the edge of a golden world, and then fell suddenly— accused of sortilege, ****** and treason. And at his pleasure— or was it mercy?— Was it for the sake of your seven years, or perhaps for the little daughter?— in which flowed the royal blood, spoiled by *** and lineage. Whatever it was, no matter. He would spare you the pain of being burnt at the stake. Instead, to be executed like royalty— dispatched by a French swordsman. The prophecy must have been of little comfort as your ladies helped prepare you to meet Death, newly betrothed. A gown of dark grey damask floated over a blood-red petticoat. Your mantle was trimmed with ermine. Queenly, you stood and addressed those who had come to watch you. And then you knelt and began to pray, and quickly and mercifully, the blade carried out its trajectory.
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Oct 9, 2016
Oct 9, 2016 at 10:52 AM UTC
Threnody for Anne
*reality abruptly removed the veil   realization mercifully provided the light a binary being seeking his own level   attempting to rise to the surface of himself if peaceful existence is based on choice   then personal dogma tablets need chiseling if afterlife is fashioned from belief systems   then intimate mysteries need conceiving dialogue of a dress rehearsal for an actual life   faithlessly hidden within lines of complexity alliterated ambiguously, expressed equivocally   setting the stage for reincarnation's passion play*
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Jul 8, 2015
Jul 8, 2015 at 11:03 AM UTC
Reincarnation Rehearsal
The air is damp and fresh, the scent of new rain perfumes all that surrounds me and thin mist lingers in the atmosphere. It caresses my face when I walk through it's path, a simple, happy path, like moth's wings on silk, and it no longer stings. A large oak tree stands tall and mighty, a magnificent display of solidarity - but not imposing. It is kind and bare and humble, and I see that we are both stripped in some way, raw and defrocked. I touch the last trace of green it possesses, the last bit of hope and the last reminder that things come back and that things move forward, soft moss under the pads of my fingertips, soaked and sponge like, and just there - clean and true. I turn up my collar against the wind and tighten the wrap of my coat around me, still clinging, but at least I'm shielding myself from the cold. I'm still allowed to cling just a little, I think. Sometimes we need to cling - to help us let go. And anyway, I know that change has arrived at last, no matter how small it is, because although the only embrace I receive here, aside from the fabric of my coat, is the bitter cold, I am not bitter. And this chill does nothing but bring peace, and somehow warm my heart this time instead of freezing it. A ruby under the wet russet leaves is what I see through the remnants of the rain. Peel away the outer layers so that I can remember what is beautiful. These colours do not look like blood anymore; they're a sunset: fading but with a guaranteed return. Beginnings, endings, departures and returns - that is an existence. But a life is when we look back with both longing and acceptance, to never forget but never dwell too long on what has been. Sweetness, bitterness, sourness: a weary traveler making his way along a path with Autumn meadow on one side: tranquility and rest, and Autumn meadow on the other: Summer is ended and so are you. I know which side I'm ready to seek now. For what is taken in Autumn, is also returned. And the evidence is in your being on this side of the path with me. I know - because I see the good things now. I see only the beautiful colours and the chestnuts and the mercifully short days. Yes. This Autumn will be different.
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May 22, 2013
May 22, 2013 at 1:32 PM UTC
An Autumn's Musings
The air is damp and fresh, the scent of new rain perfumes all that surrounds me and thin mist lingers in the atmosphere. It caresses my face when I walk through it's path, a simple, happy path, like moth's wings on silk, and it no longer stings. A large oak tree stands tall and mighty, a magnificent display of solidarity - but not imposing. It is kind and bare and humble, and I see that we are both stripped in some way, raw and defrocked. I touch the last trace of green it possesses, the last bit of hope and the last reminder that things come back and that things move forward, soft moss under the pads of my fingertips, soaked and sponge like, and just there - clean and true. I turn up my collar against the wind and tighten the wrap of my coat around me, still clinging, but at least I'm shielding myself from the cold. I'm still allowed to cling just a little, I think. Sometimes we need to cling - to help us let go. And anyway, I know that change has arrived at last, no matter how small it is, because although the only embrace I receive here, aside from the fabric of my coat, is the bitter cold, I am not bitter. And this chill does nothing but bring peace, and somehow warm my heart this time instead of freezing it. A ruby under the wet russet leaves is what I see through the remnants of the rain. Peel away the outer layers so that I can remember what is beautiful. These colours do not look like blood anymore; they're a sunset: fading but with a guaranteed return. Beginnings, endings, departures and returns - that is an existence. But a life is when we look back with both longing and acceptance, to never forget but never dwell too long on what has been. Sweetness, bitterness, sourness: a weary traveler making his way along a path with Autumn meadow on one side: tranquility and rest, and Autumn meadow on the other: Summer is ended and so are you. I know which side I'm ready to seek now. For what is taken in Autumn, is also returned. And the evidence is in your being on this side of the path with me. I know - because I see the good things now. I see only the beautiful colours and the chestnuts and the mercifully short days. Yes. This Autumn will be different.
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indigo dusk spreads across inexhaustible country sky torn wet clouds stretched blue at twilight a big-chested wind comes howling off the lake dissecting our immortal kiss as the pink sun meets her planet-doom leaking on my balcony like a falling curtain blessed with an affinity for moonlight lingering drinking pale wine we took baths in lukewarm vanity she is a long legged sorceress smoking a cigarette half awake because i've got the covers again goose bumps crowd onto her little bare ******* dewy legs sliding among mine rousing my bones and heart alert as the bright sun dances silent like a new carnation dragged from bed bringing a giant unscrambled sunrise across my section of heaven's blue sea but is mercifully eclipsed by the cream-skinned breast of a purified failed angel exploring the feather-soft mountain of my body we drank cointreau in the early morning against the collage of saxophones expanding among criss-crossing body odors and thin magic on my lipsticked neck i'm gaining strength over my neuroses all my fear and doubt disappears into joy no longer huddled in paper misfortune reintegrated with ecstasy in the smoky labyrinth of her eyes as her fingers light as dreams draw complex patterns in the flesh of my back and buttocks like secrets written on wet paper none of it       was            real        before          this           moment
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Dec 18, 2014
Dec 18, 2014 at 3:25 PM UTC
heaven's blue sea
When you’re hanging by the neck until your life is nearly done., It might almost seem a blessing when the hangman lets you down. They then spread you on a table Then the real torture began. They cut away the man parts from their sacrificial lamb. Then your core is cruelly opened and your ****** entrails rise in the hands of he, your butcher displayed before your dying eyes. Your brain supplies an image of back when you were a child and you greeted good Queen Mary in fine ornate Latin style. Mercifully shock set in as death transfixed your eyes. Sweet Jesus’ name was on his lips as the recusant dies.
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Dec 21, 2011
Dec 21, 2011 at 7:21 PM UTC
The Recusant, The brutal Execution of Edmund Campion
Gaia slammed the door and threw her phone across the room. Her lover Humanity has done it again--                   and again, and again. That broken mess of a love with so much baggage, it makes the raunchiest Olympians look like Astrea. All night out, and Humanity ruins and disappoints,                   once more. Gaia screams into a pillow of earth in frustration. Uranus thinks she's melodramatic, But how can the Sky sympathize with the Earth? And how in turn can the Earth fall so wholeheartedly,                 for a destroyer? Who once more in turn, tries in vain, but will never understand the complexity of it's own round habitat-lover. So Gaia is left confused and hurt, though Humanity swears, it never meant to hurt her; break her into pieces, and turn from a collective of voices to Narcissus himself.                  She sighs. Perhaps next week will be different? The texts between the two so hit or miss and fickle, Only Fates could read what lies behind the tension. An Aletia moth flits in and out the window, and suddenly the butterfly poster on Gaia's wall feels pathetic. An imitation of her own work. Perhaps next week will be different? Perhaps Zeus will vow celibacy, perhaps the sky will fall into the sea, and we'll all be mercifully crushed in between. But what crushes is reality, and as Gaia falls asleep, the phone lights up. Humanity: "Drinks again next Thursday?" The same empty connection repeated ceaselessly. One generation on to the next until the last. And of course Pandora's curse, keeps Gaia suffering through them all.
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May 4, 2017
May 4, 2017 at 12:03 AM UTC
Allusion
Gaia slammed the door and threw her phone across the room. Her lover Humanity has done it again--                   and again, and again. That broken mess of a love with so much baggage, it makes the raunchiest Olympians look like Astrea. All night out, and Humanity ruins and disappoints,                   once more. Gaia screams into a pillow of earth in frustration. Uranus thinks she's melodramatic, But how can the Sky sympathize with the Earth? And how in turn can the Earth fall so wholeheartedly,                 for a destroyer? Who once more in turn, tries in vain, but will never understand the complexity of it's own round habitat-lover. So Gaia is left confused and hurt, though Humanity swears, it never meant to hurt her; break her into pieces, and turn from a collective of voices to Narcissus himself.                  She sighs. Perhaps next week will be different? The texts between the two so hit or miss and fickle, Only Fates could read what lies behind the tension. An Aletia moth flits in and out the window, and suddenly the butterfly poster on Gaia's wall feels pathetic. An imitation of her own work. Perhaps next week will be different? Perhaps Zeus will vow celibacy, perhaps the sky will fall into the sea, and we'll all be mercifully crushed in between. But what crushes is reality, and as Gaia falls asleep, the phone lights up. Humanity: "Drinks again next Thursday?" The same empty connection repeated ceaselessly. One generation on to the next until the last. And of course Pandora's curse, keeps Gaia suffering through them all.
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~ March 2025 HP Poet: Mike Adam Age: 66 Country: UK Question 1: A warm welcome to the HP Spotlight, Mike. Please tell us about your background? Mike Adam: "Slum east London, dysfunctional violent childhood, playing on bombsites. School, dungeons and kidnappings, sad little boy. Love of dogs and plants and rocks. School: Beckett Shopenhauer, work, college, work university, 1st love lost, travel Asia beaches and mountains, monasteries, monks, Bhodidharma. Work, work, work, Lady J (published collection), retirement, happy at last." Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Mike Adam: "Began writing 10 years old, HP about ten years." Question 3: What inspires you? (In other words, how does poetry happen for you). Mike Adam: "Poems gestate and arrive unbidden, laid like turtle eggs, a little hole, sand flicked and forgotten." Question 4: What does poetry mean to you? Mike Adam: "From 1,000 posts perhaps start with the latest few. I call them "mercifully short," easy to read but, given time, you may unpack a great deal." Question 5: Who are your favorite poets? Mike Adam: *"Ryokan: Why ask who has Satori, who has not? What need have I for that dust, fame and gain Montale: Life that seemed vast Is briefer than your handkerchief"* Question 6: What other interests do you have? Mike Adam: *"Amidst the first suicidal mass extinction in history I am grateful to read new poetry and garner hope from young poets still expressing themselves in beautiful combinations of words so thank you all for that... Who am I? I don't know"* Carlo C. Gomez: “Thank you so much Mike, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!” Mike Adam: "With gratitude, Mike." Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Mike a little bit better. We certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez We will post Spotlight #26 in April! ~
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Mar 2, 2025
Mar 2, 2025 at 4:45 PM UTC
HP Writers Spotlight: Mike Adam
~ March 2025 HP Poet: Mike Adam Age: 66 Country: UK Question 1: A warm welcome to the HP Spotlight, Mike. Please tell us about your background? Mike Adam: "Slum east London, dysfunctional violent childhood, playing on bombsites. School, dungeons and kidnappings, sad little boy. Love of dogs and plants and rocks. School: Beckett Shopenhauer, work, college, work university, 1st love lost, travel Asia beaches and mountains, monasteries, monks, Bhodidharma. Work, work, work, Lady J (published collection), retirement, happy at last." Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Mike Adam: "Began writing 10 years old, HP about ten years." Question 3: What inspires you? (In other words, how does poetry happen for you). Mike Adam: "Poems gestate and arrive unbidden, laid like turtle eggs, a little hole, sand flicked and forgotten." Question 4: What does poetry mean to you? Mike Adam: "From 1,000 posts perhaps start with the latest few. I call them "mercifully short," easy to read but, given time, you may unpack a great deal." Question 5: Who are your favorite poets? Mike Adam: *"Ryokan: Why ask who has Satori, who has not? What need have I for that dust, fame and gain Montale: Life that seemed vast Is briefer than your handkerchief"* Question 6: What other interests do you have? Mike Adam: *"Amidst the first suicidal mass extinction in history I am grateful to read new poetry and garner hope from young poets still expressing themselves in beautiful combinations of words so thank you all for that... Who am I? I don't know"* Carlo C. Gomez: “Thank you so much Mike, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!” Mike Adam: "With gratitude, Mike." Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Mike a little bit better. We certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez We will post Spotlight #26 in April! ~
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I need your help, so I am going to ask for it. I need your help....to be ok. I need you to be honest with yourself, And what you feel.....you need to say! Right now, I am extremely vulnerable, As I am sure you know well, my friend. And it has taken an extremely long time, To get my broken heart to mend. And my heart needs my protection, I am its' only security guard. Please realize the threat you pose! And what I am about to say...is very hard. This needs to be said quite early, Before time runs away on its' course. It's better to feel pain prematurely, Too late, is always much worse. And I know it may be very difficult, But if your heart is not fully free, Because it still belongs to another, Mercifully, for now,..... let me be. Forgive me, if you feel I'm a coward. But I'm still afraid...I always have been. We both know where heartbreak can take us. And I don't ever want to go there again. So, if you're not completely ready, To let go of your past and to try, With all that you are...and all of your heart, I need you to say goodbye!
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May 9, 2010
May 9, 2010 at 12:40 PM UTC
Do Me A Favor
she penned a note in girly curling cursive, blue on white lined paper, taped it to his carrier, a cage one size too small "he bit me, crapped on my floor, made thousand anxious scratches on  my door" she didn't intend to report his heinous crimes in rhyme, but she did; they were enough to get him the needle, ministered mercifully, of course though cursive's now a dying art, it's sufficient to sign another death decree--for slaughter, we know, can be accomplished with any font
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Sep 28, 2016
Sep 28, 2016 at 11:08 PM UTC
a cur's curse, in cursive
WHO WILL SAVE ‘HUMANITY’ FROM ITSELF? Ayad Gharbawi Come down, and celebrate with us all The beginning of a senseless ****** Where children sat awaiting Trying to Understand The necessity That you humans found in yourselves Was so necessary to enact Against the innocently impaled victim I guess, that no one Can ever Accept truths That for me and for you Were so different And yes, the medieval priest Did laugh gutturally In his drunken paradise Yes, that man you loved Was very sickening In his punishing self-imposed bleeding dictums And he can no longer talk Through his burning tongue That has been mercifully stabbed Just far too Many times.. Eternal laughter That tries to memorize the renaissance poetry Is a silly game That gets you somewhere Endless rows of frowning fools I tell you What did you learn from All those poetry you did memorize? I tell you We must all decide To stand Somewhere of relevance and depths Here in our personal hour That God Has dictated for us Sing, then, the songs of deathness Wherein the lonely dance Hundreds and acres more Of corpses have been recently Unearthed Rotting statues And you can no more bear it I know Just as the world Drowns her dulled eyes Flying fast and far Away from your memories And now all the clowns disguised as priests Have told me to die So soon I guess, they want me to say “Goodnight” But I will try to breathe One more breath One more escape From this imprisonment You classified as ‘life’ You see, I wasn’t really sure If they weren’t in truth Priests disguised as clowns Come tonight and throw your Second-hand flowers In that grave for The princess that has been assassinated tonight Murdered deeply In this Paris night And tomorrow we’ll all laugh idiotically In astonishment, once again And the bewildered children will, once more, sit not understanding The murderous nature of you human beings And yes, I myself, once more Do not understand what is impelling you all To **** ****** and butcher again and again Come ye saviours! Save us, ye saviours! The crucified darlings Tearful you stand I pray for you to rise up and do revenge Against these sadistic monstrosities In my increasingly disorientating brain Christ! I did try so hard to reach out to you For you to save us And my doubts are brimming now As you wither ever more Decomposing on that wooden cross
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Jan 4, 2010
Jan 4, 2010 at 8:28 AM UTC
WHO WILL SAVE 'HUMANITY' FROM ITSELF? - AYAD GHARBAWI
WHO WILL SAVE ‘HUMANITY’ FROM ITSELF? Ayad Gharbawi Come down, and celebrate with us all The beginning of a senseless ****** Where children sat awaiting Trying to Understand The necessity That you humans found in yourselves Was so necessary to enact Against the innocently impaled victim I guess, that no one Can ever Accept truths That for me and for you Were so different And yes, the medieval priest Did laugh gutturally In his drunken paradise Yes, that man you loved Was very sickening In his punishing self-imposed bleeding dictums And he can no longer talk Through his burning tongue That has been mercifully stabbed Just far too Many times.. Eternal laughter That tries to memorize the renaissance poetry Is a silly game That gets you somewhere Endless rows of frowning fools I tell you What did you learn from All those poetry you did memorize? I tell you We must all decide To stand Somewhere of relevance and depths Here in our personal hour That God Has dictated for us Sing, then, the songs of deathness Wherein the lonely dance Hundreds and acres more Of corpses have been recently Unearthed Rotting statues And you can no more bear it I know Just as the world Drowns her dulled eyes Flying fast and far Away from your memories And now all the clowns disguised as priests Have told me to die So soon I guess, they want me to say “Goodnight” But I will try to breathe One more breath One more escape From this imprisonment You classified as ‘life’ You see, I wasn’t really sure If they weren’t in truth Priests disguised as clowns Come tonight and throw your Second-hand flowers In that grave for The princess that has been assassinated tonight Murdered deeply In this Paris night And tomorrow we’ll all laugh idiotically In astonishment, once again And the bewildered children will, once more, sit not understanding The murderous nature of you human beings And yes, I myself, once more Do not understand what is impelling you all To **** ****** and butcher again and again Come ye saviours! Save us, ye saviours! The crucified darlings Tearful you stand I pray for you to rise up and do revenge Against these sadistic monstrosities In my increasingly disorientating brain Christ! I did try so hard to reach out to you For you to save us And my doubts are brimming now As you wither ever more Decomposing on that wooden cross
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94
eating pretzels and chugging fruit juice that mercifully doesn't taste suspiciously like vegetables thank you, jesus and a plague on both of v8's houses amen. *************
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May 30, 2013
May 30, 2013 at 12:51 AM UTC
i have a cold.
These agitated periods of sleep-speech were mercifully brief. And when they ended she would subside for a time, sweating and panting as if, Into a state of dreamless exhaustion Then abruptly she would awake Convinced in her disoriented state, There was an intruder in her head. There was no intruder. The intruder was absence A negative space in the darkness All was lost to her, like paradise. Like Kashmir In a time before memory. Trapped in this city She had lashed out in despair. In such a city there can be no grey areas Or so it seemed. Things were what they were And nothing else. Unambiguous, Lacking the subtleties of drizzle, shade, and chill. Under the scrutiny of such a sun There is no place she can hide. No mysteries here, or depths; Only surfaces and lies Yet to learn the city was to discover illusion. This banal clarity was nothing more then, nothing. The city was all treachery, and deception, all the same A quick change, quicksand metropolis. Hiding its true nature from those staring at its name. Pretending to be content Guarded in secret In spite of all its apparent nakedness and bleakness. In such a place, even the forces of destruction no longer needed the shelter of the dark. She burned out of the morning’s brightness, dazzling the eye and stabbed me with sharp and fatal light Loveless, and blind Born in the midst of the firestorm of courage. Twisted and ruined. The lands of possibility misbehaved. A dishonest nursery The blueness rich with sorrow, which filled the evening sky That made the world look childlike and pure. Such an unnatural disguise.
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Apr 17, 2012
Apr 17, 2012 at 2:59 PM UTC
~Surfaces and Lies~
These agitated periods of sleep-speech were mercifully brief. And when they ended she would subside for a time, sweating and panting as if, Into a state of dreamless exhaustion Then abruptly she would awake Convinced in her disoriented state, There was an intruder in her head. There was no intruder. The intruder was absence A negative space in the darkness All was lost to her, like paradise. Like Kashmir In a time before memory. Trapped in this city She had lashed out in despair. In such a city there can be no grey areas Or so it seemed. Things were what they were And nothing else. Unambiguous, Lacking the subtleties of drizzle, shade, and chill. Under the scrutiny of such a sun There is no place she can hide. No mysteries here, or depths; Only surfaces and lies Yet to learn the city was to discover illusion. This banal clarity was nothing more then, nothing. The city was all treachery, and deception, all the same A quick change, quicksand metropolis. Hiding its true nature from those staring at its name. Pretending to be content Guarded in secret In spite of all its apparent nakedness and bleakness. In such a place, even the forces of destruction no longer needed the shelter of the dark. She burned out of the morning’s brightness, dazzling the eye and stabbed me with sharp and fatal light Loveless, and blind Born in the midst of the firestorm of courage. Twisted and ruined. The lands of possibility misbehaved. A dishonest nursery The blueness rich with sorrow, which filled the evening sky That made the world look childlike and pure. Such an unnatural disguise.
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41
She walks the rails Infinite steel beams dwindle to absence long down the horizon between soot-painted trees, into open skies, and the desire to go wherever it ends... or doesn’t (mercifully). She walks the rails Begging to God, or Madonna, or the unrecognizable critter severed on the tracks, that the scabs of her bad decisions stay in the past... as she rips them off in a gallop to get away. She runs the rails In terror, that whatever has haunted her will catch up. For anything ahead no matter how unidentifiable is better than the hell that clearly is. She screams down the rails Attempting to scare fear into submission, attenuating the volume to beat back the throng of demonic voices telling her she cannot break free. She stops on the rails Her eyes recoil through a blur and sees the vision. Puffy lips dripping of sorrow curl toward heaven in a blubbering smile involuntarily she laughs unrestrained audacious... and stretches out her arms to greet the angel of light. She stains the rails....
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Dec 20, 2013
Dec 20, 2013 at 1:43 AM UTC
She Walks The Rails
Up and over walls and weeds, ever-towards the tower did we climb wrapped about with anxiety and anger, isolated ahead of the herd alone, we lead, a mob edging closer to storm-filled skies. A bed of rocks, debris of cans, sky-touch achieved: we'd been first to reach the roof. Lightning storm to the east, fog to the fore and soon, somewhere nearby, a stereo, playing the music of my youth framing the sound of people laughing, people drinking men climbing too high but mercifully, never falling. A green gasmask, a black bandanna, two flashlights and two bodies, pale of skin: we again set out apart from the mob, lost ourselves in computer crypts, lamp graveyards, uniform-chair depositories, a ghost-floor filled with superstition and cauldrons. Varieties of folder, both manila and hanging, bound across your back - you got what you came for. So did I.
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Jul 12, 2010
Jul 12, 2010 at 4:53 PM UTC
Skytower
Imagine how utterly terrifying would the whole universe be if there was a faceless clock. Just faceless clocks. That dictated the way earth shall be lived in the most minimalistic sense. No hour hand, no tinks, no tick-tocks and no numbers. That will allow us to regretfully or mercifully go on. The gears and everything are in place. But there is nothing. Just silence that will deafen your ears. Silence that your screams cannot pierce. Yes, that is me now. I have no bearing, no sure sense. Simply lost. Tick-tock.
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Dec 11, 2013
Dec 11, 2013 at 4:28 AM UTC
The Faceless Clock
Jack jumped last night. We might have expected it had we not been so unsuspecting. Those blue periods of his, I'm sure you've witnessed one, were walled in somewhat by the swelling tides of years and years and years. When they came, they were quelled by the very occasional red mark. These punctuations when they mercifully visited would open doors for him, in which our brother, neighbor, father discovered strange liquid tendencies to ailing strength. Too many blank-out nights could find him and his new battery bickering the old childhood verses. Too many four-of-the-clocks would cue the choragos his specter-critic's eye to deign a Plan on our friend's blue stationary. A smile might have mailed it straight ahead. Perhaps it was last week when the boat met the shore, some heinous delivery of packaged, patent-business sealed reformation, salvation. In the midst of his violet smile the cogent steam engine had a chute into which it might heartily crash. However it came remains to be seen. What we have all seen this morning remains our family's chief export. Jack jumped last night. He ascended the hill with his red hands full of ****** punctuation marks, and he spouted full-rehearsed all those lines he'd learned in grade school. Like a prolix Gertrude complaining of her thirst. And with the singularity of purpose that haunts even the sharpest eyes, he completes the trek to his three-foot tall Kusinagara with his asthma wrapped around his neck. Victory is a queer bird. Its song is never heard the whole way through. He breathes in weightlessness, regains his bearing and waits for the lines to quiet down. No one should leave in the middle of a recitation, regardless of the quality. At last, "Richard Cory" reaches his terminal syllable and our dearest man searches for his place in the music. And it's just a minute, just a minute, just a minute, jumps. Jack jumped last night Just as he said he would, And had we heard him say it We'd have thought "He could. He could."
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Feb 24, 2010
Feb 24, 2010 at 6:49 PM UTC
Singing to the Candlestick
Jack jumped last night. We might have expected it had we not been so unsuspecting. Those blue periods of his, I'm sure you've witnessed one, were walled in somewhat by the swelling tides of years and years and years. When they came, they were quelled by the very occasional red mark. These punctuations when they mercifully visited would open doors for him, in which our brother, neighbor, father discovered strange liquid tendencies to ailing strength. Too many blank-out nights could find him and his new battery bickering the old childhood verses. Too many four-of-the-clocks would cue the choragos his specter-critic's eye to deign a Plan on our friend's blue stationary. A smile might have mailed it straight ahead. Perhaps it was last week when the boat met the shore, some heinous delivery of packaged, patent-business sealed reformation, salvation. In the midst of his violet smile the cogent steam engine had a chute into which it might heartily crash. However it came remains to be seen. What we have all seen this morning remains our family's chief export. Jack jumped last night. He ascended the hill with his red hands full of ****** punctuation marks, and he spouted full-rehearsed all those lines he'd learned in grade school. Like a prolix Gertrude complaining of her thirst. And with the singularity of purpose that haunts even the sharpest eyes, he completes the trek to his three-foot tall Kusinagara with his asthma wrapped around his neck. Victory is a queer bird. Its song is never heard the whole way through. He breathes in weightlessness, regains his bearing and waits for the lines to quiet down. No one should leave in the middle of a recitation, regardless of the quality. At last, "Richard Cory" reaches his terminal syllable and our dearest man searches for his place in the music. And it's just a minute, just a minute, just a minute, jumps. Jack jumped last night Just as he said he would, And had we heard him say it We'd have thought "He could. He could."
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65
Emptied and yet heavy with grief She made the pilgrimage back to the Birch grove Where once upon a time she played as a child She made a nest from yesterday's golden and fallen Crawled in and lie waiting For the North to come and mercifully it came Thick and harsh winter tears lay Icy and frozen on her lashes As beneath whitened eyes, stories replayed Shoving and jostling each other Among the snowy branches of her ancestral tree Hungry to be the first retold Silently, they filled her mind Beginnings and endings sinking Into her bones like moons slipping into dawn **And her stories are finally put to rest And they will remain there, asleep and still beneath her winter tears** Absolvi
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Jan 21, 2013
Jan 21, 2013 at 11:50 AM UTC
Winter Tears