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Anna B Oct 2015
"Tomorrow you will be alright"
I comforted myself a near midnight.
Dragging the towel, moist from the sink
under my lower lids, I did never blink.

Makeup and water or makeup and tears
some may never now, as I
that lonesome, quite autumn night*
Though I lastly found with my poorly sight
that under my lids there were, well how to describe?
- I lowered the towel and looked even twice
Nothing as makeup were pouring down my eyes
but a still, matte
constant.


Sorrow

Now what about tomorrow?
I blinked and I shrank as I lowered my head in the sink.
Oh but never were I capable of washing off ink.
*referring to my poem "midnight dew".
Poetic T Feb 2017
Eyelids descend like a guillotine,
decapitating the visual stimuli
my mind engrosses upon in daylight.

Then there is a numbness as the
cascading representations of my
day are all rendered darkened silence.

*"My day is colour, my dreams are black and white,
Tay Jul 2016
It's called anxiety.
Sometimes, I can pay attention to you.
Sometimes, I can't.
Some days are better than other ones.
But the others,
Well, the other ones look a little like trains Going a little too fast for their tracks
Like clocks that break their glass fronts
And cartoon characters with smoke
Coming from their heels when they run
Running faster than the 60 seconds a minute allows
It is my body moving too fast for me to Catch my breath but I'm just sitting at my Desk tapping my pencil and I can feel the Teacher drilling holes into the back of my
Skull
I know the God-awful sound is killing her
But it is keeping me from going insane
It is chewing away the insides of my Cheeks
And scratching at my forehead
Looking for answers
But always coming up with hungry hands
It's hearing white noise
And glass shattering
And candles flickering
I know I should not be hearing a candle
Dance
But I do
It's just me spinning out of control
I know you've noticed I'm no longer using Punctuation but this is how I always feel
This is how my mind is
It is always racing
My foot swings back and forth like
Poe's Pit and the Pendulum swinging faster and faster towards my chest and it's Always on fire
My hands fumble with puzzle pieces
Because I identify with the one that's
Always missing
It is being lonely in the hands of someone
Who loves me
I feel his calloused hands hollowly like I
Don't have a right to them
It is wanting to scream to the hooded
Figure in the door "I'm scared" but it
Coming out as an inaudible crack in my
Voice
I find solace in the cracks between tile
I'm looking at my reflection in black Screens wishing I could just pick myself Up
From the bottom of orange bottles with
Safety-***** lids
A doctor once told me one day I would be
Okay
But one day seems to be miles and
Years away
I've shrunk to the size of a stick
My bones jutting out every which way
Paper-thin and too many words to fill the
Hole in my confidence a man once bore Into me
My hands shake when I step into a church
Like I've done something wrong
My mind goes over every event up until
Now wondering why my hands shake and
My chest drops below the floor
Grandmother tells me I will go to hell if I Do not act right and my mother tells me it Is
All in my head
But again a doctor gave me
An orange bottle with thirty tiny white pills And told me one day everything Would be
Okay.
I just want it to be okay.
My mind is always racing like the way "Normal"
Ones do before taking a test not studied for.
I'm sure you will consider this an episode
Of marked depression, but this monster is Anxiety.
Sometimes I can pay attention to you.
Other times I can't because of this
Infinitely.
Running.
Mind.
Evynne Aug 2013
There is a longing you feel
To know the whole universe
All of its secrets
All of its flaws
Everything
You think about it and wonder if it feels light or heavy
Or maybe even a paradoxical combination of both
But you will never know
Because you do not realize that you are the entire universe
You are all of its flaws
All of its beauties
All of its secrets, all of its wisdom
You are everything and everything is you
You are forever
And you need to be loved
Just as everything and everyone else needs love to survive

Look at the clouds above your home
Notice the way water forms differently on every single surface
Muster every single detail
Increase your awareness
And you will soon discover the secrets of the universe
And if you are feeling sad and quiet turn to your soul and acknowledge your humanness
Love your human nature
Realize it is precious and valuable
You do this and you will feel the soft and kind hand of the universe on your shoulder
You will feel its presence within you
And you'll look down at yourself laying and feeling hurt and hopeless
Slowly holding on to old feelings and new times
You will realize it is time to leave
So you go and you write as you feel that familiar ache all over your body
Resonating from deep within every single corner of your heart and soul

You glance outside of your window and see the green of the trees and revel in their magnificence and beauty
And in that moment you realize how immaculate existence is
So you take a deep breath as you take it all in
Your thoughts are very much alive and pulsating
And your arms tingle and your soul emits strong and powerful waves of unadulterated passion from within
Joy waits at your fingertips as you reach softly
You constantly taste past times of pain and hurt on your tongue
Violently brushing your teeth every night in hopes it will go away
But it is always there and may go away at times but it always comes back
A constant reminder of who you are and what you have come from

Sometimes when you walk your feet feel old and you think about how you haven't even lived an entire lifetime yet so how on earth can you feel so tired?
You wonder when you will actually stop waiting
When a strong ocean wind will knock you over
Cold and hard
And you'll gaze ahead of you with bleary eyes
Your head still in a state of shock
And you'll come closer and closer to the reason that was dug out from the deepest part of your insides
Until everything feels soft and you can stand again
And you'll look to the sky and forget all of the pain
And a small touch of hope will be born upon a tiny spot on the surface of your heart
Beating hard and lovely and powerful

You think of the rain and how it falls completely
You think about how you exist and how it is okay there is no more innocence and just as much loneliness
You realize you've got to keep your dreams alive
You are thinking quietly
Your thoughts are kissing the walls of your mind carefully
"Oh, how beautiful it is to be alive and aware!"
You say in your head
And you wish to meet your perfect heart in the stars
And feel all of the care and warmth as certain waves of truth and ardor crash into you
A tree of sure sadness looks down upon you
Saying you are clean and new and beautiful
And that
It is okay if you do not spend the majority of your days feeling sad and lost and lonely
Until a quiet reverie born from stardust clouds your mind
You feel the secret tingling on the outer parts of your mouth
And things are better and you feel closer
You are no longer searching
And words have always been a dear friend
You are able to realize that now
You used to be broken
For a long, long time
So of course it is going to be extremely difficult getting used to life without being broken beyond repair
A part of you will always be broken
You know that and you are okay with it
Finally you embrace it
There is an ease and comfort with the going of sorrow
And you wonder
How it can feel so wonderful when your bones are free and you feel happy in the deepest part of you
Because really, what are you doing?
WHAT ARE YOU DOING???
You are living and that is all
You are embracing life and all that you feel and it is okay and when it comes down to it, you really do love it
But sometimes your mind refuses to hear that
It shuts itself off from everything and all you can do is guess for why it happens like this
So you take those two horrid
But so essential
White pills
And you sleep and sleep
Never awakening until your alarm sounds
And your lids open
And your lips bring in fresh air to your lungs
Your mind and your heart are engulfed in peace and never are they apart
Together they are one with your soul
The sunlight starts to kiss your face and you start to think about the years you have been living
And how the voice inside of you has changed over those years and the ways it has touched your life

So here you are listening to music
Lonely and sweet
With a strange feeling in your chest as your stomach rests lightly on the surface of your bed
Barely moving, your hand somehow knows how to write without your mind really thinking
You have always held your pen tightly and a lot of great and loving and bright words are capable of surfacing
Maybe differently than before
But even so
Your veins still continuously pump blood throughout your body

You get up out of bed and stagger into your bathroom where you stare into the mirror and know you are supposed to see yourself staring right back but really
You see nothing
All the while knowing your face is sober looking
And your skin is browned and soothing with the beauty of summer's presence hard and golden on your surface
Feeling crazy, your eyes are locked to a spot consisting of nothingness
Void of any control
In a realm that is almost reaching fantasy
Tingling and alluring
So you look for the window
But then it is gone and you feel an aching that gets stronger as the walls close in on you
And you notice the kisses full of blood that set the earth on fire
And you breathe with fear as death sits on your windowsill
Should you reach for it or push it away?
To die or to help this weak and troublesome girl who is far too used to living in darkness and not only asks for but needs trust?

The leaves on the trees don't stay dead forever
Open your mind and your heart and drift away
Far, far away
Your soul lives and exists in every realm of consciousness
You are safe
Even as your secrets build like smoke
Like wandering rays beating down strong upon you
Conquering your emptiness instead of all of the happy thoughts that reside and are inevitably known and lovely and consisting of everything except for unwanted goodbyes
Your heart shines on what it needs
Easy and lovely
And mostly, it has it
Your heart is the sun that shines on his face and makes his own heart race in perfect synchronization with yours
He is something you take like black coffee or straight whiskey because it needs nothing more than what it is
Everything it is
Is enough and beautiful and enticing because of that
But their strength is the most admirable
The sunshine gets stronger throughout the day just as one gets stronger throughout their own life
Accumulating more and more understanding as certain parts are more inviting than others
And still, others escape stability and their reflections whisper on your flesh and send a sense of desire across your cheeks until they reach the middle of your being and are forgotten

You have come close to death many times before
But now it is distant
So you close your eyes as you lie on the itchy, flat floor of your room
And imagine all of those and all of which you have met in the darkness
Staring very surely at nothing in particular
The sound of your heartbeat grows quiet
Changing the bad into nothing but tugging memories
Making you leave true despair behind as you not only grasp, but accept, the endless tears on the sand

Your mind is wandering
Walking to places both near and far
Trying to piece together the point and meaning of past lovers
But that doesn't really matter because nature fully forces you to not only imagine
But realize
The beauty and point of the present that is filled with growing wisdom
So you sit with your back against the wall
And your stomach burns with purpose slightly surrounding nature and the moonlight
And bliss surfaces like cigarette smoke floating then disappearing but still always present in the air around you
And you understand the ruined and intense thoughts of your past and the blessings they have brought
And the pressure you feel on your heart as you admire the luster of the sun on the metal of the railings
And the branches laying in rest
Void of hurt
But listening to conversations harder and more difficult with time
Solid
But struggling entirely with magnitude
Lifeless beings in a sense
But the raindrops make their hearts ache
Beaming ultimately away from conformity until they become another entity compiled of lust and beauty
And as you walk
The grass is loud and green as the dead branches lie hot and broken in the caress of the ground
Void of hate
As you watch the darkness pull them in and swallow them whole
Wanted completely
Written on your flesh with self supposed anxiety
Your kisses are longer and drown in a sea of meaning as you pray with clenched teeth
You feel on your arm a peculiar force and questions, smooth but loud, utter desperately within you as
Heavy but gentle hope swirls like incense around your nose until your spirit is calm and pain is hidden
And you find yourself to be trapped in nothing less than gold and passion
And that is when things were easy again
So in all reality, this could be a lot of different poems combined into one. But for now, I am keeping the thing whole and together because that is how it was written. This was one of those things that manifested itself across nine handwritten pieces of paper with complete and utter ease. One of those things where I had no idea what I had written until after I had finished it and read through it. So pretty much, this is all raw and pure and true and honest in every single aspect. It came from deep within, subconsciously almost. Enjoy.
Alessander Mar 2015
I need to read love poetry
For the same reason monks read bibles

the irrepressible need to believe

That love exists
That love is omnipresent, omniscient, all powerful
That it is eternal

For someone somewhere, at least

The emptier I feel, the more I read

Let me believe

Someone kisses
Crusty eye-lids in perfect bliss
Karina Rose Sep 2010
If I close a Door I want You on the other side with me
If I close my eyes I want your light to shine through my eye lids

When I Grit my teeth and pull away will it keep you away Forever

I can’t kiss away Suspicion
I won’t in brace Distrust
With a Reputation like that
You’ll be sure to brake something I can’t replace

When my Conscience evaporates from this Heat
I find our simple situation controlled by complex chemicals

All the things you just don’t understand
They just slip through your sneaky fingers
and I will too
Thank you to my fifth Muse
Elise E Apr 2014
He's so beautiful when he's sleeping.
And even though his eyes are closed
I can tell he's dreaming.

He's smiling while he's sleeping.
And even though he may not know it
I can see him beaming.

His eyes are bright when he is sleeping.
And though his eye lids try to hide them
I can feel his soft eyes gleaming.

I shouldn’t watch him sleeping.
For if he wakes and sees me here
He'll know that I was looking.

Is it strange I watched as he was sleeping?
It's just when he sleeps he looks so happy,
And he's warm and soft when he's sleeping.

I shouldn’t watch him sleeping.
For I look really silly here
And there's a chance he's peeping.

I want to touch his face a-sleeping.
But we are not alone in here
And the others'll think I'm creeping.

I love to see his face a-sleeping.
And it pains my heart to know he knows
Others find his face appalling.

I can't wait 'till he's done sleeping.
I want to hear his voice like thunder
But right now he is sleeping.

I can't wait 'till he's done sleeping.
I want to see his eyes of fire
But right now he is sleeping.

I want not to bother him, or wake him while he's sleeping.
I just want to watch him 'cause
He's beautiful when he's sleeping.



#13_3/31/13
He may not know it, but I am looking at him. And I am smiling. Why would I want to do anything else? He's so beautiful when he's sleeping.
Marina Dec 2013
The aroma of your cologne
The daylight stinging my eye lids
Arising to glance at your deep brown eyes
I get lost in them for hours
Your finger tips on my skin
Our lips lightly brush
Sweet taste of my cigarette
Laying in endless bliss
Daisy Vallely Nov 2016
close your eyes…
let your light lids become heavy
like falling asleep in a bed of soft dreams.
quiet your mind with a deep inhale....
breathe with me, and hold for a simple moment
cleanse your mind with a firm exhale.
Focus purely on your breath. Breathe with me. (take three sets of deep breaths)
imagine no thoughts that bother you
ignore the noise that follows your foot steps,
the little buzzes of every day, like fruit flies orbiting succulent peaches
let the noise fly away like those flies, far away
Let go of those days where you find yourself worried…
there is nothing to hold onto that worries you.
you are a strong, magnificent, worry free energy,
clean and sparkling.
Relax,
Envision your mind as a porcelain sink,
and the drain in the center pulls all the noise away,
until there is nothingness, emptiness.
let the darkness behind your eyelids engulf you...
it is warm, it is inviting, it is loving
in this darkness...
there is light.
See and feel this ball of radiant light ripping through the black
that tickles your skin like pins and needles
the most beautiful light you’ve ever seen...
be humble...
this is your love
manifested into an image
that presents itself to you
to show you all the love that your heart holds
it beats into your blood,
your veins,
your energy,
every inch of your physical,
your mental,
your soul...
feel that smooooth, delicate love swim through every morsel of your being,
it gives us light... it gives us life.
...
Create an intention… what do you want most?
Or perhaps, what do you want to give?
What do you… as nobody else but yourself…
want to embody? (take a few moments to gather and intention)
take a deep inhale... (inhale)
upon exhaling, release this intention into the universe...
everything you give will come back.
Let this intention become an extension of yourself
this is you, and you are this.
Now this part of you, the gentle intention, is part of the universe.
and you…
are part of the universe.
thank the cosmos for caring about your mind, body, and spirit, and giving you
this galactic love as you release yours,
and the cycle continues on and on...
feel the warmth of love kiss you tenderly,
let it swallow you and hold you tightly, like a cosmic mother.

you’re an infant again... in the arms of something divine,
feeling pure bliss, like happiness is the only emotion that exists.
happiness becomes organic, it is the ultimate source of life...
happiness becomes the light, and combines itself with love,
making the most beautiful offspring of purity and salvation.

Inhale....
Exhale....

you are new, you are love
let it run like a tranquil river from every one of your pours
hear the liquid love follow the current of your mind’s creek..

hold your intention in your heart, and let it radiate
let yourself be light
let yourself be love.

inhale...
exhale...


© 2016 D.M.V
This is my first meditation, I'll use this to guide humanity into spirituality and openness. If you want to practice this as a mediation, ask somebody with a soft voice to read this to you. Remember the virtue of patience, read slowly.
Jessica Britton Oct 2013
This is to every sour patch kid
That ever tried to be cool by going off the grid
But you’re only as cool
As that mouth behind your cig
And the thoughts you numb with aspirin

I think we all know
It’s sour
Then sweet
But not before it’s gone
So keep it in your mouth a little longer
And then maybe
Just maybe
We won’t cry every time the bag is empty
And the lights turn out
And all we have left are those little grains of sour
That we still eat anyway

This is to every sour patch kid
That ever wrote “I love you” on your eye lids
Then fluttered your lashes
But closed your eyes for too long
Too long to see that the party was gone
And that you were the only one still pretending to have fun

Lets for a minute pretend that
The red ones aren’t just Swedish fish with a little bit of tang
And that the slang you throw in there
Doesn’t make your words anymore true
But were all gonna scream it anyway
Then maybe
Just maybe when we’re screaming
We’ll forget how to talk
And have to use our hand to say more than
Flipping the bird ever could

This is to every sour patch kid
That only did what they did
Just to say that they could
What society forbid

Well this is how it ends
The bag in which you so snugly live
Is ripped open with teeth
And when that happens
You’re gonna fly in between the
Gear shift and the seat
And then maybe
Just maybe
The hand will be skilled enough to get you out
If you’re lucky enough they even look

But even as messed up as that is
Or even as wasted as Kesha is
She has a point
We are who we are
Sincerely, The Breakfast Club
Rachel Finn Jan 2013
From the open
To the close
Of steel lid eyes
It doesn't feel right
From the departure
The splitting of the seas
Of sheets
To the holy reuniting
Its all gray stuffing
From seam to seam
From floor to ceiling
Blank dry
Eyes still staring under lids
Collisions behind the curtains
Behind the scenes
A sweet obstruction
Our neglected eye lids

Sour apple brain
Velvet lids
Concrete lips
Hands that ***** their body
In vain or in shame
A body disconnected from A brain
Wanders looking for hosts
That never touch it the same
The brain wanders for hosts
That will regulate its deficits
Hosts that never spark it the same
Both glass to break
Both paper thin
Giving themselves up at the lips of flame
And the flame
The burning hands of a body
A body disconnected from a brain
All the same
Ready to burn ready to spark
Again and again
Hush, lullay.

Your treasures all

Encrust with rust,

Your trinket pleasures fall

        To dust.



Beneath the sapphire arch,

Upon the grassy floor,

Is nothing more

        To hold,

And play is over-old.

Your eyes

        In sleepy fever gleam,

Their lids droop

        To their dream.

You wander late alone,

The flesh frets on the bone,

Your love fails in your breast,

Here is the pillow.

Rest.
Renae Apr 2014
Ignorance is bliss
They say
who are they?
The ones sick
struck with blindness
Open up your eyes and see
pry open the lids refusing
Peer into the depths
& you will find
The very knowledge of God.

http://mystery-babylon.org/easter.html

https://answers.yahoo.com/question/index?qid=20070406165106AAErzIc
Click the links, what are you celebrating?
Lids open like blooms,
Blush of lips on skins,
Light sparks as we feel
Each touch of impress
Out of dark, into a sol,

Morning on the shores,
With hands leafing new
We branch over water,
Palms unlatch on lochs,
Tied bodies unhidden.
Olivia McCann Oct 2014
I swear,
There's nothing in
Your eyes,
No color,
Save red.
No pupils
To dilate in interest
Or at lack of light
When I whisper
At 2 AM.
Those eyelashes
Have burnt down
To a crisp
At the lids.
Forever glazed,
I can't see your love
In them
Anymore.
Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands;
Even now, your features, joys, speech, house, trade, manners, troubles, follies,
costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs—out of commerce, shops, law, science,
work, forms, clothes, the house, medicine, print, buying, selling, eating,
drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.

O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you.

I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you—you have not done justice to yourself;
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent
to subordinate you;
I only am he who places over you no master, owner, better, God, beyond
what waits intrinsically in yourself.

Painters have painted their swarming groups, and the centre figure of all;
From the head of the centre figure spreading a nimbus of gold-color’d light;
But I paint myriads of heads, but paint no head without its nimbus of
gold-color’d light;
From my hand, from the brain of every man and woman it streams,
effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are—you have slumber’d upon yourself
all your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries,
what is their return?)

The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom’d routine,
if these conceal you from others, or from yourself, they do not conceal you
from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others,
they do not balk me,
The pert apparel, the deform’d attitude, drunkenness, greed, premature death,
all these I part aside.

There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one, except I give the like carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing the songs
of the glory of you.

Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense
and interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent dissolution—
you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

The hopples fall from your ankles—you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest, whatever you are
promulges itself;
Through birth, life, death, burial, the means are provided, nothing is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Margot Dylan Dec 2014
Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan
Chris Voss Feb 2013
I'm leaving.
Less like, Peace the **** out,
more like, I gotta go.
I'm leaving the way ships are wooed by waves,
under the pretense of more promising continents.

I can see where countless hands have pulled at my shoelaces,
wrapped my arches in ribbons of origami,
left me second guessing how well holes burn through soles.
It's been a long day of finding breathing space between double-knots and bending
broken fingernails back into place;
the self-constrained chaotic embrace of something supposedly so
straight as string brings forth beckoning ghosts of
those figure-eight souls who laid themselves
horizontal
to waste their Sundays tracing the Hills
on the breath fogged side of some painted-shut window sill;
trading the promise of Infinity
for the Religion of Monotony.
Praying through agoraphobic day-dreams
raining across the night sky of their eye lids
with the brilliance of meteorites,
imagining how earth-shattering they could be
if only these tyrannosauruses would just look up.

I have come here;
Less like, conquest
more like, exploration.
--Abandoned the comfort of quaint, suburban
ruins of the American Dream, which buckled
like widows knees mid frail-voiced eulogy
mourning the death of their Salesman--
and wandered aimlessly into the improvisation of some story-book jungle,
wishing I was better rehearsed.

I have come here
to congregate with the snakes and beasts; to feast beneath
the din of carnal sin and primal instincts. I've chosen to begin jumping
from stump-to-stump like stepping headstones
in a graveyard of fallen trees, where men,
                     who grew up too quickly and forgot the importance of pretend,
                     who learned early on how to black-market trade
                              the need to imagine for something a little bit more
                                                      tangib­le,­
                     who, smiling through serrated teeth,
saw it fit to clear this wilderness for something a little bit more
domesticated.

But thank god, these brambles grow so thick!
For every hail Mary their metal tongues would lick
into the trees' skin, a hallelujah of vines and branches and roots
would erupt in confused medley,
and their finest mathematics couldn't begin to calculate
the thriving division of a place so ungoverned by logic.       
In a jungle plucked straight from storybook pages
I'll band together with these untamed brutes
--these feral barbarians and unbroken monstrosities--
to howl at the moon with the effervescence of a Ginsberg poem.
We'll forge a tinsel-town crown and take turns
playing king of Where the Wild Things Are found.

See, unlike concrete cities
The Wild of Atavism has never forgotten that
Tradition is a catalyst for change
and that nothing is permanent.
Hell, I've been having laughing contests with a mountain
because every now-and-again he will crack
A smile, and when a mountain laughs
He does so, so gutturally,
From deep within his catacomb chest that
the whole Earth quakes -- everything shifts--
And I'm not gonna lie to you right now,
I've sort of got my heart set on being a part of something so
significant.

So if you follow,
shipwrecked and mapless,
Keep your shoelaces strapped tight
and run off the infinity of double knots.
If you go looking for me, continue
past the paint chips, through
the open window;
Set your sights to the far treelines.
And don't strain yourself listening for
the laughter of mountains,
Because when that stoic disposition
Finally does crack, you'll feel it in your feet
no matter where you are.
And from the way his ridges are crumbling,
I think I've almost got him beat.
Feb 27, 2013

© Christopher Voss
Mitchell May 2011
Assembly line broke down as the mirrors crashed and cracked.
"Angelina!!!" the crooked boss man yelled.
"Get in herre" the crook socks rang like bells.
Angelina poured sweat of the yellow blouse she had bought two days before for another interview in another office and another profession altogether. The room spun for her even though she would rather have it stay still.
"How much longer till this mechanism shifts and all of this stops altogether. Have their been madder women then me? Has there been madder men then me? Have their been madder times or are the times the same just with different tools and gears and nuts and bolts to tirelessly continue, heaving the corpses through the concrete cracked and littered streets?"
"Angelina!!!"
Another nail gun dropped to the floor, firing twenty rounds into fifty blue collared men's tie clips, deflecting them all to the near by wall which held the coats, the hats, the work shoes which the men were not allowed to wear due to "safety intrusions" and "labor union by lateral horizontal negative dairy laws". Another unfortunate fortune from the cracked mirror case but that, of course, is not the story, our story is...
"Angelina!!!"
Angy hurried up the hungry, empty metal n' holy stairs. She lost her high heels in a crack in the stairs but left them there due to the fear. 2011 had been a good year until she had been forced by her landlord, also her boyfriend, to get a real job rather then stuffing her knitted socks with her poetry and trying to haggle them to new age modern morons of the hip near sighters whom glasses were unintelligible but necessary. The mirrors of the conveyor belts reached the top of the platform but the door was shut. The mirrors bent and shattered leaving the splintered pattern of the world outside of them multiplied by the millions.
Noon was her lunch break and it was noon oh two. Angelina would be late with her lunch and the landlord, Nick, was planning to stop in with some home made sandwiches and home made potato chips.
"Nick will have to wait." Angelina thought to herself. "Nick hates to wait."
Angelina entered to stand in the wake of a shaking, sweating purse wearing, purse lipped boss boss. His hair was tossed to one side, struggling to hide his baldness. The subtelty of their relationship was difficult considering Angelina had slept with boss boss to get tossed this job. The act was actually enjoyable, Angelina thought him a good lay, but boss boss was not a fun person to be around, and he was a much worser boss.
"Angelina!!!"
"Hi."
"Your FIRED!"
"Bye then sir..."
"ANGELINA!!!"
"Yes sir?"
"AREN'T YOU GOING TO ASK WHY YOU WERE JUST SO HASTILY AND VIOLENTLY FIRED?"
"It is not my place to inquire why I was fired sir. If I was not doing my specific duty well enough I trust you, as my superior, to have thought what this subtraction would do to your company. If I had questioned you I would be questioning yourself as a boss and I would never want to do that...sir."
"VERY GOOD. DISMISSED!!!"

---

"So he just fired you, no explanation, nothing?"
"There was nothing really to say after the fact."
"You could have demanded an explanation."
"I was in a hurry to meet you. I know you hate to be late for our dates."
"That's sweet."
"And boss boss shouldn't have to explain himself, he IS a professional."
"He works in mirrors which doesn't make at all make him a ropes course supervisor."
"He's very handsome when He means what He says."
The home made potato chips had been burnt because Nick had fallen asleep while watching old re-runs of run marathons from the 80's. Nick had trained for the Olympics in 83' but while home after training and drinking an OK shake, Nick had stubbed his toe while drinking the OK shake and trying to get to a ringing telephone. Nick had collided so perfectly, so quickly and with such for that his right big toe had bent all the way back, his big toe fingernail touching the hairy patch on the top of his foot. The doctors said amputate the toe and save the foot or chop the entire thing off altogether. Nick, not being a dumb ****, opted for the entire foot. He never raced again.
"Are you going to try and get your job back?
"I don't know"
"Well. It's the 28th tomorrow and I need the rent either way. The insurance agency I'm with has been bugging me about percentages and utilities and...well, you don't want to hear about my worries."
"I don't mind sweety."
"Thanks doll. What're you gonna do?"
"Find more work I guess. I haven't written anything in a while, maybe it's a good time to get back on that train, see what comes up."
"I saw a help wanted sign at the mall nail salon."

---

Baby stroller wheels lined with pink and grey gum were lined up against the overwhelming glass wall enclosing the shops from the streets. Trees reflected green with the sun light lined across the clear wall. Birds flew at the top of the block near the ceiling crop, they wanted to come in but were confused how to do so. Children came through the valley with lollipops and balloon powder and strings lined with meats, they were headed to the capitalistic circus, a wonder land that only brought guilt from lovers and their future children's shame.
Angelina stood outside the electronic moment to moment receivers. She was afraid of not being allowed entry. Everyone entering entered easily, but what of she? Would she be accepted? Clicking her unpainted fingernail atop her leopard print clip purse and what was worse she had no cash to get her orange Julius or perhaps see a film if she couldn't conjure of the courage to stop off at the salon. That was why she had come here, right?
"Where had the salon been?" Angelina said aloud.
The mass of the mall was vibrating with a ferocious congruity. Through the fog of meaty torso's lay blank and content faces. Gripping their wares, their steaming quick food, some of it dropping to their foot only to be kicked around on the dirtied floor. At times a rat would scurry from underneath a traveling underwear salesmen to grab a piece of fried bread, half cooked meat, or small pieces of children's hair which floated softly down to the wet and mud streaked floor. Mall cops waved their sticks to each other, some kind of HAIL or CHEER that they were the one's in charge round' these parts and there wasn't nothing no one was going to do about it.
"Do I really want to work here?"
There was no choice though. Angelina needed to pay the rent or her landlord/boyfriend would kick her out on the street and from there, she had no clue where the blue sky would take her. Her parents, both dead thirteen years ago, would be a terrible place to set up camp, especially in a graveyard. Angelina's brother lived over seas working at a ***** clinic trying and failing to heal the weak and unwanted. He had tried to heal her through voodoo practices he gathered up drunk through his 6 month stay in New Orleans but it had only given her a bright blue and red rash for three to four weeks. She never longer trusted her brother with any kind of healing or "feel better" techniques and was no prepared to make the trek to Europe anytime soon, she was in a relationship at the moment anyway and she had a feeling she might be in love.
Angelina stepped through the glass exchanging doors in unison with a family that was entering at the same time. The door seemed to open for any body but was tentative if it would accept hers, this time, it seemed to.
Inside she made her way up "the miracle marbled stairs" which shined bright and blinded Angelina in certain parts of her eyes. They flashed bright red and greens and whites so visciously and fast Angelina thought she might have some kind of seizure. She planted her feet directly on each step as she walked up the 20 to 30 stairs, going very slow and gripping the handrail. People started to gather around behind her shouting "HURRY UP LADY" and "WE DON"T GOT ALL DAY" and giggling to themselves.
"Were they not seeing these lights?" Angelina thought to herself.
"Do you kind people know where the nail salon is?"
Angelina then realized that what she had just said made no sense. Her eyes were gripped shut, her hand tight around the shiny gold handrail, her feet pointed strictly out like some kind of paralyzed summer penguin. The people which had gathered behind her stood bare, jaw slacked, wondering who would step forth to help this poor helpless creature.
A little girl with red sparkled shoes and a orange bow atop her head stepped forth. She smiled even though she knew Angelina had her eyes tightly shut, maybe she would feel the warmth? The girl's mother reached for her so not to get to close to that "crazy lady" but the little girl pulled away, her father saying "If it's her time to go, it's her time to go".
"Miss lady with the tiger purse, I think the hardware nail pull on is on the 8th floor next to the people that sell bread with meat sticks inside."
The little girl stepped gingerly back as Angelina loosened her grip on the now stained golden handrail. She shook her hair out and ran her fingers through it, straightening herself up as if she were about to perform a song or late night poetry reading. Angelina opened her eyes and peered down at the girl.
"Thank you little girl. What's the best way to get there?"
The girl child said nothing. She pointed to a large metal box shooting up and down the length that looked like a rocket straight to heaven. People were gathered all around its foundation, oooing and ahhhing at the sight of the one's which entered. There was a sign over the line of tubes reading "A Shot at the Void".
"A shot at the Void..." Angelina tentaively breathed to herself.
Angelina stepped up the last couple glittering stairs and made her way through the thick crowd of stale clothes, cheap tricks, obsessed teeny boppers, hardware for wear, shoes with no laces, strips of bacon hanging from mouths, lettuce all shredded, soda cans with their lids torn clean off with small splatters of blood lined on the rim, and a perfectly painted fingernail was drawn on the number eight where the long lines and rows of numbers were there to guide the one's to the shot.
"Number eight. Easy enough"
Angelina pushed the button.

---

Inside the tube there was a slow light hum of jazz transfusion and children breathing. There were three little daughters gripping their mother's hands as they bit into their soda pop straws, ******* up the soda inside the plastic and cardboard cups. All three children stared up at her, maybe wondering what she was wondering, which was exactly what Angelina was wondering, a combination of mistaken telepathy, an accident of consciousness that would be never be talked about between the four of them but most surely existed between them.

Smooth as clay they drifted up the translucent clear glass tube, shooting skyward like a man made rocket shot from a man made gun. They passed shops hocking wears of angelic colors: clear pearl pastels shone through the clear blue glass shining into Angelina's eyes forcing Her to squint, dog barks could be heard through the whistling air begging for treats of black and brown, teriyaki chicken strips and duck heads spun absurdly fast with a rhythm that resembled the wave of a crowd at a baseball game waving wildly like children flying from swings never wanting to land in the sand; all this as the three and one flew higher and higher and higher.

---

Ding.

---

Angelina stepped forward, leaving the three children behind Her to fend for themselves. From the looks of the button they had pushed they were headed East. She gripped her bag and peeled Her eyes, twisted her hair in a tight knot to show her aggression, her vigor, her confidence and stepped into the rabid salmon like crowd.

She saw no signs of the nail salon. She saw only posters of rabbits holding artichoke legs and nail guns firing rockets of ice cream and corn bread. These were the mirrors of the supposed revolution but had nothing to do with her nail salon, she needed the cash and she needed it NOW! How hard were the numbers to acquire? How long must she wait before the envelope is sent and the letter read and thrown out? How long Lord, how long?

Questions for a time when the pay checks were easy coming and Her man was by her side. She passed by a little boy playing William Tell with her sister. An apple on the little tots head and in the boys a small, tight and silver ray gun. The boy pulled the trigger but only a small plume of smoke came from the top making the boy ball over crying and wailing and kicking and screaming, nearly catching Angelina in the shin, what a mess...The little girl stayed still in Her spot though because her brother told her "Now don't move a cinch." Wise move my girl, wise move...

At last! Angelina, reaching Her destination saw the brightly neon colored corner of her beloved Nail Salon. The windows shone with pure red glitter, miniatures of poodles lapping up puddles of ice water, women laying out on the sun to catch rays from the Earth, and husbands shaving their backs all in a circle and row.

"How beautiful..." Angelina breathed out.

She entered the store front. Greeted from every corner were beautiful young cupid like angels faces shining divine but with no torsos, floating heads of angels ***** but crying and smiling. Asking Angelina "What would you like today miss?" or "What are you after?", beckoning for her requests, begging for her touch of vulnerability and lack of knowledge of where she was or what she needed.

"Just an application...I heard you all were hiring?"

"Hiring!!!?" the cupid heads screamed in unison.

"You want to become one of us?"

"Yes, part-time...?" Angelina said hesitantly.

As soon as the words "part" had been uttered from Angelina's wise and brave mouth the many heads of cupid began spinning and spinning around Angelina's body. Faster and faster they spun until Angelina herself was spinning with them, unified in a quadruple hurricane stripping her of her former self and slowly manipulating her body, her hair, her other self into her new self.

As Angelina's torso lay in the corner of the store un-bloodied, clothes tattered as well as some scratches  on her elbows from the toss, Angelina's head was floating in the perfect center of the other three hovering cupid heads.

"How beautiful...how beautiful...how beautiful."

"Isn't it?" the three cupid heads answered.

"Yes, everything here is so beautiful," the four of them whispered.

And as soon as Angelina had entered, she just as soon had left.

END
Priya Patel Jan 2011
Close your eyes
and picture this..
you and me
and our first kiss
Open your lids
so you can see
how your lips
feel to me
So soft and gentle
and spicy too
Can I have
a taste of you?
Just a nibble,
maybe a bite
Come here,
let me hold you tight
Close your eyes
and picture this
you and me
and our first kiss
The night terrors have gotten worse now
And it’s been so long since I last slept
The thought of rest is starting to sound surreal

Yet every time my lids grow heavy
This nightmare becomes reality
My greatest fear becomes my fate

In dream after dream I am forced
To see myself die, each night in a new way
Over and over I witness the end of my life

This does not scare me for I fear not the reaper
But another detail never changes
It is what I see as I draw in my final breath

This mirage of my mind stands at my side
Though she’s always just out of reach
Her eyes telling the tale of heart break

This nameless woman bears my child
For my greatest fear is not my death
It’s leaving behind the family that I never met
Maariyah Qazi May 2013
I think of you in the darkest moments of the night

When both the sun and moon have heavy lids

And mine too should be weighing down upon my sight

Yet all I see is you
LDuler Mar 2013
It's 3 o'clock
And so begins
My perilous descent into the underworld
I'm slipping into
The abyss and
Nothing
Can stop me
And nothing
Is trying to stop me

The witching hour stallions
Race through me, charging like a battalion
And trampling my heart
Tearing my every heed apart

The fury of a fiendish demon possesses me
My soul takes its flight from my body
My thoughts are shaky, my dreams are gaudy
I am convulsed and feverish with frigid melancholy
I know myself no longer.

Something malevolent is hanging above the bed
My heart is hollowed lead
A cargo ship for unwelcome stowaway thoughts
My brain is black and reeling
And tangled with a thousand knots
As my hands ***** the obscurity and reach for the ceiling

Day is so far away, I can't feel sunrise advance
I'm trapped in this horrid trance
My soul is reeling, wretched and lost
Forced to think the most unspeakable things
The panic and despair that each new night brings

I've had so many nightmares, but who's counting?
It's back again, I'm drowning
In a turbulent, sinister sea of terror
Fear is the message, I am the bearer
Like great black birds, the demons haunt my room
I'm choking on all these acrid, bitter fumes

My lids flutter like feathers of a pheasant
I can feel the pain so sharp and omnipresent
Like slaps given by a hand of black steel
**** it, Satan works with incredible zeal
Stinging, burning like a devilish eel I long to repulse
I can feel my wrists throb and my stomach pulse
With the beating of this hideous heart
I can feel my spirit depart
My nerves thrill like throbbing violins
Laden with angst, jealousy and sins

Deep into that darkness I am peering
Wondering things no mortal ever dared to wonder before
I wish I was disappearing
I am breathing an atmosphere of sorrow
And I know the remnants won't subside tomorrow

There is a murderous monster deep within me
That nothing can soothe
There is a hungry well
That nothing can fill

I open my battered notebook
I break my pen
And crumple the pages of inadequate words

I choke and listen to this light-forsaken chamber
And see a tocsin of silence, like a wicked stranger
Loneliness strikes me like a blow
Oh night agony, panic attacks, endless woe!
This pain so deep and unbearable,
These visions so raw and terrible

In these linen sheets I feel
Apprehension, slick, electric like an eel
The mortal coldness of the soul
As life takes its morbid toll
It takes in not only the body
But weaves between heart and soul a fabric so shoddy,
The somber cloth of misery

I don't want to grow old
To feel my memories fade and get cold
To feel my thoughts overridden with mold
To carry life on, which like a heavy chain
Drags behind with many links of pain
I want to end it all here, now
I can't and I won't
But I wonder how I'll survive from dusk to dawn

Day has opened its golden lids
To the light that night forbids
I've had my sip from the death cup
I wake up
With remnants of hell's dark lands
Sunken eyes and twisted hands
The witching hours are swept away like ashes
But it'll all come back in flashes
Tomorrow night, and every night
Horrors will always come back to haunt me
Between the shadow and the sheets
The endless phantasms, these endless defeats
There is no relief.
Marsha Lenihan once wrote, "People with BPD are like people with third degree burns all over their body, lacking emotional skin, they feel agony at the slightest touch or movement."

I used to cry when I said goodbye to my father after our weekly Tuesday night dinners
I'd play out games of Go fish and Rummy like there was no winner, but I was victorious next
to my daddy.  
His eyes still crinkle in the corners and his smell will always be long car rides with blankets, books on tape, and a wide range of conversations even though he was always late
But I'd weep like he actually just dropped dead every Tuesday night because I was petrified

My small but portly frame would crumple and I would mumble the worries I was too scared to say
I was afraid I'd see my daddy for the last time that day
I thought I had asthma because I was always fat and sometimes choked on the air in my lungs as if it was strangling me but I had my first panic attack in grade three

I was sitting in Mrs. Arlotta's classroom ladida
just like any other story about a schoolday when I was punched in the stomach
with a fist of "I miss my ******* dad"
there was this bully beating the **** out of me with no prologues warning
Just to remind me Despair
is not some abandoned pit people place their pity into
Despair, can be like an earwig, you use hope like tissues to squash out intrusion
but earwigs are smart, experts at delusion
earwigs know where to hide until you go to sleep

Every other weekend I used to sleep at my dads house with his british girlfriend
and his lovely cats and soothing hot tub
and his british girlfriend
and the fireplaces and the tribal music
and the british girlfriend
and the beautiful homemade pond and the greenhouse
and the british girlfriend

I liked roasting marshamallows until their crisp outer layer began to bubble but not for too long for if they fell in the fire there was trouble
Bort are you seriously letting the girl eat sweets tonight, god knows she doesn't need them

I liked riding my bike through Elizabeth park their flower garden was absolutley breathtaking
"you know Haley if you got off your *** more often moving your legs wouldn't be such a chore"

And I loved dinners with freshly picked herbs and seasonal tablecloths tucked in the curbs
"go ahead, have another helping, you're just like your mother, disgusting"

Well Karen I hope I'm like her and I hope she's disgusting
I hope she tasted disgusting on the leftover edges of my fathers lips
when you two were thrusting, could you also taste the hasty goodbyes he tossed like
rubber ducks to a family
waiting in line for him to come home
and waiting and waiting for him to never ******* come home

I loved my dad.
yes despair was everywhere but seeing my dad was like finding religion
if a child could comprehend the task of going to church

Christine Ann Lawson once wrote, " The borderling queen expreiances what therapists call oral greediness.  the desperate hunger of the borderline queen is a kin to the behavior of an infant who had gone too long between feedings.  Starved, frustrated, and beyond the ability to calm or sooth herself, she grabs, flails, wails until the last ****** is planted securely and perhaps too deeply in her mouth.  She coughs, gags, chokes, spits eyeing the elusive breast like a wolf guarding her food.  Similarily, the queen holds onto what is hers taking more than she could use, in case it might be taken away prematurely."

Did my eyes taste sour when you few times you kissed my lids goodnight maybe that's why there wasn't one ******* hour without a glass of wine, another beet, hide your shots of tequila behind the birthday cards I made you.

There was an ache of despair that you wouldn't always be there that when you decided you wanted to participate it was way past the expiration date
I said goodbye to my dad after dinner last night without a second look back, I forgot he could be dead when I was blowing lines to stay alive

Experts say a key symptom of borderling is chronic emptiness
Maybe if things had been different dad, I wouldn't be such a ******* mess
and you would have to pay Connecticutcare less.
Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .

The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away.  Cold silence fell.
And again came tollings of a bell.

     *     *     *     *     *

This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget!  Our flesh is changed,
Lighter than smoke we wreathe and rise . . .

The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember.  The storm-drops break on the leaves.
Something was lost in the darkness.  Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.

     *     *     *     *     *

The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said.  And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said.  And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said.  The bough he broke--
Was it the snapping bough that spoke?
I am here! she said.  The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the ****** *******,
Passed beside him, and vanished away.
I am here! she cried.  He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.

     *     *     *     *     *

Look beloved!  Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The ****** harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
      beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .

'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words?  Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.

     *     *     *     *     *

In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and ******* are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .

Wind through the trees. . . and a voice is heard
Singing far off.  The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.

     *     *     *     *     *

The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the *******, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen!  I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.

     *     *     *     *     *

Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you?  Where are you?  It is I.  It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you?  Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.

     *     *     *     *     *

Dance!  Dance!  Dance!  Dance!
Dance till the brain is red with speed!
Dance till you fall!  Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.

Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'

Silence. . . the red leaves, one by one,
Fall.  Far off, the maenads run.

Silence.  Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.

     *     *     *     *     *

The great bell cracks and falls at last.
The moon whirls out.  The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .

'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,--
And touch my hand, and turn away.
Molly Hughes Jan 2014
There was once a girl with a fear of mirrors.
A fear so frightening,
it followed her round wherever she went.
Zombie films were fine
and spiders didn't bother her,
she would have happily seen a ghost
and the dark was her best friend.
But the mirror haunted her.
"Look at yourself..."
it would whisper,
"Fat,
ugly,
baby face,
crooked teeth...
"
Even in bed,
when night veiled it's reflection,
it spoke.
The duvet over her head wasn't much of a shield,
the voice taunting her,
ringing in her ears,
until she woke up,
a sticky, writhing mass in the middle of the matress.
"Good Morning."
The day time was no better.
Shop windows acted as put-me-up mirrors,
cutlery in cafes the same.
There was a solution to walking in the day time,
head down,
head down,
head down,
don't make eye contact,
head down
,
but a rogue puddle could stop her in her tracks.
Her watercolour reflection swam menacingly on it's surface,
the voice rising dreamily from it like a mermaid speaking under water.
But she'd take a whole city of puddles
if she could avoid the carnival of horrors that was shopping for clothes.
There,
no matter where she stepped,
mirrors of all shapes and sizes would spring from corners,
the reflections getting redder
and uglier
and sweatier
and more pathetic
each time she span into a new one,
pretty,
thin,
popular girls preened themselves in the corner of her eyes,
friends with the mirrors.
She could hear the voice speaking to them,
but it's words were kind and friendly.
Looking down made no difference as mirrors adorned the floors,
up the same,
the ceiling a funfair nightmare of crazy mirrors,
the whole shop a kaleidoscope of her disgusting,
repulsive,
loathsome face.
She couldn't even cry.
The fear was so great,
that she couldn't risk seeing a reflection in one of the tears.
Even her sorrows mocked her.
The only way was to bottle it up,
to smile,
act like nothing was wrong,
look in her bag when her friends were looking in the mirror,
close her eyes at the hairdressers,
throw a sheet over her own, hateful mirror.
Throw a sheet over herself.
Nobody could hurt her if she didn't let them in.
One day,
the girl smashed the mirror in her room.
She grabbed a shoe and struck it with such force,
that the awful face before her splintered
and crashed to the floor in a thousand pieces.
When she looked down,
hundreds of dark eyes blinked back at her.
It's shell still remained hanging on the wall,
a black rectangle that looked like it could be a portal to another world.
She could still see herself in it.
She shut her eyes and squeezed them hard,
but the mirrors were behind her eyelids,
printed onto her brain,
painted onto her pupils.
The mirror was inside her.
The girl was now a looking glass of self-loathing.
The voice whispered inside her head.
"Just look at yourself.
Look at yourself,
look at yourself,
look at yourself,
LOOK.
"
She realised she would never be able to escape the mirrors.
She realised that she would smash herself into nothing but broken glass if she didn't just
look.
So she did.
As each day went by,
with every new mirror that crept up on her,
she looked inside it,
looked at herself.
The first time sweat beaded and dripped down her neck
and her hands shook.
She thought she would faint,
thought she was going to run,
thought she wouldn't do it,
but she did.
She looked.
She kept looking for a long time,
scrutinsing her every feature until she realised,
it wasn't that bad.
She looked,
until eventually,
as time passed by,
she managed to smile.
Until eventually,
whenever she closed her eyes,
the mirrors on her lids nodded "You'll be okay.".
Until eventually,
the fear wasn't so scary anymore.
Until,
eventually,
she let herself cry.
And she wanted to see herself in the tears.
There was a once a girl who liked mirrors.
Third Eye Candy Oct 2011
pruning fingers from a cold dead hand to gain twenty index
to power point a disjoint nexus, amongst ill guests
to better frame the nameless tool,
thumb-less apes could truck with -
in bands of frantic lack-wits
hording alabaster thumb-tacks
to pin jokes, they don't get.
a lapse in queens, the hard Chess...
an hour glass
with a grain of sand left -
wearing a jet pack, to delay the turn next
that checks your king.
or telekinesis, ghost-grips the silicon
in free fall... on pause to stave off
a game lost.

pruning fingers from another world of empty reach,  i grasp -
at long last;
the short girl with the long red hair -
has two eyes, on task...scanning my true intent
with deep shy, heavy lids; a bright green
fixed on my nervous
laughter.

smitten; then, a Pabst
Blue Ribbon
kiss.

and sweet
disaster.
MJL Mar 2019
Dawn casts her long line for spring
Days linger to catch the angel irises bloom
Enveloped by early chirping chitter-chatter
Lightly crusted sleep argues for lids to remain closed
Black perking wake-me oil makes a strong cups case for compromise
A nudge to join the living
- On negotiated terms -
Somewhere between another dream and lavender bubbles
The contract will begin
Foggy feet shuffle onto the wheel
Spying steps creak tattle-tale floorboards alerting all on the way
Pleading thoughtfulness
You beg for silence as the Ra room comes into view
Brightly checkered yellow-brown mustard window patterns
Cut diagonal boxes across maple hardwood
Stained glass dots of emerald, violet, and red raspberry
Dance on lemon washed walls as they turn and wink for a smile
Your morning chair sets at the edge of the warming sun pond inviting you
Join them
You listen to the ripples of space
Your cushioned dock perfectly positioned for a loving embrace
You sit
And slowly dip legs into the glowing pool
Drenched limbs cocoon in the heavy webbing of golden rays
Bathing
The chickadees celebration is known
Immersed
Lids succumb to the orange haze
The Girl from Ipanema sings
Young and lovely
You feel wonderful
No risk of drowning here...
Only in happiness
One radiating breath
Before the Samba plays again


© 2019 MJL
Sunrise. Before the day begins. Time in the window. Like a cat.
Terry Collett Apr 2012
Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don’t misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist’s stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth
Poses as young girls do. Nothing
To show of interest and nothing
Hid no secret self no other you.
That’s it the artist says we’ll begin
The painting another day maybe
Next week if all is well. The girls
In shadow look away and resume
Their secret games. Lisbeth studies
The artist’s blackened fingers as
He rolls the charcoal sketch and
Puts away. He gazes at her standing
By herself a glimpse of smile and
Glimmer in her eyes like small fires.
He closes the tired lids of eyes
And smoulders down his old desires.
[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw
Pagan Paul Nov 2017
.
Links in the chemist chain
laced in a double helix
defy the laws of the universe,
and the atavistic resurgence
creates isotopes of dream passion.
     Elements conspire in panic
     with a symmetry of casual chaos
     that mimics an atomic bomb,
     destroying its own creator
     in a cruel parody of birth paradox.
          Arresting the Iris of Dissolution
          with cuffed anxiety drowning
          in a pond of helium ore,
          carelessly drifting on acid flesh,
          coagulating in a soup of memory.


And the paradigm shifts again,
reality unfocussed clears, strains,
revealing your shuddering form,
next to me, keeping me warm.
Lids flicker and you open your eyes,
shining, smiling in cute surprise.
Moving my finger up to my lips
whilst I gently untangle our hips.

     Do you remember this night?
     Last night, tonight, tomorrow night?
     Time begins to slowly rewind,
     on the night you blew my mind.


My essence is filled with your heart,
a love I have yet to discover.
Whilst you wander between the stars,
my universe starts to recover.

So please don't break this silence now.
Please don't shatter this moment long,
I want this post ****** memory to remain
in the morning when you have gone.

© Pagan Paul (04/11/17)
.
Sarah Spang Nov 2015
The sun tipping over the horizon
Lifts my lids each revolution of this Shady green sphere...
And for a few brief seconds
The fingers of sleep
Drag me back.

Warm pressure on my eyes,
Pooling, (re)opening them to the last
Paradise;
The only oasis where your eyes are not closed
And your bones are not dust somewhere
Mingling with the soil in Pittsburgh.

Just the same, I know you're the product now
Of some hypnagogic state;
Of the last traces of theoretical DMT swirling in my brain
As is leaves Morpheus behind in the shadows.

You're just the most beautiful hallucination
The truth in the chaos of dreams
Cluing me into what I've been denying
For 13 years.

Impossible that I've preserved you better
Than any mortician could have
In the recesses of my mind
You are a perfect replica
An unholy copy of the original
All creamy skin
And ocean eyes,
Full-lipped smile tipping somewhere between
Arrogance and joy.

"I'm gone," you say. "I'm dead."
Repeating what I already know
"I'm dead, I'm not coming back."
On repeat like the worst kind of ear worm;
A carousel of sound that dips and weaves through every filament of Unconsciousness.

Denial; like reaching out my hands
I shove against the reality, against the unreality
Against the prison sleep has woven
And crash forth
Damp and gasping
Like breaking the surface once more
Teetering over the horizon with the sun
Into the waking hell of another day.

The carousel makes another revolution.
See you on the other side tonight.
I

Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.

In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,

Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,

She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,

Trove of the turfcutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.

II

I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate

The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,

Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.

III

Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names

Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.

Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
JJ Hutton Jan 2011
It was the December of '91,
and Larry asked me to come with
him and some ladies he knew
from Cameron Christian to
some **** yogurt shop on
Dead Dog Ave.

Three brunettes and a blonde;
at the time
I didn't care much for brunettes,
but god, god, god,
the blonde
with the crystal grey eyes,
the wrinkled floral print dress,
an optimistic ***,
and shaky feet
every single time
I made the eyes.

Sarah and Jennifer (two of the brunettes)
smelled of Glade-Feces-Blanket-Spray,
the third was far too young
to undress,
and I nearly strangled my beautiful blonde
when she mouthed, "Eliza."

I kept talking up the
fact my dad had just kicked me out.
I told Eliza I had the most magnificent
apartment
a bachelor could buy,
she kept averting her eyes,
shifting subjects like
playing cards,
my hands kept clinching,
clasping,
aching,
"Be right back, purty ladies."
I headed for the bathroom
leaving Larry to ******
Jennifer Glade.

I looked in the mirror,
I remember giving myself
a pep talk,
but I can't for the life of me
remember anything I said.

I remember pulling a dwindling
bottle of Black Label from my jacket.
I had taken it from my ******* dad,
the night he yelled, yelled, yelled,
until I was in some low-income complex
with a bunch of lowlife, ******
fuckups.

I ****** off the remnants.
Combed, recombed my greasy hair,
went back in,
just in time to hear
Jennifer Glade spout her stupid mouth,
"Larry, I told you I have a boyfriend."
"He's a ******* idiot."
She started to whimper,
said something like he was a regular sweetheart.
The regulars are so boring.

Larry stood up,
accused her of leading him on,
the acne cashier asked us to "pipe down",
I directed my stare into his acne-framed
irises.

I walked quietly toward him,
I could feel Larry and the girls
tracing my every feature.
"Just leave him alone,"
said my blonde little sweetie,
I turned back to her briefly.
Her skin looked like milk,
I wondered if it tasted like milk,
I kept my feet on track,
redirected the gaze,
back to my heavy-breathing cashier.

I got eight inches away from his face,
he fumbled some words,
that left a bad taste.
I could see my reflection in his retinas.
I looked clumsy and circular.
My milky, blonde Eliza would
never go for a circular **** like me.
This conclusion
coursed through my veins with
irrational speed.

I shot the acne cashier.
Right in his stupid, acne-framed iris.
The gun had been my grandfather's.
He had killed a black boy in the '30s with it.
Got to love legacies.

The brunettes were screaming.
I think Larry was trying to reason with me,
or maybe he was throwing up-
somebody threw up,
anyways,
I shot the young one first.
She had annoyed me most.

Then Sarah Glade.
Then Jennifer Glade.
Eliza began to run.

I jogged after her,
she frantically searched for a phone,
and my milky blonde
found one.

I stopped at the doorway,
rested my head on the frame,
listened to her cry into the handset,
begging for the police.
I opened my lids,
silently strolled up behind her,
with my left hand
I grabbed her optimistic ***,
with my right hand
I pulled the trigger.
She splattered onto me.
I felt successful.

I walked outside.
A silent,
still Austin night,
not even a dog on the street.
Larry was crying.
I told him to shut up.
They were *******.
Asked him for his lighter.
He opened his car door,
dug in his center console,
buried under 6-feet of cigarettes
was a lighter,
he popped the trunk,
I grabbed the gas can.

I erased Friday's mistakes,
and found Larry had driven off without me.
I walked to my low-income home.
I had a lazy Saturday.
Read an interesting story in the Guardian on Sunday.
By noon on Monday,
they were pointing cameras at me.
Copyright 1/11/2011 by J.J. Hutton
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
The assembly now broke up and the people went their ways each to his
own ship. There they made ready their supper, and then bethought
them of the blessed boon of sleep; but Achilles still wept for
thinking of his dear comrade, and sleep, before whom all things bow,
could take no hold upon him. This way and that did he turn as he
yearned after the might and manfulness of Patroclus; he thought of all
they had done together, and all they had gone through both on the
field of battle and on the waves of the weary sea. As he dwelt on
these things he wept bitterly and lay now on his side, now on his
back, and now face downwards, till at last he rose and went out as one
distraught to wander upon the seashore. Then, when he saw dawn
breaking over beach and sea, he yoked his horses to his chariot, and
bound the body of Hector behind it that he might drag it about. Thrice
did he drag it round the tomb of the son of Menoetius, and then went
back into his tent, leaving the body on the ground full length and
with its face downwards. But Apollo would not suffer it to be
disfigured, for he pitied the man, dead though he now was; therefore
he shielded him with his golden aegis continually, that he might
take no hurt while Achilles was dragging him.
  Thus shamefully did Achilles in his fury dishonour Hector; but the
blessed gods looked down in pity from heaven, and urged Mercury,
slayer of Argus, to steal the body. All were of this mind save only
Juno, Neptune, and Jove’s grey-eyed daughter, who persisted in the
hate which they had ever borne towards Ilius with Priam and his
people; for they forgave not the wrong done them by Alexandrus in
disdaining the goddesses who came to him when he was in his
sheepyards, and preferring her who had offered him a wanton to his
ruin.
  When, therefore, the morning of the twelfth day had now come,
Phoebus Apollo spoke among the immortals saying, “You gods ought to be
ashamed of yourselves; you are cruel and hard-hearted. Did not
Hector burn you thigh-bones of heifers and of unblemished goats? And
now dare you not rescue even his dead body, for his wife to look upon,
with his mother and child, his father Priam, and his people, who would
forthwith commit him to the flames, and give him his due funeral
rites? So, then, you would all be on the side of mad Achilles, who
knows neither right nor ruth? He is like some savage lion that in
the pride of his great strength and daring springs upon men’s flocks
and gorges on them. Even so has Achilles flung aside all pity, and all
that conscience which at once so greatly banes yet greatly boons him
that will heed it. man may lose one far dearer than Achilles has lost-
a son, it may be, or a brother born from his own mother’s womb; yet
when he has mourned him and wept over him he will let him bide, for it
takes much sorrow to **** a man; whereas Achilles, now that he has
slain noble Hector, drags him behind his chariot round the tomb of his
comrade. It were better of him, and for him, that he should not do so,
for brave though he be we gods may take it ill that he should vent his
fury upon dead clay.”
  Juno spoke up in a rage. “This were well,” she cried, “O lord of the
silver bow, if you would give like honour to Hector and to Achilles;
but Hector was mortal and suckled at a woman’s breast, whereas
Achilles is the offspring of a goddess whom I myself reared and
brought up. I married her to Peleus, who is above measure dear to
the immortals; you gods came all of you to her wedding; you feasted
along with them yourself and brought your lyre—false, and fond of low
company, that you have ever been.”
  Then said Jove, “Juno, be not so bitter. Their honour shall not be
equal, but of all that dwell in Ilius, Hector was dearest to the gods,
as also to myself, for his offerings never failed me. Never was my
altar stinted of its dues, nor of the drink-offerings and savour of
sacrifice which we claim of right. I shall therefore permit the body
of mighty Hector to be stolen; and yet this may hardly be without
Achilles coming to know it, for his mother keeps night and day
beside him. Let some one of you, therefore, send Thetis to me, and I
will impart my counsel to her, namely that Achilles is to accept a
ransom from Priam, and give up the body.”
  On this Iris fleet as the wind went forth to carry his message. Down
she plunged into the dark sea midway between Samos and rocky Imbrus;
the waters hissed as they closed over her, and she sank into the
bottom as the lead at the end of an ox-horn, that is sped to carry
death to fishes. She found Thetis sitting in a great cave with the
other sea-goddesses gathered round her; there she sat in the midst
of them weeping for her noble son who was to fall far from his own
land, on the rich plains of Troy. Iris went up to her and said,
“Rise Thetis; Jove, whose counsels fail not, bids you come to him.”
And Thetis answered, “Why does the mighty god so bid me? I am in great
grief, and shrink from going in and out among the immortals. Still,
I will go, and the word that he may speak shall not be spoken in
vain.”
  The goddess took her dark veil, than which there can be no robe more
sombre, and went forth with fleet Iris leading the way before her. The
waves of the sea opened them a path, and when they reached the shore
they flew up into the heavens, where they found the all-seeing son
of Saturn with the blessed gods that live for ever assembled near him.
Minerva gave up her seat to her, and she sat down by the side of
father Jove. Juno then placed a fair golden cup in her hand, and spoke
to her in words of comfort, whereon Thetis drank and gave her back the
cup; and the sire of gods and men was the first to speak.
  “So, goddess,” said he, “for all your sorrow, and the grief that I
well know reigns ever in your heart, you have come hither to
Olympus, and I will tell you why I have sent for you. This nine days
past the immortals have been quarrelling about Achilles waster of
cities and the body of Hector. The gods would have Mercury slayer of
Argus steal the body, but in furtherance of our peace and amity
henceforward, I will concede such honour to your son as I will now
tell you. Go, then, to the host and lay these commands upon him; say
that the gods are angry with him, and that I am myself more angry than
them all, in that he keeps Hector at the ships and will not give him
up. He may thus fear me and let the body go. At the same time I will
send Iris to great Priam to bid him go to the ships of the Achaeans,
and ransom his son, taking with him such gifts for Achilles as may
give him satisfaction.
  Silver-footed Thetis did as the god had told her, and forthwith down
she darted from the topmost summits of Olympus. She went to her
son’s tents where she found him grieving bitterly, while his trusty
comrades round him were busy preparing their morning meal, for which
they had killed a great woolly sheep. His mother sat down beside him
and caressed him with her hand saying, “My son, how long will you keep
on thus grieving and making moan? You are gnawing at your own heart,
and think neither of food nor of woman’s embraces; and yet these too
were well, for you have no long time to live, and death with the
strong hand of fate are already close beside you. Now, therefore, heed
what I say, for I come as a messenger from Jove; he says that the gods
are angry with you, and himself more angry than them all, in that
you keep Hector at the ships and will not give him up. Therefore let
him go, and accept a ransom for his body.”
  And Achilles answered, “So be it. If Olympian Jove of his own motion
thus commands me, let him that brings the ransom bear the body away.”
  Thus did mother and son talk together at the ships in long discourse
with one another. Meanwhile the son of Saturn sent Iris to the
strong city of Ilius. “Go,” said he, “fleet Iris, from the mansions of
Olympus, and tell King Priam in Ilius, that he is to go to the ships
of the Achaeans and free the body of his dear son. He is to take
such gifts with him as shall give satisfaction to Achilles, and he
is to go alone, with no other Trojan, save only some honoured
servant who may drive his mules and waggon, and bring back the body of
him whom noble Achilles has slain. Let him have no thought nor fear of
death in his heart, for we will send the slayer of Argus to escort
him, and bring him within the tent of Achilles. Achilles will not ****
him nor let another do so, for he will take heed to his ways and sin
not, and he will entreat a suppliant with all honourable courtesy.”
  On this Iris, fleet as the wind, sped forth to deliver her
message. She went to Priam’s house, and found weeping and
lamentation therein. His sons were seated round their father in the
outer courtyard, and their raiment was wet with tears: the old man sat
in the midst of them with his mantle wrapped close about his body, and
his head and neck all covered with the filth which he had clutched
as he lay grovelling in the mire. His daughters and his sons’ wives
went wailing about the house, as they thought of the many and brave
men who lay dead, slain by the Argives. The messenger of Jove stood by
Priam and spoke softly to him, but fear fell upon him as she did so.
“Take heart,” she said, “Priam offspring of Dardanus, take heart and
fear not. I bring no evil tidings, but am minded well towards you. I
come as a messenger from Jove, who though he be not near, takes
thought for you and pities you. The lord of Olympus bids you go and
ransom noble Hector, and take with you such gifts as shall give
satisfaction to Achilles. You are to go alone, with no Trojan, save
only some honoured servant who may drive your mules and waggon, and
bring back to the city the body of him whom noble Achilles has
slain. You are to have no thought, nor fear of death, for Jove will
send the slayer of Argus to escort you. When he has brought you within
Achilles’ tent, Achilles will not **** you nor let another do so,
for he will take heed to his ways and sin not, and he will entreat a
suppliant with all honourable courtesy.”
  Iris went her way when she had thus spoken, and Priam told his
sons to get a mule-waggon ready, and to make the body of the waggon
fast upon the top of its bed. Then he went down into his fragrant
store-room, high-vaulted, and made of cedar-wood, where his many
treasures were kept, and he called Hecuba his wife. “Wife,” said he,
“a messenger has come to me from Olympus, and has told me to go to the
ships of the Achaeans to ransom my dear son, taking with me such gifts
as shall give satisfaction to Achilles. What think you of this matter?
for my own part I am greatly moved to pass through the of the Achaeans
and go to their ships.”
  His wife cried aloud as she heard him, and said, “Alas, what has
become of that judgement for which you have been ever famous both
among strangers and your own people? How can you venture alone to
the ships of the Achaeans, and look into the face of him who has slain
so many of your brave sons? You must have iron courage, for if the
cruel savage sees you and lays hold on you, he will know neither
respect nor pity. Let us then weep Hector from afar here in our own
house, for when I gave him birth the threads of overruling fate were
spun for him that dogs should eat his flesh far from his parents, in
the house of that terrible man on whose liver I would fain fasten
and devour it. Thus would I avenge my son, who showed no cowardice
when Achilles slew him, and thought neither of Right nor of avoiding
battle as he stood in defence of Trojan men and Trojan women.”
  Then Priam said, “I would go, do not therefore stay me nor be as a
bird of ill omen in my house, for you will not move me. Had it been
some mortal man who had sent me some prophet or priest who divines
from sacrifice—I should have deemed him false and have given him no
heed; but now I have heard the goddess and seen her face to face,
therefore I will go and her saying shall not be in vain. If it be my
fate to die at the ships of the Achaeans even so would I have it;
let Achilles slay me, if I may but first have taken my son in my
arms and mourned him to my heart’s comforting.”
  So saying he lifted the lids of his chests, and took out twelve
goodly vestments. He took also twelve cloaks of single fold, twelve
rugs, twelve fair mantles, and an equal number of shirts. He weighed
out ten talents of gold, and brought moreover two burnished tripods,
four cauldrons, and a very beautiful cup which the Thracians had given
him when he had gone to them on an embassy; it was very precious,
but he grudged not even this, so eager was he to ransom the body of
his son. Then he chased all the Trojans from the court and rebuked
them with words of anger. “Out,” he cried, “shame and disgrace to me
that you are. Have you no grief in your own homes that you are come to
plague me here? Is it a small thing, think you, that the son of Saturn
has sent this sorrow upon me, to lose the bravest of my sons? Nay, you
shall prove it in person, for now he is gone the Achaeans will have
easier work in killing you. As for me, let me go down within the house
of Hades, ere mine eyes behold the sacking and wasting of the city.”
  He drove the men away with his staff, and they went forth as the old
man sped them. Then he called to his sons, upbraiding Helenus,
Paris, noble Agathon, Pammon, Antiphonus, Polites of the loud
battle-cry, Deiphobus, Hippothous, and Dius. These nine did the old
man call near him. “Come to me at once,” he cried, “worthless sons who
do me shame; would that you had all been killed at the ships rather
than Hector. Miserable man that I am, I have had the bravest sons in
all Troy—noble Nestor, Troilus the dauntless charioteer, and Hector
who was a god among men, so that one would have thought he was son
to an immortal—yet there is not one of them left. Mars has slain them
and those of whom I am ashamed are alone left me. Liars, and light
of foot, heroes of the dance, robbers of lambs and kids from your
own people, why do you not get a waggon ready for me at once, and
put all these things upon it that I may set out on my way?”
  Thus did he speak, and they feared the rebuke of their father.
They brought out a strong mule-waggon, newly made, and set the body of
the waggon fast on its bed. They took the mule-yoke from the peg on
which it hung, a yoke of boxwood with a **** on the top of it and
rings for the reins to go through. Then they brought a yoke-band
eleven cubits long, to bind the yoke to the pole; they bound it on
at the far end of the pole, and put the ring over the upright pin
making it fast with three turns of the band on either side the ****,
and bending the thong of the yoke beneath it. This done, they
brought from the store-chamber the rich ransom that was to purchase
the body of Hector, and they set it all orderly on the waggon; then
they yoked the strong harness-mules which the Mysians had on a time
given as a goodly present to Priam; but for Priam himself they yoked
horses which the old king had bred, and kept for own use.
  Thus heedfully did Priam and his servant see to the yolking of their
cars at the palace. Then Hecuba came to them all sorrowful, with a
golden goblet of wine in her right hand, that they might make a
drink-offering before they set out. She stood in front of the horses
and said, “Take this, make a drink-offering to father Jove, and
since you are minded to go to the ships in spite of me, pray that
you may come safely back from the hands of your enemies. Pray to the
son of Saturn lord of the whirlwind, who sits on Ida and looks down
over all Troy, pray him to send his swift messenger on your right
hand, the bird of omen which is strongest and most dear to him of
all birds, that you may see it with your own eyes and trust it as
you go forth to the ships of the Danaans. If all-seeing Jove will
not send you this messenger, however set upon it you may be, I would
not have you go to the ships of the Argives.”
  And Priam answered, “Wife, I will do as you desire me; it is well to
lift hands in prayer to Jove, if so be he may have mercy upon me.”
  With this the old man bade the serving-woman
Omnis Atrum Apr 2013
He keeps the contents of his life in boxes. The clear Rubbermaid totes with the locking lids that keep the contents from spilling out across the floor when they are least needed. The same containers that keep everything within protected against assailing liquid falling from above. Most of his possessions have long since been discarded, but there is an odd assortment of memories that are kept safe.

A model rocket that his grandfather, long since passed, used to take him to open fields to launch towards the heavens. It never quite reached, but in his mind he was chasing down the parachute of a spaceship returning from a long voyage.

Birthday cards received when it was still exciting to count the years. When the cards still had happy monsters devouring birthday cake and the short handwritten messages read "We are so proud of the person you are becoming".

First place medals from sports competitions, spelling bees, and field days. A single second place medal from a martial arts tournament where brute force could not overcome the wisdom of an elder opponent.

The metal plates off of every baseball trophy earned since playing teeball at age four. When the shelves could no longer support the weight of the trophies they were discarded, and the cheaply made nameplates are the only reminder left that they ever existed.

Too many years of school yearbooks with sloppy signatures following words of wisdom reminding him to stay cool, and that he would see you all again after the summer.

A red, sweat-stained Schlitz hat that was stolen from the older, much more cool, cousin. He stopped asking for its return years ago, and has probably forgotten that it even existed.

Certificates that prove he was once a member of Builder club, Beta club, Phi Theta Kappa, National Honor Society, Student Government, and Junior Ambassadors to the Chamber of Commerce. Reminders of times when joining clubs meant you got to miss class to hang out with your friends.

A single blue ribbon knotted three times as a reminder that it should never be untied. Beyond those simple knots are all of the love letters that were written between him and the first girl that was able to open his eyes so that he could see what love, and loss, truly meant.

An old, barely functioning, paintball gun that he bought with the money from his first real job. The same gun that, through some miracle, gave him and his father their first common interest. He picks it up from time to time and pretends that they are still hiding behind bunkers ready to charge the opposing team.

A tiny red Rock 'Em Sock 'Em robot ring used as an excuse to wrestle around in bed with one of his closest friends on a lazy Sunday afternoon. The blue ring moved far away and has long since stopped answering her phone, knowing that the rematch of the century will never occur.

Diplomas from high school and college that will probably never hang framed on a wall. He was never truly proud of accomplishments so easily attained.

Hiding in the shadows of these boxes is each first kiss that is a stone sitting beneath the shattered mirror friendships that could not hold their weight. He is reminded to find either lighter stones or more sturdy mirrors in the future.

Friends that he has met in countless towns huddle together, trying to stay warm amidst the bitter cold they perceive around them. He calls or texts from time to time, but the embers cannot replace the pyre he used to provide.

Lovers that never expected the love they received in return bask in the solace of the fact that they are rarely seen or disturbed. He smiles when he comes across them, but knows better than to retrieve them from the storage where they are kept.

He still keeps all of the contents of his life in boxes. The same clear Rubbermaid totes with the locking lids, whose transparency allows him to view the contents from afar without disturbing them. He says he uses them so all of the contents don't spill out when he doesn't want them to, but his blurred vision reminds him that he chose the waterproof variety for a reason.

It would only take an hour or two to unpack everything at each new location he moved to, but he knows that the next time he unpacks he will not be doing it alone. It becomes more difficult for him each time he has to condense everyone and everything of import into totes light enough to carry to the next location.
Aye, but she?
  Your other sister and my other soul
  Grave Silence, lovelier
  Than the three loveliest maidens, what of her?
  Clio, not you,
  Not you, Calliope,
  Nor all your wanton line,
  Not Beauty’s perfect self shall comfort me
  For Silence once departed,
  For her the cool-tongued, her the tranquil-hearted,
  Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore,
I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
“She will love well,” I said,
“If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter’s daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition’s lean and inauspicious loam).
She will love well,” I said,
“The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern ***** in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.”

“I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid ***** weaned away,
If only she therewith be given me back?”
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven’s lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche’s lamp out of the earth up-******,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.

There twists the bitter-sweet, the white wisteria
Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters’ laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister’s body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

                        (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
“There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell,” she saith,
“Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.”

Oh, radiant Song!  Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine.

Lift up your lyres!  Sing on!
But as for me, I seek your sister whither she is gone.

— The End —