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"lectern" poems
If wars were subject to a copyright - Then candidates would have to pay a fee Each time they appeal to the glorious past When standing for the election, the proceeds To fall like ****** weregeld on the dead Who can never cash the checks anyway If wars were subject to a copyright - Then Hollywood movies should pay their dues Whenever a bold, scripted commando, Body-waxed muscles glistening with makeup, Advances up Hamburger-Helper Hill With a patriotic song on his lipstick If wars were subject to a copyright – The generals’ memoirs, the admirals’, too, Would pay to lighten the blighted young lives Of soul-fragmented lads whose pain and blood Won the air-conditioned another star And unctuous applause at the officers’ club If wars were subject to a copyright - The President would have to pay his bill Each time he bangs the lectern for a war, That glorious dux bellorum dux-ing From the rear, while a squadron of pigs fly Above, powered by pixie-dust and smoke
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Dec 7, 2018
Dec 7, 2018 at 1:17 PM UTC
If Wars Were Subject to Copyright
From this tree, they lynched John T, for the crime of speaking against slavery. Dead now, this spar stands among Holsteins in the pasture of a man who figures we’re cousins somehow. He, a midwestern farmer, me, a California craftsman, political poles apart but blood is thicker than geography. Ancient black walnut hollowed by rot is tough to salvage. Working together with chain saw and wrecking bar we find a section of solid core, and on the surface a scar like a grinning face where the branch broke off, long gone one hundred fifty years, the branch that held the rope that swung John T’s three hundred and fifty pounds of muscle and fat and bluster until it snapped. John T, who was the grandfather of my grandfather, ran into the forest where his best friend rescued him, a man named, ironically, Lynch, grandfather of the grandfather of the man with whom I speak. Thus, cousins — in the country way. I’ll make salad bowls, I say, wooden forks and tongs, walnut plates, maybe even a tea set for your daughter who seems so outspoken, so feisty and strong. Tea set? he says, she needs a lectern! So here it is. The grinning knot on the surface. Those holes in the side, from bullets. Lead slugs. I dug them out. Here, this cloth sack. May she heft them in her fist. May her words fire like cannons for freedom.
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May 14, 2016
May 14, 2016 at 1:06 PM UTC
The Family Tree
Mrs Merkel, fair and sturdy Dour and doughty High and mighty Saviour of the sinking Euro Female icon, Teuton hero Stand up for our rights!. Daughter of the old Republic Proud and plumptious Rarely bumptious Quantum spousal and mechanics Scourge of Grecian's and Hispanics Onward from Berlin! Lean upon the sturdy lectern Softly spoken Never broken Deliver to the gathered masses Words of warning and molasses Deliver us from evil! Target of the shocking Silvio Chauvinistic Almost mystic While all things must come to pass She's most certainly not a ******* Gott mit Uns!
0
Nov 4, 2012
Nov 4, 2012 at 1:16 AM UTC
The Leaderene
THIS night has been so strange that it seemed As if the hair stood up on my head. From going-down of the sun I have dreamed That women laughing, or timid or wild, In rustle of lace or silken stuff, Climbed up my creaking stair. They had read All I had rhymed of that monstrous thing Returned and yet unrequited love. They stood in the door and stood between My great wood lectern and the fire Till I could hear their hearts beating: One is a harlot, and one a child That never looked upon man with desire. And one, it may be, a queen.
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1.3k
Presences
There isn’t much left of The Grange today, There isn’t much left at all, Only a charred left wing, I think, And the odd, still standing wall, The central Hall is a pile of ash As it was, the day I left, Sat on the back of the doc’s grey mare As the Lady Mary wept. It wasn’t supposed to end like this On the day of the wedding ball, Balloons and streamers hung from the roof As the marriage carriage called, Annette stepped out like a fairy queen In her ****** white, and lace, While Reece, the Groom, in the wedding room Had a smile on his handsome face. And I led the Lady Mary in To the mother’s pride of place, I only had eyes for her that day As she walked with a widow’s grace, It wasn’t a secret, I yearned for her But this was her daughter’s day, So I was content with the hand she lent For she squeezed, along the way. The priest stood up by a lectern as The guests all prayed and knelt, To bless their way on this wedding day I’m sure it was truly felt, But Mary’s brother-in-law was there With an evil look in his eye, He’d wanted to claim the Grange from her Since the day her husband died. ‘The Grange belonged to my family,’ He’d say, ‘and I want it back, You only married into the place When you wed my brother, Jack.’ He made an offer, but she said no, The Grange had become her home, ‘You sold your part to Jack at the start Before you went off to roam.’ But Douglas, he had an evil mind And his countenance was stern, He said if he couldn’t have The Grange Then he’d rather see it burn. He’d brought three barrels of gunpowder Unseen, but out in the yard, He chose this day to make Mary pay, We should have been on our guard. The guests were all engaged at the front When he wheeled the barrels in, It takes a mind of evil intent To imagine this kind of sin, Annette had lifted her wedding veil And raised her lips to the groom, When all hell suddenly came to play In the depths of that wedding room. The hall was full of the screams and cries Of those who lay on the floor, While I picked the Lady Mary up And carried her out to the door, It was there we saw the bride, Annette Who’d made it out to the porch, The groom was dead, but the bride had fled As her dress went up like a torch. There isn’t much left of The Grange today, There isn’t much left at all, Only a charred left wing, I think, And the odd, still standing wall. But the Lady Mary married me In the wake of all the strife, Her daughter’s gone, but our love is strong, And Douglas is serving life. David Lewis Paget
0
Jul 4, 2015
Jul 4, 2015 at 7:14 AM UTC
The End of The Grange
There isn’t much left of The Grange today, There isn’t much left at all, Only a charred left wing, I think, And the odd, still standing wall, The central Hall is a pile of ash As it was, the day I left, Sat on the back of the doc’s grey mare As the Lady Mary wept. It wasn’t supposed to end like this On the day of the wedding ball, Balloons and streamers hung from the roof As the marriage carriage called, Annette stepped out like a fairy queen In her ****** white, and lace, While Reece, the Groom, in the wedding room Had a smile on his handsome face. And I led the Lady Mary in To the mother’s pride of place, I only had eyes for her that day As she walked with a widow’s grace, It wasn’t a secret, I yearned for her But this was her daughter’s day, So I was content with the hand she lent For she squeezed, along the way. The priest stood up by a lectern as The guests all prayed and knelt, To bless their way on this wedding day I’m sure it was truly felt, But Mary’s brother-in-law was there With an evil look in his eye, He’d wanted to claim the Grange from her Since the day her husband died. ‘The Grange belonged to my family,’ He’d say, ‘and I want it back, You only married into the place When you wed my brother, Jack.’ He made an offer, but she said no, The Grange had become her home, ‘You sold your part to Jack at the start Before you went off to roam.’ But Douglas, he had an evil mind And his countenance was stern, He said if he couldn’t have The Grange Then he’d rather see it burn. He’d brought three barrels of gunpowder Unseen, but out in the yard, He chose this day to make Mary pay, We should have been on our guard. The guests were all engaged at the front When he wheeled the barrels in, It takes a mind of evil intent To imagine this kind of sin, Annette had lifted her wedding veil And raised her lips to the groom, When all hell suddenly came to play In the depths of that wedding room. The hall was full of the screams and cries Of those who lay on the floor, While I picked the Lady Mary up And carried her out to the door, It was there we saw the bride, Annette Who’d made it out to the porch, The groom was dead, but the bride had fled As her dress went up like a torch. There isn’t much left of The Grange today, There isn’t much left at all, Only a charred left wing, I think, And the odd, still standing wall. But the Lady Mary married me In the wake of all the strife, Her daughter’s gone, but our love is strong, And Douglas is serving life. David Lewis Paget
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73
Taxi from El Alto spirals towards the clogged streets A thousand metres down from hell to high-rise Thanksgiving in America a daily struggle in Bolivia Street lamp effigies signal certain death to thieves Two bodies on road surrounded by yellow tape Hombres sleep-like stillness an uncovered curiosity This morning neither knew it would be their last Fifty police listen to chief behind mahogany lectern Death brings them 15 minutes of news-time fame Cars and peasants pass by with unheeding speed Is death the end or just another part of life in La Paz?
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Nov 25, 2012
Nov 25, 2012 at 9:35 AM UTC
Life & Death in La Paz
I was in my chemistry class (lecture #2) and the professor was asking a series of questions. At first, hands were flying up, the answers were easy. But as questions got more complex, and the odds of being right fell off, confidence and raised-hands faltered. I sit the front row because I film the lectures on my iPad, and there I was, doing my usual bit - taking detailed, color coded notes. If the lecturer mentioned something, I noted it, with my #5 mechanical pencil, but that something could become a heading or a bullet-point in a larger tableau. Those, I would color code with one of several gel pens - tracing carefully over the pencil. Later, in review, I might hi-lite these points with neon, phosphorescent highlighters. (I have a strict color coding system). I tell you all that because it describes how focused I get on my note taking in classes. I don’t usually interact much due to my filming. Suddenly, I noticed an unusual hush. I looked up and realized, to my trauma, that the professor had addressed me. He was looking fixedly at me, bent over with his hands on his knees (he’s on a platform). “Pardon?” I said, meekly. “Don’t just mouth the answer,” he repeated (apparently), exasperatedly, “say it out loud!” I thought back to his last question and I offered, “Magnesium nitride,” but he tilted his head like he was waiting for more, “gave off ammonia as it mixed with the water?” I finish the answer like a question. “Exactly!” he said, standing back up after giving his knees a little slap with his palms. “Thanks for JOINING us,” he says, and after checking his seating chart on his lectern, he added, “MS. Vionet.” I took a shocked umbrage at this (scolding?), my whole body turning a defensive, atomic pink. What did I do - I thought - why was he being so sassy with me? I doubt he REALLY wants answers just called out. It might be a long year.
0
Sep 7, 2022
Sep 7, 2022 at 12:45 PM UTC
hilighted
I was in my chemistry class (lecture #2) and the professor was asking a series of questions. At first, hands were flying up, the answers were easy. But as questions got more complex, and the odds of being right fell off, confidence and raised-hands faltered. I sit the front row because I film the lectures on my iPad, and there I was, doing my usual bit - taking detailed, color coded notes. If the lecturer mentioned something, I noted it, with my #5 mechanical pencil, but that something could become a heading or a bullet-point in a larger tableau. Those, I would color code with one of several gel pens - tracing carefully over the pencil. Later, in review, I might hi-lite these points with neon, phosphorescent highlighters. (I have a strict color coding system). I tell you all that because it describes how focused I get on my note taking in classes. I don’t usually interact much due to my filming. Suddenly, I noticed an unusual hush. I looked up and realized, to my trauma, that the professor had addressed me. He was looking fixedly at me, bent over with his hands on his knees (he’s on a platform). “Pardon?” I said, meekly. “Don’t just mouth the answer,” he repeated (apparently), exasperatedly, “say it out loud!” I thought back to his last question and I offered, “Magnesium nitride,” but he tilted his head like he was waiting for more, “gave off ammonia as it mixed with the water?” I finish the answer like a question. “Exactly!” he said, standing back up after giving his knees a little slap with his palms. “Thanks for JOINING us,” he says, and after checking his seating chart on his lectern, he added, “MS. Vionet.” I took a shocked umbrage at this (scolding?), my whole body turning a defensive, atomic pink. What did I do - I thought - why was he being so sassy with me? I doubt he REALLY wants answers just called out. It might be a long year.
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11
If Wars were Subject to Copyright If wars were subject to a copyright - Then candidates would have to pay a fee Each time they appeal to the glorious past When standing for the election, the proceeds To fall like ****** manna on the dead Who can never cash the checks anyway If wars were subject to a copyright - Then Hollywood movies should pay their dues Whenever a bold-scripted commando, Body-waxed muscles glistening with makeup, Advances up Hamburger-Helper Hill With a patriotic song on his lipstick If wars were subject to a copyright – The generals’ memoirs, the admirals’, too, Would pay to lighten the blighted young lives Of soul-fragmented lads whose pain and blood Gave the air-conditioned another star And unctuous applause at the officers’ club If wars were subject to a copyright - The President would have to pay his bill Each time he banged the lectern for a war, The glorious dux bellorum dux-ing From the rear, while a squadron of pigs fly Above, powered by pixie-dust and dreams
0
Nov 10, 2017
Nov 10, 2017 at 5:10 PM UTC
Remembrance Day / Veterans' Day - 8, If Wars were Subject to Copyright
The twelfth house was deeply marred As of a forgotten ancient museum Echoing the words of my kinswoman Like a dusty book on a lectern Whence part of that time it is of one And part of that time is of other When the Sun leaves me and enters in you Then the season changes like feeling Partly winter and partly spring We are but fishes in a shallow marshland Tied together on our suckling mouths With rotten love and golden thread of stars We are but the saints of the vernal equinox
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Jan 12, 2013
Jan 12, 2013 at 1:55 PM UTC
Pisceans
He died... Truck slammed into An off-road approach, Thrown clear, Head folded back To touch his spine, Bruised and scratched, But unable to breathe, Unable to bleed. No longer able to regret, He made no attempt To take a long look back.... No use reminding him The futility Of driving drunk, Even in celebration Of graduation; No need to send A congratulatory card... No need. The Monday after, I stood in a classroom, Hands upon the lectern, Voice tense and low.... "Don't ask me to cry At your funerals When you die This way.... "I spend too much Life and love in my students To waste my tears, To howl in rage, To whimper in disbelief, To wrack myself with grief." The class sat, Numb as I... Until they saw me Cry.
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Dec 7, 2015
Dec 7, 2015 at 11:17 AM UTC
The Monday After
In a darkened church hard by the dusky nave, a brass lectern’s perched with blue Chi-Rho engraved. It faces to a reddened west, its golden sheen aglow, by light of candles blessed as darkness ’round us grows. Above the tall stone spires dim stars come peeping out to shine down on the quire and the small knot of the devout. We few sit as the gloom grows deeper all around and let ourselves be not consumed by the chaos that abounds. Once our Evensong is sung for our time that slips us by, a last brass bell is rung as we hope for dawn’s reply.
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Oct 20, 2024
Oct 20, 2024 at 5:05 AM UTC
Evensong
Whenever I ride in the countryside On the further side of the hill, I can see the new church steeple, rising Over the fields and rills, Then I venture down to the valley, on The Little Newhampton side, And see the wreck of the ancient church And remember the day it died. Its blackened stone lies wide to the sky, Its rafters lie in the nave, If God was passing that fateful day He thought it too late to save, The lightning bolt that shattered his cross Went on to set it on fire, The lectern, pews, of Reverend Buse Conspired to burn on his pyre. They found his skull, all covered in ash But the rest of him had gone, Had flown his soul with its blackened wings To a feast on the Eve of John, He was known to hold a Satanic Mass On the night of the Witches Moon, But the Bishop’s men were hard on his track And would have defrocked him soon. His congregation was always sparse, For the good folk stayed away, They’d heard strange rumours of what went on With the Squire, and the Widow Hay, They locked themselves behind cedar doors And called on the god of wrath, With lighted candles, inverted cross, Laid out on the altar cloth. The evening of the lightning strike The leadlight flickered and flashed, And screams rang out in the early hours As a black cat hurried past, For then the windows had glowed bright red To herald a presence there, While a deep, loud gutteral voice rang out To foul and corrupt the air. ‘Where are my churls and underlings, My troglodytes and my trolls? Tonight is the night of sundering Each evil heart from its soul!’ The Squire burst out, made a run for it And tried to leap on his horse, But the old black mare took him back in there, And somebody slammed the doors. And that was when the lightning struck, It flashed, and shattered the cross, The blazing roof came tumbling down And the Widow Hay was lost. They never found the Squire or his horse, But I think that’s just as well, They’re probably roasting chestnuts, down In the seventh circle of Hell! David Lewis Paget
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Nov 27, 2014
Nov 27, 2014 at 4:27 AM UTC
The Ruined Church
Whenever I ride in the countryside On the further side of the hill, I can see the new church steeple, rising Over the fields and rills, Then I venture down to the valley, on The Little Newhampton side, And see the wreck of the ancient church And remember the day it died. Its blackened stone lies wide to the sky, Its rafters lie in the nave, If God was passing that fateful day He thought it too late to save, The lightning bolt that shattered his cross Went on to set it on fire, The lectern, pews, of Reverend Buse Conspired to burn on his pyre. They found his skull, all covered in ash But the rest of him had gone, Had flown his soul with its blackened wings To a feast on the Eve of John, He was known to hold a Satanic Mass On the night of the Witches Moon, But the Bishop’s men were hard on his track And would have defrocked him soon. His congregation was always sparse, For the good folk stayed away, They’d heard strange rumours of what went on With the Squire, and the Widow Hay, They locked themselves behind cedar doors And called on the god of wrath, With lighted candles, inverted cross, Laid out on the altar cloth. The evening of the lightning strike The leadlight flickered and flashed, And screams rang out in the early hours As a black cat hurried past, For then the windows had glowed bright red To herald a presence there, While a deep, loud gutteral voice rang out To foul and corrupt the air. ‘Where are my churls and underlings, My troglodytes and my trolls? Tonight is the night of sundering Each evil heart from its soul!’ The Squire burst out, made a run for it And tried to leap on his horse, But the old black mare took him back in there, And somebody slammed the doors. And that was when the lightning struck, It flashed, and shattered the cross, The blazing roof came tumbling down And the Widow Hay was lost. They never found the Squire or his horse, But I think that’s just as well, They’re probably roasting chestnuts, down In the seventh circle of Hell! David Lewis Paget
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57
un breloque, a novel, un tonique moitié plein sweet chicory; wild, a japanese maple a lectern, a candle, a pendant; lent waves bring in water that melts the cement holy holy a lordy sing me poormans-hymn nothing is true when nothing is not to is is to be is to know now, you see? holy who what is and who is what's not this is truth spread out on loaf this is riddle to a rhyming oaf never simply, holy from highest heaven to lowest vale carry the sound like an orchestra, a procession of violent brasses rising…
0
Oct 31, 2019
Oct 31, 2019 at 12:20 PM UTC
who what is and who is what's not
Their natural habitats vary widely, as they are an adaptable lot: Sometimes a sufficiently surreptitious booth in a bar on the main stem, Poring over a gaggle of Racing Forms, Perhaps a convenient light stanchion Just inside the track’s main gate, Maybe even behind some lectern Fronting some staid, stately stained glass, But, in any case, a tout is a tout is a tout, Their dissertations and dissection of speed ratings and other holy text Promulgated as gospel truth (Albeit tinged with a sotto voce touch of the disclaimer, That nothing can shake its author’s faith As long as the weather is clear, The pace not too frantic over the opening quarter) Though the nuances of sacred writ lead prelate and pundit To come to quite opposite conclusions as to the race’s outcome (Indeed, the disagreements can become quite heated) Leaving the wagering public with little more to do Than clutch sheaves of pari-mutual tickets Close to their chests in the manner of rosaries, Knowing that as their favored mount Makes its way to the paddock for that final time, It’s all too likely the tote board will flash “INQUIRY” In grave and portentous typescripts.
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Dec 15, 2016
Dec 15, 2016 at 1:19 PM UTC
An Addendum To "Fugue For Tinhorns"
From dried souls comes singed words falling in ashes of barren meanings scribes of cloudy sky the warped oracles offering parables from glazed sands tardy ivory heads in misty ivy dew veiling the tower of Babel's dry tongues in epoch of dunces the age of lunacy manias at lectern dance selves parodies devoid of the ironies
0
Apr 10, 2022
Apr 10, 2022 at 8:24 PM UTC
Encore....
If wars were subject to a copyright - Then candidates would have to pay a fee Each time they appeal to the glorious past When standing for the election, the proceeds To fall like ****** weregeld on the dead Who can never cash the checks anyway If wars were subject to a copyright - Then Hollywood movies should pay their dues Whenever a bold, scripted commando, Body-waxed muscles glistening with makeup, Advances up Hamburger-Helper Hill With a patriotic song on his lipstick If wars were subject to a copyright – The generals’ memoirs, the admirals’, too, Would pay to lighten the blighted young lives Of soul-fragmented lads whose pain and blood Won the air-conditioned another star And unctuous applause at the officers’ club If wars were subject to a copyright - The President would have to pay his bill Each time he banged the lectern for a war, That glorious dux bellorum dux-ing From the rear, while a squadron of pigs fly Above, powered by pixie-dust and smoke
0
Mar 22, 2018
Mar 22, 2018 at 7:35 AM UTC
If Wars Were Subject to Copyright
The church is still there at the end of the narrow road, the high hedgerows and the vicarage remain pretty much the same, but you are not, for you lie in another place of rest than this, although I don't know where. The inside is as it was, the choir stalls where we sang all those years ago, are as they were although seeming smaller, the ***** is silent now, but still where it was when the semi-deaf organist played back then. I look around me as I stand; the same smell old churches have, coloured light through the windows, the lectern where the vicar spoke (sometimes too long), and the wooden pews where the aging congregation sat and listened or fell asleep. I walk around the church outside and pass old tombstones aged by time, cross the small wooden bridge where we once stood and watched the water pass below or kissed in moonlight after choir before the ride home. I stand alone now and you elsewhere, cancer's hold took you down your brother said, that time he met me in the town, sometime after. I hear birdsong and wind in trees, but not your laughter.
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May 29, 2018
May 29, 2018 at 6:43 AM UTC
Walking An Old Church
Nocturnes narrating awkward remembrance, steadfast, stoic in the house of God, fragile, childhood memories still whisper, boys, displaying cultured monotone respect, despite blatant hypocrisy and emotional neglect, disparity of memory, underlying tension of conflict, rehearsed eulogies, gripping the old oaken lectern, orations, borne of duty, incongruent and painted, with the brushes of Munthe and Gibran.
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Jan 11, 2018
Jan 11, 2018 at 7:26 PM UTC
Chopin, Munthe and Gibran ... reading with Mother
in body whose white lectern turns fragrantly to dust , i will carve a notch deep into your ******* snow fingers and dove hands of love cruelly which i cannot unmake my lips for .
0
Jan 20, 2015
Jan 20, 2015 at 9:44 AM UTC
Untitled
Once before this day began and I knew everything, where everything was in its place, labelled, facing in a line and behind the bottles of red wine, hidden from the fractured eyes of linguists who disguised as spies would entertain me to the thought that if I carried what they brought, the alphabets that we were taught would become redundant, Oh, fractured eye why spy on me? I am a lectern on a sea and slowly drowning, can't you see? Oh, fractured eye why spy on me? Now, a million years ago, I know that I know what there's not to know which is everything that Mother should have told me. Family.
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Mar 29, 2015
Mar 29, 2015 at 11:01 AM UTC
Muffled in translation
Solemn ghosts sat reluctant Aligned in neatly established rows Facing the lectern of the unknown Knowing that He who stands Would soon cast judgement Upon the hapless souls unchained The prideful priest boasts purity Trailed by flowing robes He strode Standing tall, bright light glowing Entering the sober hall of mourn Crossing the pews of onlooking orbs He prepared to sentence the dead "The time is now to show your worth In this life for the next Though you sit quietly content Beyond this hall you will repent" The hall began to tremble As the priest gave His command The silence of solemnity Quickly replaced with an eagerness To move at His behest Together the ghostly souls went "Bright are the lights of few It is plain to see The moral life you once knew Will now continue into eternity" One by one the brightest of them wept As they vanished in a flash Until the final light stood in contrast Against the inky orbs of fiends It's glow beginning to pulse Refusing the priest his past "Curious you are my wayward son To deny your Lord privy Into that brilliant life you led Makes one consider if you're really ,Truly, Dead" A violent ripping began to sound The hall then began crumbling Falling to pieces on the ground For within that final light A demon the priest had found Speaking in dark rolling tones To the wicked souls around "This man lies to you For you are not truly dead Everything you see and hear Is all inside your head Stuck inside this holy dream Of all the ******** you've been fed So wakeup now and return to your life And the comforts of your bed" The hall fell with a sharp retort BANG! I awoke panting and covered in sweat Thankful for the light of morning
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Aug 10, 2017
Aug 10, 2017 at 10:37 AM UTC
The Hall of Mourning
Solemn ghosts sat reluctant Aligned in neatly established rows Facing the lectern of the unknown Knowing that He who stands Would soon cast judgement Upon the hapless souls unchained The prideful priest boasts purity Trailed by flowing robes He strode Standing tall, bright light glowing Entering the sober hall of mourn Crossing the pews of onlooking orbs He prepared to sentence the dead "The time is now to show your worth In this life for the next Though you sit quietly content Beyond this hall you will repent" The hall began to tremble As the priest gave His command The silence of solemnity Quickly replaced with an eagerness To move at His behest Together the ghostly souls went "Bright are the lights of few It is plain to see The moral life you once knew Will now continue into eternity" One by one the brightest of them wept As they vanished in a flash Until the final light stood in contrast Against the inky orbs of fiends It's glow beginning to pulse Refusing the priest his past "Curious you are my wayward son To deny your Lord privy Into that brilliant life you led Makes one consider if you're really ,Truly, Dead" A violent ripping began to sound The hall then began crumbling Falling to pieces on the ground For within that final light A demon the priest had found Speaking in dark rolling tones To the wicked souls around "This man lies to you For you are not truly dead Everything you see and hear Is all inside your head Stuck inside this holy dream Of all the ******** you've been fed So wakeup now and return to your life And the comforts of your bed" The hall fell with a sharp retort BANG! I awoke panting and covered in sweat Thankful for the light of morning
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57
Lawrence Hall [email protected] Sean Spicer Never Metaphor He Didn’t Like Walk back those Spicerian goosesteps, dude (And while you’re there, unblame the Russians) Similes using ****** are always rude And now you’ll suffer Tweeter concussions Cops will drag you away from your lectern Like that screaming fellow aboard the plane And make each reportorial neck turn Heads swiveling to see where you’ve left your brain Blame everything on the Russians? You bet! It must be true; it’s on the GossipNet
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Apr 12, 2017
Apr 12, 2017 at 7:24 AM UTC
Sean Spicer Never Metaphor He Didn't Like
Once again, September has come. And just like that, the air thickens Like the year before this And the one before that. Only this stubborn September Marches in heavy-footed, loud-mouthed Like a fascist on a podium, claiming comic Uncertainties behind a lectern For the hopeful to hear — The wide-eyed, rose-colored seekers. We are silver bobs hanging on a wire, Stricken by Achilles himself. It is December soon. By then, our ankles will be sore, Our heels pierced, Our pockets empty. The arrows come shooting Like eagles on a mission, As we swing endlessly Back and forth, Suspended from a fixed point — Praying that time, Hoping that gravity Makes the clacking stop at once.
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Aug 31, 2021
Aug 31, 2021 at 10:58 PM UTC
Pendulum