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"merchants" poems
who lit the candles placed so eloquently behind purple rock? that sculpted radiance and chapel grace wound in a chosen defined way down the spiral stone stairs street cars dawdle alongside the packer slew biding merchants shuffle their wares as the front man and pock face sing their sullen holy blues cut jazz echoes over the accompanying gabble and drone incense and haze pour from a lower trap door sack fish, truffles and splendid crafts shine inside the stained glass fronts a wide mouth snapper with a bloated tongue greets the morning tide (not camera shy in the least!) the fish traps and beaneries bring life to the flourishing causeway hula hoops and circle ballers join the cobaine stage favoured rogues and mac jacks speak easy of the big daddy beth’s triple by pass taking firm hold on tricky **** and the nutcracker maze ways, taggers and lost tunnels of cu chi strike a nerving blow a poised finger man belts out his tune (with a sniff sock and iterating glare) his nosey neighbors cut artisan bread (with a white wine and jelly spread) midwives push forward for an afternoon toddle and stroll
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Jan 19, 2018
Jan 19, 2018 at 11:12 AM UTC
Pike place
there’s a barnacle scar deeply ingrained on the basalt stack at mark thirty two whispering summer winds scented oil cotton and roe drift as waves brush and shape the sandstone shore the briny air and lost erratic set a tone to this pollyanna portrait it's andrews undulations and gifted benches its concessions and traces of the barry burn its sculpted driftwood and sanko lines make this picture almost perfect children play as venom spews from the caterwaul pair those odd looking mates casting smiles with arrested despair settling shots swiping bugs dipping and darting as photo men and muscles and long neck seabirds make their turn the hunched hoody and his sorted sidekick get their fill (of moss and rubble ~ chubby and kelp) nice to meet your acquaintance the pho man would say an odd drop and ironic turn from those horrific corners of timeless desperation down by cannon bridge harbor seals and carriage horse are fronted by raven shade jolly tides pause in quiet bays (with curious looters and *** pickers) sand merchants and field totems all streamed by the light cirrus strands blanket the outer edge hovering craft and shimmering willows bolt the evening frame blood orange and tethered with a filtered glare bottle-nose dolphins and seabirds (and shifting tides) are all settling in for the long night stay
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Mar 9, 2017
Mar 9, 2017 at 11:21 PM UTC
Stanley Park
Willets cull the seawall snapper on the grill rock ***** swoon in shallow lagoons long boats pass under quiet palm shade Plovers dance and flutter handrails frayed and torn graffiti spots at lovers rock frigate-birds fall from a high noon sun Thatched roof on a mud wall fish flags settle score anchors arch in front line march pillar cracks form under rust brown scars Elegant tern and grebe watchmen fall in cue children play on crested waves whimbrels and notchers perch above Tentaciones Striped pelícanos the bandits of the sea! merchants grow in steady flow siblings jostle in a tide cooled sand Heerman gull and boobie durango smoke in yurt boiler shrimp and puffer blimp castle buckets and scrapers under a dusk light cheroot Six pulls on a lead line painted toes in sand shearwater run in a rainbow sun the portly mexicano flaunts his tacos and wares Rooster house for swordfish bamboo shoots and sails broken shells and ocean swells rise on the perfect La Ropa bay
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Apr 14, 2017
Apr 14, 2017 at 2:22 PM UTC
Sotavento
Bricks and mortar, steel and boards, Phone poles lined with power cords, on Pothole streets, where engines roar, 'Neath smoggy skies, where jet planes soar, Where penny merchants peddle wares, And news reports pretend they care, Where vagrants sleep, and children stare, And people work for lives not theirs, That's life in the jungle, adrift in the herd, Where terrestrial beasts envy free flying birds Where the pundits stand polished, and speak empty words, And the artists paint portraits, while posted on curbs, Where the men push carts, full of empty cans, And the women spend paychecks, for spray-on tans, Where the truckers drive loads, 'cross a thousand mile span, To appease the great gods of supply and demand, Asphalt and tarmac, girders and glass,   Terrarium trees in cemented sod grass, Ripe with the stench of exhaust fumes and gas, As the choir lines up for the 10 o'clock mass, While the brokers all scream, at a packed stock exchange, As the veterans in wheelchairs sit begging for change, That's life in the jungle, it's just a big game, But remember you're playing, lest you go insane.
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Mar 24, 2015
Mar 24, 2015 at 11:01 PM UTC
Life in the Jungle
why do we always inspire the young who idolise and idealise, make the middle-aged merchants and are spoken of by the old as necessary memories by way of rekindling their own memories of youth not travelled upon the paths of the various arts? modern world decided to depict the **** perfect family as a form of ****** now we're told the perfect family is within reach of our genetic understanding of things and how easily synthesised, how easily synthesised and rarely analysed to be mutually bored before the television content and silent... raising a family these days almost feels like committing an act of ******
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Mar 6, 2016
Mar 6, 2016 at 7:07 PM UTC
******
When shall we learn, what should be clear as day, We cannot choose what we are free to love? Although the mouse we banished yesterday Is an enraged rhinoceros today, Our value is more threatened than we know: Shabby objections to our present day Go snooping round its outskirts; night and day Faces, orations, battles, bait our will As questionable forms and noises will; Whole phyla of resentments every day Give status to the wild men of the world Who rule the absent-minded and this world. We are created from and with the world To suffer with and from it day by day: Whether we meet in a majestic world Of solid measurements or a dream world Of swans and gold, we are required to love All homeless objects that require a world. Our claim to own our bodies and our world Is our catastrophe. What can we know But panic and caprice until we know Our dreadful appetite demands a world Whose order, origin, and purpose will Be fluent satisfaction of our will? Drift, Autumn, drift; fall, colours, where you will: Bald melancholia minces through the world. Regret, cold oceans, the lymphatic will Caught in reflection on the right to will: While violent dogs excite their dying day To bacchic fury; snarl, though, as they will, Their teeth are not a triumph for the will But utter hesitation. What we love Ourselves for is our power not to love, To shrink to nothing or explode at will, To ruin and remember that we know What ruins and hyaenas cannot know. If in this dark now I less often know That spiral staircase where the haunted will Hunts for its stolen luggage, who should know Better than you, beloved, how I know What gives security to any world. Or in whose mirror I begin to know The chaos of the heart as merchants know Their coins and cities, genius its own day? For through our lively traffic all the day, In my own person I am forced to know How much must be forgotten out of love, How much must be forgiven, even love. Dear flesh, dear mind, dear spirit, O dear love, In the depths of myself blind monsters know Your presence and are angry, dreading Love That asks its image for more than love; The hot rampageous horses of my will, Catching the scent of Heaven, whinny: Love Gives no excuse to evil done for love, Neither in you, nor me, nor armies, nor the world Of words and wheels, nor any other world. Dear fellow-creature, praise our God of Love That we are so admonished, that no day Of conscious trial be a wasted day. Or else we make a scarecrow of the day, Loose ends and jumble of our common world, And stuff and nonsense of our own free will; Or else our changing flesh may never know There must be sorrow if there can be love.
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5.1k
Canzone
When shall we learn, what should be clear as day, We cannot choose what we are free to love? Although the mouse we banished yesterday Is an enraged rhinoceros today, Our value is more threatened than we know: Shabby objections to our present day Go snooping round its outskirts; night and day Faces, orations, battles, bait our will As questionable forms and noises will; Whole phyla of resentments every day Give status to the wild men of the world Who rule the absent-minded and this world. We are created from and with the world To suffer with and from it day by day: Whether we meet in a majestic world Of solid measurements or a dream world Of swans and gold, we are required to love All homeless objects that require a world. Our claim to own our bodies and our world Is our catastrophe. What can we know But panic and caprice until we know Our dreadful appetite demands a world Whose order, origin, and purpose will Be fluent satisfaction of our will? Drift, Autumn, drift; fall, colours, where you will: Bald melancholia minces through the world. Regret, cold oceans, the lymphatic will Caught in reflection on the right to will: While violent dogs excite their dying day To bacchic fury; snarl, though, as they will, Their teeth are not a triumph for the will But utter hesitation. What we love Ourselves for is our power not to love, To shrink to nothing or explode at will, To ruin and remember that we know What ruins and hyaenas cannot know. If in this dark now I less often know That spiral staircase where the haunted will Hunts for its stolen luggage, who should know Better than you, beloved, how I know What gives security to any world. Or in whose mirror I begin to know The chaos of the heart as merchants know Their coins and cities, genius its own day? For through our lively traffic all the day, In my own person I am forced to know How much must be forgotten out of love, How much must be forgiven, even love. Dear flesh, dear mind, dear spirit, O dear love, In the depths of myself blind monsters know Your presence and are angry, dreading Love That asks its image for more than love; The hot rampageous horses of my will, Catching the scent of Heaven, whinny: Love Gives no excuse to evil done for love, Neither in you, nor me, nor armies, nor the world Of words and wheels, nor any other world. Dear fellow-creature, praise our God of Love That we are so admonished, that no day Of conscious trial be a wasted day. Or else we make a scarecrow of the day, Loose ends and jumble of our common world, And stuff and nonsense of our own free will; Or else our changing flesh may never know There must be sorrow if there can be love.
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65
Something about her the way she sips her beer as if it’s tea, and she’s in a kimono peering out into a storm as the wind rattles the *** and snakes through the silk she undulates, sliding her finger over the rim, then sips I know the real storm broods inside her frail frame but she says little. mostly listens and it drives me utterly insane she should scream or bang on walls she should throw ashtrays into tvs but instead, she simply nods her glazed eyes as still as pearls She’s like a cherry blossom descending towards the muddy trail below she will be trampled by hooves of merchants and thieves and I am the charcoal cloud, aching as I feel her falling farther from me…
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Mar 14, 2015
Mar 14, 2015 at 2:28 PM UTC
Cherry Blossoms
Tepid damp and lukewarm night, Build your camp by rivers bright; Sable black and and somber grey, Silt the river's arms away. Island tenements rent for cheap, Bakèd bricks in plinths lie deep; Stores of merchants and their wives, Sheltered from the thund'rous tides. Glance on that maternal shrine, Softly angled toward the Rhine; See the men with flowing beards, Seldom entertaining fears. Moon illumes a stony pose, Sun sustains a garden rose; Temple pillars bathed in or, Leave mute shadows on the floor. Olifant horns begin to sound, Tribesmen fall upon the town; Riding with the northern gust, Trampling the homes to dust. Yet, as gateside rocks abound, From the ashes, rises now, Where that city met disgrace, A mighty fortress in its place.
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Jan 21, 2018
Jan 21, 2018 at 2:40 PM UTC
In the Temple of the Ruhr
We thought we had the vampires done, Cornered as we raised the stakes. The fiends were caught against the font, An end to this for all our sakes. How foolish to believe That the stake would push itself, How blinded must we be To think we'd help ourselves. We fell back in confusion As their eyes lit stars of blue, Our fiery brand burned red in fear But the flames sputtered out on cue. We faced the devils in their line But they withstood our empty threats, And took us off one by one; It was time to pay our debts. They laughed at our misfortune. And gave us back our forks, They pointed at our dampened brand And sent us back to work. They drank from tattooed necks And supped from elder veins, And bled the middle dry And fed upon their brains. They tore up all our rights And placed death upon a throne, Who drove out justice in the night While Liber's throat did moan. They sold us all as slaves To merchants draped in skin, Cut from children's backs As the devils slowed their spin. So now we work until we drop, Exhausted in our penury. We're fed from blood banks on each street While we think that we're still free. The vampires grin within their church And play at pious once a while, And watch with glee as all they cut Divides us up in our denial.
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May 17, 2015
May 17, 2015 at 2:17 PM UTC
Blue eyed vampires
I don't know what to think when i'm staring in your eyes more akin to speak in blind lullabies. than logistify my heightened surmise in flight to somewhere nice if only for tonight come with me this night ignite the cindered fires of our desires and incite the throws of light in **** obscurity moaning through the sincerity of our oddities gleaming in the rarity of our academy of lust all or bust entrust the accounting of blaspheme to the enemies of poverty and shove me all the way down your throat fill you instill you with the hope of a million grinning in ********** of the tangled mental merchants of pretty lights and custom curtains drawn at first light dispersing amongst cursing pedestrians prior to *********** of forceful ************ with an another human lightened strikes the truant in 9 months of fluent agony just imagining little Timmy has me scavenging for a shimmy to escape its social **** to a blind ape still patting his head don't be mislead by ***** carriers pack your own barriers and prepare for the scarier side of a mans mind
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Sep 9, 2012
Sep 9, 2012 at 11:05 PM UTC
warm up spewmanship
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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4.2k
Mannahatta
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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24
Passing through mid-century these jazz oneironauts reached Apollonian heights while society drifted into Dionysian drunkenness the merchants caught on too soon The most beautiful parts of humanity enamored to serve the ugliest: The merchant class, the bourgeoisie Buddha’s undeserving in charge If only in past centuries those noble princesses embraced even more lowly patronages all this potential today could be staved off Saved from the drive to be commodified People stopped buying jazz as it reached its height No more smiles to appease the whites Jazz for the few the noble, the individual in the know Until this too becomes the simulacrum The Ornette Coleman on the bookshelf to signify your snootiness your refinement from wealth Aging Dads in thousand dollar sweaters kicking out their 22 year old kids for being ****** addled hipsters meanwhile Bird on Verve is nodding out and Dad’s girlfriend pops a Percocet to deal with all the stress
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Jan 15, 2022
Jan 15, 2022 at 10:50 AM UTC
Overfull on Past Overflow
A quaint little bazaar In the heart of the town Tells a story Of a thousand moments Dal Bazaar as they call it Or "Curry Market" for others who don't know. I have fragments of memorable memories Deep within my mind The smell The intoxicating smell of spices Blended with the quiescent yet cacophonous lives Of Merchants and Beggars Of Buyers and Sellers Of Bullions and a single calloused rupia In the hands of the old ***** The sunlight baking Bags of turmeric. Suspending the scent In the minds of men. Capering clouds of black and grey And the sudden squall Stirring the monotony Of the customary. The pirouette of rain The one that excites the plainest of the plain Painting the whitewash with shades of grey The chalky walls Dust Moist corriander And the relief of earth Conciliating So rewarding For the ruins of the bare sun. This flashback into my soul Where all my senses seem to be so awake. The feel of the wooden veranda Scent so inexpressible My eyes devouring the sunset Tasting the heavens Hearing it all. Feeling it all. Oh the plight of poets The ritual to end a poem. Painful.
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Aug 16, 2014
Aug 16, 2014 at 3:33 AM UTC
Dal Bazaar
The Seashore Gathering by Rabindranath Tagore loose translation/interpretation by Michael R. Burch On the seashores of endless worlds, earth's children converge. The infinite sky is motionless, the restless waters boisterous. On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes. They build sand castles and play with hollow shells. They weave boats out of withered leaves and laughingly float them out over the vast deep. Earth's children play gaily on the seashores of endless worlds. They do not know, yet, how to cast nets or swim. Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again. They are unaware of hidden treasures, nor do they know how to cast nets, yet. The sea surges with laughter, smiling palely on the seashore. Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle. The sea plays with the children, smiling palely on the seashore. On the seashores of endless worlds earth's children meet. Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play. On the seashores of endless worlds there is a great gathering of earth's children. Originally published by The Chained Muse. My translation is based on an untitled text in Bangla (Bengali) first published in 1912 and known as "60" due to its numerical placement. Tagore made history by becoming the first Asian to win the Nobel Prize for Literature the following year. Keywords/Tags: seashore, gathering, children, sky, sea, water, dance, sand castles, shells, boats, play, nets, swim, fish, pearls, ships, waves, songs, mother, lullaby, baby, cradle, tempests, death
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Mar 30, 2020
Mar 30, 2020 at 11:03 PM UTC
Rabindranath Tagore "The Seashore Gathering" translation
The Seashore Gathering by Rabindranath Tagore loose translation/interpretation by Michael R. Burch On the seashores of endless worlds, earth's children converge. The infinite sky is motionless, the restless waters boisterous. On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes. They build sand castles and play with hollow shells. They weave boats out of withered leaves and laughingly float them out over the vast deep. Earth's children play gaily on the seashores of endless worlds. They do not know, yet, how to cast nets or swim. Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again. They are unaware of hidden treasures, nor do they know how to cast nets, yet. The sea surges with laughter, smiling palely on the seashore. Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle. The sea plays with the children, smiling palely on the seashore. On the seashores of endless worlds earth's children meet. Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play. On the seashores of endless worlds there is a great gathering of earth's children. Originally published by The Chained Muse. My translation is based on an untitled text in Bangla (Bengali) first published in 1912 and known as "60" due to its numerical placement. Tagore made history by becoming the first Asian to win the Nobel Prize for Literature the following year. Keywords/Tags: seashore, gathering, children, sky, sea, water, dance, sand castles, shells, boats, play, nets, swim, fish, pearls, ships, waves, songs, mother, lullaby, baby, cradle, tempests, death
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19
The stately oak stands solemn and quiet Alongside the bucolic covered bridge Its branches hanging downward as if tired Leaves falling slowly into the current Of the rain swollen Watauga River The shadow of the tree clinging starkly Onto the weathered century-old planks Speaking of a time not so far removed When bridge and tree was the gathering place For a day's respite from a hard week's toil Farmers, merchants, wives and children gathered With picnic baskets filled with fried chicken The women chatting in their new bonnets The children wearing last year's Sunday best While the men make bets like Roman soldiers The low mound where the tree's roots are anchored Bare earth beneath the lowest hanging limb A crude stool of newly cut pine upright While waiting for the next unwilling guest Courthouse clock chimes the hour of Golgotha r  14Jan14
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Jan 14, 2014
Jan 14, 2014 at 12:40 PM UTC
The Tree by the Covered Bridge
The weak inherit the Earth The meek inherit their lead Unaware of their life's worth Until after they're dead We are hopelessly trampled by a bullet stampede Inflicted upon us for the wealthy man's greed They sell us death as a commodity While we can only mourn solemnly They are arms dealers We are harm feelers They are life stealers When we can't find healers For the fatal wounds that end our lives so abruptly And the man with the gun has no need to trust me He has placed his faith in Ares His humanity he failed to carry He sold it urgently to feel secure But then his thoughts became impure For whatever reason he cast a death sentence He felt injustice and wanted to get vengeance But to the merchants of wrath He is just math Numbers on a graph They must minimize With blatant lies Businessmen will try to create a need for their product But engendering fear for profit seems like misconduct Because as the bullets are raining And the militants are training Their money is stacking While terrorists are attacking Their nature seems callous When they rely on our malice They see us as a body count They see us as simple trout Swimming upstream to die So they can eat us Convincing us we'll fly With minds of a fetus The bullet burns as it punctures our civilization It fuels our bitter spiteful incubation We sit in the chamber As they utilize our anger The rich get richer We don't see the picture When gunshots scatter crowds And the echoes scatter our thoughts They want the volume to be loud So we'll forget what we're taught That our lives are the price of a gun and a bullet Our paranoid lives become hard to live to the fullest
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Oct 3, 2017
Oct 3, 2017 at 6:34 AM UTC
Gun
The weak inherit the Earth The meek inherit their lead Unaware of their life's worth Until after they're dead We are hopelessly trampled by a bullet stampede Inflicted upon us for the wealthy man's greed They sell us death as a commodity While we can only mourn solemnly They are arms dealers We are harm feelers They are life stealers When we can't find healers For the fatal wounds that end our lives so abruptly And the man with the gun has no need to trust me He has placed his faith in Ares His humanity he failed to carry He sold it urgently to feel secure But then his thoughts became impure For whatever reason he cast a death sentence He felt injustice and wanted to get vengeance But to the merchants of wrath He is just math Numbers on a graph They must minimize With blatant lies Businessmen will try to create a need for their product But engendering fear for profit seems like misconduct Because as the bullets are raining And the militants are training Their money is stacking While terrorists are attacking Their nature seems callous When they rely on our malice They see us as a body count They see us as simple trout Swimming upstream to die So they can eat us Convincing us we'll fly With minds of a fetus The bullet burns as it punctures our civilization It fuels our bitter spiteful incubation We sit in the chamber As they utilize our anger The rich get richer We don't see the picture When gunshots scatter crowds And the echoes scatter our thoughts They want the volume to be loud So we'll forget what we're taught That our lives are the price of a gun and a bullet Our paranoid lives become hard to live to the fullest
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51
Mary, Mary let go of that sheep It has bleat too loudly as we lay asleep Feet in one steady direction Out from the pen its throes Mary, Mary the meadows are fresh Though they are green only for so long The dogs have slung them over their heads Strung out from wayward beds The clueless drunk shepherd that was your father Waiting at the neck of foreign spirits Sheathed it like a monkey peeling bananas For a fat buck a glass, what's it to him? Poor little sheep, shivers from the whipping air Clouds gone too soon For the rich merchants With hanging gold in their mouths Mary, Mary, poor little sheep Jumped over the fence Probably too hurt to walk alone Thorns and rocks ahead But they must have been better than the cold in his head
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Aug 2, 2015
Aug 2, 2015 at 8:51 AM UTC
Mary Had A Sheep
O' Warped Tour On the hot blacktop we stand In front of your various stages The beautiful bands grace us with their angelic, or if they prefer, demonic, voices. O' Warped Tour The people we meet Girls in bikinis Boys with ****** noses Teenagers sitting on shoulders O' Warped Tour Mosh pits in the front Singing in the back Crowd surfing To running circle pits O' Warped Tour With your merchants And band autographs With your cigarette smoke And crazy teens With your summer days And loud music We never want to leave O' Warped Tour We love you
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May 24, 2013
May 24, 2013 at 12:53 PM UTC
Ode to Vans Warped Tour
A firework Of brightest colours Dances slow Beneath the stars Torches and candles Iron braziers' light Glowing warm In blue midnight Gowns of silk Fineries of all kind Whirling in solemnity "A dance, do you mind?" A thousand miles from sorrow High society indeed La crème de la crème The very best of breed Extravagance never is Too extra for those ladies fair Gossiping girls, all of them "Oh, look, this lady's hair!..." Gentlemen bowing Talking with hushed voices Trading, socializing Polite merchants' noises "This daughter of mine, She might well catch your eye..." This just a market of brides n' grooms An exchange, !!one truth for a hundred lies!! Gossip girls and merchants noble Less n' less real knights and dames Nobility used to mean heroes, and protection But long extinct, those once bright flames The only light there, now, Comes from a stake pile in the debris Burning bright, but in truth all hollow This great bonfire of vanities
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Jul 14, 2021
Jul 14, 2021 at 8:35 AM UTC
A Bonfire of Vanities
Discordant yet innately harmonious a cacophony of noise shrouding my body the harsh empowering light battering from above the oppressive heat and humidity caressing my body as I walk Barefoot on the open gravel Shouts are heard from countless merchants from the shops and bazaars the honking of horns the ringing of bells from bikes and motor rickshas people bustle around performing a dizzying range of tasks yet all working to a common goal to survive Yet amidst the chaos Children run through the streets weaving between countless giants to sate their desire for fun and exercise their fragile innocence unmarred by the horrors of the world. India... A beautiful mess of livelihood and dreams of success a true cultural experience for the senses While it may not seem the most appealing at first I don't know how else to stress an amazing experience for all who enter nonetheless
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Aug 26, 2013
Aug 26, 2013 at 7:57 PM UTC
The India *I* Know
I'm sorting pictures in the archive box. Shelved for that day that I kept putting off. The job's to cull and have less stuff to store, but spiders lurk and snakes are sliding out. The photo shouts in raw dismemberment. A howling wind, the prowl of packs of wolves. I stare at trembling splinters held so close. Her daytime Self looks like a sweet old dame. I hear again the creak as floorboards pause; my breath is held lest I miss steps that halt, outside my door in seconds held at bay. I see the handle    slowly...       lower..          down. Her strides are swift and next, her perfume's here. With broken breath, she yields to clawing drives and throws my bedclothes off like spider webs. My youth she steals as night groans on and on. For merchants took her bloom on stormy sea. I clutch my knife and picture stabbing her; But I've no strength to do the deed - I'm five. Her mouth is pushed on lips zipped up and cold. The bed is torn in tangled bits of knots. My legs are jammed together- ripped apart. My pillow's wet as aunty takes her cut.
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Dec 3, 2022
Dec 3, 2022 at 8:36 PM UTC
Travesty in the Night
Up to the North Down to the South Keep the ships feeding The big Mersey's mouth 14 big docks And 19 big stops Dad's got big hands He works at the 'Brock' He's seen Alexandra And Nelson too He passes the Princes On the way to the 'Loo Jump off at the Sandon For a bevvy with Joe Saturday's half day To the match he will go The merchants at Toxteth Are rubbing their hands There's money in shipping And at Seaforth Sands Jump off at Pier Head If yer wearing a shirt Stay on till Herculaneum To get covered in dirt The EMUs keeping rolling From morning til night Our dockers umbrella What a beautiful sight copyright/all rights reserved Joe Fogg 2011
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Oct 7, 2011
Oct 7, 2011 at 3:13 PM UTC
Docker's Umbrella
Eventually Rising Like all the Rest I'm tired Alone with everyone else Although this misery is like water on my Soul umbrella I can hear the sound of victory careening beyond oppression like Ella There is something more there is a force ebbing and waxing the hour of the instant and within it a porous Avenue for Advancement for All, and One! The buzzards may circle pecking order, and peace Only the rancor resource the feast Why does conservation fail, nature of the beast or shale we sell Gears without the grease Landlopers versus Land Merchants and Machines versus human beings and Change versus Stay the Same and Monopoly and Monotony and Unipolarity and Is ... IS it All worth bile? Did you learn Private Pyle!? Yes Sir, General Science! Sure! Can't breathe a heartbeat can't take a stand from a seat and when the end is near I promise you has no fear Glass Rock and Stone!   Sure! may hold money but not a home Mother and Father Earth is our biome billionaires and paupers rot together yet alone! Break Who beholds the opulent eye? Tell me who makes it out alive? Believers in death will die Those who weary tarry on All the rest eventually rise
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Nov 20, 2015
Nov 20, 2015 at 7:51 PM UTC
Full Magnetic Reversal
pigeons perch themselves preening on marble fauns ambivalent to their perch, while dark skinned men prowl; seeking tourists (Americans) to sell cheap novelty items, over priced, yet bought to drive away the insistent merchants; ignorant to the realization: if you remain silent and don’t make eye contact you will not forfeit your money... merchants who ruin the peace and awe of grand feats of sculpture—I know they are human (on a base level)—craving money to make a living, yet there are many (more respectable) professions… their presence crowds the already crowded (streets and) piazzas—aggregates of language babble—old women and men meandering along waiting to die—hoping it is true: the slower you move the faster time flows—if not: to hell with relativity! (should have put chips on more than one table) can math really explain all?—or is life more than abstract objects? while the din of crowds palpitates my heart making way for anxious calculations, C— and I hurry pass to find some area to give the artefacts the respect they deserve
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Apr 9, 2013
Apr 9, 2013 at 1:08 PM UTC
Piazza Navona Meditation (edit)
~ *I work in the clouds Building a world out of hype I could be a beekeeper A prison guard Reverse pop idol Extinguishers, all Hackers ferry contemporaries Around the diseased city Merchants of transference Polymorphing Paths and angles Pieces of eight They could be brutal war fantasies White noise translations of the snow Cathedral nights in the deli Ghost recordings from an opera house Each with its own price tag All the pretty girls Thick with mascara Go to plasticity Drink chloroform 100 aspects of subterranea So long as they come home With a credit problem Money devotion It's what transferred us Into numbered silhouettes Slavishly pouring our blood into the sea* ~
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Aug 24, 2022
Aug 24, 2022 at 5:12 PM UTC
Merchants of Transference