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jose large Jun 2012
sweet Kali stands before us
an offering she holds
while all the skulls around her neck
sleep in a child's repose

there are many souls in limbo
they wander through our sight
seekers for salvation
seeking for the light

a universe lies waiting
a red planet full of stars
just beneath the lingham
that rests in Kali's arms

the dogs lie waiting patiently
while Ganesh begins to writhe
turning to a serpent
that writhes before our eyes

here's the minotaur from Jambu Dweep
wrapped in a golden fleece
telling stories in my head
the tales of ancient Greece

then Kali holds a severed head
cradled gently in her hand
while beneath the Shiva Lingham
someone lies upon the sand.....
this poem was inspired by the tryptich of my artist friend Druvinka
vircapio gale Jul 2012
she is my nihilistic god;

i am a stag leap.
the fainter wind-caress
felt deep in trunks and boulder bed.
i am delight for loosened thorns
that piercing underfoot will spur to run
my naked body's open-air embrace
atop the callus of my seasoned fun,
skirring flora shadow-dancing bright
descending mountainside of noon
in blurrs refracting sightful bones.
i am the sense of
transtemporal glacial moans,

the heartbeat of the soil breath
to puff from feasted log a mycophile's awe
or want for all placental webs in view
for naming earth a seeping sorrows tithe:
my consciousness of things alive.

the stinging lungs atop the path
are emblems of a winging truth
to overcome her nearing death.
i am the lingham of creations' race.
i am the sensate reeling blow by empty blow.
the gravity of light and dark;
gray theopolis of fists and falls.
envelopment of massive meanings filled
in nether-branchings' net
and mediatrix scorn: the wider world absorbs my self as ~ all~
~. .all. . ~
prating some nepenthean law
to sour our poetic hate
and deeply bury seismic seeds she wants to sow, like
ancient clues of metagender fact:
hermaphroditic **** to 'normal' eyes.
icecaps to resize and singing moralize;
a dolphin midwife toning yoni love
for labor certain nuns call "gift"
as crown of pleasure heights
on par with mysteries;
regrowing infant fingertips,
to pi recited over days,
to vaster mindscapes drawn in ways
'beyond the genius of the sea'

why wait for ease of shame?
thin veils of culture lift
and family bonds anew to tow
the peace from out irratic weight of nation rifts;
instantiations burst beyond the tunnel course~
rhythmic doomsday yearnings line the halls of humantime:
prophetic visions of a sea to come,
Utnapishtim keeps himself alive
to garden with his wife a thriving mortal line.
Quetzalcohuatl finds himself *****
to bloodlet savior sexuality,
his heart a morning star, a Mayan Venus shine.

i see the standing trees
entwine slow-love to sky
so i can swing and heave
my universe above the words,
to carry thorns as well as petals, doves.
the vision ends. the new begins
to filter dyad lies through
inter-
corporeal lens.
embodied ivy climbs the tree of death
to rewind love and deepen love,
to bound the loss with goddess wisdom ends and other ends
of ouroboros shedding clear
of limits insight thrives to near.
sunglance peeking is the hovering of me,
steady comfort crosses floating lotus feet.
the softest rock has melded under thee
to join a forest pausing here.
a berry soaks itself of all i am
while nutty chipmunks chirp in whirls;
the clouds are girls you've been,
Nephelae to tease in quenching gowns
the verdant book of men we've known, who leaf
the air to taste another form of fairness lent.
silver is the sun in times of stillness overached.
sifted tensions drift to lie awake, but
drowning in a stream of glowing calm,
i am the woody balm.
the scent of bark unnestled dry
and leaves remembrance when
the breathing stops, the final
fleshing in of nowhere, never then.
you are transcendent of transcending
pure. end, endure and lucid ending live again
in empty worship ringing plenum om.
Johnny Noiπ Apr 2018
Kali takes Shiva's gigantic Lingham & shoves
it up her cosmic snooch while squatting in the midst
of the blackest forest where all fairy tales are born
and die; u can picture the scene as ...
revolution's winds blow over her sweaty
Indian public toes; perfectly exposed toes u
might suppose & white teeth; I really love desi
girls but I haven't got an MBA
so's there's no chance I'll marry one
her Muslim father hates like it's fate
& shoots dead in the living room
where she uses palm leaves for a bra
standing in the warm wind thin & crazy;
almost as sacred as Sonya hidden
******* bigger **** in *****; I would fall in love
w/ a desi hipster or not maybe she'd have to be crazy;
strangely, that would be cool ...
in the year language became prophetic leading
to plastic queens; mom & grandmother
on the news going to the bathroom 
she turns fields into computer cars running on honey;  
drunken rocks society's cops; the angel opposite
the skinny girl in the lucky leather the stupid
genius who pretends to be invisible in the
revolutionary winds of poignantly painted desi toes
Johnny Noiπ Jan 2018
No one will deny the human race began w/ a poet & a naked girl---
the only question remaining:
was it a little girl whom the poet
found i his walk through the garden---
or was the poet a little boy whom
the goddesses taught to speak & made him her lover---
Was it Greek Aphrodite & Roman Adonis on the Lebanese riverbank, first & all over again---
or was it a young woman
who found the much older man
sleeping & awakened him like Psyche awoke Cupid, the gay flirt fleeing,
or Hermes moving in; the fastest lover
on fleet feet w/ a ready lingham,
we call stone yonis goddesses & add ****,
a clean-shaven ***** & fat ***;
****** overrated I've always thought
it a bit gross but I do it anyway & always want to---
so was the poet a little boy & the little girl his sister;
where were their parents if there related at all---
the poet & the naked girl
could have been one in the same
unless she hopefully was a Denisovan,
in which case there would be thousands
of silent or screaming young girls
(& Neanderthal poets, who couldn't speak)
passing their crude written signs onto Cro-Magnons youth I wonder still---

— The End —