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"libera" poems
.                             A hard-on                         doesn't  count                       as personal  gro                      wth.If  you  want                      to  hear  the  pitte                        r - patter of littl                        e feet,  I'll put s                        hoes on my cat.                        This isn't an off                        ice , it's hell wit                        h florescent lig                        hting.How do I                        set a lazer prin                        ter to stun? I m                        ajored in Libera                        l arts. Will that                        be for here or t                        o go? Too many                        freaks, not eno                        ugh circuses.  I                        have a comput                        er, a ******** a                        nd pizza delive                        ry .Why should                        I leave the hou       se? Stress is wh   en you wake up scr eaming and you re    alize you  haven't  fal *** asleep yet. I like  dogs  too .  Let's  exch   ange recipes.  And   yo u r      c r y b a b y             whiny- assed   o      pinion      is?      Al        low me to intro       duce my selves.
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Nov 1, 2014
Nov 1, 2014 at 2:00 PM UTC
Sarcastic ****
.                             A hard-on                         doesn't  count                       as personal  gro                      wth.If  you  want                      to  hear  the  pitte                        r - patter of littl                        e feet,  I'll put s                        hoes on my cat.                        This isn't an off                        ice , it's hell wit                        h florescent lig                        hting.How do I                        set a lazer prin                        ter to stun? I m                        ajored in Libera                        l arts. Will that                        be for here or t                        o go? Too many                        freaks, not eno                        ugh circuses.  I                        have a comput                        er, a ******** a                        nd pizza delive                        ry .Why should                        I leave the hou       se? Stress is wh   en you wake up scr eaming and you re    alize you  haven't  fal *** asleep yet. I like  dogs  too .  Let's  exch   ange recipes.  And   yo u r      c r y b a b y             whiny- assed   o      pinion      is?      Al        low me to intro       duce my selves.
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32
Libera me, Domine, de morte aeterna in die illa tremenda quando coeli movendi sunt et terra dum veneris judicare saeculum per ignem. Tremens factus sum ego et timeo, dum discussion venerit atque venture ira: quando coeli movendi sunt et terra. November 21, 1976. 11:00 P.M. With nothing he packs his suitcase, turns to his own personal prophet and watches and waits and waits, he will wait for an hour. And finally the prophet speaks in monotone, three short syllables. He opens the door, careful not to wake dad. Turning the corner, the suitcase jars the door ajar. A stirring from upstairs. Remembering the face of madness behind the pulpit behind the door, he races out, fearful of footsteps drawing louder and with them, promises of pain.
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Mar 25, 2014
Mar 25, 2014 at 12:10 AM UTC
Requiem for Fred Phelps: #9– Libera me
Where are The ecstatic saxophones that Slung forth swank slurs of Beauty, The *** *** *** Bass lines, The snaps and snares and the Sweet rhythm of the Night? Music had character And minds followed, in following Soared. There were no glittery vampires, No prepubescent Brother boy bands. Soulful crooners never Warbled over Alejandro, Or the boots with the fur, with the fur. We wrote letters and shared thoughts and ideas And convictions. There was no need for the techno Middleman To wrap our Real thoughts in LOLs To make opening Up to another More efficient. Mass media Gluttony drowns America till I strain and struggle Only to barely stay afloat In this sea of apathy. But you won't buy and sell my soul. I'm not going to Be your Consumptive, Quiet, Couldn't-care-less, I won't get in the way, And I won't raise my voice, Good American, 2.5 children, Christian, Conserva-libera-publi-crat, Self-centered, Illiterate, Ignorant Sheep Only to follow the power. **** no, I'm mad as hell; I want to leave the next generation A world where You can confess your Love and be a man or Love another man and have Basic human rights, and it all Starts in your Mind And your Expression thereof. It's the saccharine pop Culture that has Made free-thought unfashionable, a crime. Art is Revolution. Hang Up, Log Out, Unplug and just look At what you've let the World become in Letting yourself be Little more than A faceless source Of merciless dollars. Wrest free our Culture from the Calamitous and indifferent Claws of rampant capitalism. Express yourself or submit, Stand up for a free America. I will not be sold.
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Oct 26, 2010
Oct 26, 2010 at 2:23 PM UTC
Cultural Doldrums
Where are The ecstatic saxophones that Slung forth swank slurs of Beauty, The *** *** *** Bass lines, The snaps and snares and the Sweet rhythm of the Night? Music had character And minds followed, in following Soared. There were no glittery vampires, No prepubescent Brother boy bands. Soulful crooners never Warbled over Alejandro, Or the boots with the fur, with the fur. We wrote letters and shared thoughts and ideas And convictions. There was no need for the techno Middleman To wrap our Real thoughts in LOLs To make opening Up to another More efficient. Mass media Gluttony drowns America till I strain and struggle Only to barely stay afloat In this sea of apathy. But you won't buy and sell my soul. I'm not going to Be your Consumptive, Quiet, Couldn't-care-less, I won't get in the way, And I won't raise my voice, Good American, 2.5 children, Christian, Conserva-libera-publi-crat, Self-centered, Illiterate, Ignorant Sheep Only to follow the power. **** no, I'm mad as hell; I want to leave the next generation A world where You can confess your Love and be a man or Love another man and have Basic human rights, and it all Starts in your Mind And your Expression thereof. It's the saccharine pop Culture that has Made free-thought unfashionable, a crime. Art is Revolution. Hang Up, Log Out, Unplug and just look At what you've let the World become in Letting yourself be Little more than A faceless source Of merciless dollars. Wrest free our Culture from the Calamitous and indifferent Claws of rampant capitalism. Express yourself or submit, Stand up for a free America. I will not be sold.
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81
Manuel del Río, natural de España, ha fallecido el sábado 11 de mayo, a consecuencia de un accidente. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada a las 9,30 en St. Francis. Es una historia que comienza con sol y piedra, y que termina sobre una mesa, en D'Agostino, con flores y cirios eléctricos. Es una historia que comienza en una orilla del Atlántico. Continúa en un camarote de tercera, sobre las olas -sobre las nubes- de las tierras sumergidas ante Poseidón. Halla en América su término con una grúa y una clínica, con una esquela y una misa cantada, en la iglesia de St. Francis. Al fin y al cabo, cualquier sitio da lo mismo para morir: el que se aroma de romero, el tallado en piedra o en nieve, el empapado de petróleo. Da lo mismo que un cuerpo se haga piedra, petróleo, nieve, aroma. Lo doloroso no es morir acá o allá...                   Requiem æternam, Manuel del Río. Sobre el mármol en D'Agostino, pastan toros de España, Manuel, y las flores (funeral de segunda, caja que huele a abetos del invierno) cuarenta dólares. Y han puesto unas flores artificiales entre las otras que arrancaron al jardín... Libera me domine de morte æterna... Cuando mueran James o Jacob verán las flores que pagaron Giulio o Manuel... Ahora descienden a tus cumbres garras de águila. Dies irae. Lo doloroso no es morir Dies illa acá o allá; sino sin gloria...                       Tus abuelos fecundaron la tierra toda, la empaparon de la aventura. Cuando caía un español se mutilaba el Universo. Los velaban no en D'Agostino Funeral Home, sino entre hogueras, entre caballos y armas. Héroes para siempre. Estatuas de rostro borrado. Vestidos aún sus colores de papagayo, de poder y de fantasía. Él no ha caído así. No ha muerto por ninguna locura hermosa. (Hace mucho que el español muere de anónimo y cordura, o en locuras desgarradoras entre hermanos: cuando acuchilla pellejos de vino derrama sangre fraterna). Vino un día porque su tierra es pobre. El Mundo, Liberanos Domine, es patria. Y ha muerto. No fundó ciudades. No dio su nombre a un mar. No hizo más que morir por diecisiete dólares (él los pensaría en pesetas). Requiem æternam. Y en D'Agostino lo visitan los polacos, los irlandeses, los españoles, los que mueren en el week-end.                         Requiem æternam. Definitivamente todo ha terminado. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada por su alma.                   Me he limitado a reflejar aquí una esquela de un periódico de New York. Objetivamente. Sin vuelo en el verso. Objetivamente. Un español como millones de españoles. No he dicho a nadie que estuve a punto de llorar.
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1.7k
Réquiem
Manuel del Río, natural de España, ha fallecido el sábado 11 de mayo, a consecuencia de un accidente. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada a las 9,30 en St. Francis. Es una historia que comienza con sol y piedra, y que termina sobre una mesa, en D'Agostino, con flores y cirios eléctricos. Es una historia que comienza en una orilla del Atlántico. Continúa en un camarote de tercera, sobre las olas -sobre las nubes- de las tierras sumergidas ante Poseidón. Halla en América su término con una grúa y una clínica, con una esquela y una misa cantada, en la iglesia de St. Francis. Al fin y al cabo, cualquier sitio da lo mismo para morir: el que se aroma de romero, el tallado en piedra o en nieve, el empapado de petróleo. Da lo mismo que un cuerpo se haga piedra, petróleo, nieve, aroma. Lo doloroso no es morir acá o allá...                   Requiem æternam, Manuel del Río. Sobre el mármol en D'Agostino, pastan toros de España, Manuel, y las flores (funeral de segunda, caja que huele a abetos del invierno) cuarenta dólares. Y han puesto unas flores artificiales entre las otras que arrancaron al jardín... Libera me domine de morte æterna... Cuando mueran James o Jacob verán las flores que pagaron Giulio o Manuel... Ahora descienden a tus cumbres garras de águila. Dies irae. Lo doloroso no es morir Dies illa acá o allá; sino sin gloria...                       Tus abuelos fecundaron la tierra toda, la empaparon de la aventura. Cuando caía un español se mutilaba el Universo. Los velaban no en D'Agostino Funeral Home, sino entre hogueras, entre caballos y armas. Héroes para siempre. Estatuas de rostro borrado. Vestidos aún sus colores de papagayo, de poder y de fantasía. Él no ha caído así. No ha muerto por ninguna locura hermosa. (Hace mucho que el español muere de anónimo y cordura, o en locuras desgarradoras entre hermanos: cuando acuchilla pellejos de vino derrama sangre fraterna). Vino un día porque su tierra es pobre. El Mundo, Liberanos Domine, es patria. Y ha muerto. No fundó ciudades. No dio su nombre a un mar. No hizo más que morir por diecisiete dólares (él los pensaría en pesetas). Requiem æternam. Y en D'Agostino lo visitan los polacos, los irlandeses, los españoles, los que mueren en el week-end.                         Requiem æternam. Definitivamente todo ha terminado. Su cadáver está tendido en D'Agostino Funeral Home. Haskell. New Jersey. Se dirá una misa cantada por su alma.                   Me he limitado a reflejar aquí una esquela de un periódico de New York. Objetivamente. Sin vuelo en el verso. Objetivamente. Un español como millones de españoles. No he dicho a nadie que estuve a punto de llorar.
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96
Non popolo arabo, non popolo balcanico, non popolo antico ma nazione vivente, ma nazione europea: e cosa sei? Terra di infanti, affamati, corrotti, governanti impiegati di agrari, prefetti codini, avvocatucci unti di brillantina e i piedi sporchi, funzionari liberali carogne come gli zii bigotti, una caserma, un seminario, una spiaggia libera, un casino! Milioni di piccoli borghesi come milioni di porci pascolano sospingendosi sotto gli illesi palazzotti, tra case coloniali scrostate ormai come chiese. Proprio perché tu sei esistita, ora non esisti, proprio perché fosti cosciente, sei incosciente. E solo perché sei cattolica, non puoi pensare che il tuo male è tutto male: colpa di ogni male. Sprofonda in questo tuo bel mare, libera il mondo.
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1.3k
Alla mia nazione
Bisogno del tuo tocco Per sapere che sei propio mio Per sapere che esisti per me E che non solo una faccia nella mia mente Toccami Amami Baciami Tienimi Solo con te Nelle tue braccia Sono libera Sono protetta Sono forte Sono a casa Senza di te, sono persa Sei l’acqua per mia sete Sei cibo per mio fame Sei luce nel mio buio La tua esistenza mi dà lo scopo Per amare e desiderare Per servire e vedere Le ferite della tua anima Supplicando, piangiando Per il bisogno di essere guarito Di essere visto per chi sei verramente Un uomo di forza e potenza Pieno di amore a dare Per dare a me Posso vedere Amore mio, ti vedo
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May 25, 2013
May 25, 2013 at 8:10 PM UTC
Ti vedo
I recall the August sky Alight and dripping With the waxing candles Of the poet's holy flame And by this nectar He scribed his desires Impermanently Upon the shore: "Libera Nos A Malo" And by his own command He shed the garments Bound to his skin And laid them upon the earth Blinking and weeping as though birthed By the force of the ocean By the love of his Father By the light of the poet's holy flame Reveling In the newness Of life unbound by the husk Of becoming civilized Marveling Alongside the moon At the wonders Of the earth And by this nectar He scribed his desires Permanently Upon the dust: "Libera Nos A Malo" And by its celestial command He shed the skin Bound to his soul And laid it upon the wind Grinning and dancing Creating waves in the sand As though reborn By the light of the poet's holy flame
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Apr 26, 2013
Apr 26, 2013 at 8:21 PM UTC
Deliver Us From Evil
Quando avrò alzato in me l'intimo fuoco che originava già queste bufere e sarò salda, libera, vitale, allora sarò sola? E forse staccherò dalle radici la rimossa speranza dell'amore, ricorderò che frutto d'ogni limite umano è assenza di memoria, tutta mi affonderò nel divenire... Ma fino a che io tremo del principio cui la tua mano mi iniziò da ieri, ogni attributo vivo che mi preme giace incomposto nelle tue misure.
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1.1k
Sarò sola?
Tantum tempus temporis quoniam aliena femina in meo cubiculo dormivit; ecce illi quantum dulce somnus est. Quanta etiam libera somnia sunt. In alia aetate mundum certe rexit vel optimo regi in matrimonio fideliter ducta est qui iuxtus flumen psalmos luce lunae scripsit. **** me iri foras egressum et spatiatum Nihil occurit hic, nihil umquam fit. Praeterea si incedat iam volat me narrare; habeo nihil, praecipue erga quicquid erat. Viam cepi aviam qua celeres non superant; dignis praemia sunt qui verbum veritatis distinguere possunt. Hospes solus me docere potuit praeclaram orem iustitiae contemplari et videre oculum pro oculo, et dentem pro dente. Nisi duo homines in mansionem, Est nullus in viso; verem exspectant, proinde quasi ver plaustro accederet. Mundus deleretur ea nocte sed meae amicae aequum esset; illa meo cubiculo dormiret *** revenirem. Meridiano me promoveo adhuc in obscura parte viae; in angustos corruere et constans manere non possum. Alius mea ore dicit sed solum meo animo audit, calcas omnibus etiam tibi feci quibus tamen careo. Ego et ego In creatione quo ingenium alicuius nec alicui ignoscit nec excolit. Ego et ego unus alteri dicit nullus et videre imaginem meum et vivere possit. From "Bird's Nest In Your Hair" by Brian Jobe
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May 21, 2017
May 21, 2017 at 10:03 PM UTC
Ego et Ego after Bob Dylan
Amo sorridere, Voglio volare, Spingere, spingere fuori, Andare, andare, andare Fissarti il colore degli occhi e basta oppure guardare e fantasticare Vorrei vibrare, vibrare Come foglie al vento Come un albero secolare Movimenti in ogni direzione Sento il mio cuore che segue il tamburo che segue il rumore che sento rombare Esplorare il verde, il verde Chiusi gli occhi al vento e al sole Pelle morta che si libera nell'aria Voglio odore, odore, odore Sentirti un profumo inebriante come un esplosione che saturi tutto tra naso e sapore Voglio andare piano o veloce Costruirmi, costruire, costruire Le braccia tese all'infuori, e stringersi a sé stessi Voglio abbracciare con il petto e con le mani ed incendiare e bruciare le vene e il cuore Voglio creare, fare cazzate, Gioire, soffrire, amare, Capire, vivere, baciare, Voglio annegare e gustare le mucose e la bocca ed il silenzio e l'immenso e come un cotone galleggiare
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Mar 3, 2024
Mar 3, 2024 at 1:29 PM UTC
cotone
On the way home from senior school you met Fay on the corner of the New Kent Road and Meadow Row she was dressed in her school uniform with a satchel over her shoulder a hand griping the leather strap her fair hair neat and tidy hard day at school? you asked as usual she said the nuns strict and the lessons mind stunning and you? a good dose of brain washing and the usual morons teaching you replied pushing fingers through your hair taking in her lovely eyes the shyness the way she stood her small hand gripping the strap sed libera nos a malo she said what the heck does that mean? you asked it’s from the Lord’s Prayer Fay said softly it means but deliver us from evil my daddy says it often to me you nodded my old man wouldn’t know what the heck it would mean if it bit his backside you said Fay laughed shyly you liked it when she laughed like she did it was like a small prayer whispered by a bright eyed angel she looked back at the passing traffic the noise the fumes my daddy says it’s a daily battle against evil he says one must drive out evil and the evil one by punishment she said looking back at you there’s plenty of punishment at my school you said not sure if it’s evil being driven out or the breaking of school rules you said do you want to come to my place for tea? you asked best not she said Daddy’s home early today and he likes me home on time ok you said and you both turned down Meadow Row she touched your hand and you held hers gently as if it were a fragile *** made from bone china smooth yet warm her fingers curled around your hand skin on skin beautiful with no touch of sin.
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Mar 27, 2013
Mar 27, 2013 at 4:05 AM UTC
NO TOUCH OF SIN.
On the way home from senior school you met Fay on the corner of the New Kent Road and Meadow Row she was dressed in her school uniform with a satchel over her shoulder a hand griping the leather strap her fair hair neat and tidy hard day at school? you asked as usual she said the nuns strict and the lessons mind stunning and you? a good dose of brain washing and the usual morons teaching you replied pushing fingers through your hair taking in her lovely eyes the shyness the way she stood her small hand gripping the strap sed libera nos a malo she said what the heck does that mean? you asked it’s from the Lord’s Prayer Fay said softly it means but deliver us from evil my daddy says it often to me you nodded my old man wouldn’t know what the heck it would mean if it bit his backside you said Fay laughed shyly you liked it when she laughed like she did it was like a small prayer whispered by a bright eyed angel she looked back at the passing traffic the noise the fumes my daddy says it’s a daily battle against evil he says one must drive out evil and the evil one by punishment she said looking back at you there’s plenty of punishment at my school you said not sure if it’s evil being driven out or the breaking of school rules you said do you want to come to my place for tea? you asked best not she said Daddy’s home early today and he likes me home on time ok you said and you both turned down Meadow Row she touched your hand and you held hers gently as if it were a fragile *** made from bone china smooth yet warm her fingers curled around your hand skin on skin beautiful with no touch of sin.
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106
Off a room of the cloisters I met Dom Andrew bookbinding in silence bearded and white cowled, in silentio sit Deus, Mancunian he said saw picture in book of monastic cell and that were it, I sensed the coldness of the room body shivered ears felt pained, il avait de la neige à l'extérieur the French monk said huddled in his black habit, saw the snow on trees and purity of it, she took my hand warm it was and promised *** Dom Charles tonsured dark haired gazed at me through thick lens glasses eyes like ***** holes in snow, I have been all things unholy and if God can work through me Francis said he can work through anyone, I mowed the grass by the church and Dom Frederick said you've done well, qui tutto sono fratelli the Italian monk said as he helped me dry up the dishes, beyond her dark hairs lay the Kingdom of Eve and joyousness, bell tolled in the bell tower by George or Hugh or both for Terce, a monk read in the refectory from a book on Oliver Cromwell as we sat and ate in silence, bonitátem fecísti *** servo tuo Dómine, the old monk opposite ate with gusto spooned food as if he may never eat again, nog steeds sneeuw buiten the Danish monk told me coming in with vegetables from the garden for lunch, indeed snow still there trees covered and fields that I saw, if you want to you can she said so I did, Dom Bruno said later that Dom Andrew had cancer and was silent on it, Deus meus libera me, and we licked our cutlery clean between meals and put away under our tables in a large napkin and George said unhygenic but we did, there is no great genius without some touch of madness Gareth said quoting Aristotle, sunlight on flagstones in the church warmed by midday, Compline bell told of the end of day.
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Jan 21, 2016
Jan 21, 2016 at 2:41 AM UTC
END OF DAY 1971
Off a room of the cloisters I met Dom Andrew bookbinding in silence bearded and white cowled, in silentio sit Deus, Mancunian he said saw picture in book of monastic cell and that were it, I sensed the coldness of the room body shivered ears felt pained, il avait de la neige à l'extérieur the French monk said huddled in his black habit, saw the snow on trees and purity of it, she took my hand warm it was and promised *** Dom Charles tonsured dark haired gazed at me through thick lens glasses eyes like ***** holes in snow, I have been all things unholy and if God can work through me Francis said he can work through anyone, I mowed the grass by the church and Dom Frederick said you've done well, qui tutto sono fratelli the Italian monk said as he helped me dry up the dishes, beyond her dark hairs lay the Kingdom of Eve and joyousness, bell tolled in the bell tower by George or Hugh or both for Terce, a monk read in the refectory from a book on Oliver Cromwell as we sat and ate in silence, bonitátem fecísti *** servo tuo Dómine, the old monk opposite ate with gusto spooned food as if he may never eat again, nog steeds sneeuw buiten the Danish monk told me coming in with vegetables from the garden for lunch, indeed snow still there trees covered and fields that I saw, if you want to you can she said so I did, Dom Bruno said later that Dom Andrew had cancer and was silent on it, Deus meus libera me, and we licked our cutlery clean between meals and put away under our tables in a large napkin and George said unhygenic but we did, there is no great genius without some touch of madness Gareth said quoting Aristotle, sunlight on flagstones in the church warmed by midday, Compline bell told of the end of day.
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79
Ribaciami amore è solo ieri che mi hai sfiorato la lingua con il verbo del tuo violino, acino d'uva il tuo fallo che posi sul granbo migliore. Rimani e ascolta l'ultimo respiro di vita che si libera dai miei capelli.
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606
I due amanti
¿Quieres un poco de esta piel canela? ¿Quieres quemarte en mi candela? ¿Quieres encenderme como candelario? ¿Conquistarme con tu bandera? ¿Insinuarte como mi amante? ¿Amarme en cada instante? ¿Precisar el tiempo y la carne? ¿Dominar mi cabellera mientras escalas mis colinas, dominando los valles de mis prominencias? ¡Pues no se va a poder! porque del arrebol soy su anaranjado, mi piel de bronce no está en el mercado, sí, soy sensual y no lo escondo, soy la negra de las pasiones redundadas, la poetisa de la añoranza, de la tempestad soy su abonanza, en mí no vale la redundancia. Soy del caribe su fuego, del coco sus palmera, mis labios saben a las dulces carambolas de mi antigua África. Mi piel dorada como melaza se enreda en la madreselva de mi melena, conectada a mis a mis raíces soy emperatriz de mis experiencias, no confiero por dolencias, soy de la sobrevivencia la enseñanza, mujer dócil y altiva, mujer dulce y divina, mujer huracán y calma, mujer que escala sus propias montañas, mujer que se libera de su presa, mujer que sindica con intensión, mujer que anda con firmeza en las alegrías y las tristezas. Mujer~~ ¡soy más que un cuerpo! que la tentación en el deseo, que un sínico verso en un beso robado, vivo llena de emoción, me entrego por amor, soy mujer, y no hay descripción para lo que soy.. ¡Yo soy la misma vida! LeydisProse 1/23/2018 https://m.facebook.com/LeydisProse/
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Jan 23, 2018
Jan 23, 2018 at 3:03 PM UTC
Piel Canela (pura vida)
Torna amore vela delicata e libera che occupi il pensiero della mia terra sto morendo sulla grandiosità di un fiume che è rosso di desiderio e vorrebbe travolgere il tuo amore.
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432
Torna amore
Cuando se fueron todos, yo me quedé a solas con mi alma. Plaza cuadrada, con su fuente sin una lágrima de agua. Balcones de piedra y de hierro. Tejados de teja dorada. Vencejos de la primavera por el aire de la mañana... Qué sosiego volver, hablarte, abrazarte con mis miradas, besarte la boca de tiempo donde el polvo seca la lágrima. Qué descanso poner mi oído sobre tu madera encantada, apurar las gotas de música de la caja de tu guitarra, recordar, preguntar, soñar ahora que nada importa nada... (Borro los pájaros. Enciendo un cáliz de oro ante una acacia Y, de pronto, un rumor lejano, como de mar que se desata, órgano de oro que libera sus ruiseñores y sus aguas, viento del sur que pulsa y sopla espigas y juncos y cañas... Ya los balcones solitarios se han poblado de hombres que cantan, de hombres que sueñan y se yerguen en el umbral de la mañana. Las flores doblan su carmín allá en las praderas lejanas. Las piedras sacuden el yugo de los siglos que las encantan. Todo resurge, clama, vive, mueve sus pies, pezuñas, alas, arde en la hoguera del instante, hinche los mares y montañas, desborda el tiempo, como un pájaro que abre la puerta de su jaula. Y, vencido el tiempo, en las manos de Dios se duerme, que lo canta...) Cuando se fueron todos, yo me quedé a solas con mi alma. Plaza cuadrada, con su fuente sin una lágrima de agua. Abril, blandiendo por el cielo su acero pálido de espalda. Qué sosiego tocarte, verte, abrazarte con mis miradas, apurar las gotas de música de la caja de tu guitarra, vagar sin fin y sin origen sobre tus piedras hechizadas... Andar sintiendo el alma muerta, Dios mío, ya sin esperanza
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381
Plaza sola
Cuando se fueron todos, yo me quedé a solas con mi alma. Plaza cuadrada, con su fuente sin una lágrima de agua. Balcones de piedra y de hierro. Tejados de teja dorada. Vencejos de la primavera por el aire de la mañana... Qué sosiego volver, hablarte, abrazarte con mis miradas, besarte la boca de tiempo donde el polvo seca la lágrima. Qué descanso poner mi oído sobre tu madera encantada, apurar las gotas de música de la caja de tu guitarra, recordar, preguntar, soñar ahora que nada importa nada... (Borro los pájaros. Enciendo un cáliz de oro ante una acacia Y, de pronto, un rumor lejano, como de mar que se desata, órgano de oro que libera sus ruiseñores y sus aguas, viento del sur que pulsa y sopla espigas y juncos y cañas... Ya los balcones solitarios se han poblado de hombres que cantan, de hombres que sueñan y se yerguen en el umbral de la mañana. Las flores doblan su carmín allá en las praderas lejanas. Las piedras sacuden el yugo de los siglos que las encantan. Todo resurge, clama, vive, mueve sus pies, pezuñas, alas, arde en la hoguera del instante, hinche los mares y montañas, desborda el tiempo, como un pájaro que abre la puerta de su jaula. Y, vencido el tiempo, en las manos de Dios se duerme, que lo canta...) Cuando se fueron todos, yo me quedé a solas con mi alma. Plaza cuadrada, con su fuente sin una lágrima de agua. Abril, blandiendo por el cielo su acero pálido de espalda. Qué sosiego tocarte, verte, abrazarte con mis miradas, apurar las gotas de música de la caja de tu guitarra, vagar sin fin y sin origen sobre tus piedras hechizadas... Andar sintiendo el alma muerta, Dios mío, ya sin esperanza
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Me gusta poesía en español me recuerda a los momentos en mi adolecía  cuando my madre y yo íbamos solas a la playa cuando mojadas nos acostábamos sobre la arena leyendo Sor Juana o Neruda Me gustan las guitarras me calman siempre ha ávido músicos en la familia para mi no es casa sin música sin que alguien cante o toque algo Segovia, Metallica, Violeta Parra, Led Zeppelin, Caetano, Ry Cooder, Pedro Infante baladas, corridos, salsa, bachata, samba, cumbia no hay alegria hasta que se libera el cuerpo sobre la pista de baile o en la cocina con una cuchara de palo batiendo el mole poblano mi sangre mixta a heredado tantos sabores y tanta riqueza de ideas y colores que no cambiaria nada me gusta a mi quien soy y quiero seguir creciendo y amando ser una ser humano
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Feb 8, 2021
Feb 8, 2021 at 9:44 AM UTC
Este Ser humano