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"manuel" poems
TO PUT the art and talent of Mindanaoan fashion design into the spotlight, Kagay’anon fashion designers put their hands together to organize the 5th Mindanao Fashion Summit at the Limketkai Center Rotunda from August 4 to 6, every 4 p.m. “Being a core event of the Higalaay festival, the opening salvo, the Mindanao Fashion Summit can really highlight fashion designers here in Cagayan de Oro and also in different points of Mindanao to let everyone see what they can do in the world of fashion design especially now that there are only so few opportunities for these designers to show off their works to the public. This is why we have the Mindanao fashion Summit because Kagay-anon designers believe that even if they join national fashion shows like the Philippine Fashion week, most of them still aren't getting the right encouragement as a fashion designer.” said Robbie Pamisa, the overall organizer of the event. The Fashion Summit is a three-day event composed of seven sub-categories such as the Mindanaoan collection, the Menswear collection, and the Ororama orange collection for the first day, the Guest Designers’ collection, the Fashion Institute of the Philippines collection and the Loop Lifestyle Fashion Show for the second day, and the Holiday Grand collection for the third day which will serve as the culmination of the fashion event. Mindanaoan Fashion designers from Cagayan de Oro as well as Davao, Butuan, Iligan, and Bukidnon have come to showcase their talents. Some of the fashion geniuses of the event include Alma Mae Roa, Angela Soriano, Ann Semblante, Benjie Manuel, Boogie Musni Rivera, Gil Macaibay III, John Mark Magellan’s, Joshua Guibone, Juniel Doring, Kiko Domo, Mark Christopher Yaranon, and Mavy Cooper de Leon. One of the highlights of the event is the Oro Fashion Designers’ Guild and the Designers Assembly featuring a collection of clothes using Mindanao material such as the Mindanao silk. Sponsors such as Ororama and The Loop Towers will also be showcasing their products in the fashion event. “Even student fashion designers from the Fashion Institute of the Philippines have been encouraged to participate so that they will be able to experience how a fashion show works. This is also a way for us to fulfill our mission to be another avenue for fashion designers to show what they have,” Paisa said.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/long-formal-dresses
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Aug 6, 2016
Aug 6, 2016 at 12:12 AM UTC
Mindanao Fashion Summit opens
TO PUT the art and talent of Mindanaoan fashion design into the spotlight, Kagay’anon fashion designers put their hands together to organize the 5th Mindanao Fashion Summit at the Limketkai Center Rotunda from August 4 to 6, every 4 p.m. “Being a core event of the Higalaay festival, the opening salvo, the Mindanao Fashion Summit can really highlight fashion designers here in Cagayan de Oro and also in different points of Mindanao to let everyone see what they can do in the world of fashion design especially now that there are only so few opportunities for these designers to show off their works to the public. This is why we have the Mindanao fashion Summit because Kagay-anon designers believe that even if they join national fashion shows like the Philippine Fashion week, most of them still aren't getting the right encouragement as a fashion designer.” said Robbie Pamisa, the overall organizer of the event. The Fashion Summit is a three-day event composed of seven sub-categories such as the Mindanaoan collection, the Menswear collection, and the Ororama orange collection for the first day, the Guest Designers’ collection, the Fashion Institute of the Philippines collection and the Loop Lifestyle Fashion Show for the second day, and the Holiday Grand collection for the third day which will serve as the culmination of the fashion event. Mindanaoan Fashion designers from Cagayan de Oro as well as Davao, Butuan, Iligan, and Bukidnon have come to showcase their talents. Some of the fashion geniuses of the event include Alma Mae Roa, Angela Soriano, Ann Semblante, Benjie Manuel, Boogie Musni Rivera, Gil Macaibay III, John Mark Magellan’s, Joshua Guibone, Juniel Doring, Kiko Domo, Mark Christopher Yaranon, and Mavy Cooper de Leon. One of the highlights of the event is the Oro Fashion Designers’ Guild and the Designers Assembly featuring a collection of clothes using Mindanao material such as the Mindanao silk. Sponsors such as Ororama and The Loop Towers will also be showcasing their products in the fashion event. “Even student fashion designers from the Fashion Institute of the Philippines have been encouraged to participate so that they will be able to experience how a fashion show works. This is also a way for us to fulfill our mission to be another avenue for fashion designers to show what they have,” Paisa said.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/long-formal-dresses
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6
—Flash Forward— A day of reckoning. A small boat crosses the Hudson River, no warning horn. Destination New Jersey, of all places. A. Burr isn’t warned that Hamilton will not fire his pistol. Destiny predetermined. “Death doesn’t discriminate Between the sinners and the saints, It takes and it takes and it takes. History obliterates.” —Flashback— General. Colonel. Aide-de-camp. Immigrant. “Don’t engage, strike by night. Remain relentless ‘til their troops take flight.” “We escort their men out of Yorktown. They stagger home single file. Tens of thousands of people flood the streets.” “Took up a collection just to send him to the mainland. ‘Get your education. Don’t forget from whence you came.’” —Stepfather of the Union— Treasury secretary, author of the Federalist Papers, lawyer, speechwriter, confidante, opponent of slavery, member of the Constitutional Convention. “History has its eyes on you.” “I’ve seen injustice in the world and I’ve corrected it.” “The Federalist: Addressed to the People of the State of New York.” “Goes and proposes his own form of government.” —Family and Marriage— The Schuyler Sisters – Eliza. Maria and James Reynolds – adultery and bribery. Philip Hamilton – successor son and victim. Philip Schuyler – father-in-law. “And if this child Shares a fraction of your smile Or a fragment of your mind, look out, world!” “I know you’re a man of honor, I’m so sorry to bother you at home.” “I’m only nineteen but my mind is older, Gonna be my own man, like my father but bolder.” “Grampa just lost his seat in the Senate.” —Why, How, How long?— Why not?, biography, genius, rapid-fire rap, hip-hop, historical vertigo, Lin-Manuel Miranda at the White House, a cast talented beyond measure, the Great White Way, 2017-18 and forever…. “…13 percent of the population is foreign born, which is near an all-time high; that one day soon there will no longer be majority and minority races, only a vibrant mix of colors.” ‒Jeremy McCarter, from Chapter I of Hamilton: The Revolution *© Lewis Bosworth, 12/2016 With credit to the book:* Hamilton: The Revolution
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Dec 7, 2016
Dec 7, 2016 at 11:35 AM UTC
A. Hamilton, Esq.
—Flash Forward— A day of reckoning. A small boat crosses the Hudson River, no warning horn. Destination New Jersey, of all places. A. Burr isn’t warned that Hamilton will not fire his pistol. Destiny predetermined. “Death doesn’t discriminate Between the sinners and the saints, It takes and it takes and it takes. History obliterates.” —Flashback— General. Colonel. Aide-de-camp. Immigrant. “Don’t engage, strike by night. Remain relentless ‘til their troops take flight.” “We escort their men out of Yorktown. They stagger home single file. Tens of thousands of people flood the streets.” “Took up a collection just to send him to the mainland. ‘Get your education. Don’t forget from whence you came.’” —Stepfather of the Union— Treasury secretary, author of the Federalist Papers, lawyer, speechwriter, confidante, opponent of slavery, member of the Constitutional Convention. “History has its eyes on you.” “I’ve seen injustice in the world and I’ve corrected it.” “The Federalist: Addressed to the People of the State of New York.” “Goes and proposes his own form of government.” —Family and Marriage— The Schuyler Sisters – Eliza. Maria and James Reynolds – adultery and bribery. Philip Hamilton – successor son and victim. Philip Schuyler – father-in-law. “And if this child Shares a fraction of your smile Or a fragment of your mind, look out, world!” “I know you’re a man of honor, I’m so sorry to bother you at home.” “I’m only nineteen but my mind is older, Gonna be my own man, like my father but bolder.” “Grampa just lost his seat in the Senate.” —Why, How, How long?— Why not?, biography, genius, rapid-fire rap, hip-hop, historical vertigo, Lin-Manuel Miranda at the White House, a cast talented beyond measure, the Great White Way, 2017-18 and forever…. “…13 percent of the population is foreign born, which is near an all-time high; that one day soon there will no longer be majority and minority races, only a vibrant mix of colors.” ‒Jeremy McCarter, from Chapter I of Hamilton: The Revolution *© Lewis Bosworth, 12/2016 With credit to the book:* Hamilton: The Revolution
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72
Did I need to prove the kind of girl I am? As if a category would add to my inferior condition Did I need to hide how I felt about being left behind? As if showing emotion would have proven me weak I had every intention of going on that camping trip But you said I would slow down everybody Come to think of it, you never seemed to mind Manuel's obesity slowing you down I guess the **** between my legs is more of an impediment than the blubber belly of your male companion.
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Jun 5, 2014
Jun 5, 2014 at 10:50 PM UTC
Left behind
The army had revolted and the Republic was at risk, But we were just a small town- what had we to do with this? My father, Manuel Robles, was a labor Union man. Some called him a Communist; only now I understand. The army had a list of men whose loyalty was suspect And when the civil war broke out they came for them direct. They took him, and some others, and lined them up against a wall. It was then I heard the volley and I watched my Father fall. They checked upon their handiwork, I cannot forget the face Of the officer who used his pistol to give  the coup de grace. The piled the corpses on their truck and, laughing, drove away. All were  buried in a common grave to wait the Judgement day. I stared in speechless horror at the blood soaked, thirsty ground and at the pock marks in that wall caused by some misspent rounds. There was no judge, no jury, no verdict, nor decree. They killed a dozen unarmed men ; that was their victory They slaughtered my dear padre without a second thought. I would not go so easily; there are others, too, who fought. Now Franco has my country and I’ve had to flee from Spain. My heart is with my Father’s bones. I carry on his name.
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Aug 10, 2018
Aug 10, 2018 at 11:09 PM UTC
The Day the Fascists came
I started watching football when I was eight At that moment I had everything to hate The next day I went with the squad I played with a poor morale Than as the time passed by People said Ronaldo in Madrid is ***** Than as the Manuel Neur got the fame Messi got him chipped later in the game In June they compared Andre Gomes with James For real? Thats just lame Merle said "Football players are like prostitutes" They said "Giroud comes to show off his beard" Footballers like Yahya dont even drink beer While some footballers go to the club when they hit the big time Tottenham striker said "He cant remember going to a club last time" Bayern Munich bailed out Dortmund with a loan in the past Oil money of PSG on Neymar gave me a flabbergast..
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Aug 3, 2018
Aug 3, 2018 at 12:56 PM UTC
Football
Manuel del Río, natural de España, ha fallecido el sábado 11 de mayo, a consecuencia de un accidente. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada a las 9,30 en St. Francis. Es una historia que comienza con sol y piedra, y que termina sobre una mesa, en D'Agostino, con flores y cirios eléctricos. Es una historia que comienza en una orilla del Atlántico. Continúa en un camarote de tercera, sobre las olas -sobre las nubes- de las tierras sumergidas ante Poseidón. Halla en América su término con una grúa y una clínica, con una esquela y una misa cantada, en la iglesia de St. Francis. Al fin y al cabo, cualquier sitio da lo mismo para morir: el que se aroma de romero, el tallado en piedra o en nieve, el empapado de petróleo. Da lo mismo que un cuerpo se haga piedra, petróleo, nieve, aroma. Lo doloroso no es morir acá o allá...                   Requiem æternam, Manuel del Río. Sobre el mármol en D'Agostino, pastan toros de España, Manuel, y las flores (funeral de segunda, caja que huele a abetos del invierno) cuarenta dólares. Y han puesto unas flores artificiales entre las otras que arrancaron al jardín... Libera me domine de morte æterna... Cuando mueran James o Jacob verán las flores que pagaron Giulio o Manuel... Ahora descienden a tus cumbres garras de águila. Dies irae. Lo doloroso no es morir Dies illa acá o allá; sino sin gloria...                       Tus abuelos fecundaron la tierra toda, la empaparon de la aventura. Cuando caía un español se mutilaba el Universo. Los velaban no en D'Agostino Funeral Home, sino entre hogueras, entre caballos y armas. Héroes para siempre. Estatuas de rostro borrado. Vestidos aún sus colores de papagayo, de poder y de fantasía. Él no ha caído así. No ha muerto por ninguna locura hermosa. (Hace mucho que el español muere de anónimo y cordura, o en locuras desgarradoras entre hermanos: cuando acuchilla pellejos de vino derrama sangre fraterna). Vino un día porque su tierra es pobre. El Mundo, Liberanos Domine, es patria. Y ha muerto. No fundó ciudades. No dio su nombre a un mar. No hizo más que morir por diecisiete dólares (él los pensaría en pesetas). Requiem æternam. Y en D'Agostino lo visitan los polacos, los irlandeses, los españoles, los que mueren en el week-end.                         Requiem æternam. Definitivamente todo ha terminado. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada por su alma.                   Me he limitado a reflejar aquí una esquela de un periódico de New York. Objetivamente. Sin vuelo en el verso. Objetivamente. Un español como millones de españoles. No he dicho a nadie que estuve a punto de llorar.
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Réquiem
Manuel del Río, natural de España, ha fallecido el sábado 11 de mayo, a consecuencia de un accidente. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada a las 9,30 en St. Francis. Es una historia que comienza con sol y piedra, y que termina sobre una mesa, en D'Agostino, con flores y cirios eléctricos. Es una historia que comienza en una orilla del Atlántico. Continúa en un camarote de tercera, sobre las olas -sobre las nubes- de las tierras sumergidas ante Poseidón. Halla en América su término con una grúa y una clínica, con una esquela y una misa cantada, en la iglesia de St. Francis. Al fin y al cabo, cualquier sitio da lo mismo para morir: el que se aroma de romero, el tallado en piedra o en nieve, el empapado de petróleo. Da lo mismo que un cuerpo se haga piedra, petróleo, nieve, aroma. Lo doloroso no es morir acá o allá...                   Requiem æternam, Manuel del Río. Sobre el mármol en D'Agostino, pastan toros de España, Manuel, y las flores (funeral de segunda, caja que huele a abetos del invierno) cuarenta dólares. Y han puesto unas flores artificiales entre las otras que arrancaron al jardín... Libera me domine de morte æterna... Cuando mueran James o Jacob verán las flores que pagaron Giulio o Manuel... Ahora descienden a tus cumbres garras de águila. Dies irae. Lo doloroso no es morir Dies illa acá o allá; sino sin gloria...                       Tus abuelos fecundaron la tierra toda, la empaparon de la aventura. Cuando caía un español se mutilaba el Universo. Los velaban no en D'Agostino Funeral Home, sino entre hogueras, entre caballos y armas. Héroes para siempre. Estatuas de rostro borrado. Vestidos aún sus colores de papagayo, de poder y de fantasía. Él no ha caído así. No ha muerto por ninguna locura hermosa. (Hace mucho que el español muere de anónimo y cordura, o en locuras desgarradoras entre hermanos: cuando acuchilla pellejos de vino derrama sangre fraterna). Vino un día porque su tierra es pobre. El Mundo, Liberanos Domine, es patria. Y ha muerto. No fundó ciudades. No dio su nombre a un mar. No hizo más que morir por diecisiete dólares (él los pensaría en pesetas). Requiem æternam. Y en D'Agostino lo visitan los polacos, los irlandeses, los españoles, los que mueren en el week-end.                         Requiem æternam. Definitivamente todo ha terminado. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada por su alma.                   Me he limitado a reflejar aquí una esquela de un periódico de New York. Objetivamente. Sin vuelo en el verso. Objetivamente. Un español como millones de españoles. No he dicho a nadie que estuve a punto de llorar.
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96
One dreary September day Emperor Manuel Komninos felt his death was near. The court astrologers -bribed, of course- went on babbling about how many years he still had to live. But while they were having their say, he remebered an old religious custom and ordered ecclesiastical vestments to be brought from a monastery, and he put them on, glad to assume the modest image of a priest or monk. Happy all those who believe, and like Emperor Manuel end their lives dressed modestly in their faith.
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Manuel Komninos
Nagtapos ng abogasya sa Unibersidad ng Pilipinas Mula pagiging **** sa Capiz kumatawan Hinirang na heneral nang sa Hapon makaalpas Pinagtuunang pansin pagbangon ng bayan. -12/20/2014 (Dumarao) *Pinuno Namin sa Panahing Tanso Collection
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Sep 14, 2019
Sep 14, 2019 at 10:26 PM UTC
Ama ng Liberal (Manuel Roxas)
What makes you so sure your sickness need not be heavily medicated? You walk around, your body hanging like your favourite outfit that you never wear anymore, stumped in a box The street lights breathe like the cigarette that you smoke at the end of the night and regret immediately after, the cigarette that tastes like glue, The pads of your feet blink to the floor, Your soft eyes watch the people and their smiles, they once represented jealousy but now sail past you like leaves of boredom from nowhere, You chew on an energy bar as the purple plants, bike riders, suit case carriers and fire hydrants stroll by, You make fists to fit eye sockets, but your hands stay by their sides waiting for the courage to find the change that promises never to come, You sit on the bench and wait for somebody who might chemically excite you Your mouth clamps shut and your food rots inside of you molding your breath, The dog walkers follow their excuses not to be lonely and you crave a machine to make you feel better, no human will do, And the cats purr against tree legs and look at you as though you are stupid, You sit around your friends wanting more intoxication anything but this elasticated dribble of saliva they call ‘the gang’ Because another ‘gang’ is just another situation where you can feel alone and misunderstood again, another metaphor for your life and incapability to feel comfortable, You bathe in quiet awkwardness that only you feel and cry when no one looks or when no one decides to see, And you wallow in the self pity that sleeps in beer cans and wine glasses searching at the bottom of them for someone who can relate to your loneliness, And everyone thinks they’ve got the answers but you do too and you think the answers are no good either, You call out on roof tops in the loudest voice your thoughts can muster And the teachers who get paid to care have given up too, So you sit like an old book being read over and over again melting to resemble an instruction manuel or something equally repetitious, And you wait for the time to pass, and the people too, You wait to be interested by something, anything that will comfort you, But you seek solace in the smell of dustbins, petrol, sea salt, beer froth and your hands in the shower, And hope that they’ll all come together and somehow let you know it’s going to be okay.
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Jun 16, 2013
Jun 16, 2013 at 8:20 AM UTC
Medication
What makes you so sure your sickness need not be heavily medicated? You walk around, your body hanging like your favourite outfit that you never wear anymore, stumped in a box The street lights breathe like the cigarette that you smoke at the end of the night and regret immediately after, the cigarette that tastes like glue, The pads of your feet blink to the floor, Your soft eyes watch the people and their smiles, they once represented jealousy but now sail past you like leaves of boredom from nowhere, You chew on an energy bar as the purple plants, bike riders, suit case carriers and fire hydrants stroll by, You make fists to fit eye sockets, but your hands stay by their sides waiting for the courage to find the change that promises never to come, You sit on the bench and wait for somebody who might chemically excite you Your mouth clamps shut and your food rots inside of you molding your breath, The dog walkers follow their excuses not to be lonely and you crave a machine to make you feel better, no human will do, And the cats purr against tree legs and look at you as though you are stupid, You sit around your friends wanting more intoxication anything but this elasticated dribble of saliva they call ‘the gang’ Because another ‘gang’ is just another situation where you can feel alone and misunderstood again, another metaphor for your life and incapability to feel comfortable, You bathe in quiet awkwardness that only you feel and cry when no one looks or when no one decides to see, And you wallow in the self pity that sleeps in beer cans and wine glasses searching at the bottom of them for someone who can relate to your loneliness, And everyone thinks they’ve got the answers but you do too and you think the answers are no good either, You call out on roof tops in the loudest voice your thoughts can muster And the teachers who get paid to care have given up too, So you sit like an old book being read over and over again melting to resemble an instruction manuel or something equally repetitious, And you wait for the time to pass, and the people too, You wait to be interested by something, anything that will comfort you, But you seek solace in the smell of dustbins, petrol, sea salt, beer froth and your hands in the shower, And hope that they’ll all come together and somehow let you know it’s going to be okay.
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<p><p> Avvio di settimana con un bellissimo matrimonio in Spagna suona come un'idea possente bene.non sei d'accordo ?Questa bellezza catturata da Jimena roquero Fotografia sicuramente iniziare la vostra settimana fuori sul più bello di piedini .E ' romantico e rustico e tutto intorno incantevole.e c'è ancora di più vi aspetta qui .<p>Condividi questa splendida galleria ColorsSeasonsSummerSettingsHomeStylesCasual EleganceRustic <p> Dal Jimena roquero Photography.Ruth \u0026Javi <p><a href="http://www.belloabito.com/goods.php?id=880" target="_blank"><img width="240" height="320" src="http://188.138.88.219/images_ld/td//t35/product_thumb/2/4165335353535_397008.jpg"></a></p> sapeva che tipo di matrimonio che volevano avere .Erano sicuri che vogliono che i loro ospiti di godere di una serata memorabile e un partito che non dimenticheranno mai .Dal momento che entrambi sono tecnici professionisti super affollato .hanno assunto la sorprendente squadra di Bodas de Cuento per progettare e coordinare il loro matrimonio .Quando Wendy da Bodas de Cuento mostrò loro il luogo che hanno trovato per loro erano in lacrime .che era proprio quello che avevano sognato : Monte de Cutamilla .un rustico di famiglia circondata da montagne .dove si può facilmente trovare cavalli e mucche al pascoloselvaggiamente !<p> Hanno celebrato una bella cerimonia all'aperto e hanno risparmiato alcuni limonate fresche alla fine di esso .Hanno consegnato i fan e cappelli per gli ospiti per combattere l' impostazione tavolo heat.The e tutto l'arredamento è stato scelto con grande cura e gusto .e per l'ora di danza .hanno dato anche loro donne ospiti alcuni flip- flop per riposare i piedi daltacchi <b>abiti da sposa on line</b> alti !Ottima idea !Hanno anche dato loro un cd con una compilation di musica con le canzoni preferite della coppia <p> Fotografia : Jimena roquero Fotografia | videografo : . Amarcord | Event Design : Bodas De Cuento | Pianificazione : Bodas De <a href="http://www.belloabito.com/abiti-da-sposa-c-1"><b>abiti da sposa on line</b></a> Cuento | Scarpe da sposa : Magrit Couture| Scarpe sposo : Andrea Chenier | Muta dello sposo : Dolce e Gabbana | Profumo : Verde Pimienta | Sposa Abito : Jose Manuel Peiro | Hair \u0026 Make- up Artist : Xiquena Peluqueros | Musica : Dosaune Audiovisuales | Wedding Venue : Monte De CutamillaJimena roquero Fotografia e Bodas de Cuento sono membri del nostro Little Black Book .Scopri come i <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a> membri sono scelti visitando la nostra pagina delle FAQ .JIMENA roquero FOTOGRAFIA vedi portfolio Bodas de Cuento The Wedding De ... vedi</p>
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Jun 15, 2014
Jun 15, 2014 at 9:52 PM UTC
Romantico .Wedding Rustico a Guadalajara .in Spagna_vestiti da sposa
<p><p> Avvio di settimana con un bellissimo matrimonio in Spagna suona come un'idea possente bene.non sei d'accordo ?Questa bellezza catturata da Jimena roquero Fotografia sicuramente iniziare la vostra settimana fuori sul più bello di piedini .E ' romantico e rustico e tutto intorno incantevole.e c'è ancora di più vi aspetta qui .<p>Condividi questa splendida galleria ColorsSeasonsSummerSettingsHomeStylesCasual EleganceRustic <p> Dal Jimena roquero Photography.Ruth \u0026Javi <p><a href="http://www.belloabito.com/goods.php?id=880" target="_blank"><img width="240" height="320" src="http://188.138.88.219/images_ld/td//t35/product_thumb/2/4165335353535_397008.jpg"></a></p> sapeva che tipo di matrimonio che volevano avere .Erano sicuri che vogliono che i loro ospiti di godere di una serata memorabile e un partito che non dimenticheranno mai .Dal momento che entrambi sono tecnici professionisti super affollato .hanno assunto la sorprendente squadra di Bodas de Cuento per progettare e coordinare il loro matrimonio .Quando Wendy da Bodas de Cuento mostrò loro il luogo che hanno trovato per loro erano in lacrime .che era proprio quello che avevano sognato : Monte de Cutamilla .un rustico di famiglia circondata da montagne .dove si può facilmente trovare cavalli e mucche al pascoloselvaggiamente !<p> Hanno celebrato una bella cerimonia all'aperto e hanno risparmiato alcuni limonate fresche alla fine di esso .Hanno consegnato i fan e cappelli per gli ospiti per combattere l' impostazione tavolo heat.The e tutto l'arredamento è stato scelto con grande cura e gusto .e per l'ora di danza .hanno dato anche loro donne ospiti alcuni flip- flop per riposare i piedi daltacchi <b>abiti da sposa on line</b> alti !Ottima idea !Hanno anche dato loro un cd con una compilation di musica con le canzoni preferite della coppia <p> Fotografia : Jimena roquero Fotografia | videografo : . Amarcord | Event Design : Bodas De Cuento | Pianificazione : Bodas De <a href="http://www.belloabito.com/abiti-da-sposa-c-1"><b>abiti da sposa on line</b></a> Cuento | Scarpe da sposa : Magrit Couture| Scarpe sposo : Andrea Chenier | Muta dello sposo : Dolce e Gabbana | Profumo : Verde Pimienta | Sposa Abito : Jose Manuel Peiro | Hair \u0026 Make- up Artist : Xiquena Peluqueros | Musica : Dosaune Audiovisuales | Wedding Venue : Monte De CutamillaJimena roquero Fotografia e Bodas de Cuento sono membri del nostro Little Black Book .Scopri come i <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a> membri sono scelti visitando la nostra pagina delle FAQ .JIMENA roquero FOTOGRAFIA vedi portfolio Bodas de Cuento The Wedding De ... vedi</p>
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Triste há de ser; curto e doce e terno. Que seja breve dizendo tudo. Que seja doce confeito de manhã eterna. Que seja belo qual água de cachoeira. Que a pureza o invada: morte indolor. Da febre se dissipe como quem à tempestade vence. **** Fonte: Cadernos de Sizenando, vol. II, 2016
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Feb 10, 2016
Feb 10, 2016 at 2:27 PM UTC
O último poema, à moda de Manuel Bandeira (2)
You as a layman May never experience this And it is most likely You won't But If you ever catch on fire Remember the three rules I speak of now 1.stop           Don't panic, realize your situation, and that you can be okay though calm, concerted effort, don't run! Running only creates oxygen to fuel the flame 2.drop          Fall to the floor, even the very act of being on the floor smothers whatever part of you that is burning that hits the floor. And it is necessary to be on the floor to achieve the most important lesson being taught within my words 3.telephone           Now that you are on the floor, pull out your telephone. Strike a pose, and take a selfie. Because for gods sake you are on fire, and you know that it can go viral. And really, dying by burning to death is worth it if you are able to entertain someone in doing so. Instagram will go crazy over you And I suppose step four would be after you have a picture you like, then  roll to put the fire out. But most people never make it this far.
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Apr 20, 2016
Apr 20, 2016 at 1:39 AM UTC
Stop, Drop, and Telephone ( a safety manuel)
A single seed Watch and it shall grow No measure to length Or width to abide But grow it must And will forever Not this to subside One embarks To grow to grow With what before Only known from once Shown and grown From dirt to dusk We rise And fall Expand and collapse But grow Is in all the seeds to begin Growth the only ingredient no Destination Manuel Or infiltration From small to large Large in sight For this we grow To take flight within Ones soul Which growth Sees to ignite From nest to barrier From mouth to tongue From stars to planets Far and wide we all must grow Outward and inward But inward it’s from The center point From which all to grow Not outward to expand We rise inward Occasionally to fall But inward its there The growth we mustn’t forget to dare Inside Inside From within We see The begin and the end From inside That is all of me
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Mar 1, 2013
Mar 1, 2013 at 1:20 PM UTC
Grow
**Andy (Rest in peace) True Courage Thomas Rex Purvi Gadia Konr Víctor Manuel Serna Liz And Lilacs WM Ember Evanescent anxiety Closed Story Andrew Quikkes Amber K Steel Peter Robert Hamilton Karl Franssen aka Bryson Flegg Creep that Loves You Kiyuki I miss you... And of course Gavin**
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Jan 5, 2016
Jan 5, 2016 at 7:07 PM UTC
Names Tell Our Stories Before We Speak
Communicate to me now or shut the **** up Say the things that will throw away heaven Spit in the faces of your Gods ******** in places that I probably should not Holy ground; then and now. Time between. Unclean clothing, I ******* stick I’ve got to get back to where I was One day too late two days to make it I’m falling apart in my seat Melting into a puddle of green My, my, my Remington .308 Manuel Sliding down so slowly, I’m sick. . . Ginnie gimme sweetly a sleepy sweetie Traditional quote; usual lines Bespectacled eyes, Scare across a wilderness of hollow lives Let no pleasure or pastime Distract me from my vengeance I’m ******* coming for you Limitless. Although you think you know I may say a few of my words a little slow Are you scared about Friday night? Blue moon in sky. . . Mind in flight Say goodbye!
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Sep 27, 2012
Sep 27, 2012 at 3:07 PM UTC
Do Everything You Can
(come on brain, think of things / come on brain, be so smart — lin manuel miranda) with hollow bones i had been born, so why their leaden flight? for others have far heavier borne; i must be feather-light in branching paths i loved to wend, their tangle stuck me fast. now shorter streets have found their end; i must be lightning-fast i write these things to make life rhyme but cannot see to see and wonder, wonder, all the time what must be wrong with me and they say better late than not, and better slow than still while counting anxiously to naught and asking when i will i do not know! i do not know! what little i do ken is that i go when i can go and do all that i can and yet my life in shambles lies i cannot see to see with oceans in my tired eyes what must be wrong with me
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Jul 22, 2022
Jul 22, 2022 at 8:51 AM UTC
brain fog (22. juli 2022)
Thinking now, I miss the late night talks about nothing. I miss the late night talks about something. I miss staying on the phone all night playing kingdom hearts. I miss singing and dancing over skype wanting to never part. I miss the unsecure security. I miss your laugh, and I miss your crazy stories. But most of all, I miss the simplicity we once had. The unlikely friendship we shared, Until we found out we both cared. I believe everything happens for a reason, But what if our time has run? What if it's only just begun? Is this meant to happen, is it just fate? Or is it time we closed the gate. I don't know what path is right. I'm just so scared to mess up this life. I wish there was a manuel, or I could see into the future, Maybe then I could make the suture.
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Apr 13, 2015
Apr 13, 2015 at 2:10 AM UTC
Left, or Right?
My big sisters made every mistake in the book A big book I know because it was like a manuel that I received at birth Slid under our doorways They gave out copies They reprinted chapters They drew out maps They sketched out the details We flipped through the pages Turning each lesson ******* earing the good ones Like the time my sisters got so mad they kicked in the door Or the time my sister tried a creaky houses old pipes Leaning over "It won't flush" Swoosh a wave of water Or the lesson about heartbreak Reminding my brother Joel and I to look with our eyes closed But hearts open Because they said that's how you know the difference And don't settle down to quickly They whispered between hallways and bed sheets Because marriage is forever And people aren't gaurenteed My sisters authored pages and pages Roads leading to roads to new roads And the book grew older The book came out! This time celebrating parenting Remember to lock the front door Because that toddler with the wild red hair will try to Houdini escape everytime Or sometimes softer Remember that this life is yours And you are steered by your choices Said the sister with the bright blue Eyes And midnight colored hair And she said sometimes You will have to trade in your ballet slippers For bare feet Just so you can truly have your feet on the ground And listen said the other Sometimes resolving and letting go Is easier than holding onto tightly As she shows us her bruises. And be yourself Lael And don't try to hard Joel Because the boy with broken heart can't be fixed And the girls with the wild sides can't be tamed And make sure you both stand tall But not looking down Look straight ahead at the horizon Because we've already done it like that And the sun will always guide you back to blue skies. And I if it doesn't they said We sure as hell will.
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Feb 5, 2013
Feb 5, 2013 at 1:02 PM UTC
Hermana
My big sisters made every mistake in the book A big book I know because it was like a manuel that I received at birth Slid under our doorways They gave out copies They reprinted chapters They drew out maps They sketched out the details We flipped through the pages Turning each lesson ******* earing the good ones Like the time my sisters got so mad they kicked in the door Or the time my sister tried a creaky houses old pipes Leaning over "It won't flush" Swoosh a wave of water Or the lesson about heartbreak Reminding my brother Joel and I to look with our eyes closed But hearts open Because they said that's how you know the difference And don't settle down to quickly They whispered between hallways and bed sheets Because marriage is forever And people aren't gaurenteed My sisters authored pages and pages Roads leading to roads to new roads And the book grew older The book came out! This time celebrating parenting Remember to lock the front door Because that toddler with the wild red hair will try to Houdini escape everytime Or sometimes softer Remember that this life is yours And you are steered by your choices Said the sister with the bright blue Eyes And midnight colored hair And she said sometimes You will have to trade in your ballet slippers For bare feet Just so you can truly have your feet on the ground And listen said the other Sometimes resolving and letting go Is easier than holding onto tightly As she shows us her bruises. And be yourself Lael And don't try to hard Joel Because the boy with broken heart can't be fixed And the girls with the wild sides can't be tamed And make sure you both stand tall But not looking down Look straight ahead at the horizon Because we've already done it like that And the sun will always guide you back to blue skies. And I if it doesn't they said We sure as hell will.
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Señora, dicen que dónde, mi madre dicen, dijeron, el agua y el viento dicen que vieron al guerrillero. Puede ser un obispo, puede y no puede, puede ser sólo el viento sobre la nieve: sobre la nieve, sí, madre, no mires, que viene galopando Manuel Rodríguez. Ya viene el guerrillero por el estero. Saliendo de Melipilla, corriendo por Talagante, cruzando por San Fernando, amaneciendo en Pomaire. Pasando por Rancagua, por San Rosendo, por Cauquenes, por Chena, por Nacimiento: por Nacimiento, sí, desde Chiñigüe, por todas partes viene Manuel Rodríguez. Pásale este clavel, Vamos con él. Que se apaguen las guitarras, que la patria está de duelo. Nuestra tierra se oscurece. Mataron al guerrillero. En Til-Til lo mataron los asesinos, su espada está sangrando sobre el camino: sobre el camino, sí. Quién lo diría, él, que era nuestra sangre, nuestra alegría. La tierra está llorando. Vamos callando.
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934
Xxv
Sí, yo he escrito estos Abrojos tras largas penas y agravios, ya con la risa en los labios, ya con el llanto en los ojos. Tu noble y leal corazón, tu cariño, me alentaba cuando entre los dos mediaba la mesa de redacción. Yo, haciendo versos, Manuel, descocado, antimetódico, en el margen de un periódico, o en un trozo de papel. Tú , aplaudiendo o censurando, censurando o aplaudiendo como crítico tremendo, o como crítico blando. Entonces, ambos a dos, de mil ambiciones llenos, con dos corazones buenos y honrados, gracias a Dios, hicimos dulces memorias, trajimos gratos recuerdos, y no nos hallamos lerdos en ese asunto de glorias. Y pensamos en ganarlas paso a paso y poco a poco... Y ya huyendo el tiempo loco de nuestras amigas charlas, nos confiamos los enojos, las amarguras, los duelos, los desengaños y anhelos... y nacieron mis Abrojos. Obra, sin luz ni donaire, que al compañero constante le dedica un fabricante de castillos en el aire. Obra sin luz, es verdad, pues rebosa amarga pena; y para toda alma buena la pena es oscuridad. Sin donaire, porque el chiste no me buscó, ni yo a él; ya tú bien sabes, Manuel, que yo tengo el vino triste.Juntos hemos visto el mal y en el mundano bullicio, cómo para cada vicio, se eleva un arco triunfal. Vimos perlas en el lodo, burla y baldón a destajo, el delito por debajo y la hipocresía en todo. Bondad y hombría de bien, como en el mar las espumas, y palomas con las plumas recortadas a cercén. Mucho tigre carnicero, bien enguantadas las uñas, y muchísimas garduñas con máscaras de cordero. La poesía con anemia, con tisis el ideal, bajo la capa el puñal y en la boca la blasfemia. La envidia que desenrosca su cuerpo y muerde con maña; y en la tela de la araña a cada paso la mosca... ¿Eres artista? Te afeo. ¿Vales algo? Te critico. Te aborrezco si eres rico, y si pobre, te apedreo. Y de la honra haciendo el robo e hiriendo cuanto se ve, sale cierto lo de que el hombre del hombre es lobo.No predico, no interrogo. De un sermón ¡qué se diría! Esto no es una homilía, sino amargo desahogo. Si hay versos de amores, son las flores de un amor muerto que brindo al cadáver yerto de mi primera pasión. Si entre esos íntimos versos hay versos envenenados, lean los hombres honrados que son para los perversos. Y tú, mi buen compañero, toma el libro; que en verdad de poeta y caballero, con mis Abrojos no hiero las manos de la amistad.
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985
Prólogo
Sí, yo he escrito estos Abrojos tras largas penas y agravios, ya con la risa en los labios, ya con el llanto en los ojos. Tu noble y leal corazón, tu cariño, me alentaba cuando entre los dos mediaba la mesa de redacción. Yo, haciendo versos, Manuel, descocado, antimetódico, en el margen de un periódico, o en un trozo de papel. Tú , aplaudiendo o censurando, censurando o aplaudiendo como crítico tremendo, o como crítico blando. Entonces, ambos a dos, de mil ambiciones llenos, con dos corazones buenos y honrados, gracias a Dios, hicimos dulces memorias, trajimos gratos recuerdos, y no nos hallamos lerdos en ese asunto de glorias. Y pensamos en ganarlas paso a paso y poco a poco... Y ya huyendo el tiempo loco de nuestras amigas charlas, nos confiamos los enojos, las amarguras, los duelos, los desengaños y anhelos... y nacieron mis Abrojos. Obra, sin luz ni donaire, que al compañero constante le dedica un fabricante de castillos en el aire. Obra sin luz, es verdad, pues rebosa amarga pena; y para toda alma buena la pena es oscuridad. Sin donaire, porque el chiste no me buscó, ni yo a él; ya tú bien sabes, Manuel, que yo tengo el vino triste.Juntos hemos visto el mal y en el mundano bullicio, cómo para cada vicio, se eleva un arco triunfal. Vimos perlas en el lodo, burla y baldón a destajo, el delito por debajo y la hipocresía en todo. Bondad y hombría de bien, como en el mar las espumas, y palomas con las plumas recortadas a cercén. Mucho tigre carnicero, bien enguantadas las uñas, y muchísimas garduñas con máscaras de cordero. La poesía con anemia, con tisis el ideal, bajo la capa el puñal y en la boca la blasfemia. La envidia que desenrosca su cuerpo y muerde con maña; y en la tela de la araña a cada paso la mosca... ¿Eres artista? Te afeo. ¿Vales algo? Te critico. Te aborrezco si eres rico, y si pobre, te apedreo. Y de la honra haciendo el robo e hiriendo cuanto se ve, sale cierto lo de que el hombre del hombre es lobo.No predico, no interrogo. De un sermón ¡qué se diría! Esto no es una homilía, sino amargo desahogo. Si hay versos de amores, son las flores de un amor muerto que brindo al cadáver yerto de mi primera pasión. Si entre esos íntimos versos hay versos envenenados, lean los hombres honrados que son para los perversos. Y tú, mi buen compañero, toma el libro; que en verdad de poeta y caballero, con mis Abrojos no hiero las manos de la amistad.
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91
Emma Stone must have known she was a dead cert to take home the award for best actress — her gold Givenchy gown was calling out for accessorising with the gold statuette. Stone led the charge for shimmering metallic gowns at a ceremony that was underwhelming from a fashion perspective, bar a handful of stand-out stars. Those included Nicole Kidman, Jessica Biel, Halle Berry, Charlize Theron and fashion’s latest It girl Janelle Monae, who translated fashion chops from her musical background into acting with spectacular results, courtesy of designer Elie Saab. Fashion pushes a more casual agenda and elements of this are filtering onto the red carpet. Hair was more undone: loose waves for Kirsten Dunst, a half-up style from Felicity Jones and Alicia Vikander’s messy topknot. Berry’s wild curls deserved their own statuette. A mini-trend emerged with actresses wearing jewelled headpieces, including Ruth Negga, Salma Hayek and Monae. While things did get political in speeches at the event, embracing diversity in the arts, stars didn’t give in to the current feminist mood. There was a distinct lack of pantsuits, which had been increasingly common at recent awards. Meryl Streep almost went there, in a “drouser” ensemble of dress over trousers, but that was as close as it got. The lone political nod was an abundance of blue ribbons, supporting the American Civil Liberties Union’s action against the Trump administration’s immigration policies. Best supporting actress nominee Ruth Negga pinned one to her red Valentino gown, Karlie Kloss to her white Stella McCartney, while Moonlightdirector Barry Jenkins and best original song nominee Lin-Manuel Miranda added them to their tux jackets. “I think art is inherently political,” said Miranda.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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Feb 27, 2017
Feb 27, 2017 at 8:38 PM UTC
Oscar fashion: loose hair, blue ribbons and no pantsuits
Emma Stone must have known she was a dead cert to take home the award for best actress — her gold Givenchy gown was calling out for accessorising with the gold statuette. Stone led the charge for shimmering metallic gowns at a ceremony that was underwhelming from a fashion perspective, bar a handful of stand-out stars. Those included Nicole Kidman, Jessica Biel, Halle Berry, Charlize Theron and fashion’s latest It girl Janelle Monae, who translated fashion chops from her musical background into acting with spectacular results, courtesy of designer Elie Saab. Fashion pushes a more casual agenda and elements of this are filtering onto the red carpet. Hair was more undone: loose waves for Kirsten Dunst, a half-up style from Felicity Jones and Alicia Vikander’s messy topknot. Berry’s wild curls deserved their own statuette. A mini-trend emerged with actresses wearing jewelled headpieces, including Ruth Negga, Salma Hayek and Monae. While things did get political in speeches at the event, embracing diversity in the arts, stars didn’t give in to the current feminist mood. There was a distinct lack of pantsuits, which had been increasingly common at recent awards. Meryl Streep almost went there, in a “drouser” ensemble of dress over trousers, but that was as close as it got. The lone political nod was an abundance of blue ribbons, supporting the American Civil Liberties Union’s action against the Trump administration’s immigration policies. Best supporting actress nominee Ruth Negga pinned one to her red Valentino gown, Karlie Kloss to her white Stella McCartney, while Moonlightdirector Barry Jenkins and best original song nominee Lin-Manuel Miranda added them to their tux jackets. “I think art is inherently political,” said Miranda.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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7
Negra pupila, abierta y fulgurante, Ancha y tersa la frente pensadora, Reposado el andar, dulce el semblante, La mano diminuta y tembladora; Todo extrañando el peso del turbante, Del blanco jaique y de la guzla mora: Así le conocí, cuando sentía Amor y juventud el alma mía. Era... ya lo sabéis, el inspirado, El egregio cantor de los amores; El que hablaba el idioma delicado De las brisas, las fuentes y las flores. Semejaba, en el siglo, un desterrado De las rondas de antiguos trovadores, Que en alta noche el mandolín tañía Al pie de la callada celosía. Él cantaba el más tierno de los seres, ¡Encarnación de la belleza humana! Hablaba de ilusiones y placeres, De una dicha inmortal y soberana; Del amor que derrama en las mujeres Más luz que el sol brillando en la mañana, Y cuyo beso, en alas de su anhelo, Basta a juntar la tierra con el cielo. Después... su frente pálida, abatida, Una sonrisa lúgubre en su boca; Su voluntad heroica ya vencida, Semejaba, en lo ñrme, abrupta roca Gastada por las olas de la vida; En el vaivén de la fortuna loca... El alma llena de esplendor y fuego, Y sus ojos sin luz... ¡ya estaba ciego! Ya sentada a sus puertas la pobreza, Conociendo del mundo los rigores, Hirió su altiva frenta la tristeza; Cantó libre sus íntimos dolores, Y halló en premio a sus sueños de grandeza Tardes nubladas y marchitas flores; Horas lentas, amargas, intranquilas, Y la noche en el alma y las pupilas. ¡Gladiador del espíritu! ¿a qué meta Pretendes ir así? ¿No te imaginas Que si mirara tu pupila inquieta, Vieras el jaramago en las rüinas? Ya ciñes la corona del poeta, Ya conoces su peso y sus espinas, Ya del rebelde mundo en el proscenio, Como un errante sol, brilló tu genio. Mirad... el genio cruza este desierto, Entre penas y lágrimas cautivo... En la tierra es un vivo que está muerto, Y en la tumba es un muerto que está vivo. Amar, soñar, creer, mirar abierto Un templo más allá, luchar altivo, Y consumirse al fuego que lo abrasa, Tras un aplauso que resuena y pasa. Tu patria sabe honrarte, enaltecerte, Para ser inmortal tienes derecho; Nadie en tu derredor culpa a la suerte, Ni sollozos exhala de su pecho; En las nupcias del genio con la muerte, La Historia es un hogar, la tumba un lecho, Y ambas fulguran con eterna llama Hoy que engendran un hijo de la Fama.
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885
En memoria del poeta manuel m. flores
Negra pupila, abierta y fulgurante, Ancha y tersa la frente pensadora, Reposado el andar, dulce el semblante, La mano diminuta y tembladora; Todo extrañando el peso del turbante, Del blanco jaique y de la guzla mora: Así le conocí, cuando sentía Amor y juventud el alma mía. Era... ya lo sabéis, el inspirado, El egregio cantor de los amores; El que hablaba el idioma delicado De las brisas, las fuentes y las flores. Semejaba, en el siglo, un desterrado De las rondas de antiguos trovadores, Que en alta noche el mandolín tañía Al pie de la callada celosía. Él cantaba el más tierno de los seres, ¡Encarnación de la belleza humana! Hablaba de ilusiones y placeres, De una dicha inmortal y soberana; Del amor que derrama en las mujeres Más luz que el sol brillando en la mañana, Y cuyo beso, en alas de su anhelo, Basta a juntar la tierra con el cielo. Después... su frente pálida, abatida, Una sonrisa lúgubre en su boca; Su voluntad heroica ya vencida, Semejaba, en lo ñrme, abrupta roca Gastada por las olas de la vida; En el vaivén de la fortuna loca... El alma llena de esplendor y fuego, Y sus ojos sin luz... ¡ya estaba ciego! Ya sentada a sus puertas la pobreza, Conociendo del mundo los rigores, Hirió su altiva frenta la tristeza; Cantó libre sus íntimos dolores, Y halló en premio a sus sueños de grandeza Tardes nubladas y marchitas flores; Horas lentas, amargas, intranquilas, Y la noche en el alma y las pupilas. ¡Gladiador del espíritu! ¿a qué meta Pretendes ir así? ¿No te imaginas Que si mirara tu pupila inquieta, Vieras el jaramago en las rüinas? Ya ciñes la corona del poeta, Ya conoces su peso y sus espinas, Ya del rebelde mundo en el proscenio, Como un errante sol, brilló tu genio. Mirad... el genio cruza este desierto, Entre penas y lágrimas cautivo... En la tierra es un vivo que está muerto, Y en la tumba es un muerto que está vivo. Amar, soñar, creer, mirar abierto Un templo más allá, luchar altivo, Y consumirse al fuego que lo abrasa, Tras un aplauso que resuena y pasa. Tu patria sabe honrarte, enaltecerte, Para ser inmortal tienes derecho; Nadie en tu derredor culpa a la suerte, Ni sollozos exhala de su pecho; En las nupcias del genio con la muerte, La Historia es un hogar, la tumba un lecho, Y ambas fulguran con eterna llama Hoy que engendran un hijo de la Fama.
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By: Manuel Hutchinson and Glenn Currier Politics on a Facebook page Replied with such rage I sat in shock for we’d held her at baptism kept her overnight tucked her in like good godparents do all the tender moments we knew but now a pinch in my soul my heart’s racing pace felt like a flight from grace. I didn’t expect the monster to rise. The taste of bell flowers is so sweet, Even the devil smiled at me. He caught my soul asleep, As he picked up the double edge sword. I should have never turned my back that day, I made a commit to walk on heaven’s grace. But chains on my feet prevented me to walk towards faith. I’m living with my eyes closed, Is this what happens when you embrace the pain?! Rolling along Singing a song it felt so good to be high in joy not since I was a little boy was the air so free but then the email dripping with sarcasm cut me deep with its slice of sad like dad used to do when he was mad. I thought I’d forgiven the cuts but now I’m in their clutch the cape of this demon covers me I’m bound in anger without a key I got the whole wide world, in his hands I got the whole wide world, in his hands. I got his tears weeping in my hands. I finally understood Vengeance doesn't make you a man. Now I reaped what I sow, Loved how he burned my soul. He said is it to late to confess my sins? "God let me be free! I'll never meet Lucifer again" The truth is unfortunate, Because only the creatures of my past life answered him. sins of a little boy clipping the wings of toys was the joy watched angels descend they never knew I was the one who poured that bleach at her baptism. this is only one monster under my bed. All my life, I never chose to open my eyes When I did, I saw the devil As he came for his Revenge.
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Jun 13, 2019
Jun 13, 2019 at 9:37 AM UTC
Revenge
By: Manuel Hutchinson and Glenn Currier Politics on a Facebook page Replied with such rage I sat in shock for we’d held her at baptism kept her overnight tucked her in like good godparents do all the tender moments we knew but now a pinch in my soul my heart’s racing pace felt like a flight from grace. I didn’t expect the monster to rise. The taste of bell flowers is so sweet, Even the devil smiled at me. He caught my soul asleep, As he picked up the double edge sword. I should have never turned my back that day, I made a commit to walk on heaven’s grace. But chains on my feet prevented me to walk towards faith. I’m living with my eyes closed, Is this what happens when you embrace the pain?! Rolling along Singing a song it felt so good to be high in joy not since I was a little boy was the air so free but then the email dripping with sarcasm cut me deep with its slice of sad like dad used to do when he was mad. I thought I’d forgiven the cuts but now I’m in their clutch the cape of this demon covers me I’m bound in anger without a key I got the whole wide world, in his hands I got the whole wide world, in his hands. I got his tears weeping in my hands. I finally understood Vengeance doesn't make you a man. Now I reaped what I sow, Loved how he burned my soul. He said is it to late to confess my sins? "God let me be free! I'll never meet Lucifer again" The truth is unfortunate, Because only the creatures of my past life answered him. sins of a little boy clipping the wings of toys was the joy watched angels descend they never knew I was the one who poured that bleach at her baptism. this is only one monster under my bed. All my life, I never chose to open my eyes When I did, I saw the devil As he came for his Revenge.
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54
Diaz Diaz was from Portugal, his first Bartholomew In 1487, rounded Good Hope, bid adieu For going on to India was for Da Gama's crew King Manuel sent 13 ships with Diaz and Cabral And April 22, 1500 claimed Brazil Half the fleet, when on return, in Jones' locker laid But the six remaining, spice-filled ships for the voyage paid Da Gama Da Gama, he was Portuguese For Indian Ocean trade He sailed four ships, if you please With Indian guidance for aid 1497 is when Vasco hit the sea And sailing 'round the Cape of Good Hope, quickly found that he Would require some assistance from a local native guide Together crossing Arab sea and in Calicut ending ride But though Da Gama and the Indians didn't hit it off He still returned to Lisbon toting spices and their cloth
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Feb 18, 2015
Feb 18, 2015 at 12:51 AM UTC
Untitled