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Euphie Dec 2018
A lizard's tail,
dew in the night.
Ambrosia from the gods.
A drop of a
mermaid's tear.

This is Floccus Magni.

Shadows of the dead,
harrows of the living.
Joys of the darkness,
terrors of the light.

Let's entangle ourselves in lace.
While you leave trails of swelling bliss.
When all seems lost, it can be found.
I'm crazy because of the dead silence.
brandon nagley Dec 2015
There is a poet
And poetess
That writeth;
In the slums
And the ghetto's;
In the suburb's
In the meadow's.
There is a poet
And poetess
That prophecieth
In the mountain's
In the city, neath
Their graves, in
Tomb's, free one's,
Slave's, some known,
Many doomed, in
Heaven's gates, some
Art poor, some telleth
Of fate, some art lonesome,
Some speaketh of amour',
Some linger in the shadows,
Tortured by demon's, anguished;
Fighting hellish and earthly battles.
There is a poet and poetess that writeth in blood and in ink:
Some feareth death, death to some doth succumb when these artist's speak. Some hath wealth, some with naught, some groweth their own food, whilst other's stick to store bought. Some art peasant's, some art farmer's, some poet's preach and teacheth; whilst other's want to alarm us. There is a poet and poetess in this life and the next; some looketh down on loved one's, whilst the living is blinded by material net's. Some art lost, forgotten, some speaketh Spanish, Hindi, English, Arabic, french, lost languages, or Latin. Some just want to love, whilst some seeketh to findeth love, some want to flyeth away, as if a falcon or a dove. Some thinkest their better than most, others thinkest they art not better then noone, feeling dead as if a ghost. Some jotteth poetry to make them remember living, some art charitable, whilst poet's in prison sit and rot from killing or stealing. Some passeth time staring at the ceiling, whilst some overwork, some casteth their ten percent to worldly lusts, whilst other's pay to God in church. There is a poet and poetess that writeth, being dead or alive; O' poet's were all distinctly different though the same, in God's poetic eye's..............




©Brandon Nagley
©Lonesome poet's poetry
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

A
b imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.



From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1
I didn’t write a ******* line of this, it’s all cribbed from a dictionary. But I’ll take the credit for its conception and, as good Systems Poetry should do, meaning and beauty appears spontaneously from the random juxtaposition of disparate lines of prose; like frogs from rotting wood…
Says Vernarth: “Khaire to my beloved beings that surround me, including my ***** that move their tails to the rhythm of my awakening. To you my dear Brother, I stayed with my ceramic asleep and I could not sip from the last harvest of ideas and its temporary forks, which came from my parapsychologies. I am delighted among these blankets that smell like cornfields that prevented me from seeing him closer when I already had them in my hands. Now I not only see beyond what my arm measures in its omega, where my own estimating what flower I have to carry and see what it will have to carry in me!

Once upon a time, seven donkeys woke up, the first one who did it went to look for bread, milk, and honey, the second played the tambourine for his master, the third sprinkled the flowers with holy water, the fourth was vernacular in the others, the fifth was in charge of carrying stones and logs in bundles to make the elbows and the masts of the beams, the sixth reconciled the morning with the sun to have a clear day, and the seventh brought the akratismós on a tray, which brought a colt on its back and in a wineskin, bringing juice from the Procoro winepress and Akratos wine, which the colt eventually moved with its leg so that it could be served. Seeing that he gave signs of awakening and opening his bleary eyes, the seven of them laughed and brayed when they saw that he could not hold himself, but when he saw one of them who had had temporary amnesia, he faced him in the sunny morning so that he would face to the wind from the coast that began to bring them figs, like an Ariston or early lunch to strengthen him on his head, more remote of all because he thought too much. The third donkey would make two tortillas from neighboring cornfields that had just been baked, these he used as plates or trays to roll the fruits, vegetables, and barley bread. Vernarth laughs along with them and hugs them again. The containers that accompanied him had the solidity to fill with a few liters of water enough to bathe, after having fiddled with the ******, which reminded him of Orion, but of the meatus that would now be used to ink the thread of the spindle, which pretended to be divine. with hemp and cotton to rub the woods that he had destined for the main timber of the façade. Then he puts on his himation and on it the fibula that protected the serum from his right shoulder. He takes some pieces of logs and lights a bonfire to cook infusions and chalks of his personal medicine, from the collection of his private demiurge, Borker. He placed his tools behind a florilegium, where he received his astragalus by means of his jumping donkeys, and sometimes they would turn around him for hours to soften his immediate floor so that he would not be bothered by the rubbing of the grass and his pectoralis would over-sensitize. But in the end, they traced with him as seven divine golden numbers, which were added one next to the other, for each birth of his mother having to use a third of the womb to shelter them, like equid specimens in their 14 months of age. gestation. As if they were pollen sacs that were the origin of the androecium of all creation in the gynoecium sector. The morphology of this analogical floral relationship alludes to the anthos or flower that matures in the expression of the animals that surrounded Vernarth, and its filaments that derived from the spindle and its promised threads that connected with the fertile connection of the donkeys, making present the cellular magnetism of father and mother for them. Almost like a sordid weight that could not be supported in his genome, it was the serum that sweetly emerged from the nectary of his shoulder, rather close to the sternum, but his burritos produced good moments of the company for him, knowing that if he ran his hands over his satin back, he also longed to ***** the bristles of his stiff hairs, which decided his species, like bristly donkeys only pending his immunity.

Saint John and Etréstles approach and they say to him:
Etréstles comments: “It is said that I must be near you, just as I was in the forests near Piacenza, or after setting sail from Sardinia or Hylates. Then arriving on the coasts of Florence, La Spezia and finally Genoa, it is said that not far from here in Messolonghi, there are books that are written for you, they are wonderful, and everyone reads it, it is called Vernarth Alexandri Magni Macedonis officer Primum "Vernarth First Commander of Alexander the Great." It is said that there is a dispute over the guarantee of your magical verses for those who write it and for those who read it, as an experience that most pleases those who transcribe it because when you stop your verses, they mention that their infantry tale has not reached them. , which is being reborn in all necropolises, such as the Koumeterium of Messolonghi. It is said that there is an extreme reason for unity in the Divine Number of Gold that extends through the seas of Troy and Athens, in the patronage of Fidas for his agora of with the disciple of Agoracritus. It is said between June 21 and 24 the Sun or Shemesh for you, it begins to move away and flushes in its suspicious perihelion, it is said that we will dance in the sacred space, and Archimedes will dance together with us with his Elves, and it is said because I say it! We will have Mother Nature knocking her down at our melted feet, full of ****** Bern olive trees and rotten grasses that announce the freedom to be united, together with all the books in the world, under her great Hellenic library that will never stop going and running after the last leaves of the apocalypse "

Saint John intervenes: "My half reason, is my whole heart, my whole heart is my extreme half, which totalizes the segments of the magic of always surviving and resurrecting in the golden number, thus its length squeezes the shortest way to go behind of the donkeys and lose their memory, if not half sheep of my reason and my heart guiding them "

Neither the Oniros duo nor the third would impede Verrnarth to embrace them, but he was in his purging, behind a severe veil, but from the ductile ectoplasm that already separated them from their ethereal physical plane, it was only possible with donkeys to pass from one dimension to another. other. Thus the arcs of the circle of the sun surpassed the rule of being contained in the supreme analogy from above and below, only the points of ab / cb went beyond the spiritual eclectic portal, to attract them to ab / ac, hinting at the midpoint of the Equidae that brayed to thank Saint John for the Apostle who could be close to him and caress his ears, which were the highest and golden point of his omega garden.
Golden Donkeys
Hermes Varini Nov 2022
Feudal, an’ Deep Swaird Scar-Faced Ah,

Th’ Lone Skye-Horror

Thad heare Ah once gleamingly wore,
Nowe! intae Theis Abysmal ay Past Fyre-Lore,
Ye a’ Skellums, see! Theis Rage o’ mine thad Ah bore
Heare! wae mah Thundir-Airn tirlin’, nae a Woe,
Taukin’ nowe Ah! wae th’ Wynde-Tone O’erhuman, fore
Abön th’ Skye-Storne wæs ay yondir Friendly Shore,
Wae a Pause wi’in mah strugglin’, nae ay any more,
Th’ Scyld Ah haudin’ unco glowin’, ‘yont th’ Castle Dore,
Whatna! Theis Airn-Wame o’ mine, Rageful ays nae afore,
Thro’ th’ Skye-Pruid ay Lightnings, an’ e’en skye-more,
*** ay standin’, ‘yont th’ Drakkar Ablaze, wae th’ Burnan Ore,
Thus Ðhunder-Imbued, Bluish Fyre becam mah flowin’ Gore,
O’er th’ Rid Rock soarin’, wrapped in th’ Auld taukin’ Lowe,
Revenge oan th’ Dust, wi’in theis Hill graven! stick-an-stowe,
Quhain! th’ Ocean abowt mah Person, th’ Gale intae twa it tore,
Quhain! th’ Return o’ Pow’r gaed tae its Guid Hel o’ Yore,
Quhain! a Firey Ember wæs mah Rubye Brooch ay hynne nowe,
‘Yont th’ Seven-Headed Beast Winged, wha Grim He swore,
Mah Frame Axe-Wounded, Rays emittin’ frae ilka pore,
Deep intae theis ay Norland Janwar’s bitin’ owre Frore,
An’ a Mirror appeared! thro’ th’ Thunderbolts, nae thair Chore,
Nae Gode bit th’ Owar-Mann! mah Steel-Ghaist, nae tae adore,
Quher! mah Battle-Scars Rid wur stylle thais unco a Soare,
Quher! th’ Cauld theare wæs tae mah Throat aye smore,
Quher! mah Sel-Reflection dazzlin’ it wæs, thro’ th’ Aurore,
Togiddir wae mah Chain Mail flashin’, tae th’ Whyte Core!

ŌFER-MANNES BEADULÉOMAN WÆLGRYRE,
NIHTES HRÍÐUM SĊĒAWERE OND WÆPENÞRACUM
UNDER HERE-GRĪMAN OÞÍEWEDE SE DWIMOR,
HWÆR SWĀ MISGEWIDERE ECGÞRACU MAÞELODE,

SIGRSÆLL EK AFSKRÆMI-LIGA MIS-YRKI,
ÞÁ EN GINSTAN MEÐ MJÖK FRÆKNLIGA
VIND-ǪLD ÞVÍ NÆST ALMÁTTIGR ALFÖÐR,

QVA RE

ALTO A SEPTENTRIONE VINTICTÆ CVM FVLMINE

DEVS RVBRA FEVDORVM SECVRE THOR NOMINE MEORVM
SPECVLO CHALIBE SIVE SCVTO MEO SOLISQVE POLITISSIMO
RVBRO IN TEMPLO CVM ILLE NVNC AIT MIHI ALTOQVE
MEA REX SIVE BELLATOR OVERMAN NOMINE SPATHA
VT INGNEVS SIT MAXIME HOC TONITRVO MEVS VIGOR
AC FVGIENDA FVLMINE ESSE CÆRVLEO HIC VMBRA
ET INTRA FLAMMAS AC RVBRA EX FEODALE VLTIONE
ALBO HIC FVLMINE AC HYDRA SEPTEM CAPITIBVS RVBRA
LIVIDO EX IGNE GRÆCO PROFVNDE HIC FACETE DICTO

ENΘΔE KAI ΔE ETI
AΦΘONΩΣ Ω OVERMAN

OΛΩΣ ΔE ΠΟΚΑΤΑΣΤΑΣIΣ ΠANTH
KAI ΔYNAMIΣ ΓE KAI AΛHΘEIA TEΩΣ
NYN ΔOΞA KAI ΔE KAI ΔAIMΩN

STAT DEMVM ILLE HIC NOMINE REX I

QVA RE

FERRO AMICTVS FEODALE IMMORTALIQVE TOTALITER EGO CVM SPATHA
VBI LIVIDA MEA SPECVLI REFLECTIONE AC VESTE CONCREVERVNT CHALYBIS FVLMINA

QVOAD

AD INFINITVM PERPETVO RECVRRENS POTENTIÆ INCREMENTO SICVT IGNEA ROTA HÆC IMAGO
FEODALIS SIVE O ΔΑIΜΩΝ GRÆCO VERBO MEA EX FVLMINIBVS IN SPECVLO LIVIDA
AC POST DE BRVNANBVRH PROELIVM ASSIDVE DE OVERMAN CRVORE POTENTIOR IGNEA

QVIA

VENIT RECVRSV POTENTIÆ HOC IDVLVM IVGITER SIVE TO EIΔΩΛON EXTRAMVNDANVM MIHI
AC HÆ SVNT LEX RATIOQVE DE OVERMAN INVIOLABILITER HAC IN LAPIDE INSCRIPTÆ

QVOMODO

FVLGORIS NATVRA OVERMAN SIVE ENAPXIKH TPIAΣ EXCELLENTIA ESSENTIÆ
HOC FVLMINORVM INCREMENTO SINE FINE AC SINE INITIO HVIVS TEMPESTATIS MAGNI AC IRÆ MEÆ

QVAQVMQVE

SVMMA EST IN SCVTO SIVE SPECVLO CONTINVATIONEM ILLE GENERANS ET VLTOR
AC MVTATIONIS INCREMENTVM TONITRVO SICVT ΔEYPO TΩ EMΩ AIMATI PERSEVERANS

QVONIAM

SIT DENVO GRÆCA CVM VOCE AC TONITRVO EX SANGVINE MEO IGNEO
FEODALE HORVM FVLMINORVM METALLICO CORPORE MEA VINDICTA SICVT

ΜOΝΗ EΣTI ΚΑΙ ΠΡOΟΔΟΣ ΚΑI ΔH ΚΑI ΕΠΙΣΤΡΟΦH
EΝ ΤΩ ΧΡOΝΩ ΦΑΣΜΑΤΑ

QVONDAM

ΤA ΠAΝΤΑ AEI ΚOΣΜΟΣ-ΛOΓΟΣ ΚΑΙ ΜEΤΡΟΝ
ΤO ΓΕ ΝYΝ ΓΝΩΣΙΣ

AC RELVCENTEM MAGNVMQVE IN SPECVLO LAVDO ET CANO VINDICEM
ET PERGITE RVBRA HAC IN ALTISSIMA RVPE HVIVS HIEMIS FVLMINA

AD QVEM

IRA CVM EXTRAMVNDANA MEA ET FEODALE CORPORE

LOCVM  FERRO AMICTVS SPATHA SCVTOQVE PERVENIEBAM NATANS
INTRA OCEANVM AD VERGENTIS OCCASVM CALEDONIÆ REGNI SICVT

OVERMAN ECGÞRACU.
Set after the Battle of Brunanburh in A.D. 937, this composition of mine, or rather brief epic, in archaic Scots, Classical Latin, Anglo-Saxon, Old Norse and ancient Greek, tells of a lone warrior, severely wounded after the battle, whose blood turns into fire and lightnings, as attracted by his armor, when a mirror appears before him as formed by thunderbolts themselves ("VBI LIVIDA MEA SPECVLI REFLECTIONE AC VESTE CONCREVERVNT CHALYBIS FVLMINA"), at the top of a soaring rock off the coast of western Scotland ("INTRA OCEANVM AD VERGENTIS OCCASVM CALEDONIÆ REGNI"), during a storm, therein obtaining immortality, upon his own reflected self, that is, the Overman himself, recurring over and over more powerful to the infinite as one person ("AD INFINITVM PERPETVO RECVRRENS POTENTIÆ INCREMENTO SICVT IGNEA ROTA HÆC IMAGO"). My own Return of Power event thus surfaces. How he was able to reach this rock, in his own bleeding condition, and in a heavy iron vest with sword and shield while swimming, I leave it undefined, hence to the interpretation of the reader. The title reads “The Overman through the Onrush of Swords”. “Ah” is “I”, "wae" is "with", and "stick-an-stowe", "totally", "altogether".
Chapter II
War animal in Tel Gomel


Three decapitated white eagles flew through TeL Gomel, carrying blood in their twisted claws of serous spines. They brought him the prediction of his anticipated double death, with his double breastplate on and his double helmet that would transmute the putrid Thanatos rings of feces through his weak dingy lips of Him .. Alexander the Great had sent him a letter with the Flying Eagles low; all of them were dressed in the stench of a field of yellow mist and black battle. Alikanto's stood on the slimy Bucephalus hoof, they hiccupped over the six-decade-old dream-sized lymphoma in its ridged crucible, whipping purges from its muzzle full of lymphoma debris remaining in the interstices of its teeth. - Alans. His heart was converted into an ad limitem red cuirass with a blossoming blue endocardium. As the twilight of the wind-blown blowout set, Eolionimi and Shamal were breaking the Vertical and the Jachyma of their greedy steed to spit out Sudpichi's blood gushing over the smelly cowards of sleepless Gaugamela. In helical flying carpets, catacombs in Markazí where residents of their lineage have lived in the abominations of the Lives that were reborn victorious from the fire of the cult of the city that houses their true Life and Soul.


Before handing over his dreams to Borker, master of all the forests in the world. White fire was made and seasoned the amputated meat of the obese ghosts who dared to flee from their mouth in grace of law without a sword or shield, to smoke it as a Valhallic morning wafer where the Fallen Surrounded by sacred beastly animals dwell with the shells of meek personalities. Perhaps Asgard, perhaps Sudpichi granting the host to the one who lags behind. Lullaby's pergola from her steed even in her placenta. From the first night and first Dew of a presumed and total Ahrimána intimidation, "Destructive spirit" or "spirit of darkness and evil", he created the demons by launching an attack against Ahura Mazda, who manages, however, to reject him until darkness telling him: "Neither our thoughts, nor our teachings, nor our plans, nor our beliefs, nor our words, nor our souls, agree." But Joshua de Piedra with alkaline quartz flour renewed his attack and pierced the sky in the form of scorching fire and with it brought hunger and disease, pain, desire and death on the Gold Chariots as monumental as a Psalm or a journey of Faith for thousands of years, keeping linear faith to travel to have equipment to return in silence for the hunger of a thousand years without satiety. Ahrimána was feared by all the Devas, especially for his sinister countenance and reddened eyes even when his sons celebrated his namesake sharp rubies. He was represented by a humanoid and black creature, wearing full armor, and from his shoulders came living snakes that poisoned anyone who tried to be upright.


"Ego Vernath; Primo Muneris Historiarum Alexandri Magni Macedonis,
  Im 'iens ut Sudpichi imple immortal ad vitam Cyrine pingues,
Ut apud Gaugamela facta pizote garnet *** eis.
I will plead with you, Pater caelestis.
Et ex millibus venit ad Chiliometra Alikanto claudus ex Akuleo.
  Morbi exords exequie et transitu urgentibus telis duo vel tria a righteous
Debemus sine confessionis velo noctu aquam psalm iris.

Et mollissimas lancinant sum obumbratio eius de collo tuo pro XII hours sum hodie computatis Sanguis rubeus, ut esset itineris fertur super gradm in agris inferre posset explain aciemque per agros ".


"I am Vernath; Alexander the Great First Officer,
I'm going to Sudpichi to fill Immortal life with Cyrine logs,
To granate them with my pizote in Gaugamela.
I fervently ask you, Heavenly Father.
I come from thousands of Kilometers with Alikanto lame from Akuleo.
Crossing the exords and destinies of millions of mortuary arrows, duo or trio, by dozens
Without rest, without confession, without water from the night veil over the iris of my psalm.
I was lacerating the shadows from their necks for 12 hours, today I was counting the red blood cells that I would spread over the fields of the step and flank over the offensive fields ”.


Vernanth, taking his dagger and charging himself with his steed, biasedly cut the jugular veins, retracting the subclavian. In an arcane ritual he did the same with himself, to be reborn before dawn, when both beings of the peat breeze that shone from the tremulous ascending wind of Eolonymy and twitched the hedges that surrounded the Voices of Vigil that secondary him before going to meet with the troops of Alexander Magnus, as host of the black bugles fading to the Persian horizon.

It gets up before dawn. She remembers her childhood and picks up a blue stone to scrape it off her steed's ears and sinuses to revive her. Her legs grew countless meters, to later adapt to her real size. She takes her dagger, wraps it in cloths of lazy warm grass of tomorrow, and rubs it on her temples. Alikanto is active and stares at her to adore her again in a life with her.

As the morning sang the subtle and gentle twisted threads of time from the light of nature, she was encouraged to wake up crawling over the weevils and face to face with her sentry. It lifts its tail and lifts it up for the first comeback of daring to ride together through the white clouds and the feverish white skies. Erected like a graveyard pulled by its fanatical stampedes.

Scents of tasty foods appear for both of you, perhaps to get rid of so quickly gobble up the food riches that the holy land that allowed you to still be awake and have revived again, before heading to the fiefdoms of the offensive liana of the trapezoid expired.

There were only a few hours left to leave and meet his compatriots, to seize axes and weapons of war. Maybe to take one last look. And perhaps to see if he should survive taking the remains of his comrades to Horcondising, Asgard or Pairi-Daeza, to some Sufi labyrinth, so as not to disdain the hearts of the brothers in Silsilá.
under edtion
Mateuš Conrad Nov 2023
this English hospitality was always somewhat eerie,
neglect of an empire and the topsy turvy
what's called history (sometimes,
set apart from the insomnia of journalism)
i.e. not enough years have passed for the veneer
to crumble...

                       ... spacious orientation of words
for the altar of sacrifice in poem as somewhat
dictated by Olson...

just befitting, to say that Pandora was an
androgynous creature,
    a Chimera of calamities and it wasn't
a box but Pandora fed a chimera rather than
opened some res per se...

         clearly i can hallucinate on the page as
if i have never read anything, ever, aloud...
i've long lost this art of: presented with rhetoric
to sour-**** oover...

           magnanimous is spelled like so...
but when i hear the word
   i see the following misspelling:
   magni-moh-knious: -nious as -news:
the K is silent, inserted to print to make
meaningful distinction between
words like KNOW AND NOW...
but given that now is: nauw
that's pedantic of me and well: ouch auw...

ooh... oh...
     curiosity staged with the latter and a soothing
lather with the former,
how different in two wheels rather than one...

interchangeability of letters so a custom of
idiosyncrasy of dialect and whims of a speaker...
ðe point being:             þoughts
very much akin to:

Greece, always with the Greeks...
    transliterations intact only until
(i have Greek blindspot[s]
which are as follows:

      Ξξ                         Χχ

xi           chi:                xichi

xof | fox

  or rather: how do Greeks laugh?
given that ha ha is actually:

     ηα             i.e. ea ea... H... none to pivot
on a vowel as consonant for breath thus
released like slingshot... not Hat... no Hatter, mad...

and borrowing from
   θ
F
   φ

or rather what became a letter generator tool
of I and O of Io... not the moon but the mortal lover
of Zeus... old Zius... not Zehus...

    Io who gave birth to:

Θ Φ and who in turn gave birth to Ξ.    Ψ

yes yes, you heard me correctly...
the copulation of Zeus with a mortal woman
gave birth to that monstrosity of twins

Theta and Philius...
who in turn loved each other so much that they
performed the act of ****** and in turn
Theta gave birth to their two children
(also twins):             Ξ.    Ψ

Xian and Psiah

          who in turn also performed the sacrilegious
act further... so that...
Ω was born and by the miracle of divine misconception
automated birth of her own accord
as a ****** ha-shem
         hermaphrodite: who have birth to
the imagination for the gods Hermes and Aphrodite

as ε (epsilon) and eta (η)

  by then all other letters came out of an antithesis
and to seal and hide the lineage
from ape to man...
spontaneously or perhaps out of a forewarning
out of a future with the culprit Prometheus
Oppenheimer... like some crippling sense of
time being cyclic rather than linear...

with space being linear, oddly enough...
since no amount of geometry could ever encapsulate
the universe... since space is shapeless
at the end of the day: the linear ache of this vast
cyclops, yawning...

yes: space is linear, time is cyclic...
as i not imagine it to be since it is:
getting from A to B... to work... a recurrent theme...
how tidy: to think like so.

— The End —