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"lear" poems
PICTURE and book remain, An acre of green grass For air and exercise, Now strength of body goes; Midnight, an old house Where nothing stirs but a mouse. My temptation is quiet. Here at life's end Neither loose imagination, Nor the mill of the mind Consuming its rag and bonc, Can make the truth known. Grant me an old man's frenzy, Myself must I remake Till I am Timon and Lear Or that William Blake Who beat upon the wall Till Truth obeyed his call; A mind Michael Angelo knew That can pierce the clouds, Or inspired by frenzy Shake the dead in their shrouds; Forgotten else by mankind, An old man's eagle mind.
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An Acre Of Grass
Had I the choice to tally greatest bards, To limn their portraits, stately, beautiful, and emulate at will, Homer with all his wars and warriors—Hector, Achilles, Ajax, Or Shakespeare’s woe-entangled Hamlet, Lear, Othello—Tennyson’s fair ladies, Meter or wit the best, or choice conceit to wield in perfect rhyme, delight of singers; These, these, O sea, all these I’d gladly barter, Would you the undulation of one wave, its trick to me transfer, Or breathe one breath of yours upon my verse, And leave its odor there.
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Had I The Choice
. Lear wanders in stormy open, bares warring elements, The heavens blister, crackle, night is balmy shroud, Wretched monarch babbles in sprinkles of wind cold, Arguments lost by ones own pouring perturbations And raining sky said 'nothing will come from nothing.' Howl, howls into blackness treed in lightning splits, His outcast soul, reels, fleshed, cut to smithereens, Tang of salt burns on the bluffs and the sea rages, So entire and ceremonious is Lear's fall meted out, Air spoke, 'nothing from nothings ever yet was born.' Sky proclaimed to man child King, here is a reckoning,                            Each mad choice was self infliction, now wind flays And sweet Cordelia lies in her innocent **** grave, Sky, in thralls of thundering asks, 'what say thee now, King of highborn follies, even purple heaths are rags, Yet black and above you and night shades, whine, Unworthy King, done in by compounded effects, The might of maelstroms in low butterflies wings, How now, bare trees, knifing reeds, skeletal flashes, To rains of night are ever your lanyards my lord,' Sad Lear so near oblivion fell mute, sky went on, 'Howl and cry mad King your reaper calls beyond, The icy brisk heavens await to brusque you away, Your slipshod kingdom was mere and fools' dream, Howl, til howls abrupt abate, for nothing now comes.'
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May 27, 2015
May 27, 2015 at 10:10 PM UTC
King Lear in Conversation with the Sky
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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Lapis Lazuli
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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57
remember mr shakespeare he was very bright he wrote lots of plays hamlet and twelfth night the merchant of venice the taming of the shrew othello and king lear just to name a few he was born in england many years ago with the name of william that everyone would know he wrote lots of poems in between the plays thats how mr shakespeare used to pass his days now is name lives on to this very day the name of mr shakespeare will never go away.
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Mar 9, 2010
Mar 9, 2010 at 3:01 AM UTC
mr shakespeare
**** mit ein(e) gernierung of... ****** MACDONALDS for the protestants MCDONALDS for the catholics... and **** the rest of it whoop di do d'ah whoopsie!    **** it...   i always called the IRA the ginger ninja brigade... ******* ***** ha ha! is that even permitted? like... oopsies?!    oh **** the steam-roller is giving it a shot at reading the earth,.. flat...    map on paper? **** me... no app....              ****** you ever navigate a car through the German Rhine roundabout? what's in it? Dortmund.. Essen...              you know that constipated part of the road map of Europe...                ever navigate that trippy conundrum ******** of navigation? beside me...               can't speak german, won't navigate in german, no matter how many Mercedes-Benz they pump out from the Henry Ford institute of the reclining chair, supposing    die krupps to be squidgy clean... i think the european translation reads: die Dortmund Ringe... das Rhine Ringe... **** allocating yourself to a rally car...    navigate through that sort of German ********           achtung achtung... autobahn ende!                vorwärtskreis might as well salute for a second coming of... hítlear!     shaking Stevens?   huh?!                knee on the no contra the know: bother... the english won't know... isn't that nay?    i listen to too much lawyer jargon...              i'd love to listen to poetry... but... i figured...    lawyers play the slight of the sly of hand that poets exasperate into toying with words to accomplish art... lawyers? the impasse of judgement?   **** me!                   apparently the argument goes: down syndrome... psychopaths... 'ere by god's grace...    much grace, my lord...              too much grace...          two salvation pointers: (a) i won't drink with them... (b) i won't eat with them, (c) there is no "c" that isn't a "d" that isn't an "e" "f", etc! you get a zebra... you get a null bonus! a ******* safari of an automated anti hamster Boston outfit!
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Aug 14, 2018
Aug 14, 2018 at 8:23 PM UTC
schlang
**** mit ein(e) gernierung of... ****** MACDONALDS for the protestants MCDONALDS for the catholics... and **** the rest of it whoop di do d'ah whoopsie!    **** it...   i always called the IRA the ginger ninja brigade... ******* ***** ha ha! is that even permitted? like... oopsies?!    oh **** the steam-roller is giving it a shot at reading the earth,.. flat...    map on paper? **** me... no app....              ****** you ever navigate a car through the German Rhine roundabout? what's in it? Dortmund.. Essen...              you know that constipated part of the road map of Europe...                ever navigate that trippy conundrum ******** of navigation? beside me...               can't speak german, won't navigate in german, no matter how many Mercedes-Benz they pump out from the Henry Ford institute of the reclining chair, supposing    die krupps to be squidgy clean... i think the european translation reads: die Dortmund Ringe... das Rhine Ringe... **** allocating yourself to a rally car...    navigate through that sort of German ********           achtung achtung... autobahn ende!                vorwärtskreis might as well salute for a second coming of... hítlear!     shaking Stevens?   huh?!                knee on the no contra the know: bother... the english won't know... isn't that nay?    i listen to too much lawyer jargon...              i'd love to listen to poetry... but... i figured...    lawyers play the slight of the sly of hand that poets exasperate into toying with words to accomplish art... lawyers? the impasse of judgement?   **** me!                   apparently the argument goes: down syndrome... psychopaths... 'ere by god's grace...    much grace, my lord...              too much grace...          two salvation pointers: (a) i won't drink with them... (b) i won't eat with them, (c) there is no "c" that isn't a "d" that isn't an "e" "f", etc! you get a zebra... you get a null bonus! a ******* safari of an automated anti hamster Boston outfit!
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90
If the beautiful pea green boat had been painted battleship grey,the owl and the pussycat would have stayed at home and not 'sailed away for a year and a day',but it wasn't and they did. The story ends quite badly some would say quite sadly,the pussycat got rid of the owl,stating in his defence, that fowl was for the eating of and not for spouting like a whale in Edward Lear's fairy tale. If only the boat had been painted battleship grey the owl might still be with us today.
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Jan 30, 2014
Jan 30, 2014 at 6:33 AM UTC
Brushstroke bobcat
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
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Jun 6, 2014
Jun 6, 2014 at 8:26 AM UTC
NEUROTIC LAW OF POETRY
Thanks thespis for another muse anew, Filliping my soul with the spirit of a song, To chant for the young world in these pepperish letters, before my callous eyes on the skull of historical future on my pykitonic torso of I another African pykin, as I finish my coffin for the cadaver of poetry that the law of poetry is a distorting neurosis, neurotic abnormality its baseboard of time giving classical balance for wondrous poetry. Compensatory motivation a charm of its seed, Taking dear eyes from the skull of Demodocos Leaving songfull mouth his legacy for humanity, Warped physique not short of history, Teaching the world to drink in full pyrene spring As hunchbacked dwarfism of Alexander Pope was not in any sense dwarfism of his poetry, nor club foot of Byron in ******* to Maugham Byronic heroism to Europe of yester times, That sired Proust, the Jewish neurotic And Keats the most dwarfish and Wolfe the tallest Of man and woman to the cultural matrix Of Europe, the mother of art, poetry and synaethesia, From which was born Pushkin that took poetry Out of his nymphomaniac heart, to the solace of czars, And Shakespeare the dear thief, luckily converted Childhood kleptomania into royal theatre of King Lear, The parallel of four brothers from the house of Karamazov, Their father; impecunious penny penchant muzhik In the name of Fydor epileptic Dostoyevsky. A lull of the time to escape from world of rent and tax, Gripped nerves of the duo to a new realm of art wherein sensuous glory from ***** and Indian hemp propelled the souls of Coleridge and De Quincey to grandiose highness of poetry in the dreams of ***** bordering on the teutonic greatness of ritualistic breed, poetry that transcended from rotten apples in the writing desk of Fredriech von schiller the begotten son of Germany, writing under the arms of Balzac dressed in monkey clobus, that along with Milton in the lost paradise, gave him swaddles only when the poetic vein of Milton flowed happily from nothing, but from the ritualized autumnal equinox to the spiritual vernal, as Coleridge was in full recondite of marquetry,mosaic and miracles, the miraculous white male sheep, the white ram of Wole Soyinka, that he gave as a gift to Achebe at the last anniversary, evil decoy that become a car which deathly crushed Chinua Achebe down to demise in the catacombs for the law of poetry as abnormal human neurosis an equation of perfect art.
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47
O golden-tongued Romance with serene lute! Fair plumed Syren! Queen of far away! Leave melodizing on this wintry day, Shut up thine olden pages, and be mute. Adieu! for once again the fierce dispute Betwixt damnation and impassioned clay Must I burn through; once more humbly assay The bitter-sweet of this Shakespearian fruit. Chief Poet! and ye clouds of Albion, Begetters of our deep eternal theme, When through the old oak Forest I am gone, Let me not wander in a barren dream, But when I am consumed in the Fire, Give me new Phoenix wings to fly at my desire.
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Written Before Re-Reading King Lear
How pleasant to know Mr. Lear, Who has written such volumes of stuff. Some think him ill-tempered and queer, But a few find him pleasant enough. His mind is concrete and fastidious, His nose is remarkably big; His visage is more or less hideous, His beard it resembles a wig. He has ears, and two eyes, and ten fingers, (Leastways if you reckon two thumbs); He used to be one of the singers, But now he is one of the dumbs. He sits in a beautiful parlour, With hundreds of books on the wall; He drinks a great deal of marsala, But never gets tipsy at all. He has many friends, laymen and clerical, Old Foss is the name of his cat; His body is perfectly spherical, He weareth a runcible hat. When he walks in waterproof white, The children run after him so! Calling out, "He's gone out in his night- Gown, that crazy old Englishman, oh!" He weeps by the side of the ocean, He weeps on the top of the hill; He purchases pancakes and lotion, And chocolate shrimps from the mill. He reads, but he does not speak, Spanish, He cannot abide ginger beer; Ere the days of his pilgrimage vanish, How pleasant to know Mr. Lear!
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How pleasant to know Mr. Lear
Gluttony feeding from my dreams Be their faces filled hunger Watching Waiting for my slip Lear in their thoughts For they dribble the fat of the land from their lips The hungry doth need of food Be it my soul I dare not stare I dare not look My spine is frozen My mind is cracked Feel them crawling within See my skin ripple from their thoughts They know my taste They know my aim They want to feed Hunger tastes The place became the empty My time was near to move They waited at their tables Ready for my doom A dash this far I nearly got Yet move I did not go The hunger in their hypno eyes This end My sudden woe
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Feb 23, 2013
Feb 23, 2013 at 3:17 AM UTC
gLUTTony
O noble muse, where perched thou singing? And in what ear, upon what summer's day? When our bard begot this, his least good play? Your graces to some other were bringing, To prose and verse with beauty adorned; For, on sitting down to read this once again, I see well why this one is scarce performed: For to read it causes me less joy than pain. My worthy bard, it is as I did fear: Of all your plays of ******** and kings equal, There have been none as good or fine as Lear! What madness prompted you to try a sequel? An orchard of fine works you have begotten, But of your tragic fruit this one is rotten.
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Apr 23, 2016
Apr 23, 2016 at 1:00 PM UTC
On Sitting Down To Read King John Once Again
Sub-atomic particles the atoms they form molecules, cell organelles cells, machinery of life organs, organisms communities and ecosystems planets, solar systems, galaxies galactic clusters and their inverse black holes the doors to other universes, a contradiction in terms.                  For language and its shadow consciousness must hold matter the material world snugly inside concepts theories and hypotheses to be experimentally verified using vision and the other senses, collecting data and interpreting the known facts accumulated over time.                                           Can matter exist without a consciousness to behold it? Believing in our mortality (the species) we have created God (a supreme being) probably not carbon-based to encompass every universe but is God inside or outside consciousness? Can God tell us what to do or must we tell God alone what to do?                       Here is ego projecting personality, exerting force on community, asserting the existence and predominance of component DNA. An already hackneyed theory that DNA survival drives procreation, personality, savings bonds everything but poetry (most poems included). Mustache, cowboy hat horse whisperer, gulag master Odysseus, King Lear                                       salvation in the details. Yes, these personalities individual and interesting as opossum, bear oak and ash beech nut, pine cone Grand Canyon sandstone, Green Mountain granite.
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Aug 9, 2015
Aug 9, 2015 at 5:13 PM UTC
Sub-atomic particles
Sub-atomic particles the atoms they form molecules, cell organelles cells, machinery of life organs, organisms communities and ecosystems planets, solar systems, galaxies galactic clusters and their inverse black holes the doors to other universes, a contradiction in terms.                  For language and its shadow consciousness must hold matter the material world snugly inside concepts theories and hypotheses to be experimentally verified using vision and the other senses, collecting data and interpreting the known facts accumulated over time.                                           Can matter exist without a consciousness to behold it? Believing in our mortality (the species) we have created God (a supreme being) probably not carbon-based to encompass every universe but is God inside or outside consciousness? Can God tell us what to do or must we tell God alone what to do?                       Here is ego projecting personality, exerting force on community, asserting the existence and predominance of component DNA. An already hackneyed theory that DNA survival drives procreation, personality, savings bonds everything but poetry (most poems included). Mustache, cowboy hat horse whisperer, gulag master Odysseus, King Lear                                       salvation in the details. Yes, these personalities individual and interesting as opossum, bear oak and ash beech nut, pine cone Grand Canyon sandstone, Green Mountain granite.
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51
(To my Friend Henry Irving) The silent room, the heavy creeping shade, The dead that travel fast, the opening door, The murdered brother rising through the floor, The ghost’s white fingers on thy shoulders laid, And then the lonely duel in the glade, The broken swords, the stifled scream, the gore, Thy grand revengeful eyes when all is o’er,— These things are well enough,—but thou wert made For more august creation! frenzied Lear Should at thy bidding wander on the heath With the shrill fool to mock him, Romeo For thee should lure his love, and desperate fear Pluck Richard’s recreant dagger from its sheath— Thou trumpet set for Shakespeare’s lips to blow!
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1.8k
Fabien Dei Franchi
I have long sought quiet. And please, let me be clear: quiet. Not the quietus Hamlet desired, No “consummation devoutly to be wished” for me. No, with or without a bare bayonet, UNBEINGNESS is hardly what I seek. It is not the predicament of death, But the quiet spectacle of the grave I envy.   Originally a city mouse, I am familiar with the urban soundscape. I know city noise, amped up in decibels. Noise-induced stress, shrill and enervating, Add to the mix a working-class neighborhood, Where someone is always hammering, Using a power tool of some kind, Repairing, improving an older, somewhat decrepit home; But a steal as the realtors say. Or vehicles, like Old Havana relics, Held together by secular prayer, And thriving underground Cuban capitalism. Then just for fun: *"Let’s send the son of a ***** to war."* Tympanic membranes be wary and be ****** Stretched and perforated, Compressed and torn, Shredded like wheat. Pummeled by shock wave. I was Lear wandering the heath, Your ass-cheeks cracked: *“Cataracts and hurricanes . . . Oak-cleaving thunderbolts . . . Sulphurour and thought-executing fires . . . Singe my white head!”* Cue Cabaret music (Cabaret (1972) - IMDb www.imdb.com/title/tt0068327): “Willkommen, bienvenue, welcome . . . to Indochine,” First a Weimar-Saigon suckee-fuckee, Then out to *The **** Mind-numbing concussion, Reek of jellied gasoline, Charred meat, Assorted red entrails, Obliteration of thought complete.
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Jun 27, 2015
Jun 27, 2015 at 8:48 PM UTC
"Quiet"
O golden-tongued Romance with serene lute! Fair plumed Syren! Queen of far away! Leave melodizing on this wintry day, Shut up thine olden pages, and be mute: Adieu! for once again the fierce dispute, Betwixt damnation and impassion'd clay Must I burn through; once more humbly assay The bitter-sweet of this Shakespearian fruit. Chief Poet! and ye clouds of Albion, Begetters of our deep eternal theme, When through the old oak forest I am gone, Let me not wander in a barren dream, But when I am consumed in the fire, Give me new Phoenix wings to fly at my desire.
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1.7k
On Sitting Down To Read King Lear Once Again
Oh! mihi præteritos referat si Jupiter annos. VIRGIL. Ye scenes of my childhood, whose lov’d recollection Embitters the present, compar’d with the past; Where science first dawn’d on the powers of reflection, And friendships were form’d, too romantic to last; Where fancy, yet, joys to retrace the resemblance Of comrades, in friendship and mischief allied; How welcome to me your ne’er fading remembrance, Which rests in the ***** though hope is deny’d! Again I revisit the hills where we sported, The streams where we swam, and the fields where we fought; The school where, loud warn’d by the bell, we resorted, To pore o’er the precepts by Pedagogues taught. Again I behold where for hours I have ponder’d, As reclining, at eve, on yon tombstone I lay; Or round the steep brow of the churchyard I wander’d, To catch the last gleam of the sun’s setting ray. I once more view the room, with spectators surrounded, Where, as Zanga, I trod on Alonzo o’erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop himself was outshone. Or, as Lear, I pour’d forth the deep imprecation, By my daughters, of kingdom and reason depriv’d; Till, fir’d by loud plaudits and self-adulation, I regarded myself as a Garrick reviv’d. Ye dreams of my boyhood, how much I regret you! Unfaded your memory dwells in my breast; Though sad and deserted, I ne’er can forget you: Your pleasures may still be in fancy possest. To Ida full oft may remembrance restore me, While Fate shall the shades of the future unroll! Since Darkness o’ershadows the prospect before me, More dear is the beam of the past to my soul! But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, “Oh! such were the days which my infancy knew.”
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1.7k
On A Distant View Of The Village And School Of Harrow On The Hill, 1806
Oh! mihi præteritos referat si Jupiter annos. VIRGIL. Ye scenes of my childhood, whose lov’d recollection Embitters the present, compar’d with the past; Where science first dawn’d on the powers of reflection, And friendships were form’d, too romantic to last; Where fancy, yet, joys to retrace the resemblance Of comrades, in friendship and mischief allied; How welcome to me your ne’er fading remembrance, Which rests in the ***** though hope is deny’d! Again I revisit the hills where we sported, The streams where we swam, and the fields where we fought; The school where, loud warn’d by the bell, we resorted, To pore o’er the precepts by Pedagogues taught. Again I behold where for hours I have ponder’d, As reclining, at eve, on yon tombstone I lay; Or round the steep brow of the churchyard I wander’d, To catch the last gleam of the sun’s setting ray. I once more view the room, with spectators surrounded, Where, as Zanga, I trod on Alonzo o’erthrown; While, to swell my young pride, such applauses resounded, I fancied that Mossop himself was outshone. Or, as Lear, I pour’d forth the deep imprecation, By my daughters, of kingdom and reason depriv’d; Till, fir’d by loud plaudits and self-adulation, I regarded myself as a Garrick reviv’d. Ye dreams of my boyhood, how much I regret you! Unfaded your memory dwells in my breast; Though sad and deserted, I ne’er can forget you: Your pleasures may still be in fancy possest. To Ida full oft may remembrance restore me, While Fate shall the shades of the future unroll! Since Darkness o’ershadows the prospect before me, More dear is the beam of the past to my soul! But if, through the course of the years which await me, Some new scene of pleasure should open to view, I will say, while with rapture the thought shall elate me, “Oh! such were the days which my infancy knew.”
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38
I am a glass of skim milk. I am a reconstituted congealed protein fixture-ate molded like a rack of ribs. I could be alien technology if I weren't christmas lights and a projector. In fact if I were any more prosthetic I'd be... a picture of a painting of a plastic rose. I'd be at the globe theatre. I'd be lear, othello, hammers, macky, romero and roz. Cuz I'm a lick-on-stamp of higher education, and I'm a bottle of **** that you find under your seat in the van when you're so thirsty you can hear Berbers in the distance. I could be the mermaid on the front of wooden ships. I would be the black olives on your gordita cruch; and I'll smile at you with 9 inch long teeth as I dutifully hang your laundry in the rain. With dozens of laughs all covering up tender spots I'm too chicken to cry about I am a master parade floating up, up, in the middle of the street, Til I fall with a big black box of bottled bourbon ***** for my buccaneer bravado's. And fists I make while walking and beating sticks I carve, still beating, with imaginary reasons that I find a bit disturbing. When I go walking I go walking off into the ending cuz I'm just killing time while trying not to go crazy i-I-eye-shouldastudiedmore I shoulda beat up my *** drive in a dark alley while it was still raining, and a I shoulda red more bled more sweat-ed more than I did, cuz I'm standing here in a bucket with the thunderstorm looming clutching onto a flag pole for dear life like it was my mother. Hoping just for one big bang to send me off into the twilight to shoot me out past the moon once again. Cuz I'm drowning in the rain that doesn't hit the ground. and I'm smiling like Bob Wiley on a tree stump, as I sip at strychnine like it's Chianti.
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Oct 25, 2014
Oct 25, 2014 at 2:28 PM UTC
W
I am a glass of skim milk. I am a reconstituted congealed protein fixture-ate molded like a rack of ribs. I could be alien technology if I weren't christmas lights and a projector. In fact if I were any more prosthetic I'd be... a picture of a painting of a plastic rose. I'd be at the globe theatre. I'd be lear, othello, hammers, macky, romero and roz. Cuz I'm a lick-on-stamp of higher education, and I'm a bottle of **** that you find under your seat in the van when you're so thirsty you can hear Berbers in the distance. I could be the mermaid on the front of wooden ships. I would be the black olives on your gordita cruch; and I'll smile at you with 9 inch long teeth as I dutifully hang your laundry in the rain. With dozens of laughs all covering up tender spots I'm too chicken to cry about I am a master parade floating up, up, in the middle of the street, Til I fall with a big black box of bottled bourbon ***** for my buccaneer bravado's. And fists I make while walking and beating sticks I carve, still beating, with imaginary reasons that I find a bit disturbing. When I go walking I go walking off into the ending cuz I'm just killing time while trying not to go crazy i-I-eye-shouldastudiedmore I shoulda beat up my *** drive in a dark alley while it was still raining, and a I shoulda red more bled more sweat-ed more than I did, cuz I'm standing here in a bucket with the thunderstorm looming clutching onto a flag pole for dear life like it was my mother. Hoping just for one big bang to send me off into the twilight to shoot me out past the moon once again. Cuz I'm drowning in the rain that doesn't hit the ground. and I'm smiling like Bob Wiley on a tree stump, as I sip at strychnine like it's Chianti.
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48
together now let us sing the song of inanity the song of no meaning it is the song of the no-light the song of the ludicrous the ludicrous become meaning meaning become ludicrous This become that That become this *ding! ding! ding! ding! ping! ping! ping! ping!* everything has penetrated its opposite and the world become beastly no beginning, no end no origins let us sing now the world topsy-turvy the brain in a soup, the mind’s one word: baa-baa-baa you sing one line the other another and then all together the song of bad breath and yawns *ding! ding! ding! ding! ping! ping! ping! ping!* we see King Lear walking naked in the plains and we have the Imposter with his heavy **** on the Throne which is a Toilet with automated cistern let us sing then not then, but now together now let us sing the song of inanity the song of no meaning it is the song of the no-light the song of the ludicrous the ludicrous become meaning *ding! ding! ding! ding! ping! ping! ping! ping!*
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Sep 4, 2012
Sep 4, 2012 at 9:41 AM UTC
ding! ding! ping! ping!
Take a group of chimpanzees used to swinging through the trees, and sit them down at keyboards in a row; lots of paper, lots of ink, lots and lots of time, I think, and what the theory says I’m sure you know. Yes, along with all the junk, all the gibberish and bunk, somewhere there’d be the full works of the Bard: As You Like It, Cymbeline, Richards 2 and 3, the Dream, though Hamlet, Prince of Denmark, might be hard. But I’m sure the little blighters would get on fine with *Titus Andronicus*, The Taming of the Shrew, The Moor of Venice (that’s Othello), the other Merchant fellow, and Antony and Cleopatra too. The Winter’s Tale would hold no terrors, nor The Comedy of Errors, and Verona’s Gentlemen would turn out right; Love’s Labour might be Lost, or it might be Tempest-tossed, but All’s Well That Ends Well, even on Twelfth Night. Lear, King John, and Much Ado, Henry 4, parts 1 and 2, Henry 5, and 6 (in three parts), Henry 8, Troilus, Timon, Measure for Measure, Pericles (a neglected treasure) and how Romeo and Juliet met their fate; all the Sonnets, and the **** of Lucrece* (typed by an ape!) and if they worked for ever and a day they could fit in Julius Caesar, that Coriolanus geezer, the Wives of Windsor, and the Scottish play. I grew more and more excited – even thought I might be knighted if I could be the one to make it work. But to realise my dream I had to try a pilot scheme, to prove I wasn’t just a reckless berk. I bought one chimp from the zoo - didn't have the cash for two - and gave him a typewriter, just to try for a short while. Well, a fortnight was the time-scale that I thought right. You see, I’m quite an optimistic guy. Now everyone who heard of my project said, “Absurd!” when I told them of my striking new departure. “Get a chimpanzee to type the works of Shakespeare? Oh, what tripe!” Still … he did produce the works of Jeffrey Archer.
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Jan 18, 2016
Jan 18, 2016 at 3:55 PM UTC
Testing a Theory
Take a group of chimpanzees used to swinging through the trees, and sit them down at keyboards in a row; lots of paper, lots of ink, lots and lots of time, I think, and what the theory says I’m sure you know. Yes, along with all the junk, all the gibberish and bunk, somewhere there’d be the full works of the Bard: As You Like It, Cymbeline, Richards 2 and 3, the Dream, though Hamlet, Prince of Denmark, might be hard. But I’m sure the little blighters would get on fine with *Titus Andronicus*, The Taming of the Shrew, The Moor of Venice (that’s Othello), the other Merchant fellow, and Antony and Cleopatra too. The Winter’s Tale would hold no terrors, nor The Comedy of Errors, and Verona’s Gentlemen would turn out right; Love’s Labour might be Lost, or it might be Tempest-tossed, but All’s Well That Ends Well, even on Twelfth Night. Lear, King John, and Much Ado, Henry 4, parts 1 and 2, Henry 5, and 6 (in three parts), Henry 8, Troilus, Timon, Measure for Measure, Pericles (a neglected treasure) and how Romeo and Juliet met their fate; all the Sonnets, and the **** of Lucrece* (typed by an ape!) and if they worked for ever and a day they could fit in Julius Caesar, that Coriolanus geezer, the Wives of Windsor, and the Scottish play. I grew more and more excited – even thought I might be knighted if I could be the one to make it work. But to realise my dream I had to try a pilot scheme, to prove I wasn’t just a reckless berk. I bought one chimp from the zoo - didn't have the cash for two - and gave him a typewriter, just to try for a short while. Well, a fortnight was the time-scale that I thought right. You see, I’m quite an optimistic guy. Now everyone who heard of my project said, “Absurd!” when I told them of my striking new departure. “Get a chimpanzee to type the works of Shakespeare? Oh, what tripe!” Still … he did produce the works of Jeffrey Archer.
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54
*Bus poems are shorties written on the way home, riding the M31 thru Manhattan. Often silly, often not...* There is a contest that does not involve my P.S.F. (Preferred Sport Franchise) this weekend, truly don't give a good ****** who wins, but that is no excuse to deny me my sir sore-losing, victim status, so richly deserved. A triumvirate of doctor, g.f. and medical tests, have on the field ruled, once a year, a conjugal visit permitted, tween my arteries and chicken wings. there will pigs in blankets demanding attention, potato knishes, and cole slaw juices,  and a foreign dignitary, Sayyid Cous-Cous, lining up along side the quarterback  who will be 'winging' honey and spicy passes to his favorite receiver, this couch coach and impartial observer. This is my Sunday fare. If insufficiently highbrow, for all you poetic aesthetes, have no fear, this athlete gastronomic,, victim of his victuals, will prepare mentally by hanging with King Lear once more, sharing a verbal tasting menu, the day prior, who once called me, at a Giant super bowl party, *“A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-livered, action-taking knave, a whoreson, glass-gazing, super-serviceable finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd, in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel ***** one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition.”* ― William Shakespeare, King Lear
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Jan 31, 2014
Jan 31, 2014 at 4:50 PM UTC
Bus Poems: Victuals Victim
*Bus poems are shorties written on the way home, riding the M31 thru Manhattan. Often silly, often not...* There is a contest that does not involve my P.S.F. (Preferred Sport Franchise) this weekend, truly don't give a good ****** who wins, but that is no excuse to deny me my sir sore-losing, victim status, so richly deserved. A triumvirate of doctor, g.f. and medical tests, have on the field ruled, once a year, a conjugal visit permitted, tween my arteries and chicken wings. there will pigs in blankets demanding attention, potato knishes, and cole slaw juices,  and a foreign dignitary, Sayyid Cous-Cous, lining up along side the quarterback  who will be 'winging' honey and spicy passes to his favorite receiver, this couch coach and impartial observer. This is my Sunday fare. If insufficiently highbrow, for all you poetic aesthetes, have no fear, this athlete gastronomic,, victim of his victuals, will prepare mentally by hanging with King Lear once more, sharing a verbal tasting menu, the day prior, who once called me, at a Giant super bowl party, *“A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-livered, action-taking knave, a whoreson, glass-gazing, super-serviceable finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd, in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel ***** one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition.”* ― William Shakespeare, King Lear
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42
. Lear wanders in stormy open, bares warring elements, The heavens blister, crackle, night is balmy shroud, Wretched monarch babbles in sprinkles of wind cold, Arguments lost by ones own pouring perturbations And raining sky said 'nothing will come from nothing.' Howl, howls into blackness treed in lightning splits, His outcast soul, reels, fleshed, cut to smithereens, Tang of salt burns on the bluffs and the sea rages, So entire and ceremonious is Lear's fall meted out, Air spoke, 'nothing from nothings ever yet was born.' Sky proclaimed to man child King, here is a reckoning,                                     Each mad choice was self infliction, now wind flays And sweet Cordelia lies in her innocent **** grave, Sky, in thralls of thundering asks, 'what say thee now, King of highborn follies, even purple heaths are rags, Yet black and above you and night shades, whine, Unworthy King, done in by compounded effects, The might of maelstroms in low butterflies wings, How now, bare trees, knifing reeds, skeletal flashes, To rains of night are ever your lanyards my lord,' Sad Lear so near oblivion fell mute, sky went on, 'Howl and cry mad King your reaper calls beyond, The icy brisk heavens await to brusque you away, Your slipshod kingdom was mere and fools' dream, Howl, til howls abrupt abate, for nothing now comes.'
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Mar 6, 2017
Mar 6, 2017 at 10:39 AM UTC
King Lear in Conversation with the Sky
dear owl, where is your home after all the day and night of rains that you should sit forlorn like Lear on the pavement this cold, sunless morning? you will make one again dear owl and you will hoot again in nights and stay discreet in the days
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Oct 17, 2010
Oct 17, 2010 at 2:59 AM UTC
dear owl, forlorn like King Lear
A c*lear sky No grey sight With fist full of desires green dreamy eyes I fly away*.
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Sep 15, 2019
Sep 15, 2019 at 1:56 PM UTC
No grey