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"marketing" poems
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
0
Jan 9, 2018
Jan 9, 2018 at 10:38 AM UTC
The media machine and its lack of authenticity
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
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14
Events Marketing Inform your followers on the latest update of your business. Whenever there are business engagements, such as trade show or conventions, business owners can notify their followers by uploading images on Instagram. Taking pictures and tagging subscribers in the specific location can boost visits and sales. It is important to be creative in taking pictures. Photogene and ColorSplash are the two most commonly used editing application in Instagram. In event marketing, VIP discounts can be offered to subscribers. Contests People are looking for excitement and rewards. Holding a contest as an activity is an exciting engagement to attract audience. Geotagging Instagram users can use the feature of geotagging in order to tag a specific location as to where the images were shot. For business, customers can be more familiar with the location of the business with the geotagging feature. Remember that today, the most successful people are known to take advantage of the social media.
0
Nov 17, 2014
Nov 17, 2014 at 5:02 AM UTC
3 Strategies on How To Take Advantage Of Social Media
finding fake joy in little lies finding fake self worth in some shoes new branded item no one looks up on you for them just wait 'til the mud tear them down tell me who what do you see when you look into the mirror is it someone you like? is it someone you wanted to be? the kid in you says hi to me asking you to grow up so that he can too to face the real world like a real man should armed with ammunition that is real self-confidence stemming firmly on the ground of wisdom not fake accessories and marketing gimmicks clink another glass because that's how you face your problems pout another story for your non-existent friends to tell inflated self image inflated ego who you gonna fool with your little bell
0
Aug 30, 2018
Aug 30, 2018 at 9:52 PM UTC
Dear Boy,
You texted me a hello and a Happy New Year You asked how I was doing and I responded “Doing Well” I returned your question of “How are you doing” I followed after with “Did you have a good New Year’s Eve” You kept your responses simple and vague You left my second question hanging by only answering with ‘Working a lot’ and stating how happy you were to hear I was doing well Your short, simple responses gave nothing away About what has occurred in your life Since the last time we had a willing and connected conversation The way you responded left me to wonder The reason why you contacted me Your distant responses made it very clear That this would be the last time you and I would ever talk This is the end of the two of us The end of you and I The end of any possibility of you and I being one As I quietly sit in the Marketing Room Thinking about the obvious next step I waiver on my decision to delete your number off my Blackberry forever I questioned whether I would regret this decision Then an old quote by Khalil Gibran came to me: “If you love somebody let them go, for if they return, they were always yours. And if they don’t, they never were.” Believing the truth behind his words, I proceeded to clearing our messages And deleting your number off my phone Until next time.. If there is one.. Only time will tell..
0
Mar 29, 2015
Mar 29, 2015 at 2:43 AM UTC
The End of Us
I imagine myself A few gentle decades older. Finally grasping the cusp Of success. Living in my own apartment In New York City, nonetheless. Wearing an Armani coat (Whatever those look like.) Walking idly yet prestigiously Through winter in the city. Taking care not to laugh too loud, Talk to myself, smile too much. A small, attractive female Has to be serious to get ahead. Customers will buy from a happy girl Only if she is early 20's, at most. That is Marketing 101. I am a small fish in a large sea; The principles of Darwinism Still apply to me. I've learned long ago to succeed, I must stifle the welcoming smile. So along the familiar concrete I stride, Carefully manicured hands In pockets. The Filipinos know better Than to rush on the hands Of a businesswoman caressing A successful career. She tips well and lives well. I walk along with cool calm And feminine grace. I have regained the safety To be feminine once again. The criminals know better Than to infiltrate The Business district And cause trouble To working professionals In Armani coats. I imagine myself a few decades older. Kissing snowflakes unenthusiastically. Yes, I marvel in poetry, in Nature, But I have matured Much like the snowflakes themselves. At the end of a cycle, No matter how beautiful. My actions flow gracefully and delicately. I melt into New York City Like a cell in a body. Pumping fuel into the ***** To sustain the mass. A tumor. I smile subtly as I slosh along. I recall, once upon a time, On my lower-class youth. ***** jokes, crude dancing, And cluttered apartments. I approach the high-rise building I call home and greet the doorman With the obligatory disregard For his innermost being. Poetry truly is in the strangest of places. Even in an enigma like me. I enter the marble floors, Wiping my feet, My rent as sky-high as The building itself. Elevator. Comforting motion sickness. This is success. The pit of my stomach sinks. I tell myself it's the motion sickness. I return to my apartment, With its symmetrical details. My thoughts return to you. You've never stepped foot in my home, But you've always been here with me. I get dinner started. I set out the extra glass, like always. Rituals like these serve As my Sunday mass. I drink your glass with my evening medication. Dare I say like always?
0
Dec 16, 2016
Dec 16, 2016 at 6:09 AM UTC
Winter In The City
I imagine myself A few gentle decades older. Finally grasping the cusp Of success. Living in my own apartment In New York City, nonetheless. Wearing an Armani coat (Whatever those look like.) Walking idly yet prestigiously Through winter in the city. Taking care not to laugh too loud, Talk to myself, smile too much. A small, attractive female Has to be serious to get ahead. Customers will buy from a happy girl Only if she is early 20's, at most. That is Marketing 101. I am a small fish in a large sea; The principles of Darwinism Still apply to me. I've learned long ago to succeed, I must stifle the welcoming smile. So along the familiar concrete I stride, Carefully manicured hands In pockets. The Filipinos know better Than to rush on the hands Of a businesswoman caressing A successful career. She tips well and lives well. I walk along with cool calm And feminine grace. I have regained the safety To be feminine once again. The criminals know better Than to infiltrate The Business district And cause trouble To working professionals In Armani coats. I imagine myself a few decades older. Kissing snowflakes unenthusiastically. Yes, I marvel in poetry, in Nature, But I have matured Much like the snowflakes themselves. At the end of a cycle, No matter how beautiful. My actions flow gracefully and delicately. I melt into New York City Like a cell in a body. Pumping fuel into the ***** To sustain the mass. A tumor. I smile subtly as I slosh along. I recall, once upon a time, On my lower-class youth. ***** jokes, crude dancing, And cluttered apartments. I approach the high-rise building I call home and greet the doorman With the obligatory disregard For his innermost being. Poetry truly is in the strangest of places. Even in an enigma like me. I enter the marble floors, Wiping my feet, My rent as sky-high as The building itself. Elevator. Comforting motion sickness. This is success. The pit of my stomach sinks. I tell myself it's the motion sickness. I return to my apartment, With its symmetrical details. My thoughts return to you. You've never stepped foot in my home, But you've always been here with me. I get dinner started. I set out the extra glass, like always. Rituals like these serve As my Sunday mass. I drink your glass with my evening medication. Dare I say like always?
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84
Korean fashion experts have shared their know-how with Malaysia. At the "K-Fashion Conference for Malaysia" in Kuala Lumpur on Feb. 16, a group of Korean professionals gave lectures under the topics "K-Fashion Design Trend Transition & Forecast," "Digital & Online Marketing Strategies," "Power Brand and Concept Development Strategies" and "How to enter the global market." The Korea Fashion Association, the Malaysia External Trade Development Corporation (MATRADE) and the ASEAN-Korea Centre organized the event to strengthen the competitiveness of Malaysian fashion brands by improving the added value of the industry through brand development. About 50 Malaysian fashion industry companies and related government officials attended. "There is growing interest in K-fashion, along with the high popularity of Korean dramas and entertainment shows, making this workshop even more timely and meaningful," ASEAN-Korea Centre Secretary General Kim Young-sun said. "The Malaysian fashion industry has huge potential as it is currently ranked in the top five in the ASEAN fashion industry." On Feb. 15 and 17, Korean experts visited local fashion merchandisers for market research and consultations. According to the ASEAN-Korea Centre, the Malaysian fashion industry has had massive growth with the expansion of Islamic fashion markets. MATRADE aims to boost the industry as the nation's leading exporter. It has been organizing Malaysia Fashion Week (MFW) since 2014 to make the capital a fashion destination in Asia. The second MFW in 2015 featured designers from more than 15 countries, and over 300 booths showcased the quality products of Malaysian fashion brands to the domestic and foreign trade, accodring to the organization. The ASEAN-Korea Centre is an intergovernmental organization established in 2009 with an aim to promote exchanges among Korea and the 10 ASEAN member states.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
0
Feb 22, 2016
Feb 22, 2016 at 4:12 AM UTC
Korea's fashion experts put on stylish Malaysia show
Korean fashion experts have shared their know-how with Malaysia. At the "K-Fashion Conference for Malaysia" in Kuala Lumpur on Feb. 16, a group of Korean professionals gave lectures under the topics "K-Fashion Design Trend Transition & Forecast," "Digital & Online Marketing Strategies," "Power Brand and Concept Development Strategies" and "How to enter the global market." The Korea Fashion Association, the Malaysia External Trade Development Corporation (MATRADE) and the ASEAN-Korea Centre organized the event to strengthen the competitiveness of Malaysian fashion brands by improving the added value of the industry through brand development. About 50 Malaysian fashion industry companies and related government officials attended. "There is growing interest in K-fashion, along with the high popularity of Korean dramas and entertainment shows, making this workshop even more timely and meaningful," ASEAN-Korea Centre Secretary General Kim Young-sun said. "The Malaysian fashion industry has huge potential as it is currently ranked in the top five in the ASEAN fashion industry." On Feb. 15 and 17, Korean experts visited local fashion merchandisers for market research and consultations. According to the ASEAN-Korea Centre, the Malaysian fashion industry has had massive growth with the expansion of Islamic fashion markets. MATRADE aims to boost the industry as the nation's leading exporter. It has been organizing Malaysia Fashion Week (MFW) since 2014 to make the capital a fashion destination in Asia. The second MFW in 2015 featured designers from more than 15 countries, and over 300 booths showcased the quality products of Malaysian fashion brands to the domestic and foreign trade, accodring to the organization. The ASEAN-Korea Centre is an intergovernmental organization established in 2009 with an aim to promote exchanges among Korea and the 10 ASEAN member states.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
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10
Hell no, you don't want to be compared to one of those models idolized in magazines. True beauty lies outside the fashion industry’s visual constructions. Fall in love with what you never expected to love, imperfection. Brand-less self expression. There are no cameras or flashing lights there or visual effects. We come in different range of sizes. Shame on shallow marketing. A pretty face can have nasty vices. Hearts of Gold, now those aren't sold. - C.Ek
0
May 31, 2015
May 31, 2015 at 5:18 PM UTC
Untitled
I pledge allegiance to the flag of a country that’s done nothing for me. I pledge allegiance to a ticking corporate time bomb, counting down the number of people left outside of its marketing cage. Corporate fat cats full of rage, a million dollars isn’t enough, Give me ten. Corporate law superseding human rights, tying us tight to the system justifying injustice done to us. I pledge allegiance to “by the people for the people”, turned “by the people, for the money”, the fuel of the freedom we value so highly as to put a price tag on it as if that is an acceptable measure of its worth, How can we get much worse than now when there are thousands of people wondering how they are going to survive this month? I pledge allegiance to impossibility highlighted on HD screens, the clarity not giving us a clear view of reality, our beauty is not, Should not, Will not be measured by the numbers on a scale. The girls in the magazines don’t even look like the girls in the magazines, so why don’t we focus on something that can be reached? I pledge allegiance to the flag of a country where being smart enough to expose rapists can have greater consequences than ****** somebody, Where violating firewalls and proxies is worse than violating human bodies. I pledge allegiance to “She was asking for it”, “Boys will be boys”, and “What was she wearing?” When a robbery is committed in a home, the police do not ask if your door was unlocked, or if your laptop was in plain view, So when a robbery is committed on a body, why is that exactly what they do? I pledge allegiance to a country where love is still illegal in 33 states. We are the country of change, so long as nothing changes, I mean Women still get paid lower wages. I pledge allegiance to a place where who you are does not mean you get to be yourself, Where masculinity is blue and being feminine is pink. If you have ever been stared at for wanting to be a rainbow, I will stand by you and stare right back. And I will no longer pledge allegiance to a country consumed by consumerism, Nationalism, Commercialism, Racism, Sexism, Fear. Instead, I will pledge allegiance to the memory of one nation under God, Indivisible, With liberty and justice for all.
0
Mar 12, 2014
Mar 12, 2014 at 9:56 AM UTC
I Pledge Allegiance (revised)
I pledge allegiance to the flag of a country that’s done nothing for me. I pledge allegiance to a ticking corporate time bomb, counting down the number of people left outside of its marketing cage. Corporate fat cats full of rage, a million dollars isn’t enough, Give me ten. Corporate law superseding human rights, tying us tight to the system justifying injustice done to us. I pledge allegiance to “by the people for the people”, turned “by the people, for the money”, the fuel of the freedom we value so highly as to put a price tag on it as if that is an acceptable measure of its worth, How can we get much worse than now when there are thousands of people wondering how they are going to survive this month? I pledge allegiance to impossibility highlighted on HD screens, the clarity not giving us a clear view of reality, our beauty is not, Should not, Will not be measured by the numbers on a scale. The girls in the magazines don’t even look like the girls in the magazines, so why don’t we focus on something that can be reached? I pledge allegiance to the flag of a country where being smart enough to expose rapists can have greater consequences than ****** somebody, Where violating firewalls and proxies is worse than violating human bodies. I pledge allegiance to “She was asking for it”, “Boys will be boys”, and “What was she wearing?” When a robbery is committed in a home, the police do not ask if your door was unlocked, or if your laptop was in plain view, So when a robbery is committed on a body, why is that exactly what they do? I pledge allegiance to a country where love is still illegal in 33 states. We are the country of change, so long as nothing changes, I mean Women still get paid lower wages. I pledge allegiance to a place where who you are does not mean you get to be yourself, Where masculinity is blue and being feminine is pink. If you have ever been stared at for wanting to be a rainbow, I will stand by you and stare right back. And I will no longer pledge allegiance to a country consumed by consumerism, Nationalism, Commercialism, Racism, Sexism, Fear. Instead, I will pledge allegiance to the memory of one nation under God, Indivisible, With liberty and justice for all.
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33
There'll be a crowd encircling you, I'm sure. They'll nod at your every word, imperfectly mimicking what people look like when they actually listen. I'm sure the crowd will be people we know. Old high school friends with real estate ventures and gyms and multi-level marketing schemes. Most of them will be doughier, their cheeks permanently stained red from a decade of drinking. Most of them will have photos of their kids on their phones, and they'll tell you they're "sure you don't want to see them" as they pull out their phones and show you photos of their kids. I imagine I'll approach, stop just short of the circle, pretend to bid on an Alaskan cruise. As you talk about redoing your floor in a faux tile that looks just like the real thing for like half the price, you'll see me. I hope you'll think of that kiss five years ago, outside of a bar in Norman, when the world entire bent for us, when all traffic silenced for us, when all people vanished for us. Maybe you'll think of the time we ****** in a twin-sized bed, beside a wall decorated with newspaper clippings, which I thought made me look worldly and learned. I admit now the look was less academic, more serial killer. And maybe you'll think of the manchild fit I threw when I found out you had moved on after I moved away. And maybe you'll be totally present. Good to see you, you'll say. You will ask about my family. We will discuss the cooler weather. We will talk about your business, your kids. We will side hug and say goodbye. We will take the same route to the same exit. There will be children coloring the sidewalk with chalk. We'll each borrow a piece. I'll outline you; you'll outline me.
0
Oct 8, 2018
Oct 8, 2018 at 11:59 AM UTC
What If Our Paths Cross at a Chamber of Commerce Silent Auction
There'll be a crowd encircling you, I'm sure. They'll nod at your every word, imperfectly mimicking what people look like when they actually listen. I'm sure the crowd will be people we know. Old high school friends with real estate ventures and gyms and multi-level marketing schemes. Most of them will be doughier, their cheeks permanently stained red from a decade of drinking. Most of them will have photos of their kids on their phones, and they'll tell you they're "sure you don't want to see them" as they pull out their phones and show you photos of their kids. I imagine I'll approach, stop just short of the circle, pretend to bid on an Alaskan cruise. As you talk about redoing your floor in a faux tile that looks just like the real thing for like half the price, you'll see me. I hope you'll think of that kiss five years ago, outside of a bar in Norman, when the world entire bent for us, when all traffic silenced for us, when all people vanished for us. Maybe you'll think of the time we ****** in a twin-sized bed, beside a wall decorated with newspaper clippings, which I thought made me look worldly and learned. I admit now the look was less academic, more serial killer. And maybe you'll think of the manchild fit I threw when I found out you had moved on after I moved away. And maybe you'll be totally present. Good to see you, you'll say. You will ask about my family. We will discuss the cooler weather. We will talk about your business, your kids. We will side hug and say goodbye. We will take the same route to the same exit. There will be children coloring the sidewalk with chalk. We'll each borrow a piece. I'll outline you; you'll outline me.
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17
A pale homemade dress hung to dry in the blazing sun; It's original color not quite clear but presumably purple. That stain that never faded, a spot of innocence... I closed my eyes and remembered the night she wore it, Childlike with that smile of hers. He threw promises of love and eternal bliss; She believed his words and followed him to the train-yard. An invisible moon hovered over them as they entered An old rusted cart, abandoned for years and years. He didn't bother taking her dress off, She couldn't wait to feel loved. Right there beneath a dark sky, a man stole a girl's innocence. But how can love find it's way through the Cairo Slums? Where human lay on top of another, like cracked bricks; They bleed. A grayish sleeveless undershirt hung to dry in the blazing sun, It's original color not quite clear but presumably white. That rip that was never mended, a tear of hope... I closed my eyes and remembered that morning he wore it, As he maneuvered through downtown traffic Trying to make easy money, as ordered by his jobless father. A child of seven or eight running around with beads of Sweat rolling down his tiny face. Mr. Policeman grabbed him by his shirt, slapped him around, Beat him to the ground for approaching Mrs. Businesswoman in Her air-conditioned car. But how can this child find hope for the future in the Cairo Slums? Where human lay on top of another, like cracked bricks; They bleed. Let me take you down to the Cairo Slums, Where people are animals in their nests Of carton-paper, waiting for the big bad wolf, To huff and to puff and to blow their lives away. But soon you'll realize that evil's not born but raised, That hate is brewed, and money is everything. Let us disregard this urban jungle under a glass jar, Let us use them for advertising or marketing our products, Products they could never afford. O' what irony, what strife. The girl and the child never had a chance, but they deserve one. They bleed. They bleed. So without further a adieu, Welcome to the Cairo Slums.
0
Oct 25, 2011
Oct 25, 2011 at 12:21 PM UTC
Cairo Slums Blues
A pale homemade dress hung to dry in the blazing sun; It's original color not quite clear but presumably purple. That stain that never faded, a spot of innocence... I closed my eyes and remembered the night she wore it, Childlike with that smile of hers. He threw promises of love and eternal bliss; She believed his words and followed him to the train-yard. An invisible moon hovered over them as they entered An old rusted cart, abandoned for years and years. He didn't bother taking her dress off, She couldn't wait to feel loved. Right there beneath a dark sky, a man stole a girl's innocence. But how can love find it's way through the Cairo Slums? Where human lay on top of another, like cracked bricks; They bleed. A grayish sleeveless undershirt hung to dry in the blazing sun, It's original color not quite clear but presumably white. That rip that was never mended, a tear of hope... I closed my eyes and remembered that morning he wore it, As he maneuvered through downtown traffic Trying to make easy money, as ordered by his jobless father. A child of seven or eight running around with beads of Sweat rolling down his tiny face. Mr. Policeman grabbed him by his shirt, slapped him around, Beat him to the ground for approaching Mrs. Businesswoman in Her air-conditioned car. But how can this child find hope for the future in the Cairo Slums? Where human lay on top of another, like cracked bricks; They bleed. Let me take you down to the Cairo Slums, Where people are animals in their nests Of carton-paper, waiting for the big bad wolf, To huff and to puff and to blow their lives away. But soon you'll realize that evil's not born but raised, That hate is brewed, and money is everything. Let us disregard this urban jungle under a glass jar, Let us use them for advertising or marketing our products, Products they could never afford. O' what irony, what strife. The girl and the child never had a chance, but they deserve one. They bleed. They bleed. So without further a adieu, Welcome to the Cairo Slums.
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45
Red Velvet has been lauded for breaking stereotypes among popular girl groups in South Korea, whose concepts tend to fall under two categories: "cute, or "pure" and **** to fulfill a certain fantasy; in a country where girl groups' fan bases are typically male,         according to Taylor Glasby of Dazed Digital, the majority of Red Velvet's fans are young women and commented that     "They {Red Velvet & ReVeluv} are neither **** nor innocent, the band's music videos are often dark, trippy, sinister, or haunting, even when they're flooded in pastel colors".       In 2017, IZE Magazine named the group as one of the successful female figures who helped transform the passive image of South Korean women at a time when feminism had risen as an issue in the country.    The group's music also sets them apart from other K-pop artists. K-pop idols in general suffer from a prejudice that they aren't considered real musicians by music critics. But because of the group's diverse musical inspirations and styles, these critics have since claimed that Red Velvet has pushed the boundaries of music in the early 21st century. In February 2018, Time magazine named Red Velvet as one of the best K-pop groups ever, highlighting their versatile musical styles; Red Velvet was recognized for their brand recognition and marketing power, having topped _'Girl Group Brand Power Ranking'_ published by the Korean Corporate Reputation Research Institute for three consecutive months. Red Velvet performed in Pyongyang on April, 1 2018. This made them the fifth idol group to ever perform in North Korea. They performed "Red Flavor" & "Bad Boy" at the East Pyongyang Grand Theater to an audience that included Kim Jong-un. The concert was billed as "Spring is Coming" and is part of a wider diplomatic initiative between the ROK & the DPRK
0
Aug 16, 2018
Aug 16, 2018 at 6:08 PM UTC
ReVeluv!
Red Velvet has been lauded for breaking stereotypes among popular girl groups in South Korea, whose concepts tend to fall under two categories: "cute, or "pure" and **** to fulfill a certain fantasy; in a country where girl groups' fan bases are typically male,         according to Taylor Glasby of Dazed Digital, the majority of Red Velvet's fans are young women and commented that     "They {Red Velvet & ReVeluv} are neither **** nor innocent, the band's music videos are often dark, trippy, sinister, or haunting, even when they're flooded in pastel colors".       In 2017, IZE Magazine named the group as one of the successful female figures who helped transform the passive image of South Korean women at a time when feminism had risen as an issue in the country.    The group's music also sets them apart from other K-pop artists. K-pop idols in general suffer from a prejudice that they aren't considered real musicians by music critics. But because of the group's diverse musical inspirations and styles, these critics have since claimed that Red Velvet has pushed the boundaries of music in the early 21st century. In February 2018, Time magazine named Red Velvet as one of the best K-pop groups ever, highlighting their versatile musical styles; Red Velvet was recognized for their brand recognition and marketing power, having topped _'Girl Group Brand Power Ranking'_ published by the Korean Corporate Reputation Research Institute for three consecutive months. Red Velvet performed in Pyongyang on April, 1 2018. This made them the fifth idol group to ever perform in North Korea. They performed "Red Flavor" & "Bad Boy" at the East Pyongyang Grand Theater to an audience that included Kim Jong-un. The concert was billed as "Spring is Coming" and is part of a wider diplomatic initiative between the ROK & the DPRK
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33
For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness. Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said. Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said. Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness. The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said. Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said. "There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing." The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show. All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said. "I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said. The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said. "We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide
0
Apr 9, 2015
Apr 9, 2015 at 11:13 PM UTC
Sisters on the Runway to host fashion show
For the first time on campus, Sisters on the Runway will strut and pose for domestic violence awareness. Sisters on the Runway will be hosting its first annual fashion show from 7 p.m. to 9 p.m. tonight in the Business Building. All proceeds will be donated to the Centre County Women's Resource Center, Layla Taremi president of the organization, said. Sisters on the Runway is a national student-run organization that raises awareness about women and children who reside in domestic violence shelters. There are over five chapters throughout the nation, each supporting the same cause to local shelters. It was founded in 2009 and has grown since then, Taremi (sophomore-marketing) said. Aside from the fashion show, which is the biggest fundraising event that the organization hosts, Sisters on the Runway is also responsible for other events. The organization hosts a chalking event where they write facts about domestic violence on sidewalks using chalk. This is a way for them to raise domestic violence awareness, Taremi said. It also hosts a walk where all participants walk a mile in heels for awareness. The show will consist of eleven female models and three male models, Edie Alexander, the event planner, said. Alexander said the show is expected to showcase clothing from Connections, Dwellings, Diamonds and Lace Bridal and Harper's, who are also their sponsors. Looks Hair Salon will be responsible for hair and makeup for the models in show, Taremi said. "There is no theme for the show,” Taremi said. “It will be a wide spectrum of clothing." The male models are expected to walk the runway showcasing suits and tuxedos, Taremi said. Originally the show was not going to include male models. It wasn't until the owners of Harper's decided to contribute to the show by donating some men's apparel for the fashion show. All the models participating have been building up their confidence for the runway, Alexander (sophomore-recreation park and tourism management) said. "I'm excited for our first annual fashion show, I hope this brings more awareness to the Penn State community," Vice President Lauren Shearer (sophomore-supply chain management) said. The organization’s goal is to get a lot of people involved through different events to help raise awareness of domestic violence, Shearer said. "We’re trying to push people to come, not just Penn State students, because it's not an issue that doesn't only affects college students,” Alexander said. “It affects everyone as well."Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-adelaide
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12
/ although i'd love to go back to the cinema of, bell, book & candle from the 1950s in early technicolour... can i? don't think so... trapped the rekindled narrative of myth... i wish i could, do the supra-capitalist, drunk at 5 in the afternoon, and still pulling the strings... early nostalgia of what was late nostalgia of what was 19th century german concerning ancient greece... i chose 17th century france... because? because... why could it ever be england as primo optio?! am i either that daft, or as much stiff for waiting for eddie zee theerd?! well? well done, you guessed my thinking: write a fictive narrative, it'll last longer, like a photograph. immigrant song, led zeppelin - probably the only grand theatre plus,           of thor: rangarok; i still don't know where those M16s came from...   and?       given they used a led zeppelin's song? i honestly, don't want to know. i was honestly going to favour a black sabbath oeuvre, using only solitude    by the witches' congregation ask, aspect, or subsequent, marketing ponce scheme.
0
Jul 24, 2018
Jul 24, 2018 at 12:50 AM UTC
modern cinema
Shopping was the world first invitation to women, a freedom to move out of her house. Initially, Woman practiced shopping for vegetables and slowly extended to garments/jewelry/white goods etc. Today, the world has experiencing a better market due to window shopping. The concept innovated by women, the women who started window shopping has helped the awareness of the market, The more the window shopping, more the sales. The concept of window shopping   helped the textile industries to understand about their products. The textile industries has developed in terms of marketing say readymade, exchangeable, trial rooms, gifts coupons are coz of women. Its encouraged the women to do shopping effectively. Facts about shopping. Customer who shop with their friends tend to buy more costly products than when they shop alone. Next, In terms of clothing, General advises is to buy one garment at a time coz If you buy few dresses, You tend the use the first selected dress more than the others. Buying 'Take Away' in (costly) restaurant was the blinder coz restaurant charge more for the ambience less for the food. Using cash on shopping, you tend to spend less and you bargain more. Don't increase your buying to eligible for discount coupon.  A survey says that 90% of the issued discount coupons are never redeemed. Never shop on Discount Sale coz the best collection will be taken off the shelf by the shopkeeper. The amazing fact, If any one buy the best and costly clothes one size less than the one normally uses, has brought down the weight of that person.
0
Jan 16, 2016
Jan 16, 2016 at 8:54 PM UTC
SHOPPING..
Shopping was the world first invitation to women, a freedom to move out of her house. Initially, Woman practiced shopping for vegetables and slowly extended to garments/jewelry/white goods etc. Today, the world has experiencing a better market due to window shopping. The concept innovated by women, the women who started window shopping has helped the awareness of the market, The more the window shopping, more the sales. The concept of window shopping   helped the textile industries to understand about their products. The textile industries has developed in terms of marketing say readymade, exchangeable, trial rooms, gifts coupons are coz of women. Its encouraged the women to do shopping effectively. Facts about shopping. Customer who shop with their friends tend to buy more costly products than when they shop alone. Next, In terms of clothing, General advises is to buy one garment at a time coz If you buy few dresses, You tend the use the first selected dress more than the others. Buying 'Take Away' in (costly) restaurant was the blinder coz restaurant charge more for the ambience less for the food. Using cash on shopping, you tend to spend less and you bargain more. Don't increase your buying to eligible for discount coupon.  A survey says that 90% of the issued discount coupons are never redeemed. Never shop on Discount Sale coz the best collection will be taken off the shelf by the shopkeeper. The amazing fact, If any one buy the best and costly clothes one size less than the one normally uses, has brought down the weight of that person.
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29
Here on planet earth we’re all ‘B’ Movie Makers marketing inanity flirting with insanity breaking down reality seeking peas we cannot see When we search beneath the cup we find that only empty space and air fill it up
0
Oct 22, 2018
Oct 22, 2018 at 6:47 PM UTC
‘B’ Movie Makers
building purist æsthetic proselytizing solar-powered heliolatry commemorating historic concert sensing dark forces fokken lekker antwoord pumping sensory overload featuring high-tech dee-jay admiring gelato micro-truck laxing laying lazing "doing something nasty" continuing quality content entering another cathedral journeying without borders "exactly one year since visiting vatican" appreciating full-time gigasphere awaiting pyongyang performance depicting unlikely crowdsurfer foreseeing exponential improvements furthering esoteric agenda sensing profound incompatibility data-mining people's infidelities anticipating futuristic caffeine perfecting invisible propaganda researching mind-control techniques polishing psycho-social weaponry sensing social embargo flourishing frantic fanfare admiring longitudinal monument parodying marketing slogans cycling through österreich eyeing dystopian disneyland streaming crosswords extended-play herding glass kittens deleting idiosyncratic fragment loremipsum-ing laconic loudmouth receiving ultramodern telegram eigo-ga wakarimasu ka? guzzling duck-fat fries encouraging panic selling (juxtaposing past incarnations) getting black-and-white privilege renewing boutique account relishing cinema poutine re-entering hibernation mode opening old windows continuing zoo motif absquatulating excessive excesses nullifying originality claims proliferating protean persona disappearing sidewalk alphabet shrugging opprobrious moments enjoying vertical alignment re-entering cyberpunk paradise approaching island sun soaring beyond monoliths trivializing extraneous argy-bargy decreasing character limits dumping generic accounts uglifying commit message escaping into idiosyncracy moonshining great lake exuding idiosyncratic propaganda living nineties' dreams making occidental cuisine envisioning idiocratic president expropriating your time ascending homely helix singing fat lady
0
Sep 12, 2015
Sep 12, 2015 at 12:12 PM UTC
201508-h2
building purist æsthetic proselytizing solar-powered heliolatry commemorating historic concert sensing dark forces fokken lekker antwoord pumping sensory overload featuring high-tech dee-jay admiring gelato micro-truck laxing laying lazing "doing something nasty" continuing quality content entering another cathedral journeying without borders "exactly one year since visiting vatican" appreciating full-time gigasphere awaiting pyongyang performance depicting unlikely crowdsurfer foreseeing exponential improvements furthering esoteric agenda sensing profound incompatibility data-mining people's infidelities anticipating futuristic caffeine perfecting invisible propaganda researching mind-control techniques polishing psycho-social weaponry sensing social embargo flourishing frantic fanfare admiring longitudinal monument parodying marketing slogans cycling through österreich eyeing dystopian disneyland streaming crosswords extended-play herding glass kittens deleting idiosyncratic fragment loremipsum-ing laconic loudmouth receiving ultramodern telegram eigo-ga wakarimasu ka? guzzling duck-fat fries encouraging panic selling (juxtaposing past incarnations) getting black-and-white privilege renewing boutique account relishing cinema poutine re-entering hibernation mode opening old windows continuing zoo motif absquatulating excessive excesses nullifying originality claims proliferating protean persona disappearing sidewalk alphabet shrugging opprobrious moments enjoying vertical alignment re-entering cyberpunk paradise approaching island sun soaring beyond monoliths trivializing extraneous argy-bargy decreasing character limits dumping generic accounts uglifying commit message escaping into idiosyncracy moonshining great lake exuding idiosyncratic propaganda living nineties' dreams making occidental cuisine envisioning idiocratic president expropriating your time ascending homely helix singing fat lady
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69
She rises as everyone falls Her white complexion pristine as always Men have fought for her pale face Yet, when faced with her dark side, they cry in horror A beautiful outsider She wanders alone in the stars Her wonder intimidates Her grace frightens Her love kills Under her glow men commit ****** and monsters come out to play Around every corner satin's satire drips of the tongue of ****** Adultery runs rampant Respectable ties exchanged for leashes of pleasure And briefcases for whips   He sleeps in a long sleeve shirt to hide the lashes Dinner was cold when he got home But he forgave. At church The cross burns a whole in his forehead His lips slightly stained from last night Mind not on the sermon, but on his next excuse How can he admit to losing everything to a drug test She picks up the phone with a grin on her face as if he could see her through the phone Another faulty excuse of overtime Of course the plastered smile stays But she can't find reasoning marketing should  leave bruises on his wrists Her children are her only ball and chain Her soul had left her years ago But her body stays to care for them An empty shell Selene walks into the stars once again and waves the wife over She swallows more than ever and spins to the sky Selene guides her to her soul and they walk together to watch Her son calls from his room for dinner Her daughter throws her phone because she didn't have service Her husband screams because the collar was a bit tight Selene, desperate for company, begs for her to stay And she does
0
Nov 14, 2015
Nov 14, 2015 at 10:25 AM UTC
The horrors of Selene
She rises as everyone falls Her white complexion pristine as always Men have fought for her pale face Yet, when faced with her dark side, they cry in horror A beautiful outsider She wanders alone in the stars Her wonder intimidates Her grace frightens Her love kills Under her glow men commit ****** and monsters come out to play Around every corner satin's satire drips of the tongue of ****** Adultery runs rampant Respectable ties exchanged for leashes of pleasure And briefcases for whips   He sleeps in a long sleeve shirt to hide the lashes Dinner was cold when he got home But he forgave. At church The cross burns a whole in his forehead His lips slightly stained from last night Mind not on the sermon, but on his next excuse How can he admit to losing everything to a drug test She picks up the phone with a grin on her face as if he could see her through the phone Another faulty excuse of overtime Of course the plastered smile stays But she can't find reasoning marketing should  leave bruises on his wrists Her children are her only ball and chain Her soul had left her years ago But her body stays to care for them An empty shell Selene walks into the stars once again and waves the wife over She swallows more than ever and spins to the sky Selene guides her to her soul and they walk together to watch Her son calls from his room for dinner Her daughter throws her phone because she didn't have service Her husband screams because the collar was a bit tight Selene, desperate for company, begs for her to stay And she does
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38
What is 1 to 1.5 currency to relativity urgency brings negativity It's not about new tools it withers your tools bring productivity The way you slap that old guitar, the way you drive that beat up car How fast does it run? How long does it last? How fast does it charge? New can only take you so far Let that distance your reach be derived from a skill, not from how rich or famous your are. I often walk, even though I own a car...I prefer feeling the wind, the open-air, it makes me feel like I'm apart of something The emotions I feel are driven from an organic substance, the dirt that I see the wind that I feel..these constant conflicts between what is man-made and what was here. The stare of a deer, the tree was its friend, it's now been destroyed to make a path of cement. That path of cement created a state of solidarity, urban prosperity, violence numbified by media regularities. Civilizations become the norm, even though we all barely speak to each other physically Digital formats become our literal floor mats, every result you leave results in a digital footprint, cataloged for the marketing lab rats Too complex to understand like a physical labyrinth, Let me elaborate So let me ask you ?! What is 1 to 1.5 Can you live without your social media vices, multimedia devices, tell me the definition of what "like" is Currency, urgency, thumbs up if you feel like every part of your life is an emergency, if so then share it, so the world can see Then watch your conversations about fashion turn into a targeted ad about a jacket that is burgundy Invasion of privacy? Not if your privacy is for the world to see. Coincidently that jacket is on sale, so if you buy it this theory will not fail, and if you don't the media will still prevail, it's presence is an entire quarter, meaning it's heads or tails. That's urgency hiding behind a veil.
0
Oct 19, 2016
Oct 19, 2016 at 1:32 PM UTC
Urgency - Social Media Vices
What is 1 to 1.5 currency to relativity urgency brings negativity It's not about new tools it withers your tools bring productivity The way you slap that old guitar, the way you drive that beat up car How fast does it run? How long does it last? How fast does it charge? New can only take you so far Let that distance your reach be derived from a skill, not from how rich or famous your are. I often walk, even though I own a car...I prefer feeling the wind, the open-air, it makes me feel like I'm apart of something The emotions I feel are driven from an organic substance, the dirt that I see the wind that I feel..these constant conflicts between what is man-made and what was here. The stare of a deer, the tree was its friend, it's now been destroyed to make a path of cement. That path of cement created a state of solidarity, urban prosperity, violence numbified by media regularities. Civilizations become the norm, even though we all barely speak to each other physically Digital formats become our literal floor mats, every result you leave results in a digital footprint, cataloged for the marketing lab rats Too complex to understand like a physical labyrinth, Let me elaborate So let me ask you ?! What is 1 to 1.5 Can you live without your social media vices, multimedia devices, tell me the definition of what "like" is Currency, urgency, thumbs up if you feel like every part of your life is an emergency, if so then share it, so the world can see Then watch your conversations about fashion turn into a targeted ad about a jacket that is burgundy Invasion of privacy? Not if your privacy is for the world to see. Coincidently that jacket is on sale, so if you buy it this theory will not fail, and if you don't the media will still prevail, it's presence is an entire quarter, meaning it's heads or tails. That's urgency hiding behind a veil.
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24
It caught me off guard, this sudden feeling of loss, this sense that something beautiful was gone forever. I didn't know what to do with it, this overwhelming idea that now, out of neglect or shame or starvation, a work of art had withered away into nothing. I suppose that I'm beginning to understand that the world isn't a narrative, it's not a story by an author with a plot and a hero. This is the essential fallacy taught to children with a streak of the hopeless romantic in them: the desperate belief that somewhere out there is a place for people who live their lives waiting for King Arthur instead of Jesus. And even now, with every word comes the terrifying truth that my babbling is going to change absolutely nothing, not a single atom is going to **** an electron on the completion. I won't feel better, the situation won't change, you the reader aren't going to say EUREKA!!!! at the end of it, so what's the point? Expression, that is the point of it, and to be be completely blunt about it all, I hope some one I love and admire will read this and say the typical things that are said when people are honest on public forums. Do I have a point? No, not really. So what do I do with this loss, this empty fireplace in my soul? I drink and smoke and **** it away, stay so busy that I don't have time to consider it, this knowledge that the fire has gone out. How typical of me, how unoriginal and bourgeoise to write another ode to the trials of the individual. Who am I to feel loss and pain when my stomach is full and my needs are met? Aren't I another servant of economic output? Should I not donate time and money to a cause more worthy of respect than a withering example of excessive individualism such as myself? No, and what's more, **** you society, **** you for taking away the only haven I ever had: my head. **** you for marketing my imagination, for inventing a bunch of ******** about responsibility for the greater good, for poisoning the little freedom I do have with feelings of uselessness. And most especially **** you for your greatest crime of all; implanting this feeling of guilt whenever I do anything with my own well-being in mind. You have created a system that perpetuates itself on shame and output, you have killed the desire to create for it's own sake. **** you, and I'm going to unplug from you if it's the last ****** thing I ever do.
0
Jul 16, 2013
Jul 16, 2013 at 10:06 PM UTC
Angry Prose
It caught me off guard, this sudden feeling of loss, this sense that something beautiful was gone forever. I didn't know what to do with it, this overwhelming idea that now, out of neglect or shame or starvation, a work of art had withered away into nothing. I suppose that I'm beginning to understand that the world isn't a narrative, it's not a story by an author with a plot and a hero. This is the essential fallacy taught to children with a streak of the hopeless romantic in them: the desperate belief that somewhere out there is a place for people who live their lives waiting for King Arthur instead of Jesus. And even now, with every word comes the terrifying truth that my babbling is going to change absolutely nothing, not a single atom is going to **** an electron on the completion. I won't feel better, the situation won't change, you the reader aren't going to say EUREKA!!!! at the end of it, so what's the point? Expression, that is the point of it, and to be be completely blunt about it all, I hope some one I love and admire will read this and say the typical things that are said when people are honest on public forums. Do I have a point? No, not really. So what do I do with this loss, this empty fireplace in my soul? I drink and smoke and **** it away, stay so busy that I don't have time to consider it, this knowledge that the fire has gone out. How typical of me, how unoriginal and bourgeoise to write another ode to the trials of the individual. Who am I to feel loss and pain when my stomach is full and my needs are met? Aren't I another servant of economic output? Should I not donate time and money to a cause more worthy of respect than a withering example of excessive individualism such as myself? No, and what's more, **** you society, **** you for taking away the only haven I ever had: my head. **** you for marketing my imagination, for inventing a bunch of ******** about responsibility for the greater good, for poisoning the little freedom I do have with feelings of uselessness. And most especially **** you for your greatest crime of all; implanting this feeling of guilt whenever I do anything with my own well-being in mind. You have created a system that perpetuates itself on shame and output, you have killed the desire to create for it's own sake. **** you, and I'm going to unplug from you if it's the last ****** thing I ever do.
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20
Better natured today than yesterday, smelling less like cigarettes and more like laundry detergent, you sit across from your therapist at the bar and ask for one more boilermaker. You say, How do you desire what you already possess? And your therapist says, Don't go down that drunk. That's a bad drunk. You're in a floral print A-line dress, one you bought from your sister-in-law. She's doing one of those multilevel marketing things and though her Facebook posts make you want to suicide yourself, she's happy and independent and at home with her kids. Despite these lukewarm feelings, you harbor some resentment as you finger and thumb a seam that's already coming undone. Sloane. Your husband keeps mentioning a woman at the office named Sloane. You're at the bar, almost alone, and promised yourself you wouldn't think about Sloane. But here you are. Sloane in a pencil skirt and stockings. Sloane with a fresh ****** energy, the kind you can't seem to summon, and you wonder why *** is such an important thing. It's so brief, forgettable, full of abject compromise. *** is an inherently violent act, don't you think? You say to the therapist.   If your therapist hears you, he doesn't respond. You don't repeat the question. You watch yourself broadcast on the TV above the bar. They're commenting on your hair and your arms and going on and on about your likability. Your therapist changes the mood. It's 6:30. He gives the place a nighttime feel. He kills a row of lights and turns on the colored bulbs, the blues and greens. The TV is turned down. The music is turned up. This is what you've been waiting for, the lights, the music. There's an hour before anyone really shows up. You can close your eyes and drift. Two or three drinks pass. A couple walks in. You have your therapist put in for an Uber. Maybe I've been asking the question the wrong way, you say. Oh yeah? the therapist says. Yeah. Maybe the question should be reversed. Maybe the question should be how do you remain desirable to the objects you possess? That seems like a lot of work. Seems like you'd have no sense of self. You'd always be bending. I've been a plus one for a long time. You say bending. But I wouldn't be doing anything new. I already do all these things. But I see them as a compromise. I'm just trying to reframe, you know? Why? your therapist asks. You open your mouth and find no words. You smile. You say you've had too much. You're rambling. You're sorry. You better go.
0
Nov 7, 2016
Nov 7, 2016 at 12:15 PM UTC
F L O T U S
Better natured today than yesterday, smelling less like cigarettes and more like laundry detergent, you sit across from your therapist at the bar and ask for one more boilermaker. You say, How do you desire what you already possess? And your therapist says, Don't go down that drunk. That's a bad drunk. You're in a floral print A-line dress, one you bought from your sister-in-law. She's doing one of those multilevel marketing things and though her Facebook posts make you want to suicide yourself, she's happy and independent and at home with her kids. Despite these lukewarm feelings, you harbor some resentment as you finger and thumb a seam that's already coming undone. Sloane. Your husband keeps mentioning a woman at the office named Sloane. You're at the bar, almost alone, and promised yourself you wouldn't think about Sloane. But here you are. Sloane in a pencil skirt and stockings. Sloane with a fresh ****** energy, the kind you can't seem to summon, and you wonder why *** is such an important thing. It's so brief, forgettable, full of abject compromise. *** is an inherently violent act, don't you think? You say to the therapist.   If your therapist hears you, he doesn't respond. You don't repeat the question. You watch yourself broadcast on the TV above the bar. They're commenting on your hair and your arms and going on and on about your likability. Your therapist changes the mood. It's 6:30. He gives the place a nighttime feel. He kills a row of lights and turns on the colored bulbs, the blues and greens. The TV is turned down. The music is turned up. This is what you've been waiting for, the lights, the music. There's an hour before anyone really shows up. You can close your eyes and drift. Two or three drinks pass. A couple walks in. You have your therapist put in for an Uber. Maybe I've been asking the question the wrong way, you say. Oh yeah? the therapist says. Yeah. Maybe the question should be reversed. Maybe the question should be how do you remain desirable to the objects you possess? That seems like a lot of work. Seems like you'd have no sense of self. You'd always be bending. I've been a plus one for a long time. You say bending. But I wouldn't be doing anything new. I already do all these things. But I see them as a compromise. I'm just trying to reframe, you know? Why? your therapist asks. You open your mouth and find no words. You smile. You say you've had too much. You're rambling. You're sorry. You better go.
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56
Started with selling lollipops out my locker, to pushing stocks, to selling beef with coco buns like Betty croocker. my gang green, a seal team, running schemes, wit; wicked regimes then moved up to the major leagues- with upper decks, up my sleeve. capture your spirit, just to set it free. dark knight, captures white king; wouldn't stop riding me. pawn moves, worth the trouble; it's two easy. Throwing stones, and Sandz castles, these haters tryin to castle me in;  it don't appease me. these drag queens, keep turning there back; showing thier ***  and tattle tails; like lil sis-sees. these miss-fits couldn't **** wit- me if they came in ultra HD, my Cats 5, and they treating me like I'm Mr. IP, darker the Wesley, I'm stone cold  rocking an Iced-T, your Bud got wiser but it still ain't ******* with D. then grab Kim car dash and-be back by three, send Kanye west, to get Ad vice from me. my marketing skills so nice, I just capitalized. on the lies of our lives, of all three. These dudes the Wizard of Odds,  fake pretend; Wizards of Oz, chasing the Wizard of Gods, reading scripts written by me. I wrap with a cause, like I''m passing the bar, in limbo with these dudes at odds with me. I'll dot their eyes, like Kimbo was training me. Their label-mates ****** in Big T's, liking on their selfies, on sell phones. I'm on roam, in Rome, using Google Chrome to Google Earth, on my eye phone- writing this from the O-zone, so that the people reading this will be like O'No - this dude is cold. I'm opt to much prime, all the timethen phone home- transfer the message, like Otimos prime
0
Jul 4, 2014
Jul 4, 2014 at 12:23 PM UTC
Freestyle 101
Started with selling lollipops out my locker, to pushing stocks, to selling beef with coco buns like Betty croocker. my gang green, a seal team, running schemes, wit; wicked regimes then moved up to the major leagues- with upper decks, up my sleeve. capture your spirit, just to set it free. dark knight, captures white king; wouldn't stop riding me. pawn moves, worth the trouble; it's two easy. Throwing stones, and Sandz castles, these haters tryin to castle me in;  it don't appease me. these drag queens, keep turning there back; showing thier ***  and tattle tails; like lil sis-sees. these miss-fits couldn't **** wit- me if they came in ultra HD, my Cats 5, and they treating me like I'm Mr. IP, darker the Wesley, I'm stone cold  rocking an Iced-T, your Bud got wiser but it still ain't ******* with D. then grab Kim car dash and-be back by three, send Kanye west, to get Ad vice from me. my marketing skills so nice, I just capitalized. on the lies of our lives, of all three. These dudes the Wizard of Odds,  fake pretend; Wizards of Oz, chasing the Wizard of Gods, reading scripts written by me. I wrap with a cause, like I''m passing the bar, in limbo with these dudes at odds with me. I'll dot their eyes, like Kimbo was training me. Their label-mates ****** in Big T's, liking on their selfies, on sell phones. I'm on roam, in Rome, using Google Chrome to Google Earth, on my eye phone- writing this from the O-zone, so that the people reading this will be like O'No - this dude is cold. I'm opt to much prime, all the timethen phone home- transfer the message, like Otimos prime
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1