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"limply" poems
Listen, I've got guilt choking all of my good juju. I’m sorry I told you we’d hang out just so I could come over to watch Breaking Bad. You know I need that weekly crystalbluepersuasion. I’m sorry I didn't sit on the porch steps with you afterward while you had your evening cigarette. (I could have done that at least.) I imagined you sitting there watching me drive down the street & out of your sight— a lit cigarette hung limply from your lips. I felt your disappointment & I cursed my mother for teaching me to have such a sharp sense of empathy. I know I’ll never be badass enough not to care. I realize I was born to give one too many ***** I've learned to accept it as my incessant character flaw. (It could be worse.) Although, I have to be honest, I get my kicks entertaining the notion that for one evening I was the one that got away.
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Aug 19, 2013
Aug 19, 2013 at 1:54 PM UTC
breaking bad ***** call
what i cant understand is how people can write poetry about the flowers or the sunshine it just seems so irrelevant when there are so many more beautiful things to write about like your dainty, thin, long fingers and the way your lips emit a tiny bit of air when you pronounce ‘th’ words your towering, awkward, bony body loosely, limply entwined in mine that make up your gentle, comforting hugs how melodic your voice is, almost lulling me to sleep your contagious, animated smile how you write as if embroidering the pages gracefully, an art and the words float mid-lines reflecting how your thoughts float among the clouds doolally detonations of enigmatic pure excitement   over the most extraneous of matters your eyes, the captivating bluish-steel of a mid-winter night sky their flare, and the way they light up when you maunder lovingly of such passions alas perhaps, poetry about plants or the weather are just as beautiful but i would not know for even the planet, and nature and sheer beauty of life seems pale in prejudiced comparison to your radiance and how bright you make my insides feel
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Mar 11, 2015
Mar 11, 2015 at 9:15 PM UTC
Bias Among The Tulips
Your hand rests limply Across my waist A cacophony of thoughts Our hearts beat at different rates We search for the light Like dusty moths Floating broken And drifting off On top of the sheets Listening to the world outside I traced the features of your face With my rough fingertips We gravitate towards happiness And do what's in our power To find the light that never goes out The light inside each other It is late and I've been dreaming So the string of thoughts is tangled But I think from now on I'll keep A lighter beside my candle.
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Jul 10, 2014
Jul 10, 2014 at 7:25 AM UTC
Moth
I'd last about an hour as a clerk inside a store invariably I'd shoot my mouth off about someone's daughter dressing  like a ***** or making comments about the dreadful things  consumed which would include a good 99% of the people in the room I'd eventually end up getting my lights punched  out after  *********  someone as  a fat ***  undiscerning lout or cracking  some aside regarding what comprises that crud and making faces of revulsion "you'd be better off eating mud" ewwwww, you really eat that stuff? this store should be sued for selling such bluff children with diabetes, a third of adults obese the courtesy clerk dies a little  for lack of surcease line after line of vapid consumers mindless knee-jerk impetuosity belay the rumors what's an adulterant, what's a filler? propylene glycol alginate, yum yum sorbitan mono sterate, shut up and eat it, its fun! I can't even pronounce it, much less do I  care need I be a scientist to enjoyably savor fare Go ahead and poison yourself the quirky clerk exclaimed its ever so clear you're stupid and lame stay mired in your pig-headed muck of  ignorance you're exactly what they want another brain dead consumer a regular culinary savant stuff  your face with no remorse nor heed no worries, the clerk of little courtesy knows your need he'll limply wheel  out your cart of miserable choices for you and wise-crack some snarky rejoinder then promptly get  beaten,  black and blue
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Sep 30, 2013
Sep 30, 2013 at 8:09 PM UTC
The Discourteous Courtesy (Quirk) Clerk
It was so vivid I could feel my chest compressing as I ran, crippled with sobs. The betrayal was a knife It was a furnace and my feet hurt as I flew across the city. When I punched out my bedroom window I could feel the glass separating my knuckles and I contemplated the destiny of the larger shards. I awoke as one resuscitated from drowning resuscitated from death gasping, shaking, reeling d e m a t e r i a l i z e d and began to cry as I performed yogic breathing exercises and went limply through the worn out motions to assuage heart attack symptoms. They know they know even follow me follow me when I'm asleep. My God.
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Jul 23, 2012
Jul 23, 2012 at 8:09 AM UTC
Generalized Anxiety Disorder
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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Oct 12, 2011
Oct 12, 2011 at 10:25 AM UTC
Succumbing to the Succubus
The dream haunts me often, far too often, building in intensity but is initially disguised in absurdity and the nonsense of a young man's lusts with an old man's deficits. This woman-like entity, ill-defined at first but forming voluptuously, emerges from swelling curtains. She moves, more levitates, toward my bed, buoyed by what I don't know, but angelic-like it would seem. Or perhaps an Aphrodite reincarnate? Oh this goddess, what pale skin, as Parian marble, full bosomed, jutting ******* ***** that beckon, nearly drool, and pursed red lips beaded with sweet juice stolen from the wild cherry tree beneath my window. Far too much clarity for a simple dream. But such a dream! And what seething testosterone I feel! I am become a hedonist, raging, pulsing spermatozoa, renewed of time and youthful energies. Nerve into nerve we join, ecstacy compounding ecstacy, bodies wantonly impaling the other on this love bed to the result that each cell of our individualities melds. We are indistinct, yes - as one, and any ****** impulse between us is shared to the point of utter exhaustion, depletion. I am nearly drained of life, it would seem. Then, as it always must, the scene changes, Act II. Inexplicably, shedding a ****** serpentine-like skin, she slings it away and drops limply upon me - entirely skeletal, dry cartilage, sinew, lifeless, sexless, motionless. The horror of a diabolical hollowness stares through me, and I am suspended, fully terrorized, in this paralysis. So, this is succumbing to the Succubus? God, my dear God, that I should never dream again! --
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51
Its sun-bleached pink parka Limply hung over slumped, thin shoulders Even in the summer twilight, Crinkles, stale newspapers and plastic bags Dissonance with the jarring Rattle of shopping cart wheels. Its rank malt liquor stench— Astringent ammonia sweat Runs in rancid rivulets down Decaying skin on decaying face. Pimples and pus and Meth-notched teeth. It offers a drink In exchange for change. My watch has never been more riveting.
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Jan 14, 2012
Jan 14, 2012 at 1:15 AM UTC
Animal of Liberty Park (REVISION)
It's just a bite, what harm could it do? It triggers a domino effect, because one bite invariably turns into two, and three, and four and all of a sudden you're eating. But you can't do that, because being skinny will make everything better. You look in the mirror, hoping to see ribs and spine and hip-bones. You stretch your skin farther over your bones, and watch the fat melt away. You are skinny, and you are indestructible. Nothing fits. You shop for new clothes but they sag in all the wrong places. Nothing pulls over your chest the way it used to, instead it hangs there limply. There are inches of extra fabric behind your thighs. Your hips used to be graceful and womanly, but now you look like a pre-pubescent child. Being skinny just isn't fun anymore. But you can't go back, because you remember times when you'd stand in front of dressing room mirrors and clothes would s t r e t c h over your stomach and hips and thighs and ******* Everything would be too tight in all the wrong places. It is either skinny or fat, never an in-between. You can never be "healthy" because that's fat too. And the food is still on your plate while all of this runs through your mind and it almost kills you, because it's JUST A BITE. but it isn't 'just' anything. it's a big deal. So you leave the bite behind and your stomach begs you for something, anything. And then you see the candy. The chips. The diet sodas. The protein bars. The brownies. The ice cream. The milkshakes. And suddenly you are out of control, eating it all at once and you can't stop. It goes in but it HAS TO COME OUT. So you lock yourself in the stall. You tickle the back of your throat with your pointer finger and it comes back. Purple, Orange, Blue. Unnatural colors that come from processed foods. Red, yellow, green. And you are empty again, crying on the bathroom floor with no one to save you.
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Feb 3, 2014
Feb 3, 2014 at 1:49 PM UTC
Skinny
It's just a bite, what harm could it do? It triggers a domino effect, because one bite invariably turns into two, and three, and four and all of a sudden you're eating. But you can't do that, because being skinny will make everything better. You look in the mirror, hoping to see ribs and spine and hip-bones. You stretch your skin farther over your bones, and watch the fat melt away. You are skinny, and you are indestructible. Nothing fits. You shop for new clothes but they sag in all the wrong places. Nothing pulls over your chest the way it used to, instead it hangs there limply. There are inches of extra fabric behind your thighs. Your hips used to be graceful and womanly, but now you look like a pre-pubescent child. Being skinny just isn't fun anymore. But you can't go back, because you remember times when you'd stand in front of dressing room mirrors and clothes would s t r e t c h over your stomach and hips and thighs and ******* Everything would be too tight in all the wrong places. It is either skinny or fat, never an in-between. You can never be "healthy" because that's fat too. And the food is still on your plate while all of this runs through your mind and it almost kills you, because it's JUST A BITE. but it isn't 'just' anything. it's a big deal. So you leave the bite behind and your stomach begs you for something, anything. And then you see the candy. The chips. The diet sodas. The protein bars. The brownies. The ice cream. The milkshakes. And suddenly you are out of control, eating it all at once and you can't stop. It goes in but it HAS TO COME OUT. So you lock yourself in the stall. You tickle the back of your throat with your pointer finger and it comes back. Purple, Orange, Blue. Unnatural colors that come from processed foods. Red, yellow, green. And you are empty again, crying on the bathroom floor with no one to save you.
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35
beyond the lighted city past the festive crowd beneath the melancholic halogen outside the shut doors and windows upon a lane paved with garbage amid an air stenched with ***** between two wooden wheels head resting on holed rexine arms limply down from heaven feet embracing the dirt sleeps another night from the ashes of day dreaming just enough to muscle another morn.
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Oct 22, 2015
Oct 22, 2015 at 12:14 PM UTC
Nights on a Rickshaw
**Dear Nat, When I grow up, I think that my Wonder Woman cape, that flys behind so gracefully, as I wrestle villains, intent upon World Destruction will morph into a ***** dish rag that hangs limply from my shoulder, as I tend too, mountains of folding and training of hysterical toddlers to be stable products in society Is what shape, this cape, marking me "all-grown-up'? Signed, Helen ~~~~~~~~~~~~~~~~~~~** Dear Wonder Woman, (Borrowing from and with apologies to Arthur Herzog Jr. and Billie Holiday...) This ball you tossed, Arrived early morn, Forcing me tocontemplate the choice between Shaving, and /or poetically, dispelling your Grand Confusion. Fancy that, as I pondered How to best express, The obvious reply, the BS&T; sang the answer Obviatin' the need, To discuss your heroics, The care, the feed, Those you care for, Attend their needs. *God bless the child that's got his own, God bless' the child who can stand up and say I've got my own Ev'ry child's, got to have his own, His very own.* I could  be more explicit, That when I was a child, A red dish cloth was a Perfectly good ASAP cape, That defeating bad guys Hungry work that needed Ring Dings + milk, to soothe a Superhero's Superman And both arrived courtesy of Wonder Mom. So rather than ramble, Let this preamble suffice: *God bless the child that's got his own, Wonder Woman* N.B.  This message has been approved by the Justice League of America, Australia Branch.
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Oct 10, 2013
Oct 10, 2013 at 12:20 PM UTC
Playing Catch with Wonder Woman
He wandered along the Pullman car As if he owned the train, And wore the badge of ‘Conductor’ and A whistle on a chain, He carried a block of tickets that Were printed differently, With various towns and places from The inland to the sea. He’d walk from behind the driver, from The front up to the back, His steps in time to the rhythm of The train, its clicketty-clack, He wouldn’t look at the passengers Unless their eyes were strained, But then would pause with his ticket block To see which ones remained. And then, as if he divined the stress Each passenger went through, He’d tear off one of the tickets, as He would, for me or you, And suddenly they’d be on a beach Or resting in some town, And making love to a red-haired ***** Just as the sun went down. The train continued its journey with Its steady clicketty-clack, The passenger sitting limply with His eyes, empty and black, While ever the train’s conductor walked Along the swaying aisle, Dispensing the tickets on the block For mile on endless mile. Then once at their destination he Would blow a single note, Using that tiny whistle hanging Chained down by his throat, And all of the passengers would wake, Their eyes no longer black, Marvelling at the dreams they’d had While travelling on that track. If ever you board that certain train Be sure to be aware, And look long at the conductor, As he walks; No, even stare! Then if he pauses in front of you Think where you’d like to be, And watch as he peels your ticket off, Your ride to ecstasy. David Lewis Paget
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Nov 18, 2016
Nov 18, 2016 at 4:29 PM UTC
The Conductor
He wandered along the Pullman car As if he owned the train, And wore the badge of ‘Conductor’ and A whistle on a chain, He carried a block of tickets that Were printed differently, With various towns and places from The inland to the sea. He’d walk from behind the driver, from The front up to the back, His steps in time to the rhythm of The train, its clicketty-clack, He wouldn’t look at the passengers Unless their eyes were strained, But then would pause with his ticket block To see which ones remained. And then, as if he divined the stress Each passenger went through, He’d tear off one of the tickets, as He would, for me or you, And suddenly they’d be on a beach Or resting in some town, And making love to a red-haired ***** Just as the sun went down. The train continued its journey with Its steady clicketty-clack, The passenger sitting limply with His eyes, empty and black, While ever the train’s conductor walked Along the swaying aisle, Dispensing the tickets on the block For mile on endless mile. Then once at their destination he Would blow a single note, Using that tiny whistle hanging Chained down by his throat, And all of the passengers would wake, Their eyes no longer black, Marvelling at the dreams they’d had While travelling on that track. If ever you board that certain train Be sure to be aware, And look long at the conductor, As he walks; No, even stare! Then if he pauses in front of you Think where you’d like to be, And watch as he peels your ticket off, Your ride to ecstasy. David Lewis Paget
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49
You tell me raise my hands and arms, Praise the lord, for he can save me. But; Limply they hang , wrists cocked down. I cannot lift my arms for I am sore from the past. You say, warmth is in sky! but gravity pulls the warm blood to my dormant fingers. The comfort is far more familiar. As the blood gathers in the tips that once held yours, I realize I will never move them. You told me; God doesn't approve of our love, you told me, God said I'm not the one. You expect me to raise my arms up to the so called God that took my circulation, my heart, and, soul? Drop me in water, examine if my arms move. Sinking.          Sinking..                        Sinking... Will you continue watch me drown to cover the truth you've use'd your religion, you used OUR God, as an excuse to no longer love me?
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Sep 26, 2013
Sep 26, 2013 at 9:40 PM UTC
Sore from the past
Behind a speakeasy in a ***** moonlit alley silhouettes climb up a tired and worn out stairway vacancy signboard beneath an incandescent light bulb marks the nondescript entrance for the nights commerce Outside the window ledge a billboard hums an electric tune between the blinds neon light sneaks into the room casting shadows on a naked landscape across the mattress spread totally disinterested pockmark flesh limply waiting Clumsy hands fumble to unzip stained denims hobbling with unsteady steps to the edge of the bed a drunk smelling of cheap whiskey and ***** smiles at me with two rows of rotted stumps my first customer of the night
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Jul 26, 2010
Jul 26, 2010 at 6:48 PM UTC
Night Walker
There isn't really any significance in our attempts The sweater's string is being pulled as we continue to knit But the string is unraveling and we are left only cold The pasta on our plate is nothing but an appealing fake So our bellies are empty and our shoulders are shivering We lay there limply as we are slowly wrapped in our own string Wrists and ankles bound by unfulfilled and color-coded dreams An S & M horror show in the sheets with life, us, & we Dancing like a jerky ballerina, eyes glazed over now We used to know how to walk and talk, but we've forgotten how So as puppets we are told that we are not cold nor hungry And that everything is fine and everything is as it seems So we smile, thinking our wooden houses can make us happy We don't notice that everything is painted the same color Or girls and boys look exactly like their fathers and mothers And we are just waiting to be piled onto the dead heap Of broken toys and broken dreams that sometimes plagues our deep sleep That feeling when you get really sad sometimes, that's what that is So cut your strings, and think some things, breathe out as human again The puppeteer has no time to hear of a few strings snapping He has his hands full keeping down the human spirit, you know? And when he's sleeping, cut off his fingers and his little toes I know you are worried because you are tiny and alone But he can't do anything if he has nothing to control If the blade is still ****** do not clean any of it off Use the blood and blade to cut the strings and soak their wood awash Wood stained red, breathe life again, their eyes light up with words unsaid And the lonely alabaster trees are swaying in the breeze Red streamers tied to the branches to signify what is free If only someone really had the courage to cut the strings *I could go for the gritty, teeth-biting, ****** anarchy.*
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May 6, 2013
May 6, 2013 at 11:14 AM UTC
Die Rot Aufstand (The Red Riot)
There isn't really any significance in our attempts The sweater's string is being pulled as we continue to knit But the string is unraveling and we are left only cold The pasta on our plate is nothing but an appealing fake So our bellies are empty and our shoulders are shivering We lay there limply as we are slowly wrapped in our own string Wrists and ankles bound by unfulfilled and color-coded dreams An S & M horror show in the sheets with life, us, & we Dancing like a jerky ballerina, eyes glazed over now We used to know how to walk and talk, but we've forgotten how So as puppets we are told that we are not cold nor hungry And that everything is fine and everything is as it seems So we smile, thinking our wooden houses can make us happy We don't notice that everything is painted the same color Or girls and boys look exactly like their fathers and mothers And we are just waiting to be piled onto the dead heap Of broken toys and broken dreams that sometimes plagues our deep sleep That feeling when you get really sad sometimes, that's what that is So cut your strings, and think some things, breathe out as human again The puppeteer has no time to hear of a few strings snapping He has his hands full keeping down the human spirit, you know? And when he's sleeping, cut off his fingers and his little toes I know you are worried because you are tiny and alone But he can't do anything if he has nothing to control If the blade is still ****** do not clean any of it off Use the blood and blade to cut the strings and soak their wood awash Wood stained red, breathe life again, their eyes light up with words unsaid And the lonely alabaster trees are swaying in the breeze Red streamers tied to the branches to signify what is free If only someone really had the courage to cut the strings *I could go for the gritty, teeth-biting, ****** anarchy.*
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31
She smiles at him as he enters A sign of affection reduced to a dim glow The way she bares her teeth these days Has turned more feral than feminine Her eyes are glazed, and no longer vocal A vacant gaze, without love or pain Silent at last, dead screams of disapproval Disgorge their own spirits, which soon evaporate And as they burn in wretched silence All is swallowed by a swirling void Shades of crimson defile her ****** grin As she stares limply, lifeless and broken This cul de sac This neighborhood This city of sins and secrets, No place worth mention, And no place for a Lover's Heart.
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Oct 7, 2014
Oct 7, 2014 at 2:50 PM UTC
Dahlia
A small gust of air and then a flash of rainbow A dragonfly My thoughts wander Why are they compared To  majestic Creatures of lore When they are no longer Than my shortest finger? I shake my head It is hard to stay focused In this hot muggy air. My fishing rod hangs limply Over the unnervingly Clear pond My eyes drift over To a patch of water lilies Their petals droop in the hot muggy air I see their roots And recall how easy it is to pull one up and out Stirring up the pond floor In a flurry of mud I sigh and lean back, The old dock creaking Taking special care To avoid splinters From the brittle wood My feet- Are the only cool part of me. A drop of sweat Snakes down my leg And with a soft sound Drops down To join the rest of the water. I am growing impatient. The fish and I Have something in common We are lazy in the heat.
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Jun 4, 2016
Jun 4, 2016 at 5:12 PM UTC
Seneca Lake
Beat. Numb. Limply still. Look at what you've done. A spirit; broken.
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Aug 21, 2012
Aug 21, 2012 at 9:19 PM UTC
Domestic Violence
Your once hot-chocolate eyes are now A cold vortex Surrounded by ashen skin and The moon's craters. Your fragile heart skips another beat Your breaths are limited I can no longer be the anchor of your dying soul. I study your face, full of sadness and beauty Well worn wrinkles Dimples deep enough to catch raindrops Eyelashes, a cradle for snowflakes. Soft tufts of faded sun-kissed curls lie limply across your forehead. Your arid lips part as you draw in a shaky breath. Like quicksand you slip through Split seconds. Do not fear my love, Do not fight... It's time to let go, but tonight, you will not need your wings to fly.
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Sep 30, 2014
Sep 30, 2014 at 11:45 AM UTC
Beautiful Sadness
Hanging from your words Like Jon Wayne Gacy Over the concrete slabs of Babylon. The women and children gather in the square To celebrate the suicide of a totalitarian. We've seen it before, but this time In your arms It will never repeat. Endtimes. Nagasaki. Why can't we lie here until paralyzed? Let's just stay here until it's televised As a sit-down strike against stars undefined Communism capitalized, now I can die. Living is over-rated I want to get lost In your chest. I want nothing more than To be crushed Slowly By the force of your thighs. Lost in the raspberry tinge of a sigh Swimming til drowning, til choking alive Treading blood limply, floating inside Dead in the river of your bloodstream. Taken by rapids To disintegrate In your eyes.
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Aug 10, 2010
Aug 10, 2010 at 12:01 PM UTC
To Become Your Vitals
The skies hung heavy and black, casting a somber mood over the world below. It was as if the heavens themselves were burdened with the weight of yesterday's sorrows. The fields, once vibrant and alive, now wore a grey smile, a reflection of the tears shed in days gone by. As night fell, the symphony of crickets filled the air, their chorus echoing through the stillness. It was a quiet night, interrupted only by the gentle handover of the sun to the moon. The air carried a pleasant scent of dew, a reminder of the rest that awaited all living things. And amidst it all, the tiny footsteps of rain danced upon the asbestos roofing, a thief of nature sneaking into the sounds of peace. In the midst of this atmospheric symphony, a wooden kitchen door ticked with the passage of time. It creaked open and closed, its rusted iron hinges adding to the melody. The door seemed hinged in thought, attached by fears and darkness. It formed a latch, and night became its key, locking away the light and welcoming the shadows. As I stood there, my feet grew cold, chilled by the ice-like glass of my fragile character. A towel hung limply from the handle of the cupboard, a silent witness to my dry mouth and the skeletons of my past that haunted me, beyond my control. But amidst the darkness, comfort found its way to my side, persistently offering solace. It was a visitor, never truly staying, but always there when I needed it. In my mind, I set up a spare room, a sanctuary for fleeting moments of respite. And in those rare moments, a sparing thought would gently grace my mind, offering a glimmer of hope. Yet, even in the midst of this fragile peace, a shadow lurked behind me. She knew my name, intimately aware of the battles I fought within myself. The empty room, once a sanctuary, grew heavy with the weight of my inner demons. Like a fallen angel, I descended into the depths of my own despair, the falling rain mirroring the tears that stained my soul. And in a whisper, a secret was revealed in my ear: depression, depression, depression. And so, my depressing thoughts found me once again, enveloping me in their suffocating embrace. The world around me faded into the background as I became lost in the labyrinth of my own mind.
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Oct 21, 2023
Oct 21, 2023 at 1:58 PM UTC
Trapped
The skies hung heavy and black, casting a somber mood over the world below. It was as if the heavens themselves were burdened with the weight of yesterday's sorrows. The fields, once vibrant and alive, now wore a grey smile, a reflection of the tears shed in days gone by. As night fell, the symphony of crickets filled the air, their chorus echoing through the stillness. It was a quiet night, interrupted only by the gentle handover of the sun to the moon. The air carried a pleasant scent of dew, a reminder of the rest that awaited all living things. And amidst it all, the tiny footsteps of rain danced upon the asbestos roofing, a thief of nature sneaking into the sounds of peace. In the midst of this atmospheric symphony, a wooden kitchen door ticked with the passage of time. It creaked open and closed, its rusted iron hinges adding to the melody. The door seemed hinged in thought, attached by fears and darkness. It formed a latch, and night became its key, locking away the light and welcoming the shadows. As I stood there, my feet grew cold, chilled by the ice-like glass of my fragile character. A towel hung limply from the handle of the cupboard, a silent witness to my dry mouth and the skeletons of my past that haunted me, beyond my control. But amidst the darkness, comfort found its way to my side, persistently offering solace. It was a visitor, never truly staying, but always there when I needed it. In my mind, I set up a spare room, a sanctuary for fleeting moments of respite. And in those rare moments, a sparing thought would gently grace my mind, offering a glimmer of hope. Yet, even in the midst of this fragile peace, a shadow lurked behind me. She knew my name, intimately aware of the battles I fought within myself. The empty room, once a sanctuary, grew heavy with the weight of my inner demons. Like a fallen angel, I descended into the depths of my own despair, the falling rain mirroring the tears that stained my soul. And in a whisper, a secret was revealed in my ear: depression, depression, depression. And so, my depressing thoughts found me once again, enveloping me in their suffocating embrace. The world around me faded into the background as I became lost in the labyrinth of my own mind.
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51
i am terribly sorry for this horrifying sight you see, for the caretaker has recently joined the residents and the grass has almost no manners at all. i am also terribly sorry for this deafening silence you hear, for everyone is either lonely or sad and no one bothers to speak or sing. everything here has been reduced to dust, and just let this be at the back of your mind―everywhere you step there is someone underneath. repeat after me: This Is Not A Pun. i remember telling you about how no one ever noticed me or gave me attention but you silenced me with a withering glare and a no-one-cares-about-you lecture. it’s kind of funny each time i think about it, because i still stay by your side desperately inhaling all your methane filled words. if you’re looking for warmth and happiness then you’ve knocked the wrong door, because over here i have seen more regrets than in prisons; more tears than in hospitals; more bruises than in kindergartens. the stars in the night skies here hang limply on their hinges and there is nothing romantic in the way someone appears holding a bouquet of flowers. here is a girl with cherry blossom veins on her wrists, and there is a man with breath like the stinging October wind. everyone is a puzzle piece except that there is no picture to form, and we are all connected by intangible threads. in the most poetic way, everyone here is part of a poem, some rhyming, some free verse, except that there is no end to this poem―new additions. every month, a new spot. under the tree; next to the bench; these are the souls of people who scrape their knees in the empty forest but want to be helped up, an- OH, by the way, if you hear whispers and see movement from under the leaves, it’s not a hallucination. What? Didn’t I tell you? Welcome to The Cemetery.
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Oct 3, 2013
Oct 3, 2013 at 9:41 AM UTC
The Cemetry
i am terribly sorry for this horrifying sight you see, for the caretaker has recently joined the residents and the grass has almost no manners at all. i am also terribly sorry for this deafening silence you hear, for everyone is either lonely or sad and no one bothers to speak or sing. everything here has been reduced to dust, and just let this be at the back of your mind―everywhere you step there is someone underneath. repeat after me: This Is Not A Pun. i remember telling you about how no one ever noticed me or gave me attention but you silenced me with a withering glare and a no-one-cares-about-you lecture. it’s kind of funny each time i think about it, because i still stay by your side desperately inhaling all your methane filled words. if you’re looking for warmth and happiness then you’ve knocked the wrong door, because over here i have seen more regrets than in prisons; more tears than in hospitals; more bruises than in kindergartens. the stars in the night skies here hang limply on their hinges and there is nothing romantic in the way someone appears holding a bouquet of flowers. here is a girl with cherry blossom veins on her wrists, and there is a man with breath like the stinging October wind. everyone is a puzzle piece except that there is no picture to form, and we are all connected by intangible threads. in the most poetic way, everyone here is part of a poem, some rhyming, some free verse, except that there is no end to this poem―new additions. every month, a new spot. under the tree; next to the bench; these are the souls of people who scrape their knees in the empty forest but want to be helped up, an- OH, by the way, if you hear whispers and see movement from under the leaves, it’s not a hallucination. What? Didn’t I tell you? Welcome to The Cemetery.
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i lay on this bed like a daisy smashed by a rubber tire limply peaceful but crushed all the same.
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Mar 24, 2013
Mar 24, 2013 at 5:09 PM UTC
how the gingerbread cookie crumbles
your name i hear it and i feel volcanic it sets me off like a cannon and i feel like a gunshot it triggers me triggers me triggers me triggers triggers triggers-- i close my eyes when i hear your name and my mind is filled with black pain i feel like a ghost sometimes: floating limply through the motions of living but existing somewhere else people talk around me but i hear numbness your name is a fire in my heart and it burns so brightly that it blinds me and i love it, i do i love feeling the flames of your incredibleness scorch my insides, hurt me and make me proud being with you was better than heaven and now i am not we were two sinners that found each other in a world of pain and wove a cocoon of false paradise your name is on the tip of my tongue every waking moment and when i speak it, i erupt loss is not foreign to me i'm the smallest scrap of a ripped family picture and i'm torn maybe i romanticize (there's no maybe) but i love you and i feel your name shatter my soul when i hear it, a beautiful melody fallen flat on deaf, ghostly ears i shiver you were my understander, my heart and i live my life as a prayer to you always
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May 18, 2016
May 18, 2016 at 9:14 AM UTC
reasons
I do not miss you in moments, But rather the lingering space that lies in between them: The soft "nn" sound preceding "one mississippi" Falls stagnant as I attempt to count out measurements of my grief. Your presence is too large to be condensed into the language of time, Hours and minutes limply droop over each other, Until nothing is certain besides your existence. Two mississippi, three mississippi, I slowly drag out the syllables in a subtle defiance to your untimely exit. Your time isn't yet over, I've kept you alive, Pushing air into your crumpled lungs by counting sheep. The moments in which you fell are recycled here, Like stale air in a small cement cell, They propel my time forward the same way they stopped yours. I do not miss you during desperate sentences full of almost there prose, But instead during the white space that runs between each line. Four mississippi, five mississippi.
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Jan 18, 2013
Jan 18, 2013 at 5:25 PM UTC
Counting sheep
The sky wept blood red tears Onto the parched landscape Forgotten apparel Sway limply in the dead draft Ruby Dust settles on neglected items Lifeless items A monster approaches Ready to swallow the world And crush it with crimson teeth Red Fingers as gentle as feathers Yet ready to suffocate With strength of a thousand tigers Armageddon is approaching Death will be brought unto all
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Jun 15, 2015
Jun 15, 2015 at 6:36 PM UTC
Drysdale: Red landscape