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Ari Feb 2010
there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia
My best Ginsberg impression.
Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

The incidences of ***** **** and malevolent  violence
Against women are maddeningly all over
As the number of lives claimed
And broken with stupidly impunity
Women are not safe in the crazy man’s world,
This and that to protect women and girls
From gender-maniac violence,
Particularly idiotic ****
And other forms of ****** imperialism
And all other forms of beastly violence
In situations of lunacy of man’s armed conflict
Punctuated by most bamboozling de-civilization
In the nature of resolution reads like capitalist utopian ideal
Women have been the victims of lumpen ****** violence
Since the start of the prosaic propertied conflict
While thousands more have been killed after menacing ****
Uhm; Congo, Mali, central Africa, Iraq, Afghanistan,
Kenyan in patients, Eldoret Nandi militia armed to death with arsenal of ****
****** forlorn foreign victims justifying political primitivism
Tortured, abducted, held to devilish ransom
Or used as human shields
Of the perpetrators being held accountable
For their actions, who can pique
When **** of women creates power
Abuse of women in war is as old foolish male avarice
As is the culture of tribal impunity that helps to breed it
But too much is known about the devastating agony of women
And lasting effects of ****** violence on bigoted individuals,
You generation of the serpent; when are stopping **** of women?
You continue ****** fearless devoid of legal repercussions
I do not think your ***** will be blessed anyhow
You ***** my sister because of the very nature of her vulnerability
Because our family is beautifully powerful and politically powerless
But if there was a way for us to make sure
That every single ***** that rapes is
Chopped of and given to victims in compensation
These would make fair claim for justice,
Here at least the signal would be sent
That people-****** will be shamefully accountable
Them rapists, for what they do
Out of Yet flamboyant patriarchal cultures
Where the stigma of **** overwhelms victims
Perilizing Matrimonial and parental loyalty,
Discouraging victimized women
From  coming  forward to  document
Bitter experiences creating  a struggle within a struggle,

In admitting what has been done to them,
O ! Victims of ****** assault in
**** is so powerful precisely
Because of the stigma in transit
This male a weapon with a long after-life
Is less than the war injury that only leaves  mutations
Dignifying the victim as it does not carry
Psychological and cultural implications ****** robbery

~for Bill T. Jones~

two poets, laureates both,
on the nature of hunger, they discourse,
in temple, where sacrificing is to living arts

I was there, hungry in every aspect,
seeking wisdom of the hungering nature of human.

examine the word, hunger,
hardly a rolling off the tongue mellifluous.
you growl it from the gut, in gowned resplendent ugliness,
go ahead, try it, it’s coarse and powerful insistent.

awoken empty but for the hunger, hungover from
dancing words and imagery not mine, now mine,
maddeningly demanding my dutiful attentions,
as if hunger was the master, me, obedient pupil.

the clean white slate the IPad re-presents repeatedly,
insulted that I have yet to crayon color it with the coherence
of hunger-exhaled words, dismissive that I am but an also-ran,
my village of lexical too unsophisticated,
the page addressed yet unplanned,
Apple white
is the color of the
starving artist.
st64 Mar 2013
Sliding into the water as I rise
She holds onto me, I stand steady
Feeling the hot, soapy suds slide down me
Her fingers on my legs, gently caressing

I look down to see what my leopard-girl's up to
Through the steam, I feel her roving eyes
Whose slinky slits belie what she intends
Not an inkling do I have ....of what she holds in store.

Then she's beside me....yes, her on bended knee
And with her lips planted carelessly along my belly
I quiver now in the shimmering heat of her arrows
On her haunches, darting lower now to thighs....

I flinch in disbelief as she reaches up, all coy
Does a befuddled thing I would never expect
She.....oh, holy smackerel in a barrel, baby!
What in blazes ARE you doing to me?

My senses fall to pieces, mind in utter disarray
Wordlessly, I try real hard to hold it together
As she scratches lightly, while purring oh-so deep
My feline fantasy coming oh-too-true!

Mumbling sweet-nothings in a haze of desire
Ramming shaft into her mouth, we make a different musical jam
Throttling up all the way to the hilt
Sure ain't nothing so sweet as her takin'-at!

She shifts the rolling gears,  I sway along
Clutching her hair for support, I humbly beg release
I see her ***** her eyes, makes ME ***** her harder
Makes me buck, drives me up that ***** wall!

I am in the driver's seat now, better believe
Feel a touch unsteady, but I hold her reins
I pull her maddeningly tight into me
Such delicious thrills course through my veins.

Pumping on vigorously, I'm-a  gonna spurt
But I know I have to pull the plug a bit
So her face and neck and **** rejoice
As not everyone can swallow what I give.

Ooh! Sweet heaven...now rinse off all-a that love-sap
Gingerly step out, wreathed in smiles
I let her soak on, as she's wont to do
She loves a delayed bath and I do need the time....

No room at all for doubt must be left
For her to earn folded returns for sated favour
She must be famished for some humble pie
How creative shall I prove to be, I wonder....

Swathed in terry cloth, her skin all pink-an-rosy
Oh, will she be just ripe-an-ready for this picking
Deftly will I lead her down, on downy floor
And mete out sweet and fitting penalty.

Growing exceeding restless, she will moan
But I shall will her to her knobby knees
Shame, wouldn't want her to be uncomfy
Give the lass a cushion....there, there.

I will rake my nails delightful 'cross her back
My leopard-girl will taste and be a crumpled mess
She will crave the whips across her ****
To match her lovely, striped, distorted mind!

And.... do I spy the goldfish bowl beside our bed?
Yes, methinks a wicked dip.... will do the trick
And her tower of resistance crumble, it must
Oh yeah, have I got a treat laid out for my pussycat!


Star Toucher, 30 March 2013
Just a .....tiny tidbit, really :)
There's a paradox in here, dunno if it's detectable....
Rather, hope it's ....um, delectable! Lol

Arrr!

Written in Jan 2913.
Seán Mac Falls Oct 2015
In the long nothings of blackest night
Owl whispers.  Hair of mouse stands,
As only an under sieged without spear
Can and grave vole, simply wide open
On his mat of dead leaves, drying time
And even the hare, without hope, hops
Maddeningly caught in dark labyrinths
Without sight, dear is the silent scream
Of all that was mere, so slim after light,
Night scurry, dash, curled fingers, prey.
Mikaila Feb 2017
I am not old, yet.

My skin is not powdery and white, see-through like a paper lantern.

But there is a part of me which

When I dare to reach for someone I love

Reaches with brittle ***** fingers, soft and cold and fluttering like white moths

That edge closer to a flame until they catch.

There is a part of me that feels old, and fragile.

And already even in the crest of my youth I’ve cursed this body

For its frailty, its needs.

It suffers and complains, always crying out for something,

Never sated, never still.

I’ve said it feels like living inside a porcelain doll

A look, and cracks can spider out along an arm,

A word and blood can bloom beneath the surface, seeping up into

Bruised pictures and symbols.

I must always be gentle,

I must always be

Watching.

Too passionate, and fissures form, marring the cheek, spreading like shadows thrown by a lace curtain.

I stare out, burning to touch everything,

And yet I pull back:

To dare is to risk, and I’ve seen

Both reward and loss.

I have seen a thousand shining colors spread across me like sunrise,

Warming my skin,

Calling to me like prayer until a bit of light escaped through the spaces between my atoms and reached another person’s palms,

But I have also seen the pale, flat shards of myself,

Sifted through white dust in dismay

For a salvageable portion.

Indeed, there are rooms in this world where sharp edges of me still linger

Waiting in obstructed corners and beneath heavy refrigerators

To gouge a foot or snag a hem,

Interred

In the dark and hollow places where they flew when I shattered and could not gather them all.

I have known

Intimately

My own fragility,

How maddeningly breakable I am

And how difficult to mend.

And there is a part of me now, always,

Which whispers to me when I would be bold,


“You are not old, yet.

But wouldn’t you just love

To live that long?”
*title is a quote from T.S. Eliot's The Lovesong of J. Alfred Prufrock
We grow in a ragged garden
whose caretaker no longer cares
for himself except to prune back
only the most strangling branches
of his mind's miseries.
Effectively, we are left to
our own wild ways.

In all directions,
time's vine sprawls unnoticeably
slow in its natural haste
to overtake every creature.

We are the berries
strewn along this vine.
Our thin skins stretched and aching
around poisonous pools of bitter juices,
desperate for a touch,
a cause to burst,
a moment in which our existence is fulfilled.

To die in defense of the vine
is why we are here.

Most of us will never do but rot;
stuck to a stem that roots us in
idle uselessness.
It is my brightest & deepest, berry blue hope
not to rot here with the lot of you.

So, with great want I watch the passing birds
fly in the sky and seethe in need for the
little hoppers who come so near
just to tilt their tiny heads
and maddeningly flutter off.

There must be one who makes the mistake
of choosing me.
One who plucks me right off with its beak
and bolts to dine in some high, safe place.

It will die for its hunger,
and so too will I for satisfying it.
But, for a moment between boredom's end
and attaining purpose,
I'll see the garden from a different view;
a bird's eye.
I'll see the entire vine for what it is,
and hopefully; finally, know why
it's worth protecting at all.
*BURST
Lauren C Sep 2012
‘Are you all cured now?’

Oh, darling, if only you knew.

(But I’m a monument of
Self-restraint, whittled from
Rotting wood. Ragged shards
Chip off, jagged splints.

The eyes deep wells - an imperfect
Effigy, of sorts. Even now
I’m burning up, and awfully so.
Thick and stifling, the air bates

And provokes me. As the season turns,
I’m patched with canvas sacks -
For a time my steely gaze
Kept the birds away, but now

I’ve gone to seed, flaking
Dry brushwood and sown with doubt.
I grow strangely bulbous
At the centre, starlings nesting

And feeding near my abdomen).
I have questions of my own,
You know, and they all beg answers.
But yours, well, it came to me

Innocently, cut clean and smooth
Like a butter knife. A token
Offering, an afterthought.
I’ve preserved one half our

Peace of mind. My satisfaction,
You see, is a solitary one:
It tastes pungent, sweet, and
Maddeningly powerful.
Seán Mac Falls Mar 2014
In the long nothings of blackest night
Owl whispers.  Hair of mouse stands,
As only an under sieged without spear
Can and grave vole, simply wide open
On his mat of dead leaves, drying time
And even the hare, without hope, hops
Maddeningly caught in dark labyrinths
Without sight, dear is the silent scream
Of all that was mere, so slim after light,
Night scurry, dash, curled fingers, prey.
AB May 2015
Windows show only crowded darkness.
Face lit with artificial light.
Keyboard clicks maddeningly in time.
A million thoughts
A thousand reasons
A hundred unanswered questions.

Who to blame for this night?
Was it me?
Was it you?
I don't really know,
I only know that I can't sleep
And I don't know where you are.

It's another late night.
Another hour passed, a minute gone, a day lost.
Without ever knowing why.
And in the Darkened window mirror, I see your face
next to mine.

And I wonder why.
Forever, asking why.
It ended long ago and I still do not know why
Grace Jordan Jan 2015
This was written three years ago for a school project*

In the glass lies a familiar stranger. I can see in her eyes I understand her, but on the outside she is someone I barely recognize. I’m not sure if I like her, with all her sharp angles and endless shades of color refracted. We stare at each other, she smirks at me, and I scowl at her, uncertain how to continue, afraid of what to do. We are strangers strung together by a common understanding, one we cannot ignore. Yet we don’t know how to approach one another. Polite courtesy, companionship, hatred? I don’t know with her. Within the reflection, I see every side of her, every flawed, shattered inch, the past that she pretends doesn’t exist, everything she's desperate to hide. Her reflected figure shows her as an invincible diamond, but inside she's just breakable glass.  

In a moment, the lights shift, the glass changing to force me to remember her. Her past unfolds before my eyes, and I am transfixed in memoriam.

She is only four years old, bright eyed, heartbroken, and forever changed, having to grow up too fast and having to pretend too often that she was ok. On her face lingers an angelic, adorable smile, yet my heart knows its not real. It doesn’t take long for a broken child to realize if she smiled it made everyone else feel better. Her arms cling to a velvet, violet teddy bear, thin from being hugged too tight, a photograph in her hand, crumpled from being hidden all too often. the image of a boy lies in it, only an infant, an image innocent but yet so obviously not. His lips are stained with red, his skin stained with white, and her cheeks stained with tears. The pain wells within my own heart, feeling her pain as she giggles, red-eyed, becoming joy epitomized to make her family smile again. She got so good at playing pretend.

Then the image changes, and she is now seven, hair cropped in a humiliating bowl shape, ready to go to school, ready to be someone, ready to live by that smile. Her feet turn in and the butterfly pins in her hair are happily quirky, distraction from what lies within her eyes; within my heart. A pile of photos reside in her pocket, only peeking out slightly to show the truth. The young boy, an elderly man, a sickly woman, the faces peer up at her, refusing to let her forget. And the bags under her eyes tell a tale all their own. With all the pain came the long nights, nights of nightmares that scared her awake, crying. No one seems to notice that though; the hall surrounding her is covered in photos of a young, chubby cheeked boy, so little and so young. In every shot they idolized him,  treated him like a miracle. I may know the difference between favoritism and the zealous gush over a baby, yet she doesn’t. She’s only a girl. At seven, the pain and nightmares weren’t what she minded most, what left a downcurve on the side of her grin. That came from wanting to be a miracle too.

Time seems to race by in seconds, and that tiny little girl is now ten. So much has changed. Her hair has grown and so has her smile; yet distinguishing its validity is impossible. Her legs are crossed, calmly,  contrast to her storming eyes. Around her are students, staring at a teacher as she reads a student’s fantastic work. The girl beams, but refuses to look down at her own rejected paper in her hands. An A+ is marked on the top. Yet everyone is transfixed as the other student’s writing is written aload. There are calluses covering her fingers and pencil marks staining the long, left sleeve of her shirt. I see inside this kills her. Every so often she gives an encouraging smile to the jovial girl next to her, with no paper in her hand.My eyes widen. This friend of hers is the one whose story is being read aloud. Her taller friend is better, and it kills her inside, being close yet still not being good enough.

The picture doesn’t stay, it soon shifts. A lot changed once she is thirteen. The familial grin covers her face, yet she doesn’t seem to be smiling at herself, merely at the other person in the glass. A blonde girl is next to her, her arm around her, the two speaking without words. Yet both girls are looking at each other, and not at themselves, as if ashamed. Not long after the other girl waves goodbye and the young girl is left all alone. For once her smile truly falters, staring at what’s left; her. An insecure hand crosses over her chubby stomach, acknowledging her shapeless sides. Her arms cross self-consciously over her and she shakes her head, as if to tell herself to stop all the hate. Eyes closed, she’s smiling again, but by now I know she’s lying. I almost want to clutch her close, to hold her tight, to tell her that she’s going to be ok. That she’s not disgusting as she thinks her reflection shows. Yet, stuck outside the glass, I can do nothing. That poor young girl, she only knows how to feel pretty when she can’t see her own face in the mirror.

Darkness hits as the glass reveals the girl at fifteen. She is sitting on the floor, skinnier than before, prettier than before, but with tears falling down her face. No smile hides the pain inside. She is alone, surrounded by bleak darkness and subtle cracks throughout. The only thing alive in this godforsaken reflection is her. The photos once more are peeking out of her pocket, the past ones still there while new ones have joined their ranks; the kind face of a diminutive woman, an elderly woman paired with the previous man, a young girl with strawberry blonde hair, and the insecure girl once holding the girl up with a friendly smile. The picture is torn clean in half, with rage and anger burned into its colors. She looks at it often, sobbing more with each guilty glance. My eyes scan her, terrified and pain stricken. Eyesight, fickle and slow, finally homes in on the crook of her right elbow, with small, almost invisible cuts covering it, cuts almost hidden by her sweatshirt. My head hurts, my hands begin to bang on the glass. She hold her hands to her head, rocking ever so slightly back and forth, as if a monster is consuming her mind. I pound harder, desperate to try to help her, she’s so lost. She feels guilty, so guilty. For nothing, everything, its all her fault. Why is she such poison? No one stays. Her eyes fall on her photos and her eyes grow dark. No, no one ever stays. In the end she is always alone. The tears fall faster as her knuckles grow white, trying to use force to drive the poison out. She poisons everyone who cares; she murders them. Shadows move around her in a taunting dance. In her eyes insanity screams. the shadows dance faster and faster, spinning out of control. She's not poison, she's not a monster, she's just a girl. but like this, she can’t hear me. she never will. Now, she feels utterly hopeless, helpless, alone. I fall to my knees, tears pouring from my eyes and anger seeping from my pores. Exasperated and in more pain than bearable, the girl rips the photos out of her pocket and scatters them through the blackness, screaming for it to go away, all of it, but it helps nothing. Why does she destroy everything? She collapses into incohesive tears, curled up on the floor, taunted by her shadows, maddeningly alone.

Finally the picture fades into the image it began as, the girl giving the sarcastic smirk that I was scowling at. I still know not what to say. She may be utterly flawed, but those flaws were what made her. Every smile, every nightmare, every second of envy, every bitter heartbreak, every semblence of insanity, those terrors created her. They are her past, her future, her present. Some days she’s four, some days she’s ten, some days she’s fifteen again even though I know she’d never admit it. In that smirk I watch her pride and strength rise above her vulnerability. That smirk, that perceived confidence, shows everyone the oddly shaped diamond. Yet it's those eyes of hers, blue-green movie screens, that flicker how stupidly human she really is. In her messy hair lies a pencil, in her hand a notebook. If concentrating hard, I could see on its inside cover all the thrown photos glued haphazardly to it. They were painful to remember, but even more painful to forget. She has grown so much, through each pivotal moment, and my contradicting feelings of annoyance and admiration don’t know how to compromise. This familiar stranger could be less hyperactive, less obnoxious, less secretive sometimes. Yet as my fingers splay across the glass, I don’t know what she would be without her bravery, her pain, her beautiful imagination. her fingers twitch with the murmurs of insanity, but I know she’s handled worse. This is just another challenge to overcome. Our eyes meet defiantly and we both laugh in synchronization. She will always be challenging me in the glass, reminding me of who she is so I never am able to forget it. I glance down and my spare hand runs across my notebook, and with each painful photograph I smile. They are her world; my world. Without them, without this pain, we’d be nothing. My fingers freeze on a final photo; the cracked, crushed picture of fifteen year old me. Giving her one last, thoughtful glance, I turn from the mirror and move on with our life, reminding myself to wonder what she would do, how I would react, and make sure to live every day remembering who we are; we are beautifully broken glass.
Unpolished weathered wood plays on my palms,
I pull and reach and pull an even beat
Attending algae'd oars aqueous psalm
Altered by the tangled grass I meet,
in counterpoint  small waves percuss the prow
Accentuating the pause before I cull,
Mellifluous zephyrs bowing across my brow
Enhance the exposition of the gulls,
Above the hem of heaven's dress the bright
Cerulean bodice trilled with Cirrus lace
Beguiles regard, but maddeningly polite
She smooths her skirt across the score of space

Eclipsing a poet's want to read the ruse,
This lady only lingers to amuse.
I like the challenge of writing sonnets.

Copyright 1998 JB Marshall
Slow creeping castles in mind intertwine
With memories bled deeply with pain
Chaotic structures, foundations of fear
And lives of a dark crimson stain
Slivered intentions ****** deeply within
Black fingers which clutch death like gold
Breeding disfigured delusions of life
In a worm-ridden heart love can't hold
Distorted figures of flesh and of shadow
Vehemently spawning delusion
Embedded far within failure-worn skin
With morbid intent the intrusion
Tragedies breeding disease and a hunger
Consuming a weak self-control
Raging insanity, loss of humanity
Ravenous Thiever of Souls

   **

Dust of a shadowed and well hidden ignorance
Envelopes discarded hope
Enhancing the feelings of failure and worthlessness
Of the lost soul who can't cope
More of the lessoning of love for life
Less of a reason for living
Imprisoned inside a one-sided world
Oppressor of self, unforgiving
So few the caring, supporting, and loving
Too many workers of pain
Within his mind, now void of forgiveness
Only one option remains
So few would mourn, so many rejoice
One bullet could cure this disease
Misguided hand holding cold false deliverance
Moves toward disaster with ease

Trembling fingers now pushing destruction
Begin to draw false freedom nigh
Conscience is screaming, imprisoned by hopelessness
Drown out by suicide's lie
The kiss of cold steel, and death gives a whisper
As barrel is pressed against skin
The moment forgotten as soul-piercing words
Explode far more near than within
"Such a loss you endure.  Such sorrow and pain.
Such a fool to think death sets you free."
Now a figure before, a shadow with substance
Dark whisper upon bended knee
Somewhat from fear, somewhat from awe,
Somewhat from thought hypnotized
The gun falls away, along with intentions
In company of undead eyes

Darkness leans closer, distorting a smile
Veiling intent with concern
Stretching it's hand toward the vacant young man
Saying, "Come.  There are things you should learn."
Contact is made, and light is betrayed,
As both fall down into the gloom
The young man awakens to heartless abandon
To learn of revenge in his tomb
"Your pain can end by ending the source,
And multiple sources there are.
Each individual judging your life
Leaves on your soul a new scar.
Erase every scar, and restore who you are
By sending their souls here to me.
Ask not what I do, and my promise to you
Is revenge will soon set you free."

Of all of the thoughts now inside his head
The victor is "ending the pain"
Tired of being the subject of scorn
Tired of going insane
"**** them all.  Yes.  And, why not?" he concludes
"They've been killing me for years.
An end to the torment, an end to the pain,
An end to all of the tears."
Gaze fixed on eyes alive with death
Eager for cold recompense
The young man sells his soul with, "I will."
Darkness smiles.  "Let us commence."
A savage young man, now barely a man
Arises to set himself free
Not knowing he's fashioning his personal cell
With Darkness now holding the key

Cover of night and a murderous silence
Welcome the newborn disease
Un-natural sight on this victory night
Grants the new killer great ease
Now there is flight, cut loose from earth's ties
To soar into vengeance untold
And a hunger for more than was bargained for
As morbid desires unfold
All taken in with more pleasure than fear
More weapons with which to wage war
First there was only the goal to take life
Now there is drunkenly more
"They will endure much more physical pain
Than that which they carved on my soul."
And madness begins as delusion abounds
In the Slave to the Thiever of Souls

To the first window, the first scar of pain
Laid out on a bed of fine white
The falsified *****, who pretends to adore him
While taking new lovers each night
A trick of the fist, and a flick of the wrist
And teeth burrow into the flow
The life that once thrived on the tainting of lives
Now lost in irony's throw
As the well runneth dry, the Slave gives a cry
As the torture intended is lost
Yet the hunger now maddeningly cries from inside
To be silenced whatever the cost
Turning away as emptiness grows
More wicked than torture's regret
Vowing the next will experience pain
Before their life's blood has been let

The next pair of scars, so distinct under stars
Together, as in his despair
The father and mother of what he once was
For him they had never been there
"Break them apart in each other's view,
Then hang them with their own entrails."
But ravenous hunger devours the thought
As self-treachery is unveiled
Before realization of torture now lost
Has time to fully set in
The two have been drained, their life now contained
In the ravenous nothing within
The Slave is consumed by rage beyond end
As the hunger continues to grow
Revenge now a second to the matter at hand
A trip to the Darkness below

"What have you done to me, you sick ****?"
A smile.  "Does it not satisfy?
An end to the pain that you felt was the deal.
In return are the souls you supply."
"The pain of my scars is drown out by far
By this hunger consuming my need.
I need to torment each one before death,
You *******!  Why do I only feed?"
"By feeding, my Slave, you harvest the souls
You promised me in our deal.
Never was torture a part of the bargain.
Go forth.  There are more souls to steal."
"And once I have taken these souls you request,
Is that when you set me free?"
"As long as you live, someone will cause you pain.
You will always be Slave unto me."

Blazing insanity blooms in a rage
As hatred begins to stain
"The soul of anyone, then, can be taken
If they are causing me pain?"
A smile, formed of misunderstanding
Now spreads across the dark face
"That is the deal, my Slave.  Just as long
As you bring the soul back to this place."
"But what of your soul, you ignorant ****?"
The smile now beginning to fade.
"I bet devouring your soul voids it all…
This ****** deal I have made."
A pause, "Yes Slave, my soul ends it all.
But freedom, you see, has its price.
You may be free of the deal we have made,
But you will never escape the device."

Locked in a gaze of thought and intent
The Slave and Thiever of Souls
Understanding, and the lack thereof
Threaten the grip of control
"To be a slave and be forced to feed,
Or feed after I've had my fun.
If those are the only two choices I have,
It's sure as hell not the first one."
The Thiever of Souls and the Slave then collide
With weapon of claw and of tooth
The Thiever now still, so quickly brought down
And the Slave, realizing the truth
As the soul of the Thiever and all those therein
Merge with the scars on his own
The voices now present inside his dark mind
Bring darker truths to be shown

"Slave, you have played the game out as we hoped,"
Sang the morbid chorus of loss.
"Each one of us were the victim before,
And won, to find losing the cost.
Would have been better to pull the ****** trigger
Than take up the offer, you see.
No longer the Slave, but the Thiever of Souls.
Prisoner, you've set us all free.
Enjoy your new hell, and suffer for us,
As we will suffer no more.
But, just as promised, at least this new pain
Will drown out the scars of before.
Your life is now eternal death,
And eternally you will feed.
This is the price you're condemned to pay
For your selfish, vengeful greed."

         **

Slow creeping castles in mind intertwine
With memories bled deeply with pain
Chaotic structures, foundations of fear
And lives of a dark crimson stain
Slivered intentions ****** deeply within
Black fingers which clutch death like gold
Breeding disfigured delusions of life
In a worm-ridden heart love can't hold
Distorted figures of flesh and of shadow
Vehemently spawning delusion
Embedded far within failure-worn skin
With morbid intent the intrusion
Tragedies breeding disease and a hunger
Consuming a weak self-control
Raging insanity, loss of humanity
Ravenous Thiever of Souls
I wrote this several years ago while trying (failing) to write a horror novel. The poet in me had other plans with the idea.
Mikaila Jan 2019
I read somewhere that names
Fix things in place like pins
And that to be nameless is to be
Free.

There are some things in this world which can’t be spoken
Can’t be captured
Can’t be named.
As artists,
As human beings,
They call us
An unstoppable force
An indefinable drive
Onward-
That deep tug in the center of your chest
The gnawing need to create.
They are things we chase
Things we aspire to
Things we even worship sometimes
Writing long into the night
Carving wood and clay and bone
On our knees in the dark
Smearing paint, desperate to understand
Desperate to make something
Half as beautiful as what we
Feel.
Since we awoke as a race
We have created
In service of only that drive
Only that obsession
Half awe and half hubris
Half joy and half shame
Half triumph and half
Defeat-
The expression of something
Inexpressible
The naming of something
Too sacred for language.
We know we can never arrive
We can only
Search
And the search is the reason
For our cities and our novels and our symphonies
An aching search
A humble search
A sweet journey whose end-
No matter how much we pretend otherwise-
Is only
Death.

You are like that.

I’ve tried for hundreds of pages
To explain myself
To express my love and longing but
You
Are like a thousand of those unnameable things.
I think you might be
Made of them
Somehow.
I think they live in your skin and your bones and the timbre of your voice.
I can write all day
About the magnetic beauty I see in you
About the way you make me feel
And list the things I love about you
But it always feels
Insufficient
Always as if I am writing around something
Bigger
Something with no words to describe it-
None that even
Come close.
As if I can only write about what you do
Not what you are
Because what you are is too vast
For thought.
I write as though I have pressed my hands to glass
Trying to sing to you through it
But you are on
The other side-
Even the most beautiful art
Even the sweetest music
Even the most tender poetry
Could not pierce deeply enough
Would be a disservice and a reduction
Would fall hopelessly short
Of what you really are
And how you really move me.

I try to tell you why I love you
I try to tell you
How.
I know you wonder sometimes
I know you wonder if I only love
Things about you
Things I could find in others.
I try to explain but it’s like
My thoughts catch in my throat
And fall like shadows on the floor-
So hopelessly inadequate.

I search and search
I sit up nights
Trying to find the words
Trying to make the words
But there are none
Not because you are ordinary but because you are
Unnameable.
What I love in you is deeper than reason
Deeper than touch
Deeper than ideas or memories or the little moments when I stop and gaze at you
Transfixed.
I love you in a way that reminds me
That we are not just flesh and blood
Because if we were there would be a word for what in me
Falls to its knees at your feet
And what in you
Makes me want to build things with my hands
And never stop

And that is
Maddeningly
All I can say
Because although I think by now I may have truly tried
Them all,

There’s not.
“To love another person is to see the face of god.” -Victor Hugo
Lots of little leaves lend their thoughts through me, invasive, intricately they thwart thousands of flicking fluttering flapjacks that narrowly nest northwards in insightful intricacies.  My own correlation to the devastation of my excommunication comes circling psychotically through territory taken by thieves.  Listen to me.  Me,  the sea winding, crashing, lashing, smashing in the sand.  Shells wash shamelessly ashore.  Incoherent attitudes to the longitudes and latitudes of my bicameral mind melt biogenetically with generous gentrification and gratitude.  Knights that know nothing note notorious faults with the mechanical bull bellowing ballads of Bart Simpson's big brained battles.  Believing in a higher power that showers us with praise and rain and pain and flames is an astonishing attitude taken timelessly through history.  Histories mysteries made matching the mourning Mormons march maddeningly on netted walkways wandering wirelessly in the digital age.  Rage, sage, six billion constellations on one page, intuitive notions of nectarines and oranges that float directly through subconscious space into the place were the human race lost its face, bending backwards hopelessly heaving to find It.  Us, the story of story of stories.  Last but not least the golden fleece made by hand of the man who lost control of the audience blinking stupidly through the dim lighting in a Victorian era theater.  Money makes men mad, women whistle tunes on the rocks as the clocks tick down to our collective doom eternity falsity.  Lighting matches of the patches that reconnect the lashes lavishly lacerating loyal little people who dance dumbly and deftly as an affirmative acceleration of the Nation brings out the worst in us.  Millions marching miraculously on nation capital investment in the predicted earnings of what we can sell to the horribly under educated balding obese men with learning disabilities due to the undisclosed demonstration of lack of nutrients needed to make more mean men smart.  Lost at darts.  Joan of Arc.  Queen Diamond brings crime to silent Simon sitting on the dock of the bay.  We waste away.  Watching rivers rolling round the ******* bend that banishes blatant blasphemies of the self.  Sea me sinking seemingly shrinking in the distance of your one good eye.  Lost green waves washing worlds wary of the New Age.  But in my head it can't be said any other way than the way it repeats and relapses and redirects my attention to it when I try to sleep and eat and drink and sweat and sigh and sing and slink.  The twisting tangled thought that terrifies my tortured terrace (aka my also known as counterpart playing in the dark with lost fingers finding time to rhyme lines in the mosaic of my mind: my heart).  But I'll just tell you later.
7/2/2014
Olivia Mercado Nov 2013
Imperfections are the beauty of life.
The whisper of a fragmented shell, the uneven receding of the ocean and the glimpse of a half-moon, neither crescent nor full, while the sun begins to rise.
A quiet dawn, absent of the flaming colors of super-saturated images on an “artist’s” computer.
The fact that, as a writer, I am now ******* the rules of grammar and the fragmented, half-beauty of an imperfect sentence is the only result.
Beauty doesn’t come from using big words or even perfect words. It comes from being halfway there, half the joy of our sight fulfilled, half the excitement and mystery and sorrow of not knowing, of not seeing, of not understanding.
Beauty isn’t meant to be understood – or even appreciated.
It is meant to be.
As long as it exists – without the passion, the ****** struggle of the artist’s search for meaning, without the human condition of imperfections and rectifications, art is.
Art doesn’t need you, the artist, to exist.
But you need art.
Beauty that mirrors your own imperfections.
Your own incompletion.
You are not finished yet – you are not an artist yet – you never will be.
You are not creating. You have never made anything original in your life. You can only transpose that which is already in you. And as you are completed, you can begin to know completion, fullness, consummation –
But not quite. It is something that you will never reach. Not on this earth, in this body, with this bound and sleeping soul. A flicker of a spark in the darkness is not enough to truly wake your spirit; death alone can rend the iron chains and throw you out beyond your body.
Enough
Never enough.
You are never enough.
Art is never enough – always maddeningly imperfect, broken. What does art do? What do you do? Beyond the existence of the dripping seconds, absorbed by deserts of the poor, the tired, the embittered – they act. They do.
They are always doing.
But what is it to be?
Complete in yourself and in all? To be I am, the one condition by which anything can be anything or have anything, and to be enough?
I am lost, and blind, and cold, in the echoing halls of time.
Alone.
Barren.
What am I?
If I am not an artist, not enough, not – somehow – alone?
What can I be?
You – all of you – this human experiment that has reached new heights of love and joy and passion, ceaseless, peaceless, senseless and hollow.
Look at the world. Look and believe.
Death devours all; never satisfied, even with Shakespeare, with Napoleon and Caesar and Alexander the Great.
Even with you, and me.
It will never cease consuming as long as a single breath stirs the air.
Why are we? Why do we keep striving for that fragmented beauty, the misty song of another way to be?
Is there anything but the carnal, the voracious appetite of Death and Man for blood?
Or is humanity nothing but animals who have deluded themselves, told themselves that they can see what others cannot, that justice reigns and that this world is something other than what we see?
And I, caught amidst the whirlwind of all the nothing new, caught and spinning, pretending that I can see what others cannot, that I have something to offer through these black and white and formless words.
Nothing new.
The world never changes its axis; it spins and moves but never really goes anywhere, year after year, in the blinding plummet of galaxies around their black-hole hearts.
Is that all a heart is?
Is lightning only the fire flashing through black clouds that illuminates and kills?
Is poetry only syllables and words we cannot know?
Is the world only what we make of it?
Because then, well, ****.
I guess this is the story of my life, guys.
An arrogant, blind ******* who hates herself and draws away in silence. I drift in the vast reaches of space, unreachable, unlovable, with the rest of humanity spinning around until we get too dizzy to bear the tide and surge of life any longer.
And then we keel over and die.
Atlas Rover Jan 2014
'Are you okay now?'
Oh, darling, if only you knew,
Only if you could see the light, I see in you with my eyes,
If only you could hear the music that weaves itself,
When you open your lovely mouth.
(But if anything,
I am adept at cowardly self restraint,
Whitled from rotting words and empty dreams,
Chipped and jagged, broken shards.
Yet your eyes, those deep wells,
Brimming with happiness,
With sorrow stifled within smiles,
If only you knew,
If only you could see.
I'm burning up, my defenses breaking,
With every moment the two of us share.
This provokes me, this change of season in the depths of my mind,
Replacing feral winter with lovely spring,
Peace of mind. My satisfaction,
Albeit a solitary one has been ravaged apart.
It tasted pungent, sweet, and
Maddeningly powerful,
Yet the smell of your words is far intoxicating,
Letting loose all my inhibitions.
If only you could see what you meant to me,
Would you be as scared as I am now?)
Shaking my head, dispelling this hasty afterthought,
Of course I am, I reply, With you here, what else could I be?
And you cover it with an immaculate laugh, chiding me on my flirtatiousness,
If only you could see, what you meant to me.
Skylar May 2015
It is in the midst of cruel December
That cynicism springs forth
Lush, verdant and fruitful.

As people sit
Firmly fastened in front of computers and televisions,
    Their pale, two-dimensional illumination
    A vicious imitation of the golden glow
    Of which we have been deprived,
The trite uniqueness of each falling flake
Is regarded with the same appreciation
Held by a prisoner for the peculiarities of each bar of his cell
While mercantile endorsements
Perform their annual joyless Yuletide jig
Complete with sullenly cheery music.

Indifference plods with a purpose across the pavement
On feet uncomfortably shoved into boots
And sometimes wielding a shovel.

My own feet angrily railed against the bus-stop sidewalk
On this particular day.

I forfeited the ice-block bench on this occasion,
Preferring to crush my feet into the ground
Than to risk cryogenesis by the unfriendly seat.

I was waiting for the next vessel to drift in on a tide of noxious diesel
And take me home
So that I could put cables through my ears
And stare blankly into a vividly opaque window;
Fingers performing a well-choreographed dance
While I wrap myself in warm, gas-heated euthanasia.

As the bench reclined behind me,
She sat down upon it like a ghost.
Slight and spritish.
Silky black strands dance in brave escape
From their woolen armour
And guard green isles floating on white seas.

Where have I seen her?
This person so maddeningly, forgettably familiar?

A breath of persimmon and greenery.

She extends forth a creamy hand.
The snow eats the vibrant blood as it leaks from her wrist.

Seized by panic,
I leap from my station,
A lifesaving scarf in my hand.

Hers presses to my chest.
Her pale-sunrise lips move to my ear.

"Wait and see." She says.
"Read between the drear to find what you seek:
"That which you remember and yet have forgotten."
The vital stream returns to its tributary by a volition of its own.

Did I faint at this surreality?
Did I go into shock by it and return to my abode in an ****** ambulation?
Did it take place at all?
I awoke at home, seated in my parlour
And watered by the melted rime.

For weeks after,
I would, with expectation and intrigue,
Await her arrival at the same stop,
Search for the silky black strands playing in the crowd,
I even sought her in vain through my nocturnal oneiric haze.

Indeed, she must have been a spectre,
Either of our world or that of my brain.

Nevertheless, this I know is true:
I did feel her gentle hand against my panicked heart
And her delicate voice still echoes in my ears.

It is Spring now, and still my memory of her persists
As does my recollection what she had to tell me.
Her whisper is in the snow-melt water
And her eyes cry joyful tears from icicles.
Neha Singh Sep 2013
you are

maddeningly sweet
infinitely kind
shockingly ****
nauseatingly cute
surprisingly stylish

and i am
hopelessly romantic
for you
still swollen:
      moon in eye
    lips murdered red
      with the crimson of
    maddeningly furious bites
       the crunch of bone
    turning in bed - air and moment
     stopped and in between
       the hounds spread
    darkening rumors,
        dropping once again are
   eyelids from too much
           heaviness of unuttered
     words, unperformed verbs
        seething in between teeth,
   cheek pressed onto crumpled
     ******* from groping in
the dark knowing only its
       frail rescue

    these tiny fingers still
   ache from touching anthropomorphic fires,
        the ears still swollen
  from distinct susurrations like
      o's and h's and their
     sweet campaigns
   my heart's well engorged
     with a whelm of promises

       in the morning there
      will be i and you,
    our love still throbbing
     in the loom of it,
   as we go on leaving -
lucy winters Jul 2015
I fell in love with a pretty blue eyed boy
He had pretty words and pretty eyes
He saw right through  my disguise
I fell in love with this boy
Who said I was his soulmate and his safe place
But he belonged to another and it was a disgrace
So I fell in love with this little boy
Against my better judgement,  I knew I shouldnt
I tried to stop my silly heart from falling but I couldnt
I fell maddeningly hopelessly in love with a boy
I was happy and it was perfect for a little while
But he left as silently as he came and stole my smile
Still I fell for this silly boy
I fell for his empty words and pretty lies
The discovery that he didn't share the emotions came as a surprise
I stupidly fell in love with a boy
A boy who lied and pretended and never really cared
For all his intentions all he left was despair
I Fell in love with him while he already loved another.  It is what it is.
emily Jan 2014
some days, i feel sick with loving you,
body tense & aching.
why does everyone associate love with the heart
when i feel it deep in the recesses of my stomach,
the gory bits inside me twisting with a hunger
nothing else can soothe.

wanting breaks over me in waves,
the crushing knowledge that i crave you
maddeningly, the rush of your fingers tripping down
my spine, your listless, brimming
heat, those indefinite
probing
eyes.
would you hold me like it hurts
not to?
would you sit with me until our minds coalesce
with the passing of time & certainty?

tell me, how does it feel to be the focus of my
desperate tunnel vision?
you have left every cell of my body intoxicated
with longing,
touched the scars of my skin as if
they are the most beautiful marks
i posses,
loved me with all your fervor & complexity.

the manic nights mean lying terribly awake in sweat-soaked sheets,
sleep evades & the only racing thought that pervades is
i need you
which scares me to breaking,
to think that i am only whole
in having you,
but there is a space within me
& you are the missing piece.
Seán Mac Falls Dec 2014
In the long nothings of blackest night
Owl whispers.  Hair of mouse stands,
As only an under sieged without spear
Can and grave vole, simply wide open
On his mat of dead leaves, drying time
And even the hare, without hope, hops
Maddeningly caught in dark labyrinths
Without sight, dear is the silent scream
Of all that was mere, so slim after light,
Night scurry, dash, curled fingers, prey.
Seán Mac Falls May 2015
.
In the long nothings of blackest night
Owl whispers.  Hair of mouse stands,
As only an under sieged without spear
Can and grave vole, simply wide open
On his mat of dead leaves, drying time
And even the hare, without hope, hops
Maddeningly caught in dark labyrinths
Without sight, dear is the silent scream
Of all that was mere, so slim after light,
Night scurry, dash, curled fingers, prey.
When I dream of my father
I see only a glimpse of him
His glancing blue eyes and small overflowing smile.
But he catches my gaze and we see each other
And something snaps in the air
Static and grief and love.
I awake from screaming his name, DAD,
My mind calm and my heart soft and confused.
It is a strange and beautiful thing
To be seen.

I stumble sleepily out onto the sidewalk
Slapped by the maddeningly brisk and groggy morning air
Knowing we saw each other.
I think of home
And how it is slowly dissipating like a small sugar cube
Into the dark smokey coffee of momentum
Of my life.
One stir and it will be gone forever
Leaving a lingering sweetness somewhere deep inside me.
How strangely we've scattered in your wake, Dad.

I feel a wind shift ever so slightly
The same wind that carried and bullied me all the way to New York City
And I know that things will never, ever be the same.
It is so hard to be afraid
With this wind at my back
With the man I love most in this world
Holding my hand and holding my heart.

I miss because I love.
I fail because I try.
I succeed because I am willing to fail.
I fear because I want.
I want because I need.
I fall because the world will catch me.

I love
And I will not be afraid.
phi Apr 2014
Sometimes, I hate
That I love him.

He is maddening.
His eyes remind me
Of caramel.
But that’s not the point.
He’s maddeningly
Arrogant.
And suave.
He doesn’t speak to me.
Just stands
And smirks
And stares.

He’s profoundly…
Irritating.
Yes.  That’s it;
Irritating.

His eyes remind me
Of caramel.
Thomas Bodoh Feb 2019
A ***** tightened too tight
Right here. In my stomach.

Life is a simple thing, really:
You just let people tell you exactly what you need to feel,
Followed by:
Exactly what you need to do
Followed by:
Exactly how you need to live.
Then, fortunately, you'll be happy, and thus you will have nothing else in the world to worry about.
It's certainly a utopian age we live in. It's funny how every single person has every single answer to every single question.

A Disclaimer:
I dislike emotion. It's rather like a very uncomfortable shape that just sort of sits there - or sometimes it rages, but mostly just sits there - moving about as if it breathes, and its heart beats on its own. The best thing to do is:
Beat it down with a large wooden stick. And then follow the rules.

Let us review the matter, shall we?
A singular person seems to entirely shift the constellations that connect the stars in my head.
Until it all sort of flattens into a wide, sharp-but-not-sharp mass of screaming desire and frantic pursuit, and it settles nicely into the shape of my smile.

A side note:
Eyes are easy to look into,
until you realize that perhaps you shouldn't be looking into them
until you realize that it might be your one chance to look into them,
until you realize that it's too late, and those eyes are
somewhere else.
Bliss.

Back to business:
The feel of someone is like fire - can't quite grasp it until you are, and then it leaves a mark. An aching mark, perhaps, one that leaves you up at night, but a mark nonetheless.
And then the planets suddenly all revolve around that sun, that flaming son, that maddeningly heated and roaring sun that warms you and burns you and fills your life with light and blinds you to everything that was or should be or even wants to be and it just is:

Love. A terrifying, irrational, confusing, and all-around undesirable reality. Let's scrape it off into words, the little voices said, and see if it makes anything better. In a small way, perhaps it does. Or maybe that's just me again.

A note to the Reader:
Nothing to see here, my friend. Just a bit of liquid nonsense splattered onto a blank page. With all the lies out there, it's fascinatingly easy to be deceived.

A Final Note:
Occasionally there is a moment
in which the reality becomes so real that it's There
and an unfortunate soul can feel it
and they also feel that Person breathing, shifting, living, from so far away and suddenly
for just a second
in a flash of light
that unfortunate soul
can sense the squirming mass of flesh that is Humanity
under an abandoned darkening sky.

A hand tightened too tight
Right here. Over my heart.
Derek Yohn Nov 2013
Was it Kruschev who said,
"We will spoon feed you socialism
a bit at a time," or
something like that?

Turns out whoever said it
was a prophet (one of many).

We are Americans.  We love
free stuff, and a sale, and
convenience.  We want to
germinate a seed and then
reap the harvest the
same day.  One spoon at
a time was maddeningly
too slow for us.

Margaret Thatcher said, "The
problem with socialism is that
you eventually run out of other
peoples' money," or something
like that.

Just not in her lifetime.
Or mine, i guess, since we
just print whatever we need.
What could possibly go wrong
with that strategy?

My ancestors fought in the
American Revolutionary War.
I can even prove it on
paper.  Violence and dissent
are my birthright as a
Son of Liberty.

Which, of course, means i
must fight in the next
revolution.  With words
and ideas, or actions
or a gun, with
conviction and apathy of self,
with my bare hands even,
to the death.

It won't end well for any of us,
no doubt.  A day will
come when we must take
our hearts and minds to
the fields, and possibly
leave our ***** there.
For someone.
For Something.
To be true Americans.
Zachery Oct 2018
The corpse will swing
The noose will hang and drift
Me crying oh so sadly
Me sad called maddeningly
Slip the noose over
Run me over in a rover
The knife in my chest
I was called a pest
I have failed the test
I will have eternal rest
Weep
Me you could not keep
My hill of problems too steep
Prepare the gun
For my last fun
2 bullets in the magazines
Why 2 why it seems
As if you want to give a thrill
As you and I.
I ****
The brains on the wall.
They flee into the hall.
I've given up on you all
No its not alright
I can no longer put up a fight
I want to see the light
I want to feel the fire
'Cause well
I'm doomed to hell
Until I hear the bell
To release me from my chains
Nothing more I wish to gain
My life I do not wish to re-obtain
The gun
The fun
The knife
To end my life
The cyanide
For when I can no longer confide
The noose
For my feelings I call obtuse
I'm dead
And way ahead.
I'm gonna burn in HELL
Never to see the light
Cause I didn't put up a fight.
...
Atlas Rover Jan 2014
'Are you okay now?'
Oh, darling, if only you knew,
Only if you could see the light, I see in you with my eyes,
If only you could hear the music that weaves itself,
When you open your lovely mouth.
(But if anything,
I am adept at cowardly self restraint,
Whitled from rotting words and empty dreams,
Chipped and jagged, broken shards.
Yet your eyes, those deep wells,
Brimming with happiness,
With sorrow stifled within smiles,
If only you knew,
If only you could see.
I'm burning up, my defenses breaking,
With every moment the two of us share.
This provokes me, this change of season in the depths of my mind,
Replacing feral winter with lovely spring,
Peace of mind. My satisfaction,
Albeit a solitary one has been ravaged apart.
It tasted pungent, sweet, and
Maddeningly powerful,
Yet the smell of your words is far intoxicating,
Letting loose all my inhibitions.
If only you could see what you meant to me,
Would you be as scared as I am now?)
Shaking my head, dispelling this hasty afterthought,
Of course I am, I reply, With you here, what else could I be?
And you cover it with an immaculate laugh, chiding me on my flirtatiousness,
If only you could see, what you meant to me.
wordvango Dec 2015
for ringing
   division bells
hearing them ring too
     soon, threatened by shadows
of random precision cast
by the
      Dark sides of the Moon,
comfortably numb
       Time maddeningly
clocking ,
   the loonies in the hall,
hey you, out there getting
   old fading smiles
easing all your pain
     show me where it hurts
my hands two balloons
        now i have the fever again
so, I think can you tell
       tell if I can feel
smiles from what I might trade
       cold comfort for change
a lost soul
          a look in the eye
caught in the stutter of a cold breeze
         blowing shining
on misty reaching for a secret
jeffrey robin Aug 2010
the Madness reverberating
the Sadness settling in-
to
the Eyes and Minds
of
All the Children of the World

Dying Dreams
shake the Sleepy Heart unto
a Wakened Sense
of
the Agony
that is here

but,
still

We

deny so Maddeningly
that
WE
are Mad

as our Madness
reverberates

and
Destroys

All the Children of the World
Andrew Orr Sep 2011
Love is patient, Love is kind
Love is maddeningly blind.
Love is stupid, Love is moot
Love is terrible to boot.
Love can heal, Love can ****
Love can make you take a pill.
Aphrodite: What a gal
Lamentation is her pal.
Oh Venus, shining bright
Please don't make me go and fight.
Like a ******, you'll be true
You'll be sniff-sniffing that glue.
Oh so fair, without a care
Strip my heart and leave it bare.
Love is rude, Love won't wait
Love will leave you at the gate.
The Clock of Passion tick-tick-ticks
What is Love's number?
Six-Six-Six.
CB Hooper Dec 2013
there is nothing like unrequited love,
a love that is given
and not expected
to be returned,
a love that will likely never
be reciprocated,
but love nonetheless
and it rages inside,
like a beautiful demon
trying to escape
like your drunken dancing feet
maddeningly twirling on the concrete
as i watch and am mesmerized
as i fall oh so terribly.
there is nothing like unrequited love
and i am forever its prisoner.
Seán Mac Falls Sep 2016
.
In the long nothings of blackest night
Owl whispers.  Hair of mouse stands,
As only an under sieged without spear
Can and grave vole, simply wide open
On his mat of dead leaves, drying time
And even the hare, without hope, hops
Maddeningly caught in dark labyrinths
Without sight, dear is the silent scream
Of all that was mere, so slim after light,
Night scurry, dash, curled fingers, prey.
me Nov 2012
When we're naked, lying in bed
with our bodies pressed together
When we are how I imagined,
pretended with my pillow,
when we were apart
When I keep squirming closer and
we keep giggling
it still isn't enough

Now that we're enacting all I imagined
it still isn't enough
we're restrained
separated
I just want to be as close to you as possible and I'm trying and we're
close,
so maddeningly close but
it still isn't enough

Because we can't escape from this cage,
this cage of our bodies.

— The End —