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Sister and I loved to play, to run and twirl and roll in grass all day. Momma gets mad when we go too far but our yard is massive we live on a farm! Running on rolling fields of prairie, singing and laughing and acting merry, shot right through the tree line that marks our abode, slid across the rocks on Old Joser Road, saw an old lady who walked with crumpled toes and spoke too and listened too a pack of crows, plucking weeds and picking a thorny flower she called out to us that fateful hour;

  “Oh my and how lovely, two twins so cute! I had thought no one lived so far out here, away from the town and its charming cheer? Why don’t you come over and meet my pet crows and I’ll show you two a trick that nobody knows!”

  I leaned down to consult with sister you see, she being younger she’s littler than me, I told her to stay close while we watched the show, then we’d be off and away we’d go;

  “Okay old lady my name is Tim and this here’s Tam and this place you’re in, is our family farm and that guy in the field, well that’s our Dad, and if you mess with us he gets real mad, so no funny business in this game and we’ll be nice to you just the same.”

  “Agreed indeed you little man and I can’t wait to see you in my pan!”

  Now I had to think on this real hard. Did that mean something about being able to see or was she talking about eating me? No matter, no problems and boy those crows, did they sure put on some funny shows and acted like they had lots of smarts and seemed just like pets and warmed our hearts;

  “Thanks old lady we gotta go we’re almost late for dinner you know?”

  She moved too fast and came right up and pulled out an odd-looking wooden cup;

“Wait there dearies, not so quick, about that dinner and my sweet shtick, you see you owe me a trick too, two coins I’m asking there of you, you bring them up to my cabin on that hill and I’ll teach you some magic and give you a thrill!”

  “Okay lady!”

  I agreed as we ran, if we don’t get home soon it’s gonna be my can! ‘Cause I know my pops he’ll beat my **** and I’ll be sent upstairs with nothing to eat, so I told little sister to move those feet!

caesura

  Whisk you down the road of boiled toad, and singeing hair, of whispered things and fires' flare, of evil looks from open books, pigeon’s toes and a chicken gizzard, while around your legs it crawls and creeps, my hungry lizard that never sleeps! You gawk! You stare! My wrinkly-face, the dank rank air in my dingy place, the dusty shelves a-lined in books and creepy crawlies in every nook, cobwebs and spiders at every corner, piggies run squealing while the chickens banterer, ravens caw at strange green light from lantern but back to all those shadow corners where little bad things spy and salivate, thinking on what they had last ate, and there you are shaking, nervous, trembling; a porky little piece of meat and something we all want to eat!

  “Oh don’t be scared my little one, I’m kidding, teasing, just having fun. Hand me the coins I asked for earlier, when we crossed paths along Old Joser, draw near to me, come here, come a bit closer!”

  Be careful will I not to bare my teeth, or lick my lips or stare too deep, for one is easy, two a dangerous feat and I so want to have my little porky piece of meat! I stood on a ladder with little Tam on my shoulder, so she could see the *** as it smoked and it smoldered, I directed little Tim over there to a seat and he saw me lick my lips as I thought about their meat.

  “Aha ha ha ha ha!”

  I laughed out loud as I cast in the dust and the billows changed color and kiddies made a fuss, but then the sparkly things popped and shimmered in their eyes, while both of them let out marvelous sighs, bewildered, bemused and tricked by my lie, I threw Tammy in to my cauldron to die!

  “Nooooooo!”

  Little Tim, little Tim did he let me in and punished will he be for that little sin, I whispered a spell and took up my broom and zapped a hole in the floor out in the room, where Tim was running and dropped him in a hole, down a tunnel he went that saved his soul, for out he shot back on Old Joser Road, no wiser no worse for the trick I showed!

Now listen up children or this is your lot,

For I’m out there always lurking with my ***,

I’m always hungry and so are my crows,

We’ll eat you up all the way to your toes,

“Jimson and sassafras, morning glory, woodrose seed,”

“A ***** of my finger, lock of my hair, a thimble and tweed,”

“Two coins, a cauldron, my cunning and your breed,”

“Whenever I’m hungry that’s all that I need!”
(Joser: Joe-Sir) rhymed with (Closer)
This is a retelling of the Sumerian story of Tim-Tam which is the origin of Hansel and Gretel. This entire piece came to me in a dream and I wrote it down in one sitting over ten minutes. Grimm's Fairy Tales are about warnings to small children...warnings that not ALL adults are good people and sometimes starving old people in the woods use trickery to eat kids. The phrase 'two twins' is a reference to the dual nature of myth as both actual events and cosmic. Gemini and the two earthly children.

Two coins to pay the boatman who takes your soul across the river Styx.
Jodie-Elaine Jun 2016
My hands fidget.
I will tell you when I see you that
my fingers could break when I speak,
loose from the chicken wire houses that pin them to nail holes
no one sees and my words could snap
with them, straight down their spines.
My hands fidget and my tongue trips.
One day I won’t be allowed to see your eyes, your eyes when the sun hits them and they turn green, your eyes when they're blue, when you're being real. Or both.
The sun is in your eyes and it's setting.
I think I could be the moon,
we could meet at every eclipse,
create our own lightshow in the sky or make them notice us just for five minutes,
the kids sat on steps behind the sports centre,
I will tell you when I see you that you are so ******* smart you could ruin the world with it, so why can’t I tell you this, so why can’t my hands stay still?
I want to feel the way my mouth tingles when we sit, you murmuring in my ear that you could spend all day here,
alone with the indents of each other's lips.
I guess if we ruined the world I wouldn't even feel Numb, the Nirvana song.
My hands fidget.
Recently I stuck a sticker over my fear of death to try and be as brave as you and now I am Nevermind,
I can't feel a thing.
My tongue sits still when I try to speak about thinking and when I think of losing you I see Topcat, Pink Panther and this time my mind trips over itself.
I chew my lips and the corners of my mouth close.
I can’t see in the dark like I can’t breathe when I see cartoons like I can’t see **** when you say we need to talk like I’m scared of the ******* dark so please walk me home.
You find my hair bobbles at your house and I'm sorry that that last one wasn’t a metaphor.
I imagine the space behind your closed eyelids looks like a dark place at 3am where you exhale smoke.
I imagine the space behind mine is inhaling, coughing and static in the form of a thousand headlights blinking
and
it burns.
My hands fidget.
You call me out and it sounds like my brain not being able to hold itself still, I can't,
I can't stop fidgeting under those blue-green eyes.
When you tell me you love me my fingers stay still.
When I think it's loud like nerve endings screaming at me god-**** react like
controlling hands, interconnecting veins jumping from wrists,
hazy.
The stuff of nightmares where you say I don’t trust you
but I know that your hands on my wrists would not,
do not,
burn
like that.
I will tell you when I see you
I will not wrap you in chicken wire.
I am writing to tell you that when you speak my hands stay still.
I am trying to say that nothing snaps and my head is
quiet.
Suicide Watch

Yesterday I read your words Inscribed across yellow lined paper-
On a warm spring day you had planned your funeral-
I know you are alive right now alone here in your bedroom
A breeze would gently rock the branches on the trees outside-
I would peer outside the window-
Daffodils are dancing amongst the freshly grown grass,
Dew kissed roses are coming alive. I would yearn to be outside
Walking happily welcoming spring- Once both of our favorite times of year
When the world was awakening from a long winter’s nap-
I cannot leave you alone.
Sitting still on the blue velvet wing chair I watch you- you do not move.
Oh how still you lie, although with eyes wide open
Tear-filled, staring into space,
I hardly know now where I belong in this world myself-
Words inscribed across yellow lined paper-Were plans to end your life-
Your death sentence drowning in a deep depression-
The sun shines brightly on a spring day
But I know you are blind to the light.
I would yearn for you to be the mother you used to be-
As I sit still witnessing your emotional death.
I am not allowed to leave you alone-
As I watch you slowly deteriorate-
Words I have read inscribed on yellow lined paper,
Watching your tears fall as you lie motionless-
Are fate’s way of telling me if I were to step out of the door to this room-
You would take your life- and I would be to blame.
Our lives have both had its peaks and its craters-
I hardly know what life means anymore-
My flagging grasp upon reality and the loss of your will to live
Have left our futures in the bleakness of despair-
I write my own words on a torn sheet of yellow lined paper-
Begging for you to come back to me- words you may never see-
In my own way I am leaving this world to a place in the realm of my fantasies-
It is the only way I can escape seeing you in such a wretched state.
Now I can feel my own tears streaming down my cheeks as I cry “Come back to me”
In a moment of anger I throw away the letter you wrote on yellow lined paper-
Outside it is the most beautiful time of year but the darkness inside of
Your heart soul and spirit has formed a black cloud overshadowing the light-
And the sun may never rise in your world again- wherever that world may be.

Claudia Krizay
MoeGallo Dec 2014
I’m rendered powerless. Just about breathless. I watch as each layer of clothing gravitates toward the floor. Strip off the clothes that enveloped his beauty. My knees begin to fail me. Through his stare it feels as though he’s already probing every crevice of my being. Eye-fingers ravish me. He’s bare. My eyes haven’t left him. He smirks, refusing to leave me a spectator. Clammy hands penetrate the chill of the tile lined room. He strips me. I'm sure he senses me shaking.. goosebumps begin to rise. We step into shower. The tap is high, the temperature hot. The passion as well. He’s capturing me. Rapturing my frame, Grasping me. Gasping for me. He pulls me into him.. into the air. My legs incoherently wrap around him. The hot vapors aren't from the water, but our lust we heed. It’s wet. "Think ya can make it to the bedroom?" My throat closes. Barley touching, the pleasure, pressure, of his words render me unable to respond clearly. I nearly whimper out an answer. The smirk returns. This act meant for cleansing morphs into such a ***** one. I’m miserable within myself, the sheer amount of desire burns. Pushing me to the wall his body presses against me. He pushes into me. His hips. His lips. I feel him sliding in and out, violating, his tongue twisting around my own. His body as well. We’re intertwined...
Inspired by Stardust's "Showering together" c:
Hope you liked it!
Alex Feb 2014
I.
I felt it the first time I saw you. My heart stopped its incessant beating upon the sight of you walking down the busy city street, a little windswept and breathless with your cheeks flushed, hair messy and your lips slightly parted as if you were asking for a kiss and I wished I were the only one who could give it. It’s what gave me courage to talk to you. This was the time when I finally understood the likes of poets like Shakespeare, Debussy’s longing and the stuff of silly songs sung by the town drunks with their guitars and slurred perspectives. It was like flying. I was walking on air and floating in bewitched water. I saw it in the color of the crimson hue in the roses I bought you, that dress you wore, the color of your cheeks and the color of your lips when you leaned into whisper in my ear your vow of eight letters, the prospect of a future that no longer promised me loneliness. Each night I heard it when you were in my arms and the whole world decided to quiet down and stand still like a child halting the spin of a wildly spinning top. In the smallest moments when all that pervaded me was the scent of your hair, the hint of your smile, your warmth and the palms of your hands over my beating heart, I have never felt more contented. I have never known people could be happy and elated like this. For once in my life I think I could never tire of seeing someone, of wanting to become part of them, of knowing every flaw and every well-kept secret. In the half-shadows of the lazy afternoons we spent together and the sleepy mornings tangled up in sheets, I saw our dog, perhaps children and then 20 years of marriage.
II.
Perhaps once upon a time, a long long time ago I met it a few times and each with a different face. I saw it in the way a mother held her child as her most valuable possession, the warmth of affection and the smell of home on her skin when she embraced you, kissed you when you stumbled and picked you up when you fell. I saw it in a father’s pride, his secret admiration. I remembered my own mother and my own father and all my bravado left me. Once upon a time, I read it in my mother’s bruises like a map, the ones my father lovingly decorated her with in strikes, punches and eager beatings. I felt it every time she kept her bags unpacked and put away the bitter ****** aftermath of the underlying storms with a forced smile on her lips and the promise that everything would be okay, that I had just been dreaming. Even then I saw it in my father when he came home-- the twisted way he held her close and said his sorries, the way he treated her like a queen and tried his best to keep his promise. In the days he told me to be strong and in the days he really did try hard, I found it difficult to blame him—I could not place the hate I felt for him and why my fortifications threatened to dissipate and crumble. I never noticed this before but it was always present in the way my mother and father laid to rest their hopes and dreams, buried them in a lot of filthy graveyard soil when the wretched curse that was me took away all their aspirations and they selflessly sacrificed their whole young lives ahead of them full of travel and the irresistible seduction and sparkling lure of opportunity to work like dogs on their hands and knees so I could live my own fickle life of wasted hours and silly daydreams. Money did not grow on trees, darling and yet for every mistake you made, every useless rebellious decision that only resulted in heartbreak and derision their forgiveness knew no bounds and they threatened no abject beleaguering, no threat of desolation. By and by, you fail to see their infinite patience, the hope and the investment—the silent prayer for all good things and mighty rising sons and daughters.
III.
Again, one day, I saw a couple in the park holding hands, their faces lined with age that told their story with their depth and their number. I saw their narrations told, young buds and blooming then the bad days that came and the sad days that kept repeating. In their intertwined fingers and the slow steps on rocky beach, bathed in glowing sunset sunlight, the twilight of a remarkable 20 years or so and maybe one, two or twenty sons and daughters, I wondered if you and I would come around like that—battle through decades with our feelings unchanging. I thought about your face and the way you slept, and the first morning that I saw it and decided that yours was the one I wanted to wake up to everyday for the rest of my life. I wondered if you and I, darling, would come out strong and happy, still holding hands after the lagniappe of challenges, the labyrinthine years of madness. I decided I would not die with you in the manner of Romeo and Juliet, the drama of Shakespeare but I wanted to spend every waking moment that I could live and breathe on this desolate earth spending it with you or else thinking of you and going through it for you. Why would I waste our precious time with grand, suicidal gestures when I could just show you in little ways, every day until we grew old and grey together?
IV.
Then I forgot you were only temporarily mine, that I could not keep you. I lost the feeling. It only turned to rot in my hands and I only grew bitter. I forgot that butterflies in mason jars died, and so did the red roses, the bouquets of flowers. It was it how I felt when I saw you in the arms of another man, laughing and smiling. It was not how I felt when my heart threatened to burst and split, along with my knuckles and hanging picture frames now lying shattered on the floor. It was not how I felt when you left, said goodbye and closed the door. It was the hope I felt when I thought you would return but it was not the face I saw when I accepted you weren’t going to. I know not the ugliness it carried, the blackened underside of a two-faced coin but perhaps this was the price paid for such elation, for years of bright colors, laughing and slices of heaven. I realized that when it was all over, when the rivers run dry that it was the emptiness that made the winds cold, the world gray, the streets empty, the people cruel and the cold winds bite and the trees shiver. It’s what turned hearts into rock-hard gemstones and what makes hopeless romantics wither. It was the wind that left me, the feeling I felt when I could pinpoint the exact moment my heart dropped to my knees and bled to the floor when I looked into those eyes, those lovely eyes, for the last time. I would forget your face, but the marks, the scars, the things you taught me and the way you made me ache for beauty and an invisible power would stay in me forever long after you have gone. It was not the feeling I felt when I let you go and didn’t run after you.
V.
In its pursuit, and in the withdrawal stage of emotional drug use and admiration, people struggle to constantly search for the fleeting high, the temporary feeling of wonder. There are girls that walk the street in short skirts, high heels and revealing blouses searching for the right things in all the wrong places in between soiled sheets and pockets full of paper. I see the beggars ply the crowded city streets, some with eyes that know the danger but hunger still and some with just innocent ideas, feigned knowledge and naïve understanding.  They search the faces of people and window shop at bars for their favorite pair of jeans, the man or woman that will fit the hole where the heart had been, heal the wounds and the body that will curve and fit theirs so perfectly into a perfect puzzle. It is not what they find on the silver-tongued strangers with sweet lips and deliberate touches. It is not in his lies that sound so much sweet music; that feels like climbing up ladders. It is not in her games, her daring looks and sweet whispers. It is not out in streets, it is not ours to claim ownership over.
homework assignment from lit class grew epic proportions. a bit of word ***** here and there, but that cannot be helped.
Asphyxiophilia Jul 2013
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
karin naude Jun 2013
today, getting naked and bumping like rabbits is easy
revealing a soul, a heart and connecting is hard
we dare each other with self destruction
a game we all play willingly to gather pain, scares and tears
each persons own Pandora box
made from past memories
Lined with regret
filled with unspoken hurt
soaked in tears
muffled by gin
raised illusion to the tip of clouds
coming of the high crashing into other earth
broken bones absorb blood and guts

tomorrow, repeat
Kate Lion Jan 2013
My heart flat-lined yesterday
At approximately 5:28 in the afternoon
The time doesn’t really matter
Nor, I suppose
Does the fact that I flat-lined yesterday
(For; I’m still alive, though not living)
But I thought it was an interesting fact
And wondered if you, too, would be interested in knowing
That I hit ground-level apathy
For everything
And for reasons beyond my control

Before you go thinking I’m depressed over you
Or over something you did
Be assured that my heart flat-lined for reasons beyond anyone’s control
Except my own
But it had to be done, I suppose
In order to feel again

The funny thing is knowing
That I could curl up on my bed and eat my favorite things
While reading the letter you wrote to me a few years ago
And fall in love with you again
With the wonderful twists my stomach makes
When you look at me a certain way
Or when I think of your lips meeting mine

But the thing that scares me the most to think about
Is that perhaps it wouldn’t be me falling in love with you again
If I have to eat my favorite things to be feel a certain way

The thing about today is that I know God is up there somewhere
But I can’t find it in me to care
I’m neither sinning nor making good
Not being tempted, not being persuaded
I simply exist
With no plans or future or decisions to make
I suppose my struggle with my favorite foods is the one exception to what I’ve described

See,
I know that God is up there somewhere
But today it’s that I just cannot force myself to care
There’s a wall between He and I somewhere in the lining of my stomach
(And though I never meant for it to be there)
It keeps Him from touching my soul
18 years of bad habits built up in my arteries
Clogging my heart from anything but apathy
But somewhere I found it in me to cry yesterday
As it flat-lined at 5:28
God made me human
With all these emotions
That I have a natural right to feel

(I know now
Why our Mother ate that which was forbidden)

So this apathy
Is a test trial of us
And though I still love you
Today
I don’t feel for you
Or for anything
Until tomorrow
(I hope)
singingghosts May 2016
triple layer chocolate cake (hint of coconut) with mint lime cream filling completely encased in chocolate.



WHAT YOU NEED

8oz cream cheese
1 and 1/4 stick of butter
possible 3 cups of powder sugar
2 limes
fresh mint
all purpose unbleached flour
white sugar
baking soda
Cocoa power
salt
2 eggs
coconut extract
buttermilk
vegetable oil
water
dark chocolate chips
whipping cream


I can't remember what else but I say what below in case I missed something








FILLING:
8oz cream cheese
1 stick butter
2.5 cups of powdered sugar
3 tablespoons lime juice
2 teaspoons lime zest
half handful of mint leaves

BLEND mint, lime juice & zest together. you want mint to be tiny tiny.

BEAT butter and cream cheese together. I leave them out, sometimes I heat them up to make it easier to beat.

BLEND lime mint mixture into cream cheese butter.

ADD powder sugar.

MIX all together by hand first.

get a hand mixer or beater or whatever and literally beat the **** outta that stuff. until it whips up as much as possible.

PUT it in the fridge for a few minutes. like 10. just to check how it does. if it's not a consistency like cream, beat it more and add half a cup of confectionary sugar.



CAKE MIX: (realistically you can just buy cake mix)

2 cups all purpose unbleached flour
2 cups white sugar
3/4 cup cocoa powder
2 teaspoons baking soda
1 tsp salt
2 eggs
1 cup buttermilk
1 cup vegetable oil (or any type of shortening you prefer)
1 cup water
2 teaspoon coconut extract

put all the dry ingredients into a bowl. MIX with a whisk or something. if you have sifter, use that to break up the flour. you wanna get all the dry ingredients mixed pretty well before you add wet.

ok, so flour, sugar, cocoa powder, baking soda, salt. all together. great job.

next, BEAT all the wet ingredients together NOT INCLUDING THE WATER.

you beat the eggs, buttermilk (don't replace this with regular milk), oil, and extract. once it's all blended all nice, add it to the dry and mix it together by hand.

you use an electric mixer or beater now. the reason you hand mix everything first is to avoid a bigger mess when the machine mixes because it can make the dry ingredients spread out like ****. and I hate messes. so I'm extremely **** in the kitchen.

ok now just beat it all baby. add the water slowly. a lot of people will tell you to use boiling water. you can but I don't suggest it to anyone who has never used boiling water in a batter before... so I'm not suggesting it.

it should be runny and also delicious. if it's not, uhm... oops? mine was great. you ****** up. let's continue.

GANACHE!!!!!: (wait until the cakes done AND COOLED to do this part tho!!!)

get a ***
add a bag of dark chocolate or milk chocolate whichever you want. I prefer dark chocolate while baking.
I really eye this so I'm throwing caution to the wind here and pour maybe 3/4 cup of heavy cream or whipping cream.
also, 2 tablespoons of butter. (you don't NEED the butter but I like what it does to the ganache)

ok now on low heat leave those things in the ***. mix it a little. DONT LET IT BURN. MEANING, DONT PUT IT ON HIGH HEAT. YOU WANT A SLOW MELT

Ok so. mix it until it's creamy and silky and soft. but seriously do this part at the very end.

get three 9 inch cake pans. spray, butter, coat, oil WHATEVER just grease the ******* pans.

use a measuring cup because you want each cake layer to be the same. do 1.5 cups of batter in each. if you have left over, divide it by three.

bake it at 300F for 30 minutes

don't open the door between those 30 minutes. when you do, poke middle with toothpick. if toothpick comes out clean, it's done.

let cool completely on a cooling rack.

some people cut the tops off to make the cake layer even. I **** at cutting things evenly unless it's ******* so I have my own method. I suggest cutting though. you can also cut the edges if they're crispy but I like it that way.

ok. the ganache. get a spoon and just coat the top layers of the bottom and soon to be middle layer.

you want all three layers lined up next to each other.

take the *** off the heat while you're doing this. just hold off for a moment. you come back to it.


let the ganache layers cool down. you'll know when it's cool. when this happens  get the cream and do a nice layer over the chocolate. now stack them.

it should be from the bottom up: cake, chocolate, cream, cake, chocolate, cream, cake. (try to stack in on a cooling rack)

take the rest of the cream and evenly spread it over the entire cake.

nice. the rest of the chocolate ganache? double check that it is POURABLE but also that it's NOT HOT. warm is ok but a little less than warm would be ideal.

pour. the. chocolate. over. the. entire. cake. if you can do this on a cooling rack, do it. it'll let the excess chocolate drip down. you can take a knife to spread it around nicely. I think that's it. I can't think of anything else.
mia ransom Jan 2010
This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight ***. When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine.

The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment.

Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation.

We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate.


We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment.

I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something.

Everything has gotten so crowded.
Poetic T Jul 2019
I'm lead lined
        but you always


see through me.


My secrets concealed
                beneath me.


But you will always
                   see within me.


I never want to hide anything
       from you, I'm lead lined.



But you always see what others cant.
Lysander Gray Oct 2012
Her mouth glittered agape
With sacred promise,
Like a box of unused
Engagement invites
Christening invites
Birthday invites
Still in the wrapper
For sale at a
Lifeline.

When you’d rather live
In a car
Than the zombie stance
Of a modern house,
Clean and soulless
With a hermetically sealed lawn,
Winter pageantry draws to a close
With bogan’s shooting-
Pearly eyed paupers
With constellations in their gaze.
With eyes full of hope and stars
That burnt bright and fade for
Flickering lens light.

Their voices murmur soft
Through catacomb
And underbrush
As only the ephemeral things are whispered of –
Dreams.
The addicts of ideals
The junkies of hope
The drinkers of despair
Have tiger soft tongues.

They lap and feast gladly,
From broken vessels
Chipped with hazardous teeth
That seek to fill their
Ermine mouths with the ******
Draught
Of truth.
Stumbling through wine-hour
They swarm, with tongues ******
And all constellations burnt out.

The hyacinth rides wild
Upon her shoulder,
Writhes in the silver brunt
Of moonlight,
Writhes in the stillness of dead perfume.

Marching to the beat
Of my enemies drum,
My hands inside my pockets.

Little bluebirds spun from dream
Sit on the holy perch,
A branch in all innocent minds.

The redeemed and patient
Make a subtle art from
Long distance perversions.

Similarly as we chase ghosts over Daffodils.

Fields of winter
under lunar glow
sway without us.

Long distance love
lingers with loose lust
along Regret street.

I hung it next to the memory
Of childhood cooking and Indian summers
Without further thought.

It slipped into the novel that took the form
Of an old coat, slipping into the lined pocket
It sank with a sigh.
Satisfied with itself.

Bombarded by the pounding
Dead eyed stare of ***** goddesses,
Broken by the undisputed angelic
And unglued ones,
All moon faced
All hopelessly optimistic
All lawfully rebellious
With green serenity
We pasted our dreams
On a wall so real it shone gossamer.
He counted the imperfections in the glass
With mind hesitation
As the whole world went black,
In a sea of much deserved discontent,
Wishing for the soft.

A moment of pure luck?
Jesus was an astronaut
Smoking Zen by the fire.

Suicidal angst
never had you in sonnets?
What a ******' shame.

Our life is but a song
We never hear.

I chipped away at the excesses
of my baroque person,
each strike took a
Railing
mounting
wall
decoration
desire
demand
exclamation
from the battlements.
All left now, a hill.

I paid for my banquet
with a sip of loneliness
and left behind the question
that asked all quiet poets
the meaning of love,
that asked all quiet poets
to answer with a villanelle
shouted from every
distant peak.

They sent the troopers
to greet me instead,
and my library was put in shackles,
and I kissed their ***** feet.

I answered that I carved this mountain
from the baroque bedrock
upon which they laid their city.
They smiled and asked about the aqueducts.
I wept and spoke of kitchenettes.

A meal provided
on a lead cast plate
my jailor asked about freedom
I answered with defeat.

There were two atoms
One questioned the meaning of existence
The other the existence of meaning.
             -Regardless they looked the same.

An apple on a branch,I took
The same way history takes a footnote.

The same way cashiers are all doctorates.
The same way trains find the station.
The same way you sing like a bird (and I like a cow).
The same way we never really wish to be writers.
The same way our final friend is made of pine.
The same way all streets lead to nowhere.
The same way all jobs **** society.
The same way we always lie to our children.
The same way a man loves a woman.
The opposite way we ****.
The opposite way we make love.
The way that I know a man who’s totem animal is a worker ant and he is unemployed by choice.
The same way we take old memories and turn them into fashion.
The very same way all sacred things become profane and all profanity becomes sacred in the eyes of many.

Dying relic of the Optimistic Seventies,
A new coat of paint for the old irony
     -slap dashed with obscurity.
Although I wear the costume of my enemy,
I will write the exaltation in blue smoke
As **** by an unsuspecting victim
Occurs in the dark.

The face of another love stares down at me.
I smile.
Yet I know it is not her.
I weep.
A sudden method sparks revival.

Jackie Pleasure wore a gray smile,
The anthem of a lost generation:
‘Happiness is lost in smiling.’

You are dead to me,
the boatman calls
I will not taste of your amber lips
I will not taste.

The welfare of all never hinged on darkness as we fear the fall,
A multitude of angels sang their songs
And never learnt to say goodbye
Or cast a long distance eye
Over half spent desire.

Drawn out caricatures,
Paraded intoxication
Flirt with our mistress death
And have her pick up the tab.
She pays with silent music.

The ***, we learn, is a bridge
Between all words and waltz’s,
Our Light Brigade to conquer art.

In the twilight of this, our mansioned night
Let us ring out true with indulgence,
Excess, abandon and the call of ‘yes’
Kali rang on the wire of a golden telephone.
Her name
“Kali, Kali…”
Like a quarrelsome minotaur
Flew through the waves of silk ideal
And strangled the babe
With cool breath.

There was ice (oh yes!) and fire and song.
With our candles burnt down to the ash of all streets
We walk then. We walk.
All life is but a song.

The ghosts of all forgotten stamps
Now echo on the wind of speech.
On High! Oh speak!
Of songs sung but never danced
With our broken dream.
When starlight meets the dust, and
Shadow eats the snow,
All our stories are satin sheer
And all our wants are gone.
We watch the memories march, until
They find a sliver of chrome that showed that place
Where all piano’s live and breathe.
My father in the wishing well,
My mother played trapeze.
My sister never saw the light,
My brother never born.
That was that,
Where stars meet dust
And floorboards sing off key.
Over the course of several months, I carried a small notebook in which I kept random musings and poetic snippets that came to me. This is the compilation of that.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
River Scott Apr 2015
self harm takes many forms
from wrist lined in white
to burns on thighs

but i learned
it's much more than that
it's holding everything in
it's those negative thoughts i think
it's when I bite my inner lip
to remind myself that
any day,
i could decide i don't want to live

self harm is
so much more
than those white lines
or burn marks.

-r.y.s
I was never one to put a blade to my skin, so I found other ways instead.
Robin Carretti Jul 2018
Walking and saying
Things our wellbeing
The soul needing love possessions
Have absolutely no meaning

Playing and praying
Overstaying and Under-paying
Rising sun and Symphonic searching

" Is this the way it is?" Tis the season

But the tightness no business like
searching business
  She is combined and mixed like a song
fully lined both with keynotes somehow
we declined
The feeling that you cannot breathe
or  trust both of us
 we can  bearly **** it all in
My music playing just click my belt buckle
Will start to begin

The soul is not a crime or just a rhyme
I barely cannot breathe
I am in a chuckle, you see his
smile raising up his dimple

Ms. Thumbelina cobblestone
narrow-minded street your
in the tightrope symphonic beat

But its dark outside your ringlets
Waved him on got excitedly mesmerized
His Goblet of wine she curls up in
his body heat brilliantly dazzled
The sky to your dreams he is
reaching your
soft side skin
whats actually within
our souls

So  hooked into your ride not to slide
better grades and goals
The awesomeness symphonic hatter
Victorian divineness
Her paper cut out hearts as real
as they come
The Eastside Symphonic tip of his
Heavenly Bliss private Quarters
What becomes of the broken hearted
Heads or dimes not landing on her stone
Floor heart
The Duke of all trades of the hat he's smart

Cool running ******
Addictions to the mind so fanatic
What a good soul sometimes
He overexaggerates about
love and fate darkness drives him demonic
What are you kidding me
She doesn't rest her heart on his
soul for the burning desires of food
for thought
She keeps piling his poems like any sport
He's her everything she learns to be taught

Searching lips pricing
Red bloodshot eyes of crying onions
She is so fierce controlling
Musically like a Tiger roaring
He is like a design of graphics tattoo
The earring piecing the sweetest taboo

More soul searching
She's the snake purse
to his snake eyes fancy,
he took a ride
Upper-false teeth
The upper west side
have some prideThe dark side
became her thing
The wildflower not to stand to
bloom and bang like her band

Westside sounds came deep
his pride and joy like a parade
and wickedly dark his charade

It was  sneaking up on her backside
And the other side was just hiding
and smiling
She definitely saw the light lamp post how
the smells came stronger the darkness of desire
she was famished not to have vanished

Feeling like a *** roast love continued
She had a gift for her lover, not the
toast who would brag to boost
Two ****** British what
divine glasses at a cost
The symphonic soul
captured them like the
Dark-Knight of words
Symphonic sounds came
hearing names
soulful hummingbirds buzz-net

And there weren't any more
words there was silence
Eating shepherds pie table was set

Taking over another soul that's a lie
just like magic searching for a love
so long ago became tragic
You need more perseverance
Her true love gave her
an incredible sixth sense
of deliverance
The top seat at the concert
classical wicked taste of music
candescent erotically sonic

She had this certain quality
He was a symphonic love bounty
Her lips moved so fitting fantastically
The flower shops caught her eye
She couldn't sense what was real or a lie
The fast pace of the people all worked up.
What a soulful smell music sounds
she faintly known

To her ear wanted to hear only him shown

Besides the faintly illuminated
shapes evergreens were
heartily trimmed
She stood out bright as the ground
She was turning gray losing reality
not to be found or heard
So soulful her lips speak
she was walking with her head up
in the air fancy dancey
How those men could speak.
You could smell all the ethnic
flavors of foods
She felt the search for something
of a Saint, she was trying to
hard to be good
What a Haydn, his wife
was the mad hair driving

Miss Daisy soul of hers crazy curled
inside her book
She's the lady-like curler
How he played through her hair
Hunchback of Notre Dame who was to blame?
How his eyes wondered playing
and observing
But she was holding his stare

like a womanizer and his eyes flew
what a haunting moon
But Samatha the harp shady tree
He said, my fair lady,
He's stringing something together

What! creepypasta but sometimes her powers were weak
The symphonic love potent every other week

Some Gothic man symphonic music started
Playing Rossini Opera he could stand on his head.
She was pinned to his eyes
Pinterest such interest
she was all bloomed like a fly

By witches, flower came he passed her and he knew exactly who she was as is but wait not his?
The pleading the beg humbug far from her tunes of the ladybug

Razzamatazz all body of Jazz jitterbug
He winked she-devil
summoned him on
What a binding spell
She wiped the sweat off her face
She was beautiful with pale
porcelain skin
So alluring walking
with her parasol
This is my darkness of a read I hope you enjoy flowers even if they perk you up if they are the darkness stay alive to bloom there will always be a flower like you
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
jonchius Sep 2015
checking potent aftershock
observing seismic anniversary
checking another tremor
resuming constrained writing

annexing hidebound constituents
hugging incoming eschatologies
fighting pervasive insomnia
battling invasive fatigue

damning incompetent fools
awaiting furtive escape
abandoning corporate wasteland
summoning celestial syzygy

detesting spaghetti code
protruding riparian dolphin
establishing unilinear escritoire
glowing cybernetic cynosure

avoiding eternal invisibility
supporting valued customer
performing lexical gymnastics
scrooping notification sounds

restoring usual happiness
glorifying darkwave fanfares
collapsing old relationships
raising ambient awareness

defining wolf people
propagating yesteryear's spectre
achieving hemispheric virality
testing weekend legerity
installing iron curtain

propagating today's spectre

developing niche audiences
transmitting abstract propaganda
disappearing thought experiments
overusing various condiments

double-checking hyper-real emotions
rubbernecking celestial explosions
observing splendid holiday
exploding volcano day

erupting bucolic mountain
disrupting hectic shouting
perfecting suggestive triptychs
checking festive pyrotechnics

drifting across multiverse
regifting glossy paperwork
writing six-lined hexagrams
liking two-toned instagrams

recalling pygmalion sculptures
brawling tatterdemalion cultures
"rambling corporate shill
rattling rapid prosody"
"battling hamburger hill
ambling hundredth library"
"sensing ideological schism
pending guttural neologism"

glowing verdant background
foreshadowing palmyra takedown
developing geopolitical mess
geminating quasi-couplet stress

"hugging cultural diversity
shrugging irrational adversity"

distancing spooky raindrops
avoiding potential burnout
implementing lexical databank
approaching crash-scene sudser

becoming increasingly selective
escaping tyrannical bureaucracy
perpetuating cut-throat capitalism
purchasing contrived happiness
incorporating chance elements
relaxing rigid structures
reheating your retweet

holding theoretical design
smiling beach life
scrutinizing eternal simulation
rushing artificial apothegm
annexing facetious document
freaking creepy centipedes

writing neural structure
congratulating yestreen's warriors
encouraging seatbelt usage
boosting abstract setting
sensing frivolous ochlocracy

keeping hypothetical metropolis
blurring metaphorical æsthetic
scrutinizing computational festival
memorializing towel day

raising six-fingered paw
eternizing fragment schedule
liking subtextual repository
quoting quintessential quidnunc

finding ideological style
disregarding their slovenliness
planning spatial factoid
spinning glacial ellipsoids

enjoying eternal spreadsheet
deleting repetitive tweet
awaiting festival lineup
gainsaying unethical startups

observing turgid experiment
contemplating conniving contrivances
enjoying dynamic project
dropping two-toned simulation
finding harmonic space
finalizing warring cavaliers

detecting enigmatic apathy
retrieving potential exchange
meddling middling muddling
baking hypnagogic pizza

spinning galactic dinosaur
building trans-pacific partnership
finishing theoretical mission
giggling agog googlers

crashing atypical tessellation
cherishing precious hexagons
proliferating western lottery
cretaceousing funkaholic skeletor

blurring turgid gallery
cancelling tsunami warnings
extemporizing incoherent neologisms
transmitting harmonic rave

gliding black hawks
hiding quacked ducks
archiving animated light
googling moonbow imagery

ignoring relatable messages
observing unfinished world
generating optional content
continuing exponential growth
May 2015
John Jan 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica.
     I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that.
     Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night,  after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one.
     One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth.
     What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785.
     Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on.  But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me."
    
     The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with  Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us.
     At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward.
     Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned.
     "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned.
     The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it.
     "We have to open it," Jessica proclaimed after a second of curious inspection.
     "There's no way were going to find the key," I told her.
     "So we'll break the lock, Jack. Duh," she replied in her sassiest tone.
     I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe.
     "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below.
Jessica smiled again, very pleased with herself and looked to me.
     "Wonder what's inside...," She said, lifting the top half of the box open.
     After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself.
     I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands.
     "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her.
     "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!"
     "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening.
     I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness.

     Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong.

     I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.
It's definitely more of a short story but I felt obligated to post it here for some reason.
vircapio gale Sep 2012
wakefulness demands a certain clearness when asleep . . .
it doesn't come as planned
"tat tvam asi"
LaBerge says to me in dream of me
"this world you are, withstanding even torments thou art never seen."
and that's enough to suffer aching, opaque psyche summit, forward
heart to rise an interspecies knell when danceless fades the bee in droves...
aimless whales who singing deep in love are cut from evolution's murky chain...
fungal blight of hibernaculum, in deafened sonar sending sudden drop of death;
to horror fragment melt, the ocean swill from ancient caps to sunken polar paw
diverse in massacre of tropic forest fertile mists, lives dispersed
and balance tipped from blindness not unlike the sterile statue's, there
                                                          i­n dusty courthouse corner, shadow-lined with infamy...
what imagined cartoon causal Captain Planet              
                            villainy to blare across oneiromantic globe? and (dreaming?) civil strife,                  
       eradication's alter triumph pose to measure blame in inner life?
of empiric meditation's top, in *******
churning out abuse in deeper,
                                                         ­   younger hidden traffics yet to terrorize the net...                                  
                                             the scraping of the sky had punctured through                                
                         ­                                      from metaphor to fact
                                       the sooty barbs
                            in radiance rebound    
and irony affected 'green'
                  folds crisis and solution into one                            we hope
                like what we say we are, becoming change                      in wartime summer fling    
we                                                        
say we can in world of 'me'                                      
in guilt-assuaging verve
                                  the heifer-gift to village fief
    but then to rest against organic pillow-conscience gray                                                             ­       
                                                               soundly snoring smokestacks fill from ground to sky
still for sly investment windfall   fog  billow, shake...                             
transcontinental scape of dream imbued anew:
i am the genie of my ownmost inner lamp
in dreamtime-being spacious constellational of reach distilled
in contemplation's tratak zoom mInute
   with jet black finger trace
    i net                                                              ­                                        from out the inter-earthen air                
                                             ­                                              the lump on lump of coal
                massaging from                                                             ­      as if an ivory atmospheric                  
lift                   of      weight  
                           the sculpture of our past condensed in elephantine ******
                                                 miasmic fossil shower-haze of sporogenic fear,
mneumonic nail-tusk night of carbon-spirit back into its hold -- originary dark,
Dark light from burning black                                                 once again contained                                                      in elemental subterrain                                                       ­                                                       
         ­                                        --now it underlies the ground inside for triple shielding outshine
--outer-- light to cool us breathing once again . , ,    
false convenience in abeyance in a human time!                                
i am right now of inward self my soul supernal carbon imprint copy                             
for accounting every speciesistic mind to open wide enough and quell the "all-too human plagues--                                                                           ­       cheering all penultimates, in beams reflecting ante-truth          
                                                 down halls of mirror-minds that lightly discourse
on the ingress of a centaur saving power
channeling the leylines of inception,
ecstatic dreamworld of apotheosic glee:
parting the eidetic clouds,
commune an avatar intentionality . . .
ensorcelling the foodstuffs of the world to feed a dozen million refugees,
insectile diet pride attends in homes of affluence,
the abstract mass of media, become eupeptic cud of understanding bats and even bees--
for biospheres a Goodall stewardship arrives
(her perfect chimp call too resounds across the earth!)
and dwindled frogs their former ponds (unknown, destroyed without a sound)
return to chirping vibrant green symphonic swooning life
the glacial march of tears to halt . . .
all ecosystems rife withall
the panegyric of marshlands globally reborn  
along with shining waters, algaeic sun alive at play
in double-helix breath of dolphin families' bubble art
a sudden resurrect from ****** harvest cove arise cascading joyous leap
on final absence of the metal herding knock of trapping pods
no longer hacked in waves of pink, mere preparations for a restaurant sink--
they are free to swim the depth of worldheart dreaming unknown dream entire real again
marine apsaras dip in spectra (flicker eyelid) rays, reintroduce the dawn
her fine apparel calling forth transhuman destinies
unsplicing brilliant minds from ****** task of splicing GMOs
recycled randomness accepting death before we die
mycelium in runs of spilling-- all undone --
migrational attuned our resource use
and CSAs to thrive in eco-city scapes
no solopsistic somniac pretends
--the dream imbued in final hue
a momentary lapse, creationary flux--
the bombs defused in flick of wrist
indentured and enslaved, imprisoned innocents, oppressed and even self-deprived released
through selfhood's metaviral claim
ground of each dependent intertwining
whatness will to be
a place in which to hum in tune or out of tune
to heal and in a another dream aside from this perhaps with me partake
in true oneiric panoply of conflict held
--with permeating rigpa geogaze--
colliding ideologies transmuted into trust
in panharmonium of varied vision
and what the ever present boons of real, imagined symbol-real
create awake












.
Sofia Kioroglou May 2016
My dad’s unwilting enthusiasm
does little to reduce my anxiety
actually quite augments it
as I try not to hit the pavement

I am only 7 but feel very responsible
not only for the things I do,
like cutting the roses from the garden
and having my mum get mad

but also for the things I cannot do
like grabbing the handlebars assuredly
and keeping the bike under me
trying to perform some kind of conjuring act

Lowering the seat does help, feet now firmly on the ground
with loose elbows and a light grip on the handlebars
I close my eyes and, lo and behold, now I am a ballerina
swirling around like in a satin-lined jewelry box

My reverie is soon interrupted by my dad’s gentle voice
I tell him I did the splits, even touched my toes
“Seems like you don’ t wanna ride,” he says
with eyes of blue, a hint of a smile

I can still hear his voice in my ears
“Don’t try to do things you don’t like
just because anyone can do them”
The poem was published in Silver Birch Press
Abby McMichael Jul 2010
I try, but do not mind.
As we bid to each, farewell,
On that high cloud, silver lined.

Is this love?  Our hearts entwined,
I wish I could, but cannot tell.
I try, but do not mind.

If ‘tis true, then, ‘tis blind,
As we part, tolls the bell,
On that high cloud, silver lined.

I attempt to put behind
The sure sounded, ringing knell.
I try, but do not mind.

Oh, that road, that road does wind,
Though, choice, it does not compel,
On that high cloud, silver lined.

His soul, so very bright, it shined,
How very clear, as I retell:
I try, but do not mind,
On that high cloud, silver lined.
JJ Hutton Apr 2013
There are only two ways to truly know someone: sleep with them or take them bowling.
Phoenix Aime was the woman of my dreams. So, I took her bowling.

Paid for a game. Rented shoes. Got the little, sticky bracelet thingy that said Slippery Joe Lanes.
That way if we got in some sort of accident on the way home,
the guy at the morgue could identify us as bowlers. Anyway, here's the bulleted list of what I knew about Phoenix up to that point:

• She looked like Diane Keaton circa 1972
• She talked with great pretension concerning craft beer
• She only patronized two restaurants: Denny's and IHOP
• She was eight years older than me
• She kissed my sister once on a dare
• Her shoe size was 7
• She was perfect or a near synonym

The bowling alley was empty save a World War II vet in a wheelchair and his wife at lane six,
and they were barely there. Country music played over the loud speaker. And I felt cozy. Predictable. Like a payment plan on the QVC.

That was until Phoenix said, "I forgot something. I'm going to go talk to Mack real quick."
Mack worked the front desk, according to his name tag. Talk to Mack. She just talked to Mack. Mack was sleeping with her. I untied my shoelaces. Oh, Mack, love your red polo with blue tiger stripes.
I pulled my sneakers off. Oh, Mack, I love it when you dip your finger in nacho cheese and feed it to me. Slid my right foot into bowling shoe. Halfway in with the left, and my socked foot struck something plastic. A stick of tiny deodorant. Like unsavory truck-stop-to-truck-stop deodorant. Oh, Mack, I love it when you deodorize -- so hard. Pull the strings tight on the left shoe. Oh, Mack, rub the deodorant until your underarms are SO CHALKY AND WHITE.

"You okay?" Phoenix asked.

"Yeah, what do I look like something's wrong?"

She carried a seafoam green bowling ball with a ****** Mary insignia. "It looks like you triple-knotted your shoes there."

And I said something dumb like, better safe than sorry.

"Sorry about leaving you all alone. Mack holds onto my ***** for me," she said.  I bet he does. "I hate talking to that guy." What? "He's a vegan."

Now, at that time in my life, I was a vegan. And had planned some stirring remarks about the processing of sweet little piggies into cancerous hot dog machines on the way to pick her up. Thought she would think me full of passion, "on fire" for a cause, you know? The wise thing would have been to say, oh well, I'm a vegan. But instead I asked, "What do you mean?"

"You know serial killer's get a last meal before they're executed, right?"

"Right." Where the hell is this going?

"Well, have you ever heard of someone on death row requesting a last meal that didn't involve some sort of animal product? Gacy had buckets of chicken, Bundy had a medium rare steak, even uh, ****, what was his name, McVeigh, Timothy McVeigh he had two pints of mint chocolate ice cream. Dairy."

"I'm not sure how this refutes veganism."

"Nobody is a vegan for their last meal. Nobody. I'm not going to subscribe to a diet that I can't follow until the very end. Live every day like your last, that's my motto."

"That's your motto." I said. To be a great listener, just repeat the last three or four things anyone says to you and raise your eyebrows a little bit. (Examples: "My dog died." -- "You're dog died.", "I never ate breakfast burritos again." -- "Never ate it again.", "I love you." -- "You love me.")

Over Phoenix's shoulder, over by lane six, the wife wheeled the World War II vet up to the lane. And he tossed the ball. Good team, I thought. Want to know someone take them to the bowling alley.

Phoenix removed a glove from her pocket. She had her own ball. Brought her own badass, jet black bowling gloves. And if her carnivorous tendencies hadn't already put a ***** in the Golden Days of Josh and Phoenix, that glove did.

She typed her name first on the scoring computer. Didn't ask if I wanted to go first. That's fine. Approached the lane, three fingers inside the ****** Mary. She brought her bony arm back with the grace of a ballerina tucked away stage right in the shadows. Mary cut from grace slid down the lane with a spin.

Strike. I couldn't really see the pins from my angle. But I recieved a transmission via the "yes" and arm pump. That was two marks against her, and I was going to three. I'd call it strikes, but well, the whole bowling skew.

Here's a bulleted list of what a "yes" and arm pump immediately taught me:

• She takes bowling serious.
• If you take bowling serious, when do you relax?
• She'd never relax.
• My life would be tucked shirts, matching belts and shoes.

For six frames, I picked up fours and sevens. Phoenix, though, nothing but strikes. I threw a gutter on frame seven. Like a normal human being, I shrugged. Made a face out the sides of my mouth. Kept it light.

"I thought you were a grown *** man," Phoenix said.

"Me too."

What happened next, I willed. I'm not god or anything like that. At the time, just cosmicly ******.
Her step stuttered. 7-10 split. "Mack!" she screamed. "Floors are slicker than a used car salesman's hair."

From across the alley,
"Sorry, Phoenix, baby. I'll bring you some nachos. That make up for it?"

"Ain't gonna knock down two pins is it?"

"So, uh, no nachos then?"

"Actually, go ahead and bring those."

She lined up. Back straight. Legs together. She rolled her neck. "You're about to see how it's done."

And I didn't. She broke it down the middle. Field goal. In that moment, that holy moment, I was knowledge plateau. Vindicated.

For about 10 seconds.

Mack swaggered over, nachos in hand. "Phoenix, sweetie, you okay?"

"Do I look okay?"

"No, that's why I asked."

"Just give me the nachos."

"Ah crap." Mack had gotten his pointer finger in the nacho cheese.

"Let me see it."

And right there, right in front the ****** Mary seafoam green bowling ball, she slurped the cheese off his finger."

Frame seven, a good as time as any to call it a match. The wife of the World War II vet kissed her husband's forehead. Handed him a ball. As I walked by, hand on shoulder. "Struck gold, dude."
Nat Lipstadt Jul 2013
Mashup

Part I

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Maxx Apr 2018
set up a chair
at the end of a tree lined street
not just any tree lined street
the street with the nice houses and cars
the street where the rich have "made it"
sit at the end of that street
with the cherry blossoms or jane magnolias
or whatever
and watch every one of those "successful" types
as they walk down their tree lined street
from their house to their car
as they walk by you, through their tree tunnel
watch carefully their faces
the trajectory of their gaze, tightness of their lips,
the experience woven into their furrowed brows
watch them hurry through the world's dream tunnel
a persons state of mind can be brought to light by a tree
the beauty of bloom, falling petal, hugging branches
it jolts excitement through human sensory
and so, when you read the lined, tired, hurried
faces- the dysphoric vacancy we've all carried
at some point
smile
create space
share love
just for a moment
smile
or don't
the world is beautiful
and you are appreciated
Valsa George May 2016
With the peak of spring in the month of May
In the early hours of a pleasantly sunlit day
Two kids sat cuddled on a swing
Feeling as though they were taking on wing

Swinging in the air, they began to sing
Their sweet lay breaking the silence with its ring
They kicked their legs in rising delight
And felt like thistledowns ever so light

Up and down on the swing was fun
They closed their eyes on being face to face with the sun
Felt the swish and sway of the buoyant air
And knew the light tug of breeze on their curly hair

As the air got caught in the frills of their frock
Their eyes gleamed bright in delightful spark
Imagining themselves to be astronauts in space,
An ebullient excitement lit up their face

From a raised angle, they saw the Earth in green folds lie
Watched the surrounding hills standing awfully high
Saw a small stream flowing as a slow moving train
With trees lined up on its banks in unbroken chain

Longingly I watched these children free of all worry and pain
Also their aerial feats, not tainted by any melancholy stain
How I miss these childhood days of innocent fun
As my hours, towards the sunset, quickly run
I envy little children and their care free days......! They leave me immensely nostalgic as I had a joyous childhood in a large happy family !
Daniel Magner Nov 2012
There's nothing quite like
having your memory erased
the best thing that'll ever happen
the best thing you'll ever taste
are the drugs sliding down
your throat to splash
in the stomach acid
pumping chemicals through your veins

The synapses in my brain
are full of dopamine
and my serotonin levels
are off the charts
On the outside I stand tall
like a steel soldier
but on the inside I'm crumpled up
with a paper heart

How do I tell my mom
I'm on, walk in while
she makes her art, day before her birthday
What words would I even spit
how could I say I just downed
a bottle of codine, she'd disown me
So I stumble up stairs to my
old bed, pictures of my graduation
burn my head, but it's imagination
the room swirls but I'm station...ary

Started off with a bet, kids dared me
When your fifteen you don't
see the bad side, the glazed eyes
rolled back drifting, all you feel
is the lifting and the bass
pumping, through your chest blasting
off real life stress, you can't tell you're a mess
Rolling, feeling like the best

But now I can't sleep unless I'm on
and then I don't dream.
It's time to start taking steps
instead of X, I'll do reps at the gym
I'm done giving in, I done living in
fog, done being gone.

Yesterday me and Tony were on the go
driving slow, on the hunt for blow
picked up, lined up, he handed me the dollar bill
rolled up and I could feel my brain
screaming, yes, my veins aching, yes,
my hands reaching for the dollar but then...

I said no.
© Daniel Magner 2012
Lone Wolf Feb 2015
My pen has failed me
I sit with it and
Sheets of lined paper
Ready to be filled
But the words don't flow right
They're no longer adequate to express
This dull, aching hopelessness
Of knowing that I've lost my heart
Handed it away to someone
Who was much too careless
As words lined the already lined page
Bleeding hearts with barbed wire vines
Etched into the paper
During my wait for words
To pick their way out of my head
I listen to their sound as they tread
Through the minefield of my mind
Getting in traps that distort their meaning
Words like love becoming bleak
Because it got stuck in the trap
The trap that is you
Bleeding hearts as in the flower bush... Nothing quite so corny as the heart shapes...
Londis Carpenter Sep 2010
NOTE:  This is a short story; not a poem.  (author)

(Sometimes when you don’t know something can’t be done, you discover a way to do it.)

High at the top of a tree in Forest Park, Parker Squirrel lived in a nest that his mother had built from a hollowed out place inside the trunk of an old oak.   A large branch forked away from the main trunk and a hole in the bark conveniently served as a doorway to the outside world.  On one particular morning, Parker poked his head out from the doorway of his home and looked around very carefully at his surroundings.  It wasn’t the first time in his young life that he had peeked at the outside world from his mother’s nest, but this time he was more alert and cautious than he had ever been before.  Today he was orphaned and all alone.  Sometime in the dark of night, while he was hiding deep inside the nest, he was forced to watch in terror when a large owl came and took away his mother.  So today, feeling very timid and afraid, Parker made every effort to look in each direction before leaving his cozy home to explore and search for food.

Just ahead of him he saw that the rustic ranger station stood like a monument, to welcomed visitors to the state park.   On his left he could see the foothills of the purple mountain range.  He knew that these foothills and their woodlands were all part of the place called Forest Park.  Off to his right a dancing brook bubbled along the edge of a grassy meadow.  In its tall grasses he saw a white-tail doe playing with her newborn fawn. There seemed to be no danger in that direction, so Parker stretched his neck upward and watched as white, cotton-ball clouds floated across the azure blue sky.  Finally he looked down at the ground far below just in time to see a large toad quickly hop under the cover of some wild mushrooms.  Still, he sensed no danger.

Unfortunately, in order to see the forest behind him, it was necessary for Parker to leave his nest and climb around to the other side of his oak tree. And that was a problem for Parker, because the little squirrel was still much too timid to take such a chance.  Instead he stretched as far as he could to look around the wide tree trunk and into the woods.

Glancing back into the forest, Parker saw more tall oak trees with their strong, stately trunks.  He saw a scattering of white flowers that revealed the presence of dogwood trees.  A stand of sugar maples displayed their graceful branches and delicate leaves.  He also noticed some early spring flowers and wild mustard plants splashing bright yellow hues against the fresh green Indian grasses where a tiny meadow carpeted the outer edge of the forest floor.

There were no owls!

Even if they were hiding where he couldn’t see them, Parker would know they were there.  He would be able to smell their unmistakable odor.  To nearly all rodents, the owls have a peculiar stench that is putrid and foul.  And even a young squirrel like Parker would recognize it at once.

The young squirrel was fascinated by all he saw.  His furry skin tingled in the warm glow of the bright, noonday sunshine, almost making him forget the tragedy of the previous night.  Parker had only arrived into the world about six weeks ago, but in squirrel time that meant he would soon be approaching young adulthood.  He had always been cozy and comfortable, cradled in the nest his mother had built in the tall oak tree.  He had always enjoyed foraging with her for seeds and nuts.  The pantry was partly filled, even now, with acorns and hickory nuts, which emitted a woodsy aroma that reminded him of his mother.   He loved the wonderful world he saw from his perch and his heart was so happy that he began to chatter a new springtime song, which he seemed to hear playing all by itself inside his head.

Parker was so enthralled by all the new sights and smells filling his senses that he nearly outstretched the length of his body as he leaned outside the doorway to his mother’s cozy nest and suddenly he fell and tumbled onto the forest floor beneath him.  He landed with a horrible thud!  The little squirrel landed on his back into a clump of moss that grew beneath the tall oak, which only moments before had been his citadel.

  “Ouch!” chattered Parker as he recovered his breath.  The fall had knocked the wind from his lungs but as soon as he discovered he could breath again he checked himself all over to make sure he wasn’t seriously hurt.  Then he began to explore the forest floor.

The little squirrel was so excited, as he ran from one discovery to another, that he completely lost track of time.  Before he knew it, he was a long way from his mother’s tree and it was growing dark.   The little squirrel ran from tree to tree looking for his home and finally he stopped at a very tall oak.  Parker was certain that this was the same tree from which he had fallen, so as fast as he could scurry, he climbed up the trunk, searching among its branches for his mother’s nest.  When he failed to find his home in the trunk of the tree, Parker finally realized that he was lost. The young squirrel had exhausted all of his strength running through the woods.

Afraid and suddenly very lonely, Parker was also very sleepy and hungry.   Since he had no food and didn’t know what else he could do, Parker curled up into a ball at the crook of a branch and fell asleep.  Next morning Parker searched the tree again for his home.  To his surprise he stumbled upon a strange nest made up of branches and twigs of oak built close to the trunk of the tree.  This nest seemed substantial and well built.  The interior of the nesting cup was about eight inches across and five inches deep.  Although the nest looked crude from the outside, its bowl was delicately and warmly lined with a combination of moss, feathers and leaves. It was about seventy-five feet from the ground and two fledgling crows were sleeping inside.

An older squirrel might have killed the baby crows for food and driven off the adult birds when they returned, but Parker just climbed inside the nest, curled up beside the sleeping pair, and fell asleep to dream about where he would find his next meal.

Parker’s sleep was interrupted by the noise of the two young birds’ loud clamoring for food.  Their incessant calls were being tended to by the mamma crow, which had returned to the nest and was now busy stuffing their hungry mouths with an assortment of seeds and worms.  As strange as it seems and much to Parker’s surprise, the mother crow also began stuffing his mouth with food just the same as if she was feeding her own children.  Although he didn’t like the earthy taste of the worms, Parker was very hungry and he swallowed every bite.  He found that he was actually quite satisfied with the meal.

Parker soon learned that there had originally been six baby birds occupying the crow nest, but sadly four had recently been taken by the owls in nighttime raids.  Perhaps the loss of her own children was the reason the Mother Crow decided to adopt the baby squirrel and began feeding it along with her own young.  In nature there are many mysteries and not all of them have easy answers.  But, whatever her reason, one thing is very certain.  Parker Squirrel had been officially adopted into the Crow family and he now had a new mother and a new home, complete with a brother and a sister.

Parker’s new siblings were very close to his own age, which meant they soon would begin standing on the edge of the nest and even leave to nearby branches of the tree when they were being fed.  In the course of another week they would be leaving the nest and taking their initial flight while being watched, tended to, and protected by their adult parents.  So Parker had a great surprise awaiting him. He didn’t know it yet, but in just a few days Mamma Crow would be expecting him to learn to fly.  Of course, squirrels, by nature, are curious and quite acrobatic and no one had ever yet told Parker that he couldn’t fly like a bird.   So when the time came for Parker and his siblings to make their initial test flights, he spread his arms and began to flap them hard, as though they were wings, as he leaped from the nest.  Naturally the little squirrel tumbled down once again onto the forest floor with another thud.

Encouraged and nudged along by Mamma Crow and by taunts from his new brother and sister, Parker tried again and again to fly.  Each time he tried flapping his little arms like wings and each time he fell to earth with a thud.  Soon his whole body ached with painful bruises from his many falls.  But even more than the motivation and prodding from his new family, Parker wanted to fly.  There was something inside Parker that made him want to keep trying.  Parker really did want to fly.

Immediately after being adopted, Parker had begun foraging for his own food by pure instinct.  When he found acorns and seeds he brought them by mouthfuls back to the Crow family’s nest.  But now the urge to fly was almost as strong inside him as his urge to scour the forest floor for acorns and nuts.

At night Parker dreamed about flying.  As a younger squirrel he had often dreamed about being a “super squirrel” that flew around the forest, from tree to tree, doing good deeds and fighting off the evil owls with his super powers.  But the urge he felt now to soar through the air was different from the wishful thinking of a childhood fantasy.  Parker felt that he had to fly.  He just had to.

He thought about why he wanted to fly so badly.  It was more than the fact that his new brother and sister could fly.  There was some important reason deep inside him that made him yearn to soar from tree to tree.  As time passed Parker met other squirrels in the forest and he knew very well by now that he was not a crow, so why couldn’t he just be content to be like the other squirrels and forget all about this nonsense of flying after all.  He thought that perhaps it was because he remembered what the owls had done to his mother and what they had done to those siblings from his new family that were taken before he even had a chance to meet them.  Perhaps now, he thought, he was just afraid and only wanted to fly so he could escape the danger of the owls.  Maybe he was just a coward.

The next night when Parker went to sleep he dreamed again of flying.  But there was something different about this dream.  In his dream Parker was not flying like the crows fly.  He didn’t flap his arms up and down like wings.  Instead he just glided and soared with no effort at all.  In this dream he could actually feel the wind flowing over his body as he glided from one tree to another.  When the sun came out and awakened him from his sleep, Parker couldn’t wait to try again.  This time when he jumped from the nest he would not flap his arms because, after all, arms aren’t wings are they?

Before anyone could stop him, Parker leaped from the nest.  He began to fall straight down, but instead of flapping his arms up and down, he stretched his arms and legs out as far as they would reach.  Then, suddenly something happened.  Instead of dropping to the ground with a painful thud, Parker started gliding.  He didn’t fly far enough to reach another tree, but he was able to glide to another branch on his own tree.  After recovering from his own surprise, he looked back to the nest and he saw his mother and brother and sister all standing on the edge of the nest with looks of amazement on their faces.  They were all calling out to him to try it again. This time, having learned what to expect, Parker glided all the way to the next tree.  After a few more tries, Mother Crow was flying right beside him.

One day Mamma Crow told him to follow her.  “Come with me,” she said.  “I want to show you something.”   And he followed her, gliding from tree to tree.  She led him to a new place, deeper into the woods than he had ever been.  Soon they arrived at a place in the forest that almost seemed enchanted.  He was very surprised to see that were lots of other squirrels gliding from tree to tree just like Parker.

“This is your new home,” said Mother Crow to Parker.  “You’re not just an ordinary squirrel, you know, you are a flying squirrel.”

Then she told him, “From the day I first adopted you I knew that you were special. But you had to discover by yourself who you really are.  Here in this place you can be safe and make friends of your own kind.”  After saying goodbye and wishing him well, she waved at him and, looking back one more time, she flew away.

Well, that is how Parker learned to fly and how he discovered who he really was.  After that he continued to live a very happy life with his new friends.  The owls never seemed to trouble him in this part of the woods.  But he never, ever, forgot about Mother Crow and the family that adopted him. Even to this day, Parker often stops by the nest with a mouthful of acorns and nuts.
copyright by Londis Carpenter
Word count: 2414 Views: 29
Conor Letham Apr 2014
Coming home from a fair,
cusped between your lap
a globe of darting eyes,
your hands rested atop
the thin film of a world
as you endlessly peer in.
Are you scrying over
your future career?

Here a tungsten bulbous
body, a chunk of flame,
swills itself in spins
and mindless dances,
as you think you could
be so careless like them
to live hazily in a framed
bubble of treasured youth,

fed by some divine fate
looking over you. Golden
scales make your skin,
binds you as if you were
a chocolate in a wrapper
for people to circus over–
every flicker being edible.
Or maybe you're like

those tinned peach slices,
posing in a cage for all  
as a marvel to feast with
until you end up rotting,
there in your tomb-space,
muttering an open mouth,
“help me” before they serve
you up on a silver-lined dish.

I assure you, you'll forget
these childish thoughts
of aspirations and dreams
sooner than you think:
no matter how much
you think they want you,
I'll bet they'll let yourself
drown in coming weeks.
This one's a long one, and I apologise in advance for the kind of depressing topic.
What went from the subject of children getting goldfish from a fair (that, as everyone knows, don't last very long) became a critique about the aspect of female sexualization that some girls may grow up to want to employ the use of.
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
Bus Poet Stop Sep 2017
the bus poets

we are the modern day chimney sweeps,
the ***** black faced coal miners of the city,
digging up its grit, toasted with its spit,
the gone and forgotten elevator operators,
the anonymous substitutable,
still yet glimpsed occasionally,
grunts of urbanity
provoking a surprised
whaddya know!

once like the bison and the buffalo,
we were thousands,
word workers roaming the cities,
the intercity rural routes and the lithe greyhounds
across the land of the brave,
free in ways the
founders wanted us to be
us, the stubs and stuff,
harder working poor and lower cases

we were the bus poets,
sitting always in the back of the bus,
where the engines growls loudest,
seated in the - the most overheated
in winter time, so much so
we nearly disrobed,
and then come the summer,
we were blasted with a joking
hot reverie from the vents,
but vent, no, we did not!

no - we wrote and wrote of all we heard,
passion overheated by currents within and without,
recording and ordering the
snatches and the soliloquies of the passengers,
into poem swatches;
the goings on passing by,
the overheard histories,
glimpsed in milliseconds, eternity preserved,
inscribed in a cheap blue lined five & dime notebook,
for all eternity what the eyes
sighed and saw

books ever passed
onto the next generation in boxes from the supermarket,
attic labeled, then forgotten beside the outgrown toys
with our names writ indelible with the magic of
black markers

if you stumble upon a breathing scripter,
let them be, just observe,
as they, you,
these movers and bus shakers,
as they, observe you

tell your children,
you knew one in your youth,
then take them to the attic
retrieve your mother's and father's,
teach your children
how to read, how to see,
the ways of their forefathers,
the forsaken,
the bus poets.
dedication: for them, for us, for me
Eliza Parker Feb 2015
They say the pen is mightier than the sword
If this is true then God was the sword and you were a pen
And I was the pencil who laid you a foundation of erased mistakes only for you to trace upon them as if they didn't exist.
And I was cast in the bottom of some cluttered bag
while you were gently capped and placed in a box lined with blue silk,
And you knew I would always be there to test the waters before you spilled the pages with your brash delicacy.
But you needed me and I craved you for completion.
Together we created sweeping illustrations and lengthy novels with dozens of sequels.
We depicted a tale of modern love in our ball-pointed journey.
But my graphite stayed intact while your ink started to run out.
I could see as our pages unfolded that your colors no longer spread as boldly.
You became more and more invisible as I desperately etched harder and harder into every page hoping to give you clearer guidelines
but you no longer had it in you.
And soon enough we couldn't make anything beautiful.
You had run out.
And I'm still hopelessly drawing maps desperate that you can regain what you once had and use the indentations on previously blank pages to find your way back to me.
Gracie Anne Jan 2022
The urgent care is the nursery
Where I choose my seeds with thought.
The doctor is the gardener
Who knows how to fix what I’ve wrought.

She sows the seeds inside my skin,
Yet not with a trowel or ***.
She uses a needle and surgical thread,
With budding knots lined up in a row.

Then she leaves me with my tidy ground
And some knowledge on how I should care
For the lined up plot she’s left to me,
Whose potential I’m required to bear.

The deep rivet I slashed into my skin
Is where the seedlings take root.
The blood from my veins keeps them moist
As the new blossoms stand resolute.

But when the weather grows dark and dreary,
My sprouts need cover from the cold.
So I bundle them up with jeans and sweats
To protect them and let them take hold.

But despite the layers I pile atop,
The small spiny blooms poke through.
I run my fingers back and forth,
And marvel at how fast they grew.

Then after they’ve grown for fourteen days,
I return to the nursery at last.
The gardener plucks and prunes and picks
‘Til the wounds and the blooms come to pass.

So now the perennials have passed us by,
And the sprouts have been taken to bin.
The wound that watered my seedlings’ through,
Has left but a scar on my skin.
This poem was inspired through the stitches I received on my thigh due to self harm. When I wore leggings or sweats, the knotted string would poke through the material, reminding me of a garden.
Wandisa Zwane Oct 2015
Written by

Wandisa Zwane  


April 16, 2015



INT.  APT 3101 - THE BEDROOM  

It's 02:31 am and I find myself laying silently on my bed scrolling through Instagram...Twitter...Tumblr....and Snapchat. I find myself struggling to go to sleep.  I wasn't even able to sleep for an hour or two. It's not normal as its way past my curfew. I receive a text message. I'm confused because it's
still too early for anyone to be texting me, and I know everyone nearby is fast asleep because we have school. So who could be texting me?

CUT TO: PHONE SCREEN

HER ( via text )

I'm struggling with the math homework, help ? Are you up ?

ME ( via text )

I am actually. FaceTime, call or text?

20 minutes later my phone starts ringing. She was FaceTiming me. I stare at her name for about 5 seconds trying to put myself together.

ME

Hello, Ellie

I wasn't focused on the math. I was hoping that we could forget about the math and just talk about us and the futility of life. For some stupid reason I really thought you were gonna say something cheesy like I can't get you out of my head but can we just talk until we fall in love? But no it never happened as we had an hour long conversation about math.

CUE " MATH CONVERSATION"

The futility in that conversation was cosmic to the point where I began questioning existence. But when the call finally ended I was disappointed.

CUT TO: VARSITY

It's 8am and I'm at sitting in English tired and drained. Still contemplating about the futility of life.

HER

Hey, Tyler thanks for helping me with the math homework.

ME

Uhm Ellie do you want to come over too my apartment over the weekend and chill ?

CUT TO: APARTMENT 3101

It's 12am and the apartment is really untidy. I jump out of bed and clean the entire apartment in a record time of 12 minutes and 44 seconds. I'm going crazy over here as I'm trying to remember if I gave her the correct directions. Thank god I gave her the correct directions as I see the uber pulling up in front of the apartment complex. I start sweating and shaking and I'm fearful that I'm going to have a nervous breakdown. I start cringing.
I open the door the door and it's her standing directly in front of me. I can't breathe. I'm overwhelmed by an awe of emotions. Literally - she's beautiful

ME

I mumbled - Hey Ellie it's so good to see you ( the hug was very awkward because I was nervous - it was one of those hugs where both people don't know how to hug each which makes things really awkward)

HER

Hi


ME

So glad you could make it. How was the drive ( note to self: I should stop making things awkward ) I'm so irritated at myself.

CUT TO:  APARTMENT 3101 - LIVING ROOM

She's sitting on the couch. And I'm sitting right next to her. Okay let's just say there was a 30cm gap between the both of us. I was really nervous. I found myself drinking gallons of water. I forgot to offer her anything. I was nervous to the point where I couldn't even make eye contact. I just stared at her forehead and her lips.

ME

Aren't you exhausted I mean that drive was really long ( she lived like 3 blocks away from me )

HER

Not really , I'm just really stressed about varsity and stuff I guess.

We actually start conversing with one another for 5 hours straight.We smoke about 3 cigarettes and have the most fruitful conversation ever about female energy and the power of the the heart. She's really enlightened - I thought she was really basic. We both can't go to sleep because we're actually  enjoying the presence of one another. It was cathartic and refreshing actually.

ME

Want go up to the roof and look at the universe?

HER

I'd love too.

CUT TO : COMPLEX ROOF

I brought a blanket up to the roof cause I thought it was cold. It wasn't but we just layed down underneath the open night sky and gazed into the stars. We connected with the universe/ourselves/each other. It was bliss. We ended up falling asleep on top of the roof. To my amazement we were silently wrapped around each other.

CUT TO: APARTMENT 3101 - THE KITCHEN

HER

( chuckling )
How'd you sleep

ME

( Smiling )
I slept pretty well.

ME

Do you have any plans for today?

HER

YES actually...

SEVERAL HOURS LATER: APARTMENT 3101 - KITCHEN/BEDROOM AND LIVING ROOM

The sun is setting and she still hasn't packed her bags.

ME

When are you leaving?

She said she was leaving on Sunday

HER

In 30.

ME

(I tried to not crack in front of her)
Cool.


APARTMENT 3101

About 2 weeks later she surprisingly pitches at my door with her luggage.

HER
I'm moving in with you!

I was excited at the fact that she was moving in with me but I obviously tried acting cool and composed.

CUT TO: WOLVES CAFE

As they're sitting there talking to each other about their families, Osho and meditation over a cup of tea.

ME

I was adopted.

HER

WOW - That's a huge plot twist.

She sat there speechless for about 2 minutes trying to fathom the knowledge I just presented to her.

HER

So do you ever think about your real parents?

ME

All the time - they both died in a car accident when I was 3.

HER

I'm so sorry.

ME

It's okay - I mean I know they're somewhere out there in the universe checking up on me. I speak to them when I feel lonely.

Enough about my tragic past..How are your parents?

I've never told any other soul about my parents before. She was the first person I ever told .

HER

I never knew my dad but my mom has been living with a brain tumour for like 2 years now.

ME

Wow. That's must've been so tough for you when you found out about it.

HER

It was. I went through the most vicious cycle of depression for an entire year. But I'm trying to make most of the time I have left with her.

ME

How much time do you have left to see her her and stuff ?

HER

(She starts tearing up)
3 months

CUT TO: APARTMENT 3101 - LIVING ROOM

I'm still fascinated by the fact that she's into Osho, existentialism, metaphysics and epistemology. But I also felt like our relationship had escalated so quickly. We're we rushing things? The relationship felt like it was moving at the speed of light.

ME

Do you feel like we're moving too fast ?

HER

There's no such thing, if it's meant to be it will be, whether fast or slow as long as it's true, it will last as long as you want it to.

I was momentarily tongue-tied as I was trying to digest the words she just said.

ME

......

(Still voiceless)

She still had a lot more to say after that

CUES : "rants"

But in that entire rant she said something that echoed within me.

HER

YOU KNOW I MAKE YOU HAPPY

After she said this I felt like fainting. So not only did she make me voiceless I was overwhelmed by an ocean of indescribable emotions- wow

DAYS LATER: APARTMENT 3101 - KITCHEN

I'd finally recovered from those powerful words she preached to me. So I found myself sitting in the kitchen trying to write a letter to her about how I really felt. I wasn't the best at expressing my emotions through writing but I gave it a shot.

ME

Love is the unforetold explanation for creation. Love is life. It's the merger of minds. The marriage of minds. It transcends through time, it's timeless. It takes you into a dimension filled with possibilities and opportunities. It helps you understand you are that you are not worthless. Every time I am with you I understand we are here for a reason. And every time I stare into your eyes. I realise that you are mine.  

I sealed it an envelope and put it on the kitchen counter.

LATER ON THAT DAY:

She opens the letter and starts crying.

CUT TO: THE TREEHOUSE

I introduce her to some of the guys in the treehouse. They welcomed her to the treehouse with open arms.

HER

So what do you guys do in the treehouse?

PAUL : (one of the guys part of the treehouse)

Well in the treehouse we just try to expand. We write, make music, poetry, nothing much really.

MCDONALDS DRIVE- THRU

She was to lazy to go home and cook supper she was s bit hypocritical cause she said we should stop buying junk food. So we decided to go to McDonald's. We were down to our last packet of 2 minute noodles anyway.


CUT TO: HOSPITAL

We went to visit her mother. She introduced me but there was no warmth in the hug we shared. I could feel her shrill body disintegrating. She was really cold. You could see she was dying.

HER

How've you been mom ?

MOM

She couldn't even speak properly. It was sad but when she eventually managed to responded to Ellie's question.

MOM

I'm still fighting but I don't know if I can do this for much longer.

HER

No mum you can't leave me.

MOM

I don't want to make you empty promises my child.

Who's this handsome young man Ellie?

HER

(Smiling heavily)
It's Tyler, my boyfriend

She just called me her boyfriend in front of her mom. She just put a label on our relationship. I thought it was completely platonic.

ME

Afternoon Mam. It's a pleasure to finally meet you.

I knew her name ( Stacy )  but in that moment I felt like a child in primary school - so I decided to be respectful and call her mam. I wasn't sure whether or not I should call her "Ellie's mom" or Stacy. It was just a tricky situation. So I opted for mam.

MOM

( smiling )
The pleasure is all mine Tyler.

She told me to come closer to her cause she wanted to whisper something into my ear.

MOM

Tyler I'm clearly dying as you can see. So I'm leaving with you an important task of ensuring that's my daughter remains happy at all times.Take care of her for me - please

ME

I'll take care of her - she's in safe hands.

MOM

That's the spirit Tyler. Can you give us a moment please Tyler.

HER

Just go down to the kiosk and get me a bottle of distilled water. Please.

(Tyler leaves the room)

MOM

I remember the first time you wrapped your tiny hand around my index finger , you had my soul laying on 3 cms of palm.

( Ellie interrupts )

HER

Mom don't do this , prolonging life is pure idiocy.

(she smiles as a tear rolls down her cheek )

Die so your soul can have its summer ,don't worry about my pain cause I'm really happy for you, your soul can finally taste true liberation, see my tears as autumn leaves falling from trees , I'm naked and all I can show you is the truest forms of love.

MOM

You're so beautiful because you're so true. Our connection has no equation my daughter, as I leave my body just know that my time with you transcends forever.

HER

Mother it's time for you to leave. Take a piece of my happiness, it's futile anyway and I have it in abundance but I shall be lost without you in body, I shall be found when I'm with you in soul.

MOM

Clarity comes with the last breath, as hatred and love become nothing, you are nothing and everything all at once, I'm happy for you have given it to me, tomorrow and yesterday no longer matter

(her heart stops beating and her souls goes home - heart rate monitor indicates her mom has just flat lined)

Ellie starts screaming. The nurses and doctors come sprinting in.


DOCTOR

NUURSE HAND ME THE DEFIBRILLATOR !!

HER

(in agonising pain and disbelief that her mother is dead she starts screaming)

SAVE MY MUM, PLEASE SHE CANT LEAVE ME !! YOU CANT LET HER DIE.

DOCTOR

Nurse get her out of here.

She's kicking and shoving the other nurses as she is being escorted out the room.

NURSE

Don't worry the doctors are doing all they can to save her.

Tyler comes back from the kiosk with the distilled water to find Ellie on the floor crying.

ME

What's wrong?

HER

( Her face goes pale )
She's gone ....

2 DAYS LATER: BACK AT 3101

Ellie has locked herself in my/our room. We haven't spoken to each other for like 2 weeks.

She finally decides to come out of the room.

HER

(Breaks down, again  )
It's her birthday today.

I've never seen her so broken and disfigured before. She's in pieces - distorted.

NARRATOR

Death is the door between two lives; one is left behind, one is waiting ahead. Death is the ultimate experience of this life - Osho

“Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha – misery. This life is death"

HER

I WONT CRUMBLE - IM A BIG GIRL NOW. MOMMA RAISED ME TO BE A STRONG WOMAN SO IM GONNA DO THAT.

She put up this facade as if nothing ever happened. She didn't allow herself to mourn the death of her mother. She was apathetic for the next 2 weeks.

This  was a tricky phase because she either woke up angry or sad. She just rampaged through the house, didn't attend lectures - she just left a trail of destruction wherever she went. I even have the scars to prove it.

A FEW WEEKS LATER: THE DEATH ORDEAL IS FINALLY OVER

She gained about 5 kilograms in that entire period. She just kept on stuffing her face with ice cream and chocolates

HER

Tyler thanks for being there in my moment of absolute depression.

ME

I thought you were never going to be able to get yourself out of that dark abyss you were trapped in.

AT THE BEACH

The sun is setting and the couple is walking along the sand enjoying each other's company.

ME

I've got something for you Ellie

( I hope she likes it )

HER

Yes?

ME

Close your eyes

(Takes out a heart shaped pediment from back pocket  and places it around her neck )

You can open your eyes now.

HER

(Smiling)
It's lovely, thank you

ME

(Smiling back)
I'm giving you my heart but not my soul.

HER

(Blushes)

ME

(In my head)
I'm giving her my heart she better not break it.

Have you ever had that feeling before in a relationship where you think you love the other person more than they love you. To the point where you'd even get their names tattooed onto your chest. Cause that's how I feel right now.

IN THE CAR:


I'm driving Ellie to the airport. OR Tambo in fact. I'm playing some Jamie ** but I quickly change it and play my favourite song Female Energy.

CUE "FEMALE ENERGY"

ME

You excited?

HER

Yes I'm really really excited for this.

ME

I'm really gonna miss you

HER

Me too.

Ellie was completing her mothers bucket list - so she had had to travel all the way to Tibet and learn Buddhism. Nothing much really she was leaving  for 2 months.


But little did Tyler know that this was going to be the last time he sees Ellie because her plane never landed in Tibet - the plane crashed and it sunk with no no one  surviving.

STILL IN THE CAR:

Ellie hands Tyler a letter

HER

Tyler please don't open this until you get home.

ME

(Smiling)
I'll try my best.


Car parks at drop and go zone at the airport. Tyler takes out Ellie's bag from the boot.

They hug and kiss

Ellie cries.

CUT TO : "APT 3101 - LIVING ROOM "

Tyler opens the letter.

CUE "ELLIES VOICE AND ON OUR SWEATERS "


It's funny how for someone who has been so used to being lonely, the second I grip onto something that seems real, my biggest fear is losing that grip - even though for the longest time ever I've become immune to the feeling of loneliness. The same way people become dependent on other beings, people can become dependent on loneliness too - you become immune to self reassurance, your insecurities, your vulnerability and after a while it seems ideal and okay, but only because it's all you've got. You allow yourself to be consumed by this self indulgent energy making you think you don't need anybody because how else do you get by when you know that you have nobody. So when someone comes creeping in through the front door, with nothing but good intentions - you shut them out because you've lost sight of the difference in the realness of someone coming through the front door and the fakeness of someone coming through the backdoor. I struggle to fathom your presence because I didn't see you coming, through any door, you were just always there in plain sight. I don't know how to describe what I feel when I'm around you because I have never felt anything like it. All I know is that it leaves me in a place
An incomplete screenplay.
A Jun 2011
I want to grow old with you.
I want to wake you up
     in the middle of the night
     just to make sure you're okay.
I want to sit on the porch
     a glass of lemonade in hand
     and talk about all those old times.
I want to watch as our hair goes grey
     as our faces become lined
     and orthopedic shoes come into our fashion.
But for now we are not so old
     and all we have is now
     with no guarantee of a future.
In this moment under a tree
     we wish that today will turn into tomorrow
     and those days stretch into years.
For I want to grow old with you
     and live out our tomorrows together
     until we run out.
TinyATuin Feb 2016
Drowning in the sea of red
cartridges stuck inside her head
singing to the pigeon man
about all the stars again
how they crunch under her toes
there she goes

She dines by the candlelight
golden beetles lined with blight
in her velvet dressing room
withered flowers in full bloom

Drowning in the sea of red
cartridges stuck inside her head
singing to the pigeon man
about the dawn once again
how the curtain rises low
on last show

Cigarettes in the first row
burning slow
Rustling of the stolen feathers
burning slow
City shining through the smoke
*burning slow
Steampunk (sort of) song written for my brother
Raghu Menon Jul 2015
Large and wide
Deep and Cool
Filled with the purest water inside
It was our village's hallmark pool..

Stone lined walls on all sides
WIth steps going down to the water
And stones for washing clothes
Which also doubled for scrubbing our feet..


Live with fish and water snakes
Who were friends with us kids,
Frogs who would sing chorus during the rains
and ferns green and bright on the walls.

With overhanging trees on the banks
We came running and dived into the water
somersaulted and torpedoed
and swam in all fashions and styles...


Swimming and diving from the banks
We played "catch me if you can"
from the time we are back from schools
Till it is dark and when calls come from our homes.

With swollen finger tips
and red eyes, but
After the long swim and bath
Having dinner right away and
slipping into a good night's sleep...

Days where there were no TVs to watch
Days where there no homeworks to be done
Days where what mattered most were friends
Days which take us to the sweet childhood..

Gone is the pride of our village
there are no kids who play in the water
For there is no water in the pond
except for a few months during the rains

Kids are no longer kids
They have TV to watch
Phone and computers to play
Virtual friends to play with

Lucky we were
to have such beautiful childhoods
Such memorable friendships
Such adventurous rainy seasons
....
Nat Lipstadt Dec 2013
In my real life,
not a poet,
just an astronomer,
an observer of
universes, bodies,
places, faces,
visited, discovered,
named and oft,
best forgot.

I observe:

Some never find true love.
Some never fly first class.
Some of us
never see the
South of France.

Some of us wear
hand-me-down pants,
white lined creases when “let down,”
mocked, we never forgive ourselves
the shame of it.

Some never experience
reckless abandon.

Yet, some of us are
recklessly abandoned,
and never forget,
and never forgive.

Some of us lose
children, husbands,
avanti nel tempo,
before their time,
and
the anger is
forever, palpable,
costly.

Some of us
were raised by
someone else's parents,
and never rest easy,
the abandoned taste
always nearby,
a cruel living, breathing
teasing wasting

Some we can pass over
with ease,
as new tissue grows,
those cuts marked -
emotionally healed.

But the ones that scar,
the ones that visible scar
permanent reddened,
are the
holocaust deniers
that there is a real
promised land of
peace of mind.

Peace of mind -
not even for a second,
foretold but
unrealized,
a biblical myth,
a promised land,
a capitalist paradisal hoax.


Some never feel
public victory,
adulation, adoration,
always wearing the T-shirt labeled
Property of Someone Else.

Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
consists
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive.

We are not digitalized,
nonetheless,
we are
but digits,
our faces hidden, and
in no one's heart book
are we recorded,
friended,
yet our viewing habits,
purchases, secret sites
are enumerated, captured.

Some of us live
exclusively
in the real life,
never to escape to the
province of Wifi,
in the landscape
of the electronic mind,
an option for which
we are
untrained.

Perhaps sanctity of separation,
safety of text, email,
avec the ******* intrusion
of tweets are
the real life today,
games are always won,
and what we don't enjoy,
we just delete away

But In My Real Life
getting up is trying,
IMRL,
the trying is trying,
IMRL,
delete buttons don't exist      
in the keyboard
of our brains,
IMRL,
all we have is a
measly twenty six aleph bets
to find new ways to say
that living is striving and
what we feel is
oh so real,
not digital

IMRL,
when I laugh out loud,
the neighbors
beat the walls,
complainants,
registering their feelings
in my face,
in my book,
so to speak.

IMRL,
I got a friend,
maybe two,
all I need,
voices to help soften
the 400 blows of RL.

Their synthesized silence
of their breathing
on the phone
is precious unto me.

IRL,
limp from Friday
night to
Friday
night,
a bottle of Medoc
my weekend reward,
my bedrock cushion
in order to sleep.

After all these years,
gains and losses,
conversations with God,
I look up,
see the risk,
the slightest breeze
is a
hurricane wind.

The shaft,
of the
the sword
hanging above me
the hilt,
swaying in living color,
is no legend.

But what I have is
the ability
and maybe
the responsibility
to let anyone know
that
in my real life
anyone who touches me
with fine and good intent,
a momentary glancing blow
or a gunshot to the ventricle,
is part and parcel of
my real life.

This makes you real too,
savior, and hereby notified,
that you are not
just an observer, but
a poet of me,
an astronomer of my heart,
and namer of
a secret universe
inside of me.


Sept. 1, 2010

_____________________________
US Army jargon: meals ready to eat
nine  years ago I wrote like this.
As a bathtub lined with white porcelain,
When the hot water gives out or goes tepid,
So is the slow cooling of our chivalrous passion,
O my much praised but-not-altogether-satisfactory lady.

— The End —