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"laureate" poems
i. Happy birthday To thee, dearest Friend. Mayest This remembrance of birth Be another year for thou To thinkest of none end's; But a brighter tommorrow. ii. Resteth gal sarah, Put away all of Thine sorrow's, Didst thou not Knoweth; there's A God who breaketh The alshshayatin Who cometh against Thee. iii. Thou art not alone, As me and mine Jane Art alway's there to Be, a friend in need. Growing seed's, to Help-another grow. iv. Mayest the morrow Be for thou, as white As snow; mayest the Seraphim, who surround's Thy worries and protects Thy home, showeth Thee the light above thine tear's. Smile mine friend, a friend is here. Mayest thy sight be clear, and thy crown Be uplifted and flared. As the world's glare Hast betrayed thine eye's. Observeth upward Wherein paradise lies; as thou wilt hath wing's one day O' laureate of poetry's net. O' brilliant friend; of Jane and mine. ©Brandon Nagley ©Lonesome poet's poetry ©Thepoet(Sarah Ahmed) birthday dedication. Sorry Sarah day late on b day dedication... But a happy wonderful birthday from me a friend if you ever need one there as you have always been there for me and Jane and have always been a major blessing to me and Jane!!! May the heavens open to you, and may you overcome your battles you face in this world... HAPPY BIRTHDAY poetic friend !!!!
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Feb 14, 2016
Feb 14, 2016 at 7:32 PM UTC
عيد ميلاد أحد الأصدقاء ( A friend's birthday) arabic tongue - birthday dedication to Thepoet ( Sarah Ahmed)
You look like a light-colored satin Stars f           a             l               l on your caramel hair Your laureate crown is permanent You walk fast as a local feline L'Empereur far from his throne You look disoriented You look tired It's nightfalling Resolution parts The moon shines Gold minds Lace L'étoile Jeune ace Shiny sleeves I go through a mirror You're sitting in there I hide carefully Not to be alert I have found myself again Dreaming of you inside The reflection of your mirror At night my opal                            sleeves are made of satin.    - Codelandandmore// 6:00 PM ©
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Apr 24, 2017
Apr 24, 2017 at 12:01 PM UTC
Satin Sleeves
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This is not a poem.  This is about a poem. Poems require words.  This poem does not require words. This poem requires memories' muscles. This poem requires what is called colloquially love. Learn that what we share here is not poetry. Your poetic senses that produce the words that mark you present are but surgical tools to extract, release the whole and the parts of you that help shape that single sense borning in your chest that defines you at any particular moment. Quæ est mater Laureat. She is the Mother Laureate. She is the boundary you must learn to cross to be more than a re-arranger of letters and alphabets, but a translator of the human essence and fill our veins with the a sense of awe and wonder felt when we read each other and think aloud, "yes, exactly, that was and is precisely what I was feeling." She is the glue that keeps us sticking here, sticking together, each of us sticking to it.   You do not know her?   No worries, she will find you when you least expect it, perhaps when you need it. This is not a poem.  This is a human who's a poem. Understand the difference and then you may begin a journey that has no destination other than weaving the connective tissue that makes us anticipating excited when we log on. Happy Birthday Mother Poet Laureate! I do not think I can write a better not poem for you.   Forgive me then, if going toward, I repost this every October 24th as long as the chemical composition of blood, God, spirit, logos or reason runs free within,   exiting as words encased in tears that formulate into human poetry. nattyman P.S.There are 800 poems here with Sally in the title, and least 700  are about Sally B.   If you like, please  feel to free to add yours, old or new.
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Oct 23, 2017
Oct 23, 2017 at 12:42 PM UTC
2020 Sally's Birthday: The Poem that is not a Poem
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This is not a poem.  This is about a poem. Poems require words.  This poem does not require words. This poem requires memories' muscles. This poem requires what is called colloquially love. Learn that what we share here is not poetry. Your poetic senses that produce the words that mark you present are but surgical tools to extract, release the whole and the parts of you that help shape that single sense borning in your chest that defines you at any particular moment. Quæ est mater Laureat. She is the Mother Laureate. She is the boundary you must learn to cross to be more than a re-arranger of letters and alphabets, but a translator of the human essence and fill our veins with the a sense of awe and wonder felt when we read each other and think aloud, "yes, exactly, that was and is precisely what I was feeling." She is the glue that keeps us sticking here, sticking together, each of us sticking to it.   You do not know her?   No worries, she will find you when you least expect it, perhaps when you need it. This is not a poem.  This is a human who's a poem. Understand the difference and then you may begin a journey that has no destination other than weaving the connective tissue that makes us anticipating excited when we log on. Happy Birthday Mother Poet Laureate! I do not think I can write a better not poem for you.   Forgive me then, if going toward, I repost this every October 24th as long as the chemical composition of blood, God, spirit, logos or reason runs free within,   exiting as words encased in tears that formulate into human poetry. nattyman P.S.There are 800 poems here with Sally in the title, and least 700  are about Sally B.   If you like, please  feel to free to add yours, old or new.
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28
When poets die It's sad and true, It matters not What their bodies do, The spirit flies To Poet's Corner, In Westminster Abbey. You'll not see Busts or inscriptions For all the poets Whose spirits linger Alongside Chaucer, Browning, Spencer, And a myriad of authors. Dead Poet you have earned your share; Dead Poet I will know you're there, Composing in the Laureate's lair.
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Sep 26, 2015
Sep 26, 2015 at 12:33 PM UTC
Elegy for Dead Poets
reverence in poetry.                             everything to every person. reader claims they can                         a necessary skill for uncover the reverence.                         successful hypothecating and in the scripts that                       (buying)poetry-creation outta nothing, life straight hands me,                          tell them what thy want to hear, for collection & correction,           and they’ll call you laureate,                       secretarial transcribing,                        instead of good listener binding, typo correction                       or just a keen observer-fakir mundane are the tasks,                          just take what they give ya, that’s all them muses ask,                     dress it like Joseph in a don’t interfere, taken what’s given,     coat of many colors, bow, curtsy, show respect,                     don’t let on your plagiarism treat its aspects/instincts correctly       is all them, redressed legally you’re just the pass through agent,   true you, gotta be smart about it, patient for no payment expected,    variant spellings, swinging verbs, be our adherent, not our truant,      be discreet, they’ll call your script we appoint don’t disappoint,          a real keeper and give love or sun, accept our patent, render legit        mucho poem emojis accoladeya as for this reverence thinge        devil in a blue dress, walk the streets if I do my job ok, on any day,     grabbing snatches of overhearings, any poem could save a life,        pressed into a single tunic, you think, if I get the commas placed,         he a genius, knows my thinking, just right, the periods period,     exactly,  what a great poet and while obeying the speed limit    con/hu-man par excellent them muses so **** pleased     even fool muses, too full themselves, by this true confession released, muses who think we stink and and self deprecation,                     couldn’t do it without them they call me reverend,                   great pretenders by stealing imagine them silly folk,                everything in everybody and calling a big fat liar.                       all thieves and cape riders, reverend, duh, the end                 original liars, pants on fire before midnight and after 3:20am April 7~8, two oh nineteen any message you send becomes my intellectual property, fool....
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Apr 8, 2019
Apr 8, 2019 at 5:24 AM UTC
reverence in poetry. (2) everything in every person.
reverence in poetry.                             everything to every person. reader claims they can                         a necessary skill for uncover the reverence.                         successful hypothecating and in the scripts that                       (buying)poetry-creation outta nothing, life straight hands me,                          tell them what thy want to hear, for collection & correction,           and they’ll call you laureate,                       secretarial transcribing,                        instead of good listener binding, typo correction                       or just a keen observer-fakir mundane are the tasks,                          just take what they give ya, that’s all them muses ask,                     dress it like Joseph in a don’t interfere, taken what’s given,     coat of many colors, bow, curtsy, show respect,                     don’t let on your plagiarism treat its aspects/instincts correctly       is all them, redressed legally you’re just the pass through agent,   true you, gotta be smart about it, patient for no payment expected,    variant spellings, swinging verbs, be our adherent, not our truant,      be discreet, they’ll call your script we appoint don’t disappoint,          a real keeper and give love or sun, accept our patent, render legit        mucho poem emojis accoladeya as for this reverence thinge        devil in a blue dress, walk the streets if I do my job ok, on any day,     grabbing snatches of overhearings, any poem could save a life,        pressed into a single tunic, you think, if I get the commas placed,         he a genius, knows my thinking, just right, the periods period,     exactly,  what a great poet and while obeying the speed limit    con/hu-man par excellent them muses so **** pleased     even fool muses, too full themselves, by this true confession released, muses who think we stink and and self deprecation,                     couldn’t do it without them they call me reverend,                   great pretenders by stealing imagine them silly folk,                everything in everybody and calling a big fat liar.                       all thieves and cape riders, reverend, duh, the end                 original liars, pants on fire before midnight and after 3:20am April 7~8, two oh nineteen any message you send becomes my intellectual property, fool....
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33
All these stanzas look alike they talk about the same things with the same words, the same poem written over and over again like voices, whispers, copying each other unable to feel and trust experience differently, socialized for homogeneity unified but dull, strong but obedient their writing seemed the narratives of machines unable to innovate plagiarizing voices they believed were their own, authentic, pure their literary journals were a politics of masters of arts and agendas of contests like car commercials without a proper enjoyment of speed, or our favorite writers whose names we only knew because they were the ones who died at the right time while somebody was looking, reading them but the bookstores didn’t know their metaphors were weak, or their life’s work was merely symbolic, that’s the thing isn’t it poets are only symbols, as poems are only fluff, paper, the labor of writers-in-residence while the rest of the world are more interested in serial killers and which stocks might be worth getting into, and when to sell out investing in words seemed silly to them and, in my selected works there was nothing of how to be a Poet Laureate or how to win prizes exceptional or not, publication was left to amazon state grants, fellowships, visiting writers academics who never felt truly how to write poetry at its heart was a colonization of artists few could share what that meant, we were the first illiterate generation, spending more time with the internet than with books.
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Oct 18, 2014
Oct 18, 2014 at 12:04 PM UTC
On the decline of literacy
All these stanzas look alike they talk about the same things with the same words, the same poem written over and over again like voices, whispers, copying each other unable to feel and trust experience differently, socialized for homogeneity unified but dull, strong but obedient their writing seemed the narratives of machines unable to innovate plagiarizing voices they believed were their own, authentic, pure their literary journals were a politics of masters of arts and agendas of contests like car commercials without a proper enjoyment of speed, or our favorite writers whose names we only knew because they were the ones who died at the right time while somebody was looking, reading them but the bookstores didn’t know their metaphors were weak, or their life’s work was merely symbolic, that’s the thing isn’t it poets are only symbols, as poems are only fluff, paper, the labor of writers-in-residence while the rest of the world are more interested in serial killers and which stocks might be worth getting into, and when to sell out investing in words seemed silly to them and, in my selected works there was nothing of how to be a Poet Laureate or how to win prizes exceptional or not, publication was left to amazon state grants, fellowships, visiting writers academics who never felt truly how to write poetry at its heart was a colonization of artists few could share what that meant, we were the first illiterate generation, spending more time with the internet than with books.
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37
Deathbed Confession “In 1971 a man calling himself Dan Cooper hijacked a plane from Portland to Seattle, demanded parachutes and $200,000 in cash, then jumped into the night with the money, never to be seen again.” — fbi.gov So little seemed to be at stake. The bomb was real; the threat was fake. Neither was difficult to make. And I was in my element, or almost there. Yes, the descent was cold, but warmer as I went, and yes it was coal black and raining, but I had uppers and my training. I’ve spent my whole life not complaining. When I could see the woods I wandered out with the twenties, which I laundered, safety-deposited, and squandered, and with the oddest thing — a name I’d paid for but could never claim, a private riddle, private fame. That’s been the hardest part: denial — remaining of no interest while the Bureau opened up a file on every former paratrooper who in his final morphine stupor discovered he was D.B. Cooper. I’m D.B. Cooper. There, I said it. It’s decent work if you can get it, but it pays cash. There is no credit, or blame, or pity in thin air, and I’ve spent forty winters there. I’ll take whatever you can spare, although I don’t suppose the guy whose last confession is a lie deserves it any less than I. This piece is written by Kansas Poet Laureate Henry McHenry. The rights to the poem are completely his.
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Oct 23, 2015
Oct 23, 2015 at 10:44 PM UTC
Deathbed Confession - Eric McHenry
1000 words to speak my mind but amm'a sum it up in 9 B- Beautiful U-Utmost superficial T-True T-Tactic E-Elegant R-Reserved F-Flirty L-Laureate Y-Yielding ...that is all you are to me. :-) ©The Unspoken
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Apr 10, 2014
Apr 10, 2014 at 5:39 AM UTC
A Butterfly In My Hand...
********* Rabbi crows I am 'poet laureate' Internet yawning*
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May 24, 2015
May 24, 2015 at 12:47 AM UTC
Zx Sad Kings
Touch You cannot lift or load it, over your shoulder, throw it, to best assay its weight - is it ponderous, full of big *** gravitas or a snack, a parfait desert, a haiku delight? You cannot touch it, but it can touch you, It can grasp both your shoulders, shake you from complacency, put its hands upon thy throat, gasp emit, a scream demanded, paint whimsy lines on thy face, from ear to ear. See With yours eyes, by a mere glance, true reveal its length, stanzas multiple or an itty bitty ditty, but this gives no value clue,   Ogden Nash vs. Tennyson, in two minutes make you laugh, in twenty, make you beg, mercy! Smell Some Poe poems do stink, befouled mushrooms in a dank place, some require nerve to read, but your olfactory be ill suited for poetic deconstruction and criticism. Hear Wake you with kisses upon thy face, inject love poems into thy ears, straight to the brain verbal crack ******* yet even the hearing the whisper of words from my lips, is an insufficient, sensorily speaking methodology, of how a poem, to best comprehend How then? If touch, vision, smell and cursory hearing alone can't essence capture, what then, weary reader, is the supposed Laureate's approved analytical tool? Taste Each letter, a morsel in your mouth, Each phrase, a fork full of pleasure, Each stanza, a full fledged member in a tasting menu, Perfect only in conjunction with the preceding flavor, and the one that follows,  and the one that follows. Taste each poem upon thy tongue and then pass it on, you know how.... Each word, whether chewed thoroughly, or lightly placed upon a bud for flavor, needs the careful consideration of your mouth. Feel the light pressure of the tongues tip upon the roof of your mouth and the exalted exhalations of air rushing past thy cheeks as you messenger breath from your chest to be shared with the world, over the poem's interpreter, your tasting lips. *As I lay each word down, a brick by brick edifice construct of mine own design, I am sated, fulfilled only, when with I see your lips move as you savor my words, my taste you share, and we are closer for it.* ***Deaf, dumb and blind, all such travails can be conquered, assailed, but when I cannot, no longer anymore taste my poems upon thy lips, then I breathe no more.***
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Mar 14, 2014
Mar 14, 2014 at 4:22 PM UTC
How to Read a Poem (Hint: Not With Your Eyes)
Touch You cannot lift or load it, over your shoulder, throw it, to best assay its weight - is it ponderous, full of big *** gravitas or a snack, a parfait desert, a haiku delight? You cannot touch it, but it can touch you, It can grasp both your shoulders, shake you from complacency, put its hands upon thy throat, gasp emit, a scream demanded, paint whimsy lines on thy face, from ear to ear. See With yours eyes, by a mere glance, true reveal its length, stanzas multiple or an itty bitty ditty, but this gives no value clue,   Ogden Nash vs. Tennyson, in two minutes make you laugh, in twenty, make you beg, mercy! Smell Some Poe poems do stink, befouled mushrooms in a dank place, some require nerve to read, but your olfactory be ill suited for poetic deconstruction and criticism. Hear Wake you with kisses upon thy face, inject love poems into thy ears, straight to the brain verbal crack ******* yet even the hearing the whisper of words from my lips, is an insufficient, sensorily speaking methodology, of how a poem, to best comprehend How then? If touch, vision, smell and cursory hearing alone can't essence capture, what then, weary reader, is the supposed Laureate's approved analytical tool? Taste Each letter, a morsel in your mouth, Each phrase, a fork full of pleasure, Each stanza, a full fledged member in a tasting menu, Perfect only in conjunction with the preceding flavor, and the one that follows,  and the one that follows. Taste each poem upon thy tongue and then pass it on, you know how.... Each word, whether chewed thoroughly, or lightly placed upon a bud for flavor, needs the careful consideration of your mouth. Feel the light pressure of the tongues tip upon the roof of your mouth and the exalted exhalations of air rushing past thy cheeks as you messenger breath from your chest to be shared with the world, over the poem's interpreter, your tasting lips. *As I lay each word down, a brick by brick edifice construct of mine own design, I am sated, fulfilled only, when with I see your lips move as you savor my words, my taste you share, and we are closer for it.* ***Deaf, dumb and blind, all such travails can be conquered, assailed, but when I cannot, no longer anymore taste my poems upon thy lips, then I breathe no more.***
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73
today I read a series of rules for writing poetry. one that caught my eye was: "If it hasn't been edited, it isn't a poem. It is a draft." it was stated with such conviction, I was convinced. I said to myself: "I've never written a poem... these are all drafts." but this guy also said: never rhyme, use the word soul and you should be shot, if it doesn't sound beautiful it isn't a poem. also he was writing rules on how to write poetry. who does that? I resolved that he must be a pretentious ****** this is the raw stuff that we all have to work with. but no one ever publishes their first draft. so we're stuck living in our own raw footage, and comparing it to everyone else's highlight reel. if you don't want to call this poetry, that's fine. you can **** on my initial *****
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Sep 30, 2012
Sep 30, 2012 at 12:17 PM UTC
****** laureate
~ (written in response to one by Beryl Dov) constellationally speaking a trophied man is one whose weaknesses he has overcome, those the stars foretold, ordained; flaws and blemishes the gods disdained, who flies with herculean brawn and breadth; who plies the star ways to their dizzying heights and stairways to their dismal depths. he is… like no other, he is… the lonesome overcomer! ~ *post script. for Beryl Dov, poet laureate, extraordinaire; in response to his “The Lonely Astronomer”.   how anyone sees his as anything negative is beyond me… i see nothing but an overcomer’s metaphor.   well done, friend!! (and yes, by "man" i do mean mankind) The Lonely Astronomer: http://hellopoetry.com/poem/1182761/the-lonely-astronomer/*
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Sep 28, 2015
Sep 28, 2015 at 8:32 PM UTC
the lonesome overcomer
ON thrones from China to Peru All sorts of kings have sat That men and women of all sorts proclaimed both good and great; And what's the odds if such as these For reason of the State Should keep their lovers waiting, Keep their lovers waiting? Some boast of beggar-kings and kings Of rascals black and white That rule because a strong right arm Puts all men in a fright, And drunk or sober live at ease Where none gainsay their right, And keep their lovers waiting, Keep their lovers waiting. The Muse is mute when public men Applaud a modern throne: Those cheers that can be bought or sold, That office fools have run, That waxen seal, that signature. For things like these what decent man Would keep his lover waiting, Keep his lover waiting?
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1.7k
A Model For The Laureate
Every man has a calling And my nitch is writing. Mama gave me life and my name, But poetry completes me. Bless your soul Queen, For my path is green And my deeds are pure, I couldn't ask for more. I'm not a president. But my words are important. I don't need bodyguards Only some pens and pads. I'm not an astronaut But a poetic juggernaut. No ,I'm not a pianist, But I play the note of a realist. I'm a wordsmith and sageist, That's better than a freak or sadist. Call me a vessel of wisdom Or frown and rot in boredom. I may not be a musician I spin words like a magician. I'm a deep thinker and poet, A writer and future laureate. Jah gave me a unique gift I'll therefore use it to uplift. With it I can write, motivate. Inspire, impact and create. ©IB-Poetry 25/11/2018
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Nov 26, 2018
Nov 26, 2018 at 5:37 AM UTC
Juggernaut
I watched my very own Charles Bukowski eat a tangerine outside of   the arthouse   where we were reading. His name is not really Bukowski, but he has told tales in the same   vein as the Laureate of Drunkards for longer than I have been alive. I have listened to that same back alley patois, and barroom wisdom for long enough that I feel a certain level   of comfort in calling the old gizzard   this municipality's own   Charles Bukowski. The grizzled old poet   is telling wanton tales   of love and honeydew. He goes on and on, recounting the times   that he's drunk   strong potato liquor with Bengal tigers   in the backseats   of roaring taxis on his way to parties   hosted by zebras and   gazelles. We each light a cigarette, pausing to smoke for a while. Seeking to continue   the conversation with   my salty comrade,   yet knowing my own   stories cannot compete, I surge onward nonetheless. His interruptions jam my   traffic before I can even make   it onto the onramp of his   particular, peculiar highway. His mouth is already working, though his tangerine consumed. He's chewing his next story into digestible, deliverable bits. And, now he's chewing the rind. His mouth, his words, his life, and my own for all of it, is full of   zest. *** -JBClaywell ©P&ZPublications 2017
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Dec 3, 2017
Dec 3, 2017 at 7:52 PM UTC
Chewing The Rind
and they made him United States Poet Laureate for spitting a verse that attempted to rhyme Ferrari Testarossa with via dolorosa.
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May 16, 2013
May 16, 2013 at 6:46 PM UTC
paper
785 They have a little Odor—that to me Is metre—nay—’tis melody— And spiciest at fading—indicate— A Habit—of a Laureate—
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1.5k
They have a little Odor—that to me
Minstrel, what have you to do With this man that, after you, Sharing not your happy fate, Sat as England’s Laureate? Vainly, in these iron days, Strives the poet in your praise, Minstrel, by whose singing side Beauty walked, until you died. Still, though none should hark again, Drones the blue-fly in the pane, Thickly crusts the blackest moss, Blows the rose its musk across, Floats the boat that is forgot None the less to Camelot. Many a bard’s untimely death Lends unto his verses breath; Here’s a song was never sung: Growing old is dying young. Minstrel, what is this to you: That a man you never knew, When your grave was far and green, Sat and gossipped with a queen? Thalia knows how rare a thing Is it, to grow old and sing; When a brown and tepid tide Closes in on every side. Who shall say if Shelley’s gold Had withstood it to grow old?
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1.5k
To A Poet That Died Young
An wholesome package A son A brother A student A husband A brother-in-law A father A philosopher A man of letters By gender masculine By profession he's dependent on others Ultimately a failure personality Having three sons Two eligible & one minor When he's on deathbed The elder took care of him So,what about the other? The other's also almost as his father A son A brother A student A lover A philosopher A man of letters By gender masculine "   profession Writer Having a creative mind Has lot of compositions Dream to be a Nobel-Laureate Who's he? The ill-fated son is named Gourab Banerjee-Written on 30.10.2012
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Oct 30, 2016
Oct 30, 2016 at 2:38 AM UTC
Tribute to Father
I was gagging on poetry And nothing could help: I was gagging on poetry So they let me lay my head On Emily's desk And her inkwell spilled. I was gagging on poetry And they covered me up With Whitman's army blanket On which I promptly threw up. I was gagging on poetry And the Poet Laureate Sent me a get well bouquet Of forget me knots. I was gagging on poetry And all my poems Kept getting rejected For Selective Service. I was gagging on poetry And they performed The Heimlich maneuver And up came Twelve autobiographical Sketches of poets Thirteen anthologies Three missing manuscripts Two thesaurus books One rhyming dictionary And my good luck eraser.
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Mar 10, 2010
Mar 10, 2010 at 5:56 PM UTC
I Was Gagging on Poetry
I accomplished a feat I never thought possible, staring into a mirror not fully sure if I should, I looked into my soul avoiding my vanity, the glass transparent of opaque clarity. Scared of what haunted even a laureate, whose pilgrimage is an allusion taken for granted, the serenity was sand scooped by my hand, and each second's passing left its ridges more empty. Soon, the shadows of lives moved, awaking my mistake. Now noticing the lapse of minutes lost, I made sure no one noticed my mind's vacancy, then looking to the mirror, I see its prisoner's turned back.
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Jun 18, 2013
Jun 18, 2013 at 1:55 PM UTC
Mirror, mirror
At low of night she strokes Familiar tastes exquisite, And quietly invokes The spirit of laureate -- An orphic instrument Unfit to take for granted. It’s profound atonement Stirs in her heart despondent. Her fragile shell’s embrace Of wood and gut and metal Point out her shallow race And weakness fundamental. Yet all the night she moils, Mistrusting augmentation, And secretly despoils The overzealous beacon. -- Kerry Herrmann
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Mar 23, 2016
Mar 23, 2016 at 5:20 PM UTC
The Violinist
For Caira Doheny, My Irish Muse "Chameleons feed on light and air: Poets' food is love and fame." An Exhortation, st. 1 (1819) Percy Bysshe Shelley ------------------------------------ Let us intimate a Poetic Competition, Tween an Irish lass, and a New York Jew, I shall serve, and you, You shall return A contest: Our tongues, our racquets, Across the table, The words shall bird fly, Across the net, Couplets and haiku Shall smash and whistle The winner will be the one The God of Poetry Accepts for permanent servitude You **** my poetic soul forever With the currency of praise genuine, Authentic, flowing and fulsome, Awarding me the Medallion Doheny Cash value, a mere Irish penny, But to the poet, the food of love and fame Genetic to your nature, You exhale word rhythms, Excitable and interrupting, Speech free flowing, Tho I am of the People of the Book, You, by birthplace, Are unfair poetry advantaged All your utterances Are action heroes of the heart, And I fail miserable to capture The poetry you breathe out Your Irish praise me awarded, Tis now the Standard and the Curse This benighted amateur Must now Prometheus nurse One day in Dublin, shall we meet, In a country where poetry is the Iron in the people's blood In a particular pub Opposite we will sit, You, a cowboy by adoption, Me, the dastardly banker You know the pub, I, with my pint, You, with your diet coke, And the only lingua Franca Shall be darts of poetry In a language our own, A collective work we will weave, A blessed unity, a single tongue now, Lilting, singing, bespoke We will let the singer-poet laureate** Of the island we now share, moderate, Over his piano man's gin and tonic, As we do as Yeats instructed: Between us, "A line will take us hours maybe; Yet if it does not seem {but} a moment's thought, our stitching and unstinting has been naught"
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Aug 9, 2013
Aug 9, 2013 at 11:58 AM UTC
For Caira Doheny, My Irish Muse
For Caira Doheny, My Irish Muse "Chameleons feed on light and air: Poets' food is love and fame." An Exhortation, st. 1 (1819) Percy Bysshe Shelley ------------------------------------ Let us intimate a Poetic Competition, Tween an Irish lass, and a New York Jew, I shall serve, and you, You shall return A contest: Our tongues, our racquets, Across the table, The words shall bird fly, Across the net, Couplets and haiku Shall smash and whistle The winner will be the one The God of Poetry Accepts for permanent servitude You **** my poetic soul forever With the currency of praise genuine, Authentic, flowing and fulsome, Awarding me the Medallion Doheny Cash value, a mere Irish penny, But to the poet, the food of love and fame Genetic to your nature, You exhale word rhythms, Excitable and interrupting, Speech free flowing, Tho I am of the People of the Book, You, by birthplace, Are unfair poetry advantaged All your utterances Are action heroes of the heart, And I fail miserable to capture The poetry you breathe out Your Irish praise me awarded, Tis now the Standard and the Curse This benighted amateur Must now Prometheus nurse One day in Dublin, shall we meet, In a country where poetry is the Iron in the people's blood In a particular pub Opposite we will sit, You, a cowboy by adoption, Me, the dastardly banker You know the pub, I, with my pint, You, with your diet coke, And the only lingua Franca Shall be darts of poetry In a language our own, A collective work we will weave, A blessed unity, a single tongue now, Lilting, singing, bespoke We will let the singer-poet laureate** Of the island we now share, moderate, Over his piano man's gin and tonic, As we do as Yeats instructed: Between us, "A line will take us hours maybe; Yet if it does not seem {but} a moment's thought, our stitching and unstinting has been naught"
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