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Raj Arumugam Oct 2010
Old Teacher
Lao Tzu wants to go;
he has had enough and he wants to go
to the mountains and to solitude
but they will not let him go

he arrives at the gates
and the gatekeeper says:
“Old Teacher,
you cannot go;
write all you know
then you can go”


“If I write,”
says Lao Tzu,
“you will make a text of it
though the description is never the thing”


and the gatekeeper says again :
“Old Teacher,
you cannot go;
write all you know
then you can go”



and Lao Tzu writes
so he can go;
and we have all these texts in the world
and cling on to words, words, words
thinking the description is the thing
Nigel Morgan Nov 2012
As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.
D Conors Nov 2010
Success is as dangerous as failure.
Hope is as hollow as fear.

What does it mean that success is a dangerous as failure?
Whether you go up the ladder or down it,
you position is shaky.
When you stand with your two feet on the ground,
you will always keep your balance.

What does it mean that hope is as hollow as fear?
Hope and fear are both phantoms
that arise from thinking of the self.
When we don't see the self as self,
what do we have to fear?

See the world as your self.
Have faith in the way things are.
Love the world as your self;
then you can care for all things.
___
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao Te Ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu
Chad Chumley Jun 2014
The Sage is only one form of life or attitude.
There are many other attitudes that I must portray
To feel a sense of connection.

Lao Tzu wrote:
“(Sages) conduct the teaching of no words.”
Silence is special to me.
When it rests in my heart
It allows me to soar in the realm of transcendence.

Lao Tzu wrote:
“They work with myriad things but do not control.”
It’s like my alter ego of Facebook
Trying to control the thoughts of others
With my own thoughts.
In reality I’m just sharing ideas,
But sharing can take on it’s own demon.

Lao Tzu wrote:
“They succeed but do not dwell on success.”
I’m on a successful curve in life right now.
At times I’m afraid I’ll lose what I have.
Success seems to be the dream of a lot of people,
but what is success?
I’ve heard there’s a place in our brain that
Judges gains and losses.
I think my only alternative to dreaming of success
Is to simply BE.
This is said as if I didn’t need to say it.
All positions of reality are true in their own realm,
But when comparing them
What can beat the Sage?

Lao Tzu wrote:
“Too many words hasten failure.
Cannot compare to keeping to the void.”
D Conors Oct 2010
The supreme good is like water,
which nourishes all things without trying to.
It is content with the low places that people disdain.
Thus it is like the Tao.

In dwelling, live close to the ground.
In thinking, keep to the simple.
In conflict, be fair and generous.
In governing, don't try to control.
In work, do what you enjoy.
In family life, be completely present.

When you are content to be simply yourself
and don't compare or compete,
everybody will respect you.
_
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
Kathi Anne Sabot Jul 2014
Three striped cats daily demonstrate awakening:

a) BijaChen: startles by pounce onto bed or banging of sunlit window blinds;
b) BlueMonsoon: prefers annoying whining coordinated with scratching at blankets;
c) LadyFiona: chooses a prickly psychic stare into my sleeping consciousness to disrupt dreams. (she must have been a witch's cat).

Sleep you say?

Mr. Rooster, lover of Flathead Lake cherries,
rehearses a  solo operetta while strutting sharp grey claws inches from the screen door.

Doze off?

Thirty small brown-red-yellow-speckled birds usurp seeds at the swinging feeders in frenzied unharmonious clatter,

While the low moan of iron hinged gate closes pale hay and tall horses into the corral.

Rest?

Urgently a  growling lawn mower slashes green strands of life and delicate insects from their microcosms of Little Earth,

And calico barn cats dive from rafters onto feed sacks to devour the crunch of breakfast.

Lao Tzu speaks no sound, eyes watch

Two butterflies sweep though moist morning monsoon air.
Raj Arumugam Oct 2010
"What is the Dao,
Lao Tzu?"

Says Lao Tzu:
"That which can be described
that is not the Dao"
D Conors Oct 2010
If you overesteem great men,
people become powerless.
If you overvalue possessions,
people begin to steal.

The Master leads
by emptying people's minds
and filling their cores,
by weakening their ambition
and toughening their resolve.
He helps people lose everything
they know, everything they desire,
and creates confusion
in those who think that they know.

Practice not-doing,
and everything will fall into place.

_
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu
D Conors Oct 2010
We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.

We shape clay into a ***,
but it is the emptiness inside
that holds whatever we want.

We hammer wood for a house,
but it is the inner space
that makes it livable.

We work with being,
but non-being is what we use.

__

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
D Conors Nov 2010
Look, and it can't be seen.
Listen, and it can't be heard.
Reach, and it can't be grasped.

Above, it isn't bright.
Below, it isn't dark.
Seamless, unnamable,
it returns to the realm of nothing.
Form that includes all forms,
image without an image,
subtle, beyond all conception.

Approach it and there is no beginning;
follow it and there is no end.
You can't know it, but you can be it,
at ease in your own life.
Just realize where you come from:
this is the essence of wisdom.

_

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao Te Ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu
D Conors Oct 2010
Can you coax your mind from its wandering
and keep to the original oneness?
Can you let your body become
supple as a newborn child's?
Can you cleanse your inner vision
until you see nothing but the light?
Can you love people and lead them
without imposing your will?
Can you deal with the most vital matters
by letting events take their course?
Can you step back from you own mind
and thus understand all things?

Giving birth and nourishing,
having without possessing,
acting with no expectations,
leading and not trying to control:
this is the supreme virtue.
__

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
D Conors Oct 2010
Colors blind the eye.
Sounds deafen the ear.
Flavors numb the taste.
Thoughts weaken the mind.
Desires wither the heart.

The Master observes the world
but trusts his inner vision.
He allows things to come and go.
His heart is open as the sky.

__

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao Te Ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu
D Conors Oct 2010
Fill your bowl to the brim
and it will spill.
Keep sharpening your knife
and it will blunt.
Chase after money and security
and your heart will never unclench.
Care about people's approval
and you will be their prisoner.

Do your work, then step back.
The only path to serenity.
__
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
D Conors Oct 2010
The Tao is called the Great Mother:
empty yet inexhaustible,
it gives birth to infinite worlds.

It is always present within you.
You can use it any way you want.
__

"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
Matt Jun 2015
It's so easy
Don't you know
To Show the love
That Jesus showed

Or for that matter
Buddha or Lao Tzu

Life flows naturally
When you forget the self
And take the focus off you
Mateuš Conrad Aug 2018
.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...


      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!
D Conors Oct 2010
The Tao doesn't take sides;
it gives birth to both good and evil.
The Master doesn't take sides;
she welcomes both saints and sinners.

The Tao is like a bellows:
it is empty yet infinitely capable.
The more you use it, the more it produces;
the more you talk of it, the less you understand.

Hold on to the center.

_____
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html

Read more: http://hellopoetry.com/poem/the-tao-2-when-people-see-some-things-as-beautiful/r/#ixzz11xNle0lV

Read more: http://hellopoetry.com/poem/the-tao-4-the-tao-is-like-a-well/#ixzz128aUI49p
Written by Lao Tzu
Venusoul7 May 2014
there are ways but the way is uncharted;
there are names but not nature in words:
nameless indeed is the source of creation but things have a mother and she has a name.

the secret awaits  for the insight of eyes unclouded by longing;
those who are bound by desire see only the outward container.

these two come paired but distinct by their names.
of all things profound, say that their pairing is deepest, the gate to the root of the world.

-Poem by Lao Tzu
from the book, The Way of Life
D Conors Oct 2010
The Tao is infinite, eternal.
Why is it eternal?
It was never born;
thus it can never die.
Why is it infinite?
It has no desires for itself;
thus it is present for all beings.

The Master stays behind;
that is why she is ahead.
She is detached from all things;
that is why she is one with them.
Because she has let go of herself,
she is perfectly fulfilled.
_
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
Mateuš Conrad Feb 2017
and i'm watching this couple, this: bromance...
  and i'm wondering when the time
comes that the other tells
the former: you can't talk
physics wearing a cowboy hat,
wasn't the 20th century the time
they lost habitual need to cover their heads?
monks shaving, the kippah...
indians and the Martian act of scalping,
my donning a beard and fiddling
with it like payots / sidelocks...
can this... cowboy talk seriously to me
about what is and what isn't a stance
on pragmatism?
      let's just say, that being attired
with so many scientific facts, moon lading
and all that, i'd be most perfectly sound
in stating such facts, such attire,
without looking, rather ridiculous...
   it's nice that someone can go to the moon,
and in having this susbjecitivty enclosed in them,
and how that won't translate into something
i might share... how i will never experience
someone else's subjectivity, and how that is
the sole basis for having objective opinions...
but you have to admit that donning a cowboy
hat is more ridiculous than putting on a sock
or a shoe...
                       and then talking
looking like that genius gremlin...
    men age, they enforce being boring,
they're too nostalgic, they love to re- re-
  a care for st. pete... hey! pedro! what do women do?
they're just become weird...
   like that wasn't the case to begin with...
love is... whether expressed by a pensioner
or a teen... a bit... mmm... whatever.
          it just gives me the idea of being
a host of gnats when people have to dress themselves
with these "serious" facts... and then they later
talk donning cowboy hats and boots...
  who's the serious monkey to be given
a radio show? who the serious bobo?
          even i know, given the phonos,
that dżin is an orthographic transgression...
        dzin would suffice...
yes, you've been to the moon, that's nice...
this is where you deviate from telling other
people to keep it to themselves...
              i'd prefer to hear more about the brothers
Grimm sound asleep, than hear of american astronauts...
but yeah, thanks for the invite,
      so few people care or want to be astronauts,
the emeritus americans and the emeritus russias
ego-tripping is so, so, so so boring...
       and i'm sorta in the custard of it taking place...
ethnicity and abstract identities of succumbing to
nationhood... cut it open... dżin... it's also called
the fake graphemes of sh and sz and dz ch and cz...
those are graphemes...
            there's a reason you don't **** around
invoking too much distinction in the realm of grapheme...
they really could have just said: dzin....
or jinn... or aladin drinking gin.
    sure, they call them aesthetic bits and bobs,
when in fact they are nor aesthetic in a + way,
they're chiral, hardly natural,
gin             jinn              joke                              egg...
   gaug                                    chase,
      glee jeer... game, jam, gammon,
     jammy... gaming... the near proximity!
they're so close!
           - i sniff... (snout noises)... an existence of a graphame...
     if one was to listen to humans talking,
one could clearly see they are bound to cheat...
they have too many symbols for the sounds they make...
and for the deviations in making sounds
they ******* chiral twins of the same sound...
and then sometimes deviate from it...
ensuring that Latin graphemes, those linguistic siamese
rule the river of diacritical mark,
suffocating them, until the river becomes an
artificial lake...
            when diacritical marks was given to
the "deuteronomy", (e) missed in the original...
sometimes spelling mistakes can reveal much more
than the words themselves...
          the 2nd e... for the te-,
t-ah, tao...
                 i can feel winter ending,
i can feel the loss of limbo, fatigue,
               or what comes as spring, namely insomnia,
increased productivity,
but such that diacritical marks were the heavenly
based descents to mark distinct syllables,
  like hailed original use of pucntuation marks,
but more within every word, than among words
in sentences...
   i could just as well call for a genocide of linguists...
i just don't see why they need to
complicate the matters with some wacky
anti-copernican alphabet
akin to writing hope, (consciousness),
[hohp] (american, spaghetti, nasal
akin to echo: oompf! ergo subconscious:
insinuation, panicky, puppets and the empire),
/həʊp/ (british, origin, ergo unconscious) -
why do we need this linguistic alphabet?
you can reach a perfect argument
using the same language, with one
that has adopted the use of diacritical marks
akin to punctuation marks...
and have the only avaliable canvas that
english is... there really should be a russian
counterpart of me dealing with how the greeks
are so paranoid in over-using diacritical marks,
like me, but speaking russian and looking at greek
and nodding, insinuating the word
on a broken record: aha, aha, aha.
it would be nice to talk about people,
but then i graduated from the optometric school
of having to look at migrating electrons in
organic chemistry... i think i'm relaxed these days...
so outside the failed translation gimmick
of chemistry, mainly german, mainly
hyphen orientated CH3-CH2-OH (alcohol, numbers in
subscript) - ****... looking at that "fingerprint",
why is my vision of the world so pink?
you try to teach the anglo-saxons that they're saxons
again, and not orientated around building an empire,
imagine teaching them the proper way to be
saxon, that, some words, like german,
desire, complexpunctuationstandards.
there you go, a real life example, let's see you cut that
word open and extract a heart,
  and a lecture on having a heart,
    let's wait for Frankenstein's monster to groan
into the vacuum, and the no actual vacuum,
but merely the night.
- yes, a hyphen at a beginning of a sentence plateau
almost means a stance to take to paragraph;
even though it shouldn't exist, as a p.s.,
***** into existence by, nothing more than a bias
to endorse whims, cravats, Monet,
and tantrum fits of little girls that dreamed
of being princesses... but instead became ******;
yes, those working parts of you
                           that are quiet, edible.
to write, and see, rather than write, and hear;
that sentence will not actually require
the existential ambiguity of the zoo,
of the enclosure of "     "...
                    i look at existentialists as i might look
at zoologists... prison guards...
      pontius pilates.
I believe in a universe where a sleepy eye opens existence...
a slowly drooping eyelid ushers it away.
I believe in a universe where Indra and the other Gods
churn the cosmic milk...
where Shiva does the eternal dance.
I believe in a universe where light is separate from darkness
and mankind is molded from a ball of divine ****...
a breath, Be and it is.
I believe in a universe where Gaia watches as Cronus
devours her children until she gives him a stone...
and hides Zeus away.
I believe in a universe that expands
from a singularity of infinitely dense potentiality
less than a speck,
to our cosmos immeasurable in scale.
I believe in a universe where Lao Tuz hands a guard
a little book of wisdom
before disappearing into the mountains
where the sages go.
I believe in a universe where Siddhartha contemplates emptiness
and feels the winds of eternity
whistling through his soul.
I believe in a universe where E=Mc2.
I believe in a universe where an old man lights the first holy fire
and describes the war between light and goodness
vs darkness and evil.
I believe in a universe where the earth and moon,
and all the planets go round the sun...
in a galaxy carrying us
dancing a waltz
we can only catch glimpses of.
I believe in a universe where "Know Thyself"
is revered as a deep truth.
I believe in a universe where
an unexamined life is not worth living.
I believe in a universe where the words of a carpenter
are a true path.
I believe in a universe where an illiterate man is commanded
Read!... a burning coal upon the lips.
I believe in a universe where every God and Goddess
exist, each in their own heaven...
each in their own hell.
I believe in a universe where there are no gods or goddesses
only the relentless laws of matter, energy and gravity.
I believe in a universe where everything is mathematics.
I believe in a universe where everything is holy
I believe in a universe where everything in profane.
I believe in a universe where everything is a simulation.
I believe in a universe where everything is ****** in nature.
I believe in a universe where everything is stimulation.
I believe in a universe where the hoochie *******
is what its all about.
I believe in the universe.
D Conors Oct 2010
The Tao is like a well:
used but never used up.
It is like the eternal void:
filled with infinite possibilities.

It is hidden but always present.
I don't know who gave birth to it.
It is older than God.
__
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html

Read more: http://hellopoetry.com/poem/the-tao-2-when-people-see-some-things-as-beautiful/r/#ixzz11xNle0lV
Written by Lao Tzu.
D Conors Oct 2010
The tao that can be told
is not the eternal Tao
The name that can be named
is not the eternal Name.

The unnamable is the eternally real.
Naming is the origin
of all particular things.

Free from desire, you realize the mystery.
Caught in desire, you see only the manifestations.

Yet mystery and manifestations
arise from the same source.
This source is called darkness.

Darkness within darkness.
The gateway to all understanding.

____
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao-tzu.
D Conors Oct 2010
When people see some things as beautiful,
other things become ugly.
When people see some things as good,
other things become bad.

Being and non-being create each other.
Difficult and easy support each other.
Long and short define each other.
High and low depend on each other.
Before and after follow each other.

Therefore the Master
acts without doing anything
and teaches without saying anything.
Things arise and she lets them come;
things disappear and she lets them go.
She has but doesn't possess,
acts but doesn't expect.
When her work is done, she forgets it.
That is why it lasts forever.
__
"Lao Tzu is believed to have been a Chinese philosopher (a person who seeks to answer questions about humans and their place in the universe) and the accepted author of the  Tao te ching,  the main text of Taoist thought. He is considered the father of Chinese Taoism (a philosophy that advocates living a simple life).

Read more: Lao Tzu Biography - life, name, death, school, book, old, information, born, time http://www.notablebiographies.com/Ki-Lo/Lao-Tzu.html
Written by Lao Tzu.
Mike Essig Apr 2015
"Would you like to save the world from the degradation and destruction it seems destined for?  Then step away from shallow mass movements and quietly go to work on your own self-awareness.  If you want to awaken all of humanity, then awaken all of yourself.  If you want to eliminate the suffering in the world, then eliminate all that is dark and negative in yourself.  Truly, the greatest gift you have to give is that of your own self-transformation."
Sit where you are...
Michael R Burch Apr 2020
Birdsong
by Rumi
loose translation/interpretation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!

Jalāl ad-Dīn Muhammad Rūmī (1207–1273) was a 13th-century Persian poet, faqih, Islamic scholar, theologian and Sufi mystic. Rumi's influence transcends national borders and ethnic divisions. He is held in high regard by Iranians, Tajiks, Turks, Greeks, Pashtuns, and in the West and around the world. Rumi has been called the "most popular poet" and the "best selling poet" in the United States. Keywords/Tags: Rumi, translation, birdsong, bird, song, grief, ecstasy, joy, happiness, universe, poetry, birds, songs, singing, songbirds



The Field
by Rumi
loose translation/interpretation by Michael R. Burch

Far beyond sermons of right and wrong there's a sunlit field.
I'll meet you there.
When the soul lazes in such lush grass
the world is too full for discussion.



Beyond
by Rumi
loose translation/interpretation by Michael R. Burch

Don’t demand union:
there’s a closer closeness, beyond.
The instant love descends to rest in me,
many beings become One.
In a single grain of wheat ten thousand sheaves germinate.
Within the needle’s eye innumerable stars radiate.



Untitled Rumi Epigrams

Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s candle is ready to be kindled.
Your soul’s void is ready to be filled.
You can feel it, can’t you?
—Rumi, loose translation/interpretation by Michael R. Burch

This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out without feet...
—Rumi, loose translation/interpretation by Michael R. Burch

I am not this hair,
nor this thin sheathe of skin;
I am the Soul that abides within.
—Rumi, loose translation/interpretation by Michael R. Burch

Let yourself be guided by the strange magnetism of what you really love:
It will not lead you astray.
The lion is most majestic when stalking prey.
—Rumi, loose translation/interpretation by Michael R. Burch

Forget security!
Live by the perilous sea.
Destroy your reputation, however glorious.
Become notorious.
—Rumi, loose translation/interpretation by Michael R. Burch



Two Insomnias (I)
by Rumi
loose translation/interpretation by Michael R. Burch

When I’m with you, we’re up all night;
when we're apart, I’m unable to sleep.
Thank God for both insomnias
and their inspiration.



Two Insomnias (II)
by Rumi
loose translation/interpretation by Michael R. Burch

When I’m with you, we’re up all night.
When we part, I’m unable to sleep.
I’m grateful for both insomnias
and the difference maker.



I choose to love you in silence
by Rumi
loose translation/interpretation by Michael R. Burch

I choose to love you in silence
where there is no rejection;

to possess you in loneliness
where you are mine alone;

to adore you from a distance
which diminishes pain;

to kiss you in the wind
stealthier than my lips;

to embrace you in my dreams
where you are limitless ...



I Prefer
by Rumi
loose translation/interpretation by Michael R. Burch

I prefer to love you in silence,
for in silence there is no rejection.

I prefer to possess you in loneliness,
for in loneliness you are mine alone.

I prefer to adore you from a distance,
because distance diminishes pain.

I prefer to kiss you in the wind,
because the wind is subtler than my lips.

I prefer to embrace you in my dreams,
because in my dreams you are limitless.



Untitled Rumi Epigrams

I am not this hair,
nor this thin sheathe of skin;
I am the Soul that abides within.
—Rumi, loose translation/interpretation by Michael R. Burch

We come whirling from nothingness, scattering stardust.—Rumi, loose translation/interpretation by Michael R. Burch
Why should I brood, with every petal of my being blossoming?—Rumi, loose translation/interpretation by Michael R. Burch
Why should I brood when every petal of my being is blossoming?—Rumi, loose translation/interpretation by Michael R. Burch
Elevate your words, not their volume. Rain grows flowers, not thunder.—Rumi, loose translation/interpretation by Michael R. Burch
Bare rock is barren. Be compost, so wildflowers spring up everywhere.—Rumi, loose translation/interpretation by Michael R. Burch
I want to sing as the birds sing, heedless of who hears or heckles.—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s candle is ready to be kindled.
Your soul’s void is waiting to be filled.
You can feel it, can’t you?
—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s an immense ocean. Go discover yourself in its depths.—Rumi, loose translation/interpretation by Michael R. Burch
The only prevailing beauty is the heart’s.—Rumi, loose translation/interpretation by Michael R. Burch

This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch

What you seek also pursues you.—Rumi, loose translation/interpretation by Michael R. Burch
Love renders reason senseless.—Rumi, loose translation/interpretation by Michael R. Burch
Love is the bridge between your Heart and Infinity.—Rumi, loose translation/interpretation by Michael R. Burch
Your task is not to build love, but to bring down all the barriers you built against it.—Rumi, loose translation/interpretation by Michael R. Burch

Let yourself be guided by the strange magnetism of what you truly love:
It will not lead you astray.
The lion is most majestic when stalking prey.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon shines most bright
when it embraces the night.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon shines brightest
when the night is darkest.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon is brightest when it embraces the night.—Rumi, loose translation/interpretation by Michael R. Burch
If your heart is light, it will light your way home.—Rumi, loose translation/interpretation by Michael R. Burch
Are you still in the dark that your light lights the worlds?—Rumi, loose translation/interpretation by Michael R. Burch
Why do you remain prisoner when the door's ajar?—Rumi, loose translation/interpretation by Michael R. Burch
Why do you remain prisoner when the door's wide open?—Rumi, loose translation/interpretation by Michael R. Burch
As you begin to follow the Way, the Way appears.—Rumi, loose translation/interpretation by Michael R. Burch
Come, come, fellow traveler. Wanderer, worshiper, itinerant: it makes no difference. Ours is no caravan of despair. Come, even if you have broken ten thousand vows. Come yet again, come, come.—Rumi, loose translation/interpretation by Michael R. Burch

Forget security!
Live by the perilous sea.
Destroy your reputation, however glorious.
Become notorious.
—Rumi, loose translation/interpretation by Michael R. Burch

Don’t be satisfied with stories of others’ accomplishments. Create your own legend.—Rumi, loose translation/interpretation by Michael R. Burch

I was so drunk my lips got lost requesting a kiss.—Rumi, loose translation/interpretation by Michael R. Burch
Eyes identify love. Feet pursue.—Rumi, loose translation/interpretation by Michael R. Burch
Everything beautiful was made for the beholder.—Rumi, loose translation/interpretation by Michael R. Burch
The essence of the rose abides not in the perfume but the thorns.—Rumi, loose translation/interpretation by Michael R. Burch
Ignite yourself, then seek those able to fan your flames.—Rumi, loose translation/interpretation by Michael R. Burch
When will you begin the long trek toward reconciliation with yourself?—Rumi, loose translation/interpretation by Michael R. Burch
There is eloquence in silence. Stop weaving and the pattern is perfected.—Rumi, loose translation/interpretation by Michael R. Burch
The universe lies within you, not without. Look within: everything you desire, you already are.—Rumi, loose translation/interpretation by Michael R. Burch

You must understand
“one” and “two”
because one and one make two.
But you
must also understand
“and.”
—Rumi, loose translation/interpretation by Michael R. Burch



The imbecile constructs cages for everyone he knows,
while the sage
(who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Little sparks ignite great flames.—Dante, translation by Michael R. Burch

Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch

Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch

Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch

Improve yourself through others' writings, attaining freely what they purchased at great expense.—Socrates, translation by Michael R. Burch

Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch

One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch

Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch

I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch

Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch
Robert Ronnow Aug 2015
First Living Organism

Anyway, there is love and death and governance. With the birth of my sons, love was fulfilled. There is no romance left in love for me, women are another form of men. Perhaps their toes are painted rather than blood-encrusted, but blood runs from their bones, their eyes are friendly as camera lenses, muscles hungry. Death continues to be my every third thought, fittingly. Occasionally I feel strong, but when I don’t it’s death waiting. I think I know it’s a waste of time to imagine being dead, as if being dead were a form of living. It’s not, but last night I was reading about the efforts of astrobiologists to identify LUCA meaning Last Universal Common Ancestor and FLO, first living organism, and that gave me a calmer feeling. Bringing me to governance, how we manage together between birth and death. What can I say that hasn’t already been said by Aristotle and Plato, the Republicans and Democrats, Hamilton and Jefferson. To start, your daily discipline is a personal governance. There are many ways to know a person: by their god, by their fears and appetites, by how they spend their money or organize their time. Who is in authority, who is in command here? The one in authority is not necessarily our leader.


Patience

I live in a mountainous community about 140,000 strong. My irascible, aggressive temperament toward my fellow citizens has exiled or sidelined me to a peripheral almost insignificant role although when I arrived I was considered a problem solver, even a savior of the poor and the wealthy classes who feared for the future. Why mention this. He who knows patience knows peace. I have surely lost face often in my life. As a kid, lost most fights, as a man, chosen last to lead the squad or platoon. Only when every known leader had died did those in authority decide to use me. Someone must begin to write the federalist papers for the world. And, of course, it’s being done and heard. Books in print, blogs, debates. My vision is a world where you can fly from Madagascar to Mississippi and be greeted by a sign that says Welcome to our land. Go about your business, setting off no bombs, and fly home. Perhaps take a lover for one afternoon.


The Machine and the Season

The machine and the season are so far incompatible. The machine claims electrical problem. The house leaks from rain. The men who left the machine have started their own business. A new endeavor by which they will keep warm and purposeful. The junior partner, heavier, says the Grand Canyon’s not so grand. Jaded individual or one to set himself against the depths, abyss? Man’s systems. Man made the machine (and the town) from rocks mined next door. Some few men understand these invisible electrons moving the machine to perform. I still cannot imagine, i.e. my mind cannot move fast enough to know how so many particles can be sorted and split so quick to make words on a screen. My simplicity is terminal.


Saving Grace

Today it is fall, first day for long-sleeved shirts. The boys at school. I admonish Zach not to whine and complain about the work. Lately reading or practicing piano, prone to fits of frustration. To the point of claiming belly pain. Last night I dreamed I had pushed him to suicide. It is so important for a man to do no harm. This is what makes us crazy against Wolfowitz, willingness to **** to do good. Someone very sure of himself and shining, much wiser and more compassionate than me, has calculated for the world that more lives now for fewer later shall be sacrificed. The people he serves are cantankerous, disorderly, selfish and complaining. The same diverse, spoiled, unpatriotic revolutionaries as at the nation’s beginning. Their refusal to be more than the sum of themselves is their saving grace.


Politics

Politics can be an escape from the personal, the debates are of little interest to a man in hospice. Will the machines do their work? How will we make decisions together? Roger Johnson’s gravel pit must be killing his neighbors with the noise of boulders being pulverized to rock but Roger is certain his business is necessary for the public good. He knows he has a right to use his property as he sees fit. There is a noise ordinance, a state employee will travel out to measure the decibel level in your front yard as compared to the ambient noise level. There is a measurable amplitude beyond which the legislature has determined no citizen may be exposed or corporation go. It can be measured.


Measure for Measure

Measure for measure, all’s well that ends well during a midsummer night’s dream for the merry wives of Windsor. A million or more poets but only one Top Bard. How did he know so much about kings and fools and murderers? An Elizabethan and no Freedom of Information Act. Today it is fall. The legislature and president are at work and so are our machines. One by one and then in armies the leaves come down. It is not that someone must decide, we must decide how we will make decisions and where authority resides. What am I learning, sitting, watching the season turning? Content this morning to admire my sons’ photos, reread my own poems searching for the prize answer, and answer the phone. I seem to be alienating potential business partners with a take it or leave it comme-ci comme-ca attitude. All you can do, the best that can be done is to go to your daily discipline. Driving home or waking up at night I think I’m dying. Do the much-admired writers of our time die more content than that?


War All the Time

War all the time. I’ve been fond of saying what distinguishes America is its daily low intensity warfare. Endless but not fatal conflict. Chambers of commerce, municipal government, big corporations wrestle nearly naked and will lie as needed for what? I tire like an 80 year old man of the storm and worry. I remember my early years when I had no known skill to offer and elections occurred without my vote being solicited. I noticed no harm or good I did was noticed. Autumn was all mine, mine alone, I was alone in the world with autumn. My mind could not stand it. I cried out for comfort, someone to obey. I needed to grow up and know money.


The History That Surrounds Us

I’m not going anywhere, I chose to stay and hold my clod of soil in the landscape of community oh blah dah. I want like Shakespeare and other writers to discern the motivations of women, men, see through their lies to a humorous truth careless about success and able to explain why what happens today or on September 11th obtains. I was impressed by the critic who found that Shakespeare in Hamlet had tried to write about the thoughts of a man suspended between having decided to act and the act itself. Why bother he soliloquated why commit or submit to the great moment when mere men of bones and dust, disgusted with themselves and others are the actors of the moment, beheaders, rhymers, debtors. And, of course, the answer comes to one in the night like Chuang-tzu, or Lao, why not? The great moment is no greater than the small and the small no smaller than the great. You perform the history that surrounds you and go to your daily practice.


A Systems Guy

I’m something of a systems guy. I want the truth and death and worth to be independent of individual motives, paranoias, prejudice, peccadilloes, virginities, crucifixes, paradoxes, protons, protozoa or curses. I want pure human machinery, stainless steel, clear thinking, even handed, not a doubt that every doubt is wanted, needed, good to the last drop toward the ultimate ignition into outer space, colonization of diverse planets and immortality of the genome. Here’s what’s odd. While enduring ever more frequent panic attacks (and nudging toward survival and self-sufficiency my offspring) pounding and pinching my skin to stay sensate, maintain consciousness, I parabolate (always orbiting myself, eye on the tip of my *****) to another extreme, i.e. my belief mankind can escape the earth unlike Hamlet’s dad’s ghost. A system is a set of inputs–values, policies, objectives, procedures, data–organized and repeated to generate significant quantities of desired outcomes without redesigning the system for each individual outcome. I told John Russell from Amnesty International at Jack Shwartz’s daughter’s coming of age party about my plan to reorganize the U.N. so only the democracies can vote and no nation has a veto. He said the world’s not ready, with absolute certainty, knowledge and authority. I looked out the hotel window, this was shortly after 9/11, at dozens of American flags and a lone security guard. I’m always right I said to myself.
www.ronnowpoetry.com
Johnny Zhivago Mar 2012
Iym onna mishon forra gerl
krossing China jus to si her
ona slo chrayn going west
krossing mouwntins in my kot.

Shis onna mishon for tha boi
fly eirchina for to si mi
bundling legings inna bag
wot to bring and wot to not

bring your person bring your boots
spanix boots and spanix wyn
put your bodi in this plays
taiwan boox and qinese wyn

i wil sit heer lyk an ox
wayting unda shaydi tri
wayting hyuman wil tu find me
pat my **** and skweez my ni

qyneez wyn
qyneez wyn
wyn in qyneez
qyneez wyn

pump my rat and wyn qyneez
shaydi tri with pengyou lao
thingking hyuman tu gud tu mi
wy *** look for stinki kao
some sounds use mandarin pinyin spelling, and also some chinese grammar. some olde english Shakespeare era free-spelling.
in pinyin q is pronounced ch
and x is pronounced sh
Mateuš Conrad Jul 2016
.i'm in luck, they're selling it at under 11 quid right now,
stock dry - gone in an instant - laphroaig like -
but not as smoky - but smoked scotch it it
at £10.34 - oh the little joys of having little money to spend -
you end up less picky and less hoarder and
the junk yard.


na głowe sypano mi, tak popiół:
     popiół! a obiecano mi *****!
           popiół! a obiecano mi *****!
                 popiół! a obiecano mi *****!

                  (not my words... lao che's dym)...

me, beer, cigarette, outer-suburbia -
police whizz past, silent with flare
or screaming toddler and Odysseus' 20 sirens
with wax in the ears of oaring company
akin to Ajax'ς vitality -
along the way, my neighbour (who's mother
killed my cat.. listen, i know he had
heart problems, he was on aspirin -
but kidneys, even if complicated are not
real problem, felines take longer to ****
than do the no. 2, pigeons don't have kidneys -
they're always of an **** diet of diarrhoea;
write like Aristotle sometimes,
forget the facts, be wrong, get it wrong,
never put a glass cup into the waterfall of
poetic cascades - get it wrong, be wrong -
get to know yourself - it's not that dumb
to be predictable in yourself -
if you allow self-predictability you will
see certain social events as being pointless -
you'll see friends and "friends" -
self-predictability is a verb, compounded -
i already know i'll make references to grammar
and it being missing in philosophy -
no, not coherence and appropriate arrangement -
i mean undoing the box of thing-in-itself
and the subsequent tennis with a brick wall,
to surprise yourself when something is unearthed,
a little piece of the puzzle - simulating awe,
the genesis of all that's to come, even awe from a yawn
and boredom... it's here somewhere... i'll karate
catch it with chop sticks.... (looking around)...
i don't know, might be a moth or a fly...

Antichrist: or a summary of Antisemitism - a variant of,
or at least a concentration - mainly confiscated
by Christianity - prime complaint:
a democracy of Anointed One (Messiahs) -
obviously a manifested justifiable practice of Antisemitism -
the throng of Golgotha intelligence quotient -
Jew v. Jew, and one convert from the delusional
4 x 4 (in the name of the father, and of the son, and of the holy
                                         spirit... hold on!
                                    i make four gestures... and make a fifth
                 with Romeo and Juliet talking -
St. Matthew-Luke-Mark-and-John... penta penta pent-up
pentagon - evidently there's a pentagrammaton somewhere:
ah! i b l i s.                       Surat no. via Rumi - 7:143 - veils and
the one - reward in heaven - more veils, gardens veils,
grapes in heaven veils - stomach a veil - hunger a veil -
rewards in heaven also veils - the poem?
praise be Jesus - and Jason and the Argonauts - and whoever
wanted a strawberry flavoured pastiche to lick tears off -
love's apocalypse, love's glory -
         well bloodhound eyes say it all - droop drool -
droop & drool... Jack & Jill... went up the hill, and passed
the Grimm Bro. baton to Hanzel und Gretyl in the 100m x4
relay of Disney Limps - then rabbinical literature to sober up -
Albotini's Sulam HaAliyah (Ladder of Ascent, formerly Jacob's
ladder - to be: Ladder of Skip-rope; Oxford, hello! yes,
can you please consider un-hyphenating what is desirably
a compound worthy word in the practice of German?          )?
is a bracket necessary anywhere and i missed it?
Antichrist - or a very strange form of antisemitism -
be like a Jew, congregate applauding in the right corner: Jesus -
in the blue corner: Crux Golgothia.
export from Portugal - the said book -
key principle (kefitzah) jumping or skipping (dilug) -
and this being applied to the one practice of mystic Judaism -
the ****** gematria; hishtavut (stoicism) -

me - is it still 20 quid for an eighth?
Sim (my neighbour) - yeah, but these days
                                       they sort of cheat,
                                       you'd get an eighth nibbled on,
                                       twenty for a tenth?!
me - ******, well, we can't expect it to not happen,
         we had coin debasement - clippings of silver
         keratin with Siliqua, third stage and
         all encoded authority is gone: Thomas and Anne
         till death and nail clippings be fraud unison in
         the depart (or when narration extinguishes
         a character, the character is worth nothing -
         the narrator wakes up - all the characters run
         like phantom-hares into nonexistence -
         phantom! thin air!
politeness said: only one **** at the wacky wee ö wee
(umlaut O / double oh, 007 - 00'7 - double u... oh!
                                 i get it!                             Jamie Oliver!)
DEI.GRA.REG.FID.DEF.
   "   (-tia) (-ina)(-ei)(-ensor) -
all that would have been clipped - authority of visage -
the courtesan only knew the mint in silver
and the mint in the flesh - hence clipping of coin
to erase the authority from the holy authority of words -
in the beginning - but once dei.gra.reg.fid.def.jpeg /
                                   dei.gra.red.fid.def.gif.

that ****** moth is here somewhere! there it is! catch it!
                                                             ­   catch it!
SLAM!          and the job is done )                                      ).
i really waiting a bus stop pretending to wait for a bus
toking on a joint - joint is mix tobacco and wee wee
and spliff is pure? i forgot the slang - haven't been
addicted to it in years.
Sim - yeah, that's how it is. work in central london -
         have to get up early in the morning.
         corporate finance - no that's a commercial firm,
         corporate finance - McDonald's, etc.
me - oh cool waiting for  ghost bus - never get paranoid
         then?
(police cars whizz by)
Sim - n'ah, a perfectly decent area, got stopped once,
          three years ago.
and the price goes to the laziest narrator in history - absolutely
no engagement with characters - it's too real, everyone's
lying - this is the second time i spoke to my neighbour properly
in the past.. ooh 2002... 14 YEARS - it's not even funny -
no amount of marijuana will make you feel comfortable -
you can mate and make Kingston handshakes and what not -
this is purity of absurdity and western isolation,
we went against the maxim: no man is an island on purpose,
not by chance like Robinson Crusoe -
at least Crusoe had a talking Friday - we have a ghost
of Michael Faraday on Friday - ******* disco blink blink -
poet... or alt.: the narrator complex - inhibitions toward
character craft and pseudo-schizoid symptom -
believing in ghosts is easy, fiction writers and their ghosts
and abortions, hardly a way to escape from that -
poetry: rebellious narration - just anything with narration,
modern fiction is read like a chess match between deep blue
and Kasparov - or Pavlov v. Jezebel playing gynaecologist.

blank.... blank... wait for the atoms trilled R to make
their toady presence felt -
the more pricier the whiskey the more pristine water,
i.e. you get drunk more easily -
anyone that smokes marijuana and thinks
they're clever are stupid; how many people are out there that are
stupid!
- resounding hearsay-hooray!
drugs, ******, crack, blow, marijuana, ****, ***,
  cannabis, dope, ******, mary-jane, 13, M - herb shake -
Humphrey saying to Bogart - that joint.
as said in Saudi
Arabic - a Ferrari G.T.I. and MeKubalim HaMitbodedim
                  )
                                  -chism - schism - sky - ski -
                                  cha cha, cha cha - kilo or 100th -
                                  1000 thd. - hundredth a thousandth -
                                  - where then the acute,
                                  timber from Czechs -
                                  kebab from Mesopotamia -
                                  and the Trojan horse to boot -
                                 chatter - chopper whopper -
                                 astoikism - not chew off
                                 curve into cherish but
                                 cravat chew in -
                                 Slavic mining zed - czarna
                                 ciasność - blackened claustrophobia.
a Buddhist clap
                   immersion -
left handed the right hand claps against air
                  )             )              )               )            ) ) )            )
a night at the Opera, right handed the left hand claps against air
(                       (        (            (               (          ( ( (            (
scimitar Luna - so they said, would like an audience with the
further unmentioned mention -
you're mates with neighbours who over 14 years you only
spoke to the count of thumb and index on occasion -
and thus necessarily high -
i was going to write something really important before
i finalised this draft... but i forgot what it was...
got almighty this whiskey is good...
i'm smoking salmon and pickling reindeer hooves and antennas;
a bit like practising Chinese miracle medicine with
whale blubber and Mongolian nostril hairs.

it's not about loving your enemies -
this love sinister must be invoked as: making your
enemies bearable.

i'm sure i had something concerning poetry and narration -
ah! it was... poetic compensation -
a.d.h.d. narration - attention deficit hyperactive disorder -
true - all psychiatric terms are metaphors -
at least outside the psychiatric realm -
poetry as a.d.h.d. meaning: shrapnel narration -
a custard pie of missing characters -
poetry: i.e.: the inability to believe in ghosts
or write characters - claustrophobic or agoraphobic narration?
a mix of both - poetry - the inability to conjure
Ouija fancies - poetry, the over-specialised gift for
narration, but an inability to invent characters -
poetry, the truth of the narrative, and the truth of un-invented
characters, poetry: the ability to narrate, coupled
with the inability to create characters -
fiction and the dumb narrator - poetry and the exquisite
narrator - fiction and the exciting characters -
poetry and the God - our focus is based on that vector,
or bias to that vector - fiction and the Oscars -
narrator and director - when to change from first person
to third person - again Burroughs was right -
images 50 years ahead of writing - a bit obvious,
nothing spectacular with that phrase -
lightning and the sons of thunder: 12 of them -
made the tetragrammaton less spoken and swear words
fucken-uppen censored so the crucifix and **** could
collide - a fine fine excuse - the Boeing 747 first
and later the quasi-sonic broom shoo' 'mm -
poetry as fiction disguised when fiction was given
a seance with pure narratives - splinter group:
philosophy's juggling with pronouns esp. the plural deviation
from first person as if to proper punctuation -
psychiatry and the theory of pronoun usage -
poetry and the pronoun rōnin (macron = umlaut -
count to two, or prolong - reasonable man / **** sapiens, pre-noun pro-adjective / adjective attache-noun, noun counter-noun es duo-adjective, Kellogg's sunrise cockle-doodle-dip-in-tartan-chess) -
only poetry mediates the parallel vectors of prose-fiction and philosophy - it consolidates the use of pronouns, art of poetry alone -
pure narration we're talking about,
the narrator and characters of its fancy,
philosopher and dialectical placebos (character equivalence)
with self-conscious moments, mono-pro-noun - alone i name -
the sacred squash wall of lecturing an invisible audience -
rummaging epitaphs in a graveyard along with birth dates
and live by dates - yes, that sacred we philosophers use -
an entire theatre was summoned to continue in appearing
sensible when writing without fictive apparitions -
enabling a fluidity in pronoun use, without sensible letter
writing, as in dear sir,
                                       me in reverse, thank you.
w
b mafika Mar 2017
Should I wait sometime
to tell her how I feel for her? If so,
when does the coral reef know
when to spawn? They say on the fifth night
after the November full moon. Her birthday
is too far away to see from here; her eyes:
two flashes of light on the horizon.
My mother and sister mentioned I stay still
12 weeks, Lao Tzu said until my mud settles.
Tamia and Charmaine insisted now. I looked
to Rumi, and he smiled back patience.
A patient person does not have to ask how long?
And here I am: counting
the minutes between her texts,
on her replies as breaths;
poring over
the pictures of her - in my hand, in my mind.
One moment she feels close, the next
she is the grain of sand I try to keep in my palm.
Patience is praise, says Rumi.
In it the right action will arise, added Lao Tzu.
That is where I must be, whispers my heart.
You may talk o’ gin and beer
When you’re quartered safe out ‘ere,
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ‘im that’s got it.
Now in Injia’s sunny clime,
Where I used to spend my time
A-servin’ of ‘Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
      He was “Din! Din! Din!
  You limpin’ lump o’ brick-dust, Gunga Din!
      Hi! slippery hitherao!
      Water, get it!  Panee lao!
  You squidgy-nosed old idol, Gunga Din.”

The uniform ‘e wore
Was nothin’ much before,
An’ rather less than ‘arf o’ that be’ind,
For a piece o’ twisty rag
An’ a goatskin water-bag
Was all the field-equipment ‘e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ‘eat would make your bloomin’ eyebrows crawl,
We shouted “Harry By!”
Till our throats were bricky-dry,
Then we wopped ‘im ‘cause ‘e couldn’t serve us all.
      It was “Din! Din! Din!
  You ‘eathen, where the mischief ‘ave you been?
      You put some juldee in it
      Or I’ll marrow you this minute
  If you don’t fill up my helmet, Gunga Din!”

‘E would dot an’ carry one
Till the longest day was done;
An’ ‘e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
‘E’d be waitin’ fifty paces right flank rear.
With ‘is mussick on ‘is back,
‘E would skip with our attack,
An’ watch us till the bugles made “Retire”,
An’ for all ‘is ***** ‘ide
‘E was white, clear white, inside
When ‘e went to tend the wounded under fire!
      It was “Din! Din! Din!”
  With the bullets kickin’ dust-spots on the green.
      When the cartridges ran out,
      You could hear the front-files shout,
  “Hi! ammunition-mules an’ Gunga Din!”

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ‘a’ been.
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.
‘E lifted up my ‘ead,
An’ he plugged me where I bled,
An’ ‘e guv me ‘arf-a-pint o’ water-green:
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was “Din! Din! Din!
  ‘Ere’s a beggar with a bullet through ‘is spleen;
      ‘E’s chawin’ up the ground,
      An’ ‘e’s kickin’ all around:
  For Gawd’s sake *** the water, Gunga Din!”

‘E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.
‘E put me safe inside,
An’ just before ‘e died,
“I ‘ope you liked your drink”, sez Gunga Din.
So I’ll meet ‘im later on
At the place where ‘e is gone—
Where it’s always double drill and no canteen;
‘E’ll be squattin’ on the coals
Givin’ drink to poor ****** souls,
An’ I’ll get a swig in hell from Gunga Din!
      Yes, Din! Din! Din!
  You Lazarushian-leather Gunga Din!
      Though I’ve belted you and flayed you,
      By the livin’ Gawd that made you,
  You’re a better man than I am, Gunga Din!
B Young Feb 2015
The suburban housewives are all prostitutes.
Cuckoo CUCKOO cuckoo
Sings the cuckolded husband
Bury the demons in the backyard,
Jack.
Decomposing rotting souls
Enriching the soil
Get rich without any toil.

Step
Outside

A glance to heavens
From the floors of a forest
Reveals a distant star.
Symbolizing neither here, near or far
A twinkling image destroys the ego
Although in this here woodland
Anything goes.
I am the king.

The truth only goes as far as the rocks thrown
So I asked the reapers which way to go
Take a trip with me down memory lane
my past has no real pain.
And no thank you I would not like any fame
I really have nothing to gain but catharsis
So please don’t call me an artist.  

I learned how to read from Frodo
Potter got me through puberty
Infinite Jest is too long
They say the strong dont read poetry
Naked Lunch ravings from a ***** gone mad
Anything discussed on Oprah during brunch is just bad
Satre and Camus too absurd
Stephen King too frightening
David Sedaris too homosexual
Chucks Palahniuk and Klosterman too hipster
The Electric Kool Aid Acid Test for van wagon hippies
Lao-Tzu is too Zen
James Paterson and John Grisham are a waste of pen
The Perks of Being a Wallflower is too needy
Just begging to be loved
Like stupid Twilight
Ann Rice already got it right
Political books are for crooks
Self Help too pretentious
God Dillusion and God’s Not Great too scary
Romances are all wrong
Farces are all right
The Torah too infallible
The Gospels too life changing
Fear and Loathing, On the Road drugged tales disguised as art
Truth can be found in A Million Little Pieces
Lies found in the truths of our textbooks
Vonnegut is always too short
Woody Allen plays never long enough
Waiting for Godot left me waiting for an ending
The Big Book didnt work
Tweak is a ****** piece of work
Henry Rollins yells Get In the Van with a vein pulsating out his forehead while,
Nikki Sixx makes millions from a marketed selling of his soul
The Hunger Games are over popular children books
Did not stop me from getting hooked
A Brave New World is a reality
Dune a vision
50 Shades a pandering to public lust
The etchings left on my mind by Supertramp McCandless and Hesse will never rust
Edward Albee is everything you could ask a play-write to be
Harmony Korine just makes me envious
Even grand mom has the collected Carlin
Twain is middle school
Hemingway high school
Coleridge is college
Dostoyevsky too daunting
French books are too ****** french
Joyce too Irish
Kafka too German
The great American novels are comic books and tabloids

I get it life is both entirely ****** and perpetually beautiful.
One needn't to read to see
Sun cascading through the window,
The Mountains my blanket
Everything in its right place, and I in mine
For surely life is a wonderful thing
and I am no mistake.

Can a person be defined by a word? Can we, in reality chain a person to one word, or even a great sum of words? Can all that is encompassed within each individual human being, be summed up with a word, a description, a label? For the very meaning of word is a unit of language, consisting of one or more spoken sounds or their written representation, that functions as a principal carrier of meaning. Are words the most effective "carrier of meaning"? Or is it possible that there might just be something more, something deeper? This makes me think of the quote from The Mozart Effect, where Don Cambell says, “On the psychiatrist’s couch, the board of the local PTA, or at a job interview, we strive to assert our identity as strong, independent persons, our persona or public mask—all from the Greek roots per son, or ‘the sound passes through.’” Our very core nature is that we desire to hear a vocal confirmation of who we are and labeling ourselves and others with words, gives us a false security. The way we are labeled and seen and judged passes through us, it effects us to our core. When someone “fails” they are then in turn labeled a “failure”? My question is, by labeling a person who has made mistakes, or is even continuing to make mistakes a f a i l u r e , are we really encompassing all that is within them when we say the word “failure” and chain it around their neck? Is every action that they have done a “failure”? Do they not also have things that are successful about them, and isn’t simply their state of being a success?

I am convinced that we are all on the same level, one person no greater than another person. No person a mistake, no person a failure. For let us all challenge ourselves to not define people but rather feel them, seek to understand them. Let us really see them, for who they are, not for who we think they are or what we may see. Like the quote from T.S Elliot’s book Family Reunion, where it says
“I tell you, it is not me you are looking at, Not me you are grinning at, not me your confidential looks incriminate, but that other person, if person, You thought I was: let your necrophilia feed upon that carcass.”

Or the quote from the Invisible Man,
“I am an invisible man. No, I am not a ***** like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasm. I am a man of substance, of flesh and bone, fiber and liquids- and I might even be said to posses a mind. I am invisible; understand, simply because people refuse to see me. Like the bodiless head surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination-indeed, everything and anything except me.”


These are both excellent examples of how our own judgments, preoccupation with our problems or ourselves, anything and everything, can distract us from really getting to know someone, to understanding them in the cell of their heart. For if we were silent and simply allowed the music of life surround us, we would listen and hear, the people when they spoke. For “to listen is to vibrate together with another human being.” And how eloquently Lao Tzu said that, I can’t think of a better way to describe what I am trying to say. What a provocative way to think about the simple act of listening. Think of feeling what people are saying as two harps being played in perfect unison, vibrating together. To really hear someone we must reach a place where we can be receptive to whom they really are, throwing aside our preconceived ideas.

How could we take the sacred and beautiful act of listening and distort it into something that is so uninvolved, so impersonal? How can we, how can I, constantly throw away the precious gem that is to listen, only to pick up the garbage of judgment and lack of concern? I’m convinced that constantly doing this has left quite a toll on the human race. When was the last time you felt that someone got you, really got you, or saw past your flaws or the masks you wear and simply heard you, felt your pain, knew where you were coming from, simply was just there with you? Chances are it’s probably not often. I believe that no matter the outward appearance or what people do that it’s the state of their heart that matters. We are all fallible because we are h u m a n, so when people in their own state of humanity, hurt us, let us choose not to take offence, but rather choose to see past our own pain and see their own pain that caused them to hurt us.

I believe there is beauty in our shortcomings, and humanity. Not that we continue to remain the way we’ve always been but rather accept that we are flawed and that can’t do this on our own, and then we will begin to grow. In our state of being humbled and broken, we grow, we change, we transform. Slowly and surely as the flower that springs from the cold ground and bursts forth from it’s shell and becomes something completely different, we as humans will break through our own “shells”. First we must admit that we have flaws for this process to begin. Being flawed is beautiful because it’s something everyone shares. We’ve all been hurt, but once we come to the place where we understand the pain behind the flaws and see how we can’t possibly judge anyone because we all have flaws, we all have failed.

We are all equals. We are all connected. We are all sons and daughters of humanity. We are connected to the earliest of times and the latest of times.

What happens to someone on the other side of the earth does in fact, effect us. I believe because we are numb to the reality of that connection, never listening, never feeling, that we miss the beauty of this great fellowship of human beings. When we isolate ourselves, not only are we denying ourselves that desire to b e l o n g that dwells in our innermost being, but we also can begin to elevate ourselves over another person. Which leaves me to wonder why we spend our lives awarding ourselves for being better then the person next to us, not doing what they did, when shouldn’t we be listening to them, hearing them, seeing them for who they are in their own brokenness, and helping them through?

We spend our lives harboring anger towards and event, person, or even ourselves and judging and comparing ourselves on a made up idealistic scale to define our worth. We are already worth so much simply because we are humans, and we are alive. Is not even a single rose still admired by the gardener? We are special, and if someone were to bring all the wealth of the world to offer for one person, or to measure the worth of that person, it would not even begin to compare to our worth, no matter our mistakes or who we are.

Just as we hurt and long to be accepted and approved of, so does the person that has hurt you or the person you see yourself as better then. Do we not feel our connection to humanity when we feel the sense of deep loss in our spirit, our innermost being, when our actions cause pain to another person? So since we are all one, all connected, why not shower people with love and grace and feel them, feel with them, instead of labeling them and trying to judge ourselves against them.

We have exhausted ourselves by denying ourselves the basic needs to be known, loved, heard, connected, and accepted, for far too long. It’s time for change, in both my life and the lives of those around me. We’re beaten and bruised from holding on to our anger, relentlessly trying to gain approval, judging our own mistakes and comparing them to others to see if our mistakes were ‘slightly less bad then those of the other person’. If we would set aside those chains that imprison us, and allow ourselves to feel the pain of others, allow them to see our own pain, then, although we will never reach perfection, we will grow, the deep yearnings and aches of our body crying out to be known and our pain from the wrongs done to us will stop.

If we’re willing to bare the burden of feeling with someone, or simply allowing ourselves to just be, exist, beside someone who’s hurting and be open to simply let the sound, the vibrations of their words penetrate our souls, then, and only then will our lives and the lives of others be drastically changed for the better. It would be infectious; spreading to every person we came into contact with, causing a worldwide revolution.

So what I’m saying is even after all this, I believe in changed lives, I believe that our impact on others is far greater then we will ever know.I believe that one single person, no matter how flawed, who stops for one moment and simply listens to another human being, and sees them as they are, then proceeds to reach inside their chest to reveal their beating, heart, alive and full of dreams, will change that person forever, whether we see it right away or never see it. It's the same in our lives, we may never see the fruits of our labor, but we must focus on the goal and not the distance needed to reach our goal. We impact people. When we judge people or don’t see them for who they are, they become dead to us, they can no longer change into who they were meant to be, or we simply do not hear them, the passions and dreams are not awakened, and in doing this, we are robbing ourselves the joy of knowing someone, investing in them, and seeing them change and they feel the effects too.

We all need to be awakened from being the living dead, to a state of constant awareness of our body and all our senses and the surroundings around us, the people around us. People as a whole are hurting so deeply, and I believe that one person can in fact change that. All it takes is one [broken] person to spark the flame and soon, others, much like kindling for a fire, will catch ablaze. I believe, that we must allow ourselves to climb into another person’s skin and feel, and see the world as they do.

We must realize that we are no better then one another, for we are all broken and need one another. I believe that no one is hopeless, no one a lost cause, for if we take the time to listen to them and care for them, something in them will change no matter what we may see on the outside. In this investing and caring, listening and feeling, seeing and believing, we will awaken in both the people around us and in ourselves the dreams which we thought for so long to be dead, and the world will see change like it has never been seen before in history.

I’m not saying that I have any of this down pat, I’m not by any means a model for not judging someone and seeing them and hearing them. If anything, I am the complete opposite of this consumed in my own problems and too busy to stop and feel. This is my apology of some sort to those i have hurt, and giving recognition to those who have helped me along the way. So thanks for believing in me. I believe that it’ll take some time, but that I can and will gradually change into someone who is aware of people around them, someone who is awakened. Even when my actions, are completely opposite of everything I’ve just talked about, there is still a part of me that is quietly reminding me to humble myself and see myself for who I am, no more, no less, and then see others for who they are. Somehow, I’m going to get to where I want to go, and I’m going to become who I want to become, I just have a lot of judgmental ideals, preconceived ideas, bitterness, pain, and self-absorption to leave behind to step into who I want to become. So I’m going to commit to this journey even if it means sometimes the only thing I can do is just be, in my failures and my success, and even when the pain seems unbearable, it is my deepest desire to stay on this path. I want to change and help the people around me, but before I can do that I have a lot of work to do.
This looks much better when it's formatted, I didn't have the time to go through and make everything look "pretty." If you want to view this when it's formatted go here..

http://themachineryofthenight.blogspot.com/2010/02/10508.html
James Wisp Sep 2011
This life, although startling in its brilliance,
remains confined to the electrical shadows
cast on the walls of our brains.

Do you ever feel…
no, no, no
not feel.
Well maybe feel...
or sense…
that everlasting something

sometimes off in the distance I can see…

I’d love to take my hands
and, like the meaty instruments they are, dance
sweet symphonies up and down
your body.
Your mysterious mountains I wish to see closer
to land my ***** machine
among majestic silver seas and
strange beautiful grass of green.

I would use my subtle touch to say
what I couldn’t any other way and
drag you down to the depths.

But things are not so simple
in life
as in our thoughts,
nor so rough
as our poor idiotic language.

Every hand, give me your hand.
I’ll talk to you, you wont understand.


These electrical shadows cry at the ultimate,
but our mere conception shames it.
Like the dream tigers we desperately try to craft
they continue to disintegrate
like the castles made of sands,
rocks piled on rocks
reaching for the stars.

The firmer the hold,
the quicker it slips away.
“Just try squeezing the truth from water,”
the angels sing to me in my sleep.

And it’s the love of dreams
which is so greedy for recognition
swiftly performed in the sight of all.

And it’s the waves I feel…
well maybe not feel.
And I wanna say “*******”
because I still love you.

I sense…
well maybe not sense…
And I feel
my soul being slit up as if by a razor.
frenzied but beautiful and
an awful ambiguity grinning over it all,
cackling out the Tao’s opening words,
lukewarm to the point of being
enigmatic,

“The truth that can be told, that is no eternal truth.”

I guess after the laughter, then comes the tears.

*******, Lao Tzu
and your ****** ancient wisdom.

Why you staring at my finger when I’m pointing at the moon?
I got nothing at all.
The center, unapproachable
forever.

You’re willing to die you coward
but not to live.

*Love life more than the meaning of it.
...and they even dare to dream that two parallel lines,which according to Euclid can never meet on Earth, may meet somewhere in infinity.

— The End —