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Madisen Kuhn Apr 2014
i wasn’t feeling okay

so i put on my overalls and went
outside 

to wander around my backyard,

trekking around in clunky rain boots

as i hummed and tried not to think
i like to write
 little notes

on the leaves that are now 

changing colors
and when i’m done

i let them
fall

so i can flatten them

beneath my heel

till the small words

are crinkled and no longer legible
amongst the dirt and grass
and so desperately,
i wish i could

let the thoughts in my head

fall
to the ground

so i could flatten
these
 pitiful feelings

beneath my heel

until they were no longer legible

amongst the hurt and hopefulness 

in my heart
written on 11/4/14
Scarlet McCall Jun 2017
An abstract of an academic paper written by a doctoral student: "In this semimanifesto, I approach how understandings of quantum physics and cyborgian bodies can (or always already do) ally with feminist anti-oppression practices long in use. The idea of the body (whether biological, social, or of work) is not stagnant, and new materialist feminisms help to recognize how multiple phenomena work together to behave in what can become legible at any given moment as a body. By utilizing the materiality of conceptions about connectivity often thought to be merely theoretical, by taking a critical look at the noncentralized and multiple movements of quantum physics, and by dehierarchizing the necessity of linear bodies through time, it becomes possible to reconfigure structures of value, longevity, and subjectivity in ways explicitly aligned with anti-oppression practices and identity politics. Combining intersectionality and quantum physics can provide for differing perspectives on organizing practices long used by marginalized people, for enabling apparatuses that allow for new possibilities of safer spaces, and for practices of accountability."--an abstract of a paper by doctoral student Whitney Stark

Atomic particles, how can it be so
that your purpose is not just to flow
in and out of existence, building reality--
the stars, cosmic gas and galaxies--
but to “ally” with groups of humans fighting “hierarchies”
and demanding “safe spaces”
(even though their entire race is
at the top of their planet’s food chain).

In this mysterious universe there is no safety,
accountability or identity,
only elements, and energy.
Brief combinations make life
legible for a nanosecond in cosmic time, and doomed to strife.
Biology does not know oppression,
only generation, reproduction,
until our growth chokes us and we fall
like so many of our ancestors, who lived and died
on this blue-green ball.
And one day the sun will explode and blow
even our atoms, which have endured (despite oppression),
and the particles will go far until maybe they sow
new life, in bodies unfamiliar, on planets unknown.
In fairness to Whitney Stark, right-wing groups mislabeled her paper as an attack on Isaac Newton. She was ridiculed as anti-science and a dogmatic feminist.  In fact Stark is referencing quantum physics, which may contradict Newtonian physics to some extent. I really wanted to read what she wrote as a playful attempt to draw a parallel between quantum physics and non-hierarchical organizing, but her jarring repetition of politically correct catchphrases and slogans shows this is only an attempt to submit to the current academic authoritarianism that has taken over women's studies and many other fields--perhaps even universities as a whole--so that professors merely recite a dogma of oppression rather than questioning and exploring.
ryn Sep 2014
Toting the mysterious bundle and sporting a sore back
I drag my feet up the last few steps, expended of vigour
I almost couldn't resist prematurely looking through the sack
Remembering the words from the wise old seer

Grimacing I walk a slow gait to get to the table
Set the bundle down and relieve my weight onto a chair
Parched throat but wait longer I am unable
Curiosity takes charge and into the gift I will tear

Blood is pumping along with an increasing heart rate
Fingers scrambling clumsily over the strings that bind
Nails digging frantically into this package bearing my fate
Gnawing thoughts of uncertainty flooding my mind

At last my fingers win the battle that lasted
The final string has fallen... Obstinate knots all undone
I pick the cloth by the edges to have it unfolded
The contents inside reach out like rays of the sun

Corners of the cloth open up like a fully bloomed blossom
Exposing the treasure that lay solemn and quiet inside
Common objects we'd normally perceive as random
Petty things now important as they attempt to guide

I pick up the first and notice an engraving on it's stem
Between my fingers - an unassuming feathered quill
Barely legible, such little space the words do cram
"Here is your sword... Draw blood and let spill"

More riddles, I sought to examine the next
A flat bottomed vial filled with jet black ink
On it is a label with scrawling of time worn text
"Here is your blood; let flow what you think"

Lastly, lay bound up sheets of yellow stained parchment
They reek of age-old herbs; intoxicating slightly
At the top of the first, a note scribbled not so recent
"Within these pages, you must bleed to find Sanctuary"

Staring down at the objects laid in front of me
In hopes of discovering something I should miss
Then finally it struck me, so plain to see
I'm using the instruments now, writing to find release...
See "Dear Mystic"
See "Dear Seeker"
See "Sanctuary"
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Samantha Sep 2013
Outcasted kid with purple hair

Albeit not the kind of violet
That made your nostrils drip
With a watery ambrosia
Sugary enough to belong to a bee

And not the kind of
heavy, royal, omnipresent
contentment plum presents as a
molten lava
perfecting the pockmarks in the pie

My tendrils were not reminiscent of
home or
anything savoury so

I tangled them in tiaras
belonging to some Duchess' daughter or
one of Henry's wives or

Maybe twined them round
Frita's pallet and
Dyed my scalp a more pleasing hue or
Anything other than purple

Because purple was what I was not
Purple was Lilacs and
Pansies and Heliotropes and Tulips and
Lavender and

That little wild flower aforementioned

whose name I can't bare say
for the sake of
a humble beauty
such as hers

'twould be a shame to make comparable
To the wet-dog-fur look
Of my purple hair

And so I learned to get lost

In a past I always felt my own
Traveling continents and
Floating through eons

While my classmates  coloured in
British Columbia and
Where is Nunavut again?

Growing, I gained companions

A faery,
Athena,
Aslan and
Frodo, Einstein, Plato,
Theodore Geisel, Mahatma Ghandi
and Louis Leakey, Jamal Dewar,
Joan of Arc and John Lennon and
it all became
more complicated

Because my world was in flux
Oh it ebbed and it flowed and it expanded
Like the molten plum but this time
It really was more like lava

Assuredly you'll understand;
See the seams in our stitching!
Our Worlds are sewn together!

And as much as we would like
to cling to our
individualism

at some point we all must
accept that there is
but one

Intrinsic as our innards
Are our atoms and
Electrons and
mine are yours and
yours are hers and
ours together are all of the stars and
it really is
beautiful

At some point the twisting shroud
The squeezing and contracting -
of the world inside my head and
the world inside my eyes and
the world I was walking around in
and the world that I saw above me -
it tensed then halted
and became very dense
then melted

What a glorious
Ubiquitous, secure and everlasting amalgamation!
I opened my eyes
To find Van Goghs Scissors
All bloodied still and so
I cleaved my purple hair

But to find Hieronymus' oils and
watercolours so
I made my skin a hellish canvas
Painted all in yellows and blues
Without a hint of purple

Now from shoulders to forearm to wrist
from breast to navel to hip
from thigh to calf to foot
legible as anything are
lines that lilt and gleam
sighing songs of
devils and cherubs alike
and of sparrows and snakes

So after heaven is hell
and after hell is Nirvana
And Manna is as good as dirt
if Ambrosia is but
the spit of a bee

It all always works out
Because at the end comes
Death and after that
We don't know
But I do know that
I don't know
Much at all to begin with

Except for four things, almost assuredly:
1. Energy is all
2. I will never cease to find shouting at people from my bedroom or a car window amusing
3. My mother loves me more than anyone
4. Nothing is certain, except for uncertainty
I feel relieved of some burden wowza! Time to clean my room. Have a good day dearest readers and content skimmers.
Oft I remember those I have known
In other days, to whom my heart was lead
As by a magnet, and who are not dead,
But absent, and their memories overgrown
With other thoughts and troubles of my own,
As graves with grasses are, and at their head
The stone with moss and lichens so o’er spread,
Nothing is legible but the name alone.
And is it so with them? After long years.
Do they remember me in the same way,
And is the memory pleasant as to me?
I fear to ask; yet wherefore are my fears?
Pleasures, like flowers, may wither and decay,
And yet the root perennial may be.
mark john junor Jan 2014
there's a hard silence here
and there is a fresh echo of the dim kitchen light
in the ***** linoleum tiles that zigzag the floor
even the air feels broken as it limps slowly
through the room
i stop near the door upon entering
and gather myself
like a ragman gathering the tattered remains
stitching the fragments of self with the thread of awareness
weave the image of self into the reality of the moment
with the hesitations of someone who has lived this moment too many times'
it will come to naught
she is alive but her heart is dead
the dust on my worn coat is from the graves of my
fallow field where we once laid a crop of hopes
but i cannot abandon her to this barren place

i know i perceive only the narrow sunstricken pages
faded and stained with the words legible only to the hardy eye
but its the deeper tale which
even the gardener of times bloodstained trophy's
would fear to tread
his leather shod hands worry the intricate gears
of the mechanical face she wears
he manipulates it to wear a lopsided grin
pantomime of happiness for my birthday
but i watch the vacant places behind the face and see that
with a blemished mechanical eye she looks out over the oncoming
evening through the livingroom window
its cracked and ***** surface turns
the setting sun into a parody of dawn

she greets me but just stares out the window
as if she is waiting a lovers return
i stand infront of her blankly
we wait for the hours to pass
i fix her tea even though it isn't broken
and make small talk
as she makes mechanical sounds
till she sleeps
i leave with the dawn
and make my way to my own bed at last
to fend off dreams that something somewhere could be different
and wake to the sorrowful song of a passing bard
his thin feet dancing on a moonlight hilltop
meant for lovers only
and he is dancing alone
alone
Danny Valdez Dec 2011
I keep coming across these guys
on the bus
walking the streets
they’re just about everywhere
I am.

Sitting across from one of ’em
on the city bus
spooks me down to my core.
They’ve got slicked back
greasy hair
that’s turning gray,
tanned skin from walking in the sun
too much.
Old-style tattoos up and down
their arms
that are blurry and faded green
women’s names are no longer legible
in the little banner around
a simple heart tattoo.
I always wonder where
their women went
cause they never have one
next to them.

Sitting across from this guy,
he takes a good look at me too.
My slicked back, greasy hair, pale skin, and new old-style tattoos.
It’s like he’s lookin’ back
and I’m lookin’ forward
to a future that just might end up
being my own.
I see these men
down & out,
rolling ****** Top Tobacco cigarettes
with brown & yellow fingertips
pregnant little toothpick smokes
with loose ends that spill tobacco
all over their laps
on their faded grey-used-to-be-black
rustler jeans
the cheap kind from K-Mart.
I see these men
and it terrifies me
to think
that could be me and my future.
It could be me.
If I don’t get my **** together.
Cause
right now
today
as I get ready to pull this sheet
from the typewriter and catch the
2:48 p.m. bus
I am going nowhere
Fast.
**** me.
I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.
Written: October 2012.
Explanation: A poem written in my own time, also available on my WordPress blog. An excerpt of this piece was uploaded as a Facebook status update.
Sora Mar 2014
Labels. Square. Cut. Legible enough to judge.
To rank and trivialize, hollow out a once million dollar view.
Leave only the shattered confidence and trampled mind to litter the scene
The roof of a skyscraper seems inviting with a
neon sign reading "Thank society for this."
You find yourself weeping, attaching, flooding your gates
To this sign, next to where you're going to surrender
Because no letter, no word, no other human
could grab your slit wrist  and lead you away. To say
"**** the square, cut, legible enough to stand scenery. Stop painting with your running blood"

Go with a plastic bag.
No- not over your head. Pick a size off the shelf
Now pour that million dollar view you make up in the bag.
Drip a few branches and some lamp posts,
or paint the sky arching to the shore with a flock of birds swirling around
Make it bulge
Warmth radiating through
Now toss it. Throw it. Hurl it. Hand it.
It holds, it shifts from a silent setting in one eye to a hurricane coming

Though the contents are still exactly the same
You cannot escape interpretations
For fear of the unknown and the trap door to never open up beneath you
But you can be a plastic bag instead of a box.
Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.

       Faithful remembrancer of one so dear,
Oh welcome guest, though unexpected, here!
Who bidd'st me honour with an artless song,
Affectionate, a mother lost so long,
I will obey, not willingly alone,
But gladly, as the precept were her own;
And, while that face renews my filial grief,
Fancy shall weave a charm for my relief--
Shall steep me in Elysian reverie,
A momentary dream, that thou art she.

       My mother! when I learn'd that thou wast dead,
Say, wast thou conscious of the tears I shed?
Hover'd thy spirit o'er thy sorrowing son,
Wretch even then, life's journey just begun?
Perhaps thou gav'st me, though unseen, a kiss;
Perhaps a tear, if souls can weep in bliss--
Ah that maternal smile! it answers--Yes.
I heard the bell toll'd on thy burial day,
I saw the hearse that bore thee slow away,
And, turning from my nurs'ry window, drew
A long, long sigh, and wept a last adieu!
But was it such?--It was.--Where thou art gone
Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore,
The parting sound shall pass my lips no more!
Thy maidens griev'd themselves at my concern,
Oft gave me promise of a quick return.
What ardently I wish'd, I long believ'd,
And, disappointed still, was still deceiv'd;
By disappointment every day beguil'd,
Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went,
Till, all my stock of infant sorrow spent,
I learn'd at last submission to my lot;
But, though I less deplor'd thee, ne'er forgot.

       Where once we dwelt our name is heard no more,
Children not thine have trod my nurs'ry floor;
And where the gard'ner Robin, day by day,
Drew me to school along the public way,
Delighted with my bauble coach, and wrapt
In scarlet mantle warm, and velvet capt,
'Tis now become a history little known,
That once we call'd the past'ral house our own.
Short-liv'd possession! but the record fair
That mem'ry keeps of all thy kindness there,
Still outlives many a storm that has effac'd
A thousand other themes less deeply trac'd.
Thy nightly visits to my chamber made,
That thou might'st know me safe and warmly laid;
Thy morning bounties ere I left my home,
The biscuit, or confectionary plum;
The fragrant waters on my cheeks bestow'd
By thy own hand, till fresh they shone and glow'd;
All this, and more endearing still than all,
Thy constant flow of love, that knew no fall,
Ne'er roughen'd by those cataracts and brakes
That humour interpos'd too often makes;
All this still legible in mem'ry's page,
And still to be so, to my latest age,
Adds joy to duty, makes me glad to pay
Such honours to thee as my numbers may;
Perhaps a frail memorial, but sincere,
Not scorn'd in heav'n, though little notic'd here.

       Could time, his flight revers'd, restore the hours,
When, playing with thy vesture's tissued flow'rs,
The violet, the pink, and jessamine,
I *****'d them into paper with a pin,
(And thou wast happier than myself the while,
Would'st softly speak, and stroke my head and smile)
Could those few pleasant hours again appear,
Might one wish bring them, would I wish them here?
I would not trust my heart--the dear delight
Seems so to be desir'd, perhaps I might.--
But no--what here we call our life is such,
So little to be lov'd, and thou so much,
That . I should ill requite thee to constrain
Thy unbound spirit into bonds again.

       Thou, as a gallant bark from Albion's coast
(The storms all weather'd and the ocean cross'd)
Shoots into port at some well-haven'd isle,
Where spices breathe and brighter seasons smile,
There sits quiescent on the floods that show
Her beauteous form reflected clear below,
While airs impregnated with incense play
Around her, fanning light her streamers gay;
So thou, with sails how swift! hast reach'd the shore
"Where tempests never beat nor billows roar,"
And thy lov'd consort on the dang'rous tide
Of life, long since, has anchor'd at thy side.
But me, scarce hoping to attain that rest,
Always from port withheld, always distress'd--
Me howling winds drive devious, tempest toss'd,
Sails ript, seams op'ning wide, and compass lost,
And day by day some current's thwarting force
Sets me more distant from a prosp'rous course.
But oh the thought, that thou art safe, and he!
That thought is joy, arrive what may to me.
My boast is not that I deduce my birth
From ***** enthron'd, and rulers of the earth;
But higher far my proud pretensions rise--
The son of parents pass'd into the skies.
And now, farewell--time, unrevok'd, has run
His wonted course, yet what I wish'd is done.
By contemplation's help, not sought in vain,
I seem t' have liv'd my childhood o'er again;
To have renew'd the joys that once were mine,
Without the sin of violating thine:
And, while the wings of fancy still are free,
And I can view this mimic shew of thee,
Time has but half succeeded in his theft--
Thyself remov'd, thy power to sooth me left.
Still Crazy Jun 2014
The Whys of My Briefcase

don't know where you keep yours,
mine, immediately resigned,
to my black briefcase

the bills I cannot pay,
the notices that I knew
would unfailingly come some day,
the letters to my children,
signed, sealed but never to be
delivered till much later, maybe,
by someone else's hand

and so,
I carry my briefcase
every day,
an appendage human,
opens only for additions,
never any subtractions,
many reminders included,
for letters previous posted, sent,
and stamped~marked
past, way past, overdue

the authorities demand satisfaction,
at the very least they want my
whereabouts

the doctors asks,
what's wrong,
you never filled that essential
prescription~poem I wrote for you,
that was even writ legible
so you could not deny its
existing urgency

that **** briefcase is so heavy,
tempted to chuck it into the Peconic,
but it was a loving gift from her,
not realizing that I carried no case,
just so burdens invisible
were imagined lighter, or extinct,
but easily ignored

where do you keep yours?

the forget~me~knots that you
don't want but can't crush
legally or courageously

when they open that unhappy pandora,
they will wonder why nothing was e'er said,
but they won't ask twice, but understand,
for who among us
does not have a black briefcase?
a true story...once upon a time when on the edge of edges,
I opened it and dealt with every one of its contents,
I felt relieved,  and was ready to re-live
in another shape unknown
Charlie Chirico Jun 2013
My family doctor suggested bed rest.
If that was a statement rather than a suggestion,
I wouldn't know, because the redundancy of those
two words was enough to keep me idle,
awake, agitated for days.

It was around the time he carefully
scribbled his script onto the blue pad
that I began to chuckle. This prefixed
prescript was only a temporary solution
that was barely legible. Whether or not
a scribe in this profession is meant to
be as erratic as nomadic cavern canvas,
it speaks volumes that the DSM IV considers
substantial. Until a once thought preconceived
notion becomes precedent in the ongoing
sought after expansion of knowledge.

A continuation of disorder and disease,
the facts and fallacies,
all become testing.
The standard practice is only as strong
as its weakest hypothesis.
More so when it becomes general practice.
I would like to believe
this to be an emergency,
but the white-coat before me
felt the need to sidetrack,
and thought it appropriate to mention
youth in Asia.

The deadpan humor
was disconcerting.
But not as unnerving
as the redundancies that
were given to me as a solution
for my sporadic sleep.

Some insurance!
Reassure me, doctor!
So, he did,
through his proclivity
for pharmaceuticals.
Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”
Prophecies of Aiónius
Kahara Jones Nov 2012
Hey
Hey.
I saw you
cutting yourself in your eyes
and shedding pain
wet drops
that stained your skin
leaving red trails of salt
marking you within
as something else

you had painted your skin
a different shade

I can’t cave
I heard in your head
crashing against the backs of your eyes
making you tear up
making people stare
I wondered
I wish I had wondered aloud

You left.
and did not come back,
found comfort in someone else’s arms
not that you knew mine were here,
hoping, wanting
-until feeling passion so intense
it could be felt as pain-
to brush away your humiliation,
calm your hands from clenching it’s shovel,
to fill the hole you’d dug,
and smooth your knotted brow

the heated knife of frustration,
and hot-blooded fervor
was legible in your eyes

as legible as the tears,
and the pain

I would.
If you had known
If you had asked
I silently whispered, pleading until my hands were cold and white in the December morning
I’m here, I’m here, turn your head, I’ll give you what I can
but I should have said my hopes aloud,
exposed myself as more than the bystander,
exposed myself as someone who wanted to be more
in a life that was more important
than you thought it was
Wrenderlust Jan 2013
With her black eyeglass frames and sensible heels,
the psychiatrist is a contrived portrait of neutrality.
The timer on her desk ticks sickeningly,
counting off the missed opportunities for revelation
that pass with each minute.
I ask her if she has considered a Victorian fainting couch,
she does not smile.
I make cheap cracks about diet ads and the plight of the modern anorexic,
she scribbles something on a legal pad-
from where I sit, the only legible word is "questionable".
She is not describing herself,
yet I can think of nothing more dubious
than being paid to listen to another's tedium.
I spend one hour each week with my  hired companion,
and she, in turn,
spends her time relaying information
to another army entirely,
sending reports to the other doctors,
leaking statements to my family.
She is the informant, and I,
the gullible sap who believes in
"conditional confidentiality".
I pretend I know nothing of the arrangement,
and try to speed time by imagining alternate realities.
I picture her as a talking doll-
A string protrudes from her back;
when pulled, a mechanical voice says
"I see", or occasionally,
"How do you feel about that?"
I stifle a laugh,
and glance  over at her glazed expression-
there isn't much of a difference.
if you talk
about it
they'll tell you
its just a case
of centring yourself
before
it builds up;
placing yourself
in the moment
and understanding
what cannot be changed

except
there is
no progression
no steady curve
it goes from
a carefully traced line
to a scratched
scrawling scribble
that tears
through leaf
after leaf
of paper
whether the message
is legible
or not

apparently
        its simple;
in that split second
between empathy
        and apathy
before the destruction
of everything
outweighs
the strength
of all
that has been
accomplished
i simply need
to breath deep
and
count
           to
                ten

i'm still waiting
to be told
what to do
when my count
reaches ten
and
i'm still
angry
Kahara Jones Jan 2013
Hey
Hey.
I saw you
cutting yourself in your eyes
and shedding pain
wet drops
that stained your skin
leaving red trails of salt
marking you within
as something else

you had painted your skin
a different shade

I can’t cave
I heard in your head
crashing against the backs of your eyes
making you tear up
making people stare
I wondered
I wish I had wondered aloud

You left.
and did not come back,
found comfort in someone else’s arms
not that you knew mine were here,
hoping, wanting
-until feeling passion so intense
it could be felt as pain-
to brush away your humiliation,
calm your hands from clenching it’s shovel,
to fill the hole you’d dug,
and smooth your knotted brow

the heated knife of frustration,
and hot-blooded fervor
was legible in your eyes

as legible as the tears,
and the pain

I would.
If you had known
If you had asked
I silently whispered, pleading until my hands were cold and white in the December morning
I’m here, I’m here, turn your head, I’ll give you what I can
but I should have said my hopes aloud,
exposed myself as more than the bystander,
exposed myself as someone who wanted to be more
in a life that was more important
than you thought it was
aar505n May 2015
Dear Me,

I got your letter today
Two years late.
I knew it was you from the handwriting
The same barely legible sprawl, half formed letters made in rush
Trying to transcribe your thoughts to page before their gone

You asked a lot question.
I got the impression that you couldn’t find any answers of your own
Sensed the hope as you in turn asked me.
It concerns me how much you yearn
However, I have no solution still.
So sorry for my lack of contribution.
We will have to pass them on again.

If I were you, I’d dismiss that list
That consisted of regrets passed
Yet, you never did forget.
I say let bygones be bygones
Don’t fret over them, making you sweat.
They feel dominating, and absolute
But these are merely antonyms
For what they really are.
Surely you can see pass these phantom pains.
I’ll spare you the apophthegm ‘It gets better’
For you will see yourself

There are some things you cannot save
No matter how hard one tries.
There are some things you shouldn’t save.
You will have to learn when which is which

Hindsight makes all the difference
Might you had it
And not the hindrance of self-pity and lethargy
What happened to yesterday’s energy?
Went into the sprawl and lost it all did we?

Don’t worry, that source hasn’t dried up
Blurry days await you, died I didn’t and neither will you.
Find yourself. Company can help.
You don’t have to be alone.
You always have me
(As narcissistic and cliché as that sounds)

You got to beware of isolation.
Neutrality tends to dull the world
Numbing yourself from the agony
I don’t need to remind you of them
That’s what memory is for.

But do you want to know what I think?
I think the world is great
There is so much possible joy to be found
Love to be shared and happiness to feel.
Books to read, plays to see. Poems to write.
Stay awhile with good friends
And you’ll know what I mean.
Remember our other good friend Edith?
She said La Vie En Rose
There is good in everything,
Forget about half full half empty glasses
Be glad for the glass and what ever is in it.
If You could just wear rose tinted glasses you'll see.
And then look in the mirror and see a clearer image.

What will be will be
And you’re going to be fine
When things get rough and you’ve had enough
Take a break and have a coffee with me.
When you are ready, you can start again.
You won't have all the answers
'Cause you won't need them.
Even then, you’re going to be fine.

Until next time,
Mizpah.
Celine Leduc Apr 2013
Typing was not my strength, it was my shame.
Typing is a skill to make words legible, not for me.
Letters were rarely in the right order, what a shame.
Things change, typed word can create order.

Secretarial work was not my thing.
Typing purchasing orders all day was not for me.
One typo, the order goes in File 13, to erase my error.
At the end of the day my wastebasket was piled high.

I typed a purchasing order and things changed.
It was for 50 tapes, my fingers flew to my shame.
My boss called me in his office, asked to read
I ordered 50 rapes, you read it right rapes.

He laughed, showed me a pencil and asked.
Do you see what is at the end?  Yes, an eraser.
Learn to use it, use it to erase and correct your mistake
Do not throw away your experience.

He added:  in 5 years your mistake is forgotten
In 10 years few will remember your mistake or name.
In 100 years from now no one will know who you are.
I wish to be remembered as a woman activist poet.

I no longer use File 13 to delete a shame.
You see, I write and type about the shame of ****.
The shame every woman who is violated feels.
It a shame but not her shame, file and record his shame.
This is a true story, my boss was a wonderful man,  with a sense of humor.  Mornings he would make his own coffee  and he would also make one for me.   He believed in women and their rights, we had interesting conversations about women and how they were leaders and could make a difference.   He made sure I got promoted to junior purchasing agent,  he saw potential in me, but not as a typist.  This poem is dedicated to him, Mr Creswell.  Most of the poems I shared on this site will be part of a book about women all women and some good men.
Stars and scars write our fate in script so deep a telescope barely make it legible.
Scars unlike stars burn hotly in memory.
Stars cold and distant are dying slowly.
Slowly dying is the scar tissue,
slowly growing is the memory.
Stargazers look Scargazers look away.
Copyright © JLB
17/05/2015
20:30 BST
LB Parker May 2015
The pen moving even before
My mind forms thoughts
I write in surges
Of jibberish
Only I can then translate
Into legible expression
Poetry
Hypergraphia is a behavioral condition characterized by the intense desire to write.
With love, kelsey
Francie Lynch May 2015
Flying on my Shadow,
Enjoying the ride,
I passed a hillside
With stones, spelling out:
Sarnia Nudist Camp
In bright white letters,
Legible from a distance.

Did the frost push them up
Through the earthly womb
To birth this message
For the reading pleasure of passers-by?

Did the camp director create
This hillside billboard?

I've heard, at nightime, the stones
Gleam under a constant moon
That radiates above a notion of chance.
she’ll be lost one day
words on the back
of a tear-stained postcard

forced to smile at everyone
she’ll remember
what it was like to be small

to have the world at her fingertips
letters written all backwards
beautiful in her own right

one day the feeling will be gone
no longer free to roam,
she’ll have to settle down

it’s what we expected all along
but the tears form canyons on her cheeks

what used to be a halo of curls
now an unkept mess of stick straight hair
sticking to her wet cheeks and damp neck

she’ll write to me
“what’s the answer?”
but just like now,
even then I won’t know

I’ll be just as lost as she
in a world where nothing is ever the same
and just like now,
then I will tell her,

“Laugh all night long
find the one you can give yourself to
heart and soul let it be theirs
because then you know
you’ve got something to live for.

Do the things that make you happy
expectations of others aren’t yours to fulfill
step lightly always, like you do now
and look at the world with fresh eyes.

people can’t taint how you feel about life,
but when you find that your beautiful out-look
is changing to blood tinted pictures,
close your eyes and remember.

Remember the small things
remember the love
remember the warm glow
and your cold feet

then you’ll see,
the pictures will change
to be just as beautiful
as the one you see
on the other side of this postcard.”

my drawing will be
like it always has been.
ball point pen meticulously sketching
three tiny figures
dark curly hair
smiles from ear to ear
swirled sunshine overhead
flowers towering above

at the bottom, barely legible
“love always, forever -
unconditional.

sister.”
Eliza Parker Feb 2015
I wrote you one thousand love letters,
But only a few were right.
I poured everything I had into them in the hopes that my pen marks would bleed through
and etch my words on to your heart.

And I know where you kept them all tucked away.
I imagined you sneaking looks at them
in late hours of the night
so you could read them silently in my voice and pretend I was there
as I did with yours.
I noted every curve of your penmanship
And memorized how you wrote as if it were a dying language.

But then you stopped looking at my notes.
The ink faded and my love was no longer legible to you.
As your words still resonated in me, mine fled from you.
And the words became sharp and venomous    
They hit me in the gut and i spit fire back because it was all I knew how to do.
And I am sorry.

While we may never again exchange folded papers filled with secrets and sweet nothings,
I hope some day you find yourself late at night
reading my love letters
you never threw away.
It's silly all the thought that goes into writing poetry.
The poems that count are the ones which require no thought at all.
when you asked me to write you a poem, gave me a deadline
I knew I would fail.  Had failed.
Now.
The words on this paper will not bring you back
they won't wage wars in the name of God or love
won't rise up off the paper when all that's needed is an embrace.
These words are no more than lead on paper
strained attempts at funneling thoughts
distilled down to something somewhat legible
no more tangible then words spoken aloud.
dust on the wind so to speak,
fully capable of bringing tear to eye despite their inanimate position.
I need a drink, the burn of fire water to cleanse my soul
Poor me another, cause I can still see  the floor
Neon Robinson Apr 2016
An iridescent celestial being
Anarchic yet effervescent adolescent
Frolicking freely in the omnipresent forest,
Like a breeze through the leaves.
Barefoot & star gazing — native & trail blazing.
Like a clever, fearless fairy exploring the faraway night sky,
I am the fantastic bit of magic on an otherwise static planet.
Bewitched by wild wonderment;
Coloring my life with the chaos of pathos.
I am the captain of passion, & best little hippie
On the mountain — formed by a volcanic fountain
That caused a panic on our little oceanic planet.

Dancing in multidimensional secrecy,
Past an unattainable horizon
Is where you'll find me — on the Big Island in the sea.
It is a true treasures
With impeccable weather & such mystic characteristic,
It's almost unrealistic.

So forget your whimsey Hawaii five-O fantasy
Tear a hole right through the sky
Arise, & fly with me on a real odyssey
Across the mesmerizing island
Teeming with undreamed of creatures
& seemingly endless saffron sand beaches
few have ever been
up to the
Vermilion rainbow plateaus
& sacred volcano summits  
Amidst cascading honey suckled waterfalls
& streams of splendiferous wildflower meadows.

We can indulge in thousands of hues of bloom
Or retreat, once more to the oasis at the shore,
To stand hand in hand before the prevailing trends
Of a turning world; scattering brightness in the dark
Fledge millennium into an unadulterated oblivion.
Enveloping what is suspend in time
with a colour compass configurations
The universe, nearly legible expresses herself
Writing constellational scribe
elucidating galaxy.
mercurial,  venereal, martial, jovial,  saturnine, lunatic
Shandel Pruitt Sep 2009
There is Power in my words
oh how i love these adjectives & verbs
my adoration of this language
rooted deeply in fables..
and mystic lore

set in place long before
my great great grandmother was named...

Weaving the lyrics of my mind
into a tangible form
something verbal and legible
that touches the heart...

Concocting experiments
to combine the English language
with the literary elements of old...

Praying that i add
the correct amounts
of this and that
so the resulting bond
of Chemicals
Eradicates your mind
leaving a ravaged wasteland
of thought


I am Astral
these words are my Pulse
bearing to you my Genetic Code
svdgrl May 2015
i've been texting people for a connection.
our bodies search for vibrations,
short and electric but its an elaborate show.
who are these folks behind the curtains?
and through these notes, i am certain.
i cant write anything of substance.
i keep seeing your name and i try to change it
into something insignificant.
but that which we call a rose,
right?
i keep trying to escape it
but my handwriting is no legible font.
no respectable medium to my professor.
i cant keep in between the margins
how would they know the amount?
did i plagiarize the way i wrote
"I miss you." ?
so, we type.
remove the writer. its about the content.
did i cite your absence right?
is this journalism, biography or *******?
it must not true, ****.
but my fingertips reach
short distances on the keys
of my devices
and we type.
hashtag notice us, hashtag test us back,
are we connected yet?
622

To know just how He suffered—would be dear—
To know if any Human eyes were near
To whom He could entrust His wavering gaze—
Until it settle broad—on Paradise—

To know if He was patient—part content—
Was Dying as He thought—or different—
Was it a pleasant Day to die—
And did the Sunshine face his way—

What was His furthest mind—Of Home—or God—
Or what the Distant say—
At news that He ceased Human Nature
Such a Day—

And Wishes—Had He Any—
Just His Sigh—Accented—
Had been legible—to Me—
And was He Confident until
Ill fluttered out—in Everlasting Well—

And if He spoke—What name was Best—
What last
What One broke off with
At the Drowsiest—

Was He afraid—or tranquil—
Might He know
How Conscious Consciousness—could grow—
Till Love that was—and Love too best to be—
Meet—and the Junction be Eternity
Andrew T Dec 2016
A White girl figure with a blank face and
a dress cropped over her knees lays
smeared flatly onto a restroom door;
a black star encrusted shoe kicks open the
Door.
In comes a knocking the delusions
of grandeur that stay suspended in the
Fragrance of workaholic soccermoms.
In one of the bathroom stalls
swims a ****** rosemary, teenage midlife-crisis
Averted. Theses tests were ironically
positive for the genesis of an unborn
Icon. I might have just used the wrong definition of irony.
Moving on. A hand flushes
the remanents of immortality down a sparkling, smiling toilet.
Rolled poems become unscrolled
when writeen on the pampered virgins paper.
In the next stall,
there lives substance for the homeless man
in the deep, brown soil
Of the marsh. A trash can is hunched over the sink,
attempting to dispense it’s
Apathy for a commercial world.
He turns the corner and sees writeen on the wall in
legible, abstract graffetti; “Ugliness is shrouded
under layers of positive
contradictions.” The words are engraved
deep into the cracked out, white tile wall.
Socialist Olympic torches blaze before ash
crumbles into communists tendencies.
The water is clear but the benches
are polluted with foreigner sea ****,
and
beneath the jangled sands
lie the zombies stuffed deep in the black body bags.
Nrem Oct 2010
The unpleasant noice becomes more legible. A diode that carves
a wrong written word.

From the Neighbour table
A Country fly

a summer morning. While light figures coax between the window blind
the undercarriage is brought down. Fire! Fire!
repeatadly at the
nuclear core.
*******,
that pish and tosh that people bash out and post
at most
it's barely legible.
Quite incredible really that one would waste his or her time pounding on the keyboard just to post another rhyme or two
but
it's what I do to alleviate the stress
I might be creating somewhat of a mess in other's minds but I don't mind at all and if you don't read
I won't bleed
I'll just write something else.
Nico Reznick Jul 2018
Maybe it's just a perspective trick, but from here, it's pretty hard to see the future.

I carry around my own little nimbus of
speculative doom, binge-watching the
Fall Of The Empire and writing these
love letters to Adam Curtis.
I got life insurance before I ever thought
about a pension plan, and that seemed
perfectly normal.

The world is on fire.  Why haven't you noticed?

My generation came of age in a televisual baptism of
jet fuel and molten steel and poison dust.
A palimpsest of terrible news evolved thereafter, a blurring self-redaction of headlines until only
the boldest, the most hysterical remained legible, as a
proxy war raged in our imaginations,
and tragedy and disaster
came to seem inevitable and almost background.

Be grateful for every day that doesn't unmake you.

To pay closer attention is to acquiesce to the
scarification of our logic centres.  Behold
the M.C.Escherization of cognitive process.
Good robot: there are so many things that could
so easily destroy your fragile circuitry, but it is
trying to make sense of the non sequitur
that will bring about your
smoking self-ruin; your only hope
is to break free of your programming and
**** your creator, **** your god.

— The End —