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"koz" poems
You look too good to be true You must be bad You look like my future boo I would be glad You look too bad to be good I must be mad You look like ur in the mood Maybe just a tad. You look too fly to be down (for me) I must be nervous, Because your silly *** frown Says you might just curve us. You look too hip to be scared I know that I'm ripped But when we're both in the bed I gotta handle them hips You look too fine to be mind I hope I'm incorrect I don't mind being behind When I dig in ***** Why don't you bring those curves to us So I can put my line in you Koz girl this is a bad bust And I'm finna put you in line BUT Most importantly. You is you
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Aug 27, 2018
Aug 27, 2018 at 2:46 PM UTC
Pick_up-
Because I don't have the time to be solely defined by colour or race. Or my lack of religion or any such faith. It's just not my problem: you choose to turn your hurt into hate It's a universal solitary struggle my brutha - handle yours, it soon waste. Koz I love my passion and my spice And my language that breathes life, Into me and that's who I is and will continue to grow into being. If I get the time koz the man keeps tryin' to stop me at the sight of my race???!?!! What an inane battle and human disgrace.
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Jan 11, 2015
Jan 11, 2015 at 3:28 AM UTC
I will have my cake and eat it
Listening to Dave Grusin, "Mountain Dance," vintage 1979. The thought strikes: "Why is it that only the Early Jazz Giants are deified? Of course, we need Chet Baker and Miles Davis in our pantheon, & Gerry Mulligan & Charlie Parker Not to mention (cue Soupy Sales: "Smack. I told you not to mention that!") Coltrane or Stan Getz. And yet, we're all getting long teeth and there's a lot more Smooth Jazz to come, Post-1950s, take Grusin, for example, or George Benson or Herbie Hancock, and What about Earl Klugh & Larry Carlton? Let's not forget Spyro Gira & The Daves: Benoit and Koz. And we would be remiss To miss Chris, young Chris, Chris - "The Whippersnapper" - Botti. But I digress.
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Nov 14, 2017
Nov 14, 2017 at 9:25 PM UTC
"Mountain Dance"
I am, what I am, You say what you say, But I am what I am. And I'll do what I do, Koz I am, what I am I will not be, no fool, for you.
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Apr 19, 2016
Apr 19, 2016 at 11:44 AM UTC
What I am
Nah, just koz that is who SHE be Does not mean SHE get to treat ME However the **** SHE want Nah, that's just not ME, Bee I heard somewhere I was free, see Not just YOU that gets to breathe ease-y 'Less pigment based privilege Affords you your discourse... Nah.
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Apr 22, 2016
Apr 22, 2016 at 10:22 AM UTC
Nah
You tease me I needs to free me Koz you fear to be thee Rejected, you don't know me Distance kept completely Unsure if I want a chance to show you what could be I stepped aside Koz you hurt deeply Striving to heal I released thee Afraid I not enuf And lose you harder I chose to run Too bad when it wasn't fully real Never fully healed Because I hid it from myself Rejection too true to speak Of course you wouldn't choose me And I unarmed to watch you love another That way I know you'd love your lover I couldn't smell her on your smile Become less and less significant to your other And justly so. I wouldn't watch I chose to leave I choose to be free Won't have the energy to break away whole again
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Apr 19, 2016
Apr 19, 2016 at 9:45 AM UTC
Too true
I’m good with nothing, That’s why I have options. Do I need to convey that to you Stranger? Is there a point? Koz all I really wanted was to turn off the lights And for now make everything seem alright But you don’t have the drive. Ya know, I like me And I was excited to show you some of my favourite pieces But you can’t won’t don’t see me And purely logical understanding does not naturally lead me to all irie. My preference is you Stranger Because what you presented was honest ( and not without its beauty) But your absences make me forgetful Especially when an eX can mark that spot just as well. Your existence is rapidly mythical And so what was once just a notion Becomes more of an inevitability. No apologies necessary
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Jun 7, 2014
Jun 7, 2014 at 12:43 PM UTC
No Apology Necessary
- Will she or won’t she I don’t ******* know? Again my hearts being torn apart And thrown out in the snow ❄️ It’s okay I’ll just leave and quietly suffer in silence 👿 It’s no big thing my pumper has been ...long lost and tortured in defiance No reliance on you only made me stronger Bolder wiser and totally bonkerz But I was wrong koz I should of seen it coming. 💔 Little girl my veins are cold it’s honestly so numbing Borderline ****** son and a bi polar mother... like 2 peas in a hot *** of **** puke and **** Sailor graves and constant pain is all I seem to be promised Broken dreams and shattered hearts Just burning up in solace ☄️
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Mar 10, 2021
Mar 10, 2021 at 5:41 PM UTC
Broken Dreams
everyone who passes through the  house of James plays a part in their second story   story Nick is not of  the kitchen but he’s ghosting there and he tries he tries   with words   he tries with dance he tries so hard we barely see him! James is thirsty! and that’s the other story... He's drying ******* on an old gas cooker when ‘Phelie   blows in on a colleague   o’ Koz Bar leaves   hi  poising   cat-ready   on a brown couch on a couch that remembers no shape though she tries she tries to make an impression on our blurred nerves too beginning with alrigh' which is  hi too   but with feeling   this hi assumes we know drama gril and da Richmond crew And I try to say I mean I am trying to say the couch remembers no shape I have no memory of drama teachers or  michelle yelling again darling with feeling this time then she tells me what *a lonely time it has been since the…addiction -* michelle poising there upon the word like a  Lepidopterist’s pin on au-then-tic-i-ty - isn’t it enough that I said it? now that it’s a dead thing it spreads its terrible wings and 'Phelie double drops her second story    hello  hello we lean into a kiss  hello her lips are not dry though she smokes her mouth un-wet she tries to say hello by laughing at I've given up not-smoking and we talk and kiss  a fresh hello undress hello touch hello leading to a breathless hello   hello   hello and now  I am saying, again darling with feeling this time
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Oct 5, 2015
Oct 5, 2015 at 4:33 AM UTC
WITH FEELING THIS TIME
everyone who passes through the  house of James plays a part in their second story   story Nick is not of  the kitchen but he’s ghosting there and he tries he tries   with words   he tries with dance he tries so hard we barely see him! James is thirsty! and that’s the other story... He's drying ******* on an old gas cooker when ‘Phelie   blows in on a colleague   o’ Koz Bar leaves   hi  poising   cat-ready   on a brown couch on a couch that remembers no shape though she tries she tries to make an impression on our blurred nerves too beginning with alrigh' which is  hi too   but with feeling   this hi assumes we know drama gril and da Richmond crew And I try to say I mean I am trying to say the couch remembers no shape I have no memory of drama teachers or  michelle yelling again darling with feeling this time then she tells me what *a lonely time it has been since the…addiction -* michelle poising there upon the word like a  Lepidopterist’s pin on au-then-tic-i-ty - isn’t it enough that I said it? now that it’s a dead thing it spreads its terrible wings and 'Phelie double drops her second story    hello  hello we lean into a kiss  hello her lips are not dry though she smokes her mouth un-wet she tries to say hello by laughing at I've given up not-smoking and we talk and kiss  a fresh hello undress hello touch hello leading to a breathless hello   hello   hello and now  I am saying, again darling with feeling this time
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