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"maquillage" poems
You are You are a chiseled statue a myth, animated under my gaze tangible flesh under my hands out of my closeted mind you are you are in essence, a beautiful mirror of a beautiful essence For Adonis, I come to understand my feelings are lulled under your tongue patience as my blind senses seek them out you are you are a silent strength owning to yourself must I thank you this dance of serpents of ether smoothing feathery scales over the riddling bones of Lilith I owe this response to you For the things you stand for, the truth under which a fined tooth comb scrutinizes grasps of tickling warm fire conjure my intentions I am a smooth stone, burning by the illicit form and desire of this worldly hearth under my arms you reach and you soothe this idea from the small of my back, out of reach I walk my thoughts further away from you to objectify the sensations that pursue Eros draws his serrated arrow tip alongside my cool unassaulted skin should I linger here, I'll find it sheared and my sanctity tampered use this silence to displace this feeling from outside of me so I can take my leave lay frozen still as I divulge and lavish upon you my disgusting intentions to my absence so I can leave and rid myself of uncharacteristic traits tempting butterfly wings fluttering against the underside of my skull I am not tempted I do not regress Eros is unwelcome here when he speaks of this particular entity under his outstretched upper lip I am enraged what can a boy-youth know of the complexities of the feminine spirit to which the heart works in unison my feelings are my own, in a shallow drawer where they aren’t tosseled arent felt I may feel the warmth of them under my desk but I refuse to eye the key where do you get the audacity to touch and give advice to one as old as me my feelings belong to me not the wild underside of a rooting pig hunt them mercilessly with your arsenal instead as your mother-Aphrodite inspires their sloshed pursuit of an obscured truth put your maquillage on them and clear your mind of mischievous foolishness or vain undersanding
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May 12, 2013
May 12, 2013 at 7:24 AM UTC
Athena and Eros
You are You are a chiseled statue a myth, animated under my gaze tangible flesh under my hands out of my closeted mind you are you are in essence, a beautiful mirror of a beautiful essence For Adonis, I come to understand my feelings are lulled under your tongue patience as my blind senses seek them out you are you are a silent strength owning to yourself must I thank you this dance of serpents of ether smoothing feathery scales over the riddling bones of Lilith I owe this response to you For the things you stand for, the truth under which a fined tooth comb scrutinizes grasps of tickling warm fire conjure my intentions I am a smooth stone, burning by the illicit form and desire of this worldly hearth under my arms you reach and you soothe this idea from the small of my back, out of reach I walk my thoughts further away from you to objectify the sensations that pursue Eros draws his serrated arrow tip alongside my cool unassaulted skin should I linger here, I'll find it sheared and my sanctity tampered use this silence to displace this feeling from outside of me so I can take my leave lay frozen still as I divulge and lavish upon you my disgusting intentions to my absence so I can leave and rid myself of uncharacteristic traits tempting butterfly wings fluttering against the underside of my skull I am not tempted I do not regress Eros is unwelcome here when he speaks of this particular entity under his outstretched upper lip I am enraged what can a boy-youth know of the complexities of the feminine spirit to which the heart works in unison my feelings are my own, in a shallow drawer where they aren’t tosseled arent felt I may feel the warmth of them under my desk but I refuse to eye the key where do you get the audacity to touch and give advice to one as old as me my feelings belong to me not the wild underside of a rooting pig hunt them mercilessly with your arsenal instead as your mother-Aphrodite inspires their sloshed pursuit of an obscured truth put your maquillage on them and clear your mind of mischievous foolishness or vain undersanding
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65
She is the stained girl,  a diffident dreamer Who looks for the sun and the rain together Her  panache is to craft blissful memories Festooned with vivid thoughts, her accessories She is the stained girl,  a feeble believer Who relies on a happy ever after Yet scared to be seen from her cheerful facade, Something that would charge her of being a fraud She saunters in the midst of the piqued storms Resounding the hues of the jaundiced norms Like a bird highlighted with vibrant plumes To fly around the walls of perplexing rooms She wears the best maquillage, old and new To make everyone away from being blue She offers her hair, those gilded strands Yet they exploit her gift with their vicious hands She is the stained girl who seeks for uprightness Yet pain has shaped her with creased faithfulness In front of a looking glass, there I see That magnificent, stained girl looks like me.
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Mar 18, 2016
Mar 18, 2016 at 9:53 AM UTC
The Stained Girl
Comment est ce pour le début parfait à votre mardi?Uber - magnifique détails .les murs du Belmont Center et une robe BHLDN qui vous coupera le souffle briques apparentes .Un combo assez étonnant .non?Eh bien.c'est exactement ce que nous avons pour vous aujourd'hui.un amour - fest romantique conçu par Sara Gillianne Mariages \u0026Événements et capturé en belles images par Jessi Field.Voir tous ici .\u003cp\u003e un film fou frais de http://modedomicile.com chrisdscott Photographie ?Oui robe ceremonie fille .s'il vous plaît.S'il vous plaît mettre à jour votre browserColorsSeasonsFallSettingsUrban SpaceStylesRomanticRustic Elegance " La maison est où notre amour réside ; Quatre murs .deux coeurs . " Cela a commencé comme un simple vision dans ma tête .comme je l'imagine la plupart le font .Il est spécial pour moi que parce que mon inspiration robe de mariée courte vient de ma propre relation .Comme une famille de militaires .nos racines sont là où nous avons planté nos pieds .Cela change souvent dans cette situation .Accueil devint où nous nous sommes retrouvés .aussi longtemps que nous étions ensemble .C'est cette notion romantique qui m'a gardé à la terre et est le même que celui qui a inspiré ce tournage .Parfois .tout ce que vous avez vraiment besoin est amour robe ceremonie fille ( et quatre murs ) pour être vraiment «maison». L'équipe réunie pour ce tournage était tout simplement incroyable .C'était comme des étoiles alignées et tout était comme nous l'avions espéré dans le processus de planification . Ce tournage était vraiment un rêve devenu réalité pour moi .et j'aime que j'ai eu l' occasion de montrer notre talent local. Photographie : Jessi Field | Cinématographie : chrisdscott Photographie | Conception de l'événement: Sara Gillianne Mariages et Evénements | Fleurs : Supposey florale de mariage | robe : BHLDN | gâteau de mariage: Kiley Sellette | Réception Lieu: Le Centre Belmont | Maquillage: SarahPeake | cheveux : Maxine Lyvers | Articles faits à la main : Déclarations YOUnique | Hommes : Tenue de soirée de Gent | Modèle: Haven Turner | Modèle: Landon Tewers | Locations Vintage : hemstitch Location de cruBHLDN est un membre de notre Look Book .Pour plus d'informations sur la façon dont les membres sont choisis .cliquez ici
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Jul 13, 2014
Jul 13, 2014 at 10:27 PM UTC
Romantique Inspiration de mariage au Centre Belmont_robe de soirée grande taille
Comment est ce pour le début parfait à votre mardi?Uber - magnifique détails .les murs du Belmont Center et une robe BHLDN qui vous coupera le souffle briques apparentes .Un combo assez étonnant .non?Eh bien.c'est exactement ce que nous avons pour vous aujourd'hui.un amour - fest romantique conçu par Sara Gillianne Mariages \u0026Événements et capturé en belles images par Jessi Field.Voir tous ici .\u003cp\u003e un film fou frais de http://modedomicile.com chrisdscott Photographie ?Oui robe ceremonie fille .s'il vous plaît.S'il vous plaît mettre à jour votre browserColorsSeasonsFallSettingsUrban SpaceStylesRomanticRustic Elegance " La maison est où notre amour réside ; Quatre murs .deux coeurs . " Cela a commencé comme un simple vision dans ma tête .comme je l'imagine la plupart le font .Il est spécial pour moi que parce que mon inspiration robe de mariée courte vient de ma propre relation .Comme une famille de militaires .nos racines sont là où nous avons planté nos pieds .Cela change souvent dans cette situation .Accueil devint où nous nous sommes retrouvés .aussi longtemps que nous étions ensemble .C'est cette notion romantique qui m'a gardé à la terre et est le même que celui qui a inspiré ce tournage .Parfois .tout ce que vous avez vraiment besoin est amour robe ceremonie fille ( et quatre murs ) pour être vraiment «maison». L'équipe réunie pour ce tournage était tout simplement incroyable .C'était comme des étoiles alignées et tout était comme nous l'avions espéré dans le processus de planification . Ce tournage était vraiment un rêve devenu réalité pour moi .et j'aime que j'ai eu l' occasion de montrer notre talent local. Photographie : Jessi Field | Cinématographie : chrisdscott Photographie | Conception de l'événement: Sara Gillianne Mariages et Evénements | Fleurs : Supposey florale de mariage | robe : BHLDN | gâteau de mariage: Kiley Sellette | Réception Lieu: Le Centre Belmont | Maquillage: SarahPeake | cheveux : Maxine Lyvers | Articles faits à la main : Déclarations YOUnique | Hommes : Tenue de soirée de Gent | Modèle: Haven Turner | Modèle: Landon Tewers | Locations Vintage : hemstitch Location de cruBHLDN est un membre de notre Look Book .Pour plus d'informations sur la façon dont les membres sont choisis .cliquez ici
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9
i In the impossible I hath found the possible As her education is far from Terrestrial proficiency. ii In the death I dieth daily She's mine starchild baby As her gushing decorum Is a forum to all saint's and good Samaritan's. iii She outdoes any in beauty None doth cometh close She's alive yet a ghost Soo miraculously she sketches her maquillage. iv Her life-force is astounding Spanish lingo of her's so attracting Mine thirst for her is abounding As a suckling I çryeth when she goeth away...... v She maketh all nightmare's leave Tis its her I am, tis she's me Like a trapped bird, she set's me free How daily do I wait her empress call to her throne!!! ©Brandon nagley ©Lonesome poet's poetry ©Elsa angelica dedication
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Jul 14, 2015
Jul 14, 2015 at 12:55 PM UTC
Sean-aimseartha grá ( Old fashioned love) irish tongue
Day old tea: still, stale. Smeared maquillage in loveless, Melancholy ruin.
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Sep 3, 2012
Sep 3, 2012 at 9:09 PM UTC
Morning After
in that lightening moment I was stricken with a memory – quickening, swiftly, and then deliberately: a bamboo in waiting yet akimbo, a sea unfazed yet stirring internally, taking in the morning’s tremendous yawn staring visibly, a thin line dividing soul and body, ephemeral and perpetual, vivid recall and faint oblivion; was it the wind that she borrowed with her presence or was it the breath that once stilled spring like an invisible, yet felt river in my blood? what impeccable maquillage was it that she donned, dawn or twilight? something the silence waits with its mount on the boughs, the munificence of such plural modesty, or everything the noise tell me which isn’t exactly but still is, a memory.
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Jan 18, 2016
Jan 18, 2016 at 8:25 AM UTC
Modest Memory
it was raining that morning – so much the effloresce of colors making their way back into the sky; there were the strangest forms of clouds, their bodies assuming shapes and geometries, obscured angles like that of two coiled lovers on a bed, whose bones ache the septuagenarian but still at ease when it comes to building fire; no birds were out that day and the busy binatog vendor blared into the streets like an unwanted nuisance, it was already afternoon when you had your eyes wake up to mine, your simian jaw curved to a hook of the C in crescendo, your voice the twilight and the familiar passing of birds, the gush of blood inside of you; there are such speeds that ultimate a crash, or a fragment – the semantics of motion do not appeal to both of us, but we ceaselessly exist in those moments when all of your movements summon, say, the sea, but that is a metaphor used overtime, overwrought and taken out of its blue – say, your grandfather’s pendulum watch impaled to the wall on a heady standstill, face to face with a linoleumed wall that shouted its age – its superficial maquillage falling out of its slenderness fashioned to secretive ****** something both you and I know, something that does not come well with age, something that only some shadows choose to eschew in light.   in a faraway place, there might be parakeets but this time, underneath the cusped sky and the parasol that was drenched by drizzle that we let dry by the doorstep, there is something about the gnash of rusting metal-work that tells me time has its own way of claiming things, renaming them, and bringing them back in awry stances nestled in tight, wrestling nooks of space, dark and dust on ground – keeping us leaping in place,     swift with dreams of wings and aviaries, be it elocutionary with farce or just keeping it real by the unreal of our imaginations – like birds swell in the sheen   of the sky’s flayed bone, sliding in and out of the fringes of the aureole until such gardens   are flustered with monochrome: this perfect dagguerotype of day.
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Jan 25, 2016
Jan 25, 2016 at 8:13 PM UTC
Strange Birds
it was raining that morning – so much the effloresce of colors making their way back into the sky; there were the strangest forms of clouds, their bodies assuming shapes and geometries, obscured angles like that of two coiled lovers on a bed, whose bones ache the septuagenarian but still at ease when it comes to building fire; no birds were out that day and the busy binatog vendor blared into the streets like an unwanted nuisance, it was already afternoon when you had your eyes wake up to mine, your simian jaw curved to a hook of the C in crescendo, your voice the twilight and the familiar passing of birds, the gush of blood inside of you; there are such speeds that ultimate a crash, or a fragment – the semantics of motion do not appeal to both of us, but we ceaselessly exist in those moments when all of your movements summon, say, the sea, but that is a metaphor used overtime, overwrought and taken out of its blue – say, your grandfather’s pendulum watch impaled to the wall on a heady standstill, face to face with a linoleumed wall that shouted its age – its superficial maquillage falling out of its slenderness fashioned to secretive ****** something both you and I know, something that does not come well with age, something that only some shadows choose to eschew in light.   in a faraway place, there might be parakeets but this time, underneath the cusped sky and the parasol that was drenched by drizzle that we let dry by the doorstep, there is something about the gnash of rusting metal-work that tells me time has its own way of claiming things, renaming them, and bringing them back in awry stances nestled in tight, wrestling nooks of space, dark and dust on ground – keeping us leaping in place,     swift with dreams of wings and aviaries, be it elocutionary with farce or just keeping it real by the unreal of our imaginations – like birds swell in the sheen   of the sky’s flayed bone, sliding in and out of the fringes of the aureole until such gardens   are flustered with monochrome: this perfect dagguerotype of day.
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Beautiful faces full of color beneath lie haunting stories images shunned by the world carefully wrapped in maquillage. They learnt the hard way, The world cared not for their plight So they mastered the art of concealing. Pain wrapped in smiles. Beautiful people full of fire A passion that cannot be quenched mountains became roads before them. The foe crumbles in their wake.
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Apr 18, 2018
Apr 18, 2018 at 1:48 PM UTC
pain wrapped in smiles
Her maquillage so delightful Her waves of thought insightful Her bloomage eyes rightful Her all to me, the serene hope.
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Mar 24, 2016
Mar 24, 2016 at 1:01 PM UTC
Serene hope
En tes yeux nage une factice opale, Et le charbon t'allonge les sourcils, Mais ton regard sans douceur n'est que pâle Sous tes gros cils de sépia noircis. Ah ! Pauvre femme, il règne un froid de pierre Dans la langueur menteuse de ce fard ; Quand tu mettrais l'azur sous ta paupière, Tu ne pourrais embellir ton regard ! Oui, porte envie aux yeux vrais qui nous laissent, En se voilant, captivés d'autant mieux ; Ceux-là sont beaux, même quand ils se baissent : C'est le regard qui fait le prix des yeux. Qui sait pourtant s'il faut qu'on te dédaigne, S'il n'est plus rien, dans ton âme, à cueillir ? Pour la sauver il suffit qu'on la plaigne, Un dernier lis y pourra tressaillir. Est-il si vain, ce rêve de jeunesse Dont nous rions et que nous fîmes tous : Guérir une âme où la vertu renaisse ! Si généreux, étions-nous donc si fous ? Qui sait pourtant si tout ton maquillage N'endigue pas des pleurs accumulés, Qui brusquement y feraient leur sillage, Pareils aux pleurs des yeux immaculés ? Car tous les pleurs, de pécheresse ou d'ange, Dans tous les yeux sont d'eau vive et de sel ; L'onde en est pure, et rien de ce mélange, S'il vient du cœur, n'est indigne du ciel ; Vois Madeleine : elle y trône ravie Pour une larme où Dieu se put mirer : S'il t'en reste une, une ancienne, à pleurer, Tu peux laver ta paupière et ta vie.
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347
Une larme