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"marshes" poems
It was the twilight of the iguana. From the rainbow-arch of the battlements, his long tongue like a lance sank down in the green leaves, and a swarm of ants, monks with feet chanting, crawled off into the jungle, the guanaco, thin as oxygen in the wide peaks of cloud, went along, wearing his shoes of gold, while the llama opened his honest eyes on the breakable neatness of a world full of dew. The monkeys braided a ****** thread that went on and on along the shores of dawn, demolishing walls of pollen and startling the butterflies of Muzo into flying violets. It was the night of the alligators, the pure night, crawling with snouts emrging from ooze, and out the sleepy marshes the confused noise of scaly plates returned to the ground where they began. The jaguar brushed the leaves with a luminous absence, the puma runs through the branches like a forest fire, while the jungle's drunken eyes burn from inside him. The badgers scratch the river's feet, scenting the nest whost throbbing delicacy they attack with red teeth. And deep in the huge waters the enormous anaconda lies like the circle around the earth, covered with ceremonies of mud, devouring, religious.
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18k
Some beasts
I see a dying swan Resting on the marshes of the bank Her feathers white as snow Her wings like that of a silk I hear a dying swan whispering softly to the river While she rests and sleeps the river answers back with a song A song of life and death Graping onto her graceful neck breath took her away And now she sleeps and never comes back I know a dying swan she's like a mother and the river a home though her eyes told me no story anymore I still believe her, that dying swan
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Apr 1, 2015
Apr 1, 2015 at 10:41 AM UTC
A Dying Swan
When the dust swirls in the March wind the forlorn noon is thick with flames of the forest and the meadow sighs in gold yellow sun my eyes seek Krishna in that aching void. She grazed the cows from morn till twilight and though eldest among the siblings she was schooled only in the blazing days learning to pull her herd to greener pasture venturing into marshes none would dare tread. Not one groom could be found for her bypassed she was for her fairer sisters that went to school grew up were married and ushered new inmates to the world. Then a few summers past when I had almost forgotten her I saw her forehead smeared with vermilion. But why she had to come back playing once again the shepherd girl gathering them for home at dusk crooning aaaaaa….oooooo….. I don’t know if Krishna went back to her husband for after a few days she wasn’t seen again. Only the winds howled in the forlorn noon and the little shepherd girls who came after her whispered she had at the in-laws hung herself from a tree.
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Mar 1, 2015
Mar 1, 2015 at 8:04 AM UTC
Krishna
Next to the marshes The muddy smell fills my nose The cat tails shutter
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Apr 2, 2014
Apr 2, 2014 at 8:03 AM UTC
Marshes (Haiku)
I will go where the swallows go, following orange sunsets and amber wings. I will search for bottled letters, written in the dawn of future, for something more than bottomless worry. I will go where the swallows go, sleeping in the marshes' hollow, I only hope for tomorrow. My lungs may burst as I cover my nose and mouth, I give my strength to the waters now. With its will; I could too, learn to fly. I will go where the swallows go, because where they lead, I do not know, but it's something better than here; a being to cease my fear--
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Jul 25, 2018
Jul 25, 2018 at 11:54 PM UTC
Swallows
The shadows have their seasons, too. The feathery web the budding maples cast down upon the sullen lawn bears but a faint relation to high summer's umbrageous weight and tunnellike continuum- black leached from green, deep pools wherein a globe of gnats revolves as airy as an astrolabe. The thinning shade of autumn is an inherited Oriental, red worn to pink, nap worn to thread. Shadows on snow look blue. The skier, exultant at the summit, sees his poles elongate toward the valley: thus each blade of grass projects another opposite the sun, and in marshes the mesh is infinite, as the winged eclipse an eagle in flight drags across the desert floor is infinitesimal. And shadows on water!- the beech bough bent to the speckled lake where silt motes flicker gold, or the steel dock underslung with a submarine that trembles, its ladder stiffened by air. And loveliest, because least looked-for, gray on gray, the stripes the pearl-white winter sun hung low beneath the leafless wood draws out from trunk to trunk across the road like a stairway that does not rise.
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4.7k
Penumbrae
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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4.4k
Haze
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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44
at first an unrelenting green covers everything: the trees, the lawn, the hillsides, the marshes, the windbreaks, everything is completely and totally green, the deepest, truest green, so green you might even forget that it wasn't always green, so green you might not stop to think that it won't always be green. school children look out windows during their exams, longing to be free amid all that greenness, lovers sit in parks near the water, under perfectly green leaves, listening to the wind, watching the stars come out and making their wishes, forever joined with that unrelenting green. artists dip their impressionistic brushes in the green and dab on canvas pictures of people gathered at picnics in dappled, green shade, joined with the greenness, enveloped and absorbed by it, becoming green themselves. they paint pictures of leafy trees reaching beyond the canvas with patches of sky showing through, a perspective of endless summer that you have to look at a long time to see and feel, but once you find it beyond the greenness, in the blue beyond the hill, you will be part of it always: through the fading mid-summer and pale, yellowing late summer, even into the multi- colored fall and the stark, grey-white winter, and you will know life, and hope and love,  and nothing will ever seem the same again
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Sep 24, 2016
Sep 24, 2016 at 7:05 AM UTC
green vision
So an age ended, and its last deliverer died In bed, grown idle and unhappy; they were safe: The sudden shadow of a giant's enormous calf Would fall no more at dusk across their lawns outside. They slept in peace: in marshes here and there no doubt A sterile dragon lingered to a natural death, But in a year the spoor had vanished from the heath: A kobold's knocking in the mountain petered out. Only the scupltors and the poets were half sad, And the pert retinue from the magician's house Grumbled and went elsewhere. The vanished powers were glad To be invisible and free; without remorse Struck down the sons who strayed in their course, And ravished the daughters, and drove the fathers mad.
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3.9k
A New Age
Welcome Back To This, Your Isle The rabbits beneath the deck, Even the pesky deer who eat the shrubbery, Sea creatures, living and spirits of the dead, Lying on the paths and in the creeks of Silver Beach, All inquire: Was it better wherever you went? Were the: Bears, hiding in the forests outside Berlin, Eagles, double headed, of Russia Herring, fried, creamed, wined, From the vendors on the docks of Helsinki, Riga, Visby and Tallinn, Salmon, smoked and cured in Stockholm, More impressive, Tastier than our striped bass, Island cohorts of yours, who waited patiently For their chronicler to return? Did the Little Mermaid and her Dolphin Guardians of the Port of Copenhagen Welcome you more warmly than your friends, The ospreys, lizards, turtles and owls Who overwatch your steps and safety When hiking in Mashomack Preserve? Are the interlacing tidal creeks, Woodlands, fields, salt marshes and the ragged, Irregular but charmed coastline of this cherished island Any lesser than those of Scandinavia? Are the sea-going ferries that transverse the Baltic Sea and the Gulf of Finland, More poetic than the Menantic or the Lt. Joe, Who carry you swiftly home to us? The National Geographic people say that in Tivoli Gardens, The Amerikaner (ha!) waffle ice cream cone Is one of the ten best in the world. Guessing they have not made it yet to the Tuck Shop for some Moose Tracks! Were you unaware that our isle settled before Peter the Great ever envisioned creating the grand Boulevards of his capitol, St. Petersburg, Route 114 was a traveled forest path, By settlers and Indians, not serfs. Of the Treasures, the Gold Room of the Hermitage, The Amber Room of Catherine's Palace, Wrote not a single word, we observe. Your attentions, they did not deserve? The answers all, self evident. Here, surrounded by the gentle breezes of Long Island Sound and Gardiners Bay, Sweet and salty flavors of the Peconic atmosphere, Words unlocked, from your eyes to the page fall, Smudged by joyous tears, for the muses of the island Have embraced you yet again and rebirthed Inspiration, within their comforting, sheltering grasp. Silver Beach July 22, 2012
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Aug 3, 2013
Aug 3, 2013 at 4:50 PM UTC
Welcome Back To This, Your Isle
Welcome Back To This, Your Isle The rabbits beneath the deck, Even the pesky deer who eat the shrubbery, Sea creatures, living and spirits of the dead, Lying on the paths and in the creeks of Silver Beach, All inquire: Was it better wherever you went? Were the: Bears, hiding in the forests outside Berlin, Eagles, double headed, of Russia Herring, fried, creamed, wined, From the vendors on the docks of Helsinki, Riga, Visby and Tallinn, Salmon, smoked and cured in Stockholm, More impressive, Tastier than our striped bass, Island cohorts of yours, who waited patiently For their chronicler to return? Did the Little Mermaid and her Dolphin Guardians of the Port of Copenhagen Welcome you more warmly than your friends, The ospreys, lizards, turtles and owls Who overwatch your steps and safety When hiking in Mashomack Preserve? Are the interlacing tidal creeks, Woodlands, fields, salt marshes and the ragged, Irregular but charmed coastline of this cherished island Any lesser than those of Scandinavia? Are the sea-going ferries that transverse the Baltic Sea and the Gulf of Finland, More poetic than the Menantic or the Lt. Joe, Who carry you swiftly home to us? The National Geographic people say that in Tivoli Gardens, The Amerikaner (ha!) waffle ice cream cone Is one of the ten best in the world. Guessing they have not made it yet to the Tuck Shop for some Moose Tracks! Were you unaware that our isle settled before Peter the Great ever envisioned creating the grand Boulevards of his capitol, St. Petersburg, Route 114 was a traveled forest path, By settlers and Indians, not serfs. Of the Treasures, the Gold Room of the Hermitage, The Amber Room of Catherine's Palace, Wrote not a single word, we observe. Your attentions, they did not deserve? The answers all, self evident. Here, surrounded by the gentle breezes of Long Island Sound and Gardiners Bay, Sweet and salty flavors of the Peconic atmosphere, Words unlocked, from your eyes to the page fall, Smudged by joyous tears, for the muses of the island Have embraced you yet again and rebirthed Inspiration, within their comforting, sheltering grasp. Silver Beach July 22, 2012
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56
When here, you are a knife ****** into my heart and twisted to draw blood. When away, you are the painful throb of longing in the middle of my chest. When I see you pass without a word, I die, but rejoice at your merest glance. When you are not anywhere, I search and worry about you even though it is not my place. If I accidentally graze your arm or get you to utter some mere greeting, I feel the glow of a hundred thousand suns And the edges of a million blades because you will never be mine. But there is hope for the ease of my release, there is another One who always returns my smiles and glances and greetings, and laughs at my jokes that aren't really funny Who cares that I exist and does not tarry to comfort and console when I am sunk in the marshes of despair and when I wallow in pools of anxiety I once thought you were sweet and wonderful, but now I know that he is truly sweet and kind, the quintessence of a gentleman and good friend So I'm leaving any thought of you behind and strolling away in a better friend's company
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Sep 26, 2012
Sep 26, 2012 at 6:30 AM UTC
knife and a gentleman
The salt marshes and mud flats And a nice sea breeze Lots of flowers Lots of colours shapes and sizes Prickly ones spiky ones round ones Red Begonias It was nice being on the seashore We've been there several times before
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Aug 29, 2016
Aug 29, 2016 at 6:20 AM UTC
A Walk Along The Seashore
Never trust a Florida boy, In that muggy, humid heat. I'm telling you, little girl, Your heart will soon taste defeat. Them deep fried southern marshes, Raising mosquitoes and deceit. The greatest place on earth can keep its ************* receipt. The air as thick as my blood was, When I met your eyes. And yours met hers, And your monster claw, Tore her smooth skinned thigh. I felt that painful scream. Boiling up. Melting my chest inside. What's the point of being still while my mind is feeling fried? So I packed my heavy load of anxiety, And headed for the coast. I watched the orange sunset, As I brought up a salty toast, From my eyes. Solemnly, spilling into the sea. And I felt the spirit of an old friend. Leaning rigidly against me. So I turned on heel and didn't speak a sound. As I turned to leave the now known ghost town. And I gave one last grim look back out at the sea. As I write these tattered goodbyes, To where my feet have rambled me, And I let my tongue wrap around the ribbons of goodbye, Escaping my parched lips. And I shutter as I listen to the sound of my heart as it rips, An angered storm of sea, Flooding down my eyes. Knowing this is where the memories of escapades in our days, lays down and dies. I feel the faint. Bleak pain, blanketing us, Weak and weary. And I know our story has a melancholy mood of dreary. And this is where I end it. And cast it all out to sea. And I leave the tragic bays of what I once called Rosemary.
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Aug 25, 2015
Aug 25, 2015 at 2:28 PM UTC
Sunsets At Rosemary
The movie shows an innocent man, misguided, perhaps, but well intentioned killing a creature he thought to be a pest and full of remorse for the unhappiness he caused In fact, the man who killed Mijbil never confessed never repented did it for gain as otter pelts were worth a bob or two. A tiny ghost haunts a ditch by a single track road in Scotland And the vanished marshes of Iraq know which version of events to believe.
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Jan 16, 2013
Jan 16, 2013 at 2:26 PM UTC
Maxwell's Otter
I. Still thriving beyond immaculate walls. Tincturing the water that solemnly streams in the river, I await the corner of grassy marshes, and Gather your secret spells. In days when the land is prey to rhythmic beats; The water dances with disturbance. I run through the meadow barefoot, and Cast the sun-dried bricks beyond me. The red Moon drowns in woeful bliss, while Its jealous relative illuminates the dew on Morning petals. I glare through my destruction; And see your silhouette. Torn bridges of yesterdays misfortune send Violent waves forth, undying they proceed. Bravely-- they despondently conquer me; No longer a trace of you I see. II. Unable to grasp reality, bitter Tears of a Bright knowledge no longer in possession. Red yonder, cognizant of former tribulations Appear among the contour of wilted trees Desperately searching for extraneous disposal, Only melted clay reflects the ruins of an icy marsh. Spring is obscure; but inevitable. Soon harvest shall return to the field, And barren no more will the land be. No longer riddles, or secret spells; Greet the stream of lost memories. Impairment heals itself; it weaves Filaments of seconds- to create a Labyrinth of Time.
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Oct 8, 2012
Oct 8, 2012 at 2:35 AM UTC
Partition of Light
When reeds are dead and a straw to thatch the marshes, And feathered pampas-grass rides into the wind Like aged warriors westward, tragic, thinned Of half their tribe, and over the flattened rushes, Stripped of its secret, open, stark and bleak, Blackens afar the half-forgotten creek,— Then leans on me the weight of the year, and crushes My heart. I know that Beauty must ail and die, And will be born again,—but ah, to see Beauty stiffened, staring up at the sky! Oh, Autumn! Autumn!—What is the Spring to me?
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2.5k
The Death Of Autumn
Love was the lone window lit, in that long wintry night, beacon light of his winding path, the lips that softly whispered and evoked dreams, that'd become real, for his wonderment, later, much later. When he slipped and fell in to the deep pit of long, endless silence, love was his ladder to climb to the rainbow bridge of hope she used to frequent in evenings though won't recognize him not  once, even  for the old times' sake. Love compelled him to compose, soulful songs that'd stop the flow of tears, his eyes never went dry until then even while sleeping, his head was on pillows of fire. Love was the stone wall, that shielded him from the raging fire of misery, the rain that came down in torrents when his long torn, desolate heart was parched dry in cruel drought too was love itself. He was washed ashore alone, when he heard the whispers, love was speaking to his psyche from near in a comforting tone, then love held his hand,led him across the marshes and swamp sharp thorns and stones wounded him gathering nightmares chased and haunted him. And then, love came along, in a disguise, but his eyes waiting for long recognized, love, comforted, chanted potent mantras that helped him endure pain, gave him hope. Love was his brave charioteer, the messenger who told that all that was thought lost is still in his possession as light within.
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May 4, 2016
May 4, 2016 at 10:20 AM UTC
Holding his hand, love lead him across the swamp
I wear the vale and it weathers me in silty slopes in harsh-cut lines it lopes off pieces of my face. it floods out my marshes it clears me clean out and sterile I wear the vale and it's worrisome folk who take up issue. "You're wearing the vale! Wearying th' fields with dead leaves, and dead things. Don't you tell us how to live." Funny, it's not even sublime how easy it is to tell me.
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Oct 20, 2015
Oct 20, 2015 at 5:32 PM UTC
Screens II
I have never been to the snowy peaks Of sitting stones that pierce the clouds Cutting strange patterns in their White vaporous forms I have never boated through the muggy swamps Deep within the borders of our southern states Dark marshes that seem to be made of moist jungle green With camouflaged gators lurking just beneath Ready to gobble you up I have never seen the center of an ocean or a sea Never been lost with only water on the horizon The only life left to see swimming deep beneath me I have never walked the tundra Seeing nothing but winter’s frosty sheet Awestruck with my dumb luck But becoming snow blind Alone with my mind In a vast white wasteland I have never and perhaps I never will For lack of opportunity or depths of fear But in your photos and words I have seen this world What a gift you have given me
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Sep 3, 2015
Sep 3, 2015 at 9:21 PM UTC
To The Photographers and The Writers
Rushing River The water rolls past the chain of rocks Studded steps stand single file Principles holding against the flood a mighty fortress Evil thoughts swirling down through the mind At the river’s edge the reeds bow Marshes tangled with shoots and flattened weeds Rich grasses carpet all in all bounty abounds The earth benefits water given free course this guarantees its purity Be quick to walk into the swirling spiritual waters your purity the sacred word is the water The natural shore a poisoning quagmire Work on the shore a duty but for life come to the spirit to barter The world’s biggest beggars have false wealth it keeps them from true riches Fruit is delicate with excess ripeness the result inedible Riches of the spirit or any endeavor needs proper care and management Without wisdom you become filled with hollowness The river contains the richest soil and never will spoil your life So come to the head waters of the heavenly tributaries Drink your fill over the land you will flow and spill Drought scorched hearts you can fill Their destiny a heavenly ocean fulfilling every emotion of being excepted and loved
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Nov 17, 2011
Nov 17, 2011 at 5:10 AM UTC
Rushing River
Now close the windows and hush all the fields: If the trees must, let them silently toss; No bird is singing now, and if there is, Be it my loss. It will be long ere the marshes resume, I will be long ere the earliest bird: So close the windows and not hear the wind, But see all wind-stirred.
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2.3k
Now Close The Windows
The Autumn missal has arrived, A fall reminder of the coming cold, Strange slanting light to shift the maple Greens to furious red and gold. High above the myriad travelers chant adieu, As on their sky-road paths they sing, A chorus glorious to southern waters blue Where winter marshes serve a warm retreat. A liturgy of highest order drives the world Beyond the ken of time-old cycles round; Hibernal instinct now in feral life unfurls: Flogs squirrels outward on their oak-corn bounds, Plushes wealth of wolves' warm winter fur, Hardens bone and antler, deepens feathered down, Adds harvest fat to beast and fish and fowl, Drives sap below old Frost's attempt to burrow down. _________________ Unspoken paen unheard by almost all, A careless shivering passerby may dread This ritual changing of the Fall, But never mind, the liturgy is read, And Nature safely tucks herself into her wintery bed.
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Sep 19, 2013
Sep 19, 2013 at 9:53 AM UTC
Autumn Liturgy
Walk across the marshes View from the distance into the streets of London The downtrodden man, contrite and solemn, with weathered shoes and a weathered soul Walk in his shoes, View through his eyes into the streets of desperation The downtrodden man, worn and hungry, with no bread to eat and no cent to his name Walk beside him, View of his world, into the street of questions The downtrodden man, simple and depraved, with not an answer and no life to live Walk to his grave, View of his stone into the streets of nothing The downtrodden man, asleep and alone, with no one to care and no one to see
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Aug 5, 2015
Aug 5, 2015 at 5:48 PM UTC
The Downtrodden Man
And the age ended, and the last deliverer died. In bed, grown idle and unhappy; they were safe: The sudden shadow of the giant's enormous calf Would fall no more at dusk across the lawn outside. They slept in peace: in marshes here and there no doubt A sterile dragon lingered to a natural death, But in a year the spoor had vanished from the heath; The kobold's knocking in the mountain petered out. Only the sculptors and the poets were half sad, And the pert retinue from the magician's house Grumbled and went elsewhere. The vanished powers were glad To be invisible and free: without remorse Struck down the sons who strayed their course, And ravished the daughters, and drove the fathers mad.
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2.2k
In the Time of War, XII
The clouds have covered the sky and the cool breeze is blowing; That green forest has soaked in the monsoon rain again. The bride of the distant clouds loves the green jungle; The chirping birds have washed in the monsoon rain again. For the tears and the laughter of clouds The farmers are feeling happy; The sunny day has lost in the monsoon rain again. After hearing the roar of the clouds The fish are chasing each other; Lakes and ponds have filled with water of the monsoon rain again. It's raining and the herons are still catching little fish; All the marshes are playing with the monsoon rain again.
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Jul 27, 2020
Jul 27, 2020 at 1:59 PM UTC
The Monsoon Rain Again