Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

God Exists

The world has a funny way of reminding us,

God exists.

Sometimes I forget,
the freedoms I have as an American,
and I take these freedoms,
for granted,

but then,
the World reminds me,
and I remember,
that God exists.

God exists,

I see His Light’s reflection,
in almost everyone,
from the lowest slave,
to the highest pharaoh,

God exists.

For example,

I was on the train,
to Luxor from Cairo,
Aaron Lux headed to Luxor,
it only makes sense,

on the train I met an Egyptian man,
and I took this as divine intervention because I don’t believe in coincidences,
he worked/works for the United Nations,
as an assistant for economic development,

his English was perfect,
better than most Americans I know,
and we talked on that train ride,
to Luxor from Cairo,

once we arrived in Luxor,
we both parted ways,
but we made a plan,
to meet up the next day,

and we did and we went,
to dinner I brought a random Japanese girl,
we ate camel on a rooftop,
overlooking the Luxor Temple,

in the distance,

the lights of The Valley of The Kings,
reflected on caves of tombs such as King Tut’s you know what,
sometimes seeing death reminds me of being life,
and being life reminds me that God exists omnipresent in all things.

God exists.

We talked,
on that rooftop overlooking Luxor Temple,
we talked about philosophy and religion and politics,
and also about some new stuff,

such as the Arab Spring,
and each other’s family,
I told hime I was trying to reunite my parents in Thailand,
because of them together in this lifetime I have not a single memory,

and I’d like to see my parents together at least once,
before one of us three dies,
because you don’t get a second chance,
to live this single life,

I,

asked him about his parents,
he said his father had just been abducted,
by the Egyptian Secret Police,
see that’s what you call Boy Interrupted,

but this isn’t a cinema,
this a real life drama,
and I saw this young man of maybe 22 years old,
had had to grow up so quickly because of such adult sized problems,

he said he didn’t know where his father was,
he said the police had taken him just a week ago,
because his father was on the wrong side of democracy,
I guess that’s just how it goes,

see his father was part of The Muslim Brotherhood,
and had supported the Arab Spring,
which in turn had supported President Morsi,
who was elected democratically,

but old habits die hard,
and the Egyptians know that better than anybody,
not much has changed there’s still pharaohs and slaves,
this country is still ran by an aggressive military,

he doesn’t even know where his father is,
or if he’s even dead or alive,
but hopefully he doesn’t end up like Giulio Regeni,
found in a ditch with an X carved in his forehead and gouged eyes,

I,

realize,
then that I know nothing about “struggle”,
I realize then that the 1st world has nothing to complain about,
it is in that moment that reality popped my ignorant idealistical bubble,

I know nothing about trouble,
I come from a country where people complain about everything,
we get upset because a traffic light takes to long or a waiter screws up our order,
we feel depressed about nothing but we know nothing about real struggle or pain,

I will never again complain,
about being an American,
I mean my God this kid had his father abducted,
and he might never see him again,

God blessed it feels so good to be from a country with real freedoms God Bless America,

and I’m saddened and grateful at the same time,
I’m saddened because no kid should have his father taken,
I’m grateful because I was born in America so I’m entitled to amazing freedoms,
and I believe in the American Dream still wide awake in a country that feels Forsaken,

but there's no Sutherland,
in the original Empirical Motherland,
just brutal reminders resurrected like Jesus on Easter,
or King Tut's curse from Luxor's sands,

I am,
blessed to have freedoms and others don’t have,
simply because I was born as an American,
and I thank God for that fortuitous fact,

The world has a funny way of reminding us,

God exists.

sometimes I forget,
the freedoms I have as an American,
and I take these freedoms,
for granted,

but then,
the World reminds me,
and I remember,
that God exists.

God exists,

I see His Light’s reflection,
in almost everyone,
from the lowest slave,
to the highest pharaoh,

God exists.

∆ Aaron LA Lux ∆

www.amazon.com/Aaron-La-Lux/e/B00ODPJAOK

Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.  
Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them.

Here then is what I might call  
                                                My Reverse Bucket List

Towns and cities – architecture & atmosphere
   Barcelona, Spain
   Venice, Italy
   Oxford, England
   Jerusalem, Israel
   Luxor, Egypt
   Varanasi, India
   Hiroshima, Japan
   Pompeii, Italy

Other locations
   Galápagos islands, Ecuador
   Great Barrier Reef, Australia
   North Woolwich, London

Churches
   St Paul's Cathedral, London
   Sagrada Familia, Barcelona
   Coventry Cathedral
   Córdoba Cathedral, Spain
   Blue Mosque, Istanbul

Other structures
   Taj Mahal, Agra
   Auschwitz concentration camp, Poland
   Royal Festival Hall, London
   London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.
   Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)
   Bayeux Tapestry 
   "Angel of the North" statue, Gateshead, England
   "Christ the Redeemer" statue, Rio, Brazil

Events
   Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife
   St John's night, Spain, early 1990s (?)
   Death and funeral of Diana, Princess of Wales, Aug 1997
   Oberammergau passion play, 2010
   Destruction of World Trade Centre, Sept 2001

Amethyst dew drop
Eyelash down
Full lip up-turned
Pink, glossy, round
Glitzy green sheen
On my half moon lid
Prism bright stud
Like the Luxor crown
Slightly levitating
Pierced, royal, proud
Skin luminating
Glowing from within
Golden, honey, brown sugar
Streams of gold and brown
I dance like a moonbeam
I dance like the sun
I dance like a star in flight
I dance on the run
I won't let a single man
Take this glow from me
He did it once
He did it twice
Three times
Shame on me

Je veille, unique sentinelle
De ce grand palais dévasté,
Dans la solitude éternelle,
En face de l'immensité.

A l'horizon que rien ne borne,
Stérile, muet, infini,
Le désert sous le soleil morne,
Déroule son linceul jauni.

Au-dessus de la terre nue,
Le ciel, autre désert d'azur,
Où jamais ne flotte une nue,
S'étale implacablement pur.

Le Nil, dont l'eau morte s'étame
D'une pellicule de plomb,
Luit, ridé par l'hippopotame,
Sous un jour mat tombant d'aplomb ;

Et les crocodiles rapaces,
Sur le sable en feu des îlots,
Demi-cuits dans leurs carapaces,
Se pâment avec des sanglots.

Immobile sur son pied grêle,
L'ibis, le bec dans son jabot,
Déchiffre au bout de quelque stèle
Le cartouche sacré de Thot.

L'hyène rit, le chacal miaule,
Et, traçant des cercles dans l'air,
L'épervier affamé piaule,
Noire virgule du ciel clair.

Mais ces bruits de la solitude
Sont couverts par le bâillement
Des sphinx, lassés de l'attitude
Qu'ils gardent immuablement.

Produit des blancs reflets du sable
Et du soleil toujours brillant,
Nul ennui ne t'est comparable,
Spleen lumineux de l'Orient !

C'est toi qui faisais crier : Grâce !
A la satiété des rois
Tombant vaincus sur leur terrasse,
Et tu m'écrases de ton poids.

Ici jamais le vent n'essuie
Une larme à l'oeil sec des cieux.
Et le temps fatigué s'appuie
Sur les palais silencieux.

Pas un accident ne dérange
La face de l'éternité ;
L'Égypte, en ce monde où tout change,
Trône sur l'immobilité.

Pour compagnons et pour amies,
Quand l'ennui me prend par accès,
J'ai les fellahs et les momies
Contemporaines de Rhamsès ;

Je regarde un pilier qui penche,
Un vieux colosse sans profil
Et les canges à voile blanche
Montant ou descendant le Nil.

Que je voudrais comme mon frère,
Dans ce grand Paris transporté,
Auprès de lui, pour me distraire,
Sur une place être planté !

Là-bas, il voit à ses sculptures
S'arrêter un peuple vivant,
Hiératiques écritures,
Que l'idée épelle en rêvant.

Les fontaines juxtaposées
Sur la poudre de son granit
Jettent leurs brumes irisées ;
Il est vermeil, il rajeunit !

Des veines roses de Syène
Comme moi cependant il sort,
Mais je reste à ma place ancienne,
Il est vivant et je suis mort !

Stranded in a barren desert, I wandered across the burning sand. I was lost and in desperation when I came upon a man. I asked if he could help me, he said no but I will show you where to go. He pointed towards the setting sun, so I tiredly walked on. After much labor, I began to lose my mind. I saw what I wasn't sure sitting what seemed miles away. I then stumbled into the massive object, with the fading light of day. I stepped back several paces to see what this thing was. It had the face of a man and body of a lion and looked so regal, that I stood in awe. Then I saw something move, it was part of the giants paw. I fell to the sand in fear, think I was done. Then I heard a voice say welcome to my home. Startled I stood up and the massive being said what do you think. It rose up on all four paws and gave it's head a shake. I replied that I am not sure, what am I supposed to think. I am very thirsty I said, can I have something to drink. As if by magic, a lovely maiden appeared. She brought me water and a cold beer then quickly disappeared. I gulped down the water and delightfully savored the beer. I smiled at the giant beast and wished him good cheer. I then went black and some hours later, I found myself inside a pyramid. In a magnificent room, covered in marble and gold. I woke up and tried to stand only to find I was naked and cold. I wrapped a sheet around myself and I am happy to report, that I wasn't in ancient Egypt but had found Luxor's casino and resort. I put on a hotel robe and called some one the phone. It was long until a nice you man came up with my laundered clothes. I ask him with a puzzled look, what had happened to me. He answered with a great big smile and a great amount of glee. He said that our staff found you out back of the resort. You were lying on the ground between our icons feet. A waitress said you had ordered a few drinks then passed right on out. I asked about the giant statue and why it talked to me. The young man we get that a lot when our visitors have had too much to drink. So I lie here pondering a hanger over and massive bar bill I think, as I try to solve the riddle of the Luxor Sphinx.

He saw one evening a young woman in a red dress, and he remembered being in Luxor, sitting on a hotel balcony, looking out over the Nile, watching all day as the shadows shifted on the cliffs above the opposite bank, as the colours changed from ochre to gold, from pink to violet, and how he had felt so completely at peace. And seeing the girl in her red dress, with her hair up showing the curve of her neck and throat, with her easy, natural smile and her confident air of self-possession, he knew the same feeling; he could have sat and looked at her for hours and asked for nothing more to make the evening perfect.

I'm trying to tell you
about the life I spent
on the white elm
pin oak hill,
& about all
the manifold
pains there:
a child's mouth
******* tight
from the inside;
& from the outside,
nailed shut.
A death's place,
a Luxor or Karnak -
where the gods
were stony,
& answered
no prayers,
& where
I segregated
my emotions
into neat,
sealed containers,
for some
later life
to come.

Oh, it wasn't
all terrible:
I learned to
drink young,
& the yellow
night was full
of the river
at high water
mark, and I
looked at the stars
through the
bottoms
of bottles.
I found Jesus
at the side
of the road
& drank
through him too.
The blue light
of morning
came day
after day -
why should
it ever end? -
over the
funereal pin oak
& the sad-winged elm
& the tomb-moss
that settled
over my mouth
& my name.

The sun was
merely a function,
& days just
happened to me
& every bad break
confirmed me
as less than
the barest
crooked twig
broken in the yard.

It took years
to turn that back,
to spit away
the wavering blood
that filled my mouth.
It took longer still
to walk out
into my memory
of the green
light night yard
& recover that twig.
That's what
I'm trying to tell you.

Knossos, birthplace of the city.
Argos. Athens. Damascus. Thebes, Luxor.

"It is just an illusion we have here on Earth
that one moment follows another one, like
beads on a string, and
that once a moment is gone it is gone forever."

So many societies,
So much time.

https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

BALMORALITY OF GEOCARPY WEBBED FEET ANOINT AT THE TRIDENT OF POSEIDON SEES THE OLIVASTER MOULIN VEES OF  VARSAL GESTALT SALVATION AS CORNERSTONE CAPSTONES OF ARCHAIC ANTIQUITY BLEATING IN ANTEBELLUM FORESIGHT THE BLARING AMPHIGORY OF A THOUSAND TASTES OF LEPIDINE RAGMATICAL RANCOR DISSOLUTE ONLY IN ITS FORMULAIC WELKINS BY WALLFISH FREEBOOTERS CONSTELLATED BY THE STELLION STANCHION WHELVES ARMADA THAT SPARTANISM OF RENEWED POST-MODERN ****** CAN NEVER USE THERMOLYSIS IN THE SECRET ESOTERIC ARTS OF NIDAMENTAL NANOTECHNOLOGY THE FUTURE WIREWOVEN BELLETRIST OF ENCEPHALIZATION QUOTIENTS WIREDRAWN OVER HYPERBOLES OF MASCON GEOCARPY BECAUSE OF GEROSCOPY AND SENICIDE AMONG MANY A SPATHODEA ENLIGHTENED BY GHOST DANCE PERIBLEBSIS IN WILD WEST BILL CODY’S DAYDREAMS OF PRANCING NORDIC FLUMINOUS STREAMS OF DIVULGENCE OF RIVULATION FOR RUDENTURE IN JASPERATED JESUITICAL JARVEYS OF RECONAISSANCE OF THE TIGHT-LIPPED ALWAYS PHILANDERING WITH FIDELITY TO THE CLEPSAMMIA OF THE DEEPEST VEESES FOR THE MEHARIS OF MELLIFEROUS SPRITES OF OREAD DEMIURGES IN ZENKIDU BECAUSE OF DREDGED BEACHES AT THE EDGE OF TOMORROW BEATIFYING THE PRIMIPARAS OF INGENUITY LOLLOPED UPON THE QUEEN OF OSIRIS AND THE LAVADERO OF SET BECAUSE IN THE INTERRAMIFICATIONS OF SKELDER AMONG THE SKERRY THAT EXISTS BORDERING AN ATLANTIAN TRAVESTY BEMOANED BY BECHIC BEBLUBBERED INCONTINENCE OF LABORIOUS BEINGS OF SUFFRAGE AND TEETOTALER PREROGATIVES OF THE OCTAGON BENEATH THE VERY STREETS OF PALTRIPOLITAN SCHOENABATIC BARCAROLES AND CREMATION OF CARE BOHEMIAS THAT SPAWNED THE MYSTICISM OF PSEPHITIC PSEPHOLOGY BASED PRIMARILY ON BLESBOK CONTINUITY AGAINST TERMINAL TERMINUS THAT SHEATHES THE APPARATUS OF DIDDICOYS SPRAUNCY AND SPRUNG FROM EVERY GALVANIC TEMPLE INTO THE VOLTAIC PILES OF THE  ARENAIDAN SECRECY OF SUMPTER NOW DISTRAUGHT ABOUT THE NUCLEOTIDES OF SUNBITTERN OILERS WHOSE CARAPACE ANNIHILATES THE IONIZATION OF IATRALIPTIC MALFEASANCE REGISTERED AS YOUTHQUAKES OF YESTERTEMPEST BECAUSE OF YENTAS OF YUAN DENYING THE LACQUER AND EXCHEQUER OF JAPAN MIGHT WE CONVENE A BETHEL AGAINST EXORCISM AND MIGHT WE FIND THE FOSSORS OF A GUARDED TRUST OF FRATERNAL LAMBENT LIGHT OF THE NINE MUSES TRAPPED IN AEGEAN DRYGULCH BECAUSE OF THE LABYRINTHIAN PROWESS OF THOSE THAT BURROLED THE CONTRAPLEX TAMARAWS OF ALL DESTINY UPON THE SIPHON OF LATRIA BECOMING THE BANNER OF AGGIORNAMENTO BEYOND APARTHEID IN KNIGHTED SECRECY BECAUSE OF BROCKFACED ZUGZWANGS OF SCHWERPUNKT AND THE DEEPEST SALINE RESERVES OF AN INTERNATIONAL ORDER FOUNDERING IN ANTIQUITY OF EXACT SYCOMANCY BUT PARADED IN THE MARATHON CEREMONIES OF HALICARNASSUS AND ITS COAST GUARD YOUTH AUXILIARY FIGHTING THE PUNJABS TO STALEMATE AND FINDING THE MAINOUR THE CULMINATION OF ALL ACUMINATED WARS OF ATTEMPERED ASTRINGENT ATTINGENT PLEROMORPHY IN THE ENCEPHALIZATION OF ANTIQUITY TO THE DIVINE WILL OF ALEXANDER’S KOWTOW AND THE DEMISE OF ANCIENT CATAMITES BY THE FLEECED SWORDS OF CREATION RATHER THAN CREATIONISM IN THE SHALLOP OF SWASHBUCKLERS STALLED IN STALWART TIMES AGAINST INSUPERABLE ODDS BUT BY THE POWER OF CRYPTODYNAMISM IN THE ERA BEFORE PHILOTECHNICAL REVOLUTION AND THE MONOCULUS OF THE SEPHIROTH MIGHT THE BARNSTORM THESE DAYS BE BRAZEN AS A SERPENT PATROLLING THE PROMENADE OF LUXOR AND THE QUAKY REAL MADRID BRADYSEISM OF GUARDED DELTAS AND THE JERBOAS THAT FLAUNT AGAINST THIGMOTAXIS AN ABILITY TO CONGEAL AND COAGULATE COMMUNITIES THROUGH TAPESTRY AND TALENT MET SQUARE WITH “MARS VOLTA” LEXICOGRAPHY THAT EAVESDROPS LIKE A VANGERMYTE VAMPIRE ASSOCIATING WITH A JAPANESE ARMADA’S SYMBOLIC EMBLEM TO A MEJII RESTORATION WORTH DISCUSSING IN A CASEMATE STOKEHOLD BRITSKA DOOMSTER ECONOMY POISED FOR REVALORIZATION OF ALL ELEMENTS OF THE CRAFT SUBLIMINAL IN OBSCURE HINTS ABOUT THE SPELEOTHEM OF NEOTTIOUS SECRETS MOST EXCELLENT MASTERS WOULD NEVER DISCLOSE AT THE PERIL OF THEIR AVIZANDUM OF SENNET AND THEIR GUARDED THEATRICS OF RIGMAROLE AROUND THE GALLOPING HORSEMEN OF PROVENANCE AND PROVIDENCE FOR MANIFEST DESTINY AND THE FREER REPUBLICS TO EXCAVATE OVER AND OVER AGAIN THE SAME APOTHEGMS THAT BLACKGUARD THE SOCKDOLAGERS OF OBSCURE REVELATION SUCH THAT THE HYPERBOREAN CATALFALQUES WHO WITH DISMISSIVE LOUR AND FEALTY DESIGN AND DESIGNATE ABRAXAS ABOVE MATRIOTISM AND HONOR BEFORE VALOR THE GRAVE MISTAKE OF THOSE WHO DIG THE VERY GRAVES THEMSELVES IN OSSIFICATION OF BRONZED BEASTS OF SERPENTINE MYTHOLOGY OF AURIFEROUS JOLLYBOATS FROM TURPENTINE TIMES OF SMARDAGINE REGARDS FOR THE CODEX AND TESTUDO BRACKISH IN INTEMERATION OF A EUHEMERIST CHRISTIANITY THAT RECOGNIZES THE PLIGHT OF THE GODS OF OLD AND THE HISTORICITY OF STRUGGLE SEPTIFEROUS IN DEGREES OF SEPARATION FROM DIVINE LIGHT AND THE ANGLE OF THE SACRED FIRES OF “THE PLEASUREDOME” WHERE MEMPHIS RITES ARE DEALT LIKE DRUGS AND RAMPANT SKULLDUGGERY FOMENTS THE CAFE AND THE SALON INTO A FRENZY ABOUT FUTURITION IN THE NEGOTIOSITY OF NEGOCIANTS OF SUBLIME MASTERWORKS YET WRITTEN BY THE ADEPT HANDS OF BELLETRIST FOR THE RUPESTRIAN ACCORDION ZEAL OF THE FEWER PIONEERS OF HYPOGEIODY WITH THE GALL TO STAND PROMINENT AGAINST SVEDBERG TO LIBERATE THE NOSEBAG NOSTRUM OF SCARAMOUCHES OF AGGIORNAMENTO DERIVED FROM THE TRIBESMAN OF THE DISAGIO REGULA AND REGULATION BECAUSE OF SWARTHY ENMITY AMONG SPRINGHARE NOILS OF CRYPTODYNAMISM UNSPOKEN AND INEFFABLE TO A WIDER AUDIENCE OF ASPIRING APPRENTICES OF THE CRAFT OF A KRAFT CHEESE BOONDOGGLE SO DARING IN ITS PSITTACISTS OF GENERATIVE PRE-PROGRAMMED NETWORKS THAT THE APOGEE OF OUR CIVILIZATION IS ALWAYS CURTAILED BY THE CURGLAFF OF PRODIGAL SONS ENSNARED BY PEDERASTY RATHER THAN DOCILE IN HETERONORMATIVE DIRECTIVES OF RESCRIPT FOR THE VARIOUS PRESBYTERIES DISTANCING THEMSELVES FROM THE EQUIPOISE OF CRIME TO PUNISHMENT BUT ALSO TO LASSO A ZEAL FOR PRIMIGENIAL VARDLES OF SOVENANCE AND THEIR ENCOUNTER WITH STELLAR SPECTRUM DERIVED FROM PHASMOPHOBIA BECAUSE OF THE LURCHING TYRANTS OF FAMIGERATION EVEN IN THEIR CABOTAGE MIGHT THEY SAIL LAVEERING AGAINST HEADWINDS OF CATASTROPHISM AND MAXIMALISM BOTH CONVENTICLES OF A QUACKERY OF CHARLATAN ORDERS WHO DEBATE ENDLESSLY OVER SYCOMANCY ONLY TO FIND THEIR FAFFLE INCONSEQUENTIAL IN THE SIGHT OF THE ABRAXAS OF ABAXIAL ANACHORIC TREASURES OF THE EXODUS THAT PARENTS THE FIRSTBORN RATHER THAN TURNS THEIR NIDOR INTO NEPIONIC ENSLAVEMENT BECAUSE NEITHER AN ENNOMIC DEGREE OR DECREE NOR A CAESARAPROPISM UPON THE EARTH FORMIDABLE IN NOMOGENY BECAUSE OF THE SLIPSLOP OF SLICKENSLIDE CLOTURE AND CLOUT OF THE GENEROSITY OF MIKE BOSSY BOSE PRIOR TO THE INVENTION OF BASS ITSELF AND BEFORE ACID HAD ITS PROMENADE HEYDAY ON THE STREETS OF INTERNATIONAL ACCORD RECUPERATING FROM DEVASTATING CONFLAGRATION A RECUMBENTIBUS FOR THE SHANGHAIED RIVERS THAT FLOW FROM COAST TO COAST AND THE MOUNTAINS THAT TOWER ABOVE SPHACELATED ARTIFICE TO DISCOVER SPIRACULATED WISDOM IS SOPHROSYNE AND MODEST IN TEMPERAMENT LIKE THE READY PLAYER ONE ACQUEST FOR PALATABLE CONTROL OF CEPHALIGATION YET INVENTED BUT ALWAYS DISCLOSED AGAINST THE SUMPTER OF FETED AND FATED TRAPEZES OF THE LOST ARTS OF THE LOST COVENANTS AMONG MEN AND AMONG THEIR FRONT-RANK REAR-GUARD TUMESCENT TONGUE TONGUE-TIED BY MATHEMATICISM TOO LENIENT TO EXPOSE THE TRICKERY OF THE RETINA NOR THE RETINACULUM OF THE GARDENS POISONED BY CHINA WHITE RATHER THAN CHINA AS WE SASHAY INDIRECTLY FROM LONGINIQUITY OF INSULAR BASTIONS OF FORTIFIED ROORBACKS OF PREHISTORIC MERIT AND ABDERVINE MOVEMENTS CONVERGENT UPON THE OMPHALISM OF SOCRATIC PROMACHOS LIVING IN THE CLIFFS OF DOVER (A MISNOMER THAT FEW MASONS WILL UNDERSTAND) BECAUSE WHEN WE FLOUT THE SPANISH ARMADA AND  DISCOVER THE TRIBULOID LIES OF BERLINE SYNCOPATION OF HETEROCHRONY WE FREE OURSELVES TO SEE A FORDED RIVER NEVER BOLDER AND A MAGICAL RECIPE ALWAYS PROSCRIBED. LET THE MYSTICISM OF OUR AGE HEARKEN THE PARAGONS OF ANCIENT GREECE AND THEIR COUNTERPARTS IN ROME WHO OVERSAW A WORLD IGNORANT TO THE ISRAELI COVENANT AND WORLDS APART FROM “THE GIRL IS MINE” JOCKEYING JOCKOS OF JESUITICAL JANIZARY AFFILIATION THAT PREFER TO BURY THEIR SECRETS TO SUCH  A GREAT DEPTH OF BAROMETRIC PRESSURE THAT FEW FORCES ARE HERCULEAN ENOUGH TO DISCOVER THE LITURGY OF THE SECRET RITES AND THE VAULTED PRESERVATION OF THE OLIVASTERS OF FORMER DAYS THAT STILL SURVIVE UNALTERED IN A WORLD GOVERNED BY A RESOURCEFULNESS IN BOTH REPUBLICS AND AUTOCRACIES BECAUSE THE SYBOTIC SONDAGE OF THE TURTLEBACK IS THE SIGNATORY SLAVERY OF CHAVISH AMONG THOSE THAT CAROM PROFOUND TRUTHS IN TWADDLED DISMAY FOR MAYDAY CONFLAGRATIONS OF RAPID EMERGENCE AND IMMERGENCE INTO AN ORDER OF SOCIETY OF ISONOMY AND IXIODIC RESIDUE OF THE CORTEGES THAT ARE ENUMERATED ONLY AT THE BEHEST OF THE VERY FEW THAT THE PROPER NAMES AT ANY MASONIC LODGE ARE NEVER PUBLICLY SPOKEN AMONG THE FELLOWCRAFT BECAUSE ONLY THE TRUEST MASTER MASONS DESERVE TO KNOW HOW OUR PAST IS AN EISOPTROPHOBIA AND OUR FUTURE IS AN EISOPTROMANIA BUT DON’T BELONG TO THE PHASMOPHOBES AGAINST THE GHOST DANCE NOR PARALYZED BY THE PRIVILEGE OF VENOSTASIS AND NEVER ACCUSE ANOTHER MASON OF RHEOTAXIS IF HIS UPRIGHT APRON AND HIS WAMPUM BRACELET STARRING THANKSGIVING MEGACERINE MELEAGRINE STERQUILINIAN ARTIFICE THAT HAS CORRUPTED THE ROT OF PENTAPOLISES DEFEATED ONLY BY THE INGENUITY OF THE RURAL SATELLITES TO ORBIT IN SECRECY AND VALOR TO SUSTAIN THE REPUBLIC AND SCAVENGE LIKE NEOPHRONS IN MEMPHIS TENNESSEE JUST AS MUCH AS MEMPHIS EGYPT THE TRUE NECKLACES THAT COMPORT SOLEMN GIFTS IN GRAFT TO THE HARANGUE OF DISTANT PRESIDENTS BEFORE OUR TIME HANDICAPPED NEVER BY FORESIGHT BUT BY CULPABLE NOMOGRAPHY CREATING A DIESTRUS OF THE SACRED FIRES AND THE SACRILEGE OF ALEXANDRIA BESET BY THE ASPS BITE AND THE DESTRUCTIVE ALLEGIANCE OF CHUCKY AGAINST THE WISDOM OF THE WIDEST POSSIBLE VARSAL PERSPECTIVE OF HUMAN GEOSELENIC AFFAIRS IMAGINED BY THE SCRIVELLOS OF MEN OR THE ONOLATRY OF PALM SUNDAY COLTS RIDING DONKEYS TO PISCIFAUNA AGAINST NEW JERSEY DEVILED EDISONS WHO IN DISHONOR BUT ELITE GRAFT BECAME A FORMIDABLE LOCOMOTIVE OF INDUSTRIALIZED GALVINIZATION BECAUSE OF THE NAUCLATIC PACTS OF PEACE UNDERGIRDING THE GRANNARY GRAVAMEN IN THE BIG DIG BARTONS SWASHBUCKLING WITH RANCOR IN RANCID TRUCULENCE AMONG THE HISTORICITY OF A NEW ENGLAND TROLLOP OF DESICCATION IN A MAIDAN LAND OF ESBATS PERSECUTED BECAUSE OF FRENCH EMIGRATION THE EXODUS OF FORMER WARS MIGHT THEIR CRUCIBLE BE THE LITMUS TEST OF THE LIMITS OF OUR NEWFOUND CHRISTIAN EUHEMERISM AS WE LEARN THE CONVERGENCE OF THE CUNEIFORM CODEX AND THE LEVERAGE OF AUTOMATION FOR AUTOMATONS SILKALINE IN PRESTIGE AND GUZZLED BY THE GLAMOUR OF REPARTEE IN STAGED DOWNFALL AND STARLET MUSES OF ATHENAEUM AGAINST THE HEBENONS OF WAYSPAYED MULIEBRITY FIGHTING A WEGOTIST WAR AGAINST THE SOVENANCE OF TURNVEREINS OF TRUTH THAT ARE THE TORCHIERS OF THE AGES SUNKEN IN HARBORS AND ELEVATED IN INTREPID COURAGE AMONG THE HIGHEST PEAKS AND THE MOST PROFOUND DEPTHS OF HUMAN IMAGINATION FOR CAGOULES TO WHIMPER IN THEIR WHIFFETS OF BORTS THAT BECOME THE SATINETS PRIMARY OBSESSION WITH REGAL MATTERS PERTAINING TO EL PASO COUNTY INVITATIONS TO A BRIGHTER MORE PROSPEROUS FUTURE OF FORESIGHT AND GENIUS GILDED BY THE MATRIOTISM OF ALL CONVEX TIMES ANGLED DOWN IN AAONMS GRADGRINDS WHO PARSE THE PARSECS THAT SEPARATE US FROM THE COMMODORES BECAUSE THE SLEEK HINTS OF INTIMATION ESCAPE REVIEW BECAUSE THE BRONTEUM OF ALL SINECURES OF SYNCLASTIC TRUTH FAVOR THE UNDEFEATED STREAKS OF SPRAWLING ARCADES AND GLORIFIED STATUETTES SPIRALLING IN VERTIGINOUS DANCES AROUND THE TEMPLES OF PARIS TELEGRAPHED BY THE NOBILITY OF BUTCHERED LUKEWARM TAUNTS AGAINST THE BELLETRIST OF PROVINCIAL FOREIGNERS GIFTED WITH TURQUOIS VIOLENCE AND PURPLE REIGN THAT  ANOINTS EVERY GENERATION ABOVE ITS PEDIGREE AND FINDS THE 17 HORNS BLOWING TO BE LESS OF A KNELLED NUISANCE AND MORE OF A GRAVID DISCOVERY OF INCUBATIONS AND WEATHERBOARDS OF METEORIC SHAMBLES SPIRACULATED IN SAUNA DEPTHS OF BRACKISH CATADROMOUS GOLDMINERS WHO PARLAY THE BEST OF TWO BETS UPON THE PAXILLOSE TRAVESTY OF WOODED COCARDENS WHICH WALLOP EVERY JALEO OF STEVEDORES BECAUSE OF THEIR HANDSPIKE JARABES OF BAISEMAN AND COMPASS AIMING TRUE NORTH AWAY FROM THE LUNACY OF SOUTH PARK TURGID TURMOIL OF TELAESTHESIA IN THE FORMATIVE DURESS OF THE CONATION OF THE GREATEST OF PEAKS ESTABLISHED BY THE SPIKENARDS AND IRENARCHS OF THE GREATEST OF SUBTLETIES BECAUSE THE GILD OF SIRIUS RADIO AND THE SUBTERRANEAN MASKIROVKA OF WHIGGARCHY FIGHTING WITH SEMPERVIRENT TIMBERLASK GLOCHIDATE PUNITIVE RAISONNEURS MIGHT THEY ALL DEVISE WAYS TO SEE THE SYRINX OF THE EMBEDDED GALLANTRY OF DISASTERS THAT TURNED ICE INTO WATER AND THE CHEMISTRY THAT TURNS WATER INTO THE MOST RAREFIED WINE. SOME MIGHT ACCUSE THE ***** OF SABOTAGE IN HIS DEFECTED RECORDS SPREE OF  CEREAL KILLER DEMIURGES FOR THE FREEBOOTERS OF MANY A PRISON YET LIBERATED BY THE ELEUTHEROPOMANIA OF CACOETHES OF KANTIKOY IN THE MEGALOGRAPHY OF MANY GENERATIONS. WE ENTERTAIN A DIVERSE ARCADE IN ARCADIA BECAUSE THE BEHEST OF THE KNOWLEDGE OF THE ANCIENTS IS A QUIBBLE OF EPHESIANS TRYING THEIR BEST TO GAMBOL THEIR WAY INTO NUMBATS OF THE GREATEST VIRTUOSITY BEAMING AND BEAMISH OF FATIDICAL RESIGNATION OF THE MOFUSSIL TRIAD TRIAGE OF SUMPTERS OF SCURFY SCRAP METAL EMBEDDED IN THE RICHES OF THE CALUMET MOUNTAINS MOUNTED BY MOUNTEBANK QUARTERBACKS OF SIMPATICO RATHER THAN REVANCHE REGELATION PRIMARY TO THE COLOR-CODED SMARDAGINE PROVENANCE OF ALL PROVIDENTIAL MEN SERVING THE GLORY OF GRAND ARCHITECTS OF THE LOST SERENADE AGAINST JIMSWINGERS OF URBACIOUS AND ULMACEOUS POVERTY AGAINST TEXAS (VERY OBSCURE HINT YOU WON’T FIGURE IT OUT) BECAUSE THE GOLDEN BADGE OF THE HONOR OF A NEWFOUND WAPENTAKE DECIDED DECISIVELY BY A NETHERLANDS SPRITE FINESSING MORAL FIBER AND RECOILING IN TRAMONTANE GILDS THAT ANTICIPATE WITH ARCEATE OCREATED FASHIONS KNEADED TOWARDS A SELF-FULFILLING BELL MIGHT THE APPROPRIATION OF THE TACO BY THE CRACKLING THUNDER OF CACOMISTLES AND CREAKY CREANCERS OF CLITTER RATHER THAN CETACEAN CLOTURE BECAUSE THE RUNAGATE PERSECUTIONS OF PURITAN PILGRIMMAGE ARE DESOLATE WASTELANDS OF IMPROPER DECORUM FOR WARBLING TILTS OF RUMOR AND ROORBACK TO ZEPHYR THEIR WAY FROM THE VERSAILLES TO THE WALDOLF ASTORIA (OBSCURE HINT) BECAUSE OF THE SAD SPATTEES OF THE REAL-LIFE HINDENBURG WHICH SAILED TOWARDS AN UNFORESEEN CONVALESCENCE RATHER THAN A QUAGMIRE OF QUAHOG INFAMY RETICULATED VERY DEFTLY AND WITH ABARTICULAR VENGEANCE THE NEWER VENDETTAS OF EBBERMAN TRYING TO SECURE THE OBELIZATION OF OBELISKS ONLY TO TITANISM RATHER THAN TO SELF-REALIZATION OF A CELLULAR WORLD BUILT ON SILKALINE SATINETS TO PERUSE THE SALON AND CRAVENLY RIVET EVERY SUBSIDIARY ECONOMY TO THE LEVERAGE OF NEW WORLD CONQUEST MEETING OLD WORLD ASTROLOGY BECAUSE MYTHS OF DWARVES AND TITANS MARK THE ESCHATOLOGY OF “24K MAGIC” BECAUSE WE WANDER AGAINST WASMS OF WOODSHEDDING TO THE PARVENUS OF THE ARRIVISTE IVORY RATHER THAN THE COUNTERFEITER IVORRIDE OF BRAWNY RASP AND SIDEREAL ACCORD TO THE ZITHER AND FLUTE OF THE NINE SISTERS LOUD ENOUGH IN THEIR BLATTERNOPHONES THAT THEY AWAKENED THE ENLIGHTENED AGE THAT ONCE ONLY SKIRMISHED LIKE TIGERS ROARING IN TUBIFACIENT DELIRIUM MIGHT THEY CHANCE UPON THE BORTS EMBEDDED DEEP WITHIN THE SUBTEXT OF ARTEMIS AND THE CONQUEST OF THE PUNJAB BY THE ABEYANCE OF ROERICH BECAUSE OF THE REVOLUTIONARY ZEAL OF ALL-SEEING-EYE PREROGATIVES SWAMPY AND SCAPPLED AROUND RECIPIANGLES OF RECTANGULAR OBLATION AND NUTATION IN IMMATERIAL METEMPERICAL PHILOSOPHY OF UNNATURAL LAWS OF SARANGOUSTY AGAINST THE SCHMEGGEGY OF THE AGGRY AND AGRARIAN PERSIAN KNIGHTS WHO USED THE BRITSKA MAGI AND THE WISE SERVANTS OF THE KINGDOM OF THE NORTH AGAINST THE KINGDOM OF THE SOUTH TO AVENGE THEIR SEPARATE PEDIGREES BECAUSE THEY SOUGHT THE IMMORTAL WORD OF AMARANTHINE TRUTH AND THE ANACAMPSEROTE OF VIVID REVETS MIGHT THEY INCUR FEWER WINDS OF DAMAGE IN THE CARCASS OF POMPEII THAT CAESARS REJOICED ABOUT EVEN AT THE CUSP OF CATACLYSM BECAUSE THE SPRINGHARE NOOSES AND NOILS OF NAVES OF NAVARCHY BELONG TO THE SUNDOG JEREMIADS AND TALES OF THE GREATER BULK OF RESIGNATION. WE FIND OURSELVES FLUMMOXED AT THE DEMARCHE OF THE IDES BECAUSE OF THE JALOUSIES AND JEALOUSIES OF THE SCHISM THAT OCCURRED IN VENDETTA FOR QUAKY GROUND AGAINST THEOSOPHIES HOISTING STANLEY CUPS AND STANNARY COPIES OF THE ORIGINAL ARTIFACTS OF GREED AND OPPORTUNISM WHICH FORTIFY ALL MAINLINED  ECONOMIES AGAINST GILVARINGE HEDONISM WHICH SPURTLES ON CATALLACTIC CORDWAINERS WHO SERVE ON THE COUNCIL OF ATHENA BRONZED LIKE ZEUS UPON OLYMPUS MIGHT THESE VERY OBSCURE DETAILS LEAD TO THE WILDEST GOOSE CHASE UNLESS THE REAL GRAVITY OF SLAPSTICK CONFUSION THAT BELIES THE STEPNEY OF STEMSON BY THE STULMS THAT STOPE THE PERIPHERY OF ALL STARS AND THE PENULTIMATE DEGREES OF ALL CARREY ROYALTY TO THE SOCIETY OF THE SCIENCES OF WHITTAWERS THAT PAVED THE WAY FOR MIRACLE ABOVE JUSTICE RATHER THAN TRUMPETED DIKEPHOBIA SWARMING AN OCEAN OF HOLOBENTHIC THINKERS INFORMED OF THIS ZEITGEIST BEYOND THE PURBLIND UMBRILS OF THE PETULANT TEENS WARRING AROUND BEEHIVES OF FLAMBOYANCE BECAUSE OF A MISINTERPRETATION OF THE ALLEGORIES OF PRODIGAL SUNS AND SONS SET FREE BY GREEN-EYED LADY KNOWLEDGE THE GATEWAY TO THE MASTER VARDLE AND THE ACCESSIBILITY OF MOHAWKS WITH FURRY EVAPORATIONS AND THE FEATS OF ANTIQUITY WE CELEBRITIES CELEBRATE WITH ZANYISM AND ZEAL AGAINST THE ZEKS OF PARVANIMITY IN A WORLD STULTIFIED BY ARTICLES OF PRESS AND IMPRIMATUR ABOUT STILTED MECHANISMS OF COVERT VITRAILS OF THE VARSAL PROBABILITIES OF CATACLYSM AGAINST THE ATROCITIES OF ABAXIAL VOLTINISM OF CATASTROPHISM FOR NAGORS AND NACREOUS SECRETS THAT ONLY THE TRIBUNES OF LIGHT AND THE DAWNING ACCORD OF ADVENT AND PARCEL TO THE CONVENIENCE OF ROYALTY IN APANAGE MIGHT WE FAFFLE THROUGH SERVITUDE AND BECOME FEWTERERS OF A MIGHTIER HUMANITY THAT OVERCOMES THE QUIDLIBERTARIANS BECAUSE OF THE BROCKFACED BRONCHOS THAT EXISTS BECAUSE OF BRADYSEISM AND VANDYKES OF WALDFLUTE INDEMNIFICATION OF THE CODED VERSE OF A NEWER NOSTRADAMUS ISSUED WITH HINDSIGHT BETTER THAN A 1001 ARABIAN KNIGHTS BECAUSE THE MAGI OF FRANKINCENSE AND MYRRH KNEW THE HUMILITY OF THEIR STATURE BECAUSE OF THE DIVINITY AND GENTILITY OF EPHESIAN VECTIGALS OF EXTRAVAGANCE AND WONDER BECAUSE OF PETRIFIED THUGS LEARNING THE WAYS OF MODERNIZATION THAT THEIR DEAD TEMPLES AROUSE IN THE KNAVERY OF MEN BOTH DEAD AND LIVING. WE MUST ALL UPHOLD THE SINUOUS PEDIGREE OF AARON BURR BECAUSE THE FRIGOLABILE ELEMENTS OF WANCHANCY HAVE A NASTY HABIT OF RECRUDESCENCE AND RECIDIVISM BECAUSE IN SOME CONTRAPLEX RATIOCINATION WE FIND THE CELTIC BRIBE INSUFFICIENT FOR ILASTICAL CREDENDA BECAUSE THE METAGNOMY OF BARAGNOSIS AFFLICTING THE SOPITERS OF REGAL LORE AND LEGEND AND THE MAGNA CARTA REVOLUTION THAT USHERS US TO BIG BENJAMINS AND THE HEAVIEST OF QUANDARIES BRITTLE AT REDSHORT RESONANCE BECAUSE OF NEUTROSOPHY AT NEUTERED DISTANCES OF REGARDANT ARTIFACTS THAT THE PATIENT LIONIZATION OF THE TRUE CONOSSIEURS OF THE THOMAS CROWNE AFFAIR MIGHT FIND THEMSELVES STRANDED BY SUBSIDIARY DETAILS BECAUSE OF THE REGIONAL FANFARE OF LURID TRIUMPH AGAINST LAVISH PROMONTORIES OF CRAGGY  PEDIGREE GROWING INTO LICKERISH LICENSE THAT SPAWNS THE ANACHORIC RHEOTAXIS BECAUSE OF THE VULPECULAR MACROPICIDE OF THE ENTOMBED LOVE AND MOTION OF CINEMATIC TRIAGE AND TRIUMPH OF TRUE MESSIANIC VISION BOLTROPED TO BOLAR CONTINGENCIES OF THE CALVOUS MANY UPSETTING THE MERIT OF THE CHIVALRY OF THE FEW EXCLUDED FROM PRESBYTERY AND SANCTUARY BECAUSE OF INSUFFICIENT MEANS RATHER THAN INSUFFICIENT ENDS TO ACHIEVE ENTELECHY THROUGH AUTOGNOSIS. AMEN

I don't know

Whether sky plays earth!

Water running in circles

As if it's inhaled

Or ****** by earthy lips

And so clouds also

move along as ribs

In a breathing chest


You pass your legs into water

"how it is cold and fresh!"

and Sun, is hotter than blood

Feeding the sandy flesh


Your eyes're green at night

sunny in the afternoon

And honey in the early morning

My own are really dark!

I cannot clearly see

where poems are born


They say that neurons

Sink in a salty water

-sodium and chloride-

Just like the sea


I look at those blackish

Brainy rocky islands

And think  :

Only sweet water

Could dig its own way

Through this earth's wound

gathering lonely colors :

"Schwarz, Grün , und Gelb"

On either banks of the Nile

passing by the cataract.


1st August 2017,
Aswan - Luxor

Sur cette place je m'ennuie,
Obélisque dépareillé ;
Neige, givre, bruine et pluie
Glacent mon flanc déjà rouillé ;

Et ma vieille aiguille, rougie
Aux fournaises d'un ciel de feu,
Prend des pâleurs de nostalgie
Dans cet air qui n'est jamais bleu.

Devant les colosses moroses
Et les pylônes de Luxor,
Près de mon frère aux teintes roses
Que ne suis-je debout encor,

Plongeant dans l'azur immuable
Mon pyramidion vermeil
Et de mon ombre, sur le sable,
Écrivant les pas du soleil !

Rhamsès, un jour mon bloc superbe,
Où l'éternité s'ébréchait,
Roula fauché comme un brin d'herbe,
Et Paris s'en fit un hochet.

La sentinelle granitique,
Gardienne des énormités,
Se dresse entre un faux temple antique
Et la chambre des députés.

Sur l'échafaud de Louis seize,
Monolithe au sens aboli,
On a mis mon secret, qui pèse
Le poids de cinq mille ans d'oubli.

Les moineaux francs souillent ma tête,
Où s'abattaient dans leur essor
L'ibis rose et le gypaëte
Au blanc plumage, aux serres d'or.

La Seine, noir égout des rues,
Fleuve immonde fait de ruisseaux,
Salit mon pied, que dans ses crues
Baisait le Nil, père des eaux,

Le Nil, géant à barbe blanche
Coiffé de lotus et de joncs,
Versant de son urne qui penche
Des crocodiles pour goujons !

Les chars d'or étoilés de nacre
Des grands pharaons d'autrefois
Rasaient mon bloc heurté du fiacre
Emportant le dernier des rois.

Jadis, devant ma pierre antique,
Le pschent au front, les prêtres saints
Promenaient la bari mystique
Aux emblèmes dorés et peints ;

Mais aujourd'hui, pilier profane
Entre deux fontaines campé,
Je vois passer la courtisane
Se renversant dans son coupé.

Je vois, de janvier à décembre,
La procession des bourgeois,
Les Solons qui vont à la chambre,
Et les Arthurs qui vont au bois.

Oh ! dans cent ans quels laids squelettes
Fera ce peuple impie et fou,
Qui se couche sans bandelettes
Dans des cercueils que ferme un clou,

Et n'a pas même d'hypogées
A l'abri des corruptions,
Dortoirs où, par siècles rangées,
Plongent les générations !

Sol sacré des hiéroglyphes
Et des secrets sacerdotaux,
Où les sphinx s'aiguisent les griffes
Sur les angles des piédestaux ;

Où sous le pied sonne la crypte,
Où l'épervier couve son nid,
Je te pleure, ô ma vieille Égypte,
Avec des larmes de granit !

In Egypt's land, my heart forever lies,
Beneath the sun that paints the golden skies.

Where Nile flows gently, ancient stories tell,
Of pharaohs, pyramids, and desert's spell.

The pyramids stand proud in desert sand,
Great monuments that time could not withstand.

In Cairo's streets, the bustling life unfolds,
With markets bright, where history is sold.

The Sphinx's gaze looks out across the land,
Guarding secrets in the shifting sand.

Luxor's temples whisper of the past,
Where echoes of the gods forever last.

The Red Sea sparkles, blue and pure and grand,
Its coral reefs like jewels on the sand.

The date palms sway where gentle breezes blow,
O'er fields of green where ancient waters flow.

From Alexandria's shores to Aswan's light,
My Egypt shines, a beacon in the night.

Her beauty and her grace forever stay,
In hearts of those who wander far away.

Oh, Egypt, land of timeless, wondrous lore,
In your embrace, I find my soul's deep core.

A land of dreams where ancient meets the new,
My beloved Egypt, to you I’m ever true.

in pensive hidden arias
the songs of rainbow trails
in the now and never of vivid clouds
carrying forth whispering rains that stings
in forms known yet heavy are hearts and thoughts
what glory for victory when sirocco hails in sunshine
and priceless reckoning hawks the bazaars of the nomadic tribes

sing me songs of azuris
find me a tent in dusty hapless dreams
for a time but not for ever for ever is never
my camel carries a heavy load I travel at setting dim
the temple gods sleep in Luxor and the Tuareg are raiding
find me in the promised land where the alchemist make gold
name me in your language but honour me not with your daggers

I fare in westerly winds
in land of two suns and fork tongues
taking cloudy covers yet a stranger to kith and kin
in all I trade by batter for in oases there are mirages too
alone and afraid I sell counterfeits and drink milk to survive
buying stories in opaque hues to gambol as sheep do just to live
in ancient lures I  pay while my heart and soul long for a true home

Oh Archangel Gabriel, receive my adoration!
Thou who are heralded as “Harbinger of Divine Revelation”
Reveal unto me the secret of eternal salvation
Cleanse me with God’s white ray of purity
Be my cleansing courier when my sins are covering me
With your truthful tidings, raise me up from the grave
From the Ascension Temple of Luxor in Egypt, deliver your hoping slave!

-03/04/2015
(Dumarao)
*My Angels Collection