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by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
ALEXANDER K OPICHO

(Eldoret, Kenya;aopicho@yahoo.com)

Poetry is a network of rivers
One river flowing into another
A big river into a small river
A small river into a big one
Some rivers are dead in the catacombs
Others are rapidly flowing down
And up their course making noisy
Roaring waterfalls and poetic whirlpools
Full of the ripple circumlocution as
The whirlwind of gales in the harmattan
And this is the spirit of poetry.

I will sing the songs of Schiller
Hugo, Shakespeare the bard
Alexander Pushkin and Mayakovski,
Homer and Dante the Frenchman son of Maugham
And Dante the Italian father of the divine comedy,
I will sing their songs as they are European rivulets
Of poetry flowing into huge water masses
Of African poemocracy in which
The poetic dystopia is clearly
Couched in the gears of black and white.

I will sing and chant the songs of India
Land of Tagore by shouting his name
Rabitranathe Tagore! Sing for me
The ways of the Indian baby
Your Indian voice is mellifluous like the
Zulu ****** dances Song in full watch
Of King Mswati with dint of libido.

I will sing the songs of revolution
From Bolivia and Chile, neighbours
Of Mexico and Brazil; Brazil in which
Pablo Neruda the dog burrier is a religion
In which was born Paul Freire who forgot
To sing for the world chants and the songs
Of pedagogy of the dystopian poet
Pedagogy of the utopian thespian
Pedagogy of the dystopian bourgeoisie
Pedagogy of the cacotopian capitalist
And pedagogy of the utopian Marxists
Who are mealy mouthied with mutton in  between their ears
Manufacturing and venting dystopian phantasmagoria
I will sing.

Poetry is the river Nile of Africa
Cradling from Uganda at Entebbe
Flowing to Egypt into the Mediterranean Sea
Leaving the statue of Mahatma Gandhi at the cradle
Chanting the pearls of the satyagra
That; in God there is truth and
In truth there is God,
As poetry of Nile flows upwards
Not carrying only poems of love
Or bourgeoisie cosmetic Haikus
Singing carols of summer and Christmas day
But its poetic fluvial is washing away
The heavy social **** of Globalectics
Fearing Pushkin and his love
Shakespeare and his **** of Lucrece
Vladimir Mayakovski and
His slap in the face of public taste,
Schiller and his Cassandra
Master Homer and his Odysseus Iliad
Mocking in an ugly  snook
The Albatross book of the English verse
In tune with Yeats and Rudyard Kipling
Reversing the stanzas to sing of
The world as the Whiteman’s burden.

I will sing everyman and his *****
Every woman and her *******
Every ****** and her flower
I will sing them all and their names
And duties of roles pertinent
In healing the world, abode of mankind
From the impish Mr. Hide of cacotopian streak
To pave way for the saintly Dr. Jekyll
To lull man to sleep in his Cinderella
Of social utopia
As Robert Louis Stevenson
Holds the world a stage
Of dystopia.



Thank you for your audience!
THE PROLOGUE.

Our Hoste saw well that the brighte sun
Th' arc of his artificial day had run
The fourthe part, and half an houre more;
And, though he were not deep expert in lore,
He wist it was the eight-and-twenty day
Of April, that is messenger to May;
And saw well that the shadow of every tree
Was in its length of the same quantity
That was the body ***** that caused it;
And therefore by the shadow he took his wit,                 *knowledge
That Phoebus, which that shone so clear and bright,
Degrees was five-and-forty clomb on height;
And for that day, as in that latitude,
It was ten of the clock, he gan conclude;
And suddenly he plight
his horse about.                     pulled

"Lordings," quoth he, "I warn you all this rout
,               company
The fourthe partie of this day is gone.
Now for the love of God and of Saint John
Lose no time, as farforth as ye may.
Lordings, the time wasteth night and day,
And steals from us, what privily sleeping,
And what through negligence in our waking,
As doth the stream, that turneth never again,
Descending from the mountain to the plain.
Well might Senec, and many a philosopher,
Bewaile time more than gold in coffer.
For loss of chattels may recover'd be,
But loss of time shendeth
us, quoth he.                       destroys

It will not come again, withoute dread,

No more than will Malkin's maidenhead,
When she hath lost it in her wantonness.
Let us not moulde thus in idleness.
"Sir Man of Law," quoth he, "so have ye bliss,
Tell us a tale anon, as forword* is.                        the bargain
Ye be submitted through your free assent
To stand in this case at my judgement.
Acquit you now, and *holde your behest
;             keep your promise
Then have ye done your devoir* at the least."                      duty
"Hoste," quoth he, "de par dieux jeo asente;
To breake forword is not mine intent.
Behest is debt, and I would hold it fain,
All my behest; I can no better sayn.
For such law as a man gives another wight,
He should himselfe usen it by right.
Thus will our text: but natheless certain
I can right now no thrifty
tale sayn,                           worthy
But Chaucer (though he *can but lewedly
         knows but imperfectly
On metres and on rhyming craftily)
Hath said them, in such English as he can,
Of olde time, as knoweth many a man.
And if he have not said them, leve* brother,                       dear
In one book, he hath said them in another
For he hath told of lovers up and down,
More than Ovide made of mentioun
In his Epistolae, that be full old.
Why should I telle them, since they he told?
In youth he made of Ceyx and Alcyon,
And since then he hath spoke of every one
These noble wives, and these lovers eke.
Whoso that will his large volume seek
Called the Saintes' Legend of Cupid:
There may he see the large woundes wide
Of Lucrece, and of Babylon Thisbe;
The sword of Dido for the false Enee;
The tree of Phillis for her Demophon;
The plaint of Diane, and of Hermion,
Of Ariadne, and Hypsipile;
The barren isle standing in the sea;
The drown'd Leander for his fair Hero;
The teares of Helene, and eke the woe
Of Briseis, and Laodamia;
The cruelty of thee, Queen Medea,
Thy little children hanging by the halse
,                         neck
For thy Jason, that was of love so false.
Hypermnestra, Penelop', Alcest',
Your wifehood he commendeth with the best.
But certainly no worde writeth he
Of *thilke wick'
example of Canace,                       that wicked
That loved her own brother sinfully;
(Of all such cursed stories I say, Fy),
Or else of Tyrius Apollonius,
How that the cursed king Antiochus
Bereft his daughter of her maidenhead;
That is so horrible a tale to read,
When he her threw upon the pavement.
And therefore he, of full avisement,         deliberately, advisedly
Would never write in none of his sermons
Of such unkind* abominations;                                 unnatural
Nor I will none rehearse, if that I may.
But of my tale how shall I do this day?
Me were loth to be liken'd doubteless
To Muses, that men call Pierides
(Metamorphoseos  wot what I mean),
But natheless I recke not a bean,
Though I come after him with hawebake
;                        lout
I speak in prose, and let him rhymes make."
And with that word, he with a sober cheer
Began his tale, and said as ye shall hear.

Notes to the Prologue to The Man of Law's Tale

1. Plight: pulled; the word is an obsolete past tense from
"pluck."

2. No more than will Malkin's maidenhead: a proverbial saying;
which, however, had obtained fresh point from the Reeve's
Tale, to which the host doubtless refers.

3. De par dieux jeo asente: "by God, I agree".  It is
characteristic that the somewhat pompous Sergeant of Law
should couch his assent in the semi-barbarous French, then
familiar in law procedure.

4. Ceyx and Alcyon: Chaucer treats of these in the introduction
to the poem called "The Book of the Duchess."  It relates to the
death of Blanche, wife of John of Gaunt, Duke of Lancaster, the
poet's patron, and afterwards his connexion by marriage.

5. The Saintes Legend of Cupid: Now called "The Legend of
Good Women". The names of eight ladies mentioned here are
not in the "Legend" as it has come down to us; while those of
two ladies in the "legend" -- Cleopatra and Philomela -- are her
omitted.

6. Not the Muses, who had their surname from the place near
Mount Olympus where the Thracians first worshipped them; but
the nine daughters of Pierus, king of Macedonia, whom he
called the nine Muses, and who, being conquered in a contest
with the genuine sisterhood, were changed into birds.

7. Metamorphoseos:  Ovid's.

8. Hawebake: hawbuck, country lout; the common proverbial
phrase, "to put a rogue above a gentleman," may throw light on
the reading here, which is difficult.

THE TALE.

O scatheful harm, condition of poverty,
With thirst, with cold, with hunger so confounded;
To aske help thee shameth in thine hearte;
If thou none ask, so sore art thou y-wounded,
That very need unwrappeth all thy wound hid.
Maugre thine head thou must for indigence
Or steal, or beg, or borrow thy dispence
.                      expense

Thou blamest Christ, and sayst full bitterly,
He misdeparteth
riches temporal;                          allots amiss
Thy neighebour thou witest
sinfully,                           blamest
And sayst, thou hast too little, and he hath all:
"Parfay (sayst thou) sometime he reckon shall,
When that his tail shall *brennen in the glede
,      burn in the fire
For he not help'd the needful in their need."

Hearken what is the sentence of the wise:
Better to die than to have indigence.
Thy selve neighebour will thee despise,                    that same
If thou be poor, farewell thy reverence.
Yet of the wise man take this sentence,
Alle the days of poore men be wick',                      wicked, evil
Beware therefore ere thou come to that *****.                    point

If thou be poor, thy brother hateth thee,
And all thy friendes flee from thee, alas!
O riche merchants, full of wealth be ye,
O noble, prudent folk, as in this case,
Your bagges be not fill'd with ambes ace,                   two aces
But with six-cinque, that runneth for your chance;       six-five
At Christenmass well merry may ye dance.

Ye seeke land and sea for your winnings,
As wise folk ye knowen all th' estate
Of regnes;  ye be fathers of tidings,                         *kingdoms
And tales, both of peace and of debate
:                contention, war
I were right now of tales desolate
,                     barren, empty.
But that a merchant, gone in many a year,
Me taught a tale, which ye shall after hear.

In Syria whilom dwelt a company
Of chapmen rich, and thereto sad
and true,            grave, steadfast
Clothes of gold, and satins rich of hue.
That widewhere
sent their spicery,                    to distant parts
Their chaffare
was so thriftly* and so new,      wares advantageous
That every wight had dainty* to chaffare
              pleasure deal
With them, and eke to selle them their ware.

Now fell it, that the masters of that sort
Have *shapen them
to Rome for to wend,           determined, prepared
Were it for chapmanhood* or for disport,                        trading
None other message would they thither send,
But come themselves to Rome, this is the end:
And in such place as thought them a vantage
For their intent, they took their herbergage.
                  lodging

Sojourned have these merchants in that town
A certain time as fell to their pleasance:
And so befell, that th' excellent renown
Of th' emperore's daughter, Dame Constance,
Reported was, with every circumstance,
Unto these Syrian merchants in such wise,
From day to day, as I shall you devise
                          relate

This was the common voice of every man
"Our emperor of Rome, God him see
,                 look on with favour
A daughter hath, that since the the world began,
To reckon as well her goodness and beauty,
Was never such another as is she:
I pray to God in honour her sustene
,                           sustain
And would she were of all Europe the queen.

"In her is highe beauty without pride,
And youth withoute greenhood
or folly:        childishness, immaturity
To all her workes virtue is her guide;
Humbless hath slain in her all tyranny:
She is the mirror of all courtesy,
Her heart a very chamber of holiness,
Her hand minister of freedom for almess
."                   almsgiving

And all this voice was sooth, as God is true;
But now to purpose
let us turn again.                     our tale
These merchants have done freight their shippes new,
And when they have this blissful maiden seen,
Home to Syria then they went full fain,
And did their needes
, as they have done yore,     *business *formerly
And liv'd in weal; I can you say no more.                   *prosperity

Now fell it, that these merchants stood in grace
                favour
Of him that was the Soudan
of Syrie:                            Sultan
For when they came from any strange place
He would of his benigne courtesy
Make them good cheer, and busily espy
                          inquire
Tidings of sundry regnes
, for to lear
                 realms learn
The wonders that they mighte see or hear.

Amonges other thinges, specially
These merchants have him told of Dame Constance
So great nobless, in earnest so royally,
That this Soudan hath caught so great pleasance
               pleasure
To have her figure in his remembrance,
That all his lust
, and all his busy cure
,            pleasure *care
Was for to love her while his life may dure.

Paraventure in thilke* large book,                                 that
Which that men call the heaven, y-written was
With starres, when that he his birthe took,
That he for love should have his death, alas!
For in the starres, clearer than is glass,
Is written, God wot, whoso could it read,
The death of every man withoute dread.
                           doubt

In starres many a winter therebeforn
Was writ the death of Hector, Achilles,
Of Pompey, Julius, ere they were born;
The strife of Thebes; and of Hercules,
Of Samson, Turnus, and of Socrates
The death; but mennes wittes be so dull,
That no wight can well read it at the full.

This Soudan for his privy council sent,
And, *shortly of this matter for to pace
,          to pass briefly by
He hath to them declared his intent,
And told them certain, but* he might have grace             &
My body is uncharted territory
(You wish)
A map that teases - taunts
(He said)
The road to Armageddon is paved
(With love, my dear)
The touch of an unpainted nail
(Scratched into my back)
You are mine, now
(Unpin your dress, my dear)
The Holy man slides into me
(I sing a psalm to calm him)
Thrusts and moves
(Blood, deep red, flows)
Kisses me with whiskey lips
(The wrinkles around his eyes)
Exit, stage left, you breathe again
(Ssssh, be quiet my dear)
Unconvinced ears, hostile eyes
(I am real)
Birthing women turn their backs
(See me)
Virgins untrap their wings
(Believe me)
Mateuš Conrad Jan 2016
**** poetry,
it's the only art worth ******,
rock music rapes
poetry all the time,
it's no surprise,
**** poetry, the war of words
has hardly begun for poetry
to claim a thirsty first of anything,
let alone victory;
it's too horrid too passive,
**** poetry, and mind the dead-buggers
left to cling to the world with epitaphs
and tombstones they
didn't want to be: feed the fishing hook
with maggots on the tip-tail,
i shall say gangrene-tan was the oddity
of those toes resurrected,
resurrected and immediately falling off;
leave the buggers be, entombed and
hardly a twitch left in them left for
decapitated chickens to take over...
nervous after the head lost the torso,
nervous enough to not hyena the graveyard
with a grandfather, nervous enough to
flick the knee-bending switch: ooh ooh ah -
hot because it's one hundred degrees /
hot because it has dry chilli powder to
forget salt... ooh ooh ah.. tongue pinched by
surgical pliers.
No rose that in a garden ever grew,
In Homer’s or in Omar’s or in mine,
Though buried under centuries of fine
Dead dust of roses, shut from sun and dew
Forever, and forever lost from view,
But must again in fragrance rich as wine
The grey aisles of the air incarnadine
When the old summers surge into a new.
Thus when I swear, “I love with all my heart,”
’Tis with the heart of Lilith that I swear,
’Tis with the love of Lesbia and Lucrece;
And thus as well my love must lose some part
Of what it is, had Helen been less fair,
Or perished young, or stayed at home in Greece.
Paul Hansford Jan 2016
Take a group of chimpanzees
used to swinging through the trees,
and sit them down at keyboards in a row;
lots of paper, lots of ink,
lots and lots of time, I think,
and what the theory says I’m sure you know.

Yes, along with all the junk,
all the gibberish and bunk,
somewhere there’d be the full works of the Bard:
As You Like It, Cymbeline,
Richards 2 and 3, the Dream,
though Hamlet, Prince of Denmark, might be hard.

But I’m sure the little blighters
would get on fine with Titus
Andronicus
, The Taming of the Shrew,
The Moor of Venice (that’s Othello),
the other Merchant fellow,
and Antony and Cleopatra too.

The Winter’s Tale would hold no terrors,
nor The Comedy of Errors,
and Verona’s Gentlemen would turn out right;
Love’s Labour might be Lost,
or it might be Tempest-tossed,
but All’s Well That Ends Well, even on Twelfth Night.

Lear, King John, and Much Ado,
Henry 4, parts 1 and 2,
Henry 5, and 6 (in three parts), Henry 8,
Troilus, Timon, Measure for Measure,
Pericles (a neglected treasure)
and how Romeo and Juliet met their fate;

all the Sonnets, and the ****
of Lucrece
(typed by an ape!)
and if they worked for ever and a day
they could fit in Julius Caesar,
that Coriolanus geezer,
the Wives of Windsor, and the Scottish play.

I grew more and more excited –
even thought I might be knighted
if I could be the one to make it work.
But to realise my dream
I had to try a pilot scheme,
to prove I wasn’t just a reckless berk.

I bought one chimp from the zoo -
didn't have the cash for two -
and gave him a typewriter, just to try
for a short while. Well, a fortnight
was the time-scale that I thought right.
You see, I’m quite an optimistic guy.

Now everyone who heard
of my project said, “Absurd!”
when I told them of my striking new departure.
“Get a chimpanzee to type
the works of Shakespeare? Oh, what tripe!”
Still … he did produce the works of Jeffrey Archer.
Jeffrey Archer in Wikipedia: Whilst Archer's books are commercially successful, critics have been generally unfavourable towards his writing.
On another topic, in 2001, Archer was found guilty of perjury and perverting the course of justice. He was sentenced to four years' imprisonment. (More details if you read the article.)
Sasha Paulona Sep 2021
BY WILLIAM SHAKESPEARE

Her lily hand her rosy cheek lies under,
Cozening the pillow of a lawful kiss;
Who, therefore angry, seems to part in sunder,
Swelling on either side to want his bliss;
Between whose hills her head entombed is;
Where like a virtuous monument she lies,
To be admired of lewd unhallowed eyes.

Without the bed her other fair hand was,
On the green coverlet, whose perfect white
Showed like an April daisy on the grass,
With pearly sweat resembling dew of night.
Her eyes, like marigolds, had sheathed their light,
And canopied in darkness sweetly lay
Till they might open to adorn the day.

Her hair like golden threads played with her breath
O modest wantons, wanton modesty!
Showing life’s triumph in the map of death,
And death’s dim look in life’s mortality.
Each in her sleep themselves so beautify
As if between them twain there were no strife,
But that life lived in death, and death in life.

Her ******* like ivory globes circled with blue,
A pair of maiden worlds unconquered,
Save of their lord no bearing yoke they knew,
And him by oath they truly honored.
These worlds in Tarquin new ambition bred,
Who like a foul usurper went about
From this fair throne to heave the owner out.

What could he see but mightily he noted?
What did he note but strongly he desired?
What he beheld, on that he firmly doted,
And in his will his willful eye he tired.
With more than admiration he admired
Her azure veins, her alabaster skin,
Her coral lips, her snow-white dimpled chin.

As the grim lion fawneth o’er his prey
Sharp hunger by the conquest satisfied,
So o’er this sleeping soul doth Tarquin stay,
His rage of lust by gazing qualified;
Slacked, not suppressed; for, standing by her side,
His eye, which late this mutiny restrains,
Unto a greater uproar tempts his veins.

And they, like straggling slaves for pillage fighting,
Obdurate vassals fell exploits effecting.
In ****** death and ravishment delighting,
Nor children’s tears nor mothers’ groans respecting,
Swell in their pride, the onset still expecting.
Anon his beating heart, alarum striking,
Gives the hot charge and bids them do their liking.

His drumming heart cheers up his burning eye,
His eye commends the leading to his hand;
His hand, as proud of such a dignity,
Smoking with pride, marched on to make his stand
On her bare breast, the heart of all her land,
Whose ranks of blue veins, as his hand did scale,
Left their round turrets destitute and pale.

They, mustering to the quiet cabinet
Where their dear governess and lady lies,
Do tell her she is dreadfully beset
And fright her with confusion of their cries.
She, much amazed, breaks open her locked-up eyes,
Who, peeping forth this tumult to behold,
Are by his flaming torch dimmed and controlled.

Imagine her as one in dead of night
From forth dull sleep by dreadful fancy waking,
That thinks she hath beheld some ghastly sprite,
Whose grim aspect sets every joint a-shaking.
What terror ‘tis! but she, in worse taking,
From sleep disturbed, heedfully doth view
The sight which makes supposed terror true.

Wrapped and confounded in a thousand fears,
Like to a new-killed bird she trembling lies.
She dares not look; yet, winking, there appears
Quick-shifting antics ugly in her eyes.
Such shadows are the weak brain’s forgeries,
Who, angry that the eyes fly from their lights,
In darkness daunts them with more dreadful sights.

His hand, that yet remains upon her breast
(Rude ram, to batter such an ivory wall!)
May feel her heart (poor citizen) distressed,
Wounding itself to death, rise up and fall,
Beating her bulk, that his hand shakes withal.
This moves in him more rage and lesser pity,
To make the breach and enter this sweet city.
BY WILLIAM SHAKESPEARE
It is in the nature of clouds to hang high in the sky,
To cover the face of the sun with arrogance so stubborn,
To twist hope and fortune of man with its power on rain,
To enter with a stampede in thunderous claps to humanity,
Cooling the spheres with its Sun fettering power,
Clouds come forcefully as if they will wane not,
They catapult the times into a frenzy of no measure,
Cloud of Omar Khayyam in the skies of Nishpaur
Showered town tremors in the arts of Arabia
Rubiyats and Rubiyats to a thousand fold,
Paving way for others in the English azure;
Shakespeare William the thievish bard of John
He stole the political papyrus of King Lear
From indolent European in the English Shires,
******* lyrics and Pindarics in **** of Lucrece,
Until the times came to its unbelievable exit
From the stage reigned only by culturally mighty
At the glorious hamlet of Stratford-upon-Avon,
Just has his master cloud solemnly disappeared,
Into the Arabic death gardens of Omar Khayyam,
It is indeed the true nature of all clouds
To appear with flamboyant spirit of tyranny
But only to disappear later like tail of snake.
Paul Hansford Aug 2019
Take a group of chimpanzees
used to swinging through the trees,
and sit them down at keyboards in a row;
lots of paper, lots of ink,
lots and lots of time, I think,
and what the theory says, I'm sure you know.

Yes, along with all the junk,
all the gibberish and bunk,
somewhere there'd be the full works of the Bard:
As You Like It, Cymbeline,
Richards 2 and 3, the Dream,
though Hamlet, Prince of Denmark might be hard.

But I'm sure the little blighters
would get on fine with Titus
Andronicus
, The Taming of  the Shrew,
The Moor of Venice (that's Othello),
the other Merchant fellow,
and Antony and Cleopatra too.

The Winter's Tale would hold no terrors,
nor The Comedy of Errors,
and Verona's Gentlemen would turn out right;
Love's Labours might be Lost,
or even Tempest-tossed,
but All's Well That Ends Well, even on Twelfth Night.

Lear, King John, and Much Ado,
Henry 4, parts 1 and 2,
Henry 5, and 6 (in three parts!), Henry 8,
Troilus, Timon, Measure for Measure,
Pericles (a neglected treasure),
and how Romeo and Juliet met their fate.

All the Sonnets and the ****
of Lucrece
(typed by an ape!),
and if they worked for ever and a day
they could fit in Julius Caesar,
that Coriolanus geezer,
the Wives of Windsor and the Scottish play.

I grew more and more excited ‒
even thought I might be knighted
if I could be the one to make it work.
But to realise my dream
I had to try a pilot scheme,
to prove I wasn't just a reckless berk.

I bought one chimp from the zoo
‒ didn't have the cash for two ‒
and gave him a typewriter, just to try
for a short while.  Well, a fortnight
was the time-scale that I thought right.
You see, I'm quite an optimistic guy.

Now, everyone who heard
of my project said, "Absurd!"
when I told them of my striking new departure.
"Teach a chimpanzee to type?
"Why, I never heard such tripe!"
Still . . . he did produce the works of Jeffrey Archer.
This is an old one of mine, which somehow strayed away from HelloPoetry. If it sounds familiar to you, you'll probably have read it before.  If it's new to you, I hope you enjoy reading it as much as I did writing it.

— The End —