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Àŧùl Jun 2015
And it becomes stronger,
So does our relationship,
And likewise we become.

And it becomes strengthy,
So does our bond of trust,
And so our love matures.
Just in a good calm mood this morning.

My HP Poem #887
©Atul Kaushal
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Raihah Mior Sep 2018
1.  It always happens completely unexpectedly.

It could be a year from now, perhaps another 5 years, maybe tomorrow. It could be the person you've been liking for the longest time, it could be your bestfriend that you didn't think you'd fall for, it could be the guy you met for three days during your sister's graduation day. Nothing's ever really certain. You just don't know when it'll happen. And with whom.


2.  It's good to know what you want. But never set expectations.

I've come to realise that what's most important is that you share the same or similar end-goals with the person. Having different outlooks on life isn't necessarily a bad thing, as long as the things you wish to achieve in life are, or should at least be aligned to one another - whether it's family, career or personal life goals. It's also good to know what you want in a person in terms of his/her core values. BUT, having a list of what your dream person should physically and mentally turn out to be? Nope, throw that out.  


3.  Self-love before anything else.

It's about acknowledging your flaws. Knowing and understanding your little quirks. Enjoying time by yourself and taking pleasure in your own presence. Looking in the mirror and feeling beautiful/badass. Ultimately, it's about accepting yourself exactly the way you are. Loving yourself first and foremost, above all else. And eventually having enough confidence to know that however and whoever you are, the other person will come to love every single little detail about you.

.....but what if they don't?

Simple. Get outta there. You don't deserve it.
You've got too much self-respect for that.


4.  Take all the time you need.

In an era of technological advancements and glorified instant gratification, it's easy to fall into the abyss of wanting more and more and wanting it NOW. Everywhere you look, everyone around you seems to be falling in love and having the time of their lives. Pfft, it isn't that hard is it? People find their soulmates all the time. It's just a mere click of an app. Swipe right, there you have it.

Now... here comes the hard-hitting truth. Falling in love is a literal piece of cake. Staying in love, now that's the hardest part. This is where patience and taking the time to know a person is crucial. It's very important to know the person as a friend first before anything else. Also, the friendship should make you feel comfortable enough to know that no matter how much time you take and need, it only proves that it'll further flourish into something even more meaningful as time progresses.

It's like cheese. It's only better with time.


5.  It should set you free.

I used to think love is somewhat this concoction of paradoxes -  it should be happiness and despair, goodness and pain, all jumbled up into one. You're supposed to love someone so much till it hurts. You're supposed to miss him till your head spins and your heart literally aches. It's supposed to make you feel like the worst.... but completely in love.

But as time passes and age matures me, I start to realise that it should be in fact, the complete opposite. Well, yeah, maybe it should make you feel like all those generic lovey-dovey things like in rom-coms. It should make you happy and grin like an idiot. It's gonna turn you into a big ball of cheesy fluff sometimes.

But what it should really feel is easy and breezy, like a pretty summer's day. No one has to feel like you're giving too much and receiving too little when there's mutual understanding and love for each other. It shouldn't feel burdensome when both of you respect your boundaries and spaces. There should too, be times spent apart. You are, after all, two completely different individuals merged together. Your union should make you strong but light on the feet; attached but not chained to one another. You are each the savoury and the sweetness of a PB&J sandwich; both constituting different parts of a whole.
I know this isn't the slightest bit like poetry, and that it belongs in a journal or something... But I dunno, it's been circulating in my head for quite a while. I've just been reflecting on past friendships and relationships a lot lately, I guess.
vamsi sai mohan Oct 2014
The state of being with no suffering is Shakti
The state of awakening beyond sleep is Shakti
When love matures and sweetens that is Shakti
The fullness and fulfillment of masculine is Shakti

When the sweetness matures that is Shakti
The divine which resides in the thoughts is Shakti
Whatever work comes before us is Shakti
The state of mukti, the end, is Shakti

The braveness which destroys laziness is Shakti
The flame which is instilled in these words is Shakti
When the best of fruits are eaten that taste is Shakti
When thoughts of divine arise that is Shakti
Shankara who lives on top of the huge mountains, his lovely flame is Shakti

The lap where life flourishes is Shakti
The strength which guards the earth is Shakti
The flame which stops one from falling is Shakti (denotes inner strength that averts fall/defeat)
The tapas that eliminates confusion is Shakti

The finger which stops downfall is Shakti
The one who spans the whole expanse of sky is Shakti
Her highness who eliminates karma is Shakti
The inner flame which shines from within the heart is Shakti
It is a poem by "Mahakavi Subramanya Bharathiyar" written in tamil.The poem is about the energy that makes every aspect of life happen. It summarizes the whole activity that is life as the play of Shakti. The great poet says, “The lap where life flourishes is Shakti.” Shakti also enables us to break the bondages of karma and liberate ourselves.

http://en.m.wikipedia.org/wiki/Tapas_(Sanskrit)

http://en.m.wikipedia.org/wiki/Moksha
Cassie Mae Oct 2013
The love I had with him
I'll never feel again
It was young
It was naive

When I loved him
I was selfish
He was nonchalant
We were jealous

The love I had with him
was meant for 19 year olds
© Cassie Mae Writings 2013
Mateuš Conrad Jan 2016
the proust edition of la recherche i had, which i gave away to a charity shop; if you could stitch or strap the edition to my hands clenched into a fist (it was, after all a cheap 2 vol. edition), i could have knocked you out. no, i didn't read it, which is why many people never bother to use the dictionary, because it's always a one volume edition.

it became so haunting to have sang with david
with the lyre the lyrics:

             i'm happy, hope you're happy too...
             ashes to ashes, funk to funky
             we know major tom's a *****
             strung out in heaven's high
             hitting an all time low

it was so eerie i felt goose bump hoofs on my
cheeks adding for extra five o'clock shadow
that i never knew i had.

that's the thing about having european editors,
the ****** day, the whole theatrical approach,
it's just a ****** book of poetry,
it's not exactly an atom bomb,
but they sent the draft which i'm hoping to add
to with my *hoc erat in votis
to armenia,
Armenia, yes, once an incorporation of
the soviet rather than tsar's empire:
so jui-seph shtalin involved himself with the russians
from georgia, and my first idea sparklers will
come from armenia - good place to ask napoleon
to escape elba, i say, ol' chap.

and after the teenage girl hype period of an artist,
ziggy, you know what i'm talking about,
you get a process where an artist matures,
becomes prone to criticism, has no hype factor,
has no real monetary appeal to the less
hyped-up juice-of-genitalia army,
has to become a sensible economist -
there! catch him! that's where an artist
translates to other mediums his actual worth,
i feel privileged to have lived at a time
when david bowie released his heathen album,
one critic pointed that it was his best album
since the 1980 release of scary monsters,
so then i bought scary monsters...
i worked backwards...
i didn't feed the ziggy & space spiders from mars
gimmick / egoism, or even the rebel, rebel choir
of cult followers, and you know what?

              i'm happy, hope you're happy too...

it worked, now i can listen to the music like a distraction
tool, refrigerator buzz, ambiance, the freelance
artistry of it all, less care for kids, more care for
the insolent kids that aged and donned their employment
qualifications as 'art critics.'

but what i listen to isn't exactly what i write with,
it would plagiarise the thought process
so much that it would destroy it - the moment's gone,
the ingrained concept of time has allowed
for the same space of the origin of the narrative
to look different, even though nothing was moved.

so with this anglo renaissance circa 1950s -
1990s (nietzsche was critical of the reformation
when martin luther attacked the renaissance creativity,
no great composer in the counter-reformation,
just ignatius layola and the jesuits),
with the beat generation poets (preceding them,
the spirit of influence that was ezra pound
and no other i dare to admit, a seal-off point,
built a hydroelectric dam in nevada f. d. r. did)
you then had the explosion, and i mean it,
the EXPLOSION! 1960s psychedelia,
1970s ******* infused black sabbath etc.,
depressive 1980s with depeche mode iconoclasm
and the cure's slit your lips if not wrists,
the great digging of ***** duran duran,
scandinavian love hopes of a-ha, etc.,
then the shift back to the geographic place of origin,
seattle, grunge, rekindling of thinking man's
rock amiss the ******* fuel of the decade
with prog rock bands, i.e. tool;
and then of course the brit pop decade
(oasis, blur, the stone roses, the la's among many,
bands that still invoked a sing-along even
in such odd places like taizé in burgundy
for the wonderwall chorus)
and then... the death of it all...
artists getting rich, flamboyant, eccentric,
and the people seeing how they were "duped"
deciding enough was enough...
came napster, came pirate - ye har me mateys! -
and the death of the anglo renaissance
with kareoke culture - indeed if
the germans never conquered england,
and that book man in the high castle
by philip k. **** isn't true...
why did we allow the japanese to conquer
our culture? huh?!

p.s. when you realise all those 5.5K reads,
all those so called morale boosters... on websites
such as these, don't have a £ / $ in front of them;
and as i learned, after being reported to a website
similar to this accused of being a troll
for simply asking the long-ago standard
a.s.l. (age, ***, location) but only sticking to location,
losing some of the haul i'd liked to keep,
i realised i can lose that, no problem,
i rather lose that than lose what i have inside of me.
C Apr 2011
I am young- small,
youthfully slight and skinny
with grasping fingers.
You turn your back to me
and begin trudging away.
All I can remember is
reaching to hang onto your apron laces-
wrapping my fingers in it
and being dragged along,
my feet leaving furrows in the soft ground of spring.
You don't look
or acknowledge me at your back-
only prompt quick steps as
we pass in peace to summer
with the sun high, hot on our skin.
I let loose of you and dance amid
green pastels smeared with grass glistening wet.
I stretch my legs now found strong
with lengthened stride
and I spin circles around you
never focusing on your face.
With the vanity of adolescence
I forget our journey and become
vociferous in play.
But soon the skies, they darken
and my grasping skinny hands, they find.
Clutching for comfort -- apron strings
your careful bow tie
and chasing the rabbit knot.
Under sheets of rain that knock the leaves from the trees, we walk.
Silent--
among the howling of nature.
I grow taller than you
and my body matures.
You look small and fragile now,
frail in the whipping wind
as fall freezes into winter.
We are cold and hold hands,
alongside each other in lurching momentum through the long hours.
I am a man now--
tall, lithe, and toned.
Full of imperial inflection
as if the vicissitudes of spring once again overtook me,
I fill the empty air with vibrations.
The chatter of blue jays join
still you stride forward,
though stumbling here and there.
And I can hear your knees pop,
the joints grind, the mouth grim.
Snow melt wets the tongue
and water drips from beard
as I still follow you.
Sometimes at a distance,
other times huddling close in your emotional shelter-
we walk
past my wedding
and others now journey with us.
We become a pack
a group-
yet,
you're always out in front.
Pressing on, one foot after the next.
Single minded and silent
as the sun once again dawns on yet another spring
I see your goal and shout
and scream
and cry
and run to catch
to hold
to stop
prevent
block
but you're walking faster now
I wrap my grasping fingers
in your apron strings
and I pull hard as my muscles can
As if metal caught in a magnetic force
I am dragged toward your grave
And in your maddening march
there is true intent
as you topple.
Eventually I know
that I will awake and it will be this day
For now I know, I cannot handle it.
neth jones Nov 2021
is it love
or the parasite ?

my pilot bulk                      
aims for relief
       it pursues this via                  
          your romantic correction

in public arena                  
a library stair                    
(i never prior encountered you)

one step as foreigner        
the approach
and upon a swift internal pendulum
i make witless incisions
hurried mended sentences
directed stuns
invasive
i demand the compromise
                  of your company
hastily push at boundaries and
you're not so accommodating

                                                 but
on a further occasion
same building
we exchange a battering of conversation
that
   then
       matures
           into barter-like use of language

despite my harassments
  a civil cultivation is unearthed
tongue within this intelligence effort i lessen
loosen my demanding appearance
disregard my dignity
     a skin suit about the ankles

you're open in a vein of similarity
   you flesh out your own controls
we've progressed quickly
there's an aped conduct
                 and flashing attitudes
this time we share table space
a nearby café

we have become quite unmanned
    repeated meet ups
upon humours we adjust small habits
    and shake on perceptions where we overlap
it becomes
   more an overlay of rationalities
        than resented promises

fast time passes and

i move into your living space                                  
i pick a wildflower                                                    
               and put it in the tiny vase on your dining table
we agree on its colour                                              
we agree on a book to make our bible material
we agree on the pitch of the tinnitus we share
the clothes i am to wear
i switch to your diet
and you cease taking medications
we sleep on your lawn like children
and bring down the night sky for comfort

during the day we wear our sleep
              like a lubrication for our chores
and go about our productivity
              in genuine partnership
yet
i feel we're just out of reach
            of some dark harm

we are an excellent sample pair
it is all vital
we grow stronger the more we quiz it
recycling our *******
refine our agreements
await further impulses
and come closer to plug

so..
do we please love
      or simply indulge a parasite ?
A passionate lovelife begins at the cutting edge of ones  comfort zone. Death ends all ... this too will pass one...is told. Our sun  is not gone as it sets alone. Everything changes as it matures & nurtures; a soulhome full of love passion, mindful hearts, quientessentialy enhancing a compassionate empowering peaceful patient presence. Or mere things do not change, we do. Observe pendulum perceive pit. Forhere awakenaware for now reason & argument forsome, their edge, that is it. Pure calm empowering passion consciousness preferring peaceislove for some that is it. Please a privilege for others for police a right of MEIOSIS. A greater fate is faced with an attitude of forherenow passion. Like fights for wit rights must be felt by allowing an intimate interconnectivity of resonating conscious~hearts. Mindful heartbased interactivity compassion with action. Cards dealt one plays around what is being felt. Done sleeping? End beginnings to start endings...what? Energy...awakening is a passionate art. A heartbeat a part to re late one may appreciate wit meiosis?
Carlo C Gomez Apr 2021
~
Love is the painting
every heart hopes to achieve,
sifting through seldom
looked upon pictures,
we came upon this masterpiece:

The little boy pensive
just to hold the hand
of his darling,
and skipping along
we played to this game,
giggling in each other's ear,
yet, with only sweet innocent thoughts.

The daytime summer sun
meant a twirl in the air,
a ride on the swing,
and an ice cream to share.

As children love
was an amusement ride,
just leisure fun we never took seriously,
as adults love achieved art,
developing a magnum opus
rich in its own poetry.

The young man proud
just to hold the hand of his darling,
and strolling along their game matures,
they whisper in each other's ear,
yet, with each word the balance
of their intimate thoughts so rest.

The dazzled moonlight of evening
means an aura in the air,
the anticipated kiss it will bring,
and maybe an ice cream to share.

We were never good at every sport,
but somehow this one
came so natural for us,
and so we too were an art
unto ourselves.

~
Written June 28, 1989 in Williams, Arizona.
Just as the Seasons change, so do our lives.  In order to function in these Seasons, one will have to be wise.
Just as the Seasons change, we grow one year older.  As our teenagers matures, they will become bolder.
Just as the Seasons change, you'll experience different types of  weather.  In the Winter months, inside is where people gather.
Just as the Seasons change, so many can't wait for Spring.  People attitude may become better, they may not act so mean.
Just as the Seasons change, Summer finally rolls around.  People constantly peel away their clothes, throwing them onto the ground.
By, Author & Poet, Sandra Juanita Nailing
Marisa Bordeaux Mar 2012
A tantalized spirit
Delves into my spine
It dictates my breathing,
It quickens my saunter
I see filth in my mind,
In my decaying lungs,
On the palms of my hands
Muck where virtue once resided
Virtue untainted by original sin
“O’ God free me”
No reply
The spirit seizes each prayer
If the spirit within should perish
Or plague babes hereafter
It is negligible
For every breast carries putrid milk
Every infant grows
And matures into a gruesome sight
Every wave peaks
And culminates
Every day passes
Every harmonious sound shall cease
horseloversmyth Dec 2014
Hug the earth close
as the moon goes around.
We all have lights
some greater, some lesser.
The sun is so generous
it doesn’t need to shine all the time.
It leaves room for the moon's turn,
and the moon turns the sun into time.
In waves it comes
gradually, as an evening ends,
as a child matures.
The child matures
as it grows dark many times over.
Is the child still afraid of the dark?
Or does darkness just mean stopping
laying down, listening without moving?
It is so still tonight.
The moon is just beginning.
Once again, just beginning.
The stillness is like the darkness
it makes the earth closer,
the mountain the unclasped hand
hugging me closer
sheltering my little light.
Don Bouchard Mar 2012
On this day,
Twenty-eight years ago,
I realized that love is not divided...
Not halved between.
A father's love for his children...
Is a multiplication,
An expansion.

How do I explain?

Meanings of life change;
Additions and subtractions aside,
Love multiplies...matures:
Exult or suffer, it endures
Even the agony of division.

Mainly now, love suffers,
But always it endures.
Psalm 91
Says Vernarth: “Khaire to my beloved beings that surround me, including my ***** that move their tails to the rhythm of my awakening. To you my dear Brother, I stayed with my ceramic asleep and I could not sip from the last harvest of ideas and its temporary forks, which came from my parapsychologies. I am delighted among these blankets that smell like cornfields that prevented me from seeing him closer when I already had them in my hands. Now I not only see beyond what my arm measures in its omega, where my own estimating what flower I have to carry and see what it will have to carry in me!

Once upon a time, seven donkeys woke up, the first one who did it went to look for bread, milk, and honey, the second played the tambourine for his master, the third sprinkled the flowers with holy water, the fourth was vernacular in the others, the fifth was in charge of carrying stones and logs in bundles to make the elbows and the masts of the beams, the sixth reconciled the morning with the sun to have a clear day, and the seventh brought the akratismós on a tray, which brought a colt on its back and in a wineskin, bringing juice from the Procoro winepress and Akratos wine, which the colt eventually moved with its leg so that it could be served. Seeing that he gave signs of awakening and opening his bleary eyes, the seven of them laughed and brayed when they saw that he could not hold himself, but when he saw one of them who had had temporary amnesia, he faced him in the sunny morning so that he would face to the wind from the coast that began to bring them figs, like an Ariston or early lunch to strengthen him on his head, more remote of all because he thought too much. The third donkey would make two tortillas from neighboring cornfields that had just been baked, these he used as plates or trays to roll the fruits, vegetables, and barley bread. Vernarth laughs along with them and hugs them again. The containers that accompanied him had the solidity to fill with a few liters of water enough to bathe, after having fiddled with the ******, which reminded him of Orion, but of the meatus that would now be used to ink the thread of the spindle, which pretended to be divine. with hemp and cotton to rub the woods that he had destined for the main timber of the façade. Then he puts on his himation and on it the fibula that protected the serum from his right shoulder. He takes some pieces of logs and lights a bonfire to cook infusions and chalks of his personal medicine, from the collection of his private demiurge, Borker. He placed his tools behind a florilegium, where he received his astragalus by means of his jumping donkeys, and sometimes they would turn around him for hours to soften his immediate floor so that he would not be bothered by the rubbing of the grass and his pectoralis would over-sensitize. But in the end, they traced with him as seven divine golden numbers, which were added one next to the other, for each birth of his mother having to use a third of the womb to shelter them, like equid specimens in their 14 months of age. gestation. As if they were pollen sacs that were the origin of the androecium of all creation in the gynoecium sector. The morphology of this analogical floral relationship alludes to the anthos or flower that matures in the expression of the animals that surrounded Vernarth, and its filaments that derived from the spindle and its promised threads that connected with the fertile connection of the donkeys, making present the cellular magnetism of father and mother for them. Almost like a sordid weight that could not be supported in his genome, it was the serum that sweetly emerged from the nectary of his shoulder, rather close to the sternum, but his burritos produced good moments of the company for him, knowing that if he ran his hands over his satin back, he also longed to ***** the bristles of his stiff hairs, which decided his species, like bristly donkeys only pending his immunity.

Saint John and Etréstles approach and they say to him:
Etréstles comments: “It is said that I must be near you, just as I was in the forests near Piacenza, or after setting sail from Sardinia or Hylates. Then arriving on the coasts of Florence, La Spezia and finally Genoa, it is said that not far from here in Messolonghi, there are books that are written for you, they are wonderful, and everyone reads it, it is called Vernarth Alexandri Magni Macedonis officer Primum "Vernarth First Commander of Alexander the Great." It is said that there is a dispute over the guarantee of your magical verses for those who write it and for those who read it, as an experience that most pleases those who transcribe it because when you stop your verses, they mention that their infantry tale has not reached them. , which is being reborn in all necropolises, such as the Koumeterium of Messolonghi. It is said that there is an extreme reason for unity in the Divine Number of Gold that extends through the seas of Troy and Athens, in the patronage of Fidas for his agora of with the disciple of Agoracritus. It is said between June 21 and 24 the Sun or Shemesh for you, it begins to move away and flushes in its suspicious perihelion, it is said that we will dance in the sacred space, and Archimedes will dance together with us with his Elves, and it is said because I say it! We will have Mother Nature knocking her down at our melted feet, full of ****** Bern olive trees and rotten grasses that announce the freedom to be united, together with all the books in the world, under her great Hellenic library that will never stop going and running after the last leaves of the apocalypse "

Saint John intervenes: "My half reason, is my whole heart, my whole heart is my extreme half, which totalizes the segments of the magic of always surviving and resurrecting in the golden number, thus its length squeezes the shortest way to go behind of the donkeys and lose their memory, if not half sheep of my reason and my heart guiding them "

Neither the Oniros duo nor the third would impede Verrnarth to embrace them, but he was in his purging, behind a severe veil, but from the ductile ectoplasm that already separated them from their ethereal physical plane, it was only possible with donkeys to pass from one dimension to another. other. Thus the arcs of the circle of the sun surpassed the rule of being contained in the supreme analogy from above and below, only the points of ab / cb went beyond the spiritual eclectic portal, to attract them to ab / ac, hinting at the midpoint of the Equidae that brayed to thank Saint John for the Apostle who could be close to him and caress his ears, which were the highest and golden point of his omega garden.
Golden Donkeys
ryn Feb 2018
I fall back
on uttered words.

In them
I find comfort.
Like a spear
of newly birthed rays,
slipping silently
between complacent
drapes.

The warmth I feel
like love upon my skin -
wholesome and sufficient.

And the day matures
as do the words.

What used to soothe
now burns as hot as
the midday sun.

Draw the curtains.
Your mind isn’t yet ready
and is no match
for smouldering embers.


I tripped.
I fell on uttered words.

Here I am,
engulfed and cocooned
in heavy drapes.
Hal Loyd Denton Jan 2013
Start the journey as an empty canvas if necessary go to the rough hewn even the disturbing aspects of
Life use it as a etching device so when the paint is applied first it will be extraordinary the touch of
Enthralling this is a deepening agent going to the unusual that borders on the profound this is vibrancy
That stirs the questionable a replacement of priorities and alchemy of the standard to the high
Rendering of pure gold you find these measures in what others avoid a woman disfigured slightly on the
Outside And then impaired by the mind by a stroke she chooses her words carefully she speaks heavenly
Because She is pure of everyday sediments your communication is not of the intellect but her every
Word tugs at your heart what a privilege so much in life is distasteful when instead of being truthfully
Human we get caught up in the dance the mockery that cheapens life you can stop and dispel this
Unpleasant rudeness by the simple act of laying your hand on ones shoulder feelings rush forth and are
More meaningful than verbiage I’m speaking of dealing in the realm of need not achievement the brief
Encounter with the woman in the wheelchair is unforgettable and lasting the beauty of an innocent
Child is found in many delightful ways but even when others are fearful and offended they will ask when
They are confronted by a vicious and deadly reptile in their midst they ask the authority figure who steps
Into protect them with sweetest voice they ask your not going to hurt him are you that truth and
Statement is a testament to the power of love to disarm serious problems to regress into childhood at
Certain times is a good thing and it will bring the height of character and pure beauty to the fore we all
Have witnessed and experienced the opposite nothing but contamination and waste laughter and pain
Are the two meaningful halves of life sickness in life is the forge that transforms life from ordinary to
Extraordinary the darkened sick room is the stronghold where mercy is most alive faith soon follows
Where tenderness is the flower and the crushing truly does permeate as the scent made up of hurt and
Emotional strain and most of all is bordered on all sides by love you can go in many ways but you will
Emerge changed and will be counted as a blessing by each person you reconnect with this doesn’t come
By amusement but by the secret chamber of suffering it’s the rare place where darkness creates not
Light Only but a spectacle that matures the least into a stalwart fount that streams to all in recaptured
Lasting Beauty
Lifelong deserted on forsaken isle
Bode alone on Patmos, John in exile
The last of God’s apostles whilst ‘ere on earth
Survived to be banished for professing rebirth
And though secluded to but himself muse
Seclusion to stifle would be of no use
For the One who holds men in the palm of His hand
Can work all His purposes through any man
Either be he at home
Or on isle alone

Visited on island, by God for His work
On sending a message from Him to His Church
A vision received he must send to address
Their troubles and worries God ached to redress
And encourage the faithful who endured so much pain
That they’re not forgotten, and they mustn’t wane
For God does not oft reason missives direct
Unless He saw need to bring retrospect
Of mortal Time’s end
For His Body and all men

“To those in Ephesus, who are ready to test
Many a false prophet has been exposed from the rest
And long you braved such painstaking trial
Unwilling to bend under oppression vile
But though you are strong, shortsighted you remain
You have forgotten why you fight and withstand the bane
For it is I, your greatest Admirer, that came down for you
And did, out of love, only what I could do
Make Me foremost when comes the worst
And remember that I loved you first

“To the faithful in Smyrna, persisting though poor
You labor, heavy laden by the burden I bore
But be not discouraged, for you work not in vain
In spirit you are rich, Heaven’s glory to gain
So be mindful of this, for what lies ahead
For sufferings ‘ave not past, but will worsen instead
Men will confine you and your hands will they bind
But press on ‘til death, and life you will find
Your body, cast down
Will I make your crown

“To Mine in Pergamum, in Satan’s dwelling
You have been loyal, your perseverance telling
To proclaim Me and my name, and Me not deny
Hell and its sons are left to surmise
But there are those of you who hold fast to falsities
Accepting many sin and foul immoralities
Now you must turn away and you must not consent
And of these teachings, refute and repent
‘Else I will come nigh
And level these lies

“Of Thyatira, Mine in My service
Though by no merit, your faith do I cherish
You have grown much and your good work matures
Your deeds have been proof of that Hope which endures
Be wary, though, if I condemn whom you host
For Jezebel is among you, and her sin is her boast
My grace she has scoffed, and repentance she has shunned
So now I will afflict her, and undo all she’s wrung
Brook not her ways
Holdfast all your days

“To the saved in Sardis who are seemingly dead
Slumbering prostrate on your spirit’s bed
For I will come as a thief in the night
And to sleep then is to sleep for all time
Your works, incomplete, will slowly fade
And your deeds are unfinished, which you have made
Awake! Awake now, and strengthen what’s left
Arise! Arise now, this cross you must heft
Teach the lost of Me, to learn
Ever to be vigilant of My return

“To those in Philadelphia, unwavering in truth
A door I have a opened, and set before you
None may close it, and to pass through’s your right
For by your weakness have you shown My might
You kept my Word and in affliction did not cower
And so I will keep you from trials in that hour
For a day will come when the world I will test
To discern between men my disciples from the rest
And you I will set apart
For I already know your heart

“And finally to Laodicea, who is rich in this world
But revealed ‘neath is poverty when the mast is unfurled
You claim need of nothing, satisfied with your state
Instead, I see lacking that destines your fate
You are tepid in spirit and to sip suit Me not
You bear for Me no fervor; neither are you cold nor are you hot
In spite of your lack, know that I love whom I reprove
So be arduous now, be it Me whom you choose
I knock at your door
I desire of you more

“Hear me now, and heed what I say
Overcome this world, break night with your day
For from eternal death will I come and you save
I will clothe you in white and give you a new name
I will confer you the nations to rule with My hand
I will confess your name before God and before man
You will be the pillars that brace up My home
And you will sit down with Me on My throne
For from temporal pain
Springs everlasting gain”

These words in a vision did God, to John, speak
And this message did He will for the churches to reach
Admonishing their triumphs, and where they fell short
Encouraging them to, in Him, always resort
And realizing this may we ever conclude
That without Him we have all there is to lose
For it is by Him that we have come to be
But the choice is ours, where we spend eternity
A choice before us is laid
Whom we will choose to serve this day

This choice, inescapable, either brings death or brings life
And our decision will last beyond the end of all time.
Taken from Revelation 1:4 - 3:22
Sharina Saad Jun 2013
Am not a queen
but he is my prince
I treasure him most
as a prince should deserve
He does not cling on me much anymore
as he matures and grows
He seeks my asisstance in
less demanding ways
To get him out of troubles
I stand by him still
Soon he will have a girl
Unsure will he still
have  me in his mind
But Just remember my son,
you are the most special one
let me ensure, i am so proud
to say "This is my charming son"

Love, Mom
My eldest son good luck in your studies and dont forget to eat before going to lectures..  Love you..
Poemasabi Jul 2012
As August matures
My patio grows green
and is a new lawn
Àŧùl Jul 2016
Let's talk about a human being,
Be it a male or a female being...
The infant needs care,
It also needs to feed..
The infant cries,
The infant laughs.
And nothing else matters.

Then the infant grows up to be a kid,
Becomes a more big teenager next..
The teenager needs attention,
It needs to be accompanied..
The teenager plays,
The teenager enjoys.
And nothing else matters.

The teenager matures into an adult,
Blasts each one of the social norms.
The adult needs inspiration,
It needs to be truly loved..
The adult thinks,
The adult aspires,
And nothing else matters.
A poem inspired by the song title of 'Nothing Else Matters' from Metallica.

My HP Poem #1101
©Atul Kaushal
I am broken, I am broken inside,
My soul swallowed by the Nordic sea.
When am I but to see the Northern Light;
Their lights are ahead, above me.

Who says I shan’t sing but shall here,
For singing and hearing are inseparable,
Like the lonely souls of aging and youth;
Whose ends stand irreplaceable.

Who says I shan’t read but shall hear,
For reading and hearing are the same,
And so are the poesy and prose within me;
They all see through me alike.

And who says love is of insipid youth,
Had I given thought to your love;
Whose songs make me but hungry again,
Suspicious about me, unlike the rose.

And who says love is a sordid poem,
A phony line any may have writ,
And who one like me has in her room,
One that has not much wit.

And who says ‘tis not my Helsinki,
Within too much of a single beat,
None is faster than my heartbeat,
To love once more, like young poetry.

And who says old Helsinki shan’t love,
He has had much to understand,
That love is in his hold beyond reason,
A reason I shall see again.

And who says my Helsinki shan’t live,
Within too much of a long sigh,
Pampered by the bread of cold nights,
Asleep by the cheerful Northern Lights.

And who says my Helsinki is cold,
All the evil within their bold,
Too much have I hated and cried,
Too much have I seen the worst night.

And who says my Helsinki is bare,
I like the cool and safe midnight air,
With the green and silver trees there,
I have no time to waste its fair.

And who says my Helsinki is there,
With no love nor tune to love me,
All poems are a secret flute,
An eternity that waives sick truths.

And who says my Helsinki is sick,
Like a word chain tame and meek,
That I shall kiss his lucky cheeks,
That I shall seek to love.

And who says my Helsinki is red,
The twisting end that shan’t be met,
Whose winter smells like a summer lily,
Whose lavender blooms like a rose.

And who says my Helsinki has sinned,
As a lover I shan’t have seen,
Who might you be as a true lover,
Who might you be to love me, better.

And who says my Helsinki is late,
All was too young to receive their fate;
A bud raised in the summery hate,
Too small to be, naughty to the moon.

And who says my Helsinki is old,
There was a reason to behold,
That once appeared and spread again,
That once loved, and demanded love.

And who says my Helsinki is wild,
To climb the cooling clouds too high,
Bewitching youth on a Northern night,
Funny and bewildering like a poem.

And who says my Helsinki befalls,
We all hate longed for fields of fall
And the invigorating rain’s song,
After a fairy heat, for long.

And who says my Helsinki loves worse,
None is worldly in the wind of words,
Nor shall any witness the fall of me,
The fading of youth, its sallow skin.

And who says my Helsinki shan’t read,
With a simmering false that cheats,
Who says such immature threat,
That rains raise in their odd feeling.

And who says my Helsinki shan’t say,
All is rain in the Nordic West,
And the love prisons who want to see,
Charms those who linger to stay.

And who says my Helsinki shall fail,
None is so lithe, nor a fallen ill,
None has its least of temperaments,
None can adjust, all shall leave.

And who says my Helsinki is dust,
For dirt and debt cometh from the sun,
Such like desire—and the worst of lust,
With a love come undone.

And who says my Helsinki is free,
Whose soul is not bound to be,
Whose charm is thin that all see,
Whose love is vague.

And who says my Helsinki is a dream,
But reality truer than its own self,
That such words of his are precious,
A letter to read, a canto to my love.

And who says my Helsinki is a verse,
But a story that has heard the worse,
And who shall dream of which and the sea,
Who shall dare to mention the sun.

And who says my Helsinki shall age,
But a wise forgiver to all sins,
That age itself seems foreign,
That love itself matures, hence.

And who says my Helsinki loved once,
But not a voice to love again;
That love itself seems to listen
That misery itself shall laugh.

And who says my Helsinki is trodden,
And who says within which is disgrace,
A passion for fire is who is evil,
Ill as daylight, and tormenting.

And who says my Helsinki but echoes,
Within such a world of failed heroes,
I have but to me my deranged throes,
Which love to lay low about me.

And who says my Helsinki shan’t reside,
Ever since, have not I held my sight
And raised again to the Sun Kingdom,
I might choose not to retell my poem.

And who says my Helsinki is pride,
This heart is too open and too wide,
But I shan’t live again on the English side,
Nor ponder the Yorkshire suburbs.

And who says my Helsinki shan’t tell,
Ever since, have I hated farewells
That longed to put their hands in my arms,
Lulled to the night by my poet’s charms.

And who says my Helsinki is a curse,
Since then, have I hated bad wills
As though I myself would not again feel;
Feel a starry night still to far away.

And who says my Helsinki is not me,
With all my tunes too rich for a single verse
That shall excite nor tune to me not,
You are not much dearer, but worse.

And who says my Helsinki shan’t dream?
For I writ much only of a dreamer,
A dreamer that bathes in solitude,
A dreamer that warms, one that charms.

And who says my Helsinki shan’t stay,
The world has grown out of its way,
That the evil sun has rinsed itself again
And shall slowly **** the cold days.

And who says my Helsinki is dry,
That in his life that lies in the sky
No warmth shall come to life,
With a heart that shall love us not.

And who says my Helsinki is shy,
Rules but its own magical, sour song,
Basked in its reserved poetic triumph;
Not much of its own soul, not the poem.

And who says my Helsinki is far,
Farthest from the poet’s closed heart,
And shall be awkward, should it remain;
Their hearts shan’t live to sicken again.

And who says my Helsinki isn’t fair,
With none but a wrong air to feel,
Not a heart, nor a hand that feels not
Life and love are dead in the cold.

And who says my Helsinki loves autumn,
That all is beautiful is left in town,
And they may die of ugliness,
That all wander on their own.

And who says my Helsinki loves winter,
With northern lights icy-clear,
With three rainbows drawing near,
With white and fierce snowstorms.

And who says my Helsinki loves summer,
With a love not from the heart,
With a word not from the poet,
With a spear that can hurt.

And who says my Helsinki loves spring,
Who shall be there but the poet to sing,
Like the chained melodies in her words,
The Christmas tales in her sweet worlds.

And who says my Helsinki but myself,
The paint and poet together at once,
That a word is so bright as its colour,
That the colour makes its hours light.

And who says my Helsinki but my heart,
Who shall open it a door to cold nights,
To the heart that yearns for cold rains,
To the soul that misses the clouds.

And who says my Helsinki but my art,
Who shall make it a comfort today,
For the words that are patiently passed,
For a promise that is never wrong.

And who says my Helsinki but my soul,
Who shall present it with joy tonight,
Who shall bring it life and thought,
Who shall cheer it, who shall love it.

And who says my Helsinki but my blood,
Who shall amend its present sight,
Who shall condemn all that’s amiss,
Who shall wed it, shall give it bliss.

And who says my Helsinki but my might,
And sends to me another silent poet,
The son of cold, the offspring of dark,
The child of solitude that embraces me.

And who says my Helsinki but my sight,
That all afternoons are a night triumph,
That all that is sick becomes my poem,
That all long nights become my lullaby.

And who says my Helsinki but my sigh,
That I can love on moaning nights,
That I am the chaste that shan’t hide;
To come and again, in an immortal light.

And who says my Helsinki but my light,
That I can stay versed in such frights,
That I shall stay stern and not wobble,
That I shall stay here, and adore still.

And who says my Helsinki, but my love,
All in my verses are a blessing,
All blessed be, an innocent King,
All a cold dark, a sweet morning.
Paula Swanson Oct 2010
Passion through years does grow anew,
when tangled, are emotions, soft.
Respect is held, with trust, aloft.
Seeing more beyond, to value.

Your eyes held mine, that's how I knew,
what became of the years that fly.
They were stepping stones , as whereby,
our years together, passion grew.

Mere words can not give justice to,
the joy in our life's adventures.
From that first kiss when love matures.
George, you are my passion renewed.
Out of deep sorrow for the loss of my muse
The machine stops to recapture its stasis
Stolen by the unrequited idea of this mirage,
The scarlet tic toc craves pristine amuse

The pump of the sweet amorous concoction
Tastes **** to the disused forlorn tongue
Maybe the machine leeks this viscous fluid
To purchase desire at the body’s auction

This nature’s request for the suitable mate
While the soul of the failure still remains,
Cranks the contraption most vital gears
As a mismatched tic toc at hearts gate

The betrayal of knowing the truth and never
Ever leaving the past wholly shatters me
The Sunlover wants to bloom when the light
Shines darker than the doubt of forever

That is the heart’s betrayal

Viewing the sunrise through my wasted eyes
unfold as the tears of my broken dreams,
I remember the beauty of my dear beloved
The ultimate ambush to my lonely skies

The hangover of rejection lingers for eternity.
The addictive touch of tenderness I want
While the robot engines cannot cope with it,
The tired heart goes for failed shot infinity

What is this web which I was woven into?
Falling for eight, then nine, bonus ten
Tic toc the clock; pump, pumped the blood
Wild need, whispers required to ensue

And whilst I dig the grave where I shall lend
Haunting me is the ever burning question
Will ever the craving for love be truly done?
Hope is said to never falter, to never end

That is the heart’s betrayal

The never ending brush of desire swirls
A portrait of novel passion; her soft
Features, angelic voice, immaculate lips
And this issue prevails with all the girls

In the mind’s museum, they become a bust
Of hard intangible romantic interests
And as a collection vice, the gallery will not
Stop letting in more miscellany of lust

Appreciating the astral beauty, bemusing  
In the details, worshipping personality,
Requiring such unity to expel the loneliness
This hearts motives forever bruising

The interest in a woman thus take shape
To form the most ethereal phantom
A ghost that results in dreams of icy mist
A myth of warmth, fleeting escape

That is the heart’s betrayal

Once betrothed to be my suitable mate,
Wishes my dream fairy granted me
Far and wide we would venture, brave souls
Only in my fantasy, this surreal bate

Thus, the later ultimatum comes unexpected
When company the moment yearns
This muse’s portrait matures into sorrow
We were genuinely never connected

The cold from this epiphany ardently churns
The blood that petrifies the machine
“She is not the right one,” an echo of misery
Even if elusive, she hurts me; it burns

Passion may come and go, a scar of flare
A tempest of feelings of the unruly kind
The spark is a mystery to solve, misguided
The hurt of a hollow kinship and despair

One day the soul its mate will find, the heart
Will have a home to call in the light
But now the frozen pump in darkness lingers
Waiting the mistake of love to depart

It all goes back to the beginning

And that is the heart’s betrayal
The last poem of my original anthology had to be its namesake. My nature was to love, get rejected, love, lose that person, love again, be rejected, and on and on in an uncontrollable and destructive cycle. It had to stop, so I had to finally understand what was happening to me and translate those impetuses into words. To do so was to acknowledge all the pain and distress of loss and rejection, and for a long time, I just could not do it. Poetry helped me open up and learn about myself. So, this was actually one of the first poems I ever wrote. The sense of cyclicity that flows through and ends the poem makes rereading the whole collection a new experience. All the pieces inside of it have something to do with how the heart, in all its emotional saliences, controls people's every thought, even when we think we are in control. We can love, hate, fear, yearn, and at the same time, not want it to happen. Nonetheless, the heart will betrayal our countenance, our adamancy, our will to resist within different degrees. So, to feature all these ideas sprinkled throughout the anthology into one poem was the best way to end it.
In the aria of music
As the notes reel
High and low
Thy pulse shall dance
With a rhythm
Such an unmatched fervor!

In the aria of music
While the symphony matures
A new game of romance
Rules the mood
Defying every holding loop

In the aria of music
The moment enriches
The thrill of the heart blooms
Into a new season
Unbridled joy shall stay
Caressing every heart beat!

In the aria of music
As the lyrics hum
In your own self
You shall be complete!
Nick Feetchi Jan 2016
“The best investment that one could ever make
is into another life
in hopes that the stock matures and is productive
and in return your rewards are priceless”
The best investment is not in a home or the stock market, it is in another human being with hopes that he or she turns out to be a productive citizen in society.   If that is successfully achieved, then the payout is priceless.
Ryan Cripps Aug 2016
She has chemical dreams and toxic wishes.
She wastes her breath on silly superstitions...
like it's nobodies business.
She kneels down and prays, but nobody listens.

She has visions that seem to come and go.
She imagines a future that feels so alone.
A time where every body is delved into a selfish abyss.
Where kids are growing up without a hug or a kiss.

Every year the bad days grow longer.
Positivity fades, and the negative thoughts get stronger.
Welcome to a future where all the heroes died.
Now its reflections of villains in these kids eyes.

Change happens when one matures.
Immaturity has become an epidemic, and we can't find a cure.
What ever happened to a soul that's pure?
She's the last of that kind, a species that's become a blur.
(c) Ryan Kane - 2016
Twitter: @RadicalMartian
Tamal Kundu Feb 2017
Imagine, for this night, you are the queen of Fairy Tale land.
I, too, am a prince, from Make-Believe kingdom.

From beyond our cocooned proximity,
the night shimmers in, and thickens to a silken thread of moonlight
that the crone will soon spindle into her never-ending story
of billion constellations, both seen and unseen
by naked, desperate novas.

We, entwined, like the roots under a rabid rainforest,
pale as innocence, battering feverishly against the stones for ever afters,
seize Avalon, and reject Camelot.
The canopy of fireflies  synchronises in raw euphoria,
a rebel Excalibur.

The wind matures around us.
Tomorrow may be an inevitable notion,
but my queen of Fairy Tale land,
my sword, shield, bow, toothbrush, unicorn,
worn-out copy of The Arabian Nights,
all lay bare before your lion throne.

This world was once a crevice between fire and ice.
Fire and ice run in our veins,
from me to you and back into the realm of drunken faeries,
where the bumblebee heart of the day
is yet to ignite the pomegranate sky.
Form: Free Verse
Kenny Brown Feb 2013
Well girl if you’re stable at overflowing
Just please let me coast inches
I need to sentry how this is growing
There’s a tugging at my sleeve, trying to lead me in a cave
With a slight incline so not even a torrential wave
Could splash safety
Yours or mine
While our synergy matures like wine

It’s in the print of the design that I come across a constant need for repair
Bring tools along the way I swear ruts bend your axles
Bending backwards can’t twist your posture like her
Fur is soft on the skin
In a race the fox always wins
Reach in to the frothy mixture and pull out a piece of the picture
Even though your centered in a fixture a foundation is hard to find
It especially distorts the spine at night
When the light can’t distract you
From the visible glow she radiates
Strong enough to contract you
serpent tongue lashes. frantically,
the fool might say it is but a snake licking.
rage froths from under covers.
below sheets, anguish breeds with frustration
towards the self and distant lovers.

feigned empathy matures when nurtured.
then it is apathy
successfully disguised
as silent understanding.

on my feet, i assume the ground is beneath.
then the eyes meet another
who is also standing
but who seems so far above

and transcends me.
12/16/08
Allen Robinson Oct 2016
Love made to order
like a luxury bottle
of fine wine that
appreciates with time
We open ourselves
and let the relationship
breathe as it matures
Never gulped, yet sipped
slowly and enjoyed as
a guilty pleasure
The finest crystal used
akin to dressing up
in ballroom attire for
the proper occasion
A myriad of flavors
and bouquets dance
on our pallets like
a waltz composed
by Tchaikovsky
What follows is left
to the imagination,
but consider a good
bottle much like a
good relationship
always leaves you
yearning for more.
Don't judge me... just having fun with this one.
Olga Valerevna Mar 2015
where is my head amid all of this dirt
and why do I comprehend what it is worth
put me beside any matter or thought
And I will be able to learn how it's taught
Not that my knowledge goes deeper than yours
Only it differs the way it matures
I am your sister but I am not here
to make what your brethren believe disappear
constantly fighting the what and the why
I will not settle for rivers run dry
we are eternal and lest you forget
People are able to choose to regress
There is a beauty to all that we see
Broken and stripped down to what we perceive
Capable beings, we live yet we dare
to make those around us contrast and compare
But what if we juxtaposed only ourselves
Examined our hearts by the blood in our cells
I think we'd discover much more than a soul
a vision confirming we're not in control
what do you see when you look at the world?
GGA Oct 2015
Who said the grass was greener on the other side?
The one alone on the ***** soaked sidewalk?
The bearded man walking two paces behind
His wife while glancing my way?
The woman with the frown, the hard face
Eye rolling as the lovers smile into each other’s eyes?


The fast food nation dying inside out
The tilted heads, phone glowing, never noticing
The world around, the clouds, the sky.
The nation of talking heads stuck in the portals
The aimless many searching for nothing in particular.

The grass is greenest when freshly sprouting
Tender shoots reaching for the sky in hardy soil
Grass matures into a strong and vibrant pasture
Wild flowers and butterflies bouncing off sunlight
Its season comes and goes light and dark.

Pity so few stay long enough to enjoy its seasons
To see its growth to the fullest potential
Inflated expectations lead to disappointment.
Egocentric self-indulgence rolls along
Jumping one flower to the next.

Love is not feeling gratification
A heightened sense of intense emotion
Love is not lust, lust is not Love.
Love is not experienced in a moment.
Love lies in-between the moments.
Experienced in a lifetime.

That grass? No, it is not greener.
It will turn just as the grass you stand in
The faster you walk through it
The less you will understand its beauty and wonder
Between the moments.
Sleepy Sigh Apr 2011
There's something in the face of a man
Who has spent his life doing
Not what was required of him,
Nor what he loved,
But what he felt forced to do
By some inexorable pressure inside his head and chest
That would splash him on the walls
If he did not bow to its will and power.

There is something that writers might call Beauty,
If they had to put a word to it,
But Beauty is present from the cradle,
Or it is a sudden bloom as a man matures.
It is handsomeness. It is a standard, accepted value.
No, there is a hardness around the eyes
Of a man who is determined to be
What he must be, or else die.
His eyes are not beautiful.

There is something attractive, though,
Something that must be watched -
Like a solar eclipse -
Because it is rare and pleasant
And unpleasant too.

There is something there that will not be ignored,
Planted firmly as if to say, "This is the face
Of not a person,
But a personality.
This is not a man,
This is the constant, untiring, unflinching
Action of a man."

It is a thing that shouts "I must!"
And at the same time echoes the pleasure of doing,
The joy of not straining under that maxim,
But thriving - it is enough to tide him over
When he is helpless and hopeless and old.
There is something in his face
That has done what it set out to do,
And everything else is just time ticking by
Until it can be done again.
Pick your preposition.
Candace Nov 2011
Five leaves cup a tender flower,
petals layered over petals; deep
inside, seedlings not yet conceived
are protected by the blanket
of crimson velvet, reminiscent
of a vellux quilt: Perfection
that begs to be touched.

A sharp needle in the finger;
and a deep red liquid blossoms.
The same color grows from stem
and wound. The edges of the silken
petals curl back. Red matures,
rusts to black, breaking up --

What has happened?

You scissored the stem, changed
the water each day, crushed
the aspirin, just like Grandma said;
still, the last petals are floating
to the ground; the leaves droop
over the cracked glass table:
Only the thorns remain.
Eric Noble Oct 2017
The tallest tree stands guard in the park
He keeps out the wind with the thickest of bark
And all of the trees for miles can view
His thick curving branches holding so true

But in this park, alone is he not
For he must have company contained in his lot
And all of the trees for miles besiege
A chance to stand where he scatters his leaves

So one by one he picks his crew
An elm, an oak, a pine, and a yew
And all of the trees for miles brew spite
That they were chose not to be at his right

And slow but sure, his trees conceive
And then of their duty, they are bereaved
And all of the trees for miles make haste
To see the new saplings that are now placed

They know for sure that some can not strive
For he consumes the most sun to survive
And all of the trees for miles conspire
To rule his park when he retires

And the smallest of saps looks on in rapture
And knows at once, his park it must capture
And all of the trees for miles look on in gall
For this little sapling is the smallest of all

For years he awakens and each day he stretches
But in pain of this growth, the poor sap retches
And all of the trees for miles must grin
The sap keeps fighting, though told he can't win

The sap matures, and ends an adult
Taller than all, he begins to gloat
And all of the trees for miles are shocked
The sap beat them all, his potential unlocked

Many moons pass and all can see
The impending death of the old tallest tree
And all the the trees for miles don't know
What they will do when his wizened self goes

And when he expires, the sap is the king
And his cries of victory echo and ring
And all of the trees for miles can view
His thick curving branches holding so true

But the sap can not hear all this admiration
And endlessly strains in exasperation
And all of the trees for miles can see
He's so much worse off, being this tree

But up on his pedestal, his glory can blind
And he can't see know his particular bind
And all of the trees for miles just wait
For the last of his life to dissipate
Deuce Brother States, embrace your own Define
One which assigns your Profile to be Real
Another, by flip belongs to your Lime
Which in your Comfort does merrily Steal
Is this such Bulb, which you chose to Enjoy
Even though its Pockets carry a Plague
If, by Tempt's timing by reason deploy
Morning smoothes a Tan; Evening crumps an Ague
For a Coin as Janus begot is Enough
Even as it Matures your Chronology
Would better the Memoirs be Pure though Tough
Multiply this Peace your Anthology.
You're Ripe enough, at least in your own Crop
Whilst waiting for the Owl to perch its Drop.
#tomdaleytv #tomdaley1994
Norbert Tasev Apr 2021
When critics pierced my tar skull with pieces of ice drumming! Not a single missing shore could be reached without being so shipwrecked! Vermet-digging careerists threw killers and daggers, and the merit became caressing puppets because they could get an opportunity from Being to start something that had begun again! Anointed redeemers could not keep the Order, and the guarding prophets also slept and listened in silence instead of their Judgment words!
 
Thick-necked and small-style stici pups were plowed in narrow mouse paths; to become unfaithful natives to demotion who is Man because to stay?! Boiling jampec squirrels and disco kittens are making their way up the donkey ladder of the fashion trend, while their hazelnut brains are getting narrower! Even the proud civis proves only by text and not by his deeds; insane, no-man's-house Aarnoks get the job first because they know: the brain-shrinking **** has become fashionable! - Wrapped in flag jacket wings, you can't make a difference with a single garaboncia!
 
You can only run and tolerate like you know your loss! He who has constantly professed his convinced Truth is all being branded a treasurer and trampled wherever he matures! Lampshade is all about preparation! A worthy accomplice may still be skillful, but he cannot catch scapegoat mice! Rats zigzag between familiar pairs of eyes and easily betray each other when it comes to getting them! - In the channels of the night ether in the Eve costume, Angels parodying with single-stranded petal bodies offer their superstitious charms; perhaps they unconsciously imagine that they can get to know anyone in this form! Is the time of the guardian heads of families wasted?
Supriya Apr 2015
Butterfly delicate butterfly
Fleeting everywhere
Like a million stars in the sky
Prancing here and there.

Butterfly delicate butterfly
Disguised in a dozen colors
Taking a leap so high
Letting go all the fears.

Butterfly delicate butterfly
For a journey such as yours
With every moment passing by
Your tiny mind matures.

Butterfly delicate butterfly
What can we learn from you?
That life is never on standby
There's always something new.

— The End —