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sarah s Jun 2017
im a lot like kurt cobain
when i am done writing something that seemed beautiful as i formed it
i begin to really depsise it
i am a lot like kurt cobain
overly humble, a bit too sensual
i am a lot like kurt cobain
i speak loudly but i talk slowly
i am a lot like kurt cobain
i am mild, and peaceful
i am a lot like kurt cobain
i dont have a gun
i was inspired to write this when listening to "come as you are"
emmaline Apr 2016
Kurt Queller uses narrative criticism to analyze Mark 3:1-6, the healing miracle story in the gospel of Mark.  Queller’s narrative criticism includes “echoes of the Exodus liberation narrative” , echoes of Deuteronomy’s covenant language and Sabbatical provisions , intratextual echoes in Mark , and independent echoes in the other synoptic gospels.  Queller uses these echoes to fill in the gaps he finds in the story of Jesus healing the man with the withered hand on the Sabbath.
In the beginning of his criticism, Queller lists the gaps in Mark 3:1-6’s narrative that he seeks to fill: the meaning of the withered hand, Jesus’ reason for healing on the Sabbath, His reason for considering the withered hand life-threatening, why it is a choice between good and evil, et cetera.  He begins filling these gaps by referencing intertextual echoes of Mark 3:1-6 in Exodus.  Jesus’ command to the man with the withered hand in Mark 3:5, “Stretch out your hand,” is echoed in Exodus 14:16 where God commands Moses, “stretch out your hand.” When the man with the withered hand stretches out his hand, his hand is restored. Likewise, when Moses stretches out his hand, the Reed Sea parts, resulting in the restoration of the Israelites’ freedom.
Queller’s reference to this echo in Exodus, paired with other echoes he mentions in Deuteronomy, helped me begin to understand Jesus’ insistence on healing the withered hand. Queller was able to use the echoes to fill in the gaps I previously could not fill. In Deuteronomy 15, God’s covenant requires liberal lending and debt forgiveness to the poor on the Sabbath year. God reminds the Israelites that He delivered them from Egypt in verse 15, and He claims that this is the reason for His liberal Sabbatical law. Thus, this Deuteronomic prescription for Sabbath observance is a continuation of the Exodus liberation narrative. Queller mentions these echoes in Exodus and Deuteronomy to draw a larger narrative framework for understanding Mark’s controversial healing story.
In my initial reading, I recognized that a withered hand is not necessarily a matter of life and death. Like Queller, this was a gap that I initially set out to fill. However, I was unable to fill this gap in a way that completely satisfied my confusion on the matter. Queller’s larger narrative framework for this passage led me to a better understanding of why Jesus considered the withered hand worthy to heal on the Sabbath.
According to Queller’s filling of the gaps, the withered hand is an affliction that can be compared to the Israelites’ enslavement in Egypt. The withered hand also embodies the economic predicament of the poor, who remain enslaved to their debt to the rich.  Such enslavement could be a death sentence, which is why the Sabbath requires the liberation of slaves and debt forgiveness of the poor. It seems plausible to me that a withered hand could cause a man to be enslaved and/or perpetually poor. This line of reasoning, provided by Queller’s larger narrative framework, allowed me to truly see how the Sabbath could require Jesus’ healing of the withered hand.
Another gap Queller and I similarly set out to fill is the question of what constitutes as doing good and what constitutes as doing evil on the Sabbath. This gap also arises from Mark 3:4, in which Jesus asks, “Which is lawful on the Sabbath: to do good or to do evil, to save life or to ****?” (Mark 3:4 NIV). In his analysis of this particular part of this particular verse, Queller points out a small important detail that I originally missed. Mark 3:4 does not set the frame for a passive, inner choice between good and evil.  The literal wording says, “to do good or to do evil.” The choice between good and evil on the Sabbath thereby requires action.
While recognizing that required action is problematic for the restful nature of the Sabbath, Queller supports his assertion by referencing Deuteronomy 30. Deuteronomy 30’s prescription for obedience of the Sabbath repeats the active command, “do it.”  Queller illustrates the parallelism between Mark and Deuteronomy by placing Deuteronomy 30:14 and Mark 3:4-5 in a figure side-by-side.  Deuteronomy 30:14 says, “The word is very near to you, in your mouth, and in your heart, and in your hands, to do it.” With this commandment as the framework, Mark 3:4-5 spells out the Pharisees’ failure to do good; It says, “But they were silent . . . grieved at their hardness of heart, he said to the man: ‘Stretch out your hand.’ And he stretched it out.”
From this, Queller concludes, “The ‘word’ to be done is already ‘in [their] mouth’ – but they refuse to say anything in response; it is ‘in [their] heart’ – but their heart is hardened against it. It is ‘in [their] hands, to do it’ – but as Jesus turns again to address the man, our attention is directed back to an inert hand, that, in its current withered state, seems unlikely to do anything.”  From this I am now able to conclude that which constitutes as doing “good” on the Sabbath is acting on the word. The word is completely accessible to us, and we must use our mouths, hearts, and hands to act upon it.
This gap of good and evil action that Queller helps fill also provides further evidence for the necessity of Jesus’ healing of the withered hand. Since the hands are required to carry out good action in obedience of the covenant, the withered hand is an affliction that can breach said covenant. Queller asserts that the withered hand symbolizes “the tangible embodiment of [the Pharisees] unwillingness, despite the ‘nearness’ of the word, to do it.”  Jesus, by necessity, must heal this affliction to show the Pharisees how to act according to the law of the Sabbath; “The stretching out of the hand then becomes a ‘witness against’ those who have chosen to forgo or even prohibit action because of exclusively sacral concerns.”  Without the preceding narrative frame of Deuteronomy, such significance of the withered hand for the Sabbath covenant was impossible for me to comprehend.
Though Queller is certainly helpful in providing evidence that enables understanding of the withered hand’s significance, there are parts of his criticism that I find contradictory and unhelpful. This occurs when he references echoes in Exodus and Deuteronomy to provide a framework for understanding the Pharisees’ silence in Mark 3:4 and hardness of hearts in Mark 3:5. He first relates the Pharisees’ hardened heart in response to Jesus’ plea in Mark to the Pharaoh’s hardened heart in response to Moses’ numerous pleas in Exodus. In my concordance work, I also made this connection. However, Queller and I differ in the conclusions we draw from this observation.
Queller draws from Deuteronomy to provide framework in conjunction with Exodus for understanding Mark’s interpretation of the Sabbatical law. He references Deuteronomy 29:19, which warns against thinking one can receive the blessings of the covenant while breaching it in the inner wanderings of the heart. This passive infidelity of the covenant brings God’s curse to the innocent as well as the guilty. Queller uses this context to explain why his literal translation says Jesus “co-aggrieved”  with the Pharisees because of their silence and hard hearts. The Pharisees’ passive, inner breach of the covenant invoked God’s curse on them, as well as the innocent Jesus, according to Queller.  
When I analyzed Jesus’ reaction to the hard hearts of the Pharisees in comparison to God’s reaction to that of the Pharaoh, I realized that the same Greek word was used to describe Jesus’ anger and God’s wrath. However, the consequences of Jesus’ anger and God’s wrath do not relate as clearly as Queller would lead one to believe. As a result of the Pharaoh’s hard heart, God’s wrath leads to the Pharaoh’s ultimate demise. Jesus’ resulting anger from the Pharisees’ hard hearts, on the other hand, catalyzes his decision to heal the withered hand. This action ultimately leads to Jesus’ destruction alone. Jesus, the innocent character, does not fall to the mutual destruction of the Pharisees, per Queller’s argument. I see no destruction of the Pharisees at all. Instead, Jesus restores God’s blessing of the guilty by becoming the recipient of God’s wrath in their place.
This conclusion, though differing from Queller, is consistent with his interpretation of the withered hand. Queller writes, “The withered hand embodies covenant curses invoked against those refusing to ‘open [their] hands’ in liberal lending, instead killing the poor by freezing credit in view of an impending sabbatical debt amnesty” . If the withered hand embodies God’s curse against the Pharisees, then Jesus revokes this curse when he cures the withered hand. Furthermore, the larger narrative framework of Mark’s gospel echoes this conclusion. Jesus’ crucifixion ultimately pays the debt of sinners and liberates them from God’s wrath.
Kurt Queller’s narrative criticism uses intertextuality, a narrative tool that “evokes resonances of the earlier text beyond those explicitly cited”  and “requires the reader to recover unstated or suppressed correspondences between the two texts.”  Such intertextual echoes he references from Deuteronomy and Exodus provide a larger background for interpreting Mark’s healing controversy. This granted me the ability to fill many gaps in the narrative that I was unable to fill prior to reading Queller’s criticism. In a footnote, he explains that his “metalepsis” uses such intertextual echoes for analysis, and, “In narrative, the resultant new figuration operates at what Robert M. Fowler calls the ‘discourse level.’ Metaleptic signification is thus transacted between an implied narrator and an implied audience – as it were, behind the backs of the narrative’s ‘story-level’ participants.”
The intertextual and metaleptic tools that Queller uses for his narrative criticism have proven to be very insightful and helpful for my understanding Mark 3:1-6 in an entirely new way. Even as I disagree with Queller on certain parts of his argument, these points of disagreement pushed me to deepen my own individual reading of the text. In comparing my argument to Queller’s, I realized just how far my initial interpretation was able to go. This narrative criticism answered a lot of my questions and filled many gaps. However, most of my conclusions about the implications and ultimate consequences of the text remain unshaken.  
Bibliography
Queller, Kurt. “Stretch Out Your Hand!” Echo and Metalepsis in Mark’s Sabbath Healing Controversy. Journal of Biblical Literature 129, no. 4 (2010): 737-58.
This is a narrative criticism in conversation with Kurt Queller's criticism. The in-text footnotes didn't transfer to this website but all quotes are referencing his work, which is cited at the end.
Karl Kamea Jul 2013
Travis Bickle and Kurt Cobain
are sitting in a Diner
and drinking coffee.
"I couldn't take it anymore", says Travis
"so I went in there and shot them all."
Kurt silently drinks his coffee.
"Life has a tendency to kick you in the *****
every chance it gets.
", Travis sighs.
Kurt takes a bite from his
apple pie
and flushes it down with some more coffee.
"The hole in my neck
still hurts sometimes.
", Travis continues.
"Man, that really hurt."
Kurt throws a few bucks
on the counter and
slides down slowly from his stool.
"******' *****.", he whispers
as he leaves the diner.
The waitress takes the money
and moves on to the kitchen.
Her name is Chantalle.
She has breast-cancer
but does not know it yet.
Life has a tendency to kick you
whether you have ***** or not.
One day I will depart the train at a station without a name,
Pull emergency cord and take the plunge thru parted doors.
I'll pack no suitcase or bindle, in my head young, free and single,
I will be a living swindle - wherefore art prat poet of before?
New job doing something I've shown no interest in before,
Change my name to 'Neville Moore'.

I'll do a Reginald Perrin, leave red herring threads at Sherring-
ham, then dice-rolled palookaville of new self I shall explore.
When Palookas call me Neville, they won't see this wasted rebel,
But numpty Neville, on the level, who misplaced his wasted days of yore.
Amnesiac clerk stoical over mist-shrouded days of yore.
Only knew my name was Neville Moore.

Neville will moonlight at night-school, pick up a trade that's practical,
In minimalist digs post-dossing on unforeseen saviour's floor.
Time's sandstorm obscures lyrics, John Doe-penned hieroglyphics
- lost soul Lysander's from Norwich. His mind shut like a shoved closed drawer
To Poesy's Pandora's box of ******* in indigo iron drawer
In Norwich. No bones to Neville Moore.

Neville will be a straight arrow, nice chap whose mind is narrow,
Tepid tryer temping at call-centre, lockjaw forevermore.
The blandest of mystery men, what was Neville's name again?
Man with no memories blends in; my dead ringer, stunky, strong-jawed.
Eye-witness testimony of 36 years will gladly be abjured
- done myself good deed poll: Neville Moore.

I'll  abscond so left Lysander might be eternal loose end, the
Inner poltergeist confined to an indigo iron drawer.
Tomorrow I'll do a John Stonehouse bog-snorkelling, a grandiose
loser who fled being infamous in his own dinnerhour, a bore
Unto myself.  I'll abandon ship,  then life will be less of a bore,
Being much more boring Neville Moore.

And I'll meet a girl called Sybil, Palookashire an idyll,
Where a man with no past can just wash up upon the shore.
For if child is father of the man, Neville'll be an upbeat orphan!
Labels torn off the clothes from Oxfam what Memory's Outlaw wore,
Newfoundhometownbound Mister X such clueless clothes wore,
Clean the pockets of Neville Moore.

Sybil won't be the type to probe, at night she'll pop her Zopiclone,
Cuddle up to normal Neville, earnest the embrace of average amour.
We will rent a little bedsit and expend a lotta effort
To make our place seem white-picket-fenced, tho'  we resided on 3rd floor.
Down updrafts of Fate, untempted to faceplant from the 3rd floor
Is plain ol' sane ol' Neville Moore. 

No temptation, but something racing, the unexplained midnight pacing,
And murmurs in Nev's sleep there's reams in an indigo iron drawer.
But in daylight we'll have daughter, from nowhere the name 'Cobania'
(Nev wouldn't dig Nirvana, fin de siecle scream's aural chore,
nihilistening not for Neville in zen of playful household chores).
Shrug-a-lugs of numb Neville Moore.

Neville wouldn't get promotion, Neville doesn't have much gumption.
Frankenstein's **** domesticus by design, Nev's a swollen snore.
Lice would have mocked, 'Call this living?' Lice is dead, would always give in
To windmills' wheeling withering, watched like a raven, set no store
In what life we have worth living, which is what life life has in store
For unquestioning Neville Moore. 

Neville, don't be snarling slave to snafus by another self made,
Be complete now the only piece is the missing piece of the jigsaw.
Radio receives no 'roger', they won't see Cobania as a toddler,
But for famalam, there's succour: lines left in indigo iron drawer.
For Lice did leave literally living will in indigo iron drawer:
Poem entitled Neville Moore.

Nev and Sybil will have ups and downs, in facades cracks gouge frowns;
Castaway's fury in his eyes curdles Florida coleslaw.
I don't need Sybil's mithering, I mean 'Nev' dint, thinking about writing
- did we do Jack Nicholson in 'The Shining', too nuts too soon in Neville Moore?
Polter-Lice rattling in indigo iron liar's den re Neville Moore's 
Writer's shock swan-song for Neville Moore.

And sweet phantom Cobania, I hope she ends up saner
than her Canoe Man old man, sent reeling by subconscious southpaw
Of split personality punch-ups,  one-man-band fight clubs,
punchdrunk on bad self burps, tho' he burped Cobania with awe.
Pneumatically patting doting dad, errant soon so overawed
By humdrum Heaven, Neville Moore's.

Witness protection program to hide me from self-hate's hitman,
But Miltonic Satan's heart held Hell, for killer within is law
Unto himself. Thus phoenix photo album of my alter ego
To ***-end before Year Zero was burnt down, act of soul at war.
Greener grass scorched earth, everyman Eden sacked by selves at war,
Lysander negging out Neville Moore.

His ship's sailed ment'lly down the toilet - can't see the dream, it's ultraviolet!
Sybil wagging her finger with ****** of a fishwives' wappenshaw.
Cobania's cantankerous tween, Nev hears fin de siecle scream
- call the toilet 'Kurt', it's flushing the dream! Behold:  tombstone beneath 
                                                        ­    a sycamore,
Man from nowhere nowhere now beneath suicide's sycamore.
Quoth the engraving, 'Neville Moore'.

Beneath me to quote Ocean Colour Scene, beneath sycamore willow-leaned,
But day I caught train derailed: no malaise of glory, Anon no more.
Cobania in black with ***** highlights will grieve Daddy on the quiet;
Sybil indignant that the senseless,  existential eyesore
Option all her lost-and-found, found-and-lost, haunted hubbie saw.
Quoth the engraving, 'Neville Moore'.

Nev won't see Cobania grow up: she doesn't exist - s' good job!   
Yet I'll miss driving lessons and wedding, even if shaggy dog's dewclaw
Scratched itself out, vestigial scythe: Neville was never alive.
But this 2.4, 2.0 narrative smelted indigo iron drawer.
Cenotaph recast as mask, new visage's vista dark as in a drawer
Now quoth the engraving, 'Neville Moore'.

After Poe's misnomer, well, misnumbered: one short, 17 stanzas  
Ironically encode birthday of old dud cub who overroars
Last-ditch striped leopard, tame un-me. Lord Lucan, he WAS lucky
-  there's freedom in fake ID! But Neville grew sick, sick of me no more
Now as one two selves expire, same sigh of relief 'low sallow sycamore:
Thank **** Lice is nevermore.
My birthday is 17/05.
Adrianna Perez Jul 2014
April 5th 1994- Kurt Cobain dies
April 6th 1994- The President of Rwanda Dies
April 7th 1994- Kurt Cobain's body is found
April 7th 1994- A genocide begins.
Neighbors take arms against neighbors
People he once shared a sandbox with now hold a machete to his neck
Heads roll- literally
Babies cry out to their mothers who lie there choking on their own blood
Girls who 2 days ago were playing house with their dolls, now take care of their whole family
Screams of pain from girls who's innocence is taken from the man who used
           to bounce them on his knee.
Gathered in the place where God is supposed to be
Hundreds are murdered ruthlessly.
Guns not pointed at their heads
But clubs that smash them in.
Achilles' heels slashed
These men drink and feast and sleep
Over the screams of their victims
Babies born 9 months after these men took something that was not theirs to
           take
A physical representation of all that is evil and hatred and pain
She tries to love them anyway
But she sees him in them
He has daddy's eye
She has her fathers nose
She sees them in the way he looks at her when he's hungry
As if she is just there to quench that thirst with her body.

The whole word is split in 2
Nobody is Rwandan anymore
You are Hutu or Tutsi
Short or tall
Human or vermin.
The dead among the living
Sometimes I can't tell which is which
Until I see it
That sparkle of hope in that one man's eye
Because the human spirit will never die.
The father of his best friend tortured and murdered his mother on their
           front lawn.
Orphaned and afraid,
He cannot stop
He cannot slow down
He cannot give up
Because ***** Kurt Cobain
he has to tell the story of what really happened that day
Rwanda April 7th 1994
This is a spoken word poem that I wrote about the Rwandan Genocide that began on.... you guessed it April 7th 1994. Because it's a SPOKEN WORD poem I will eventually make a video of me SPEAKING it and post the link right here--->>> https://www.youtube.com/watch?v=MKMoL-SXMDc
Vince Chul'Theg Jun 2013
Life can be painless
Provided there is sufficient
Peacefulness

For a dozen or so rituals
To be repeated simply
Endlessly

Your genius does not fail you
It allows you to understand the
Truth of the situation;
Which makes you--at times--
more tragic than ever

And your genius,
like all geniuses
Suffers periodic fits
of monumental
naïveté
Hi-**

Listen:
Where is Grace
When milk and blood
Are about to be added
To the composition of the
Stinking ping-pong
***** being manufactured
In Grand Rapids?

Schizophrenia
The sound and appearance
Of the word fascinates

It sounds and looks to me
Like a human being
Sneezing in a blizzard of
Soapflakes

This much we know:
You made yourself hideously
Uncomfortable by not narrowing
Your attention to details
Of life that were immediately
Important

And by refusing to believe what
Your neighbors believed
Hi-**

Let your imagination continue
To be the flywheel on the
Ramshackle machinery of the truth.

But not the ‘awful’ truth

The ‘beauty’ in truth

Because we are a part
Of a system that is very
Restless,
With people tearing around
All the time

Every so often,
somebody stops to put up
A monument

Ours is a country where
Everybody is expected to
Pay his own bills for
Everything,
And one of the most
Expensive things a person
Can do is get sick

Grace:
Because if we stay here
We’ll do one of two things
(or both!)

Build a Commune

Or do like Collin Heise did:
Make the main thing that we
do be this:
Move seventy-eight
Thousand pounds of olives
To Tulsa, Oklahoma

Even if we can’t
Improve the quality of our surroundings
We’ll do our best to make our
Insides beautiful instead

Piebald Roadtrip-writing, baby
Hi-**

You are the turtle
able to live anywhere
even under water for short periods

With your home on your back

A particular comfort in
Realizing that it so often feels
There is no order in the
World around us

That we must adapt ourselves to
The requirements of
Chaos instead

Remember:
We are healthy
Only to the extent that
Our ideas are
Humane

To you
To me
To ourselves
To We
Hi-**



*Inspired by the words of Kurt Vonnegut in "Slapstick" and "Breakfast of Champions"*
Sparkling petals slice through feet of wanderers
Dashing hopes and slitting tendons

Each day she visits
Sprinkling books and soda-filled sponges among the wire vines.
The sizzles excited her
And she smiles in spite of her sizzling feet
Pleased in her harmless sabotage.

The suffocated earth shutters beneath
Layers of circuit boards, damp and rotting
Steam rises from the core
And crinkles the pages of
Jane Austen
Dr. Seuss
Kurt Vonnegut. Her mother’s journal from pregnancy.
Sam Conrad Jan 2014
I hope
I don't
End up
Like
Kurt Cobain
'And when was this? I dunno, I dunno:
like everything else, twenty years ago.' - August Kleinzahler

I
Whosis slunk next to the rastamagnet
dj booth, in a limabeanhued suit
jacket, limabean sleeves rolledup to
deploy albino ancons for jostling.
II
My ****** lungs ached; gluttonous Venomised
pelicanbills. Cig o' no mercy, cig of life.
Serpivolent smoke is nicocreaming
ceiling of this dive Dasein dosses in.
III
Unrequiting snoutcloud of her chuffing
form siffles thru her mousy enamel.
'Light reflecting booster technology',
advertising Boswellox, scents her hair.
IV
Male Black Widow Complex boings in my brain,
as the vogueress exits conceivable zone
of address. Yet she cigawrenches
my stalking thoughts across the pumptup ballroom.
V
O those farouche salad nights following
swotting up in the humid Octagon!
Male Black Widow Complex, th'always boinging,
lidded by lemony orange lager.
VI
I crashed Crasherkid frabble, rocked to
DJ Shoppinghour feat. MC Niche Jah.
My Sax Pustules & Dead Kinnocks LPs
accusingly mouldered in my heart.
VII
Crasherkids twatted then, dated now, now
grooveriders haggard. But time was the thud
of arterial Cherry7up
was the dub of their youthful BPM.
VIII
Triptown beefnecks w/ classic legoman's
Acid House ecaf (before e-cafes
had come & gone), mandy stag party.
I still slow my pace at their fearless napes.
IX
The rock club had delusions of grunger,
crush at the bar was lumberjack cubism.
Era of Jingajing-chicka-jing-jing Kurt,
anno domudhoney, left a zeitgash.
X
& in the goth club, cadavolescent,
guylinered Xennials listened to
Placebo, but poo-pooed manginas.
Identi90s: genres, not genders.
XI
Blotto elbows on sudsy bar, I cross
lanky barkeep's gulchy palm w/ nugget
for latest in a lost count of snakebites.
Streak of **** is a broom in a skinnytie.
XII
'I'm hyperboring as much as you!' quip I
to a cheetahthinking softdrinker.
There'd be no ruction if pickled franion
spilt his Tab Clear Kaliber, H2ooze.
XIII
Yestreen's teen mums of teen mums, renubile
on the glash. Simuladies who soft soap
saps to buy them...a drink, QVCexy.
If shopgilfs surrender the goods, QVChy.
XIV
Whosis, tattie-bogie of the floor,
turned Turok w/ liebestorschlusspanik.
But his limabean lines are jejune, even to
zirconia Zsa Zsas on the zhelf.
XV
Whosis, lima green last chancer, I'm a
aphroluddite like you. Both crud dancers
too, corybantersauruses. It's all
smoke 'n' mingers & we've got lunge cancer.
XVI
'There's a party on the hillside, would you like
to come? Bring your own cup & saucer
& your own cream bun!' Friends joyride
home dead, so ride dead joy home alone.
XVII
Simian, simulacrum, something for
the weekend, sir? Or are weekends just for
something before ip dip dogshit
******* ******* silly *** meet the kids then what?
XVIII
Stereotripe, not Stereospeare, yet unknown
plexors would kick in. Or was it the joypop?
Popliteal self on higher neon knees,
Mother Brown's got nothing on me!
XIX
Anansesum of my fancy footwork,
Bez in blossom under tiger strobe.
Chemical cochise, call me 'Tarantulip':
totem, tarantism, bruxism, bloom.
**
Yeah, I liked DJ Offroseanne before
the coward sounds of Simoncowellland
killed Cool. Taxi for the Corpse of Cool/
fetch your coat, love, you've pulled the Corpse of Cool!
XXI
Since the ears dot, aural laurels were hot.
& the beat authenticity lays down
is still the drill sergeant instrumental
that leads blind zeit pipers of all pied geists.
XXII
Lima bean fugue, forearm flash, Dear John tats.
Nocturnal vernal mental of the comeup
becomesdown w/ no summerlove, bad trip
(Raggaman Kafka say 'Uneazee Dreamz').
XXIII
'Taxi Driver' cinematography,
neon printcest of clubland signs dimmens.
Pick up your tuttifrutti braindamage
- time to go home, hungover twichildren.
http://www.pilkipedia.co.uk/wiki/index.php/Boswellox
Nastia Armilde Aug 2014
My heart is broke
but I have some glue.
-Kurt Cobain
olivia Jul 2017
He drives a gray Subaru

I get in the passenger seat
He turns on nirvana
I don't want to
But I can't
Help it
I begin to weep
He asks what's wrong
I can't explain
He turns it off
I thank him
Until
Radiohead
Water falls from my eyes once more
I shouldn't be in this car

I should be riding my bike beside yours
writeboutlove
S May 2013
Kurt Cobain
Well-known name
Well-known face
Well-known voice
Well-known story
But
Not a well-known soul
A smart,
Intelligent,
Determined,
Self-hating soul
A sad, sad soul
Who's pain and anger and sadness
Caused him to make the most permanent decision
A person can make.
Nathaniel morgan Dec 2014
Adolf ******
Watch this page
"******" redirects here. For other uses, see ****** (disambiguation).
Adolf ******

Adolf ****** in 1937
Führer of Germany
In office
2 August 1934 – 30 April 1945
Deputy
Rudolf Hess (1933–41)
Position vacant
Preceded by Paul von Hindenburg
(as President)
Succeeded by Karl Dönitz
(as President)
***** Chancellor of Germany
In office
30 January 1933 – 30 April 1945
President Paul von Hindenburg (until 1934)
Deputy
Franz von Papen (1933–34)
Position vacant
Preceded by Kurt von Schleicher
Succeeded by Joseph Goebbels
Leader of the **** Party
In office
29 June 1921 – 30 April 1945
Deputy Rudolf Hess
Preceded by Anton Drexler
Succeeded by Martin Bormann
Personal details
Born 20 April 1889
Braunau am Inn, Austria-Hungary
Died 30 April 1945 (aged 56)
Berlin, Germany
Nationality
Austrian citizen until 7 April 1925[1]
Citizen of Brunswick after 25 February 1932
Citizen of the German ***** after 1934
Political party National Socialist German Workers' Party (1921–45)
Other political
affiliations German Workers' Party (1920–21)
Spouse(s) Eva Braun
(29–30 April 1945)
Parents
Alois ****** (father)
Klara Pölzl (mother)
Occupation Politician
Religion See: Religious views of Adolf ******
Signature
Military service
Allegiance German Empire
Service/branch Bavarian Army
Years of service 1914–20
Rank
Gefreiter
Verbindungsmann
Unit
16th Bavarian Reserve Regiment
Reichswehr intelligence
Battles/wars World War I
Awards
Iron Cross First Class
Iron Cross Second Class
Wound Badge
Adolf ****** (German: [ˈadɔlf ˈhɪtlɐ]; 20 April 1889 – 30 April 1945) was an Austrian-born German politician and the leader of the **** Party (German: Nationalsozialistische Deutsche Arbeiterpartei (NSDAP); National Socialist German Workers Party). He was chancellor of Germany from 1933 to 1945 and dictator of **** Germany (as Führer und Reichskanzler) from 1934 to 1945. ****** was at the centre of **** Germany, World War II in Europe, and the Holocaust.

****** was a decorated veteran of World War I. He joined the German Workers' Party (precursor of the NSDAP) in 1919, and became leader of the NSDAP in 1921. In 1923, he attempted a coup in Munich to seize power. The failed coup resulted in ******'s imprisonment, during which time he wrote his memoir, Mein Kampf (My Struggle). After his release in 1924, ****** gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, antisemitism, and anti-communism with charismatic oratory and **** propaganda. ****** frequently denounced international capitalism and communism as being part of a Jewish conspiracy.

******'s **** Party became the largest elected party in the German Reichstag, leading to his appointment as chancellor in 1933. Following fresh elections won by his coalition, the Reichstag passed the Enabling Act, which began the process of transforming the Weimar Republic into the Third *****, a single-party dictatorship based on the totalitarian and autocratic ideology of National Socialism. ****** aimed to eliminate Jews from Germany and establish a New Order to counter what he saw as the injustice of the post-World War I international order dominated by Britain and France. His first six years in power resulted in rapid economic recovery from the Great Depression, the denunciation of restrictions imposed on Germany after World War I, and the annexation of territories that were home to millions of ethnic Germans, actions which gave him significant popular support.

****** actively sought Lebensraum ("living space") for the German people. His aggressive foreign policy is considered to be the primary cause of the outbreak of World War II in Europe. He directed large-scale rearmament and on 1 September 1939 invaded Poland, resulting in British and French declarations of war on Germany. In June 1941, ****** ordered an invasion of the Soviet Union. By the end of 1941 German forces and their European allies occupied most of Europe and North Africa. Failure to defeat the Soviets and the entry of the United States into the war forced Germany onto the defensive and it suffered a series of escalating defeats. In the final days of the war, during the Battle of Berlin in 1945, ****** married his long-time lover, Eva Braun. On 30 April 1945, less than two days later, the two committed suicide to avoid capture by the Red Army, and their corpses were burned. Under ******'s leadership and racially motivated ideology, the regime was responsible for the genocide of at least 5.5 million Jews, and millions of other victims whom he and his followers deemed racially inferior.

Contents
Early years
Ancestry
Childhood and education
Early adulthood in Vienna and Munich
World War I
Entry into politics
Beer Hall Putsch
Rebuilding the NSDAP
Rise to power
Brüning administration
Appointment as chancellor
Reichstag fire and March elections
Day of Potsdam and the Enabling Act
Removal of remaining limits
Third *****
Economy and culture
Rearmament and new alliances
World War II
Early diplomatic successes
Alliance with Japan
Austria and Czechoslovakia
Start of World War II
Path to defeat
Defeat and death
The Holocaust
Leadership style
Legacy
Religious views
Health
Family
****** in media
See also
Footnotes
References
Citations
Sources
External links
King Panda Nov 2015
I have a painting of a purple-haired
kurt cobain hanging in
my bathroom so I can feel the
nostalgia of being a broken
head shadow
put in a
anechoic heart-shaped box
a dream split inside myself
halved and halved
again
like I’m living on a tiny
blue sun stuffed in a jar
filled with vinegar
shooting speedballs
in a lukewarm bubble
bath
Erica Chen Aug 2010
It’s the middle of the day,
and I am drunk. Without a
drop of Alcohol, not a smell
of any Wine. The sense of
being sober completely give
in once I have him in mind.

I’ve found myself miss you a lot today.

I thought I heard the gunfire,
the deep crack on his smile, I
thought I saw it, when the
bullet took the temperature
away from him, I can feel,
my earth is crashing down.

You’re the best dream I’ve ever had.

Be not afraid of the Death, he
said, we’re born to be ruined.
They would curse you for the
leaving, but what can they do
– to **** you again after you died?
He grined, with tears in his eyes.

Contagious, contagious, contagious
I am writing a Series Poetry about " the 27 Club " people.

And of all, Kurt Cobain is the one I feel Connected the most.
Hope White Sep 2018
My youth was short and blurred.
I imagine it felt like the last few moments of Kurt Cobain’s life;
All light and no color.
Though I was born a winter baby,
Summers irrevocably held my heart.
They tasted like the sunscreen that dripped
onto my chlorine-damp lips
And smelled sweet like the honeysuckles
That strangled the Forget-Me-Nots,
Whose roots twisted between the cemeteries
Of our once-pets beneath.
Mary Winslow Oct 2017
The red maple tree
was a chord you set down
planted at the edge of the lawn
when I was born

you said it was
for the butterfly catcher
who will grow up
to gather up the cosmos

I disappointed
by staying low, a shrub no taller than your irises
Your granddaughter
inherited your songs instead
understands tempo
that shapeless country
of time signatures that counts ideas in seeds
She rambles across sheet music
turns that scattering
into the glitter of song

You've crossed the bridge of night
now you are lost in the stars,

You add to the Milky Way
your off-beat insights
still singing poetry
with Kurt Weil, Lenya, and Lees

your words traveling through
the heavens with Mackie Messer
who knifes the mysteries

You give it all verse
counting inspiration in the deep
your genius out there
where the moon's white mask
appears on stage each night
with requiems and prayers
giving stage directions
to the earth below.
©marywinslow2016 all rights reserved. This is also a re-post. I've been going through my poems and re-posting some, deleting others. I miss my father every day. He was the quality and brilliance in life.
Leah Rae Oct 2012
They Are Lost Love Letters. Written & Sculpted, Imprinted On The Palms Of Praying Children.

They Are Hauntingly Beautiful.

They Are The Silence Of The Storm, They Are The Emptiness Of Shallow Graves.

All She Left Was “I'm Sorry” On The Bathroom Mirror In Red Lipstick, She's Said It So Many Times Her Body Is Now Bent Into A Permanent Benediction Of Regret.

He Wrote Five Drafts Of His Suicide Note Crossed Every T, Dotted Every I.

Now They Wear Self Inflicted Scars, Like Road Maps To Their Own Insanity.

It Was Her Palm Across The Diner Table At 3am. Her Skin Like Rose Petals Pressed In Submission, Smiling, Teeth Pulled Taunt Across Her Chapped Lips, Smiling, Telling Me She Hasn't Eaten In Three Days, Says The Sounds Of Her Body Eating Her Alive Helps Her Sleep At Night.

His Eyes, Angry And Blue, Told Me He Put A Down Payment On His Coffin Today. He'd Been Saving His Pennies For Five Years Now, Don't Tell Me This Wasn't Premeditated.

It Was The Way Her Body Vibrated Aching In Every Joint, Throbbing, Screaming Into Herself So Loudly Her Palms Shook. On The Way To Work In The Morning, Says Sometimes She Can Hear The Wind Whispering To Step In Front Of That Train, Says She Can Lick Her Lips And Taste Heaven.

The Way He Wore A Crooked Half Smile, Pouring GunShot After Gunshot Down His Throat. The Sting Reminded Him Of Wintertime In The Midwest, Told Me Could Feel The Tubes Clawing Their Way Down His Throat. Someday He'll Met A Heart Monitor With The Guts To Tell His Mother Sorry For Him, Because He Never Could.

She Filled Her Bathtub With Ice, She Fantasizes About The Layers Of Flesh Shes Been Suffocating In For So Long, Finally Being Numb.

The Way He Begged The Stars To Call Him Home, Closed His Eyes, As His Right Foot Craved The Gas Pedal, Screaming Through This Red Light, So He Can Finally Come Face To Face With The Angry God So Many People Pray To.

She Wanted To Trace The Lineage Of Her Family Tree Deep Into Her Veins, Up The Length Of Her Riverbed Skin, Until She Can Kiss The Underside Of Her Own Touch.

In The Early Hours Of The Morning, He Finds Himself Crawling On Bruised Hands & Scraped Knees, Cradled Against Train Tracks, He Liked The Constant Thunder In His Ribcage, The Promise Of Something So Much Bigger Than Him Dwelling Inside The Body He Has Been Calling Home.

She Wanted To Wrap The Tether Of Regret Around Her Throat, Ring Her Lungs Breathless, Tighter, Tighter, Until The Time Between The Rise And Fall Of Her Chest Felt Like Centuries.

He Stood Face To Face With A Motionless Sky, A Shade Of Grey So Empty He Could Feel It Ache Inside Of Him. It Begged Him To Step Forward, Just Inches, The Call Of The Void, Bridge Jumper, Harlequin Lost Lover, So Close, So Close.

She Held The Barrel Of Life Between Her Lips, A Fine Line Between Here And There. Shes Walking A Boundary Built In Her Blood. It Doesn't Hurt Yet. A Trigger Happy Hand, Palms Sweating, Shes Counting Down In Her Head, 3, 2, 1,

He's Got “Wide Awake” Written All Over Him, The Bottle Says Take One, But He's Got 53 In The Palm Of His Hand, She's Got Gasoline Seeping Into Her Skin, The Smell Of Smoke Has Never Been This Strong.

They've Been Journaling Their Lives Deep Into Leather-bound Notebooks For Someone To Remember, They've Swallowed Their Own Self Pity, Call It Poison.

She  Never Knew I Would Have Used My Fingertips As Windshield Wipers For Her Tears. I Would Have Placed My Open Palms Against His Chest, And Told Him He Mattered, At Least To Me, In This Moment, Brash And Reckless Healing,

They Told Me They Found A Muse In The Lost. Hopeless Melodies, Kurt Cobain. Sylvia Path With Stones In Her Pockets. ****** With Cyanide Tablets And Silver Born Bullets. Anne Sexton With Carbon-Monoxide Lungs And A Padlocked Volkswagen. Marilyn Monroe Silver Studded In Sedatives, Pulled Down Deep, Until There Was Nothing Left. Hemingway With Shotgun Shells Littering His Skull.

To Them It Seemed Like A Right Of Passage. A Last Attempt To Leave This Planet Screaming. A Better Than Goodbye. Something Poetic To Carve Into Your Skin, Or Flip Top Wooden Desk, So Someone Somewhere Would Remember The Name, Because They Were Told Legends Never Die.
This one is real personal. Hope it resonates with you, like it does with me.
So I am about to be a free man again, to wander where I please.

I find the prospect nauseating.

I think that tonight is the night I will hang Howard W. Campbell, Jr., for crimes against himself.

I know that tonight is the night.

They say that a hanging man hears gorgeous music. Too bad that I, like my father, unlike my musical mother, am tone-deaf. All the same, I hope that the tune I am about to hear is not Bing Crosby's 'White Christmas.'

Goodbye, cruel world!

Auf wiedersehen?
A passage from one of my favorite kurt vonnegut books mothernight i just felt like sharing a passage of his if you havent read it then i would highly suggest it as well as slaughter house five
Wilson Jan 2015
Airs : Tuesday, at 20:00 on FOX
Genres :
Actors :

===>>> WATCH HERE FULL ONLINE HD <<<===

Plot Overview :
After Rachel's humiliating failure as TV actress, she comes home to Lima to figure out what she wants to do next. Upon discovering that Sue has banished the arts at McKinley, Rachel takes it upon herself to reinstate and lead the Glee Club. Meanwhile, Blaine, no longer in a relationship with Kurt, has moved home to coach the Warblers while Will is coaching rival Vocal Adrenaline, and Sam is the assistant coach for the McKinley football team.
this TV Shows have TV-14 Certification.

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~Premiere~ Glee Season 6 Episode 1 "Loser Like Me" FULL Episode 6x1
---- Dec 2014
you want to run away,
you want to feel free,
feel wanted,
feel a sense of belonging.
you want to go somewhere that people won't judge you for the aching words you cry out at 3 am,
or forget about you simply because you find bliss in life's simplistic beauty.
you want to travel the world
and meet people who do too,
meet people who's smiles don't outmatch yours but instead make it brighter.
you want to feel like the most careless and careful person out there,
you want to feel like you matter,
feel like it doesn't matter if you don't.
you want someone,
anyone,
to decode some of the nonsense your messy brain paints pictures of
and maybe someone to splatter some of their own onto your canvas too.
you want to argue with someone in an aggresively calm way,
and you want to find someone to make you hurt so painlessly that it's beautiful.
you want to find and utilize every gift you were born with
and to take up useless hobbies that will make you feel alive.
but most of all,
you want to find someone,
something,
somewhere,
to help you rediscover what it feels like to not just exist
but to actually live.
It was confused and dark, dark, so dark,
dark like when Charlie got drunk for the first time, came back, and stumbled-open the door long after Sam had screamed at everyone to leave her the f--- alone.  

And Jesse is standing there, swaying slightly with the beer and the pounding music, and Charlene feels her ribcage shiver with each bass beat.  The pale light oozing off the stage silvers Jesse’s angled face like water, soaks the black shapes around her, pools in each eye as the constant ripple and shudder of the crowd shifts her hips.  Somehow her thin, bare shoulders speak her excitement, and in the dim shuffle of the audience she’s half drunk and lovely.  “You know that calc test is tomorrow,” Charlene screams over the straight roar of chaos. “Don’t remind me! God!” Lovely Jesse laughs and her hand sketches a lazy gun that jerks at her head -- don’t remind me, God don’t don’t don’t --  and Charlene clenches her eyes shut and still that flashes, dark dark dark, her loose-jointed fingers flicking up, twitching in sickening unison with her mocking head, again again again-- don’t remind me, God,
don’t remindmegoddon’t remind megod god oh God,
Sam loved drinking herself sick, stumbling home with her arm ‘round Charlie’s neck, slurring alcohol love and despair to her ‘bes’ fren, besh’ roomate evr, Charlene a.k.a. Charlie.  And “a.k.a.” as Sam loved to call her, was always there to pick Sam up and clean Sam up and sober Sam the **** up.  And every stupid drunk party night that semester she told Charlie over and over again: ‘listen, a.k.a., here’s a funny story: a girl went to buy her mother aspirin cause her mother had a terrible ******* headache and she bought some from her dear second cousin Kurt the cashier who was a trublueblooded Eagle scout mama’s boy back from college, that sonofabitch and she came home, but her momma didn’t have that headache anymore and gave her a mostly delicious popsicle and it was red strawberry, the end.’  And every stupid drunk party night that semester Charlie watched and listened as Sam made up new stories about aspirin (always ending with popsicles).
See, Charlie was always there. Charlie never drank.  And Charlie, she always listened to the stupid f---ing drunk-strawberry-popsicle story.  And Charlie never gave a **** about Sam, did she? She sure didn’t, no, Charlie didn’t.  

“I’m gonna go find the bathroom” Charlie screams into Jesse’s ear and plunges out into the sea of dark shadows circling her.  The door struggles open, then she’s crushing it shut, crushing splinters into her palms, she’s bending over the counter, both hands white-pressed onto its imitation marble, choking down these sharp sparks of nausea bursting like fireworks inside, and the music’s faded out, its just the thud of that ******* drum that pulses over and over and over --god stop it-- fills the room, rattles the stalls, over and over and Charlie’s convinced its a heartbeat, its Sam’s heartbeat, thud thud thud, god its going on and on and pounding, OH GOD, charlie screams, IT STOPPED, no no no no SAM no SAM SAM SAM OH GOD it stopped no no GOD
next song. drum starts again. and the room is inside of the drum, it is the inside, the taut air’s quivering with each beat, taut ribcage quivering with each beat. Charlie is inside a drum. beat beat beat drumbeat heartbeat thud, thud, thud,
god I look awful, Charlie’s looking at her face in the dim vibrating mirror: blue shadows under her dull eyes, pale, dead-tired, dead-drunk, and so f---ing dead-alive,
she goes back to Jesse, wriggling through the black lumps: lovers making out, heavy spellbound listeners, uneasy loners, angry drunks, drunk as-- drunk as Charlie’s first drunk night.

Sam was so ****** that night and Charlie dragged her home to their dorm, sick of Sam’s tangy alcohol breath and her sagging, skinny weight on her shoulder. “I’m sick of your breath, Sam.” sick of it, god Sam, just stop it, wish that breath would go away, I mean,
it was blowing all over my cheek Sam, cause your **** beautiful face was lying on my neck-- that’s why I said that, I didn’t mean that, Sam.

And then you said ‘well, all right Charlie, I’ll tell you a funny story Charlie,’ and I said ‘oh god Sam, not again,’ and you said ‘no, its different this time’ and you said ‘one day there was a little girl who went to the store to buy aspirin for her mom and the cashier took her into the back of the store and hurt her and she came home and told her mom and her mom slapped her and told her to stop talking ***** and shut the **** up and then that little girl’s throat sure did ache, Charlie, even after a popsicle it did. And Charlie, Charlie, a.k.a. Charlene, sure did hate her breath. see, that’s my story and isn’t it a funny story...”
you drop your drunk roommate on the gritty hallway carpet, give her the key say
‘’bye Samantha", goodbye samgoodbye, bye bye Sam, "I’m going to go get drunk don’t be too much of a ***** while I’m gone.’

floormates told Charlie later that Sam screamed at everyone “hey, all you motherf---ers, leave me the f--- alone,” then laughed, slammed the door. and they did leave her alone.
Charlie came back *****-drunk, touched the doorknob and heard the shot, the door opens,
Sam’s falling and Charlie watches her beautiful, bony wrist flick back as she gets blood all over and ruins her face and Charlie sobers up really f---ing fast.  She always was good at that.
There's a note on the desk in Crayola washable marker (purple): "well, a.k.a., I guess I am being way too much of a ***** while you’re gone. you’re welcome. sorry for ******* it all up again as usual"
*Thanks for that Sam, thanks a lot Sam thanks thanks f--- you
I wanted to write a short story in a realistic voice other than mine, so here's a hard, obscene, despairing 20 yr. old?  Its pretty dark... not sure if I like it, but it was interesting and different to write.
“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum
Cassidy Vautier Mar 2014
i popped the 20+ year old disk into the cd drive
as we began to role down the road.
something came alive
in my 35+ year old dad
who screamed along with cobain

after the twelfth song had finished
we sat in a few moments of silence
one of the only real connections
i had ever had with the man

you know,
scott and i were driving to school
on this road in 94'
someone came on the radio
announcing that kurt cobain was found dead
we stopped the car and just sat there
in the road for a long time
then we turned around and went home


i felt those words.
of everything he's ever told me
i felt that the most

music is everything great in this world
people die
music doesn't
Khairil M Mar 2015
i would take the first train back to the 90's,
when my lungs were nicotine-free
and there was always something worthy on TV.

i would wear my chucks in bed,
and have cereals for dinner.

i would not have heard of ****,
i would have used the internet to find
the exact words to the songs on Nevermind,
because cassette inlays haven't got enough
space for Kurt's lyrics.

and if i were you, i wouldn't call this a poem.

-khai
i don't know how to explain myself sometimes.
Devan Proctor Jul 2013
And you left me like a baby flower choking
On dust, and loss of future blooming,
And tremors like Eos's tears
On the stillest vernal pool -
It was as if you stole my life and simply
Went - or put me on my little sailboat
That sang of youth and an hourglass, a
Duet composed in the ***** crystal of purgatory,
Between my insatiably wild stronghold and
The rosy maiden, blushing, full, yet
Dumb, willingly deaf to red flags,
Praying for a partner to make a golden
Lady of the wood and water
And light, so warm and shimmering under
The forest's pine-down cover - what a
Big, hasty mistake, to keep yourself
Hollow and blind to the day's good things, to remain a
Man alone, wistfully misplacing a love
Who showed the loyalty of a crimson kindness, and who
Was always singing bliss and beauty and glowing into your ears,
So stuffed with lies, bitterness, ideals, and
Full like drunken leeches - all this, and the coldness, the stubbornness
Of the oldest mule, to stay isolated from my
Loving eyes, to make time with our sorrowful
Echoes, yours and mine.




*vertical quote from Kurt Vonnegut's *Slaughterhouse-Five
King Panda Feb 2016
where were you when I came out?
seventeen
asleep in a Philadelphia suburb
with that man
you called
boytoy
lover
caccoon
because everyone likes to feel weeks of web
crystallized between their sweaty toes

I was an unremarkable specimen
called yoda because of the hairs
on my ears
a baby with a flawless twenty digits and
hands like a
painter’s
but love was spring
and had to wait for the grass to green
and the retrievers to shed their
winter coats
so their owners could curse
and huff
and sneeze

you
precious
Kurt Cobain fan
and all things hip/hop
with those glasses and that hair
asked to be my sister
but caught unaware
with **** in your shorts because
you never saw me coming
and
how alike we were
and
what if we met
somewhere
someday
and you said
yes
this is my brother
this is the one who I lost
in the spring
The speaker in this case
is a middle-aged witch, me-
tangled on my two great arms,
my face in a book
and my mouth wide,
ready to tell you a story or two.
I have come to remind you,
all of you:
Alice, Samuel, Kurt, Eleanor,
Jane, Brian, Maryel,
all of you draw near.
Alice,
at fifty-six do you remember?
Do you remember when you
were read to as a child?
Samuel,
at twenty-two have you forgotten?
Forgotten the ten P.M. dreams
where the wicked king
went up in smoke?
Are you comatose?
Are you undersea?
Attention,
my dears,
let me present to you this boy.
He is sixteen and he wants some answers.
He is each of us.
I mean you.
I mean me.
It is not enough to read Hesse
and drink clam chowder
we must have the answers.
The boy has found a gold key
and he is looking for what it will open.
This boy!
Upon finding a string
he would look for a harp.
Therefore he holds the key tightly.
Its secrets whimper
like a dog in heat.
He turns the key.
Presto!
It opens this book of odd tales
which transform the Brothers Grimm.
Transform?
As if an enlarged paper clip
could be a piece of sculpture.
(And it could.)
Jeremy Duff May 2013
What bad could happen to a boy of sixteen, walking through the woods trying to find a nice spot to smoke and read Slaughterhouse-Five?
But now that I'm thinking about it, Stephen King may or may not have written a book about this exact question, more or less.
And as everyone who has read The Gunslinger Volume Six: Song of Sussanah, knows, everything Stephen King writes happens. Stephen King is God, in this sense.
Nevertheless, I found a nice spot, next to a dried out creek bed, complete with a gallon bucket and the scent of lavender.
And so I sat, and rolled a couple cigarettes, and dove into the mind and time traveling of Billy Pilgrim.

Sitting there, on that bucket, old Kurt spoke to me.
The previous owner of this copy of Slaughterhouse-Five also spoke to me.
With highlights and underlines he allowed me into his mind and thought processes while reading this book.
He underlined every passage that had to do with the Tralfamadorians views on time and the coexistence of every moment.

Soon, it became dark and I could no longer read, having only one cigarette left, I headed home.
Fifteen minutes later I was home, and if Stephen King had written about this event he wrote it as it happened. With no harm and no foul.
And maybe I dislike him for that
and maybe I don't understand why he did that,
why he would wrote a boring tale of a boring boy going on a boring walk in some boring Northern California forest.
And this writing does not feel complete but the Pabst is starting to kick in so I think I'll leave this one alone for now.
And Stephen King **** it, I can't even think of a title for this *******.
Nevermind, I got it.
Madison Feb 2015
I wake up in the morning
To a man smoking a cigarette
You can tell he's thinking
About something that is probably relatable  
Beyond belief
And he's there when I go to sleep
With the same cigarette
Brian Payamps Aug 2015
***
What's happening to hello poetry?
I don't need to know when the next soccer game is
And if I can watch for free.
Only football I know is American like the pride that's in me.
My blood doesn't boil the native sounds of my country.
Since my  motherland is the Dominican
But America my step motherland won custody and raised me, since the age of three.
Don't forget is not who made you but who you fed you, who clothed you, who saw your first shot to a basket, who saw your first catch, who kept your body warm when you got another cold, and so on.
This is "Breakfast for Champions"
Just ask Kurt Vonnegut

What's happening to hello Poetry?
Show your art
Get your due diligence
Don't sell us your dreams don't broadcast your business unless is a story, book signing or deal.
I don't need a spell to make a girl fall in love. I got these words
For and to whom I might propose
Love or an indecent occasion of lust.
Let my words be the for front on this site but they're second to my actions.
Since I don't speak much b'cause my Latin accent.

What is happening to hello poetry?
Private messages by strangers who don't write or speak words.
Claim is urgent and as a poet
You know kind hearted, love lost, And so on...
You just might want to message their Hotmail.
Sad story under prosecution
Sad story the relation is abusive
Mocking the painful truths of some of us artist.
Just wanting a piece of the pie
But when I order I even eat the crust and never leave crumbs.

Take offense or not I just don't give a ****.
I've been holding back but no more.
blankpoems Feb 2014
If you see her again before I do, tell her the way she left left me shaking like a winter windchime;
the song too frozen to melt on her tongue.
I am scared of all her moving on.
The only serious love poems I write are about the same person who hides God in her hair and shows me the lingerie she bought while I try to unfog my glasses to look at her straight.
I am too convinced that she is made up of lines that lead straight to my firework skin. There has been too many explosions here.
The only way to deal with missing you is to tell you and wait and see if you feel the same. Or novacane.
I imagine you taste like an acid trip... all conspiracy theories and sugary words too sober to ever speak.
If you see her again before I do, tell her that I am a mess without her.  That my mind only settles with her tear-stained cheeks and the only way I can see the ocean in the winter in Canada is to look into her eyes.
I am scared that I am being overdramatic.
I want to rub our wrists together so we can trade scars.
Tell me the story of how you met your best friend and I'll tell you the story of how I fell out of loving my mother.
I would rather listen to you ramble than check the time.
If you see her again before I do, tell her that on the way home from her arms I counted 1200 streetlamps, 13 lovers, 3 liquor stores and 72 shakes of my knees.
Tell her I miss her like Frances misses Kurt.  Like dive bars miss blues music.
When I see you again, lover, I'll tell you that when you told me your name two years ago, I was surprised that it wasn't Love.

— The End —