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the air was thick and heavy
the sun was heating up the sky
And somewhere in the jungle
more men were gonna die

The streets were full of people
Feral dogs were running free
The haze was thick and murky
The sun you couldn't see

It's a Saigon Sunday Morning
Ten more men were going home
To  a flag tri-corner folded
And a marker of white stone

The men were all assembled
To load them up with care
It was a Saigon Sunday Morning
with ten men no longer there

The jungle was a minefield
The trees were blocking out the light
It was ***** trapped like crazy
And it seemed like it was night

A patrol went hunting "Charlie"
But, they were found out first
It only took twelve seconds
And it turned out for the worst

The city never noticed
The 'copters flying overhead
Whether bringing in supplies
Or taking out the dead

It was a Saigon Sunday Morning
It never changed one little bit
The air was always heavy
And the alleys smelled like ****

Back home the news delivered
The families destroyed
They were waiting for their loved ones
A short time were deployed

Ribbons tied around the Oak Tree
to support those coming back
On a Saigon Sunday Morning
With twenty bullets in their back

A transport with the bodies
Drops fifty more to play the game
It's a vicious, endless, circle
The procedure's all the same

It's a Saigon Sunday Morning
Ten more men were going home
To a flag tri-corner folded
And a marker of white stone
Build in a very humble way
Its architecture redolent of Europe,
Plain and honest in structure,
The vestibule at the entrance
Replete with old hardbound books
Dust covering the jackets
In their agony of human oblivion,
Every section has shelves under lock
Only to be open on permitted access.

Located in the desert like an oases,
But the desert of readers not waters,
But like any other oasis, it is useful,
At most to the genuine users.

There are books and books all over,
Windows only open after adjustment,
You start at the door step with classics,
Indian, European, American and global classics,
I pumped into Leo Tolstoy at the first glance,
Finely juxtaposed; Anne Karenina after War and peace.

I opened war and peace and I chanced on Napoleon
Then thrill of intellect and bliss of art
Began flowing into my guts like a river
I kept on wandering why Leo Tolstoy
Never became a Christian sub religion,
To be added to the two testaments,
For it to begat the post-modern holy Bible.

My physical peregrination of the hand
Led me to a vase of rosy wine
Its intellectual whiff surpassing all,
The psalms of David and songs of songs
This was nothing but precious discovery;
A thousand Rubiyats of Omar Khayyam
The shoulder of wisdom and love of God
The hero of Sufism and demystifier of heaven,
When in fact I came unto his 69th Rubiyat;
I have heard people say
that those who love wine are ******.
That can't be true, that clearly is a lie.
For if lovers of wine and love are bound for hell,
heaven would be quite empty!

I chewed and chewed fortune out of Rubiyats,
I went through all the thousand Rubiyats,
Only hot Sun and desert sand storms of Lodwar
Are my witnesses among the myriads of bystanders
As life of a reader is similar to the life a writer,
They both derive energy from solitude’s power.

I moved on again to Alfred Jarren
The son of France, the father of mystery;
Pataphysics the science of fantasy
It has the realm beyond metaphysics,
His survey of pataphorical world
Has remained witchcraft
Beyond my simple soul’s grasp.

Paradox is one other worldwide wonder
As I look at an illiterate Turkana Man,
Guarding the library, club in his hand,
His ever week from stubborn hunger,
His sires never go to school, perhaps culture
I looked at him often in my pause for muse,
Why guard knowledge that you can’t use?

I again came upon the Quran
I read it voraciously over and again,
In expectation of great knowledge
Always making Muslims to be noisy,
I have found nothing great in the Quran,
Only regular subversions of Biblical grammar,
Let Muslims sober up to respect Jesus Christ,
His sermon on the Mountain is perfectly enough
as an impeachment to crazed pataphoricals
That Muslims often dare the world with.

I read the Bible again in repetition
Of what I had did ten years ago,
I read psalms, Job and Isaiah,
Gospels and epistles are more nice,
Chronicles and Habakkuk are so dull,
Lamentations are somber poems,
Revelations are esoteric lies,
Kings and Samuel full of chauvinism,
Proverbs and Ecclesiastes are mere clichés
My idea is; mankind can fear God
Minus Jewish intervention.

Now I chanced upon The synagogue of Satan,
A book written by one other crazy American,
His name is Andrew Hitchcock Crichton,
The book is long and spellbinding,
Having historical facts from early centuries,
Chronicling mysterious growth of Jewish empire,
Arranging facts one after another
Dismissing Bush’s anger against Arabs,
Over the bombing of the twin towers
When they are the Jews who Bombed America
As a decoy to induce American wrath,
Thus twin towers bombing was Jewish war ploy
To put Arabs into a rat’s corner.

I came across one funny book
Written by a Indian sage
Its title was Secrets of ***
From male perspective,
I don’t liked the book
For its prurient content,
But to my sad chagrin it was the most read
Its leaves were dog eared and use worn
I spied into the rumour about its tearing,
T it was a hot cake among nuns and priests
Presently living at Lodwar cathedral.

You could also wonder my dear brother
Why a Christian library has works of Marx?
This was my muse as I read Karl Marx,
I mean everything written by Karl Marx,
From Das Kapita to Germany Philosophy,
Selected works to Poverty of philosophy,
18th Brumaire to Integral calculus,
The Manifesto to the letters,
I read Karl Marx as if I was in Russia,
I wondered why Catholics are Liberal
They fear not those who contradict them.

The Holy Grail is visibly placed
In fact at right hand corner,
At the far end on your entrance
I chose to read it
Because of its voluminousity,
The book is about ****** life
Of Jesus Christ and Mary Magdalene,
This book shares out that;
One time Jesus was found hiding,
Kissing Mary Magdalene, the Grail
In the most affectionate manner ever.

The catholic Library at Lodwar is bad news
It swallowed me like waters of Indian Ocean,
It is located at place called Lokiriama,
It was established by Bishop Mahoni
One other man deserving my respect
He was humble and catholically wise,
Very intelligent and consciously bookish,
His mission was to make the Turkana people
A modern community, but he failed,
He was so disappointed to his hilt
He transferred to the Archdioceses of New-York
Where he began facing problems of the law
On allegations of him being a *******,
I curse the devil for such temptations.

I did meet Yan Martel in this dome of books
His famous book; Life of Mr. Pi
It was my eye opener?
It transformed me from a village bumpkin
To a modern reader of global literature,
I read this book amid my fear of Tigre
But I was thrilled, to my bone marrow
When the main character drunk the blood,
Warm salty blood of the sea turtle.

I got another book with folded pages,
At its mid was the red book marker
Baring the name of the respected priest,
The book was entitled; How to excel as
A ****-******, chapter one focused on gays
Chapter two  focused on lesbians,
But the rest of the book was all homosexuality,
In nothing else, but rosiest terms.

On such encounters I once again went back,
To re-read 89th Rubiyat of Omar Khayyam
It has the following quatrain to echo;
Looking for peace on earth? Foolishness.
Believing in eternal calm? Foolishness.
Once dead your sleep will be short. You may
be reborn as a clump of weeds that will be
trodden underfoot, or as a flower that
will wither in the sun's heat.

African writers were stuffed on one shelve
Labeled African books of English expressions,
But on my request to the project manager,
His name was Peter Kebo, he was Flamboyant
And physically indifferent to Turkana poverty,
We agreed with him to rename the shelves
As; African literature in English Language,
Nobel Laureates are in this section;
Soyinka, Lessing, Coatze and Gordimer
Not forgetting the Egyptian literary tiger
In the name of Mahfouz or Maguiz
I clearly don’t know,
Sembene Ousmane is also here
I read him again for the fourth time,
It’s when I found out the simple truth,
That God’s bits of wood, translates as;
The wretched of the earth,
I read Lessing’s Grass is singing,
She likes ***,
I read Gordimer’s July’s people,
She likes menstrual blood,
I read everything here
As published by James Currey
In his Africa writes back,
I also read the White African Nobelite
Joshua Maxwell Coetzee
He is a wizard of Narrative literature,
I read his life of Mr. K.
I found amusing plots and amusing themes,
I also read Ngugi’s Wizard of the Crow
It is nice; Ngugi is still fighting dictatorship,
Not physically but in a metaphysical manner.

I was again lucky enough
To chance on Caribbean literature,
Is when I read Vitian S Naipaul
The humourist Marxist of Marxists,
I read his Mr. Biswas’s house,
With avidness of an aphrodisiac cur,
His characters like taking a long time
In the toilets, Naipaul is good,
I again chanced on George Flamming
In the Castle of my skin
Caribbean literature stinks of slavery
And counter-slavery.

My landing to the shelve of Latin America,
Was a total blessing; Gabriel Garcia Marquez
Stood out like tor of literature among others,
I began with his Big Maria’s Funeral,
Then I moved on to Love in Times of Cholera,
And then You Can’t Write to the Colonel,
As I spiced my intellect with Melancholic *****,
Then finally I revisited his Stories from Africa
And the Hundred Years of Solitude,
The following morning when I came back,
I read in the newspaper that;
Gabriel Garcia Marquez is dead!
It was sad and poor of me, I mourned him
With long essays and somber poetry,
Then I fell in love with the literatures
of Spanish origin in language sense,
I read Octavio Paz and Pablo Neruda
From Octavio I enjoyed coda,
Between Coming and Going and so on,
Neruda thrilled me with his sense of Marx
Especially his poem; on burying the dog.

European classics section arrested me
I never easily moved out of there,
I chanced on ****** and annals of Goebbels,
Reading Russians like Tolstoy,Chenkov,
Gorky, Gogol and Shelynetsyn was lively,
Chewing Shakespeare from cover to cover
Not spearing Pushkin nor Homer,
Victor Hugo was a relish. Emile Zola
And Maugham, I too enjoyed…

Then my holiday in Lodwar was finally over,
But I am soon going back for my Xmas,
I will directly go back to the European section,
I also remember having come by;
The Satanic Verses of Salman Rushdie,
I will have to  re-read it with passion,
It is my prayer that this time comes
For I to resume my holy duty
In the Catholic Library at Lokiriama
In Lodwar Dioceses of Turkana County
In the Savannah desert in North West
Regions of my country Kenya.
Mimi Oct 2011
Tonight I married a graffiti artist.
This is the third time I’ve been proposed to
at some ***** house party.
This time there was an ordained all-faith minister
on the porch smoking a cigarette. That was enough.
I said yes.
We’re all strictly first-name-basis here, nicknames are even better.
So to him I’m just Mimi. Focused intently on my hand,
he draws my wedding ring with a permanent marker
and kisses each finger as he finishes.
There is a tiny replica of his tattoo on the underside of my finger
in addition to my gigantic drawn-on diamond.
It is my favorite part.
We talk politics and eventually art.
Turns out he’s sort of an amazing artist.
He said he’d put my name up on a wall but I don’t believe him.
Intricate, passionate, and thoughtful.
His smile is adventure.
That’s why I married him.
He asked to read my poetry and in my fuzzy judgment I let him.
Maybe he even liked a few phrases.
And he was polite as a hopped up boy can be.
Getting me home before three,
lending me his jacket without me asking.
I know he’ll forget to call, or that he even has my number.
and that we won’t watch Pulp Fiction
tomorrow.
That I was really just a glorified
snort of some white powder,
I am like all the glitter that fades in the morning
like smiles do, or permanent marker
after a few washes.
(he called the next day)
Out in the back forty
There's a tree and underneath
Is a lonely wooden marker
All it says is "Heath"

Not many really knew him
He just hung around the ranch
I remember when I found him
Hanging from that branch

He never really said much
Kept quiet most the time
Always had a smile
And he had his lucky dime

Heath was slightly slower
Not in step, but in his brain
But, that didn't really matter
For folks loved him all the same

I remember back in school
When Heath was getting teased
The only one defended him
was me...and Heath was pleased

We were bonded from that moment
We were brothers you might say
Where I was, you would find him
Until that fateful day

Folks say that the Johnson boys
Caught him down by Crindle creek
They girls were down there swimming
And they'd gone to have a peek

Heath was down there fishing
Saw the boys and gave a shout
The girls went off a runnin'
And then Heath was set about

The story gets all muddled
Since no one was around
There were six conflicting stories
On how he got hung up off the ground

The truth will be deep buried
Since only four folks know for sure
And three of them aren't telling
And Heath was number four

I rode out after supper
No one knew where Heath was at
I took out for the creek bed
And there I found his hat

From there I took off westward
Toward the tree, to spend the night
I'd head home in the morning
I'd leave at the first light

But, there was where I found him
Hanging, dead from that old tree
From what ever demons ailed him
Heath had been set free

His folks has left for Tulsa
Leaving him back at our ranch
That's where he will stay now
In the ground beneath that branch

I made a simple marker
Painted white with just his name
And even though nobody goes there
I had to let folks know he came

So out on the back forty
By the tree, yep..underneath
Sits a little, simple marker
painted white,....it just says Heath.
katrinawillrich Feb 2015
How?
Quit asking & proceed to control drama control down size those voicecovers slippin
i'm holding destiny hands me a shift type
yourelse couldnt order mundane by standard regular when opinion is you® make® and knows how corporate styler lewd crew crude blue oil burst black blood as mine as yours as ours
It was confused and dark, dark, so dark,
dark like when Charlie got drunk for the first time, came back, and stumbled-open the door long after Sam had screamed at everyone to leave her the f--- alone.  

And Jesse is standing there, swaying slightly with the beer and the pounding music, and Charlene feels her ribcage shiver with each bass beat.  The pale light oozing off the stage silvers Jesse’s angled face like water, soaks the black shapes around her, pools in each eye as the constant ripple and shudder of the crowd shifts her hips.  Somehow her thin, bare shoulders speak her excitement, and in the dim shuffle of the audience she’s half drunk and lovely.  “You know that calc test is tomorrow,” Charlene screams over the straight roar of chaos. “Don’t remind me! God!” Lovely Jesse laughs and her hand sketches a lazy gun that jerks at her head -- don’t remind me, God don’t don’t don’t --  and Charlene clenches her eyes shut and still that flashes, dark dark dark, her loose-jointed fingers flicking up, twitching in sickening unison with her mocking head, again again again-- don’t remind me, God,
don’t remindmegoddon’t remind megod god oh God,
Sam loved drinking herself sick, stumbling home with her arm ‘round Charlie’s neck, slurring alcohol love and despair to her ‘bes’ fren, besh’ roomate evr, Charlene a.k.a. Charlie.  And “a.k.a.” as Sam loved to call her, was always there to pick Sam up and clean Sam up and sober Sam the **** up.  And every stupid drunk party night that semester she told Charlie over and over again: ‘listen, a.k.a., here’s a funny story: a girl went to buy her mother aspirin cause her mother had a terrible ******* headache and she bought some from her dear second cousin Kurt the cashier who was a trublueblooded Eagle scout mama’s boy back from college, that sonofabitch and she came home, but her momma didn’t have that headache anymore and gave her a mostly delicious popsicle and it was red strawberry, the end.’  And every stupid drunk party night that semester Charlie watched and listened as Sam made up new stories about aspirin (always ending with popsicles).
See, Charlie was always there. Charlie never drank.  And Charlie, she always listened to the stupid f---ing drunk-strawberry-popsicle story.  And Charlie never gave a **** about Sam, did she? She sure didn’t, no, Charlie didn’t.  

“I’m gonna go find the bathroom” Charlie screams into Jesse’s ear and plunges out into the sea of dark shadows circling her.  The door struggles open, then she’s crushing it shut, crushing splinters into her palms, she’s bending over the counter, both hands white-pressed onto its imitation marble, choking down these sharp sparks of nausea bursting like fireworks inside, and the music’s faded out, its just the thud of that ******* drum that pulses over and over and over --god stop it-- fills the room, rattles the stalls, over and over and Charlie’s convinced its a heartbeat, its Sam’s heartbeat, thud thud thud, god its going on and on and pounding, OH GOD, charlie screams, IT STOPPED, no no no no SAM no SAM SAM SAM OH GOD it stopped no no GOD
next song. drum starts again. and the room is inside of the drum, it is the inside, the taut air’s quivering with each beat, taut ribcage quivering with each beat. Charlie is inside a drum. beat beat beat drumbeat heartbeat thud, thud, thud,
god I look awful, Charlie’s looking at her face in the dim vibrating mirror: blue shadows under her dull eyes, pale, dead-tired, dead-drunk, and so f---ing dead-alive,
she goes back to Jesse, wriggling through the black lumps: lovers making out, heavy spellbound listeners, uneasy loners, angry drunks, drunk as-- drunk as Charlie’s first drunk night.

Sam was so ****** that night and Charlie dragged her home to their dorm, sick of Sam’s tangy alcohol breath and her sagging, skinny weight on her shoulder. “I’m sick of your breath, Sam.” sick of it, god Sam, just stop it, wish that breath would go away, I mean,
it was blowing all over my cheek Sam, cause your **** beautiful face was lying on my neck-- that’s why I said that, I didn’t mean that, Sam.

And then you said ‘well, all right Charlie, I’ll tell you a funny story Charlie,’ and I said ‘oh god Sam, not again,’ and you said ‘no, its different this time’ and you said ‘one day there was a little girl who went to the store to buy aspirin for her mom and the cashier took her into the back of the store and hurt her and she came home and told her mom and her mom slapped her and told her to stop talking ***** and shut the **** up and then that little girl’s throat sure did ache, Charlie, even after a popsicle it did. And Charlie, Charlie, a.k.a. Charlene, sure did hate her breath. see, that’s my story and isn’t it a funny story...”
you drop your drunk roommate on the gritty hallway carpet, give her the key say
‘’bye Samantha", goodbye samgoodbye, bye bye Sam, "I’m going to go get drunk don’t be too much of a ***** while I’m gone.’

floormates told Charlie later that Sam screamed at everyone “hey, all you motherf---ers, leave me the f--- alone,” then laughed, slammed the door. and they did leave her alone.
Charlie came back *****-drunk, touched the doorknob and heard the shot, the door opens,
Sam’s falling and Charlie watches her beautiful, bony wrist flick back as she gets blood all over and ruins her face and Charlie sobers up really f---ing fast.  She always was good at that.
There's a note on the desk in Crayola washable marker (purple): "well, a.k.a., I guess I am being way too much of a ***** while you’re gone. you’re welcome. sorry for ******* it all up again as usual"
*Thanks for that Sam, thanks a lot Sam thanks thanks f--- you
I wanted to write a short story in a realistic voice other than mine, so here's a hard, obscene, despairing 20 yr. old?  Its pretty dark... not sure if I like it, but it was interesting and different to write.
Mateuš Conrad Mar 2019
.i'd call it as far as deciding upon: ethno-dysphoria... given that the lingua franca doesn't like to entertain hyphen "riddled" word compounds, and how german never bothered with the hyphen... i'm pretty much convinced that ethno-dysphoria exists... i guess only the jews are immune to this phenomenon, as... i'm pretty sure, the dutch are... i once overheard an american talk to a dutch girl before ******* her in some park in stockholm: who cares about the dutch? what? more the people, or the language? the english language doesn't give a **** about either language or the respective people utilizing it... oh i think ethno-dysphoria is real, more real than any gender-"dysphoria"... no ****-wit from the gender-"dysphoria" camp will **** you... but sure as pork-chops and potato crisps... an ethno-dysphoria case will, "somehow" become a jihadi.

oh sure, i'm all for "free speech",
until the time comes,
and it usually does,
around the same time,
that these advocates
                   are given a: script.
yeah:
when they are asked to read
a "typo" interface...
               when the, said,
"freedom", is allowed to be
scrutinized,
   under the barrage...
     of "mishandling" literacy...
most of these free speech advocates
do not welcome
                reading,
printed words...
                     co-defendants...
funny, this, "barometer"...
   you are given the freedon
to speak freely...
   let's see how free you are...
when being asked to:
     read "freely"...
      see the disparity?
   people don't have a freedom
of speech,
when they are exposed
to reading material...
    given that exposure to reading
material,
          doesn't coincide
with the final statement
      of the ecclesiastical class...
relieving their literacy monopoly...
i'll take two examples...
both are instances
of a freedom of speech advocates...
one is given a script to read,
the other is not given a script...
just like Kierkegaard predicted:
some people are
just more concerned with
a freedom to speak,
                         rahter than think...
i'd say:
   as much freedom as your
reading ability entitles you
to entertain...
          this, "freedom" of speech...
i'm freely allowed to breathe...
this cul de sac of freedoms...
  different matter
when you hear the so-called
advocates of "freedom"
recite a draft of reading...
god-forbid they begin
entertaining diacritical markers!
yet you notice the differnece
between free speech: ignored,
and the same freedom,
coinciding with an ability
to read?
                  free speech was,
once upon time depicted
by joyce and the plagiarized sartre:
andsoitwascocerningadepictionakintothis...

      never mind the
aesthetic constraints
of punctuation marks...
that's freedom...
breaking from aesthetic constraints
of encoded speech...
           you can hardly find
anything suspect,
within the concerns
of the pedantic community...

enlighten me...
   i'm pretty sure
the same assortment of freedoms,
associated with
the "confines" of a non-script,
would be missing,
should a script emerge,
and the whole lot of us
would be left,
with something,
akin to making a signature
akin to the X marker;

     who said anything about
stripping this freedom,
what i was implying was...
some of us care about
punctuation & conjunctions;
as free as you want to be...
point being:
this, "freedom" of speech...
infiltrated by written text,
being read (no variant
past participle spelling
variation outside of: red)...

    this "freedom",
is only a freedom,
when being freed from
reading, scripted, text;
now posit the same advocates
against
    a page of script...
freedom? what freedom?!
unless we all forget
to write,
     and join the simmering
**** of: the all of us,
in the blah blah parade...
maybe i'm being overtly
pedantic...
            a "freedom" of
speech would,
subsequently,
imply:
            no point
in clinging to scripted speech,
esp.,
with a decision to
impose punctuation markers.
Visits of condolence is all we get from them.
They squat at the Holocaust Memorial,
They put on grave faces at the Wailing Wall
And they laugh behind heavy curtains
In their hotels.
They have their pictures taken
Together with our famous dead
At Rachel's Tomb and Herzl's Tomb
And on Ammunition Hill.
They weep over our sweet boys
And lust after our tough girls
And hang up their underwear
To dry quickly
In cool, blue bathrooms.


Once I sat on the steps by agate at David's Tower,
I placed my two heavy baskets at my side. A group of tourists
was standing around their guide and I became their target marker. "You see
that man with the baskets? Just right of his head there's an arch
from the Roman period. Just right of his head." "But he's moving, he's moving!"
I said to myself: redemption will come only if their guide tells them,
"You see that arch from the Roman period? It's not important: but next to it,
left and down a bit, there sits a man who's bought fruit and vegetables for his family."
deanena tierney Jan 2015
At mile marker thirteen,
everything is numb.
Around the block time and again,
the cycle never done.

Too many greetings, hellos and goodbyes.
Too many crossings, too many sighs.
The rush has ceased, the thrill is gone.
Brow quite furrowed, face quite drawn.

Might there be a pothole?
Or perhaps a steep incline?
Hell, I'd even take a head-on,
Just to feel this heart of mine.
Nat Lipstadt Feb 2019
being a poet is not planned

~for Gabriella Garcia~

~~

a sixteen old soul says she understands,
being a poet is not planned,
forcing an old mans re-collection of the first time,
he made love to a virginal white
papyrus with muscles trembling,
body bent, chest bursting a rockets red glaring,
eyes marking the sheets with salty drip spots

what possessed the wrist veins
to wrest a cheap ballpoint pen to transfuse pain,
in a semaphore of uncoded ink blotches,
what was he thinking

was he thinking?

that it was an ejection
that it was an *******
that it was a tribulation expiation
that it was a tribute explanation?

that it was an injection
that it was a circumspection inspection
that it was a circumscision surgery of emotional complexion
excising an infection with a written genuflection?

try, but no might, the first is subsumed
by the thousands that followed dutifully
though his one poem  flawless, expertly recalled,
it will always be the next,
and unplanned just like this one too

who anointed his brow, the hair and forehead,
with oil pure, dripping down onto, into his cut cain marker,
who is not answering a query relentless
is this his plan, his appointment,
is this his flawed excellence,
is this his imperfect penance perpetual?

knowing well and full
now

the unplanned is his plan,
it’s his faceted flaws
that refract his coloraturas


~~

upon this he reflects,
praying that
god protect the
young poets
from planning
____
https://hellopoetry.com/poem/2893127/unplanned
Nat Lipstadt Jun 2014
the irises have passed,
their existence, entirety,
a three week, 21 day, gun salute,
to which I was witness to but an
abbreviated four short generational
days

the Kabbalist among us say Kaddish,
and a-Buddhist chants so-be-it,
both celebrating the brevity cycle
of natural things, both notating,
that death makes room for more

ugly yelloe'd and black now,
these irises are now
misfits on a breezy,
dancing summer lawn

today, shriveled and misshapen,
they compare and contrast
on a normative, glorious,
June Sunday that
picturesque presents
the living and the deceased,
side by side

all comrades,
all summer sundries
on a dancing grass blanket
half-graveyard battlefield,
the half-heaven

oft I have writ of the beach detritus,
the shells, the sun burnt *****,
a recycled funeral rectory where
no one utters prayers for the
no longer alive historical artifacts

what has this to do
with that human construct,
artifice of memory,
a string on the finger
of the mind,
a pausation, a man-made creation
to momentarily recall another of
nature's cycle -
your children

Have children.
Am a father.
Had a father in my youthful days.

this is a boy scout qualification medal,
marker of me as Expert,
permitting me to commentary
with gravitas, now that I’ve graduated
to grandfather status,
I enjoy superstar freedom
to opine inanely on such matters

of my father have I writ,
of my sons, those remain unseen,

likely neither will mark these day
with a telephone call
or an all-I-got-was-this-lousy-t shirt
gift of gall

I say that's ok for what else is there,
certainly not an unthinking, dismissive
whatever

it saddens me some for sure,
but it makes judge myself as human being
on a gradation of one to none

but more than this internal reflection,
I ponder this hallmark'd day,
as life cycle point notarized,
in verse and rhyme,
for that is what I do best

for before,
many father's day
in the priory passed,
most unrecallable,
just another ceremonial checkmark,
habitually acquitted,
but somewhere
in a drawer of shirts,
in a home I store stuff in,
I do believe, there are some cards
from decades past,
that prove nothing,
other than life goes on,
and we best capture
what we can, as best we can...
with small, objet d'art of sorts

Perhaps one will call after all...
in any event,
to honor the dead,
to mark the existing,
the bannered ship's bell rung,
its sonorous sound,
notable and onerous,
fades as well

but man and animal,
plant and tree,
a living fraternal sorority,
who all look over my shoulder
as I compose on
that Adirondack chair you
by now, we’ll acquainted

they know,
for whom the bell tolls this day,
and why as well,
as we all pause and contemplate
where we are on this day,
on our own overlapping cycles
nowadays I get a ten second video of a happy father’s day wish
Stephan Apr 2016
____

My life in a canvas backpack
A bus ticket and a pack of gum
Fifty bucks in the pocket of my favorite jeans
A muted cell phone with a cracked screen
Rear windows subtract a fading past
Exhaust smoke slowly obscures  
A tear wets the corner of my smile
Facing the unknown from a worn vinyl seat
Something better down this two-lane highway
My future waits, one mile marker at a time
When the yellow day coppers to dusk
I paint my weary eyes dreams.

They nudely wade the crabhole muds
for marks of the great marksman
climb up the chunks going into tides
tiptoe through the needle roots
sniff a wind that smells of stripes
thrilled
death if comes
would be a momentary stir
a dangling cloth
resting on the trail of blood, marking,
someone ventured.
Tiger trail, Sunderban, February 24-25, 2018
Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
Jared Eli Dec 2013
There once was a boy who was but a slender
Line in a portrait or a smudge on a fender
Nothing more than would be passed by your eye
Was the boy so young who did nothing but cry

The world was a cruel one, but he wasn't so tainted
His picture more perfect than of David's statue painted
But the world would soon tear this boy apart
It would end in the mind what began in the heart

You see, innocence thrives where ignorance rules
For blissfulness is the kindest of the ignorant's tools
But this boy would be taught to feel and to hurt
His tears turned to ash as they fall from lips to dirt

He was now cold and ****** and swore
His opinions had changed when his brother died in the war
There was no point to heaven and less point to hell
When they called out your name, you either stood up or fell

Chipped bricks covered in posters past
Graffiti from people of phrases that last
Like one-liners, humourless, gaining a laugh
And the three-word with the sketch of a heart cut in half

The best philosophes of this past generation
Write thoughts on the wall from their closed imagination
And the boy with his eyes red grew darker
As he reached in his pocket and pulled out a marker

With a couple quick slashes a ballot was drawn
And he labeled the man in the voting booth "pawn"
Underneath it he wrote what might be a phrase
That just didn't catch on in those olden days:

It said, "A stone cast down as in defeat
Will hit thine foot before the street
For he who gives up his voting right
Will have no say in where we fight."

The boy capped the pen and he walked away
He had written down all that he wanted to say
His hands now were smudged from the marks on the wall
And he thought to himself, "In short time, it'll fall"

Right around the corner he was halted by the law
"You thought no one was watching, but guess what, kid? I saw.
The truth is, you're right, we vote for our wars
But the man up on top of the nation? He's yours."

The boy smiled slightly, for this cop was wrong
And he reached deep past the tears in himself to be strong
"That man isn't mine; he approved of this war
And congress has made my brother break the oath that he swore"

The cop looked at boy and the boy at the cop
They weren't talking graffiti, but the man up on top
Two strangers, two people, agreeing the fact
That the choice on the ballot was a serious act

"Most kids don't realize just what a vote can mean
They don't attribute the choice to the step in between
Old ideas corrupted or improved upon
All they know is their voice can make the other guy gone"

The boy nodded and looked the cop right in the eye
Saying, "This president let my brother ship out to die
If you try to make us think that his empathy wasn't fake
Contradiction in contrite diction will no conviction make

"You can't justify death because the harder you try
The more your arguments fade like the clouds in the sky
But before they dissolve and assimilate with the air
They leave behind pain to show that they were there"

The cop nodded, waved, and went back to the beat
More hoodlums and lost souls to help off the street
He passed a dark alley and his instincts erupted
His mind yelling to him, "Check for something corrupted!"

So he turned down in darkness to check out the spot
It looked like a place where blackmarket is hot
The fungus and mold that once grew peeled off
Leaving yellowish stains and the urge to cough

A voice near the brickwork called out saying, "Hey,"
"If it's not to much trouble, mister, couldja stay?
See honest to goodness, mister, I tried to stay clean
But when you take your own product, separation is mean"

"I don't know exactly who is to blame"
Said cop to the girl he could see but not name
"There's no one to blame," said the girl to the man
"There's things that will happen, and with time they all can

"For a creature that thrives on flesh alone
Will bite through the skin to steal the bone
And he must be careful, lest he find
That he's been feasting upon his own behind"

"Yes, sometimes it's true: Desire drives us too fast
Sometimes to places where sanity's long since passed
But sanity's fleeting and must be sought after
Come; let me find you some lodgings and laughter"

"No, mister! I'm a lost cause, my fate's without hope!
Permit me now to symbolize: I'm at the end of my rope!"
"Now miss don't you think like that, No one's soldered to their fate
Such thinking will confine you like a cage with bitter bait!"

This world's harsh and confusing and you've had the short stick
But don't let hopelessness be the only thing that's gonna make you tick
Like treading water in the ocean, panic makes you die
Find beauty out of terror, spread your arms and fly!"

The girl sat there blinking. She'd never heard such talk
She'd never been another thought on anybody's walk
"Now let me tell you, I'm not short on self doubt
But I've got to say: that's not what it's all about

See I met this boy earlier, who told me his story
About how the status of the world often makes him worry
This boy's actin' out, but he'll turn out just fine
But if you're giving up hope, then you're crossing the line

Because we've never needed Merry Men and Robin Hood
To stand up at bugle-call to turn the world good
We just need to remember: We're in it forever!
Fight the urge to look upward and shout angrily, 'Never!'

The world, good and bad, is mixed unto itself
And you can't take you your recipe book from the shelf
And add pinches of falsehoods like seasonings for a mask
You must fix it internally, for that is your task

See, though you've given up, that's something I just won't allow
You're gonna go out and fix it, let somebody show you how
Because there's more than one way to a proper conclusion
Some ways are hard and still others illusion

But become obsessed with the truth, with doin' things right
Become a shining green beacon to lead others at night
Promise me, here and now, in this alley proclaim!
That you will set forth and make good of your name."

The girl gently nodded and as time's hands were wound
She grew like a flower from that dank piece of ground
It's the tiny conversations that can so alter life
And cut the crust of complication like a peace-bringing knife

The boy with his brother who'd gone up in the fight
Was just like the cop said: he turned out alright
He put his mind to better things, gave up the childish art
And in the realm of history, his bio did its part

Because he realized how tangible the change he wanted was
He set aside resentments as the true reformer does
He spoke of love, acceptance. . . And then switched to compromise
Because when you're just a visionary, the vision always dies

He used the good and bad to weld a better, stronger, net
To catch the lost and lonely, his was the best support to get
He filled the heads of others with the change that he once viewed
And little inch by little inch corruption and violence met with feud

A verbal dispute filled with picketing people
Who shouted, "Change!" from their electronic steeple
And the media members had themselves a field day
As they caught on the camera what the boy had to say:

"Too often we forget, that apathy isn't peace
But we allow ourselves to be served it by the leaders filled with grease
And we skip along, ignoring things that should rightly upset us
Bombs abroad are wholly fine but not the one that's gonna get us

We've got to think of the whole picture, got to figure out the puzzle
Though you think the lion's fierce, it always has time to nuzzle
So let's switch the view and take on that trait
And put aside the thought that nuzzling can wait."

The cop saw the boy who was on T.V.
And said to himself, "that kid talked to me!
He smiled a bit, "his speech is pleasing as a wren
And in the case of my boasting, I'll say I knew him when!"

The girl wasn't taped, but she was out changing lives
By having conversations that we've likened to knives
And so it was when time was up on the impending revolution
Armed with words she voyaged forth to fufill her resolution

The boy and she stood side by side and led the people on
And using power words of choice, the old regime was gone
What started out as compromise, effloresced to peace and love
And the cop the two had talked to nodded at boy and girl above

A change in heart, a change in mind, can spark a worldly change
Though originality is difficult, ideas can rearrange
To fit the modern times, and indeed to mold it best
And the answer's sometimes difficult, but as we all know: life's a test

This boy and girl were lost, then found, and so was their whole world
And their string of conversations were around their finger curled
Reminding them that there was out there a better way to live
And revolution was the message that the cop had had to give
Mark Jun 2020
RAINBOW FAIRY FLOSS BY THE SEASHORE    
From the 4th diary entry of Stewy Lemmon's childhood adventures.    
      
We had a whale of a time last weekend on a trip with my family to the seaside resort named Slipslopslap Bay. It is located about three hours from my home.    
     
Once we arrived at our rented holiday wood cabin put our clothes away in the wardrobe and placed our food in the fridge, we all decided as a family what we would do next.    
     
My Mum, Flo, took my younger brother, Lemmy, to the local carnival for rides, drinks and even some pink coloured fairy floss and warm apple pie. My two much older, identical twin sisters, Emma and Jemma, went to the shops looking for souvenirs and some new summer clothes to wear. Dad, Smoochy and I went down to the pier by the seaside to do some fishing and to look at the large ships passing by.    
     
After a bit of fishing, and catching a slimy piece of seaweed, we spent time viewing the large ships with the help of Dad's trusty, homemade, fancy, far out, funny binoculars. Dad was getting tired after such a long drive, so he nodded off to sleep on a deckchair by the seaside.    
     
I stood on the fishing tackle box to get a better view of the very large ships. A huge wave crashed over the bow of a large ship, and then several of its cargo boxes, fell off the side and into the ocean.    
     
Zooming in with Dad's trusty, homemade, fancy, far out, funny binoculars, I could read the words on the outside of each crate. They spelt out the names of colours, such as: Red, Orange, Yellow, Green, Blue, Indigo and even Violet.    
     
On the bottom of each crate, was the name Fairy Floss, which was the funniest thing of all!    
     
From the corner of my right eye I saw a large whale swimming towards the floating crates. The whale began to smash all of them apart, with its very powerful long tail. The whale then swallowed up all of the different colours of the floating fairy floss in one huge gulp.    
     
It then emerged from under the water, but accidentally hit a shipping buoy marker that was floating nearby, flipping it into the air and back down again, right into it's blowhole.    
     
He swam towards the beach's safety swimming poles, and I thought, 'How I can help this whale with a shipping buoy marker stuck in its blowhole'!    
     
I fetched my fishing rod and cast it towards him, trying to hook onto the top of the buoy. But I couldn't quite get the hook attached under the top part of it.    
     
So I felt around in my back pocket and found my, very super sporty, single-shot, stylish slingshot that my Dad had made me last year. I shouted out to my new grouse pet mouse, Smoochy, you'll be right mate. Ready, set, go! whoosh went Smoochy, sailing through the air, luckily he landed on the whales back, first shot.    
     
I placed some cheese that Mum had made us for an afternoon snack, onto the hook and cast it again. On the third try, it hovered above the shipping buoy. Smoochy caught a whiff of Mum's cheese on the dangling fishing hook.    
     
He grabbed at the cheese and amazingly, placed the hook under the top part of the shipping buoy. I don't know if Smoochy knew what he was doing or if it was just an almighty lucky fluke.    
     
I pulled as hard as I could and wound and wound in that fishing line string. The stuck shipping buoy, came off with a pop. and sent Smoochy along for the ride.    
     
The force made me fall off the fishing tackle box and I landed on my behind. All of a sudden the whale blew a massive blast of multi coloured fairy floss up into the sky. It looked like a colourful rainbow haze just above the waves. Lots of people ran onto the pier to see what was going on.    
     
The whale then took off for the deep sea ocean, but I swear, as he turned his head towards the seashore, he looked directly at me and gave me a friendly thank-you wink.    
     
My dad woke up from the loud cheering noise of the excited crowd, but didn't believe me when I told him that I had hooked such a large catch with the help of Smoochy on our whale-of-a-time fishing adventure.    
     
Smoochy popped back into the safety of my top left-hand side pocket, and I thought I heard him say to me, as quick as a blink, 'please don't do that to me again'.    
     
I knew the fall backwards made me a bit sore, but boy I knew what I heard, and I will listen more carefully, to see if he talks anymore, for he is my, new pet grouse mouse Smoochy, after all.
© Fetchitnow
20 October 2019.
This children’s fun adventure book series, is only for children from ages, 1-100. So please enjoy.
Note: Please read these in order, from diary entry 1-12, to get the vibe of all of the characters and the colourful sense of this crazy mess.
Margot Dylan Dec 2014
Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan
Julian Dorothea Apr 2012
I’m talking to you
in my head

been cultivating this shyness
since I was three years old

talking to inanimate objects

painted smiles, rubber-skinned
metal frames
turning wheels

the family minivan kept me company
as mountains rose and fell
like held breaths
let go.
playing games with pregnant raindrops
rolling down the glass
obsessed with the shark’s fin triangle
the wipers could not
reach.

I’m obsessing over seeing you.

always trying to be invisible
your eyes beginning to skim past I,

they didn’t used too.

“The voices that once spoke love
but did not mean love.”

the withered rose living
in the trash,
abandoned friends in the attic
forgotten songs
unfinished books

I am the forgotten
I am the abandoned
I am the left behind

cobweb-and-cotton-dust-collector
the silence connoisseur
I wear loneliness like an unwashed favorite shirt

If I die
Will you read this?
Does anyone else think such things
or is Tonio Kroger my only brother?

I am Kafka’s cockroach,
everyone is waiting for me to die
or to change into what you want me to be.

my name will not be in the history books
by the time my children’s children will have children
I am no one.

Everything fades in this world
like whiteboard-marker on acetate lives.

Desolate corners and garbage
tell stories
art is vandalism, vandalism is art.
and people wear diamonds but they are worth nothing.
and babies inherit their father’s eyes.

I am not yours.

You are not mine.
Isn’t ownership objectification?
If a man owns a clock
does the clock own the man?

Let’s be
money and greed
or
greed and suffering.
one cannot survive
without…

Let’s be
the mismatched pyramids
of wealth and population
form a parallelogram
like bricks on an unstable wall
never falling down.
Logos matters not
in matters of Mythos:

For instance, some stuff about my birthday

My number is Twenty-Two.
Writ as two twos, 2(11), 2(5+6), 5(2)+4(3).
Of the 30 days of my birth month,
22/30 = 11/15 ≈ 0.7333 ad infinitum.

My month is Four.
2 to the second power,
defining a square;
the third positive square number.

My numerically symmetrical year,
which is evenly divisible by neither two nor three,
sums to 20 and multiplies to 81.
(1+9+9+1); (1)(9)(9)(1)
20=4(5); 81=9(9), 3(27)
Or, bisect the written year and add the sides within themselves
(1+9)(9+1)=(10)(10)=100.
Then, you can even add the three interpretations of the year:
81+20+100=201
201/3=67

I digress;

My sign is Taurus and thus my element is Earth.
Taurus is the second of twelve signs in western astrology.
In terms of Music,
I am an ascending minor Second above Ares,
one step up;
Scorpio is my Tritone
six steps up,
and Sagittarius is my perfect Fifth
seven steps,
where Leo is my minor Third, Virgo is major,
three and four steps up, respectively.
Pisces is my minor Seventh
at ten steps up or two down,
I have many Pisces in my life.
Bluesy.

As a Taurean,

My day is Venus,
my night is Moon, whereas
Mars can bring chaos.

This coming Monday,
I am to turn Twenty-Two;
on the day of Moon.

I am a Metal Goat by the Chinese Zodiac,
with Yin, the season of late-summer, and the element Fire.
The 8th sign; 2 cubed.
|-|-|--|-|--|--|-|--|-|-|
I do not feel that these things
predetermine anything in me or my life
but I do believe that these things
hold a certain power,
a sort of resonance
with me
and that is inspirational
and that is worth living for.

If one is keen enough to Mythos
then one can make anything relevant,
and one can draw a subjective lesson;
a sort of personal interpretation,
conducive and pertinent to one's self.

These things are not arbitrary;
they are a sort of time-stamp for life;
a frame of reference,
a milestone marker upon the path.

Of course, when I said "are"
I truly intended "could be seen as",
and from there "hardly ever to be taken literally";
Literal interpretations dwell within the realm of Logos:
(One can only describe so much, the rest is up to interpretation!)
--
Logos enters not
in matters of the Mythic,
yet they copulate.

Mythos is a realm
wholly separate from Logos
yet they interplay,

This dynamic play
in a mythicly tuned mind;
akin to wisdom.

Mythos and Logos
dancing cosmically onward
as if Yin and Yang.

To shun one and cling
zealously to the other
is tantamount to

fearing Death until
the day it's icy finger
points itself at you:

You miss out on all
the wondrous things in this life;
Enjoy here and now.
-
If you seek clarification on my definitions,
I shall be compiling a dictionary of my own conno- and denotations, with examples in context.

In the meantime and forever more, fear not to ask :D

Being born on April 22, I have the lingering trace of Aries; fire.
A hamster walked in the pub yeah you remember that was that group that has a ******* collection but no ******* group anymore  yeah that makes as much sense as me cheers Hello your truly more ****** up than I.

She was broken fragile and me I was a ***** poetic ******* who was always trying lend some umm comfort cause I'm a strictly well I'm kidding hey if I can take advantage of someone and see some ******* in the process it's all good in the hood.

Gonz give me one shot and a beer .
Of ***** right?
What she replied ?
The shot you mean like *****.

The woman looked at me as most do like I was a pervert they would never be near unless I was running bar within my mind on a poetry site yeah I know ******* freaky **** right?

Look Gonz I swear just for once stop being a perve and get my dam drink and just shut the **** up okay ?
I was in shock not from being snapped at from a female that happens all the time I'm used to being yelled at by my teenage wife skeeter .
Yeah just cause she catches you watching **** she gets all bent of shape .

Well sure I guess it was a little reckless going down the interstate but duh don't fall asleep while I'm driving I mean a girl has her needs  what can I say .

No the shock was more from getting my ding ding caught in my zipper hey you know how many ***** movies start out with a woman asking for a beer and a shot yeah I know I'm seriously ****** up but hey I'm fun.

So after some manly tears shed and a few stiff ones hahaha that just sounded wrong can you guess I write this **** while I'm drinking?
Anyways after this emotional hamster finally calmed a bit and put away her tazer  I had get to just what was or wasn't eating at her .

I thought deeply how I should speak to this fragile little hamster and the most caring sense I asked.

So ***** what the ***** eating at your ***?
Yeah I know I'm a charming ******* aren't I?

Well Gonz honestly it's just the way guys are on this site I mean why cant they judge my writing for just that instead of act like total horn dogs and send me messages and get all weird?

This was a deep question asked to a shallow ******* like myself .
Well honestly heres the truth and I know it's going to be  shocking so prepare yourself  ready?
Umm I guess this hamster replied .

Guys are all ***** ******* .
Really no **** Sherlock she replied .

Hey look sure some dudes can be nice and not act all weird but duh there probably gay .
I mean yeah writing sights should be about writing but duh who cares about art if you can get laid let me tell you the reason I became a writer.

I wasn't good at sports and I cant dance worth a **** okay  so if I make chicks think I'm deep them maybe I can get to see there ******* and ******* are ******* awesome okay .

Are ******* twelve this unnamed hamster asked me as she kicked back another shot of Jack Daniels .
Mentally maybe I replied but honestly what is age but a marker to say hey your to old to date this person or for people put you in prison for there judgment of your unconventional lifestyle .

You are one strange man Gonzo but at least your honest .
yeah I know its one of my biggest flaws other than that I'm ******* awesome well I mean besides the drinking pills and other pending cases all of which  I'm not guilty well kinda.

We laughed we joked and when she wasn't looking I looked down her shirt yes it was a awesome night .
Well until she caught me and hit me with a beer bottle .

The night flew and so did are conversation .
You know gonz your really not half as much a pervert as people think you are .
Yeah I know don't tell anyone I have a bad reputation to uphold .

The hamster laughed and my goal was reached cause at the end of the evening I'm a joker and a pervert bartender but even I know how to treat people and I don't treat a writing site like hookup .com cause if I want to get laid I will do it the old fashioned way pay for it.

The hamster went on her way and once again I was left to work on my misspelled scribbling's and to look up freaky **** on the internet .
really what else a internet connection for?

Until next time stay crazy Kids .

Gonzo
samasati Jun 2013
a lot of people I know
are never really happy
even when they’re happy, they’re really just sad

a lot of people I know
settle for just about anything
they’ll settle for emotional abuse and then settle for a deep addiction to feel better about the emotional abuse they’re letting themselves prostrate to
as long as it can still make “living” seem feasible,
they’ll settle
because nobody taught them how to ask for what they want,
so all this time they never ******* knew they were granted permission to feel worthy of getting what they want
because this world likes to think that nobody is entitled to feel worthy or to give into clarity

a lot of people I know
get off on damaging themselves
because blood and burns and bones and ***** and *** and pills and puke
are such disgusting in-your-face secrets
and this world knows it’s not acceptable to just blatantly write
“I hate myself” on your forehead with permanent marker for everyone else to see
yes, this stupid, guileful world we live in decided to trick everyone into believing that secrecy and suppression are what make a person
interesting and loveable

a lot of people I know
have this wicked demon inside of them
and they like to imagine it looks like a fiery nightmare,
red like terror
with a devilish face; poisonous eyes and a heartless grin;
a face that says “I own you”
just so that they can reinforce their ideas of worthlessness
and the self-pity of not having true control over themselves
when really, they can always have true control whenever they want

what *a lot of people I know
don’t know is that
that wicked demon thing inside of them
is really just a flower wilting, starving, dying,
waiting, hoping, longing to be watered
and wondering what the **** they did
to be tortured like this
It's the colour of little flowers in a field

It's the colour of the old easter dress in the back of my closet

It's the colour of princess sneakers most four year old girls stomp to get the little lights to flash

It's the colour of innocent dreams kept by six year olds

It's the colour of the marker I wrote this with

It's the colour that I used to say was my favorite, but can't anymore

It's the colour of my two favorite nail polishes that I always ruin as I paint it

It's the colour that I put on my cheeks to show more happiness because I can't show enough

It's the colour I feel when I twirl in a dress and the
skirts fly up around my knees

It's the colour I wish I could be, young, innocent, stupid, carefree, laughing with friends on the play ground on a spring day, getting small flowers from the boy in my first grade class, who says he likes when I wear my princess light up shoes

It's a colour I want to call "ME"

It's the colour that surrounds my mind when all I can think about is something that I thought was cute

It's the colour behind my eyes when stories that I want to write keep my mind from shutting down and sleeping

It's not the colour that graces my lips during the day, but in the morning when the day is fresh and I have yet to see the world

It's not the colour I wish to be, it's the colour i'm going to strive to be

Pink cheeks, Pink light up shoes, Pink skirts, Pink drawings on the walls, Pink flowers in a field of green, Pink dreams, Pink nails I always ruin, Pink markers and crayons, Pink hair I had before everything went down hill

Pink was the colour of my innocence and i'm going to get it back
Rondu McPhee Aug 2010
I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
60 sunshines, 59 nightfalls till I face the day
40 topics held in to regurgitate,
**** and span for the marker man to give a brother a break.

Wait, I ain't done
Got anxiety about two more chores in head
Not to ***** and moan but *******
Getting tired of this ****
What's the point to push if you don't know where to go
Blindful blissful ignorance?

They say, and you go.
What subject?
What ever is most respected.
What job?
What ever brings financial comfort.
What about this?
Nah, you ain't good at that.

And so you sulk ever so distracted
Hearing the drip drop taps, splat on to the sink.
The metallic ting of the radiator reverberates as dormant inner silence sings.
Forever more.
A didactic sore for the ears,
Apologies in advance,
Though regardless you must hear it.

Never run to please others
Rather, focus and listen to the deep.
SEN Jun 2020
pain is a permanent marker
unremovable like coffee stains on carpet
undoable like stomach knots
unalterable like bad surgery
unwanted tattoos tell the truth

reminder of pain imprints in flesh
indelible ink writing on private parts
ingrained in memory like ***** rings around a tub
surgery scars reveal new skin

entrenched in the brain
pushed to the back of the mind
pain recorded, hidden, collated, undeleted
recycled every 14 days
triggered by foul smell, bad tastes and bitter tea

badly drawn with a pen
pain is a permanent marker
forever and binding
Wk kortas Nov 2017
Three days, is what the HR rep said, somewhat sheepishly,
As if she was fully aware that boxing up one’s grief
In a span of a few dozen hours
Is a matter of wishful thinking
And certainly she sympathizes
(Indeed, as she speaks,
She spreads her hands in such a way
As you half expect doves to come forth in full flight)
Empathy being their stock in trade,
But the law and the handbook say three days,
And then you need to have your head
******* back on and looking forward.

Eventually, the mail brings fewer envelopes
Marked with embossed flowers
And subdued and tasteful stamps,
The usual flow of solicitous inquiries,
Pre-stamped and pre-sorted,
Inquiring as to your credit needs,
The condition of your windows and siding,
Resumes apace, and more than once,
In fits of inappropriate black humor and frustration,
You scribble, in bold thick strokes of a marker,
The addressee no longer resides at this location.

You return to nine-to-five,
Though your ghosts keep their own hours,
Stopping by to visit on their own schedule alone,
Prompted by the tiniest of things:
The dog scampering to its feet in a hurry,
As if someone was at the door,
The discovery of a long-unused pitching wedge
Standing expectantly in the back of the closet,
A song from long ago which was beloved
When you lived in the pairing mandated by Noah
Before you entered the shadow world of ones and nones.
Sometimes you give into the giddy madness,
And rise to waltz around the room,
Careening about unsteadily, clumsily
As you have yet to completely master
The difference in weight shift and distribution
That is required of a solo act.
The timing of these visitations
Often disrupts your schedule and sleep patterns,
And you think that perhaps tomorrow you’ll call in.
sanch kay Jan 2016
pinecones are
childhood summers spent tripping over the syllables of dense forests
folded somewhere between real world Europe and my very real imagination,
nestled against each other on bookshelves made of pinewood -
a childhood game of hide and go seek pressed in photo albums
where a version of me lived;
a version of me who delighted my mother and father,
a version who to me remains a stranger -
smiling gap toothed, shoes in snow boots,
sticky fingers pressing pine cones against her nose -

the present, a fragrance;
the future, a rolling pine forest.

pinecones are what the years between 17 and 19 felt like
in perennial wanderlust,
soul spliced into shards trying to make sense of
everything I felt and everything I thought;
everything I needed and everything I still want.
pine cones perfume the edges of a dream
dipped in the streams and stories of far-off lands,
pine cones are the crutches of a crippled mind
still building a new home for itself
in the basements of other people’s hearts.

pinecones are
platforms which I danced from,
leaping limber, slaying fear, the win always near;
pine cones are a reminder that while
a man can break his shoulder trying to tear one from the tree,
the true mark of bravery lies in how well you can break free.

pine cones are
the skeletons upon which hang the colourless drapes of my future
before stepping into galactic puddles that splash colour
all over every unmade plan,
memories’ strands shining technicolour through translucent skin -
the touch of your fingers no longer feel like sins.

pine cones are young green and supple,
seeds of love lust and chance encounters
that blaze into fiery shades of yellows and oranges,
every colour turning a tinge darker, a daily time marker;
pine cones are what remain, dark and unyielding
after a lifecycle of fires starting
and dying
within the embers of consciousness.
hello, memory.
Kaylin Martin Jan 2013
Today is a day that you should be happy
           that it is illegal to **** people
                 just for the hell of it

I'm talking to you!
No, not you!
You there!
With the baseball jersey and very odd nose!

It's your lucky day my boy,
lucky this gun is only a toy.
Lucky this  fist isn't made of iron!
If your face was all black and blue, would everyone still admire?
Would you still be Mr. Popular,
Would you make the ladies swoon?
If I rearranged that pretty face
to look like a baboon.
Would you be mad if I took a sledge hammer,
To the windshield of your car?
Would it be inappropriate of me
to smash it with a bar?
I would never do any if this of course,
I am far too nice.
But if it wasn't illegal to **** people,
Well, I don't think I'd think twice.
Nat Lipstadt Oct 2013
The wallet where the hidden secrets are to be believed

The boy, a lap climber of some renown,
Age, could have been six or seven,
Had a favorite cliffside to ascend and ride,
When done, down to earth, slide.

Up he would go, on a treasure hunt,
A game to play, called pickpocket,
On a forest of a man of coffee smells and a tickly goatee,
Hamburg born, a man who actually wore
a homburg hat on his head.

First the glass case, the snappy kind,
From the snap, crackle and Pop days.
Inside a cloth, good for emergency cleaning of
Runny noses when it was crying time.

Into the crevices and pockets, he dug and delved,
Jangly keys guaranteed to somehow disappear,
A silver and gold fancy pen and pencil set,
A money clip, folded papers he didn't understand.

But the bonanza, the jackpot was the wallet,
Finding pictures of himself, asking the goatee,
Slyly, smiley, all grown up likely, kiddingly
Who's that?

Between the pictures of him and his sisters,
Was a weird discovery, five twenty dollar bills.
His money was in a clip, so these twenties
Had no earthly purpose being there.

There is nothing more unstoppable than the curiosity
Of children under the age of ten,
So a grand inquisition of nagging began,
Centering on the age old torture tool,
Why?

Goatee said someday you will see men,
Lying on the street, some with hands outstretched,
Some, hands beneath, hidden neath their legs.  
They won't smell as good as you,
They may even be a tiny bit *****,
with no bathtub to play in.
When you should see such a man,
If he asks or not, our job is to give him
One of those special notes.
When its your turn to have wallet,
You will understand better.

Dissatisfied was the explorer,
The words did not fully explain,
Why this money was different from all others?
Upon these five bills, were hand written bold
Three words, which he could read.

God Bless You!

Goatee smiled and hugged me that hug,
Where you can't breathe and its a-ok,
But please be quiet now young one...

This poem a total fantasy.

Someday Izzy and Alex will be forward scouts,
Investigators and detectives with prying frying fingertips.

If they get to Poppy's wallet,
Between the pictures of them and the West Coast team,
There just maybe, five folded twenties,
Magic marker signed, but not by a Treasury official,
With words of a similar ilk.

If they should inquire what's the point,
Poppy might answer them with one particular
Poem.
Created on October 20, 2013
lucidwaking Apr 2021
I've decided, firmly -
Today, a year later from when I knew you;
A year later from when I cried...
I've decided
That I don't want religious ****.

Now hold on - I know how that sounds.
"This ***** is gonna castrate me!
Or something," is what you probably said.
Don't worry, little altar boy.
I only use my machete for garden snakes
In my two inch back yard.

The nerve, the gall, the gumption,
To tell me in the sweetest way possible
That you'd prefer a subservient house wife.
You couldn't even tell me to my face -
It was second hand knowledge,
Passed along to me by my co-worker.

I bit the pink marker and ****** it dry of ink.
The False god stopped sending you love letters.
Boo hoo,
Poor you.

I'm not entitled to anyone's love, and especially not yours.
You came into my life like a bullet,
Which through the lenses of rose-colored glasses
Looked like a gentle butterfly.
The Cosmos - she was looking out for me.
She's seen too many limp men like you,
And saved me with the gravitational pull of the moon.

So once again,
For those in the back,
Who were too busy wooing Joshua Harris:
******* and your christian *****.
Still not sure if this is too scandalous for HePo, but I figured I'd give it a shot. Critiques welcomed!
Sarah Bat Jun 2011
There was a child went forth every day,
And everything she heard or saw, whether it was perceived with love, dread, hatred, pity…became a part of her
And it may have faded away in moments, or lingered with the day …or remained for years on end, caught in the web of her mind.
The voices became a part of her
And the broken glass and the splintered wood and the tear streaked faces and more than anything else the shouts
The sharp words and the words that weren’t words but blows and the words that turned to shrieks and the words she blocked with her hands and the slamming of the door… and the words she wrote in her journals… and the sobs coming through the crack in the door…. And the desperate cries for help she stifled with her narrow white teeth… were all a part of her.
And so were the laughter and the marker scribbles and the days at the flea market and the dinners in the living room
And so were the picnics in the yard and the games of t-ball, all those were part of her too, but there seemed much less of that.
And her friends began to dwindle one by one, as she grew older
And as she grew older it all grew worse, former friends gave pointed stares and words that stung like poison darts
And everything was closing in, the house, the town, her own emotions
The shouting was worse, the glass wasn’t broken but instead held poison that made the house stink… the stench of sterility and morgues and slow but ceaseless destruction
Her own father slowly filled her soul with a treacherous ocean of words and tears and memories and mistrust, he let her down again and again and again, he watched her fading and helped her along… whether he knew it or not
The man was still breathing, still had a beating heart, but the father was long dead, shredded to bits by his own words and the broken glass and the splintered wood and bottles of poison
The girl was fading swiftly, blocking off her door with silence and books to hide behind
They never questioned the self inflicted bruises since she was clumsy anyway….the dark circles beneath the hollow eyes were never commented upon, the silent tears were never seen… hidden behind glasses and too much hair
She was silent always, not agreeing nor disagreeing, simply hiding.
If she was quiet no one noticed, he didn’t notice, and if he didn’t notice, the words couldn’t hurt
But she wanted to cry out, scream, fight, her head was shouting that this wasn’t right, aren’t fathers supposed to love their daughters not make them bruise their arms and hate themselves? But her heart slammed no no no he can never know how scared we are.
So she bit her lips because bleeding was better than crying and no one noticed the swelling and everyone told her how happy and perfect she was… she faked a smile and bit her lips again
And every night she went home to slamming and shouting and words that bruised like punches
Fat, ****, stupid, useless, worthless, no better than me… the shadows of insults floated behind her eyes, under her skin, manifesting in tears and dark circles and scratches and bruises
She fought and she fought as he tore her apart and every night she stitched herself together
Washed her wounds with her tears and tried her best to sleep.
The shouts and poison were gone when the father left
Leaving the daughter bruised and bleeding and broken and hurting where no one could see
But she stitched herself together
The wounds have time to heal now.
The friends she made would give her new words, the drawings would let her take out her pain and her anger on something other than her skin, the words she wrote were the shouts she never allowed herself
The insults are still there, she has not forgiven the father but without him she would have no pain to pour onto pages like blood from a wound that has yet to scab over and scar, but now there is the laughter and the hands to hold and the new words that remind her of the new memories of grass and sky and smiles and effervescent voices
These are a part of her now too, and they are the things that have kept her going,
And they are the things that will keep her going and going, into a future he claimed she’d never have.
Nat Lipstadt Dec 2013
"Ben-Oni" is a Hebrew term meaning "son (Ben) of sorrow (oni)," and the name of an 1825 manuscript describing a chess opening.

"Whenever I felt in a sorrowful mood and wanted to take refuge from melancholy, I sat over a chessboard, for one or two hours according to circumstances. Thus this book came into being, and its name, Ben-Oni, 'Son of Sadness,' should indicate its origin." - Aaron Reinganum.  

From  the Old Testament,
Genesis 35:18;

“Her dying lips calls
her newborn son Ben-Oni,
the son of my sorrow.
But Jacob, because he would not
renew the sorrowful remembrance of his
mother's death every time
he called his son by name,
changed his name,
and called him Benjamin,
the son of my right hand."
~~~~~~~~~~~~~~~~~~~

Ben-Oni, Son of Sorrow

Love,
you can fall in
and out of.

Happy,
comes and goes,
in waves,
cycles of differing amplitudes.

Its schedule of
arrivals and departures,
most erratic.

It is always
a two sided affair,
don't blame this messenger,
it's the way of the world
that it comes,
then it goes

Tho certain sorrows,
special, may
wax and wane,
they, a once, then a forever guest,
a full time resident,
taste, once acquired,
cannot be erased.

Part of your museum's
permanent collection,
an addiction affliction
that can't be undone,
be beat back,
ain't no emotional methadone,
to inhibit its delicious lows

Like a passerby,
a mound of stones espied,^
a grave marker au naturel,
compelled and compulsed,
duty bound to add a stone
to keep the pile intact and sound,
another 'sorrow' poem to add
to the internet's dustbin.

Sorrow,
a rich, old moneyed patron,
with a wealth of ancient lineage
orders and commands
yet another a poem
to celebrate its entrenchment
in our constitution personal

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.  

If you spoke Hebrew,
understood you would
the quality of the sound of
Oni.

It is a soundless sigh,
a virulent scream, part wail,
part exclamation, part groan,
say it slow - oh nee.

You alone,
a father,
can own,
the sorrow of a son,
who denies you.

It cannot be denied,
expiated, signed away,
a syllable of grief
that says mine, all mine.

Watching the sun push away
the backdrop,
the stage curtain of the randomized
but they a-keep-on-coming,
summer thunderstorms
that have scattered
all living creatures
to the comforts,
the shelter
of loved ones,
but yours, present, or not,
return your message
either marked "well received'
or sadly, postmarked
"addressee unknown, get lost."

Curse me to stop,
and I can't,
already accursed,
add your curse to my collection,
makes no difference to my pile,
of sorrowfully fresh recollections

We slept together,
so many good night moon
stories read,
pillows shared,
side by side,
a stock exchange of
kisses and hugs,
trades that can't be cancelled,
having been entered officially
on the books and records of
our-sorrowful hearts.

Lesser men
cry to themselves,
their loneliness, their tragedy
a soliloquy, revealed in a
one man show,
Off Brodway,
before an audience of none.  

Not me kid, my oni,
is a public theater
of a visible shriek  
in every breathe,
but the Supreme Court
gone and ruled against me,
and now there is no possibility
of injunctive relief.

Will travel to faraway lands,
asking different courts
for a hearing, knowing full well,
that I will be plea-denied,
having no standing,
for here,
there and everywhere
I lack proofs
and my son-accuser
wears masks and presents
no charges,
and even if he did,
I would gladly confess,
if he but presented them
face to face.  

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.

Come let us exchange
new names, new poems,
for we, though both poets,
do not read each other's
Works.


It is time.
I have a first born son who I rarely see and only, very, very occasionally hear from, and then it is by email or text.  I do not judge for he is the product of my *****, and who cannot wonder if...

^a Jewish custom is to place a small stone on the tombstone you are visiting at a cemetery. The custom, ancient, is derived from when a mound of stones would be a marker of a burial.  It became customary for a passerby to add a stone to the mound to perpetuate its existence.
When my Creator calls me home , carve my marker from sandstone , for I was many different grains of sand pressured into one ... Fear , guilt and myriad troubled times combined with periods of love , sweet dreams and a restless desire to solve life's role on a forever changing stage ...When my days are done , tell the people that may inquire that I was a musician , a blue note with infinite combinations , sad , inquisitive calls followed by tri -tone answers and chord progressions ....Twenty years after my death tell a friend that I was a poet , submitting my mindset for the world to critique , sharing my thoughts in the name of peace .......
Copyright October 2 , 2015 by Randolph Wilson * All Rights Reserved
Mateuš Conrad Jan 2020
.h'america.... the last theological playground of... whatever the mind left behind in the decrepit bulwark that's europe... oh... and those mid-western died-hard hitchcock platinum-blondes in a-waiting... my typo pristine dutch-girls-go-to-church mantra... otherwise? no b'ooh'y'ah! chugger-chugger-chugger-chuck-cherry-choppy-chops-you-*******-cuc­­k-chuckie! quasi-whitman wannabe... billy was a butcher... a thematic long lost gun... billy was a butcher... and all the ripe choppers of pork... gave us a belief in snow; and what some heaved with a falling-of-a-star of dis-.belief: i too was bound to glorification of: what was expected to be known! and the subsequent: wow! i have met only the most limited of men... i have therefore met all men... the "all" men of this rubric of a year, a decade... all that's bygone of a yawn; swear it sn't so! a so! that's not be be sown! i am here too: upon the whim of expectation... merely... waiting... a man comes to be born come his 30s... his 40s? his nostalgia "moment"... former known name of: Jack Lil Lick 'Em Boots... and the crescendo of pauper's black lining of the Wall St. "better oiled"... scalp the ******! and send him unto the rabbi's true blessing... in the cusp of the scalp of the kippah!  and now... you take... your anglo-spreschen-tangle... into the salt-wounds of your h'america! first born: young... i don't like your revision... looking toward Europe with a hope for a sensibility... this pseudo deutsche: pseudo dutch, anglo-; this is no loss of the French or the Slav! this is our celebration! does one have an irish phrasing in uns to be at in it or one? beyond this grip boyo bound glue? this clerical spare of the otherwise leftover skivvy? we have made barons of these minutes.... as if we were to be kings of the coming years... and how we didn't become gods of the atoms... and the men of the suns and planets... that is our... most worthwhile conundrum in a da pacem domine bound; you're going to Beirut on me... or something?!

in my haitus away from this canvas:
naive me thought: perhaps a surge...
again proven wrong -
albeit not disappointed -
so i had to look elsewhere -

i had to look for a clarity of diction...
i had to move away from
the western lands and their:
death of god and their death by metaphysics...

even in this barren english...
i could not figure out:
why are these people,
apologetics from the central leftists...
these liberals...
ditto: i will butcher this name...
i will butcher the pronunciation
of this word...

if there are "questions" regarding
what's being phonetically encoded...
so much for me "learning to code"...
i too once wrote a html encoding...
with all the < and < and > toys...
spacing... {[( gradations... etc.,

i had to look east, after a while writing
schlechtdeutschegrammatik...
bad german grammar...
again: it's posthumous "Latin"...
it might be...
bad grammar german...
or german bad grammar...
deutscheschlechtgrammatik...

spelling is the mathematical equivalent
of... arithmetic...
but grammar? you need a ping-pong
table...
you need something cymru-esque...
a scandinavian-esque bilingual cushioning...

english alone will not solve the matter...
it's not french, it's not german,
it's certainly not spanish...
spanish and how post-colonialism was
settled with a post-racial attitudes of
Brazil...
england has taken too much time
looking up and out of the h'american
*******...
no grand satan 'ere...
no silk road bazar of fruits exotica from...
Teheran...
something more... subtle...

i had to go back to the "tsar"...
and the цэркйэв: 'cerkiew'...
and there i was amused how...
well apparently...
there are a lot of words
that do use the sz'cz...
enough... to deviate from
the Latin bollocking represented via
шч = щ....

that's perfectly logical...
i'm done with "perfectly logical"
if it exists outside of the realm of
orthography...

szczypta soli - pinch of salt...
in russian...
щ... that's a bit of a "question"...
yes, yes it is complicated...

szczery / szczera (he's honest /
she's honest)...
szczerość (honesty)...

no it's not... you german fickle-wit!
you forget the ы!

ah! well then... щыптa....
**** me... disorientating...
they could do all that with greek and glagolitic...
but they still had to keep...
latin: roman: holy roman empire: GERMAN...
lowercase lettering...
akin to a... e... c doesn't count...
since that's a greek cedilla "missing"...
ç... or... sigma... ς -
otherwise known in english as that S
after the apostrophe...
when something is called being:
the possessive article...
a (indefinite) the (definite) - some -ism to mind?!
no... but 's is... a bit like the SS...
in greek...
all in lower case: stephen's and...
στεφηνς...
σtephenς: that very much desired: ha!
ridiculous gag... the "much desired"
alternative to an apostrophe S ('s)...

it's Stephen's! it's Stephen's!
it's Sylvester's!
three articles in english:
the indefinite article (a)...
the definite article (the)...
and the possessive article ('s) - apostrophe S...
eS eS!

russian accents...
ъ, ы, ь...

but i only know of one "hard sign" example...
and that disqualifies the J ever needing a lower-case
"dot"... ȷ... namely... зъ: ż... alternatively
also: rz... and ж...
żuk! beetle! somehow the caron makes it...

szczyt! zenith!
щыт!

- and since i'm no longer writing:
i'd be writing if i were monolingual...
or... if i was animated by
the sort of Knausgardian bilingualism
of chop of swede: marker norgie...
but... i'm painting...

i forgot how to write when i could
see "synonyms" of sounds...
entombed in two different phonetic
encodings, namely elevated latin
and "pan-greek": cyrillic...

the variations between:

й and ы...
i.e. via е - "ye"
ё - "yo" (there's an umlaut in russian?!)
"у" - yew and you...
the gamma subscript...
ю - "yu"...
and... я - "ya"...

with regards to this rubric...
i am in the middle...
i can see a distinction between
a "y" (whine why and no I)...
hardly a jotted anecdote...
and yes... the closest the russians
ever come to Cracow is with ы
to a western slavic y...
ask me: toй - ask me: toȷ...
who needs a dot above the J
in the lower-case... if...
if... there's no absolute need for it to
be there: unlike some greenwich mean time
focus?
it ȷust so happens that...
the better clasp of the equator is
married to Greenwich: London...

dr. who time lords:
bellybuttons of the world: the english are...
again: i have to remind myself...
ı am not wrıtıng... ı am... paıntıng...

1(one), l(el)... I and ı(ıota)...
i guess an apostrophe would suffice...
ıf it's not an "ı"...
ı'ota... ı: oath...
sure as fıgurative "****" it's not...

ı must wrıte some more examples
in russıan...
to get me off me mark into
some "wax lyrıcal"...
ıslander mentalıty of the hen'glısch...

see how "the dot" can appear...
and disappear, as one see fıt?
and ıt makes: no little bıt of...
"dıfference"?!

i need to sleep on thıs "exercise"...
dot-pop-up...
dot-fold
dot-pop-up...
dot-fold...

w­­ıll eyes gets it?
hardly...

the rest of these cosmopolitan *******
focused on gwaffiti awt...
which is welsh for: GRA GRA...
when was the last time you heard
an englishman trill an R?
ı can't remember...
give me a night to soak up the pickling
juıces... i can't remember the last time
i heard an homest trIll eıther!
pauper me...

it's probably because of the welsh:
GWA GWA! gwadleıth cowonew...
or coroner row row row a rombat into a rue:
or a woo...
rhyme: contorts...
shapes and disappearing: oopses...
a whole multıtude of 'em...
come like the tıde...
leave... lıke a tilde... quası N:
it's a... H is a zeus...
and J is a Ha Ha Ha wrap-up rap of
laughter: in spanısh: of course...

i don't wrıte... ı paint...

impromptu interludes, quickened:
i'm a marriage of two continents...
and one island...
east of moscow...
asia... west of warsaw and...
these gloomy island pits of
idiosyncracy... never quiet the icelandic
answer to norway...
or greenland's answer to denmark...
but an island... nonetheless...

- to hell witth cascading linear cascades
of narrative: i'm blind to the optics
of "the narrative" in the paragraph
format...

i will look back east...
i will look at the russian script...
i will look at it as a time in ******
history equivalent to:
why didn't you just think of it as Greek?
but "my people" didn't...
and i'm not exactly a "why / didn't"...
i'm part of the excavation machinery...
i come with what was served...
i will leave without
leverage...

and here is the russian icon translated
from the Babel...
the following are orthodox letters
shared by one and all
to the western lands...

а б в г д e з и й
к л м н o п р c т
у ф

a b v g d e z i j
k l m n o p r s t u
f

now we leave: łen łill that be?
we should all somehow know...
to łork out a When a Where
(notably with the "h" being but a surd)...

mother how should i further this?
herbata
hasło (ha-s-woe)
hołd (**-**-w'd)

to no other: otherwise only in scotland:
the loch of tipsy work...
albeit: orthographic distinction...
хęć - a whim a desire...
a loch is no: cheat of a lake...
latching onto the otherwise boredom caron
exposed...

дух (ghost) with a душa (soul)...

else there's c dissociated from the s...
and more so with a kappa kaput...
the drumstick slick on a wet snare of: tss...
ц - almost...
then morphing into a ць -
yet in my version: no so silent...
ćma: moth...
цmokaць / cmokać: to click with the tongue...
to kiss smackingly -
to ingest food via a smoczek...
a smoчek - a smoček... the baby soother...

this is my third day having to return to
this canvas...

first thing's first:
palatization (palatißation)
is not... a name of german crusader song:
palästinalied...

this is one of the main reasons why
i can't imagine myself as being able:
to write a novel -
i can't bear this birth of words into
this pseudo-Kandinsky -
it would be much easier with painting
something for a year -
than writing for a year -
the same thing, over and over again...

if i write a "poem" or, rather, a poo'em...
i expect the concept of
ensō: a circle has to be drawn with
a single uninhibited stroke...
when the body is set free and the body
merely complies...

comparison... if one were to draw
a most pristine ensō...
one would never achieve an ouroboros
depiction... it's quiet impossible
to use one volume of ink
attached to a stroke to complete
a circle... let alone a depiction
of an ouroboros...
what starts off as concrete soon...
fades away... thins out...
until there is so little ink left
on the brush that individual hairs
of the brush start appearing...

a pristine depiction of life...
but never the hardline ouroboros
depiction: this cerberus of reincarnation:
i never would have believed in it -
given that: there would have to be
a limited number of souls...
the thought that i might be introspective
enough as to be one of these: "elites"...
and the rest... were "n.p.c." drones...
zombie-esque drifters...
that had no psychological infrastructure
to have memory and rubric of learning
bound to them to be: invested in?

i am still going to write this Kandinsky...
one way or another...
but i can say only that:
i can imagine myself returning
to a painting - and painting it for a year...
but a book?
if a poem can't be written in one sitting...
it's not a poem...
this is not a poem: this is a novel
equivalent...
the best to my ability: which is none...

all i will ever manage with this
is a pedantic scrutiny of russian orthography,
how i don't follow metaphysical arguments
of the germans, the english or the french,
because i don't dream that often,
and when i do dream?
i dream up nonsense...
last time i dreamed that a hiena was
biting at my arm like a corn-cob...
but it wasn't biting to draw blood...
it was biting and cackling in order
to tattoo me... it bit into my arm and detailed
indentations akin to braille...
a pianola roll...

and that's the only details of the dream
i can remember...
perhaps i strained memory...
perhaps people who dream...
are fond of forgetting...
perhaps i don't dream because i can
remember being 4...
a shadow (my maternal great-grandfather)...
a large piano, a small piano...
he worked a retirement as a security guard
in a kindergarten...
i once spent an afternoon with him...
i have seen pictures of him...
but i don't remember the face in the photographs...
he sat me before a bonsai piano
while he sat at the large piano...
and i guess: we were going to be the new
Chopins or something...
he's still a shadow... a grey form...
perhaps a extract of memory that reaches
back 29 years is the reason why i don't
dream... then again...

what if i were to have recurrent dreams?
i've heard people have recurrent dreams...
i just have details of dreams...
i'm not complaining but...
it has become exhausting to simply sleep sometimes...
to replay that lullaby of the void...
yes: yes... i will return to russian orthography:
give me a moment!

well, on my "haitus" i had to look beyond
"conventionality"...
there was a period where i found
the glagolitic script - i said to myself:
there must be an equivalent alphabet to match
the runes...

there must have been a way to encode
without the romans and greeks...
after all... there is the St. Cyrill alphabet
and that of Methodus...
how many ethnic groups are there
on this old, yawning continent -
minor point: old age is not plagued by
yawning - only youth yawns...
old age is cured of yawning -
hanging over them the yawning death...
when father - when father - will this old
ponce come into my *****?

glagolitic and cyrillic?
well Ⰱ Б...
Ⱂ and P... which is not exactly lent-greek...
i guess it's only "wise"
to go back into the modern scribbles...

there are so many branches
to be plucked off a pine
to reserve yourself with ending up
to owning a pike...
so what would it help me:
if i had to reverse and ezra pound
my way forward...
bubble bulging roma notations?
i see: when that chisel in marble
V is not supposed to be a U...

EVROPA... etc.

i need to bring to the fore my own
distinctions...
spread: universally within the confines
of the people that speak it:
i even had to made balkan additions...
like the caron S and caron C...
to hide the english gimmick
of SHarp and CHeat...
evidently we use the Z to replace
the H when stressing our "demands"...
Šarp and Čeat...

so back into russian?
i almost forgot that i said...
their orthography is not worth the dog's
bollocking of a lick...

i was wrong, obviously...
but even the russians are supposed
to be allowed their idiosyncracy -
their orthographic pedantry...
russian orthographic pedantry?
ah...

when е met э...
was also the time when э didn't meet з...
this is pedantic...
another russian pedantic "detail"...
how many Y's or J's do you need...
to detail: the elongated-iota?
before... "****" becomes confusing...
within the confines of gamma...

i'm pretty sure the russians have
fixated their attention on the Y/J "debate"
working from their central premise of
the english AYE... I... the pronoun bunker...
der deutsche affirmative: ja!
yah in the hebrew respective for: wisdom...

let's see... i'm pretty sure the russians
have all the vowels bow to this mecca
of Moscow, cite me: and please reiterate...
that i use J and Y interchangeably...
i don't imply: to jot - to "dz"ot...
or Joseph in Ypres...

otherwise: a yeti climbing a yew shouting: yes!
it's not exactly jargon -
but... a prefix y- in english...
is not a suffix -y in english...
which just... "out of the blue"...
demands to be associated with the iota
of: ply... and yet: it's no i.e. e'et...
it's neither ate or the fwench and (et)...
it's a yeti... but not a jetty!

never mind... back into the fussy russian...
i'm pretty sure you will find all
of the pentagram (vowels) bowing before
the altar of pseudo-gamma:

                                     ю (yu)
                                    /
(details in) й ------ я (ya) -- ы (oh look, solo!)
   the above"rant")  |
                                  у (which is a u)
                                /   \
                     e (ye)       ё (yo)

almost... but i'm far from learning russian...
i find these orthographic details...
coexisting...

зъ = ж = ż = rz = ř / ž...

eastern, mother slavic...
beginning with a western slavic translation
"innovation"...
central / western slavic...
balkan slavic...
oh we are such famous clarinet players!
because what happens
when the caron is sliced into two...
and an acute ****** pops out?!

hence the зъ beginning...
yes... it's not "silent"... it's simply not
palatalißed... the tongue doesn't tip-off
the palette... the sound escapes via
the gritting of teeth...
with it: the tongue can rattle and a trill
R is heard...

зъ (ż) contra зь (ź) -
życzenia - well wishes| źródło - source...
now to only write these words
in russia - without knowing the russian
noun-denotations...
for orthographic purposes...

жыченя... or is it... жычениa?
зьруд... problem... can't find the english
W in russian... or the ****** Ł...
there's the english V... the ****** W...
but russian doesn't translate (Вв)
so vell into wery: not so weary but
nonetheless very not so, so...

my problem is not about that though...
this poem this poo'em this:
a pigeon drops a zeppelin-****
on your top-hat implies good luck...
no 13's or black cats crossing your path either...
i could most honestly spend
100 years of each of the 100 individuals
bound to the salt mines in the vicinity
of Beijing... and i would still find myself...
without tears...
because this is the most inexhaustible
crux: it's really bugging me foundation stone...

i won't even mind the modern greeks
at this point... they do use diacritical markers
too... but over-do it... as if compensating
or trying to compete on level par
with their metaphysical dittos...

чaхa: czacha... almost slang term for:
czaszka... чaкшa...
and this is by no means "smart"...
i can't solve crosswords puzzles...
well i can: but i need to find myself
in the company of my grandmother...
in the morning...
i would have had to drooled over some novel
from 7am until she gets out of bed
come 9am... we'd drink coffee and i'd
smoke cigarettes...
and it would be a month prior to christmas
or easter, or the interlude...
and... i'd be freed from writing or
reading anything in english...
either me looking at diacritical distinctions
in the realm of orthography between:
russian, ******, balkan...
or... me never learning french,
or attempting to: ever, again!

******* suffix-eaters...
dyslexics in reverse...
say one thing: write another thing...
this is probably born from my frustration
at being unable to learn french...
perhaps after having acquired english
i was given german to learn...
but no... first hurdle... french...
flop!
now it's a diet of no crosswords...
some sudoku from time to time...
and my new hobby after having found
"too many" googlewhacks...

so there's nothing smart about this:
this is in no way useful to anyone -
being the sort of person
to "mind" whenever one's being asked
to spell their surname...
it's hardly that difficult but...

would i go for the echo sierra charlie
hotel lima echo romeo tango...
or go out full greek with it?
perhaps the greek...
since that would solve the problem
i've had for a while,
concerning the eta / epsilon "debate"...

how does a greek laugh -
what is the crux letter via which
a greek laughs?
you see a H shape on the horizon...
but you... hear the noun: eta...
you later see the name eta...
but that's eta: without an apostrophe...
the apostrophe 'eta being the "surd" H...

in greek then...
epsilon sigma... **** it... there's no "sch"
of a german worth in greek...
let's cut it out:
epsilon lambda epsilon rho tau...

otherwise in russian...
once more:

ś(lub) - wedding - сь(люб)
"soft" sign - ' - apostrophe -
or ACUTE elsewhere...
why not сьлуб?
i don't know... it's not like сь is even
minded in russian...

ah! my favorite!
goń! gonitwa: a race -
the verb impetus: race! chase after!
гoнь!

since ы is the "odd" one out between
the application of "ь" and
and "ъ"...
come to think of it...
ы gave birth to: ю (yu), я (ya),
у (u), й ("y"), и ("e")...
i... i.e. and... in ******...
akin to those languages that use e...
to also imply and...
ё (yo)... how did i miss the umlaut
infiltrating the russian 'bet...
i blame catherine the great!
and... е (ye)...
is that the pentragram?
u, a, e, i, o... yes! we have it!

i truly had better days when sudoku was
the better puzzle to fill a day with...
not this... from glagolitic, to greek,
to roman, to post-roman to russian
and back into...

if we are all "supposedly" literate...
begs the question why: why oh why the emoji...
the *******-wanking hieroglyphics...
the :) and what not...
i guess to better escape this sort of
headaches... minor chances of everyone
becoming a bilingual:
but what's there to brag about
being bilingual!
i guess the polyglots do not have such
headaches of detail...
they just... bypass these rules and regulations...

to better guide me:
if i managed to sift through james joyce's
finnegans wake... and didn't find any
diacritical markers in it?
can't i compensate?
i'm compensating right now!
if the 2010s as a decade was a decade
filled with... sisyphus titans akin
to kant, hiedegger, kierkegaard,
knausga(a)rd, joyce...
beckett - yes...
again that hollowed "y" distinction!
it's not a sisi: yes yes problem...
hardly me being ***** either...
e'ver... i'ver...
ain't that a *****...

clarity of diction... the best motto there is...
crab-bucket-intellectualism:
alternatively the focus away from
any ontological stressors of "example" -
ontological and its variant of
a priori:
perhaps, given that the ontological
is an a priori argument...
here's my crossword puzzle -
ref. thesaurus rex...

and by no means... at all...
etymology is the better variant of any known
history...
when this bundle of words:
that an ontological dialectic can be achieved:
that ontology can be given within
as much as an a priori: bigot! focus...
with as much as an a posteriori:
wizened unicorn quid pro quo tanz!

hamsterwheel loopholes or:
crab-bucket intellectualism...

now: i really could have put these words
to better use... to make them linear...
less cryptic... but how can i?
i'm solving a crossword puzzle in reverse!
i don't expect the easily scared moths
to entertain this fire...

i expect midgets to be dancing...
before my eyes...
whenever i listen to
faun's tanz mit mir
or in extremo's rotes haar...
when the bagpipes and the flutes
kick in...

- since if i were to write a coherent sentence:
succumb to a linear narrative...
i'd people reading this to be also found:
easily talking about it...
perhaps i don't enjoy freedom of speech
as much as i enjoy the freedom to think...
perhaps i haven't written anything
worth speaking about, regurgitating,
making vogue, working for some intellectual
period-piece of "vogue"...
perhaps this is a shared problem,
hidden in a cipher...
of: how i can't heave this tool...
this tapeworm of existence,
this medium of god...
to later trash it, to have nothing better
to do with it other than play-games...
worded games... crossword puzzles...
perhaps i need a crossword puzzle to imply:
neighbour's share some words...
together... but then write them differently...
perhaps i require a crossword puzzle...
to read into some russian...
on the praxis base of english...
flying past Warsaw toward the itch
of the edge of Asia...
breathe the air - the heart of the continent...

perhaps i would have never managed
to escape this world if i ingested
mind-benders of the h'american 1960s
revolutionary schematics of the:
new-humanists... crash course in literature:
only one magic mushroom trip away!

фoрк ин дэ рoaд (fork in the road)

ИN...

some shared words, of etymological
curiosity...

(fork) вилка - wilka -
polish? wilka? that which belongs to
a wolf... widelec...
видэлэц...

(knife) нож - nóż -
well... orthography comes into play...
while people can have their...
ahem... in-the-meantime metaphysical
playground...
the ground, the word,
the geology is already here...
written alternatively?
нузъ...

i take a different stance to the common day
****** back east...
when russia starts slagging you off...
you put on a Boris Yeltsin mask on
and dance the drunk panda dance...

(spoon) ложка - łyżka -
in polish? ah those russians... ло ло...
лож: lorz...
lo lo and behold the translated
quasi-russian into the borders of europe...
ł.w.(ызъка)...

black and white (черный и белый):

czarny i biały: rho-si-ye!
char-nee-ye! bel'ye)...

perhaps the timing is a bit off:
the proper wording would be:

czarno na białym -
not: in black and white...
чaрнo на биa-wh-ым...

knocked-out to be honest...
the russians use ый like that?
YJ? oh right! i use it too!
in the prompt:

tyj! tyj ty grubasie!
hmm... -asie...
it would do me a lot of good...
if that iota didn't have a decapitated
head of a halo hovering above it...
why? so i could introduce the acute
slant over the S and surd it...
i.e. -aśιe...

тый! ты груб... exactly...
grub-               -aсьие
тый! ты грубaсьие!
to grow fat: тый!
              "problem": -aśιe vs. -aсьие...
well... it's there: сь...
but it also isn't there: и...

but it isn't: but it also isn't...
i just managed to find out that...
in warsaw (if i lived in warsaw)...
we have that conjunction: -ый-
however rare it is: it is there...

any more delegations from Moscow?
tyj! tyj ty grubasie!  
and i will write these last few words
and know why i don't really feel like
solving crosswords puzzles...
or doing those i.q. schematic tests...

**** it... the welsh should know and help me
out... concerning?
how it's YN and not IN...
how it's Y and not I when referring to THE gwyll:
dusk...
y gwyll o hywels: the dusk of powells...
only the welsh would know my "pain"...
yn y gwyll o y hywels:
in the dusk of the powells...

taking a step back - a step back...
yes yes, apologies... if my punctuation...
is too much of a ******* arithmetic!
too bad!

p.s. and yes... don't leave anything lying
around in the drafts or as private...
chances are... with a 2 day delay...
this will never be fed into the LATEST feed.

— The End —