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"lengthened" poems
Curls. Lengthened, stretching Auburn curls. Winding around the delicacies Of profound life. Growing incandescently In a newfound, unsound method. Vibrant with innovation, Yet in the same instance, arid. Questionable. Irresistible. Undefinable. Desirable. Allegorical. Many are awe-struck by this oracle -- She loathes her curls.
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Aug 29, 2015
Aug 29, 2015 at 4:07 PM UTC
Curls
And the trees about me, Let them be dry and leafless; let the rocks Groan with continual surges; and behind me Make all a desolation. Look, look, wenches! Paint me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas. Display me ****** above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails. Morning stirs the feet and hands (Nausicaa and Polypheme). Gesture of orang-outang Rises from the sheets in steam. This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip. Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face. (The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.) Tests the razor on his leg Waiting until the shriek subsides. The epileptic on the bed Curves backward, clutching at her sides. The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs. Turner intimates It does the house no sort of good. But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
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3.3k
Sweeney *****
And the trees about me, Let them be dry and leafless; let the rocks Groan with continual surges; and behind me Make all a desolation. Look, look, wenches! Paint me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas. Display me ****** above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails. Morning stirs the feet and hands (Nausicaa and Polypheme). Gesture of orang-outang Rises from the sheets in steam. This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip. Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face. (The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.) Tests the razor on his leg Waiting until the shriek subsides. The epileptic on the bed Curves backward, clutching at her sides. The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs. Turner intimates It does the house no sort of good. But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
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48
So gradual in those summers was the going of the age it seemed that the long days setting out when the stars faded over the mountains were not leaving us even as the birds woke in full song and the dew glittered in the webs it appeared then that the clear morning opening into the sky was something of ours to have and keep and that the brightness we could not touch and the air we could not hold had come to be there all the time for us and would never be gone and that the axle we did not hear was not turning when the ancient car coughed in the roofer's barn and rolled out echoing first thing into the lane and the only tractor in the village rumbled and went into its rusty mutterings before heading out of its lean-to into the cow pats and the shadow of the lime tree we did not see that the swallows flashing and the sparks of their cries were fast in the spokes of the hollow wheel that was turning and turning us taking us all away as one with the tires of the baker's van where the wheels of bread were stacked like days in calendars coming and going all at once we did not hear the rim of the hour in whatever we were saying or touching all day we thought it was there and would stay it was only as the afternoon lengthened on its dial and the shadows reached out farther and farther from everything that we began to listen for what might be escaping us and we heard high voices ringing the village at sundown calling their animals home and then the bats after dark and the silence on its road
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2.9k
The Speed Of Light
So gradual in those summers was the going of the age it seemed that the long days setting out when the stars faded over the mountains were not leaving us even as the birds woke in full song and the dew glittered in the webs it appeared then that the clear morning opening into the sky was something of ours to have and keep and that the brightness we could not touch and the air we could not hold had come to be there all the time for us and would never be gone and that the axle we did not hear was not turning when the ancient car coughed in the roofer's barn and rolled out echoing first thing into the lane and the only tractor in the village rumbled and went into its rusty mutterings before heading out of its lean-to into the cow pats and the shadow of the lime tree we did not see that the swallows flashing and the sparks of their cries were fast in the spokes of the hollow wheel that was turning and turning us taking us all away as one with the tires of the baker's van where the wheels of bread were stacked like days in calendars coming and going all at once we did not hear the rim of the hour in whatever we were saying or touching all day we thought it was there and would stay it was only as the afternoon lengthened on its dial and the shadows reached out farther and farther from everything that we began to listen for what might be escaping us and we heard high voices ringing the village at sundown calling their animals home and then the bats after dark and the silence on its road
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29
we got a goldfish, for my little boy. a tank, some coloured grit, three plants not two, must practise goldfish fung shu. all the water testing guff and of course a filter. a sunken ship and a treasure chest . we paid the pirate... and took our ***** home. so we set Bruce. ( for that was the name chosen). up in pride of place on sidboard. the list, above, was positioned after meetings of commision. water tested to the highest degree, filter fizzing, wizzing,whirring. Bruce swam in his bag in the tank, for a time as instructed. then released to a slightly larger freedom. he swam and swam, golden scales a flickerin. we, (that being, mr just about three and his dad) fed him, watched him poo, and eventually, read Bruce, a bedtime tale or two. one fish, two fish by Dr Suess went down a treat. the little man then, was bundled off to bed. thoughts of Bruce left our heads. the evening lengthened. we retired to sleep the sleep, of ignorance it conspired. for in our planning we forgot one thing. a devon rex cat, who has a bath weekly, a penchant for tuna, no top to the tank. so we thank the lord for Bruce. however, brief was his reign. now we introduce to you.... Murtle the turtle who has a glass pane, sitting above her head. just in case...... the cat likes, turtle soup.
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Apr 7, 2014
Apr 7, 2014 at 12:07 AM UTC
gotta goldfish
Let lore luster lax, Lingered love leavens. Let love loop lilac lei lavishly. Listen lovelorn lilt, laconic liken Lisping liturgy, limping litany. Litmus-leaking longing, languor lengthened.
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May 10, 2013
May 10, 2013 at 1:28 AM UTC
Lo, Lapiz Lazuli
(Plaster cast at Pompeii)                                     [THE TOUR GUIDE]                 *“Ladies and gentlemen, here we are at Pompeii's                 fabled Thermal Baths where heated water was                 passed through duct work in the walls.  One can                           imagine Nero himself stopping here on one of                             his visits.”* [BONITO] Bonito stepped out of the bathhouse and looked up. Vesuvius rumbled - shaking ash and fire skyward. Breaking into a run he sought the south road, glancing back anxiously at the vast dark cloud billowing down the mountain.                 *"The principal city roads were recessed                 and wagons were required to have standardized                 wheelbases and clearances to fit in channels cut                 into the stone.  Follow me please to the residential                 area.”* He gained the road and his feet pounded the stones of the “via stabiana.” The cloud multiplied and fell on the city. Ever deepening layers of ash clogged Benito’s path. Heart pounding in his chest he lengthened his strides.                 *“Leaving the opulent villas with their spacious                 atria, we now enter the market area where we                 shall see a display of remarkable interest.  During                 excavations, empty spaces were discovered in                 the ash deposits.”* The rising ash captured his left leg. Bonito inhaled the fiery air and ****** forward into a burst of falling soot but was unable to finish his stride.                 *“Archaeologists poured plaster into the voids                 revealing the outlined bodies of Pompeiins                 trapped in their final moments.  Take, for example,                 this man caught in mid-step with no time                 to escape the life choking dust.”* June, 2006
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Jul 30, 2013
Jul 30, 2013 at 1:32 PM UTC
Vesuvius (Bonito and the Tour Guide)
(Plaster cast at Pompeii)                                     [THE TOUR GUIDE]                 *“Ladies and gentlemen, here we are at Pompeii's                 fabled Thermal Baths where heated water was                 passed through duct work in the walls.  One can                           imagine Nero himself stopping here on one of                             his visits.”* [BONITO] Bonito stepped out of the bathhouse and looked up. Vesuvius rumbled - shaking ash and fire skyward. Breaking into a run he sought the south road, glancing back anxiously at the vast dark cloud billowing down the mountain.                 *"The principal city roads were recessed                 and wagons were required to have standardized                 wheelbases and clearances to fit in channels cut                 into the stone.  Follow me please to the residential                 area.”* He gained the road and his feet pounded the stones of the “via stabiana.” The cloud multiplied and fell on the city. Ever deepening layers of ash clogged Benito’s path. Heart pounding in his chest he lengthened his strides.                 *“Leaving the opulent villas with their spacious                 atria, we now enter the market area where we                 shall see a display of remarkable interest.  During                 excavations, empty spaces were discovered in                 the ash deposits.”* The rising ash captured his left leg. Bonito inhaled the fiery air and ****** forward into a burst of falling soot but was unable to finish his stride.                 *“Archaeologists poured plaster into the voids                 revealing the outlined bodies of Pompeiins                 trapped in their final moments.  Take, for example,                 this man caught in mid-step with no time                 to escape the life choking dust.”* June, 2006
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38
“Quite a piece this doesn’t come along every day”He was tapped into her forever mores or heretofore reservoirs of passion.The creme de la creme her pursed mouth prim. She couldn’t wait to lick him higher watering his rim. But after he breaststroked with her he has taken a bite fresh ****** fruit she broke. He spends all his time extolling her virtues, what’s left the first virtue ****** painting feast. For his eyes *** all day. Planting her nest.Lay Lady lay. He made this avocado melting pot-her fondue smelling hot what’s next to pursue such charm. His ears pierced like a fire alarm. blazing the fireplace. Her blush deepened like she was diced. To the ******** Asking for so much more.You were wearing your erotically to die for **** me shoes.He was the Hollywood ******* I was going to *** crave you knock you down. Like the colonel of **** mustard spicy so **** hot.His hair deep brown. He lengthened got bigger what a shot. How the carpet just spread me to bounce my buttocks.She tried so hard to lay everything out from his bowl his manly sword like a dual. He steamed out like Maddocks  Taurus bedroom eyes of the bull. So much to roll her feet heated so penetrated him to the floor.The rain was heavy and thick dripping with your creamy avocado puddle
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May 3, 2017
May 3, 2017 at 9:08 AM UTC
KiKi Avocado
It was your turn to wake me, your arched back stretching, muscles flexing as you lengthened your limbs towards me, covering my skin with yours, in creases that whisper, good morning
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Mar 23, 2014
Mar 23, 2014 at 2:30 PM UTC
Good Morning
It was just a wall they were just kids writing “freedom” but those words delivered an invitation to test what that meant It was a tipping point in the struggle to understand the breathing pattern of liberation and freedom they soon understood that first comes an exhalation jubilee the ecstasy of that introductory spark Maybe soon there will be fireworks-- inhale. one long inhale swallowing the spark whole I wonder if they understood when they pulled off their fingernails when they tore flesh when they burned cigarettes on their skin when they drove them into the cold and blackness This inhale has not been released creating a vacuum of fear explosions writing 2 years of war more than 70,000 dead 1,000 children 80,000 displaced if you looked up just once you would see Sleeping Beauty the little girl, so restful she seemed if you don’t ask how she died if you looked at her hands, her hair, her face and refused to look away If you lengthened your drifting attention span you would see her and us children, in the cold and blackness Learning to breathe again after watching our best friend being shot or cousin tortured this repetition doesn’t make anything easier this infinity of sorrow doesn’t shrink the farther you venture on and as you watch this supposed infinity through a screen do not cease to be in content with its vastness I know what infinity feels like and it is heavy the bruises on my back are noble and I do believe my own children will one day tell of them with pride on their tongues but I cannot balance this weight on backbone alone they have burned my flesh they have charred my heart but I know the difference between machine guns and open palms clawing at the stars they can come at me a million times but someone will take my place and hundreds will take theirs because their smoke can only clear but our flame has been born within us We are candles in the sky no matter how hard you blow you cannot win our flame will not die.
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May 10, 2013
May 10, 2013 at 9:57 PM UTC
Fire in Syria
It was just a wall they were just kids writing “freedom” but those words delivered an invitation to test what that meant It was a tipping point in the struggle to understand the breathing pattern of liberation and freedom they soon understood that first comes an exhalation jubilee the ecstasy of that introductory spark Maybe soon there will be fireworks-- inhale. one long inhale swallowing the spark whole I wonder if they understood when they pulled off their fingernails when they tore flesh when they burned cigarettes on their skin when they drove them into the cold and blackness This inhale has not been released creating a vacuum of fear explosions writing 2 years of war more than 70,000 dead 1,000 children 80,000 displaced if you looked up just once you would see Sleeping Beauty the little girl, so restful she seemed if you don’t ask how she died if you looked at her hands, her hair, her face and refused to look away If you lengthened your drifting attention span you would see her and us children, in the cold and blackness Learning to breathe again after watching our best friend being shot or cousin tortured this repetition doesn’t make anything easier this infinity of sorrow doesn’t shrink the farther you venture on and as you watch this supposed infinity through a screen do not cease to be in content with its vastness I know what infinity feels like and it is heavy the bruises on my back are noble and I do believe my own children will one day tell of them with pride on their tongues but I cannot balance this weight on backbone alone they have burned my flesh they have charred my heart but I know the difference between machine guns and open palms clawing at the stars they can come at me a million times but someone will take my place and hundreds will take theirs because their smoke can only clear but our flame has been born within us We are candles in the sky no matter how hard you blow you cannot win our flame will not die.
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79
The time of year has grown indifferent. Mildew of summer and the deepening snow Are both alike in the routine I know: I am too dumbly in my being pent. The wind attendant on the solstices Blows on the shutters of the metropoles, Stirring no poet in his sleep, and tolls The grand ideas of the villages. The malady of the quotidian . . . Perhaps if summer ever came to rest And lengthened, deepened, comforted, caressed Through days like oceans in obsidian Horizons, full of night's midsummer blaze; Perhaps, if winter once could penetrate Through all its purples to the final slate, Persisting bleakly in an icy haze; One might in turn become less diffident, Out of such mildew plucking neater mould And spouting new orations of the cold. One might. One might. But time will not relent.
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1.7k
The Man Whose Pharynx Was Bad
I hope you've heard my love hiding inside the melody that Donny Hathaway plays From every poetic note folded amongst the ivory keys plucked This heart writes light like butterfly wings fluttering in flight But it's heavy when I barely see you So, my vision grows old like my wishes of us Weakened only by fleeting time Yet. lengthened Like desires that chain-link hopes to the wildest dreams along far streams You could say I'm always in your hair Wherever the strands flow, I follow its fibers feverishly Strung along by song of nature so strong, that I'm in a Pinocchio-state, made to move by your voice A puppet parroting psalms to praise your personage In the richness of your favor In the hour of knowing It's been a minute And time is indeed money Every second counts when I'm around your golden smile I wish I could play this track forever Or rewire my brain to rehearse every one of your favorite verses Be the B-side of your cassette And rewind to the best moments Unwind together. Ifeanyi N. Okoro II © 2018
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Sep 7, 2018
Sep 7, 2018 at 10:18 AM UTC
"In Tune" - 9.7.18
The disposable razor, judders across unshaven skin and sprouting hair is defeated, left to sink into the drain and far away from me. This I do for you. On goes the shampoo, the conditioner, the body lotion (with that sweet fresh smell), the liquids streaming off of me with a scent I know well. It's the scent of the night before. The day before you and I choose each other, once again to spread laughter and cure boredom. It is for this that I bear this small portion of self mutilation. The hair is then burnt, or brushed or bent, as I twist it round resisting bristles. All done in case you wish to nestle there. An outfit is chosen, discarded, then re-picked to a constant monologue: RedNOworethatonelasttime...OH GOD WHERE IS IT fuckbloodypooandAAAH, perhapssomepurpleTHATONEnodoesn'tgononoNoNONOONOO blahblahblah. (well, you get what I mean) (If not...damn. Just me then?) It's all for you. Colours smeared onto face, flowers pierced into skin, eyelashes lengthened, the trace of muscles etched into willing legs and abs... This I do for you. And it's worth it, though you'll never quite know the effort with which it takes, to replace a sleep deprived villain with a semi attractive teen. You'll never know, but it's worth it. "You look nice today" is enough to make me quietly preen for hours with joy. A look of appreciation as you nuzzle in can make the pain of straighteners and razors scorch into unyielding flesh. A kiss on the neck which has been foundationed and sculpted for your enjoyment enough to make me arch like a swan. It's enough. So, this I do for you.
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Sep 27, 2013
Sep 27, 2013 at 8:33 PM UTC
'Date Night' Rituals
The disposable razor, judders across unshaven skin and sprouting hair is defeated, left to sink into the drain and far away from me. This I do for you. On goes the shampoo, the conditioner, the body lotion (with that sweet fresh smell), the liquids streaming off of me with a scent I know well. It's the scent of the night before. The day before you and I choose each other, once again to spread laughter and cure boredom. It is for this that I bear this small portion of self mutilation. The hair is then burnt, or brushed or bent, as I twist it round resisting bristles. All done in case you wish to nestle there. An outfit is chosen, discarded, then re-picked to a constant monologue: RedNOworethatonelasttime...OH GOD WHERE IS IT fuckbloodypooandAAAH, perhapssomepurpleTHATONEnodoesn'tgononoNoNONOONOO blahblahblah. (well, you get what I mean) (If not...damn. Just me then?) It's all for you. Colours smeared onto face, flowers pierced into skin, eyelashes lengthened, the trace of muscles etched into willing legs and abs... This I do for you. And it's worth it, though you'll never quite know the effort with which it takes, to replace a sleep deprived villain with a semi attractive teen. You'll never know, but it's worth it. "You look nice today" is enough to make me quietly preen for hours with joy. A look of appreciation as you nuzzle in can make the pain of straighteners and razors scorch into unyielding flesh. A kiss on the neck which has been foundationed and sculpted for your enjoyment enough to make me arch like a swan. It's enough. So, this I do for you.
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52
While I drive left-handed you scratch at the white clouds drifting out on the growth of my fingernails, and rub salient fire down tendons toward fingers of gnarled roots and less a hand, than work incarnate- in essence of character. In lines, in worried skin and flattened bones: the misshapen unity of labor in lengthened phalanges. You speak to me about how getting older means: you can always remember a better time than now and about the city of angels who never sleep, staring open eyed, hazy with intangible halos. How is mans great struggle now with society and no longer himself? As the sharp angles of the road drive our skin to tight contact, I find myself in the air between your breath and sweat slickened palms.
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Aug 2, 2011
Aug 2, 2011 at 11:04 PM UTC
My Place in Time
He lay there in a ***** unkept ball, Having surrendered to the pavement. Wisps of stringy brown hair Covered the lines on his sunken in face, His yellow smoked eyes, rheumy and blurred, His vision hazy, like a punch-drunk boxer. Kathleen Harmon sashayed by With nary a glace downward. Once they were equals, When they sat together During high school Chemistry. Time slowed from a Tango to a Waltz, As a drop of saliva Kissed the pavement. Stringing there from his cracked, parted lips. His tangled brown whiskers, Patchy on his cheeks, Had lengthened with the passing days Since their last meeting with a razor. Nikes, Prada, and Gucci Ignore him in passing All sports, fashion, and business meetings; On the clock, and self-absorbed. Dusk marked the sky With a violet crayon Worn to a nub, Then worn to nothing. A sudden thud startled him awake! Then blackened hardwood stunned him as it bit into his ribs! A caustic voice berated his slumber, A navy blue reminder that even surrender was no escape.
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Sep 21, 2019
Sep 21, 2019 at 8:23 PM UTC
Dusk
The effortless leaf fluttered in the wind, its premature disconnection being the cause of sadness for the caterpillar. The shadow of the old cottonwood had lengthened, and its roots tunneled ceaselessly in the obscured grass. A bird summoned forth the air, and filtered her back out, having her carry the daily song. The dog’s ear lifted slightly as the whir of a bike chain became audible for a short time. Sleep rediscovered him swiftly. The field slowly absorbed the flooded acequia water. Ducks discovered a temporary haven. She sat in the shade, the dog panting by her side. The soft light caressed her exposed skin in the loose summer dress. She squinted up at the blur of a bicyclist, smiling. The earth swiveled slightly. The leaf had found the ground. The caterpillar had long been pecked by a cheery, singing bird. The shadow of the tree, now extending in the acequia grove, faded with the dying light. The dog now slept inside the old house, abandoning his domain at the fence corner. The ducks found new water, as the field sighed with relief. She walked her dog back to her yard, wishing the bicycle had not been moving quite so fast.
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Oct 11, 2011
Oct 11, 2011 at 10:13 PM UTC
Late Afternoon
The path winded through the jungle their tread was cautious slow Walk they must still a long way till the sun goes down below They carried with them precious merchandise monies earned from trade What dangers lay on their way what would befall them they were afraid. They walked ceaseless in worried face their words broke the silence The shadows lengthened it bothered them still long was the distance As luck would have it there came along a retinue of tradesmen They too were heading the same way carrying with them trade's gain. *Thank god we have met you for we carry with us good treasure The way is not safe we have heard dangers lurk in immense measure We would be secure if we travelled together in large number's strength For our wealth we must safe keep till we reach the journey's length.* As was proposed so was done they befriended and resumed their way Warmly chatting sharing anecdotes not knowing when passed the day When came evening they halted at a place set up camps there  for the night Unburdened themselves for rest and gossip enveloped in glow of moonlight. They discussed business profits bargains the many losses and gains in deals Smoking hookahs chewing betel leaves passing time till served their meals When dinner was over they sat together shrouded in smoke and night's song Basking in friendship not once doubting tomorrow would never come along. *Behind each man sat another one a silent sign game was on play Eyes roamed on eyes death in disguise waited to fall on its prey Then came one call ominous and small a voice said let's take break In one clean swift sweep fastened handkerchiefs strangled the unaware necks.* In less than a minute stopped each heartbeat with such precision was it made Bodies lay still the hunters got their **** without much struggle and bloodshed. They buried each corpse leaving no trace the two groups became one In the name of Kali they had used the noose got the ***** for a job well done.
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Dec 11, 2013
Dec 11, 2013 at 12:15 PM UTC
The Stranglers
The path winded through the jungle their tread was cautious slow Walk they must still a long way till the sun goes down below They carried with them precious merchandise monies earned from trade What dangers lay on their way what would befall them they were afraid. They walked ceaseless in worried face their words broke the silence The shadows lengthened it bothered them still long was the distance As luck would have it there came along a retinue of tradesmen They too were heading the same way carrying with them trade's gain. *Thank god we have met you for we carry with us good treasure The way is not safe we have heard dangers lurk in immense measure We would be secure if we travelled together in large number's strength For our wealth we must safe keep till we reach the journey's length.* As was proposed so was done they befriended and resumed their way Warmly chatting sharing anecdotes not knowing when passed the day When came evening they halted at a place set up camps there  for the night Unburdened themselves for rest and gossip enveloped in glow of moonlight. They discussed business profits bargains the many losses and gains in deals Smoking hookahs chewing betel leaves passing time till served their meals When dinner was over they sat together shrouded in smoke and night's song Basking in friendship not once doubting tomorrow would never come along. *Behind each man sat another one a silent sign game was on play Eyes roamed on eyes death in disguise waited to fall on its prey Then came one call ominous and small a voice said let's take break In one clean swift sweep fastened handkerchiefs strangled the unaware necks.* In less than a minute stopped each heartbeat with such precision was it made Bodies lay still the hunters got their **** without much struggle and bloodshed. They buried each corpse leaving no trace the two groups became one In the name of Kali they had used the noose got the ***** for a job well done.
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28
I anticipate that on some distant roof there must be a man waving two distinct flags, so as to direct the flock of birds flying above me.  Crossing his arms, the fabric folding and slipping against itself in the wind, making a noise of snaps and swooshes and billowing. This thought suddenly makes my jacket seem oversized; the sleeves feel lengthened, drooping over my hands, as though I were still a child at play, putting on father's army jacket on Sunday morning before church; him in a dress shirt and black suspenders, shaving in front of the steamy bathroom mirror. And I notice that I can see my breath as it escapes the sauna of my insides. It disperses into the February air— no man waving flags on a distant roof somewhere to keep its molecules from scattering in every direction.
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Aug 9, 2010
Aug 9, 2010 at 12:05 AM UTC
On Losing a Loved One
A hundred well-metered verses written, In praise, fall too short, in numbers too few; And with the lengthened thoughtless hours smitten, I stay charmed with her eye's impatient hue. Blind will I go and believe all your lies, A death will I die for each of your eyes.
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May 6, 2019
May 6, 2019 at 10:02 AM UTC
A Pair of Black Eyes
Thank you For the flashbacks The recurring theme The cursed motif I hailed into the closet From behind the sheets I could not comprehend The depression Though I knew its extents The contents Of its origin I could not mend You lengthened the bend Thank you For setting fire to my heart The ultimate pyre I’ve been reborn And forever shall your Essence lift to the tops of trees And, looking for breeze, Sink instead to the dirt And sweating leaves Of parchment you shall never read The scripture that strengthens My soul- The harmonies that have turned me Inside out And allowed me to see My heart deformed Reformed You will rest in rot Yellow And Decay Thank you for Dangling the wrench Challenging me to endure The extraction of teeth I am removing I am re Moving My love And loyalty And sensuousness From the snares Placed in vain My veins run clean I am recreating A scene A feature A fissure Between life And death I am Fire Rain The original Spring I am swelling forth And catching flies I am making prints On earth and sky I am giving birth To myself I am here Hear me, Thank you For throwing me down The stairwell And creating the echo That woke me And burned me And washed me Clean.
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Oct 8, 2015
Oct 8, 2015 at 2:42 AM UTC
To my First Love and Second Lover: Thank You for the Flashbacks
The Road ahead I prepare to travel Full of holes and moles  between metal and gravel Replete with a series of frightening bumps I have to drive anyway over the stumps Roads are lonely and instill awe Never tell the journey leads to where Most often tend to paint despair Makes one bewildered how to care The hope of meeting an exotic fairy not bothering the journey how dreary Hope and expectations keep us moving meeting somebody so caring and loving The road becomes lengthened and Goal post is far from sight still I have no choice but to cross the bend to continue the journey with all my might
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Sep 11, 2010
Sep 11, 2010 at 9:00 PM UTC
The Road Unbeaten
The days when I could grasp life around the hips (and hang on as she strode through sunburnt suburbia, keeping bare feet free of puddles and chalk) were long surrendered when my legs lengthened into those restlessly swinging stalks that grew down just to kick up their roots at the possibility of roads vibrantly unfamiliar from what they've known. Once soft sapwood, all pliant and green we had no wit to appreciate these pains and aches as muscles break, tear with every step and repair themselves only to creak the next day in protest and celebration, each smile born of fear and exultation. This is my new way to feel contained and stable: as I grab your hand and slip under the library table. There, hush sound is our breathing deep to laugh harder and stronger, silent and crouching alive together here, our legs feel like heartwood, the sturdy stuff that only softens to ash when our stomachs catch fire.
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May 4, 2013
May 4, 2013 at 9:49 PM UTC
Heartwood
My life crosses that of a star, and is lengthened. Brightly she guides- invisible scars that have strengthened, Her insights, her listening lightness, her giving, As absorbing the rays of the Sun, I will take them.
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Aug 30, 2010
Aug 30, 2010 at 5:57 PM UTC
A Gratitude, and It's Wish to Return
She saw the anticipation in his eyes as she led gray horse from the stable. No reins or saddle today she thought, and stepped from the fence to straddle his bare back. Her hands wrapped in his silky mane, her thighs pressed against him, they rode smoothly through trees, enjoying the earthy smell of the forest floor. They climbed toward the mountain meadow, while she matched the stallion's rythm,   moving with him, feeling his strength, tightening her grip as his stride lengthened. Almost there she thought, just a little farther. Suddenly they were over the ridge, and galloping into the pungent meadow filled with the blossoms of wild flowers,   and the lush green grass of summer, and into an explosion of scents and sunlight.
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Mar 1, 2013
Mar 1, 2013 at 4:01 PM UTC
Spring dreams of summer...
We love in reverse. The way that doesn’t make sense. Because the extensions of my body don’t reach toward you, but away. The lines bend back and not forward, twisting me into positions that I’m not supposed to be. And when I walk the floor pushes me away heel, ball, toe Instead of welcoming me comfortably toe, ball, heel. And I know this isn’t the way this is supposed to feel. But I still need you to correct me. Place your hand underneath my chin and tell me the floor is not my audience. Close the curtains on the mirror and make me trust. This dance is just between the two of us. Then focus in on my shoulders, push them down and make my collarbones appear stronger. Stroke my sternocleidomastoid as I épaulment and tell me that it’s the most beautiful muscle to see. Run your hands down my arms and create the energy that is supposed to flow from my fingers as they reach for arabesque. Move next to my torso. Hold my abs together to keep my spine aligned. Then move your hands in a soft semi-circle from the inside of my thighs and turn them out. Hold my knees over top my toes in the perfect plié. And then straighten them to the most lengthened position they could be, leaving them with nowhere else to go but up. Help my feet and heart to soar as they push off the floor and then you’ve set me free. Lean your back against the barre and watch me dance your taunting choreography perfectly. You have made me love what I do because every time I dance I do it for you. When I close my eyes I imagine you behind me guiding my soul and showing my body where it ought to be. You hold me tight as I lay my head back against your invisible chest and I inhale, take one deep breath before you send me spinning back into the room. I can feel you with me, but you’re never really there. So I push away the air with my hands knowing that with one more arabesque you won’t be able to resist this chance. Because my smile is always aimed in your direction when I practice your steps, your breath, your moves. Only for you will I seek this perfection. And the dance goes on and on; never ending. And I’ll keep feelings things that I know not to feel, keep walking toward you all heels No toes Because without you this is a dance I don’t know. The extensions are fake and the lines not real. But that is love in reverse. The combination always looks ten times worse. So I’m hoping that you’ll step out of the shadows and take me back To the dance we rehearsed.
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Oct 6, 2013
Oct 6, 2013 at 11:07 PM UTC
Last Dance
We love in reverse. The way that doesn’t make sense. Because the extensions of my body don’t reach toward you, but away. The lines bend back and not forward, twisting me into positions that I’m not supposed to be. And when I walk the floor pushes me away heel, ball, toe Instead of welcoming me comfortably toe, ball, heel. And I know this isn’t the way this is supposed to feel. But I still need you to correct me. Place your hand underneath my chin and tell me the floor is not my audience. Close the curtains on the mirror and make me trust. This dance is just between the two of us. Then focus in on my shoulders, push them down and make my collarbones appear stronger. Stroke my sternocleidomastoid as I épaulment and tell me that it’s the most beautiful muscle to see. Run your hands down my arms and create the energy that is supposed to flow from my fingers as they reach for arabesque. Move next to my torso. Hold my abs together to keep my spine aligned. Then move your hands in a soft semi-circle from the inside of my thighs and turn them out. Hold my knees over top my toes in the perfect plié. And then straighten them to the most lengthened position they could be, leaving them with nowhere else to go but up. Help my feet and heart to soar as they push off the floor and then you’ve set me free. Lean your back against the barre and watch me dance your taunting choreography perfectly. You have made me love what I do because every time I dance I do it for you. When I close my eyes I imagine you behind me guiding my soul and showing my body where it ought to be. You hold me tight as I lay my head back against your invisible chest and I inhale, take one deep breath before you send me spinning back into the room. I can feel you with me, but you’re never really there. So I push away the air with my hands knowing that with one more arabesque you won’t be able to resist this chance. Because my smile is always aimed in your direction when I practice your steps, your breath, your moves. Only for you will I seek this perfection. And the dance goes on and on; never ending. And I’ll keep feelings things that I know not to feel, keep walking toward you all heels No toes Because without you this is a dance I don’t know. The extensions are fake and the lines not real. But that is love in reverse. The combination always looks ten times worse. So I’m hoping that you’ll step out of the shadows and take me back To the dance we rehearsed.
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