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v V v Jan 2016
Sometimes I awaken to
a hovering swarm of
stinging can’t be sures.

I have learned from experience
that on those days
it is best to avoid all reflection.

Mental or optical,
either one if given rope
will string you up,
tie you down to guilt
like a sinking ship
where the longer you
stay on board
the harder it is to get off.

I’d like to think
a long drive
would clear my mind.

A long drive driven at night.

I’d head out west toward
the widening sky and
reflective green mile markers,
400 to be exact.

They have seen
their fair share of
my failures.

Dallas - Ft Worth
To New Mexico,
I could drive it
eyes closed
and never miss
a turn.

But in years past
It wasn't so easy.
Back then I missed
a lot of turns
and messed up a lot of life.

From the guilt
of the sinking ship
to the heat of
midnight pavement,

at least the pavement
brought a tiny bit of pleasure,
still brings a tiny bit of pleasure.

For 30 years
I’ve gone this way
leaving ashes of me,
bits and pieces here and there

while white reflective numbers
count out the many milestones
I’d rather soon forget:


                    Tears of regret at mile markers
                    349, 288, 275, 263, 217, etc.

                    Swerved to miss a deer
                    at mile marker 321,

                    First on the scene of a 2am
                    accident.  Quiet moaning,
                    mile marker 285,

                    met my guardian angel
                    on a cliff with no guardrail,
                    mile marker 250,

                    panic attack at 249,

                    219 in drifting snow,
                    invisible except for green paint
                    found on my bumper,

                    Stopped the car to *****
                    at 216, 201, 185, that’s all,
                    wait, one more time,
                    mile marker 59.

                    Attacked by giant frogs
                    at 213,

                    The wind whipped giants at
                    the gates of Fluvanna, 201,

                    saw Christ come forth
                    from a swirling fog
                    at 192,  barefoot,
                    dragging a cross uphill,
                    I had seen him in the dark
                    at marker 195 at 4am,
                    so I stopped and waited
                    for the suns to rise over
                    an eastern hill,
                    and when they did
                    I went on.

                    The suicidal lure of
                    velvety pillowed
                    train tracks at 155,
                    unfortunately inaccessible
                    from the road,
                    occasionally they still call my name.

                    at 140 I threw away everything
                    that was true about love,
                    the repercussions of such
                    are still felt 3 decades later,                         
                    so be careful of the promises      
                    you make, and stay away from
                    mile marker 140,
                    Satan lives there beneath a rock.
                    
                    Smothering loneliness
                    at mile marker 125, 101, 94.

                    76 total emptiness.

                    Nothingness  45, 44, 43, 42, 41.

                    Amnesia from 40 to 1.

                    At the state line
                    there are no numbers
                    only a huge red and yellow sign
                    that says  “Bienvenido!”

                    I breathe a sigh of relief
                    and roll up my window,

                    no more hovering swarms
                    past or present
                    at least for tonight,

                    at least on this side of the line.
Going on a road trip
Something for my soul
It's gonna take a while
But, it's gonna make me whole

I'm going to cross the country
But, I'll start on both the coasts
I've been in too many bottles
Have to exorcise some ghosts

Mile Marker Three Three Three Nine
That's where the dream did end
Mile Marker Three Three Three Nine
That's where I'll start to mend

Greyhound bus out of the east
From the Maritimes my son
I'll venture through Quebec as well
This is journey number one

I'll stop and meet the people
Get their stories, of the man
I'll find the ones who met him
Try to learn just what I can

Adversity, I've had my share
Always tried self medication
Now, I need to find myself
This will take some dedication

I'll head on through Ontario
On the Trans Canada Highway route
And I'll try lose my demons
Give my devils all the boot

Brick by brick I'll bring down the walls
That over years I've built
Bricks made up of hate and rage
by love, and fear and guilt

From the west, I'll make my way
Do the highway he could not
Through the rocky mountains
Every mile is hard fought

I'll learn about the person
Who he was and who I am
I'll come through the fire stronger
I'll be a much better man

I will bus across the prairies
Through the Manitoba cold
I will focus on my endgame
I'll learn from what I'm told

Two journeys I will travel
Neither one from coast to coast
But, both are to be ended
by that famous mile post

Maybe I can find the answer
Join myself, go through the door
As he joined a nation
So many years before

Mile Marker Three Three Three Nine
That's where my journey ends
Mile Marker Three Three Three Nine
That's where I'll start to mend
Sean Kassab Jul 2012
It was in the earlier part of November, 2005 when I was called to the garrison HQ to receive an emergency Red Cross message informing me that my grandfather had passed away. I was in my third year of service as a direct contractor to the Army and my duty station was in Iraq. More specifically, I was at Tallil AFB near the city of An Nasiriyah. I was granted an emergency leave so that I could go back to the US to be with my family so I stowed my gear, packed my duffel and made the long trip home. This was the first time I would make this trip, but I’m getting ahead of myself so let me back up a bit. You see, my grandfather had served in the Second World War, actually both of them had. They were brothers. PFC Eddie Kassab, the one I’m speaking about here, had survived WWII through some pretty tough odds, including being on the third wave of the Normandy invasion at D-Day where thousands had died during the beach head assault. His brother, SFC Joseph Kassab, who married my grandmother, was killed in that war, He was a bombardier and his plane was shot down during the Guadalcanal campaign. It wasn’t until 27 years later that the wreckage of the aircraft and remains were found and recovered. When Joseph died leaving behind his young wife and new born son, Eddie began looking after her, sending home money for her and the boy, my father. They wrote back and forth to eachother after the dissappearance of Joseph and when he returned to the US after the war they courted and were eventually married. Joseph was laid to rest with the rest of his flight crew in Arlington with full military honors. Eddie, who died much later in life, was also afforded a military service there. That was my first time being in Arlington National Cemetery, a place reserved for men and women who had served their country in a military capacity. It is difficult to describe just how immense and powerful that place is, the impact you have on your life just from standing on those grounds is indescribable. If I had to try I would say it’s a mixed feeling of Honor, pride, sorrow, and a profound sense of loneliness. There are row upon row of white marble markers spanning miles of emerald green grass and broad shade trees. The markers themselves are simple, nothing fancy, but the respect they command is beyond contestation. There are also wall vaults for those who were cremated, one of these would become Eddie’s final resting place. The US Army's honor guard performed his service, while a trumpeter played “Taps” and his flag was folded and presented on behalf of a grateful nation to my father who Eddie raised as his own son. In the distance a 21 gun salute was given by seven riflemen firing three shots each. It would be the only time in my life that I saw my father cry. We took the time after Eddie’s service to walk to Joseph’s grave marker as well, passing thousands of other markers and I found myself wondering how many of these people were forgotten by the years. How many of them left behind young children. Were they killed in combat? How many of them were laid to rest with a grave full of unfulfilled dreams? The sacrifices they made weighed heavily upon me. It was a feeling I would carry with me long after I had left that place.
Years had passed and I found myself still working in Iraq for the US Army, I was stationed at Camp Taji this time, on the edge of Sadr City, a real dust bowl. I was in my eighth year of service when I was again called to Garrison HQ, another emergency Red Cross message had come through informing me that my Father had passed away. It was December 29th 2010. For hours afterward it felt as if I had been punched in the gut. I called my Mom as soon as I could to make sure she was ok and to see if there was anything she needed before making arrangements for yet another emergency leave. I again stowed my gear, packed my duffel and headed out. Now, it’s only fair to give you an idea of whom I’m talking about here, my Father, Jan, had been a Navy man and had been stationed on submarines as well as destroyer class ships during the Vietnam War. He signed up for service when he was just 18 years old and when he left the Navy he went directly into the Maitland Fire Department in central Florida and stayed there for many years. Eventually he expanded his training becoming the 80th paramedic in the state as well as a certified rescue diver and instructor. More importantly, he was a great father who raised two boys as a father should and later in life, he was a pretty good drinking buddy. His teachings and advice have helped me through some of the toughest times in my life. It was because of his prior military service that he was also awarded full military honors at Arlington National Cemetery. There was a waiting list of about 8 weeks at the time because of the high volume of casualties from the wars in the Middle East so it wasn’t until February of 2011 that he was finally laid to rest. This time it was the US Navy’s honor guard who performed his service. I remember it well; they stood in their dress whites throughout the ceremony in the biting cold as the wind whipped by mercilessly.  The honor and discipline in these men was no less than awe inspiring and through my sadness I couldn’t help but feel an amazing sense of pride for who my father was during his life. We all stood as a trumpeter again played “Taps” to the folding of my Father’s flag which was presented to my Mom on behalf of a grateful nation after a 21 gun salute was ordered in the distance. My Father’s remains were also placed in a wall vault that became his final resting place; his marker being only about 20 feet from Eddie’s marker in the adjacent wall and even though it was freezing that day, we took a little extra time to visit Eddie and Joseph again. Walking the grounds of that place again awakened all the feelings I had felt the first time, probably even more so. Again, I have to tell you that words couldn’t accurately describe how that place makes you feel. The grass had turned brown by now but was still immaculately manicured, and the precision placement of the grave markers was flawless. There were thousands of names that dated all the way back to the American Civil War. I went also with my brother to pay my respects at the tomb of the Unknown Soldier. It was an impressive mausoleum that is guarded twenty four hours a day by the US Army’s horror guard.  After it was all said and done and we had left Arlington and met as a family, my Mom, my Brother and his family, myself and my family and some close friends to remember him for a while over some food and drinks, and though nobody seemed to really have any appetite we still stayed there for hours. That was the first time in eight years that I had seen my Brother and would be the last time I saw him alive, but that part comes later. Eventually we said our goodbyes and went our separate ways, each having a very long way to travel back home and I had to get ready to go back to Iraq, heavy hearted or not.
I had only been back in theater (that means deployment) for a few months when I was reassigned to Al Asad AB as my permanent duty station. It was a place in the middle of nowhere and was originally a Marine base but transferred to Army and Air Force some time in 2010. I had made some good friends there, settled in and finally started coming back to myself when I received a message from my brother’s wife asking me to call her, said it was important. Thinking back on it now, I remember feeling a little angry that she wouldn’t tell me on email. Internet I had in my room, but a phone…well I’m no general and I had already settled in for the night. It was about 21:30 hrs. (9:30 p.m.) on a night in late July so I got dressed and made the quarter mile walk to my office where I could use the phone, cursing under my breath the whole time. It took me about 20 minutes just to find my phone card in my cluttered desk drawer, but when  I finally did amongst more unsavory mutterings I made the call. She answered quickly enough but her voice sounded strained so I calmed down and asked her what was going on, I figured something wasn’t right so she didn’t need me jumping her case on top of it. It was then that she told me my Brother’s body had been found in his home in Whiteville NC. He had been having a hard time with depression since our Father passed as well as marital problems and he had made the decision to take his own life at the age of 36 leaving behind his Wife, Stepson and Daughter who was only 5 at the time. I was blindsided to say the least, no one saw this coming, and he left no real reason as to why so there still is no closure, no understanding. I was angry… no, I was furious! But I’m getting ahead of myself again. She had called me not only to inform me of what had happened, but also to ask if I had Mom’s phone number because she didn’t have it and didn’t know how to get in touch with her to tell her. I told her not to worry about it and that I’d take that on my shoulders and get back to her. It had only been five months since we laid our Father to rest and to say I dreaded making that phone call was a ridiculous understatement. It was easily one of the toughest things I ever had to do, but it had to be done all the same so I dug Mom’s number out of my wallet…and stared at it…I don’t know how long but it felt like a long time. What else could I do? What could I say? It’s not like I had an instruction booklet for delivering bad news and this was as bad as it gets. After a few deep breaths I dialed her number and decided to take the direct approach. She answered the phone and we exchanged hellos, and I asked her what she was doing. She was out shopping with Robbie at the Tractor Supply Co. He was a longtime family friend and all around good guy. I told her that I had some pretty bad news and asked if she could find a place to sit down there, but she told me it was ok to just tell her what happened so I did exactly that. I gave her all the information I had at the time, I didn’t know how to sugar coat it so I didn’t. She took it pretty well up front, not breaking down until later that evening. My Brother, SPC Troy Kassab, had enlisted in the US Army with our Father’s permission when he was only 17 years old. He was a combat medic assigned to Ft. Carson in Colorado before transferring to the 82nd Airborne Division in Ft Brag NC. He deployed to Cuba among other deployments overseas before being attached to a Ranger Unit as their medic and doing other deployments that he never would talk about much. After the army he lived in NC where he worked in restaurants while attending school on the G.I bill and volunteering on the Hickory Rescue Squad as an EMT. He eventually completed school in Winston Salem NC where he got his PA degree in general practice. Troy was a self-educated, brilliant man who wasn’t perfect but who is? He saved lives in the Army, and then continued to do so in the civilian world until his death in July of 2011. He was a husband and a father, a brother and a friend. He was important to us. It was because of his past in the Army that he also was awarded full military honors at Arlington National Cemetery. This time the wait was much longer and his funeral wasn’t held until November 15th of 2011. I remember that day and the days leading up to it like it was yesterday. I had ended my deployment in Iraq on November 3rd, making it back to the US on November 6th. From the time of his death I had stayed in contact with Mom and his wife Andi to make sure they were ok and help in any way I could with the affairs and expenses. When I finally did get home I pulled my truck out of storage had it inspected, fueled and ready to go. It was unfortunate, but my wife was in college and had work at the time so she couldn’t come with us so my daughter and I made the long trip from Houston TX to Hickory NC to see Troy’s wife and kids. While I was there I also picked up a close family friend of ours who needed a ride and made the long drive to Arlington VA...again. The US Army’s honor guard met us there to perform his service and again the attention to detail, the respect given to the deceased, and the discipline shown was flawless. There were more friends this time than family in attendance but I was there with Mom, Robbie, my daughter, and some very close family friends, some going all the way back to our childhood. The ceremony was the same, every time the same. I remember thinking I hated the way “Taps” sounded as they folded the flag and I was angry and hurt when I stepped forward to claim my Brother’s remains and walk them to the wall vault that would become his final resting place. I have to say though, that through my grief and anger, I was a little bit pleased to see that he was placed so close to my Father and Grandfather. I left a pair of my own dog tags in his vault, it made me feel better that he wouldn’t be alone in there. I guess it doesn’t make a lot of sense now but at the time it did.  I stood over his marker and said a silent prayer before heading out to see Dad, Eddie and Joe’s markers and pay some respects. The grass was that brilliant emerald green again, and the sense that I stood in a place of honor reserved for our nations fallen still struck me through the heart.  After that we just kind of faded away from that place making our way home. Troy’s wife Andi had decided not to come, she was angry, she felt betrayed and abandoned, so on my way home I stopped back in Hickory NC, dropped off Michelle and made the drive to Andi’s house to present her with Troy’s flag as it had been presented to me. I remember hoping that her decision wouldn’t leave her with later regrets, but it was too late to change it now. The drive home was a long one, one that rekindled so many unanswered questions. Three generations of my family laid to rest leaving me as the only surviving male member of my family; something that still weighs upon my heart today.
But this is their story, and though it seems a sad one, that is not its intent. This story was written so that you the reader could understand that there is a place where over a hundred thousand Josephs and Eddies, and Jans and Troys are resting.  Each one of those stone crosses and stars have a face, a name, a history, and they made a sacrifice for you and for me. They were people who gave up their futures so that we could have one. They were people who had dreams, families, and who put all of that aside for what they believed in. They weren’t perfect people, but they deserve to be remembered. If you do nothing else after reading this, at least take the time to think about the freedoms that you have, freedoms that have cost us so much…
There are those who came before us, who paved the way for the lives we now live, their voices whisper to us through our freedoms and we are a greatful nation. Listen and remember...
Nat Lipstadt Feb 2015
this is a very important poem to me,
about me, and how Obama slurred my people. and never apologized

<•>

there are mornings when I wake up
in my nativity,
in my born/bred,
these struggling to be happy,
United States,
strangely hebrew-speaking,
Jamaican coffee
morning-thinking,
tallying up
what I am,
who I am,
commanded to be,
on this Earth

the labels that the
outward-looking apply,
the tags,
that you have caused
yourself to be defined,
been staked
to your claim,
in infamy and in fame,
that you have
by action and indeed,

have allow
to be presented
as entries on your
global entry passport,
with visas from the
lows and highs,
places where
your have sinned and saved,
all the acts accumulated,
and those,
in pain,
you have been a witness to

word titles that
tinge and suffuse,
summation of my presentation,
sampler of words
like
father, poet,
American,
even,
a for-real
community organizer,
and of course,
bien sûr,
a
Jew

the quality of all these life's papers,
which I grade myself,
I,
the harshest marker
of all

once a young man,
safely away in college,
under the fresh-air freedom of the
university's in loco parentis,
in the early years
spent quantifying oneself

nearly fifty years ago,
now he,
revealed and recalled
when
his college typed-letter,
lately uncovered amidst his,
recently passed mother's papers

"Don't know what kind of
Jew
I will be, but be assured,
that I will be a
Jew
all my life"

so here I am doing my post-sabbath,
top of the week,
right it down,
qualifying myself,
coffee enraged engaged,
a new Sunday tally

taking all my terms,
reordering,
re-prior-itizing,
what was prior, first,
is no longer

decades decay,
events sway,
simple words change me, stain me

nearing on five decades later,
when this
son of speakers,
son of humanists and 
son of
 writers,
son of proud
Jews
rewrites his list

today I write/substitute,
a new order,
a tag gladly taken,
a marker given,
some what in pride,
some in shame too,
first and foremost,
à la manière d'Lincoln
I am
of, by and for

"a bunch of folks in a deli"

proud member of them
that so identify,
for they are among those
that shall not perish from the Earth

those
happenstance-not,
bunch of folks in a deli,
I claim as
mine own,
as they would
have claimed me

no subtly professed,
a diminishment intended,
and now
an honorific taken,
Medal of Honor provoked and embraced,
proudly inscribed,
visible on my forehead,
in the black ink of mourning,
a Presidential Cain Citation,
a tattoo of letters,
not numbers,
now moves up to
head of the list,
I am
now and forever,
a member of that corps
(appreciate that double entendre)
I am
Je suis
JE JUIF

*"a bunch of folks in a deli"
Just google that phrase

Obama’s slur
fearfulpoet Jul 2018
“only” the lonely know (my special sign)

{=}

an incurable silence

the meaningless, wasted touch of a hand,
attached, directed by them from them
to them
a failed reassurance

a classroom, a stadium, cornfield or grove,
so many nutted fallen solitaries fallen to rot
midst a globe of trillions never noticed,
never missed

the silly conceptual that the lonely,
special unique, blessed with a curse,
a specialist status, “only” they afflicted;
with a ken that isolates and yet feels elevated -
oh! I am special

show me one, just one, human who doesn’t truly believe,
they are the onliest loneliest and you will vision
each and every
lonely person who
secret sighs and whose first thoughts are only:

god spare me one more day of being,
fearful of achieving
my very own knowing,
in the invisible place,
the incurable silence award,
reward of another purple heart,
“only” the lonely service ribbon,
my Cain marker

~my special sign~
WOW

what a wonderful reception to my first poem!

thank you,
less fearful!
sara Jul 2018
I wipe marker off the board, and
I have a painful tendency of quickly growing bored.
I can't erase the ink-spots lingering
in high-up corners;
to spare the self-defeat, I teach myself how to ignore them.

Ignore the marks, and stains, and pains
pretend I'm wiped clean, all the same
with little left to lose or gain:
I leave them; growth is self-restraint.

Perfection is a non-existent notion,
so they say;
yet, unobtainability is all I can create.
For in my mind, these false ideals make tame desires stray,
and self-destructive pleasure is my antidote to pain.

I think I'm like a little plant
of stunted growth, just seeds to start,
my plantpot made from breaking hearts:
before I grow, I say I can't.
Before we accept something we must first wholeheartedly reject it.
/////
like England winning the world cup lol

////
Joking, I just use humor to mask my emotions x
Fish The Pig Sep 2013
Chubby quivering droplets falling from the sky,
splattering themselves across my skin.
Too foolish to look up from my computer screen,
from my technology,
publicity,
my box.
To see the many shades of moss green and grey
that had been laid like a blanket
across the city
overnight.

Running.
A compulsion.
Tight tank top,
shorts,
sneakers,
and gloves.
I run with my long hair down,
whipping wildly as I dash down the street.

Into the forest I go,
It’s dangerous they say,
There are bad people there,
But I don’t care.
I run through the forest,
Dodging trees,
Hopping over logs and ditches,
My heart beating faster with each
Ominous rumble of the distant thunder.

As I run,
An uncontrollable smile breaks out across my face.
1 mile marker,
2 mile marker,
3 mile marker,
4 mile marker,
of nonstop running
and a nonstop smile.

Fresh air,
With the calming scent of rain.
You can’t run forever though,
I reach the end and see a gate,
I could go on but the thunder rumbles ferociously,
Beckoning me.
Thunder is easy to ignore when you’re otherwise occupied,
But when you’re stopped,
The irrational fear of the distant booms take over,
And I run back.
4
3
2
1
out of the forest with the lightening and
beating of the drums
smacking at my feet.
I come inside,
Soaking wet,
I open my window and turn off the lights and open my computer to write a poem.
The power goes off.
The thunder rumbles kindly,
As if asking me to come back outside,
In nature.
How beautiful it is, this rainy weather.
How sad it makes me, to know that tomorrow
I will still be wet,
Not from rain,
But from sweat.

I love the grey,
I love the moss,
I love the flashing of lightening
Streaking boldly across the blank canvas above.
I flinch at the thunder.
But I smile as the rain comes down,
Breathing vivid life into a bleak world.
She said those words
'Let's be friends'
If I never hear
those ******* words again
I swear to God
it would be too soon
Comical words
invoking cartoon
characters that are
kooky and dumb
Because that's where
these filthy words are from

You must take me for a wide-eyed naive
Or an escapee of the mentally insane
ward of a prison or "hospital"
or whatever politically correct term it's called

You can take your friendship
and shove it up your ***
I know,
I'm sorry
Such a statement has no class
It's crass
But I don't give a ****
I'm angry right now
For a moment
I had hope
You got back in somehow

I built such sturdy walls
grand and tall
Made you stand outside
Press that intercom button to call
Kept you at a distance
But time turns scar tissue dull
You smiled and you waited
Baited me into a lull

We'd hang and talk
You'd smile and laugh
Hours upon hours
the time would pass
So comfortable; So easy
Something others don't have
Thoughts and dreams start again
But Nope,
Sorry! Too bad!

A forgotten feeling
Also an ember burning deep
High hopes birth expectations
That you did not want to meet
'It's just complicated right now'
Some ******* that you say
Oh! Okay! That makes everything better now
Hip-hip-hooray!

You were just being honest
Saying how you felt
It was me with the problem
A hand of cards that were self dealt
All the work I had done
The counseling and the meds
Heart-to-heart talks
Many books I have read
Feeling so confident
but overconfident I was
Unaware of the noise
A teeth shattering buzz
Blindly I stood
with the answers there for me
Head in the sand
Look away; don't want to see

'Only fools love'
you said to me once
Thought I knew what you meant
Had an inkling or a hunch
But not a ******* clue
is the sad, sad truth
Your forked-tongue spit it's venom
Words used to sooth

Mask after mask
you pulled from your face
Never the truth
Confused in a daze
You grasped with tentacles
Ensnared with your web
Lies are your candy
I was endlessly fed

My mind a toy
Not anything more
My heart for your consumption
***** kept in a drawer
Rip me apart
Please tear me down
Your never-ending heartache
I'll choke in and drown

Under your foot
Under your thumb
An insect; A maggot
Piece of dirt; Lowly ****
What am I now?
What have I become?
What was I to begin with?
A child on the run
Running with fear
You made my heart run
Mouth running had your ear
My torture was your fun

Should I call you a '*****'?
Smear your name? Shout out '*****!'
Would that equal out the playing field?
Somehow even the score?
Playing games, put on pause
Maybe save for later
But there's no saving this time
Tend each need; I am your waiter
Forever I'll wait
so endlessly I am waiting
Madly love you
Yet for me, I am hating

Thunderous booms
The sky streaked with light in veins
War is raging all around us
and in the balance we remain
Here I remain
even though there's no balance
Must be insane
Have me committed to this mess

You are a jigsaw puzzle
with half completed pieces in my mind
The rest of it a jumble
The other pieces I can't find
The nervous dog who is confused
I follow your commands
Unfulfilled, I'm simply used
Didn't go the way I planned

Now to me you speak
as you tell me so much more
of the textbook cliche nonsense
Told a million times before
You feign heartfelt sincerity,
interest and concern
Who you care for is a short list
It's as if I'll never learn

There was a version that before
was living at one time I think
But nothing in this life is free
As rain pours down, in mud we sink
So proudly I strut and adorn
my stunning hand-made concrete shoes
The complimentary attire
fitting all the bad I choose

Now frozen here
as I am kept
unkempt in this very dark place
Place marker for my maker
Marks
Without a mark
An unmarked
grave
Written: March 8, 2018

All rights reserved
E Jun 2013
i ran my fingers across the
surface of the felt art i never
colored and i remembered the
urgency when i bought it at

the gas station because i was in
desperate need of a distraction
and maybe if a filled in the
blank spots i could create an

answer between the lines so
then i would know why you
seemed so distant even though
we were sitting so close and

after the pit stop i was faced
with an empty seat and over
whelming feelings and the
walls were closing in and my

heart was swelling and bursting
with angry color and panic
scribbled on my insides leaving
red marks and i was searching

for the green marker and i was
afraid it went between the crack
in the seats or it rolled down the

aisle like the tears rolled down my
face because i had every color with
me and i had everything i wanted

except you

and looking back i realized that
that **** marker and your eyes
didn't just have color in common
i lose them easily just like i lost

my sanity on the bus ride home.
Mateuš Conrad Aug 2018
i couldn't never write a book, sorry, a novel, i'd hate to become a puppeteer, someone who attempts to play chess, a fiddling and bothersome shadow-baron (schattenbaron)... imaginary "friends" is not my thing, plus... i don't have an exact elastic approach to heidegger's compliments concerning poets: i only like heidegger because he likes poets, **** me, he elevates poets to the stature of philosophers when language "things" are made necessary... i.e. (and verbatim) - language - only if speech has acquired the highest univocity of the word does it become strong for the hidden play of its essential multivocity (as withdrawn from all "logic"), of which poets and thinkers alone are capable... welcome! welcome! to plato's republic! Brennus & Alaric welcome you, quiet fondly depicted by Joseph-Noël Sylvestre... and when the Huns pushed the leaders Fritigern and Alavivus into the eastern empire to settle... and emperor Valens... that's history for you: a cascade of: and and and and and and... sometimes a p.s., but mostly the and and and of causality... facts come barging in, you forage... but thanks to heidegger: the poets have earned their graces... and can return to the republic... as wordsmiths... i mean, was i ever to think of myself as a french dada dandy? frivolous and superfulous raconteur / racketeer? poet or philosopher, that's beside the point, the point being: i'm not a novelist... i don't like dealing with language that chokes that i rely on mostly and that mostly being: i like the idea of a raw vocabulary... i'm more of a butcher than an artist... i like the rawness of an inverted crossword puzzle... in my "trade"... there are no clues, whether synonymous or antonymous, in this spaghetti of: ex nihil factum sermo (out of nothing came the word)... poetry, of all places, allows this form of unadulterated nibbling at raw vocabulary... bypassing the standard g.c.s.e.: overt-scrutiny of poetics... i never like that... a 5/ 7/ 5 syllable haiku poem should never be preserved for its essay-worthiness to extend into 2000 words in a school exam... poetry strapped to pedagogy is... less heavily censored, more... over-scrutinized... you're not supposed to think in terms of poetry: you're supposed to, feel... and since when has feeling become so overrated, so despsised? oh... when people "learned" to feel, prior to learning to think... you really have to learn to think, prior to learning how to feel... if you ask someone from the orient, they'd counter the western perception of placing thinking / "reason" on the top of the pyramid with horus' eye as emblem... to learn to feel: is to learn to how to not think, while to think? it's to learn how to not feel... pretty simple, no? not really... neither approaches should be underrated, they should be understood better... who the hell needs, or wants, to be an apathetic brain-in-a-pickle-jar zombie: constantly engaging with a dialectic? then again... who wants to be a heart in an electric chair constantly bamboozled into pointless reactions? so i'm more of a butcher than a "poet", i simply appreciate the raw realism of cutting pieces of the tongue that extends into the brain's fathomability - and that overrated visual ******* of dreaming most people associate themselves with... but that's beside the point... i really appreciate days akin to this one, humid as in the concrete basin of Beijing while europe is frying in the African plume... no thanks, no, me go to Greenland or the Faroes Islands... do i look like a ******* ******* / camel jockey? why do i have limited respect for islam? i once watched a video of a saudi with an european bride... sitting on oil was both a blessing... and a curse... muhammad would whip some of these saudi brats silly... but of all days... when i get to work my magic in the kitchen, and make the most superior food in the whole wide world? blue indian cuisine: i call them blue indians and not red soxs because: come on... the raj... and that polytheism that doesn't want to disappear... h'americans can boast all they want: the steak, the hamburger, the hot dog, the pizza... n'ah... n'ah mate... it's either curry or you're chewing chicken bones, ******* out the marrow... indian cuisine is superior... i love the days when i cook up two curries... it feels like being back in edinburgh, walking into the joseph black building, the perfumes of sulphur and wood, the 12 hour experiments it would take us to conjure up an ester... esters? bases for the perfume industry... that' the grand thing about cooking a curry... you start to feel like a chemist once more... the two curries? a tikka masala: sure, an easy adventure... marinating the chicken what not... the real fun came with the malvani... blitzing the masala up: a bay leaf, half a nutmeg, 4 / 5 cloves, 7 dried chillies, 10 peppercorns, a cinnamon stick, cumin seeds, coriander seeds, chilly powder, turmeric powder... and that's just the malvani masala... the cocunut masala... ****... only two green chillies... how to get the right colour? ah... blitz up some coriander stalks... garlic and ginger... milk to get the whizz-kid on the job... it's superior cuisine, indian cuisine... it reminds me of a being in a chemistry lab at edinburgh... doing organic experiments... mind you: it's more fun, the environment is less sterile... even my mother said: you're stinking up the place, you're worse than the sikhs two doors down... so... why would i visit an indian restaurant, or indulge myself in an indian take-away, if i can mimic? i see no point... there is no other cuisine on the planet as good as what could come from either Goa or New Delhi... the colours, the perfume of the spices... by now a hamburger, pizza or hot-dog are staples or both humble beginnings and even more humbled ends... i've found my 1st to none passion... and with a afghani naan bread... and with rice infused with turmeric... tiresome ponce schemes of duck a l'orange... spaghetti this that and the other... one bias... though... scandinavian treatment of raw herrings... in cream sauce... i'm a sucker for those herrings like i'm a sucker for pop music... the added zing of the herrings' rawness out-competes the bland sushi manifesto... eating one of these herrings in a cream sauce... has the complimentary sensation, very much akin to performing oral *** on a woman... oysters are beyond the marker of metaphor / literal association... well: hello today!

I.

i'm starting to suspect, that one of the...
"supposed" stars...
   is actually a planet - due to its colour -
      it's unlike all the other -
todkompf, metallic white
glitter...
      it's hued in a more orange
spectacle - more fire...
less distance...
                and on the canvas
of the night?
   sits lower than all the other stars,
which are more up -
   rather than on a horizon
to speak off...
   question is... is that *mars
,
or is that venus?

**** it: 'ere i go...
'n' buy me a *******
telescope to investigate further...

II.

did the ancient romans really
distinguish the arithmetic
quantity of I - or IX -
   or XII or...
                with a dot?
       not unless it was inscribed
in stone -
   where even upsilon had
to vacate the more easily chiseled
in:              YOVR POINT?
just wondering
   how only two diacritical marks
were applied to the encryption -
and both... not for orthographic
reasons, but for aesthetics -
    what's the actual difference
when the guillotine digestion
machine (like me) comes in and
says...
    
     ȷokιng around...
        what with the iPod...
   why shouldn't ι,
                    come ιn -
   and give a ȷester's ιnquιsιtιon?
out of... mere... curιosιty?
ιt's not lιke those two-heads
even make a dιfference...
come on! ιt's ιneffectιve,
there are no orthographιc reasons
for ιt!
        why, even, bother?
    and no fancy name eιther,
ιn the dιacrιtιcal famιly...
  dot... when compared to?
cιrcumflex, caron, macron,
      cedιlla,  ͅ (ιota subscrιpt)
...
you name ιt!
can someone, please,
ȷust gιve me, an approprιate reason?

III.

it's not like i can confuse,
i with I - since i have 1, and 2 instead
of II, and 3 instead of III,
and 4, instead of IV,
       and 6 instead of VI...
ah... L(l) -
              and the exodus of handwriting
in the digital age...
any schmuck can write
now... but... i'd love to see
them write with a pen, on paper...

personally - i couldn't write an intact
word with a pen...
   calligraphy: a bit like monkish
Gregorian chants... coming near
to extinction...
          i could sometimes write
out a intra-connectivity of syllables -
but... entire words?
    no chance... the digit system
came in... and i had to learn how
to position my arms before
the keyboard, to write, and not look
down...
   unlike my old G.P.,
who, bless him... nearing his retirement,
pecked, like a crow,
on the keyboard...
   looking down on it...

the ENTER key? right arm pinky finger...
SPACE BAR key? primarily
left hand thumb...
   unlike a piano, you don't actually
use all the fingers on both arms...
e.g.? ring ringer on the left hand?
rarely used... unless doing some
mental hand gymnastics...
  
stream of "consciousness" - no words,
just observations -

(0,0,) LH ******* A
    RH index finger N -
     that's - ah! ring finger of
the right arm is used, quiet a lot,
  notably?  SHIFT + (?/) key -
      *******...
   but for the apostrophe?
    the (@ ') key...
  which, on my machine translates
as the (" ') key...

IV.

     - interlude -
--- -- - - - -  - - - logic  -- - - -  -- - bomb -- - - --  -
- - -- computers -- -- - - & - -- microprocessors -
- - - --- -- - --- -- -(parasense ----- - - remix) -- -- -

V.

it is chiromancy in reverse,
only that i'm reading my hands...
facing down,
rather than staring on the reverse
side of the... where the girdle of venus
is situated,
   or the index finger skin folds
of the chokhmah, chesed,
    netzach
- respectively -
akin to reading mandarin:
   from the the head - to the base
               of a knuckle.
i read my hands - looking at a screen,
how else can you write anything,
distracted by looking down
onto the keyboard -
  no aware of the spacing?
        question: how fast is your typing?
don't know:
what sort of ******* am i to note
down, and how many amendment
will i have to make to the text,
as we plow along to your diatribe
monologue?
                  
VI.

why would anyone sit up all night,
drinking?
     ****** question, esp. given
yesterday's 5 / 6 am carnival of rain...
out of nowhere,
there i was, ready to call it a night
well spent (not working in a Stratford
casino) - dreading the heat of
the sunrise...
  boom!
   thunder, lightning...
    the air turned white from
the ferocity of the rain...
   literally...
                the ground was wriggling
with a meteor shower -
excited gnat fly like puddles
appearing and disappearing -
soon becoming lakes
  within the confines of a supposed
**** of worm parasites...
      probably your typical day
      on the Faroe Islands...
you know... on such occasions...
you really can't help, but stick
your head out of the window,
far enough to drench your head
and hair in regenwasser...
            i should have walked
into the garden and
cleansed my whole body...
   but...
guess all ι needed, was the head...
       god...
  there's nothing more **** than
listening to horror movie soundtracks
while it pours a mini-monsoon
outside your window,
  and there's thunder, and there's
lightning...
   and you're just about to fall asleep...
like a baby might...

VII.

oh god... the one time i don't take
a beer for a walk, coming back
from the supermarket...
and i pick up... this genius:
genius... tortilla wrap...
    falafel + hummus + a hint
of mango chutney (with a tease
of arugula leaves)?
            **** me... who needs
beer... if not a bottle of mineral
water... to accompany
taking a walk?
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Tom Leveille Sep 2016
okay so i’m beginning to believe i was born asleep and still haven’t woken up, or caught in a day dream where my name is the answer to all your security questions. okay. a thousand years of wondering and all i can come up with is that you fell in love with me at a picnic in my imagination. the lemonade we always talk about swimming in sugar and tiny handmade sandwiches from my kitchen, your favorite, extra pickle. don’t forget about the pickles. of course the clouds march in stomping out the sunshine, of course. it was dark and there was lightning so much lightning. don’t be scared just now darling don’t be scared. in the middle of the night we only talk about your version of the story. how i’d ask you to stay, asking you to tell me what’s real asking you with my hands asking you with maps, a country called please listen to me, you should know by now that it is an island too far to sail to according to you. i know i know, who dared name an ocean lonely when all the ships are sinking. we can go back we can turn around where the sky is the gentlest shade lavender, we can go back and have a conversation that has never happened before. when everything is the color of day old bruises i won’t let you down. i promise when i get home i will count every freckle every one. when i get home can we open one of those mason jars full of fresh air because i can’t breathe. i remember that day, although i pretend it was more recent than it was. you were there in a swell of green grass in a dress that makes me blush, and there i was blushing. i’m not sure how i made it out alive, skipping the part in the song where you, long gone come busting through a doorway, through the well air conditioned living room and and across the kitchen tile, to the refrigerator where just like in elementary school, my fourth grade heart wrote all your favorite things on flash cards in the blackest magic marker so i could memorize the things that made you happiest. and you turning around in slow motion to see my face, or where my face should be, the only expression i can make anymore, realizing that you realized that i only ever wanted to be something that made you happy. suddenly you’re tired, and i’m tired too, goodnight goodnight, i’m falling asleep because it’s the only thing that doesn’t burn. i’m falling asleep to go back again. everything glitches and i’m underneath your perfect teeth. you say “i would never hurt you” and i say “just like that?” and the layer starts over again, always back to the moment i asked you in my bravest of voices if i could hold your hand. you probably don’t remember that moment, or maybe you do but don’t particularly share the same sentiment over its importance. you see, i’m always fine until the part where i have to say it out loud, and then time stops. i have always wanted to tell you that something happened inside me that night and now i’m not the same me as i was before. so if you ever cross a bridge. if you ever get my voicemail, if you need me, i’ll be sketching up the dramatic parts in my head and they’ll happen just the way i imagined just you wait you wait. the last scene the very last one, the bottom layer, knee deep in mud knee deep in i told you so, you say “i would never hurt you” and instead of saying “just like that” i reach up to kiss you and the room evaporates. so if you want lemonade and bedtime stories, if i can make a believer out of you, if you want bucketfuls of november if you want grace if you want the courage it takes to ask for grace, you’re over the train tracks you’re almost home you’re almost there. what else can you say besides “okay pumpkin okay sweetheart, in my head everything was beautiful" the doorway now filled with people who send you birthday cards saying welcome back welcome home we’ve missed you, hello. hello. the time spent waiting, chorus of rain, i only invited you over so we could make perfect sense. i only gave my hands away because you didn’t want them anymore. and days later a man with a shark tooth necklace asked if i was okay and i lost it i just lost it. all the little red bricks with their little names carved into them, how they don’t feel comfortable under your feet, how there were hundreds of flowers but somehow we took a picture of the same one the very same one, and how we can’t talk about things like that anymore, how i was sitting on a bench and i didn’t hear you call my name, shaking hands on accident with your parents hello sir hello mam, your daughter is my favorite ghost.
my book "down with the ship" is availible for purchase at sanfransiscobaypress.com / Amazon.com
Mateuš Conrad Aug 2018
.ludo savis... play nice... ludo savis... play nice:

i knew the relationship was over when i encountered her ex-boyfriend sitting in her st. petersburg flat drinking ***** with me, no, wait, it was when she started questionning me using cosmopolitan magazine quiz about perfect girlfriends on our way from st. petersburg to moscow to see metallica, while all i wanted was to listen to bob dylan and appreciate whatever rural russia had to offer... beside that? it took me quiet a time to fiddle through and find the glagolitic alphabet, the slavic alphabet before the learned greek came across "my" people, given the romans never venture that far... good luck finding an african phonetic encoding system, beside the hieroglyphs... i won't bother looking right now... not to insult, though: so much for a large phallus megalomania contra envy... Ⰶ: życie (life) is not the half of the caron ž in the form of: the acute... (ź): ździra (don't ask, seriously, the word implies worse than ***** / szmata)... źródło (source)... eh... the one-armed caron (ž)... ź... i can't explain it any further: you need to speak the lingo to keep the "nuance" alive... southern slavs treat the caron akin to ž = ż... how beautiful... given the english language has no diacritical marker application: can't exactly claim diacritical markers using only the automated hovering decapitated heads above ι & ȷ... i'm not english i'm tired of looking up h'america's *******! i don't need not fancy pants to debrief the people i'm concerned with to mind, not giving a **** about them... thanks for your jeans: subtitle made in canada... beside the whole mao shitshow of: made in china.... back in the 1990s! *******... even in terms of music h'america isn't really relevant.. it just is... and "whatever" this "is" is to be, will remain... but only as an r.e.m. ref. pointer, that requires the physical translation of the lyrics: the one i love... a simple prop: to occupy my mind.... fire! the silesian vampire... because... said so... learning about monsters is what i could only fathom, which included me... but, sorry... the glagolithic script... ⰄⰀⰏ: dam... i.e. i will give... fun fact: r.e.m. didn't sell their: it's the end of the world as we know it (and i feel fine) to microsoft for a commercial break.. glagolitic script... where are the africans? oh, right, nowhere when phonetic encoding is turning heads... **** me... even the blind are onto the affair...  i went as far back as the glagolithic script: pre cyrillic, about the same time that the latins incorporated the northern "savages" with applying the chisel to the ᚱ / R... ᚠ / F... copernican "up-side down": why do all tree (beside the pines) resemble a Y shape, a gamma? why did god compensate his existence with opiates?! refresh my memory, though, why am i drawing blanks at african phonetic encoding? **** me, the blind drew something, the deaf too... if you played the guitar, forget about reading braille... you need tender, french, fingertips.... you can't play the guitasr and read braille... mind you... encoding morse overshadows braille... but even the european blindman overcomes the fully ****-naked butter-cup sprinting *** of a black man every day of the week: i'm not here to compensate for a leprechaun's sized *****: mind you... in the hands of a porcelain ***- beauty? everything looks like a hiroshima... i just started to entertain an asian fetish... 4th knuckle mizzing... missing... the most ****** aspect of a female aesthetic? her hand... when *** & the city cited trimming ***** hair (no circumsion, really?), so no asian porcelain hands, no 4th knuckle missing?! i hate what the anglo-speaking world has become, it's this, this, this quasi-Islam.... at least i respect the Quran... but 1984, by the secular prophet of the western world? why do people still calling it: silicon vallyey... it's a ******* curtain, smart-you not seeing the replacement mechanisms of the silicon curtain: now wow... ******, where you're getting-to-go get from? any ideas?! a tehran baza?! ******. 1960s homosexuals fiddling their way past the tunis police, happy? loitering sucker-****** pansie? again... entertain me... where is the african phonetic encoding system... this is my "i.q." avenue masterpiece... i don't care about i.q. but a ******* blind man beat the african at phonetic encoding... personally?


one just simply falls, tired of the right-wing momentum regarding beauty, it's such a bothersome crtique of its generic foundation if beauty..... i hate it, this objective classicism: back to the future take no, 4; *******...

             again, where were the africans sorting
out their invetement in the slave trade...
ONLY WHITE PEOPLE
WERE BAD, CONCERNING BLACK PEOPLE...
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin ....
******! please!
ever see an african-h'american in africa?
   ******! please!
ever see an african-h'american in africa?
i said: ******! please!
ever see an african-h'american in africa?
i'd love to see an african-h'american
in africa... mouthin-off their stature...

                   african phonetic encoding....

debussy                                       chopin




satie                                              schumannn...

­and?
              there's too much of loon'don....
                   had enough of it, ****'s....
too much ***-kissing,
too much of the h'american swindle...
carelesss buggers; these brits...
******* ****** jolly-tribe
               ****-ups....
  
i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

oh sure sure, the uncircumcised man,
crucified when all the orthodox were
drunk,
                   פור day,
       drunk cruxion?!
                 lovey purin "misgivings";
what's next?

   oh sure sure, the jews would hav e crucified
me on the hill of: tel megiddo
****-heads throwing up their kippahs
into the air in some skewed form
of celebration...
       like bacchus entering
Valhalla asking: where's the mead?
    i've had too much wine...
where'y the whiskey?

   i'll keep repeating...
              talk about jews among the polonaiase?
hush hush: ****, dont want to bring
bad luck... jews in poland are very much akin
to roma gypsies: lucky charms...
but... do you see any ******* leprechauns
around? look at me: i see none...
  let's tell the joke in verse,
not the stadard: a priest a rabbi and an imam
walk into a bar...
****... is that even a joke?! muslims don't drink!
what's the imam having; cranberry juice?!

and englishman a scot and an irish walk
into a bar... the three of them walk
out on stag-duty with inflanted sheep and
speaking cymcru... terrible joke...
as all my jokes were to begin with...

         i am currently navigating,
my uncle's ex girlfriend is sleeping downstairs
on the couch,
blah blah Tuscany... blah blah prosecco...
i'm becoming suspect: she's a gemini,
isn't she? all the geminis i ever met where
extroverted self-absorbed louis XIV types...
they need to, they need to self-absorb themselves
in order to extract the sort of energy
associate with rhetoric,
   and how they constantly digress,
there's always a sub-plot to the plot... nay,
there are always sub-plots...
          great company, i mean...
when a person speaks all the time there are
no awkward moments of silence,
until the said person tells the "eager" listener...
play some music...
she's a warsaw girl, so she's a pretty learned
in the ways of the world,
i'm just an ostrowiec commoner...

    oy vey! oy vey: she'***** 40 and lamenting...
i too complain about my uncle...
she had an abortion with him...
i once talked with my uncle about music
while he surfaced at mrs. roshandler's back garabe...
we ate sri lankan fried chicken wings and
chips and listened to californication
for the very first time...

   abundance of hope in Tuscany...
"apparently"... but if you have ever watched
a woman, borderline on asylum incarceration?
i was looking at one just example...
  it's not a pretty sight...
even when she asked: how's *** and business?
i'm a monk...
          or at least i tend to...
even if she came from a stock of
failed relationships: fine fine...
            now?

i served up decent food,
a malvani and a tikka masala curry...
          naan bread,
     turmeric infused rice,
vanilla cheese cake with strawberries...
she enjoyed it,
i like to please people...
    mind you: ever see a slim chef?
i wouldn't trust a slim chef,
i never have, i never will,
you need some chubby chub chub rounding-offs...
mind you: i much prefer cooking
food than eating it,
but i would never trust a chef associated
with a c.o.d. associated with counting calories...
never have, never will...
two noteworthy proverbs:
1. too many cooks in one kitchen =
no decent meal is being made...
  one cook, one couldron, that's your best bet...
2. never trust a slim, athletic cook...
those ******* can shove their kale
       smoothies....
they can slurp up those smoothies
turning their ***** in straw ******* vortexes!
i'll cook on lard trimmings,

em....
  [9] - [2] - [6] - [3] - [8] - [1] - [4] - [5, 7]?
that's when the sudoku puzzle was filled...
all the nines... all the twos... etc. became filled
in the 9 grids...

well...
     "apart" from: my uncle's girlfriend:
i've been living in englamd
for nearly 30 yeasrs...
i've dated a french girl,
an australian, a russian....
but u've never dated an english
girl: i guess they much prefer
aged pakistani grooming gang
members....
            i guess:
**** gasoline on them,
they're all readied and geared up!

braille contra morse?
if you want to play the guitar?
forget the braille....
you need tender fingertips
to read braille...
morse? nit so much...
here's a comparison...
i see!

    a.:   ⠓⠑   ⠺⠓⠕
                       ⠎⠑⠑⠎
    ⠊⠎       ⠁⠃⠇⠑
                   ⠞⠕
                                     ­   ⠗⠑⠁⠙

b. play the guitar and learn to....
read finger tip braille, ******....

· · · ·  ·         
· − −  · · · ·  − − − 
· · ·  ·  ·  · · · :
                  · ·  · · · 
▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄ · − · ·  ·  (a / b)
      −  − − − 
                   · − ·  · ▄▄▄▄▄▄▄ − · ·  (a)

(he who sees: is able to read)...

           i can attest...
             i would find myself readily reading
morse in braille,
than braille by itself...
                far more easier.

finger-tips... i'd sooner read your morse
as braille, than braille as morse..
Anna Thorpe Oct 2015
You took a permanent marker to my heart,
Scribbled your name like I was property.
You wrote lines in my mind,
Professing your fears and dreams.
Words so black and bold,
Reminding me of all my beauty.
You underlined everything I'm afraid of,
And blacked out all my sad memories.
You quoted my thoughts on love and life,
Highlighting your favorite parts.
You circled all my deepest opinions,
To bookmark them for a later date.
You left bullet points full of reasons,
Why you take my breath away.
You numbered my favorite words of wisdom
Just so you would always remember them.
You took a permanent marker to my heart,
And there in bold black ink, forever left your mark.
Emanuel Martinez Mar 2013
If (WO)men are the ones that suffer an exacerbated amount
Of the violence, the ****, the abuse, and everything that comes
with and from struggle and alienation;
it is because of their femininity that men at times
have come to believe that their contributions soften institutions.
That at times throughout history neither capitalism, neoliberalism nor revolutionary experiments like that of Cuba have placed femininity as compatible
with progress or resolution.
In which case femininity must be hidden, silenced, or displaced with no purpose or place to belong.

Thus everyone closely associated with this femininity such as homosexuals, transgendered (WO)men, and "effeminate" males, (ignoring, subverting and negating the lesbian identity because of their gender) have come to be marginalized by a structural system of exclusion.

(WO)men carrying the highest burden for originating the associative distinction

Homosexuals battling to find love by constantly having to assert their masculinity

Transgendered (Wo)men afraid of expressing their through identity.

Lesbians fighting to legitimize their own identity separate from the directives ascribed onto them by virtue of being born women.

Males who are labeled effeminate because of their sympathy toward those who struggle and are alienated.

And every other individual who refuses to deliver to give a marker to their identity and a degree to their femininity.

Hold fast in your femininity and embrace the rancor that society grants you
As a homosexual I speak with you brother and sister, not for you

Realize that our self-ascribed degrees of femininity and identity are as revolutionary and transformative, and thus necessary, as those of Che Guevara, Mohammed Ali, Harriet Tubman, or the Dali Lama.

That because we have decided to embrace our degrees of femininity, problematic to any movement, at one point or another, we have inadvertently decided to align our selves with those who are alienated the most by the systems in which they live.

So that in this way we must make our struggles deliberate and political. Let our degrees of femininity become legitimizing banners of solidarity for anyone who suffers in any corner of the world.
March 10, 2013
SEN Jun 2020
pain is a permanent marker
unremovable like coffee stains on carpet
undoable like stomach knots
unalterable like bad surgery
unwanted tattoos tell the truth

reminder of pain imprints in flesh
indelible ink writing on private parts
ingrained in memory like ***** rings around a tub
surgery scars reveal new skin

entrenched in the brain
pushed to the back of the mind
pain recorded, hidden, collated, undeleted
recycled every 14 days
triggered by foul smell, bad tastes and bitter tea

badly drawn with a pen
pain is a permanent marker
forever and binding
Alyre Collette Mar 2013
The beginning of this story is pretty hazy, I’m not really sure I remember how the whole thing started but when it was happening it all seemed to make so much sense.
The first thing I remember, everything seemed normal enough, I was probably just going about doing the same things I do most days, nothing special. Then all of a sudden this terribly great thing happened. Everyone was talking about you.  Something important going on and you where right at the center of it. As I later found out you had gone missing or run away or just vanished, nobody knew. I defended you when they said they had seen it coming, that they had seen it in your eyes. I knew better than that. This was a place of loners and lovers, no families allowed, all the families had to go somewhere else, or at least they did.
I remember someone important, the Mayor maybe. He was like a cartoon villain, suave in a gray paper-perfect gray suit and silver hair slicked back just enough. He had a big smile and teeth like snow on a sunny day. He was a game show host villain.
He was the one making the biggest fuss about the whole thing. Always talking about how we shouldn’t feel ashamed of you for running away or that we should pray that you be safe wherever it was you had gone. But he just had those big phony teeth.
There was something going on with friends, at school I guess, like they wanted to keep talking about it but I didn’t. I knew you were coming back, how couldn’t you. I tried to explain to everyone that there was no way in hell I would be that cruel to myself, but they had no idea what I was talking about, they thought I was losing my mind.
You remember that time we tried that one drug and things were not as great as you expected. That night we thought we were both going to lose our minds. This time I wasn’t losing my mind. I had all the confidence in the world.
There was a lull midway through, I had no idea when you were coming back and I was starting to get annoyed with all the people around me. I couldn’t believe they were still making such a racket about the whole thing. They weren’t even like real people, they all had these defining characteristic which became their entire personality. They were caricatures of real people but I didn’t have the heart to tell them. I didn’t care enough to bother with figments, how could I?
Then suddenly the whole thing was different, there was some new great event going on. Everyone had gathered to some great big open amphitheater. All the seating was facing a big fancy stage with lots of lights on it. Behind the stage were hills. Everyone was talking about them, those where the hills they said you ran out into. As it turned out that was the reason for our being here. It had been like a hundred years or something since you had run away and everyone had come for a ceremony in your honor.
The whole thing was absolutely awful. It felt like we were there for a whole day, and the mayor was speaking for over half of that. Everyone was so captivated by his teeth and his suit that they barely heard what he was even talking about. They all acted as though what he was saying was breaking their hearts though, some even seemed genuinely inspired.                                       
The ceremony was going on and I was pretty done with the whole thing, I could feel the end coming. There was some pause in the speeches and all the seat sitters went to go freshen up. I took my chance and just ran out into those hills.
This was the best bit. All of a sudden I was in these hills, there was nothing but mountains in the distance and the stars were like light fixtures. They shone with color almost but the moon was so big and brilliant that everything was that perfect dim blue-silver color. By that light I could see the wind dancing in the knee-high grass, not like waves but more like snakes. I felt like a dumb rock when all I wanted was to be smoke, dancing with the wind.
Then you came down from the sky, you showed me all the dazzling swirls and swoops you could do and left all these crazy colors in your wake. When you finally settled down I saw you skin was like orange flame, soft like a marker drawing, moving around you like a flaming teardrop. Your core was all blackness and depth but I knew it was you. Who else would it be?
We hold hands and you fly us back to that big stage. We wait behind the curtain and we hear the mayor come on one more time. He’s telling the audience about one final display to tip off the ceremony, a dazzling light show preformed by a secret guest. I look at you in surprise but before I know it we’re making a run for it, speeding up those long aisle steps, up towards the exit doors at the top. Everyone is speaking about it at the top of their lungs but I can barely hear them over the sight of you. Your colors are all falling off and I can see your features being revealed as flakes of light peel away. We burst out the double doors and down some hallway. Out into the bright sunlight and I still can’t get over how beautiful you are.
And that’s how it ends.
Carlos Andujar Oct 2019
I thought your eyes I could dismiss,
And your smile I wouldn't miss,
But I still feel your lips
Giving me a permanent marker kiss
Nat Lipstadt Sep 2018
“leave at your own chosen speed”

always,
Dylan inserts a phrase that haunts,
indestructible permafrost,
played in slow and ever slower reverb all life long,
for it’s intuitive and you recognize it too well
as the best companion to the sour ending of another love affair

(but! this one differs; called love yourself)

the sad of a dying love, remembering the steady drift away,
capped by a casual remark that doesn’t sting but
cuts a Y on your chest, a lover’s coroner courtesy,
the bad humours permitted to at long last healthy escape

you’re staggered but say nothing for
speed
is a changeable elf, a mischievous devil,
requiring constant monitoring cause you moving,
but the speed limit alway a reflection of the road you’re on

speed is a tag along to show the overall fit still works,
though now far from the obvious and familiar
and the inspiration modifies,
so you retrofit untill the parts are incapable of
bending to new demands, contours unfamiliar, old plans no good

“leave at your own chosen speed”

for I am leaving you as I leave myself,
beaches erode,  lighthouses corrode, the salt cannot be refused,
the earth demands your return as the lease is deemed
non-renewable and the space where the date shall be inserted,
is parcel of the contract and though blank, certain to be fulfilled

the body erodes, the ***** parts corrode,
and this season of the new year^ comes with the usual disclaimer
recited on the tenth day from today

‘who will live, who will die,’^^

taught to you as a young-in, a child who can comprehend
even before manhood arrives, comprehend that life ends,
all good things and it ain’t no use, born compromised, but
“don’t think twice, it’s alright”

the slate you have written overdue for a prudent clean wet erasure,
so you begin to leave at your own chosen speed,
which is kind of nice, even cool, organizing your papers,
write with contented softness that so long eluded,
now come easy heady peasy

after a life of reciting poetry, good bad and always too long,
the pressure is on and off, side by side, even a dimming bulb
sheds some light, revealing what yet needs revealing


that Day of Atonement annual visitor,^^^ he/she of impish humors,
makes Pandora play a new station,
‘dimming of the day,’
reminder that it gave you a piece of an unowned heart to hold,
leased temporarily but the temp is roaring,
who, boo hoo, for you?

life and love is all about leaving,
the pen in penitent gone dry, no refills in this new world,
wish that **** rooster would stop crowing at
the break of sundown,^^^^  when I'll be gone
I'll be travelling on, for when the new day begins,
that’s my own signature personal gravestone marker,
the sundown poet
------------------------------------------------------------­-------



~the first day of the new year on the Jewish calendar
  Mon, 10 September 2018 =  1st of Tishrei, 5779

  Rosh Hashana 5779
^ see https://en.m.wikipedia.org/wiki/Yom_Kippur

^^ see poem  https://hellopoetry.com/poem/1833523/for-leonard-cohen-who-by-fire/

^^^ see poem https://hellopoetry.com/poem/462537/how-i-observed-the-day-of-atonement/

^^^^ jewish law says the day begins at sunset till the next sundown
Strawberry Jones Dec 2012
I walked in
all young and awkward and kindred spirit-less
with a name tag that read
in black marker with my bad penmanship
that only comes on your first day of a new place.

I walked in
and a nameless face greeted me
strange as he was
and asked if my name was Strawberry.
"It sure looks like it, doesn't it?"
I replied courteously.
And so they called me that.

I walked in
months later
to my first weekend with people like me.
and I liked it.
and they all called me Strawberry.

I walked in
on several different occasions
and I grew into my name
as a plant will grow to whatever container
you put it in.
and so people loved me.

I walked in
with an air of summer
an air of sweetness and bitterness and
****
but they still loved me
even more.

I don't know what I will do
when I walk in
my first day as an adult
and they ask me what my name is.
I could tell them "Strawberry,"
but they would laugh.

Adults do not understand
the sweetness and the bitterness
the ****
as only kindred spirits can.
Clive Blake Aug 2017
There was an old wreck-marker from Fowey,
Who had been at sea since he was a buoy,
But when his mooring wore through,
He went where the wind blew,
Ending his days on the beach - as a toy.
Fowey is pronounced Foy; as in boy
Jayanta Apr 2014
‘We live with forest’ and ‘forest live with us’!
Tallest tree of the forest is the symbol of our hope,
The Python is our messenger of past,
Blossoming flower of grassland are our depiction of smile,
Birds are the our fortune teller,
Earthworms are our marker,
Butterflies are our messenger of worship,
We design our life with them,
They are our image of clan and family,
We can’t live without them,
Our aspiration is tuned with their respiration,
We are cheerful with them!  
                
Now, out of the blue, you arrived
and say we are poor!
So, you will build industry for us and give job to us!
But for that,
You occupy our land, our forest, our friends and respiration,
We never thought!
‘You are such a pitiable’
That you can’t build anything without our forest,
But you say, ‘we are poor’!
*

Please, go away from our blessed place
Don’t wipe out our friend!
We are rich and happy with the blessing of our friend
There is no need of your industry,
Please go away
Leave us alone we will design our destination.
There is a community called Khasi, inhabitant of State of Meghalaya, India. The Khasi matriarchal society has a cultural system, where they consider forest as sacred. They have clan forest, village forest, community forest in every village.  There is a saying that “Khasi live in forest and forest live Khasi”. Their lifestyle is designed with cycle of nature and nature stewardship is vivid in their day to day life. Now, different groups are coming up to the area, started to destroying the forest in the name of mining and industry. Ecosystem people of the area trying hard to raise their voice, but no one care about it. In every visit to the area I am becoming helpless!
KKM May 2014
We are born free people, yet there are always restrictions.
We choose if we want to break them, whether with facts or through fiction.
Whether on walls using diction,
Or any crawl through confliction.
And no amount of chains and barriers
Will restrain us, no contradiction.
We understand we’re not on ice,
That there’s always going to be friction.
As expressers, fighters, artists, world changers
It comes from an Italian word, meaning scratch.
Look at it again and a whole new world
Has hatched.
The term graffiti, referred to the inscriptions, figure drawings, and such, found on the walls of ancient graves or ruins, as in the Catacombs of Rome or at Pompeii. Use of the word has evolved to include any graphics applied to surfaces in a manner that constitutes vandalism.
75% of people think its vandalism.
Toronto spends one million a year on graffiti removal.
When artists get back in the game, they haven’t given their approval.
Why don’t you use that money to feed the thousands of poor in society?
Instead of worrying about the art that the citizens need to see.

I never got A’s in elementary school art.
Getting marked on art still sounds like you need to be smart.
But graffiti doesn’t have to mean anything,
Not every letter is a symbol.
There are complications too but it can also be simple.
Almost every kind that I saw on the streets
Took a soft place in my heart, eventually turned concrete.
Let me reel back to grade 10 when I actually took art courses
In the media arts classroom I was taught people as my sources
Banksy, JR, Sofles, Katsu, Kidult, Shepard Fairey.
After my first graffiti assignment I understood clearly
What would happen if you brought a spray paint can near me.
The reason for graffiti is a simple one,
Not always about rebelling, or having fun.
Every artist craves to paint in his or her own way.
And all of us have messages that need to be portrayed.
Like, I was here, I’m alive, let me leave my mark.
This city is mine too, and I want to give it my spark
I belong, I have a voice, and I crave to make a change
These walls are too voiceless when it comes to the speaking range
My love for social justice brings in political ties
Through graffiti one can tell what country thrives with lies
It gives any surface a story, makes it come alive.
Change the system if you strive, until justice is revived.
To try to help the oppressed,
The shapes and lines were mine,
But they’re the ones on the line,
And to sit and do nothing would be an even bigger crime.
I even changed my initials to KKB
The B is for Banksy, its everywhere you see me.
My email has a Banksy, my Twitter did too.
Graffiti is my life, though you already knew.
Humanity is lost within the walls that we made
Graffiti brought it back to me,
And like the ocean did I wade.
Inside the political aspect that structures our brains
And the society that gives us money to drain
All the false information and the things we don’t need
Gives me hope to find these messages written on the streets
Sometimes freedom of speech isn’t so free at all.
But if Facebook deletes posts, documentaries have biased calls,
There’s another way of speaking, even if we fall,
I love how it’s not typical; no tag is the same.
Its breathing life on the walls, not stuck in a frame.
It stands out.
Stands outside of a museum where you always have to pay.
To see something that may or may not catch your attention right away.
That makes your head sway,
Give you some kind of reaction, moves you to action.
Not something you have to think hard about,
There’s little analysis needed, a splash merrily seeded.
Its urgent, its in the moment, for realization.
Once the message has been received, it’s an artist’s confirmation.
I integrated graffiti as a part of my every day life, including school
Drew it in math projects, French presentations, writer’s craft essays, it was my arts night welcome sign tool.
I will carry this with me through university
And it’ll take me further in the arts industry.
When you walk by graffiti in the street, do you ever take the time to notice it? Like, really notice it? Do you ever think about the person behind the spray paint can? Writers are not only being underappreciated for their talents, but they’re being harassed, looked down on, all for no reason. Do you know any of their stories? Do you know what thoughts and feelings sprayed out of the can when the paint hit the wall? Do you ever think about the history behind the art? To breakdown the styles of graffiti, here’s a simple introduction. There are tags, the simplest forms of graffiti. A signature. There are stencils. There are stickers, also known as slaps. Wildstyles are also used, and they’re more intricate, more colourful, and harder to read. It’s a particular style of writing developed in New York City. A piece is one that takes time an effort, and requires more than three colours. A blockbuster is used to cover the most space in the least amount of time. And a heaven is a piece that’s put in a hard to reach area, like the tops of tall buildings or on freeway signs. There’s the style bubble, old school, brush, abstract, bombings, whole car, ignorant, landscape, realistic, billboard, cartoon and sharp as well.
A sense of tranquility seeps into my veins every time my marker hits the paper, full of energy, full of hope. Starting graffiti was a way to combine my passion for speaking out against oppression and my love for the arts. Even though my work is not displayed on the streets, it has the same style, and it may not have the same effect but it counts as an escape for me. It doesn’t make me a graffiti artist, and some would even argue that doing canvas work kills the purpose of graffiti but I always want my work to make an impact on people no matter which way I do it. It’s something I love to do, and anyone can take that any way they desire. There are stereotypes that I’ve had to battle, but in the end, I know my true intentions. I don’t need to make a name for myself. I don’t need to create a reputation for myself either. True, this is not real graffiti, but that’s as far as I choose to take my fascination. I do it because of the escape it provides for me, the sense of freedom, and the sense of power in my markers.
These are the little movements of writers, all of us trying to get at revolution. Art is not supposed to be limited in frames. That’s why to me, the streets are some of the biggest forms of freedom – do as much as you like, however you like, all free. The poor and rich all have to see it. No one can avoid the message. It is not only artistic expression; it’s a protest. A scream of anger and emotion aimed towards public spaces. Graffiti artists did not start the war, they just respond to defend our vision of what graffiti and society should be: free. A battle against commercialism and a way of saying ‘no’ to materialism and society’s over consumption.  To the government, you are not the only ones who own these cities. What about the rest of us that do not exist until we leave a mark of our own? This is a game of action and reaction, if you will.
Taking care of our society is our obligation. That means changing anything harmful to us with every mean possible. Graffiti seems to offend a majority of society but if we took the time to appreciate and understand, a lot of good can be done if we turned the negatives into positives. So if we aimed for change and acted on it, especially with art, we’d be much less stressed. More often, we’d just remember, to stay blessed.
an assignment for a writers class. i made a video, but this is the word version (:
i'm standing by the marker stone
feeling wind upon my face
listening to the echoes from the grave
i feel the tears freeze on my cheeks
from the wind upon my face
as i listen to the echoes from the grave

I'm in a darkened corner of the graveyard
It's overgrown and not well kept
It's been a long time since a visitor
Has on these markers wept

I feel the spirits all around me here
I hear their voices on the wind
There is not a single angel here
These are souls who all have sinned

The grass has grown halfway up the stone
You see the name but not the years
It's been decades since any marker here
Has been whetted down with tears

I tend the grass and **** growth
Cut it back right to the ground
And except for ghostly echoes
I do not hear a sound

The man here was my father once
Though I don't recall his face
But, here he lies, worm food and dust
In this long forgotten place

The voices of other souls do float
Waiting for someone to show
But, their families died out years back
And those left, they do not know

I hear them as they call out names
Frozen snippets lost in time
And though I am on my father's grave
Nobody calls out mine

i'm standing by the marker stone
feeling wind upon my face
listening to the echoes from the grave
i feel the tears freeze on my cheeks
from the wind upon my face
as i listen to the echoes from the grave
nabi 나비 Jan 2017
Warning* This is not a poem, by any stretch of the means, if you don't want to read a story then skip over this.  If you are against any part of the LGBT+ community, skip over this!! If you would like to read this then keep on reading and thank you very much

       Coming out is terrifying.  Figuring yourself out in the first place is absolutely scary, but then telling everyone what you've figured out is even scarier.  Here is my story.
      My story starts in the 4th grade.  I remember I would be at choir concerts and I would be in the audience watching with my family, and I would be staring at the girls.  Because they had such pretty dresses, and gorgeous makeup, and long flawless hair. And I would pay no attention to the boys, because the boys aren't pretty like the girls are, they aren't pretty at all to me.  Then suddenly I noticed that, and then I remembered all the girls in my class talking about how cute Johnnie is and I sort of connected that I thought Sally was a lot cuter than Johnnie or any other boy in my class was.  
      Then I remember going home and sitting in my room and being determined to figure this out, because this is weird.  I've never heard of a girl liking a girl! That happens?!?! If this is real then why haven't Mom or Dad said anything?  So I sat down in my room and I got a black, blue, and pink marker and a piece of paper.  On one side of the paper I drew a boy in blue and on the other I drew a girl in pink.  In the middle I put the word or.  But I didn't know which side to circle, so I folded up the paper and hid in between my closet door because it was open but you could put stuff in between the doors without anyone seeing it. In a month I found the paper again, and this time I knew which one I was attracted to.  So I grab my black marker and I circle the girl.  
      I don't really remember how much longer after the paper incident that this next event happened, but I know it was 4th-5th grade somewhere in there.  I had my best friend over, I think it was for a sleepover. We're gonna call her Ally. But I remember me and Ally were just hangin out in my room.  I look over at Ally and say 'Hey, Ally I gotta tell you something' and she's waiting for me to respond.  So I say 'I think I like girls.' That's all I say, nothing more.  Ally goes off repeating that it's wrong and that it's not right and that I have to like boys otherwise something is wrong with me, and is just going on and on when I just jump up and say 'JUST KIDDING, it was just a joke calm down'.  Then we just laugh it off and then she makes the comment 'if you did like girls i'd be okay with it, but i wouldn't be as close to you because i'm a girl too'. That really hurt me, which caused me to internalize all of my questioning thoughts and try my hardest to forget about them.
        Now it is middle school, during middle school I dated 3 boys.  We are going to call them Jona, Chris, and Lucas. I dated Jona for 15 months and our "relationship" was more like a friendship with fancier terms.  I'm buddies with Jona now so it's all good.  Chris didn't last long so that doesn't really matter.  Lucas!!!! I dated Lucas for 6 months and during this time I realized that I really was attracted to girls and I couldn't keep hiding it.  I realized this because Lucas was my first kiss and I was not into it AT ALL!!! I just wasn't, I tried i really did.  But I just was never much into the dude thing! Nothing against him at all, he's a really sweet guy and I'm really close friends with him now. But after I had my first kiss, I pretty much was like girls are real pretty and the dudes im just not into that.  So I sorta just slowly stopped talking to Lucas, and I ended breaking up with him.
       But I was scared of being judged for being completely lesbian, so i came out as a pansexual because i thought people would be more accepting.  So I came out to my sister first, I have 2 sisters and i came out to the one that is a year younger than me ,Izzy. Izzy was in the living room one night and i walked out there and i said 'Izzy, you'll love me no matter what, right?' she replied yes and just asked me what was wrong repeatedly.  Then I was like I was thinking and just needed some reminder.  Then she followed me to my room and harassed me for an explanation.  Then I came out and said 'Izzy, im pansexual.'  Then I explained what it was and the first thing she said was '***, NOW I HAVE A GBF!!!'.  I felt so much better after that and i was just so relieved.  After that i came out to my Mom, friends, and my other sister.        
After 3 months, I revealed to my mom that i was still confused because I leaned more towards females and that at that moment i was just using pan as a label but if it changed to not be surprised.
        Around a week after that I gained the courage to come out to my Dad.  I honestly don't know why I was so scared to come out to him, but I was and he was around the last one to learn.  So I walked into my parents room and was just talking to Dad, I had my mom stay in the room just to lessen my anxiety about all of this.  Then I brought up the topic of the LGBT+ community, dad and i talked about it for awhile.  Then i said 'dad, i mentioned gays because i like girls'.  then my dad went on a list of analogies but in the end he was okay with it.  Actually my dad was the most supportive about it right after i told him he was so okay with it and it made me so happy.  Although my dad was upset because i was scared to tell him.  After I came out to him, I pretty much just admitted to being a full blown lesbian, and it was all great and dandy and everyone was happy.
       Then it was time to go back to school, but this year was the year I started high school.  So I was a freshman who had just come out as a lesbian to all my friends and family over summer.  So not many people knew that I was gay.  But then I become friends with this girl, I really liked her.  I was at a friends party and she was invited and after that party I couldn't get her off my mind.  (I know this seems like it's going off track but it will connect soon) I figured out that we have a class together and we started talking.  
        At the party I mentioned the whole being gay thing and she was okay and very aware of it, and one day she went to my locker after school.  She had been doing that a lot and gave me hugs to say bye and stuff but i completely overlooked it because i don't know what flirting is. She was at my locker and i decided to put my big girl pants on and ask if she liked girls.  She responded with i'm pretty much cool with anything (pansexual). Then she asked me to the dance, I obviously said yes and wigged out when she walked away and immediately texted my best friend in florida (Ally).(Oh BTW I came out to her over summer over skype and she's completely chill with it now, we are still best friends and she doesn't mind at all) So we went to the dance and she asked me out.  I said yes, wigged out some more, and then danced some more with my friends while she talked to hers for a few minutes.  Fast forward to the few weeks after the dance.  We had been walking down the halls and hugging so everyone figured it out.
         That's where we are today.  I am still dating the girl, i've met her family and she has very nice parents.  All my friends know that I am lesbian, and they completely accept me.  My family knows, but when I say family I mean my household family.  My grandma and great-aunt know, but besides that no one else does but I don't really need them too so it's all good.  But I am so much happier than I have been in a long time.  Yes, relationships are so frickin stressful especially if it is one with the same *** and you've never had one of them before.  So if you are in your first relationship with a girl, take it slow.  But if anyone is in the mindset of coming out, first make sure that it is safe for you too before you do it.  If it's not safe you can't, be safe about it no matter what.  You'll be able to be open about it one day, but make sure you are in a safe environment.  But if it is, yes coming out is the most stressful time ever! But in the end it is the most rewarding thing, to be able to openly say I'm insert your label(s). It's an amazing feeling, yes you might lose some people on the way but if they won't accept you for the real you then don't even deserve you.  So my final thing it, you are an amazing human, and if you come out you are the strongest being and you have earned my utmost respect. If you haven't, you've earned my utmost respect because it's heart wrenching and I've been there, but you will be able to bloom one day my little flower.
For the sake of privacy of anyone who may know me reading this, I've changed all the names.
Hal Loyd Denton Nov 2012
We know not the times or the gifts that are ours specifically and unequally you see someone at a
Distance walking through a pastoral scene away and down a hill at first by voice recognition you
Know who he is this grandfatherly figure brings a flood of feelings and moods to brush your soul
With the telling of wonder of intimate days and moments you have shared so often you smile as
He naps quietly and then a night comes where for one reason or another you get involved and the
Whole night is used for this activity the next day being Saturday you relax and in the late afternoon
You at first just set for what you think is a moment but the previous night delightfully and pleasantly
Catches up with you sleep affords you this non cumbersome trip of ease and you awaken and it is dark
At first groggy disoriented just like in a dream this logical but off answer is provided then you finally
Figure out what is going on what surprise and pleasure to know you have been ambushed by a slight
Tiredness that robed you in sweet bliss then trimmed it in solace you stir yourself and do minor things
Until it’s the bed time hour but instead of the normal lights out its turn away from the computer shut off
The television **** all the lights but one and then just purposely luxuriate in the soft amber glow it
Provides set the rudder to take you to sweet wonder as you drift to unspoken destinations these are
Truly simple joys where the need to be careful comes in we know even creation and all its splendors are
Fragile a great rush of water with four feet of foam froth and power charges down it has a twin that is
Separated by this mass of rock that rises upwards of fifty feet the water falls over it in a different way
These strings of water that cover the face from one side to the other and they are accompanied with the
Sweetest mist so you have this forked water show on both sides of powerful water all this glory of white
Power rushing then falling and then the center piece contrasted to this sense such power and mass and
The water is shear as it tenderly descends the mist is truly natures kiss the sound is the embrace the
Engulfing privilege we possess and own as humans but this could be harmed and ruined in so many sad
Ways thats why we are extraordinarily careful we want to preserve it for all times as human beings my
Friends we also can by indifference and lack of understating can harm friends that in their own right
Are spiritual streams that come from great spiritual head waters that were pristine and then one greater
Than all of us caused such harm and destruction in the purist place a garden I wrote and posted Fertile
Ground the great mind of Lincoln said in his day and he meant it for all of our history a nation as great as
Ours can and must be sustained yes our armies and navy are a part but in his speech He says if
“Destruction be our lot we must ourselves be its author and finisher as a nation of freemen we must
Must live through all time or die by suicide what constitutes the bulwark of our liberty and
Independence it is not our frowning battlements our bristling sea coasts the guns of our war steamers
Or the strength of our gallant and disciplined army these are not our reliance against the resumption of
Tyranny in our fair land all of them may be turned against our liberties without making us stronger
Or weaker for the struggle our reliance is in the love of liberty which God has planted in our bosoms our
Defense is in the preservation of the spirit that prizes liberty as the heritage of all men in all lands
Everywhere destroy this spirit and you have planted the seeds of despotism around you own doors
Familiarize yourselves with the chains of ******* and you are preparing your own limbs to wear them
Accustomed to trample on the right of those around you you become the fit subjects of the first cunning
Tyrant who rises” sound words of wisdom that benefit all men we can’t release our responsibility and
Expect a continuance of our freedom this is careful part of this piece Thomas Jefferson had this to say “I
Tremble for my country when I reflect that God is just and his justice cannot sleep foe ever” what more
Prized possessions do you own than family and friends but if we deny and ignore our duty to be men
And women of righteousness how can we complain when civil authority in all manners deteriorates it
Can stand on no higher moral ground than we the people ourselves maintain we are the streaming
Waters of good or bad that flows through relationships ungodliness is a reproach to any nation by their
Fruits they will be known like it or not eat sins treats fine but know this the soul that sins it shall surely
Die it is a law an all living and loving father died to make sure no one could be a tyrant over you only
Yourselves hold that power every devil in hell can assault you but never can he claim victory until he
Sees the white flag of righteousness flying and it is saying I surrender my life of freedom bought by the
Pure sacrificial lamb God’s own son you could practically tell he was human they whipped him with a cat
Of nine tales with metal and bone he struggled down the Via Dolorosa each step declared your freedom
The song says He could have called ten thousand angels and it wasn’t nails that held your Savior to that
Cruel cross he had the ability to see everyone of us he knew how bitter and hard life would be if you
Walk it without him He said my burden is light and my yoke is easy it might sound obscure today but it is
Just as real walk beyond his love in disobedience and you will be punished by the god of this world and
Then he will take you to his fiery home as his subject I wrote before you are his greatest trophy he has
You on display in his lair because you are the greatest treasure God has not golden streets
You fist loved me and my brothers and sisters the tears that I cry in private it says this is doing the work
Of the savior increase my tears and sorrow because too many of them are hurting and know not your
Comfort lost in a savage world not any longer their own a usurper took them captive love replaced by
Cruelty is their lot if they could only see your painful longing as you look for them to come home every
Day they would truly break ties to this fallen world and fly to your presence they believe the lie that they
Have it figured out what sadness they are left with and they never have tasted your sweet spirit they
Mistake the boundless love they feel as if it were your spirit of intimacy outward love doesn’t reach
Inner depths satisfying to the point one person who cried stop no more I will die his love is truly deeper
Than the sea even the universe and Carl Sagan a man of science he was an American astronomer
Astrophysicist cosmologist author science popularizer science communicator sounds impressive but the
Reality he had an assistant and she had to be brilliant to a degree to be working with him but she was
More she was a born again Christian many were the years she loved and sought to help him not to just
Love the Cosmos but love the one who made them her persistence was to no avail you can make a god
Of many things even science how tragic he can be a warning guard your heart and you will preserve your
Soul

Going to include Fertile Ground that includes Streaks of Jefferson and Most Hated Twins I put on there
Lincoln said we should read such things

This important if you haven’t read it

Fertile Ground
O thou great Jefferson in whom dwelled the fidelity of a nation of free men.
Thy secretes can be viewed as we watch you live and breathe the life of a grand Virginia planter
When one is a student of nature and observes its subtle lessons becomes its master and ally. The next
Step of going to lead men is reasonable when taken into count the natural gifts that were refined in
Quiet fields and hills in lengthy times of treasured solitude that is not to say there won’t be difficulties
But to a merchandiser of lofty thoughts this is of little consequence. There are issues that must be
Divined through the protracted business of hard arduous study. Man’s soul drifts in and out of the valley
And hills taking unconsciously truths that exist they are everywhere but can be buried in life’s clamor.
To purposely walk across a field with your with your senses open will usher you into a place quiet
Unsettling if you are one who is uneasy in your own thoughts because the vistas will allow your mind to
Extend it to the far reaches ordinary thoughts will jump over conventional restraints and give you
Profound insights Jefferson graduated from this school of higher learning for this very important time
This man of stature arose he flung freedom’s door wide open walked through set down at his desk and
Masterfully penned immortal words, to this day time hasn’t diminished any of their importance or there
Revered excellence this document would go unparalleled in type and execution, in forming the basis for
Human conduct it would forever alter the landscape that that had existed before its grand arrival.
The stinginess of former centuries were at long last over the mind had finally
Liberated the body the willingness to do for one’s self had taken the lead there was no
Turning back, these actions would recommend them as a people. Their credentials intact now they were
Ready for the world stage a new birth of nobility walked into the human condition and it wasn’t
In the least bit hesitant to speak thoughts that had long been silenced.
The trouble today stems from the lack of understanding we have about the truth,
Of what oppression would be unleashed if our form of government would be allowed to be dissolved we
Love the dream but deplore the reality. That this system will only work when we are involved. It has a
Built in detection device, you can’t use its rewards without paying it back with service.
The results will be contagious you will be left with a weak sickly government.
The remedy simple everyone has to be its central guardian.
This does not mean that it is weak this was the way it was created it is as strong as you
Are willing to have it know this it will always be dependent on human involvement.
We might not like it but we are making a choice freedom will be loosed or bound by our decision.
The product that we deal with is very supple and ever changeable it becomes whatever form you pour it
Into this is in accordance with its nature it also is a gauge of those that handle its virtues and shows if
You have had reverence or contempt. You will be left with honor or disgrace did you carry forth the gift
Or allow it to waver the children of the next generation are watching.
Streaks of Jefferson
In freedom’s blessed glorified sky through streaks of immortal gold his visage we behold
He looks upon the fields of liberty that he and the founding fathers sowed he sees the
Richness America has become he also beheld her struggles catastrophic wars abroad
And the most painful the one that divided the nation marred it with southern and northern
Blood saw the affable the sad giant Lincoln take the reins of discontent hold them by
Shear will and with uncommon sagacity guided it back in line to fulfill its destiny as the
Powerful fount that would always pour forth waters of freedom for all of earths peoples
Total unconditional acceptance of liberty and all the fruit it bears to establish a
Government like no other this golden grain has waved under bluest skies and brightest
Sun light its rich harvest has gone to darkest prison cells Mandela was sustained by it
For twenty nine years and by its moral purity it fed the lives of those that over threw
Apartied and Mandela finally freed by principals it avows rose from prison clothes
To wear the mantle of president of his country and the honor of the man instilled
Quality that transcended political office Jefferson not to be disrespectful to his progeny
Whispers today’s politicians could do well to look on this African model of good
Stewardship of public trust with that Jefferson faded back into the mist pray that’s
Not the fate of this country
Most hated twins
Who are these two desperate characters revered but feared by all
To make their acutance few will volunteer those who know them well
All can tell by the drawn face and the tears that swell the pool where wisdom has her rule
Achievers welcome them as honored guest they withstood the test now they the richest blest
At mornings first blade of light they strike with all their might they the quickest to fight
Timorous to afraid how many have dwelt by waters undying well only to die unfulfilled
But others tried and they fell the well is to deep its where darkest shadows creep
We will be lost in these new surroundings the familiar there will be water there too
Yes stagnant unmoved guarded for naught its benefit was for the traveler going places
For you it will be your grave marker he talked and talked but venture on never
He said he was the clever one as his countenance slowly turned to stone killed by apathy
Green pastures call to find them in yourself health you will install
Few are they that were meant and born to reside in the same place you must go
If you stay rebuild the common and ordinary your monument then they will admire
Who stood to long and with all intention he gave it only words action was the wonder that was missing
Treading a narrow path in the end if you buried or squandered your talent divine wrath you will face
Cast your seed far and wide how can you not see the need sorrow has them tied
Push back the encircling darkness with the light in your heart that God did endow
Go and answer the door your guides are here I want you to meet two friends Pain and Adversity
Two finer companions you will never know Washington and his men befriended them at Valley Forge Concord, York town. Lincoln met them first at Bull Run Antietam I think he gave a little speech at Gettysburg. One birthed a nation the other saved a divided one.
Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.
Where Shelter Aug 2018
my second fight today with god

the first involves gods correctable errors of judgement

the second,
am asked to deliver a eulogy for someone
I never met and no is not in the range of acceptable answers

alone and misperceived as forsaken, despite calls and poems
glorious and galore, I was slow to realize, now fast,
was I meant to be
her here,
where shelter,
the first, will always now be
too late

you break off pieces for the needy, forlorn,
the ones you might of loved, it’s costly for
both the giver and the forgiven, but I am the unforgiven in giver,
a redeemer failure, the question mark and the short dotted flat line,
uniquely marked human,
the Cain marker forehead now forever a
carved minus sign, meaning I am lessened, lesser and
insufficient was

read out loud, an old soft tender, inspired by hers,
a missive sweetness tinged with affection, writ by a human savior who did not
do a good enough job, nonetheless,
everyone slaps my back later saying beautiful bespoke,
and when you going home, stay a few days, she’d appreciate

a thank you smile but can’t, though the dead will follow you,
that goes unsaid, but you will know
grander grief yet, as guilt continue-us,
and the tune playing non-stop stop isn’t yours,
but you spoke it  to her once as a justification explanation,

it was true but a nile river-red-colored plague
that added to her dissatisfaction, come disastrous for one  
who didn’t ever get to leave egypt

guess i’m admitting its my fault
not gods;
so I let the  ******* off the hook on this one,
but I’ll get even I swear, it/he, nah,
SOB
just laughs,
but this will be one of life’s allusions
I will recall and wonder when will that tune cease,
but get no answer from nobody


that tune?

<>

Go 'way from my window
Leave at your own chosen speed
I'm not the one you want, babe
I'm not the one you need
You say you're lookin' for someone
Who's never weak but always strong
To protect you an' defend you
Whether you are right or wrong
Someone to open each and every door
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I'm not the one you want, babe
I will only let you down
You say you're lookin' for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an' more
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go melt back in the night
Everything inside is made of stone
There's nothing in here moving
An' anyway I'm not alone
You say you're looking for someone
Who'll pick you up each time you fall
To gather flowers constantly
An' to come each time you call
A lover for your life an' nothing more
But it ain't me, babe
No, no, no, it ain't me, babe
It ain't me you're lookin' for, babe


by Bob Dylan
farewell babe

12:48 pm a blustery Saturday
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
Nat Lipstadt Jul 2018
~for granddaughter Wendy on her first birthday~

mailman delivers a
a small bubble wrapped envelope,
an internet purchase made a long sometime ago  
accompanied by an enjoyable, self-served and self-serving,
"you're a good fella"
          pat on the back        

a spurting act of the what-the-heck,
trigger pulling, self-pleasuring,
donating a few bucks to saving poetry,
****** in by a suckers click bait

sent money to the
   keepers of poems;   
they even give something
in return.

sensible pencils.  

a non-rational purchase;
@ $6 dollars per leaded squib,
a wooden helping kiss rife with possibilities

all for a goodly cause
preservation band society poetic

this one-and-done impulse many weeks ago, 
followed by an immediacy forgeting,
then, an eye stabbing,
a widening wow weeks later
upon receipt
of an unexpected 5 pencil's all poems poetry reciting!

5 pencils. No. 2’s,
on each a phrase,
a poet's name and their singular words parsed
(see the notes).

paired passages from five poets,
deemed and distinguished to be
commemorated-worthy
and
what's more apropos than a dangerous  instrument of a
loaded leaded pencil,
that can be used to add to the  
Ever Expanding Universe of Verbal Liturgy
("and I helped")
.
once briefly dusted off the top of closeted dreamy days,
my notions of acclaim gone, silly gone,
my only marks now are erasures,
tiny rubber sheddings on paper
that's my marker,
a minus mark of deletion.

may yet come the day,
one will one gather up the
many survivors,
poem fauns, all my orphans,
give them to the
Wendy baby,

first,
she to metamorphose those
baby squeaks and  giggles,
weighty weightless poem noises,
clapping, waving, delighted and delighting, kiss-throwing videos and that milk covered face,
into her own living words

all these noises that makes even non-poets
smile ear to ear unabashedly,
nodding in delight agreement
to her own non verbal
original poems
:
perhaps
one day a little girl
will stumble on five pencils,
mixed in within fifteen hundred poems not particularly well hid,
between worthless insurance policies and other artifacts,
memoirs and pointless depositions,
hid between her older sister and brother's
crayoned keepsakes


  with pointed newly sharpened pencils
the very same,
this,
his Wendy,
might add
to the grandpere's poem collection with
pencils begging to be used,
for they are generationally and genetically,
pre-poetically enabled,
weighting the old memories
with new ballast and new balance,
from new verbal babies
all of her own.
What happens to a dream deferred?  Langston Hughes
Won't you celebrate with me? Lucille Clifton
Do I dare disturb the universe?  T.S. Eliot
I'm Nobody! Who are you? Emily Dickinson
Where can the crying heart graze? Naomi Shibab Nye

poets.org
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.
unwritten Jul 2014
let us toast,
my dear,
to making it this far.

even with our tortured minds
and glazed eyes;
hell,
who would've guessed it?

//

it's a good thing you don't wear mascara in public.
then again,
maybe it doesn't really matter.
you only cry when you're alone.

and i'm sure you're more broken than you seem,
though you still manage to get up and
plaster a smile
onto your cold, blank face
each dreary morning.

//

i am not the poster child of happiness,
or wealth,
or intelligence.
(they don't know that, though.)

failure is in my veins,
mistakes written into my skin
with permanent marker --
the same one they use
to write all those A+s.

//

is it really faking
if we believe it, too?

bravo,
bravo,
look how good we've gotten --
believing our own
little
white
lies.

but little white lies
never hurt nobody.

//

right?
uh idk. thoughts?
TD Apr 2016
Marching orders..

Scared eyes.
They rule the world.
Blended voices
hide the truth
under felt-tip marker lines
honesty blacked out by progress--
by fear.

Shells waking
walking with hollowed eyes
and slack jawed faces.
In broad daylight
women and children topple
a deck of cards
all hearts.

All hearts and minds
and dreams and life
gone are pieces of humanity.
Tossed, discarded, forgotten
ashes to ashes
dust to dust.

And here I sit fussing over spilled milk
and a runny nose.
Here we vainly yearn for eternal summers
while screams of innocence
pull at eye sockets, hands,
with frostbitten fingers.

Frostbitten fingers
the human touch, void of circulation.
They are torn, cut off
unwanted appendages
afterthoughts after one-night stands.

But what do I know, I'm just a girl reaching for a tissue
hoping I'll make it through this "terrible inconvenience."

Life is much simpler when I only care about myself.
Complications are....too complicated.

Don't you---"think"?!
katrinawillrich Feb 2015
How?
Quit asking & proceed to control drama control down size those voicecovers slippin
i'm holding destiny hands me a shift type
yourelse couldnt order mundane by standard regular when opinion is you® make® and knows how corporate styler lewd crew crude blue oil burst black blood as mine as yours as ours
Mimi Oct 2011
Tonight I married a graffiti artist.
This is the third time I’ve been proposed to
at some ***** house party.
This time there was an ordained all-faith minister
on the porch smoking a cigarette. That was enough.
I said yes.
We’re all strictly first-name-basis here, nicknames are even better.
So to him I’m just Mimi. Focused intently on my hand,
he draws my wedding ring with a permanent marker
and kisses each finger as he finishes.
There is a tiny replica of his tattoo on the underside of my finger
in addition to my gigantic drawn-on diamond.
It is my favorite part.
We talk politics and eventually art.
Turns out he’s sort of an amazing artist.
He said he’d put my name up on a wall but I don’t believe him.
Intricate, passionate, and thoughtful.
His smile is adventure.
That’s why I married him.
He asked to read my poetry and in my fuzzy judgment I let him.
Maybe he even liked a few phrases.
And he was polite as a hopped up boy can be.
Getting me home before three,
lending me his jacket without me asking.
I know he’ll forget to call, or that he even has my number.
and that we won’t watch Pulp Fiction
tomorrow.
That I was really just a glorified
snort of some white powder,
I am like all the glitter that fades in the morning
like smiles do, or permanent marker
after a few washes.
(he called the next day)
Visits of condolence is all we get from them.
They squat at the Holocaust Memorial,
They put on grave faces at the Wailing Wall
And they laugh behind heavy curtains
In their hotels.
They have their pictures taken
Together with our famous dead
At Rachel's Tomb and Herzl's Tomb
And on Ammunition Hill.
They weep over our sweet boys
And lust after our tough girls
And hang up their underwear
To dry quickly
In cool, blue bathrooms.


Once I sat on the steps by agate at David's Tower,
I placed my two heavy baskets at my side. A group of tourists
was standing around their guide and I became their target marker. "You see
that man with the baskets? Just right of his head there's an arch
from the Roman period. Just right of his head." "But he's moving, he's moving!"
I said to myself: redemption will come only if their guide tells them,
"You see that arch from the Roman period? It's not important: but next to it,
left and down a bit, there sits a man who's bought fruit and vegetables for his family."

— The End —