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"lapels" poems
Red Poppies grow Upon lapels Telling of War's untold hell Of green hills Pristine and groomed Marching crosses On the tombs Marching crosses Star of David Where Stars and Stripes Fluttered and wav'ed Of buddies lost Buried in cairns Of brothers. Sisters. Thus disarmed. Of need for morphine To end the pain Of bandages To staunch red stains To honor souls Under white snow Upon lapels Red Poppies grow. SoulSurvivor (C) 5/29/2016
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May 28, 2016
May 28, 2016 at 8:23 PM UTC
Red Poppies
elephants stomp with stone-laden feet back and forth, back and forth, creating cracks in my already-battered skull, weakening the very foundations of my sanity. their trumpeting echoes through cold corridors flooding my thought capacity to the brim. a tightrope walker stretches me, thin - i feel the shifting pressure of her nimble feet treading the territories of my weathered frame, back and forth, back and forth, my skin reddens beneath the incessant crossing as the sinew within me starts to atrophy. in my chest cavity there is a ring of fire, manipulating my lungs and feeble heart to mere ash. two golden eyes seen beyond the flames, ready to leap through them - without the inconvenience of fear weighing down his agile paws, both capable and likely to tear my veins to shreds. a grisly strongman has my bones in his grip. he smiles malevolently, gloating his strength over me, squeezing the life from my cartilage - awaiting the snap. i am cognizant of the sound, but i won't flinch. next, the imminent collapse of my vertebrae - i feel them crumble to dust. he laughs. but it is in the pit of my stomach the ringleader sits - commanding me into subsidence with every crack of his whip. i want to meet his eyes but he only averts my gaze. his twisted circus nearly through, the audience begins to dissipate. i stare through the blurred smoke, desperate for his visage - when i see on one of his faded lapels, the embroidery spells out your name. -m.f.
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Oct 1, 2013
Oct 1, 2013 at 12:03 AM UTC
welcome to the circus
invisible isotopes gently rain down onto the chins of infants we whisk them away with soft kisses tiny irradiated dust flakes float onto boutonniereless lapels we brush them off with fresh carnations Oak leaves blown from denuding limbs by soft puffs of radioactive plumes are shaken from our door mats green grass sprinkled with Strontium 90 is mowed and mixed into our compost piles the pristine waters of March are laced with uranium tainted iodine it coolly slakes our piqued thirst the rouge rose gilded with a golden plush of soft plutonium is plucked to adorn late evening dinner tables and exchanged by sweethearts as amorous gestures of resignation between condemned lovers Oakland 3/28/11 jbm
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Nov 5, 2011
Nov 5, 2011 at 9:27 PM UTC
A Gilded Rose
HE lived on the wings of storm. The ashes are in Chihuahua. Out of Ludlow and coal towns in Colorado Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks. Killings ran under the spoken commands of this boy With eighty men and rifles on a hogback mountain. They killed swearing to remember The shot and charred wives and children In the burnt camp of Ludlow, And Louis Tikas, the laughing Greek, Plugged with a bullet, clubbed with a gun **** As a home war It held the nation a week And one or two million men stood together And swore by the retribution of steel. It was all accidental. He lived flecking lint off coat lapels Of men he talked with. He kissed the miners' babies And wrote a Denver paper Of picket silhouettes on a mountain line. He had no mother but Mother Jones Crying from a jail window of Trinidad: "All I want is room enough to stand And shake my fist at the enemies of the human race." Named by a grand jury as a murderer He went to Chihuahua, forgot his old Scotch name, Smoked cheroots with Pancho Villa And wrote letters of Villa as a rock of the people. How can I tell how Don Magregor went? Three riders emptied lead into him. He lay on the main street of an inland town. A boy sat near all day throwing stones To keep pigs away. The Villa men buried him in a pit With twenty Carranzistas. There is drama in that point... ...the boy and the pigs. Griffith would make a movie of it to fetch sobs. Victor Herbert would have the drums whirr In a weave with a high fiddle-string's single clamor. "And the muchacho sat there all day throwing stones To keep the pigs away," wrote Gibbons to the Tribune. Somewhere in Chihuahua or Colorado Is a leather bag of poems and short stories.
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2.8k
Memoir of a Proud Boy
HE lived on the wings of storm. The ashes are in Chihuahua. Out of Ludlow and coal towns in Colorado Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks. Killings ran under the spoken commands of this boy With eighty men and rifles on a hogback mountain. They killed swearing to remember The shot and charred wives and children In the burnt camp of Ludlow, And Louis Tikas, the laughing Greek, Plugged with a bullet, clubbed with a gun **** As a home war It held the nation a week And one or two million men stood together And swore by the retribution of steel. It was all accidental. He lived flecking lint off coat lapels Of men he talked with. He kissed the miners' babies And wrote a Denver paper Of picket silhouettes on a mountain line. He had no mother but Mother Jones Crying from a jail window of Trinidad: "All I want is room enough to stand And shake my fist at the enemies of the human race." Named by a grand jury as a murderer He went to Chihuahua, forgot his old Scotch name, Smoked cheroots with Pancho Villa And wrote letters of Villa as a rock of the people. How can I tell how Don Magregor went? Three riders emptied lead into him. He lay on the main street of an inland town. A boy sat near all day throwing stones To keep pigs away. The Villa men buried him in a pit With twenty Carranzistas. There is drama in that point... ...the boy and the pigs. Griffith would make a movie of it to fetch sobs. Victor Herbert would have the drums whirr In a weave with a high fiddle-string's single clamor. "And the muchacho sat there all day throwing stones To keep the pigs away," wrote Gibbons to the Tribune. Somewhere in Chihuahua or Colorado Is a leather bag of poems and short stories.
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45
I want a nobody. A faceless commuter swearing as the machine ignores his credit card. Or the guy two tables to the left who isn’t checking his watch because he isn’t waiting on someone. Any hoodie-wearing, adidas-laced, prospective english major rambling along the sidewalk. I want a nobody. ‘Cause there’s never a somebody that won’t say “I love you” because it’s numbed by too many mouths that don’t form their lips the right way. The somebodies slide it off their careless tongues— because little words are pennies in tip jars. But Nobody, he’ll say I love the way you put on a jacket like some kind of whip-snap in the lapels and collar tipping your chin up and hooking your silver-ringed thumbs in the pockets and I love how you flip through books eager to break the spine but not fold the pages holding your breath to hold the focus propping open a paperback between long tapered fingers and how the barista at the coffeeshop knows your face! and blush rises like foam on your cheeks because it’s so ******* incredible how when you drum your fingers you don’t drum you press into a phantom piano the treble clef of Linus and Lucy or The Entertainer or, if your eyes have already gotten deeper —in a mossy well of thought— it’ll be Augustana’s Boston dancing C-E-C-E-G-E-C-E in the jumping tendons of your right hand. * oh darling, I’m in love with your clumsy movements when you fall into bed wrapping a thick comforter over your bare shoulders curling your legs as you settle on your side hair fanned out on the bedsheet because the pillow’s too close to the wall but lovely, I don’t love you because I’m not real at all
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May 12, 2013
May 12, 2013 at 10:23 PM UTC
A Pantomime
I want a nobody. A faceless commuter swearing as the machine ignores his credit card. Or the guy two tables to the left who isn’t checking his watch because he isn’t waiting on someone. Any hoodie-wearing, adidas-laced, prospective english major rambling along the sidewalk. I want a nobody. ‘Cause there’s never a somebody that won’t say “I love you” because it’s numbed by too many mouths that don’t form their lips the right way. The somebodies slide it off their careless tongues— because little words are pennies in tip jars. But Nobody, he’ll say I love the way you put on a jacket like some kind of whip-snap in the lapels and collar tipping your chin up and hooking your silver-ringed thumbs in the pockets and I love how you flip through books eager to break the spine but not fold the pages holding your breath to hold the focus propping open a paperback between long tapered fingers and how the barista at the coffeeshop knows your face! and blush rises like foam on your cheeks because it’s so ******* incredible how when you drum your fingers you don’t drum you press into a phantom piano the treble clef of Linus and Lucy or The Entertainer or, if your eyes have already gotten deeper —in a mossy well of thought— it’ll be Augustana’s Boston dancing C-E-C-E-G-E-C-E in the jumping tendons of your right hand. * oh darling, I’m in love with your clumsy movements when you fall into bed wrapping a thick comforter over your bare shoulders curling your legs as you settle on your side hair fanned out on the bedsheet because the pillow’s too close to the wall but lovely, I don’t love you because I’m not real at all
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36
*r EVOL ution uncoils slowly by the fire pondering of profound-flickering in the reverse-sparks within the pupils of shifting-light* 1. love(r) dips deep within a hardy fire-maker from another sky body recycled and soul carried on mind unlike any other it’s simply a matter of Time.. holding that rusty-key of long ago entrusted to a cavorite-place behind silent-wells whose treadle-functions heaven forgot 2. yet what counts highest sits on a ledge of paradox as happiness falls short upon the threshold of fornever and never after there are tumult-fears to overcome and it needs time, once again as hearty does beseech temporal-cogs to ensure one full revolution thanks are not enough for things that words fail to express no specific thing to pin-point of the immense power the discharged-missile holds who is ever the same person in the marching of months? 3. exponential growth is combustion understated and surreal-excitement catches to find traction in the whistling wind.. only a quarter-whisper away it has instead.. been phenomenally unreal .. can't explain it .. won't deny it 4. the full idea has near-outgrown its twin-seal flanks that choices came shaking.. aghast and                                 dripping its magenta-fury in heavy-drips upon the sand                                                                                                         half-spilling lava-filled cups of ire             near the camp-side         grabbed it by the lapels         shaking – I love you so now, why can’t you say it? why won’t you declare it? what holds your yellow-ass back so? 5. there's a power-burst in the trajectory-whirligig here.. can’t be stopped, won’t be stopped burnt offering rises up in a scathing-hiss   and exudes such a sweet-cleansing                                                                                                 of                                                                                                                                                                                                             semi-cinnamon and subtle ginger                                                     *and.. love is but a word whose letters lie in the sand* S T – 11 nov 2013
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Nov 11, 2013
Nov 11, 2013 at 12:10 PM UTC
twin-seal
*r EVOL ution uncoils slowly by the fire pondering of profound-flickering in the reverse-sparks within the pupils of shifting-light* 1. love(r) dips deep within a hardy fire-maker from another sky body recycled and soul carried on mind unlike any other it’s simply a matter of Time.. holding that rusty-key of long ago entrusted to a cavorite-place behind silent-wells whose treadle-functions heaven forgot 2. yet what counts highest sits on a ledge of paradox as happiness falls short upon the threshold of fornever and never after there are tumult-fears to overcome and it needs time, once again as hearty does beseech temporal-cogs to ensure one full revolution thanks are not enough for things that words fail to express no specific thing to pin-point of the immense power the discharged-missile holds who is ever the same person in the marching of months? 3. exponential growth is combustion understated and surreal-excitement catches to find traction in the whistling wind.. only a quarter-whisper away it has instead.. been phenomenally unreal .. can't explain it .. won't deny it 4. the full idea has near-outgrown its twin-seal flanks that choices came shaking.. aghast and                                 dripping its magenta-fury in heavy-drips upon the sand                                                                                                         half-spilling lava-filled cups of ire             near the camp-side         grabbed it by the lapels         shaking – I love you so now, why can’t you say it? why won’t you declare it? what holds your yellow-ass back so? 5. there's a power-burst in the trajectory-whirligig here.. can’t be stopped, won’t be stopped burnt offering rises up in a scathing-hiss   and exudes such a sweet-cleansing                                                                                                 of                                                                                                                                                                                                             semi-cinnamon and subtle ginger                                                     *and.. love is but a word whose letters lie in the sand* S T – 11 nov 2013
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48
I wrote it on the back of my hand one day, I told you that I needed you – you wiped the smile off my face with your thumb, like I had smudged the words right out of my mouth. You taught me invaluable lessons I am sure never to forget, I was schooled by you, in ways I never really understood. I was a child, innocent by the very lapels on which you grew me up. Dragged me up, scuffed my shoes at the front and back. Untied my bra strap with your little finger and told me, listen here, love, I know exactly what I am doing. Made me believe in you, you did. Made me fall for every word. Made me fall for every whisper of love. Tenderly I was hooked by you. You were the machine of my creation. Your greatest ever work of art. You sculpted my very inner being, tied me to my soul with burnt fingers and made me believe I was worth nothing more than **** Your purpose was excellent. Completely fooled I was, your succinct underhand ways grievously ruined my sight. No longer could I see reality, living in world prepared for, cooked up and served by you. I lost a lot of blood in those first few years, a lot of good stock died. My passion became my greatest detriment, for should I talk you would take the words from my mouth and mark them in the air; deconstructed with a red pen you would make me realise my mistakes. Thank you for all you have done. To me. For me. With me. My ear is no longer connected to your mouth. I can breeeeeathe without having to miss a step. All my love that I was proud to possess had been given away, but I was proud to have failed you, I was proud to weep under you, I was proud, to have loved you and not gotten away with it. I take full responsibility for all my tremendous actions, the ones I gave for you, laid down in honour for you, to wipe your pretty little feet all over the back of my head. I turned around to face you and slapped that face right off your mouth Loved I was by you. Needed I was by you, to be, you. I wrote **** you, on my ******* fingers and shoved them up your **** Now you talk my language, now you wait for me to see you. Now you know I am no longer your dishrag, your teatowel or your muse. Got it back I did, got back my heat, my fury, and glory. Action packed with honour and fire, loving and loved. I learnt from you lessons which I shall never forget, I was schooled by you. Wanted to thank you, for I am no longer afraid, my sweet ****** of you and your heart. This is a glorious world, one which you will never feel.
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Jan 19, 2013
Jan 19, 2013 at 4:58 PM UTC
Goodbye my sweet hello
I wrote it on the back of my hand one day, I told you that I needed you – you wiped the smile off my face with your thumb, like I had smudged the words right out of my mouth. You taught me invaluable lessons I am sure never to forget, I was schooled by you, in ways I never really understood. I was a child, innocent by the very lapels on which you grew me up. Dragged me up, scuffed my shoes at the front and back. Untied my bra strap with your little finger and told me, listen here, love, I know exactly what I am doing. Made me believe in you, you did. Made me fall for every word. Made me fall for every whisper of love. Tenderly I was hooked by you. You were the machine of my creation. Your greatest ever work of art. You sculpted my very inner being, tied me to my soul with burnt fingers and made me believe I was worth nothing more than **** Your purpose was excellent. Completely fooled I was, your succinct underhand ways grievously ruined my sight. No longer could I see reality, living in world prepared for, cooked up and served by you. I lost a lot of blood in those first few years, a lot of good stock died. My passion became my greatest detriment, for should I talk you would take the words from my mouth and mark them in the air; deconstructed with a red pen you would make me realise my mistakes. Thank you for all you have done. To me. For me. With me. My ear is no longer connected to your mouth. I can breeeeeathe without having to miss a step. All my love that I was proud to possess had been given away, but I was proud to have failed you, I was proud to weep under you, I was proud, to have loved you and not gotten away with it. I take full responsibility for all my tremendous actions, the ones I gave for you, laid down in honour for you, to wipe your pretty little feet all over the back of my head. I turned around to face you and slapped that face right off your mouth Loved I was by you. Needed I was by you, to be, you. I wrote **** you, on my ******* fingers and shoved them up your **** Now you talk my language, now you wait for me to see you. Now you know I am no longer your dishrag, your teatowel or your muse. Got it back I did, got back my heat, my fury, and glory. Action packed with honour and fire, loving and loved. I learnt from you lessons which I shall never forget, I was schooled by you. Wanted to thank you, for I am no longer afraid, my sweet ****** of you and your heart. This is a glorious world, one which you will never feel.
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4
Like a squiggle in your eye; blink, and I'm gone because I am all lipstick smudges left under carefully-pressed lapels, or Sharpied innuendos scrawled on bathroom walls in dingy bars. A souvenir from one ephemeral moment, a fleeting tryst of dispassion (from my side at least); before I am scrubbed bare and raw. DON'T YOU TOUCH ME, for I am so tender. Thrown into the wash; you can clean me, but the stain remains. The scent of sugar, sweat and shame.
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Nov 22, 2015
Nov 22, 2015 at 5:32 AM UTC
ain't no wifey
Oh, the fine attire. Women in low cut, grand gowns. Men in their finest plumage. Strutting Peacocks, aiming to draw attention. I wore tails of silk, with fine brocade work as the trim, down the sleek lapels. I dressed entirely in black. From head to toe. I looked splendid! I stood out from the Peacocks, as a Raven would stand out among Doves. Cunning as a Raven too. She had not one suspicion. I was at my best. Charming, witty, a mystery. Women fall for that. I slowly, cunningly stalk my prey. A vision in gold. I danced with her. Her gold, a perfect foil to my black. I charmed her sweetly. I maneuvered her easily. I had previous, had the chance to find the spot, where she would become mine. Such a pretty throat. One that I will drown within. Once outside, hidden, strategically from all eyes, I began my "dance". I gaze down into her eyes. Her precious heart begins to race. I can feel her blood. It calls to me with it's song. A song of need. Her breaths slowed and deepened. Her eyes remained locked with mine. I let her see then, the glory of what I am. She wanted to scream. But, I had control now. My incisors grew. Their points very sharp indeed. My muscles bulked. I ruined my fine new coat. Split the shoulder seams right out. I toyed with her. I kiss her lips so gently. She trembled for me. I tried to hold back, wanting to prolong her fear. Blood lust is, what is. I could smell her rich, thick blood. I wanted it all. I wanted to bathe in it. Feel it glide over my skin. My fangs sank deep. Drawing up the precious blood. Elixir of life. As I fed, I heard her heart slowing with each draw I took. And just before death could claim her, I released her from her thrall, to scream. It was the last sound I heard as the men came running. I took my leave. I am a monster. I do it well and I love it so. Soon the sun shall rise again. I will sleep as the dead. ~Lord Kellington
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Oct 21, 2010
Oct 21, 2010 at 6:33 PM UTC
The Diary Of Lord Kellington (8)
Oh, the fine attire. Women in low cut, grand gowns. Men in their finest plumage. Strutting Peacocks, aiming to draw attention. I wore tails of silk, with fine brocade work as the trim, down the sleek lapels. I dressed entirely in black. From head to toe. I looked splendid! I stood out from the Peacocks, as a Raven would stand out among Doves. Cunning as a Raven too. She had not one suspicion. I was at my best. Charming, witty, a mystery. Women fall for that. I slowly, cunningly stalk my prey. A vision in gold. I danced with her. Her gold, a perfect foil to my black. I charmed her sweetly. I maneuvered her easily. I had previous, had the chance to find the spot, where she would become mine. Such a pretty throat. One that I will drown within. Once outside, hidden, strategically from all eyes, I began my "dance". I gaze down into her eyes. Her precious heart begins to race. I can feel her blood. It calls to me with it's song. A song of need. Her breaths slowed and deepened. Her eyes remained locked with mine. I let her see then, the glory of what I am. She wanted to scream. But, I had control now. My incisors grew. Their points very sharp indeed. My muscles bulked. I ruined my fine new coat. Split the shoulder seams right out. I toyed with her. I kiss her lips so gently. She trembled for me. I tried to hold back, wanting to prolong her fear. Blood lust is, what is. I could smell her rich, thick blood. I wanted it all. I wanted to bathe in it. Feel it glide over my skin. My fangs sank deep. Drawing up the precious blood. Elixir of life. As I fed, I heard her heart slowing with each draw I took. And just before death could claim her, I released her from her thrall, to scream. It was the last sound I heard as the men came running. I took my leave. I am a monster. I do it well and I love it so. Soon the sun shall rise again. I will sleep as the dead. ~Lord Kellington
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32
Reckoning gaze, learning ropes, knotty pine encasement, knowing what the box looks like from inside is preeminent inimitable. I was so certain last year would be it. Likely even, I thought the same the year before and years before that, all whilst whittling away, planks of this coffin, scratching to get out. Sealed in a fate, this vampiric rising, doomed to eternity of night crawling. Yet, by no means has glamour of Hollywood realm flickered any sheen, this direction. Not all vampires can afford tuxedos. Grosgrain lapels, and red satin lined capes do do wonders for former stars of silver screen, but this succubus prefers his naked lot. Apparently, malignant rogues who lie amongst worms don't always have the wardrobe to go with it. New Year's resolution: a tuxedo, perhaps some tails, and somewhere to wear them.
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Jan 1, 2016
Jan 1, 2016 at 2:03 PM UTC
Hellion's New Duds
The second amendment might As well be the sixty-ninth, for all The life-long days it saves by The transparent and glossy shields Adorning blue-skied uniforms. The strike zone is limited to the Mobility-enhanced limbs, out of Reach of the cardiac plateau, in A line guarded by “I heart NYC” Leftover campaign buttons. Crowds question the timeless yet Disintegrating rhetoric, and they Sing along with misspelled threats To sanguine attempts at love and War, while grade schoolers watch. What’s missing from this libretto Is a slogan like “if they go low, we Go high” and the money to borrow It, or the right to use the copyright, As long as it doesn’t get ****** “Now hear this,” bellows the man in The crow’s nest, stepping in front Of his stepson who brandishes a BB gun proudly in his arms, “the Curfew starts at midnight!” Dona nobis pacem, a canon of Faith, is hummed by the last ranks Of veterans in camouflage, hoping To initiate a temporary calm among The bleak and ****** crew. A clown-faced poet attempts to draw A smile, as she calls for an absentee Ballot, a circuitous frontage road Away from destiny, some think, And a short breath of recess. “Take away their weapons,” hollers A very pregnant woman, who goes Into labor, blaming the guns for her Untimely reward, and for a moment, Just minutes, the midwifery begins. All this while a small coterie of men Gathers, silently taking in the show, Unnoticed in their pretense, but Sporting the heritage caps of the NRA, stars and stripes in their lapels. The disingenuous players in this sad Drama are about to fold their tents, To chicken out, to return to tacos And beer, when stillness breaks, So much so that crickets rule. A small boy crosses the street, his Smile contagious, his gait strong As he approaches the men and Says “I am you before now, be Of peace and good cheer. “My commandments have no Amendments, no magic exceptions, No golden calves, no wicked step- Mothers, only a heart and soul, I am the moral of your story.”   © Lewis Bosworth, 2016
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Sep 23, 2016
Sep 23, 2016 at 12:40 AM UTC
Rubber Bullets
The second amendment might As well be the sixty-ninth, for all The life-long days it saves by The transparent and glossy shields Adorning blue-skied uniforms. The strike zone is limited to the Mobility-enhanced limbs, out of Reach of the cardiac plateau, in A line guarded by “I heart NYC” Leftover campaign buttons. Crowds question the timeless yet Disintegrating rhetoric, and they Sing along with misspelled threats To sanguine attempts at love and War, while grade schoolers watch. What’s missing from this libretto Is a slogan like “if they go low, we Go high” and the money to borrow It, or the right to use the copyright, As long as it doesn’t get ****** “Now hear this,” bellows the man in The crow’s nest, stepping in front Of his stepson who brandishes a BB gun proudly in his arms, “the Curfew starts at midnight!” Dona nobis pacem, a canon of Faith, is hummed by the last ranks Of veterans in camouflage, hoping To initiate a temporary calm among The bleak and ****** crew. A clown-faced poet attempts to draw A smile, as she calls for an absentee Ballot, a circuitous frontage road Away from destiny, some think, And a short breath of recess. “Take away their weapons,” hollers A very pregnant woman, who goes Into labor, blaming the guns for her Untimely reward, and for a moment, Just minutes, the midwifery begins. All this while a small coterie of men Gathers, silently taking in the show, Unnoticed in their pretense, but Sporting the heritage caps of the NRA, stars and stripes in their lapels. The disingenuous players in this sad Drama are about to fold their tents, To chicken out, to return to tacos And beer, when stillness breaks, So much so that crickets rule. A small boy crosses the street, his Smile contagious, his gait strong As he approaches the men and Says “I am you before now, be Of peace and good cheer. “My commandments have no Amendments, no magic exceptions, No golden calves, no wicked step- Mothers, only a heart and soul, I am the moral of your story.”   © Lewis Bosworth, 2016
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61
Makes demons scatter They cower in distant lands and await skyfall when only incandescence provide small detours but never refuge. Sleep ? Is a demon's bazar They whirl and cavort  gleefull that I have let them in on these rare occasions,much lost time to recapture. Spectacular spectres. Portents.unbridled daymares with thundering flashing hooves,they gallop with boots reversed in silver stirrups. A bagpipe dirge is on rotation as goblins and cadavers saunter in with dead carnations pinned where lapels should have been but by  now  only rotting and putrid skin. Chain lightenin creases the night. An eerie glowing light pulastes from atop twin peaks.Castle Frankenstein sits one hundred feet above the witches haunt. An antlike procession crawls to and fro between. Lost souls seeking refuge or small comfort.
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Jul 24, 2014
Jul 24, 2014 at 5:29 PM UTC
The first.rays of skylight
Stagecoach trundled, rutting, wheels Soily grasp, grabbing at the earthy recipe Cart....horsing around the outdoorsiness Ferris wheel spun, gathering passengers To overlook the show ground, smattered Four legged races, saddled with encumbents Bobbing in display formation.  Far above I caught sight of circular ribbons emblazoned Lapels holding onto prize winners, suffering The pin ***** jabbing at willing winners Left foot first, hopscotch to the flap of tarpaulin Billowing their precious overgrown greatness Of perfect vegetalia, proud, excessive....of the Dinner plate variety.  Don't touch their polished Surface, they deliberately await photographic Validation; future growers, challenging champion Chompers, terrorising super-veggie heros I wonder what becomes of former ground growers Do they take a back stage bow? Uprooted with Those of a lesser kind, jostling for saucepan space
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Feb 17, 2013
Feb 17, 2013 at 2:11 PM UTC
With Natures Prize
You've cut ff your feet to spite your head Is there nothing left in between? is your whole life blackened and squandered rotted and gnarled by gangrene? *Join me, come in. Cavort with the dead Join me, come in. I can't be alone in my head.* How can you sit there with blood on your face and not feel it dry to a crust? How can you sit there with gore on your hands knowing you shiver from lust? *Join me, come in. Cavort with the dead. Join me, come in. I can't be alone in my head. You, too, must feel torment and torture. You, too, must be plagued without cure.* Where are you going? to hell and not back? Did you buy your ticket to ride? or will you walk into the bottomless pit draped with your badges flesh putrefied? Heads on lapels like an Easter corsage dead lilies like those on a grave, a grave that you dug then stepped in to forage to eat as a worm of the flesh. Flesh young and tender that flamed with desire till your curse extinguished the fire. *Join me, come in. Come into my fire. Join me, come in. We'll wade through the mire with blood in our mouths and our eyes. Taste of the pain, the glorious pain. Like a gift I give it to you, offered again and again, a philanthropist swollen with bounty, who bestows what he has like a prize.*
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May 2, 2017
May 2, 2017 at 6:11 PM UTC
Withered Lilies
i woke up in a place where white girls don't wear socks and she tickled the small of my back with her icicle toes under the sheets now the bulge of a small animal is confronting fear in the form of one loving glance i was not poetic enough until i lifted you from behind and set you on a cloud you pushed me towards a megaphone and i announced you to the world, saying she's a wild dove and the wind pushed back the lapels of my jacket and you kissed me on the collarbone without fear and then we doubled up in laughter like two souls tossing in hell, on a grill
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Nov 28, 2013
Nov 28, 2013 at 12:53 AM UTC
dove
Late one nice warm evening Came a very loud knock upon my door It was a complete stranger Tired bewildered and lost Now imprisoned in my dark magical woods A gracious host of course I bowed and extended my hand and stated Please come in, dear friend take a seat and let’s discuss pressing matters Such as the ghost to my left or the ghoul to the right dressed in tatters As you can plainly see I am playing poker with the 3 eyed demons of the 4th night Who infamous cheaters like the mummies rarely ever get a second invite The vampires are sitting in the shadows where they think no one may see Putting visine in their red eyes White roses in black lapels and sharpening their pointed teeth The werewolves yellow dripping fangs Are climbing the curtains growling Come the rising of the round moon The goblins little monsters stroll in nosily Angrily demanding recognition which is rightly their due The witches spitting and cursing their hats Hopped clumsily off their brooms While the strongest warlocks were locked in battle Throwing spells across the amber walled room They have arrived for my banquet As all have received the coveted invitations before When some foolish stranger like you Unaware knocks upon my door, All Rights Reserved @ Tammy M Darby March 2, 2019. All Material Stored in Author Base Humorous Dark Poetry
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Mar 2, 2019
Mar 2, 2019 at 11:33 PM UTC
The Banquet
The second amendment might As well be the sixty-ninth, for all The life-long days it saves by The transparent and glossy shields Adorning blue-skied uniforms. The strike zone is limited to the Mobility-enhanced limbs, out of Reach of the cardiac plateau, in A line guarded by “I heart NYC” Leftover campaign buttons. Crowds question the timeless yet Disintegrating rhetoric, and they Sing along with misspelled threats To sanguine attempts at love and War, while grade schoolers watch. What’s missing from this libretto Is a slogan like “if they go low, we Go high” and the money to borrow It, or the right to use the copyright, As long as it doesn’t get ****** “Now hear this,” bellows the man in The crow’s nest, stepping in front Of his stepson who brandishes a BB gun proudly in his arms, “the Curfew starts at midnight!” Dona nobis pacem, a canon of Faith, is hummed by the last ranks Of veterans in camouflage, hoping To initiate a temporary calm among The bleak and ****** crew. A clown-faced poet attempts to draw A smile, as she calls for an absentee Ballot, a circuitous frontage road Away from destiny, some think, And a short breath of recess. “Take away their weapons,” hollers A very pregnant woman, who goes Into labor, blaming the guns for her Untimely reward, and for a moment, Just minutes, the midwifery begins. All this while a small coterie of men Gathers, silently taking in the show, Unnoticed in their pretense, but Sporting the heritage caps of the NRA, stars and stripes in their lapels. The disingenuous players in this sad Drama are about to fold their tents, To chicken out, to return to tacos And beer, when stillness breaks, So much so that crickets rule. A small boy crosses the street, his Smile contagious, his gait strong As he approaches the men and Says “I am you before now, be Of peace and good cheer. “My commandments have no Amendments, no magic exceptions, No golden calves, no wicked step- Mothers, only a heart and soul, I am the moral of your story.” © Lewis Bosworth, 2016
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Sep 24, 2016
Sep 24, 2016 at 6:54 PM UTC
Rubber Bullets
The second amendment might As well be the sixty-ninth, for all The life-long days it saves by The transparent and glossy shields Adorning blue-skied uniforms. The strike zone is limited to the Mobility-enhanced limbs, out of Reach of the cardiac plateau, in A line guarded by “I heart NYC” Leftover campaign buttons. Crowds question the timeless yet Disintegrating rhetoric, and they Sing along with misspelled threats To sanguine attempts at love and War, while grade schoolers watch. What’s missing from this libretto Is a slogan like “if they go low, we Go high” and the money to borrow It, or the right to use the copyright, As long as it doesn’t get ****** “Now hear this,” bellows the man in The crow’s nest, stepping in front Of his stepson who brandishes a BB gun proudly in his arms, “the Curfew starts at midnight!” Dona nobis pacem, a canon of Faith, is hummed by the last ranks Of veterans in camouflage, hoping To initiate a temporary calm among The bleak and ****** crew. A clown-faced poet attempts to draw A smile, as she calls for an absentee Ballot, a circuitous frontage road Away from destiny, some think, And a short breath of recess. “Take away their weapons,” hollers A very pregnant woman, who goes Into labor, blaming the guns for her Untimely reward, and for a moment, Just minutes, the midwifery begins. All this while a small coterie of men Gathers, silently taking in the show, Unnoticed in their pretense, but Sporting the heritage caps of the NRA, stars and stripes in their lapels. The disingenuous players in this sad Drama are about to fold their tents, To chicken out, to return to tacos And beer, when stillness breaks, So much so that crickets rule. A small boy crosses the street, his Smile contagious, his gait strong As he approaches the men and Says “I am you before now, be Of peace and good cheer. “My commandments have no Amendments, no magic exceptions, No golden calves, no wicked step- Mothers, only a heart and soul, I am the moral of your story.” © Lewis Bosworth, 2016
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61
Alcohol encourages unusual behaviors, As many may attest; The fruit of drunkenness, Embarrassment. When I was ten, I saw a thing, I've been reluctant to report, But 45 years have come and gone, And I find I have to tell someone The tale of Christmas at my Gran's. The neighbors came by invitation, Arriving in style for a rural celebration, In steady form, as alcoholics will maintain, Little wobble in their walk, Little slurring in their conversation. What struck us into consternation, Was Charlie's hairpiece, new and black, Banded at one end, a horsetail piece, Inverted and trimmed into a toupee, How he'd figured out the thing, Only alcohol could say. The evening was funny, With everyone not staring, Taking sideways glances, I'd say, "Please pass the peas," And look the other way, Grinning slyly at my brother, I ignored the warning glares Coming from our mother. The dining room grew warm, With food and warming ovens, My father trying to lead a conversation About cows, and horses, Grandma's fritters, Anything to keep the room from titters. When old Charlie commenced sweating, The crow-ish blackness of his hair Revealed its shoe polish beginnings, Trickling down behind his ears, And then a rivulet released its flow To wend its way beside his nose, And dripping, dripping down, began To drench his shirt, first the collar, Vaulting lapels to his middle, Until a river of black sweat Drove to his belt, and trickled in. T'was all that I could do To look the other way, To put Gram's napkins to my grin, As Charlie's horse tail wig ran threads Of shoe black down his nose and chin. To this day, I cannot recall Just how the evening ended, I only know that afterwards, For years, the family extended The tale of Charlie's Christmas spree: White shirt, horse toupee, and black ink, Caused our parents to bring warnings Of the dire consequence of drink.
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Mar 5, 2017
Mar 5, 2017 at 1:59 PM UTC
Charlie's Hairpiece
Alcohol encourages unusual behaviors, As many may attest; The fruit of drunkenness, Embarrassment. When I was ten, I saw a thing, I've been reluctant to report, But 45 years have come and gone, And I find I have to tell someone The tale of Christmas at my Gran's. The neighbors came by invitation, Arriving in style for a rural celebration, In steady form, as alcoholics will maintain, Little wobble in their walk, Little slurring in their conversation. What struck us into consternation, Was Charlie's hairpiece, new and black, Banded at one end, a horsetail piece, Inverted and trimmed into a toupee, How he'd figured out the thing, Only alcohol could say. The evening was funny, With everyone not staring, Taking sideways glances, I'd say, "Please pass the peas," And look the other way, Grinning slyly at my brother, I ignored the warning glares Coming from our mother. The dining room grew warm, With food and warming ovens, My father trying to lead a conversation About cows, and horses, Grandma's fritters, Anything to keep the room from titters. When old Charlie commenced sweating, The crow-ish blackness of his hair Revealed its shoe polish beginnings, Trickling down behind his ears, And then a rivulet released its flow To wend its way beside his nose, And dripping, dripping down, began To drench his shirt, first the collar, Vaulting lapels to his middle, Until a river of black sweat Drove to his belt, and trickled in. T'was all that I could do To look the other way, To put Gram's napkins to my grin, As Charlie's horse tail wig ran threads Of shoe black down his nose and chin. To this day, I cannot recall Just how the evening ended, I only know that afterwards, For years, the family extended The tale of Charlie's Christmas spree: White shirt, horse toupee, and black ink, Caused our parents to bring warnings Of the dire consequence of drink.
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57
Sonia closed the door behind her and leaned against it you go out with me? she asked her Polish/English grated on your ears look I can’t I have other things to do you said running a hand to smooth Mr Dubbin’s bed she looked around the room and said what if someone come in and see you here with me? what if they think you been having me? but it wouldn’t be true you said standing up and moving away from the bed you know that and I know it but others they do not she said her voice crisp and cool what if I undo my uniform and show my ******* and say you did it? you blushed at the thought look just leave me be you said she stood firm against the door her hands on the lapels of her uniform you could say yes she said you could take me out to cinema and then it would be good huh? you watched as she undid one button at a time you watched her fingers undo each button with deliberate slowness if I say yes you’ll stop this folly? you asked if you mean it I will walk from the door and we can leave and I do up the buttons before others see she stared at you her pale blue eyes on you her lips parted just so you could see her small white teeth where do you want to go? you asked cinema is good she said in the dark we can kiss yes? the buttons were undone to reveal her compacted **** ok ok you said the cinema it is promise? she said coolly you make promise and keep? yes I make promise and keep you repeated she began to do up the buttons her eyes looking at you and she smiled and said good boy we have fun no? you breathed out the held in breath sweat dampened the back of your shirt and trouser legs but if you do not show up she said brushing her uniform I’ll say you make love to me on this Mr Dubbin’s bed and I make bed look all untidy and they believe me yes? I’ll be there trust me you said just let me go I need to get the other beds made before lunch she moved aside and opened the door her perfume filtering your nose off you go she said and be good you went off to make the beds and show up that night as she knew you would.
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Nov 12, 2012
Nov 12, 2012 at 3:34 PM UTC
SONIA AND YOU AND THE PROMISE.
Sonia closed the door behind her and leaned against it you go out with me? she asked her Polish/English grated on your ears look I can’t I have other things to do you said running a hand to smooth Mr Dubbin’s bed she looked around the room and said what if someone come in and see you here with me? what if they think you been having me? but it wouldn’t be true you said standing up and moving away from the bed you know that and I know it but others they do not she said her voice crisp and cool what if I undo my uniform and show my ******* and say you did it? you blushed at the thought look just leave me be you said she stood firm against the door her hands on the lapels of her uniform you could say yes she said you could take me out to cinema and then it would be good huh? you watched as she undid one button at a time you watched her fingers undo each button with deliberate slowness if I say yes you’ll stop this folly? you asked if you mean it I will walk from the door and we can leave and I do up the buttons before others see she stared at you her pale blue eyes on you her lips parted just so you could see her small white teeth where do you want to go? you asked cinema is good she said in the dark we can kiss yes? the buttons were undone to reveal her compacted **** ok ok you said the cinema it is promise? she said coolly you make promise and keep? yes I make promise and keep you repeated she began to do up the buttons her eyes looking at you and she smiled and said good boy we have fun no? you breathed out the held in breath sweat dampened the back of your shirt and trouser legs but if you do not show up she said brushing her uniform I’ll say you make love to me on this Mr Dubbin’s bed and I make bed look all untidy and they believe me yes? I’ll be there trust me you said just let me go I need to get the other beds made before lunch she moved aside and opened the door her perfume filtering your nose off you go she said and be good you went off to make the beds and show up that night as she knew you would.
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152
One more dusty rotation around this earth, following deep grooves with stories that suggest this ain’t my first rodeo. I can’t manage to keep hold of a single thing they boast of worth, but I have a finger on my awareness, and that’s a start. Meanwhile, the universe simmers and bubbles, unsteady— her shaky fuse lit and ready to go. Restlessness and an urgency felt with every passing second, but she hasn't told me why. And when I squint for a solution, all I make out are muted colors and shapes with no edges. Abstract suggestion of a journey I know I was born to grab by the lapels— to collect lessons from grooves and their dust and gut feelings— to allow them to transform my armfuls of nowheres to somewheres. So, I tighten the grip of my thighs on this carousel horse of mine, careful not to let the circles ride me.
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Oct 18, 2016
Oct 18, 2016 at 10:45 AM UTC
anyone got a light?
Feast your eyes on this! 100% Super One-Twenty, Windowpane, chalk-white, on a navy backdrop. Fully Canvassed, mind you, for the elegance of the suit is dictated by its drape, the structure the cloth streams from shoulder to waist. Here! Do you see it? No? The shoulder, it’s expression: Spalla Camicia! Simplification of the cumbersome Neapolitan, shedding all the padding of the English shoulder. (Padding, I emphasize, is for insecure prepubescent girls.) Ah, but the star of the show, the six by two, the armour of choice of all dandies, the de facto of the eternally stylish, the double breasted jacket! Shoulder wide peaked lapels drawing horizontal lines that elongate the torso, nipping the waist. (And as they say, I like my jackets like I like my women: Double-breasted.)
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Jul 30, 2015
Jul 30, 2015 at 3:10 PM UTC
Sartorialista
he brings you petals in the morning from mismatched flowers blown away by the wind and drowned by the dew you meet him by the door and watch the sun kiss his cheekbones you grow a little bit each time you see the flowers tucked against the lapels of his suit you are his dandelion, and he your flower boy you love him with the simple power of nature ponder the wonders of harmony as he drags his leaves against your jaw his pressed petals make you wonder how could this get any better you are a juxtaposition of dress shoes bathed in marigold comprised only of truth what we believe is what we become and so you never realise how dress shoes crush dandelions how ‘flower boys’ wilt into truth craving the power of ripped petals and cracked stems blown away into the wind // hindsight oh my flower boy you have forgotten my marigold sunsets amongst your dandelion dreams how you wish i were as fragile as those petals in the wind
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Sep 15, 2018
Sep 15, 2018 at 12:46 AM UTC
flower boy
FUNNY FELLA You wear a coat of many colours. An eccentric soul you bear. Your colours, they're all stripey. You sport a baggy jumper, all full up with holes . It flops from your lapels. You jangle while you're walking. My man of jingle bells. They match your make up and your hair, absolutely perfectly. Your trews all brown and baggy. They're just a little grubby. Attached to your fragile ankles, with bending cycle clips. You wear a floppy sun hat. In the depths of winter. You're really a rather strange one. Sometimes seen wearing flip-flops, in snow and ice, I'm told. We'll see you in a few weeks, as on your sleigh you play. For in a few days out to play, nice and neat, all dressed in red. You'll visit us, 'twill soon be Christmas day. (C) LIVVI
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Dec 3, 2014
Dec 3, 2014 at 6:19 PM UTC
FUNNY FELLA
there are days when the words come like fevered friends grasping at lapels urgently telling the tale with gasping breath other times they come like a sweet river in the sunshine they flow like bright beauty the words can ignite you or ****** like a simple phrase sweet to the ear like her playing her guitar melody brings the heart such joys the concept brings such beauty just a fragment of song but in it i hear night caravans on high desert road i hear autumn sunshine laying on soft grass i see all the creation possible to me so play a little longer let me hear another summer day let me find the words to my next heart's song let me see the beauty in you
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Nov 13, 2014
Nov 13, 2014 at 7:58 PM UTC
next heart's song
Please hold for an obligatory moment of silence, mute in its act, wordless in its perpetration. Place artificial flowers on outer lapels, held in place with no concentration. Feudal rivalries resurrected for resources and land…to be ripped from the native source’s hand. Pitiful glances at battle worn soldiers, still praising ideology projecting them as a supported saviour. Unregretful acts lead one to question their behaviour. Service dogs doled out in bulk, preventing an army of PTS Banners from turning Hulk. These discretionary acts of ill will mutilate the concept of freedom, and men who fought to uphold its worth. These incendiary pacts on parliament hill, fumigating for roaches of aspersion, are bastardizing a new world’s birth. Carriers’ return home, housing the long departed, not to be thanked, not to be appreciated, but to be ****** for unholy, sanctified acts. Permitted parade zone, rousing the socially guarded, to be spanked, depreciated, and deemed unworthy to stand, before coyly rectified rats
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Nov 11, 2014
Nov 11, 2014 at 12:02 PM UTC
Flanders Folly...November 11th, 2014...November 7th, 1919