"knell" poems
this is my excavation to
the days coming along
running hands with laughter
throwing it down on the table
*straight
flush
okay, cool*
sister, these things don’t matter
when we’re twisting into the sun
with pants that are too short
the fountain rich with
iced chai
tangled with the peculiar
the beautiful
through these moments
I commend
our hearts for finding each other
love is always on the move
as sure as shoe shine
as mahogany
like timidity to relinquish
to let the universe take hold
and instill this emotion
into my body
fit it all in my heart
O, singer of love
fit it all in my heart
the knell
the reverberation
the cotton that lands
on your hair
the sunscreen stuck in my ear
we are a sketch of two travelers
sleeping under stars
the fire
finally dies down
the rapture of the universe
is overwhelming
everything flows
everyone is connected
and this music we hear
is constant
like gentle waters falling
this too, sister
makes my cane solemn
and I draw you in the sand
only to watch the tide
wash you next to me
the emotion
wrangled in English
simply means good
simply means
a full listen and
dear sister
because everything begins
and will be remembered always
as love
Jun 10, 2016
Jun 10, 2016 at 1:20 PM UTC
As the voice of a dead man might sing
From the depths of his tomb,
For you, Mistress, my tuneless voice rings
False in my heart’s catacomb.
Open your soul and hear the knell
Of my mandolin strings:
This song I wrote, for you, which tells
Of cruel and childish things.
I will sing of your eyes, onyx and gold,
Purged of every shadow,
Then the Lethe of your breast, the cold
Styx of your hair’s dark flow.
As the voice of a dead man might sing
From the depths of his tomb,
For you, Mistress, my tuneless voice rings
False in my heart’s catacomb.
Then I will praise, above all
Flesh that heaven did bless
Whose opulent perfumes recall
Nights long and sleepless.
Finally, I will speak of the kiss
Of your sweet red lip,
Oh, how my martyrdom is bliss,
– My angel! – My Whip!
Open your soul and hear the knell
Of my mandolin strings:
This song I wrote, for you, which tells
Of cruel and childish things.
Apr 17, 2015
Apr 17, 2015 at 10:01 AM UTC
It is funny to see banners wishing Happiness displayed with cinematic glamour,
the pictures and hordings of Banner heroes.
The one at Tannery Road junction was peculiar to mention.
Here it was common
The captions "Happy" used to summon names of sundry festivals-Local and national, even internstional.
What's uncommon was the bold prints
of a hero's name ARUMALAI outshining
The caption and his larger than life picture establishing the photographer's digital brushing skills.
A passer by wondered who'd be this Arumalai,
Is he so great as to be advertised in polivynil?
His glorious deeds may be what they want you to heed
Still never ever seen or heard of his manners
Anywhere than in these motley banners
Just as a function
at the Tannery road junction
Each one passed by this colossal glance attracted provoking protracted ruminance what do this expensive banners really mean?
In another occasion
the glaring glorifying picture
of ARUMALAI followed the tag
Corporator,
Below the man posing a DICTATOR.
That was a period to a period of mystery!
Banners changed with seasons
with greetings on religious occasions
Festivals of importance
Birthdays of men even
with crowded profiles of hailers
Whose unrully manners
Too clogging up the banners
Like a wanted list of jailors.
One day a strange banner
hooked by the Tannery cross over
Spooked and shocked every passer-by
There the usual banner cut out
the larger than life image blings-out
Arumalai the BBMB corporator
Posing as dictator!
There was no wish of any kind.
It was a notice startling any mind
The sad demise of ARUMALAI
The BBMB corporator
Still possed as dectator
By his living promoters.
"He was sick and the local dispensary advised a minor operation.
He was administered
the necessary treatment.
Was referred to a super-speciality
centre and was declared dead.
His sad demise was advertised, he was forty.
His chummies complained of medical negligence", was the only news summary
in major news papers...
What was the reason for the minor surgery
What're the preparations
for the corporator's operation
All are mystery for a causal itinerary
passer by crossing over the Tannery Road junction, wondering at the strange envountering with banners
that come and go
Keeping no annals
Floating on the mind for a while
Stopping at the red's knell,
Moving with the green signal
The rise and fall of heroes
As binary one and zero
The banners tell a story tertiary
Of the rise and fall of a luninary
Within a plane ofmomentary
Variation of red and green
On the Tannery road's screen.
Dec 7, 2018
Dec 7, 2018 at 5:13 AM UTC
But why did I **** him? Why? Why?
In the small, gilded room, near the stair?
My ears rack and throb with his cry,
And his eyes goggle under his hair,
As my fingers sink into the fair
White skin of his throat. It was I!
I killed him! My God! Don't you hear?
I shook him until his red tongue
Hung flapping out through the black, queer,
Swollen lines of his lips. And I clung
With my nails drawing blood, while I flung
The loose, heavy body in fear.
Fear lest he should still not be dead.
I was drunk with the lust of his life.
The blood-drops oozed slow from his head
And dabbled a chair. And our strife
Lasted one reeling second, his knife
Lay and winked in the lights overhead.
And the waltz from the ballroom I heard,
When I called him a low, sneaking cur.
And the wail of the violins stirred
My brute anger with visions of her.
As I throttled his windpipe, the purr
Of his breath with the waltz became blurred.
I have ridden ten miles through the dark,
With that music, an infernal din,
Pounding rhythmic inside me. Just Hark!
One! Two! Three! And my fingers sink in
To his flesh when the violins, thin
And straining with passion, grow stark.
One! Two! Three! Oh, the horror of sound!
While she danced I was crushing his throat.
He had tasted the joy of her, wound
Round her body, and I heard him gloat
On the favour. That instant I smote.
One! Two! Three! How the dancers swirl round!
He is here in the room, in my arm,
His limp body hangs on the spin
Of the waltz we are dancing, a swarm
Of blood-drops is hemming us in!
Round and round! One! Two! Three! And his sin
Is red like his tongue lolling warm.
One! Two! Three! And the drums are his knell.
He is heavy, his feet beat the floor
As I drag him about in the swell
Of the waltz. With a menacing roar,
The trumpets crash in through the door.
One! Two! Three! clangs his funeral bell.
One! Two! Three! In the chaos of space
Rolls the earth to the hideous glee
Of death! And so cramped is this place,
I stifle and pant. One! Two! Three!
Round and round! God! 'Tis he throttles me!
He has covered my mouth with his face!
And his blood has dripped into my heart!
And my heart beats and labours. One! Two!
Three! His dead limbs have coiled every part
Of my body in tentacles. Through
My ears the waltz jangles. Like glue
His dead body holds me athwart.
One! Two! Three! Give me air! Oh! My God!
One! Two! Three! I am drowning in slime!
One! Two! Three! And his corpse, like a clod,
Beats me into a jelly! The chime,
One! Two! Three! And his dead legs keep time.
Air! Give me air! Air! My God!
4.6k
When we two parted
In silence and tears,
Half broken-hearted,
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.
The dew of the morning
Sank chill on my brow—
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.
They name thee before me,
A knell to mine ear;
A shudder comes o’er me—
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:—
Long, long shall I rue thee
Too deeply to tell.
In secret we met—
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?—
With silence and tears.
4.8k
Captain Scarlet
Had a weakness for harlots
Who always wore scarlet as well.
This could sound
The death knell
For the show
Thundered Gerry.
It's so deleterious
I'm deadly serious
Less of the hoes
And more Thunderbirds Are Go.
Captain Scarlet's
Favourite starlet
However
Was no harlot
Even though
she always wore
Scarlet as well
But it was quite difficult to tell
That she was not so
Even if one was very clever.
Unlike Bobby Shafto.
May 9, 2014
May 9, 2014 at 2:59 PM UTC
Today my long tall tulip fell
His pearl-pink bulb had dared to swell
But blushen hung now like a bell
His slim and slender stem once towering
Arced to earth with posture cowering
Burdened by his glory flowering
How quickly he had seemed to climb
To bask in sudden sunlit prime
The longest flower, the shortest time
His adolescent orb once closed
With youthful promise, then exposed
More beauty than we all supposed
And eager straight he stretched to see
The furtive squirrels’ revelry
And blue jays jostling high in tree
His handsome head became a hand
Outstretched to welcome wide and grand
We who’d pale beside him stand
But now his palm points to the ground
Where loyal subjects once were found
A fallen king with withering crown
I saw you flower – be sure of this
Your scented cheeks I bent to kiss
Nor did a day of beauty miss
Though brief your waxing and your wane
Your colours left the purest stain
That in my mind’s eye does remain
In all the world where flowers grow
We sallow souls rush to and fro
Preoccupied, we miss the show
But when we pause to smell the blooms
Held captive by arresting plumes
Forget the sundry that consumes
Thus precious harried minutes take
Our reverie to gaily break
I noticed you -- make no mistake
I studied you that rare of gift
You gave my care-worn spirit lift
Then cut its soaring hopes adrift
Today my long tall tulip fell
Surrendering to Nature’s knell
And left us where he deigned to dwell
Feb 26, 2014
Feb 26, 2014 at 7:21 PM UTC
Mountainous caverns
And cavernous depths
Plague and pillage taverns
Bridle beleaguered breaths
Forward the hour
And hoist the scattered skies
Time not to cower
Behind blatant lies
Prepare for the downfall
As the mountain gives way
Gruesome, thunderous brawl
Is my death in this day
If an avalanche is hell
Then I am surely home
Brokenly beaten and well:
Where chaos freely roams
Forget not our rise
For we are not our sins
But saints in the skies
Banefully, ****** kin
I am a vagabond in hell
And a vagabond: I am free
As heaven rings a final knell
While the mountains collapse for me
Aug 20, 2018
Aug 20, 2018 at 5:20 AM UTC
In the name of democracy
An entire state is terrorized
Decade after decade
Freedoms are curbed
Protests are brutally suppressed
People are brutally oppressed
Education is diluted
In the name of democracy
The Army turns from protector to oppressor
Every soldier marching past
With his head held high
Sounds the death knell
For every man, woman and child
In the name of democracy
Soldiers break into houses
Wielding their massive rifles
As if it is their birthright
As the peace and harmony within
Is replaced by abject terror
In the name of democracy
All morals are flung out of the window
As the women are *****
The men who challenge this unspeakable atrocity
Are swiftly silenced with bullets
As the children begin screaming in terror
They are molested, one by one
Until the trauma overcomes them
Such that, they lose their voices
They lose their minds
They lose their hearts
Meanwhile, the soldiers slip away quietly
Having completed a good day of work
In the name of democracy
In the name of democracy
India and Pakistan, warring for decades
Use Kashmir as a bait
As a means to satisfy
Their unquenchable thirst for power
As the potion simmers on
Fuelled by hate on both sides
Curfews and lockdowns follow with alarming regularity
Schools and colleges are shut down
Political organizations are banned
The Internet is crippled
Mobiles and landlines are killed
Even the most feeble of all protests
Is brutally quelled with bullets and grenades
In the name of democracy
Consent is dead and buried
As nationalism takes centre stage
The world watches on silently
Allowing India, the oppressors-in-chief
To reclaim the moral high ground
And suddenly proclaim themselves as saviours
Leaving the beleaguered Kashmiris no choice
But to bow to their captors
Their dreams of self-determination
Shattered ruthlessly in the course of a mad, mad day
In the name of democracy
Aug 5, 2019
Aug 5, 2019 at 1:18 PM UTC
"O WORDS ARE POOR RECEIPTS FOR
WHAT TIME HATH STOLE AWAY"
The summer sky
tried me on to see
if it fit
or I fitted it.
It was not used to being
a 7 year old boy.
I quite liked the exchange
to have clouds for eyes
birds flying
though all my thoughts
wearing a rainbow
in my hair.
To have a heart
that shone like the sun.
The summer of '63
ran about my bedroom
looked out windows
ran down stairs
three at a time
kicked a ball against a wall
swopped comics
marbles and conkers
recited "I remember, I remember"
to itself
until it could
remember it.
Absolutely loved me Da
being its Da
the kisses of my Ma
the laughter of a brother.
Oh what a thing it was
being human.
I, in due course
was an about-to-be
thunderstorm
clumping about the evening
like hobnail boots
on marble tiles.
Thunder and lightning
the whole works.
I could have gone on
for a forever
chasing horizons
making up the days to come.
But the summer sky
had taken all it could
take of being
a little boy.
So many thoughts
running about a head
that was only just
about 7
so that it fell asleep
and when it awoke
it was no longer me
but itself
the summer of '63.
I too had released
the sky back to the how
it should
and has to be.
My thoughts scattered like birds
by a chance church bell
telling time
its Angelus
or a knell
to end it all.
I still remember all of it
as if
it had really really
happened.
May 12, 2017
May 12, 2017 at 6:09 AM UTC
In the depths of the night, where shadows creep,
Lie tales of darkness, so hauntingly deep.
A moon cloaked in mist, a chilling wind's wail,
Where spirits awaken, and courage may fail.
Beneath gnarled trees, a graveyard awakes,
Where restless souls wander, their rest at stake.
With hollowed eyes and whispers of despair,
They yearn for release from their eternal snare.
Amongst the tombstones, a figure does tread,
A specter in black, with a cloak like the dead.
Her name is Lilith, the mistress of fright,
With a wicked grin, she conjures the night.
"Oh! Hear my call," she whispers in the dark,
As she weaves her spells, leaving her mark.
Bats take to the sky, their wings spread wide,
Guiding lost souls, to the other side.
In the haunted manor, spirits do dwell,
Where echoes of laughter turn into a knell.
Ghostly footsteps echo down the hall,
As the present and past collide and enthrall.
The clock strikes midnight, the hour of dread,
When the veil between worlds grows thin, it is said.
Ghosts emerge from their slumber, seeking release,
Their ethereal presence, a haunting caprice.
In the flickering candlelight, shadows dance,
As witches gather, their potions enhance.
With cauldrons bubbling and spells on their lips,
They conjure enchantments, with mystical quips.
Oh! Beware the night, when the jack-o'-lanterns glow,
And spirits arise from the depths below.
For Halloween's magic, a captivating lure,
Where darkness and mystery forever endure.
So, as the moon rises, casting an eerie glow,
Embrace the enchantment, let your fears go.
For on this haunted eve, when the spirits unite,
We celebrate Halloween, in the shadows of night.
But tread carefully, for darkness is near,
And the spirits are watching, with ghoulish cheer.
Enjoy the thrill, the ***** and the fright,
On this chilling Halloween night.
Oct 27, 2023
Oct 27, 2023 at 9:12 AM UTC
Colliding; the collusion of day and night
Of things co-exsisting, theirs,
Light and darkness.
Blazing across the ethereal plain
An arch angelic inferno.
Infinite is the horizon
Confluently coloured; eminence
Transforming smouldering heat.
An auric aureole interpenetrating diverse bi-unity,
Illuminative transcension igniting
The charcoal black vast depths of heaven, space.
The eternal perfection ordained, twilight
Zenith sense turbulent like the oceans tide
Anthropomorphic legions, lingering shadows
In the purgatory of mischievous children.
Blood gushing like emotions,
Sacraments ordained for sacrifice
Canonised; Sepulchre
Immortal legions mortal as the knell echoes
This side of paradise,
Heaven an altar
A church altar, rapidly retreating
As stars disperse like candles fading-
Sacrilegious; sepulchre
Of angels fallen.
1997 ELEETE J MUIR
Jan 11, 2014
Jan 11, 2014 at 1:11 PM UTC
Tell me where is Fancy bred,
Or in the heart or in the head?
How begot, how nourishèd?
Reply, reply.
It is engender’d in the eyes,
With gazing fed; and Fancy dies
In the cradle where it lies.
Let us all ring Fancy’s knell:
I’ll begin it,—Ding, **** bell.
All. Ding, **** bell.
2.8k
Out on the marsh on a lonely night
The wind soughs through his rags,
The hat that’s pinned to his painted face,
Flutters and soars, then sags,
His eyes are wide and his mouth is grim
As an owl is put to flight,
And nothing but shadows will venture there
For the Scarecrow rules the night.
And back in the manse in a window seat
The Parson’s daughter sits,
She stares at the fluttering coat-tails, but
In truth, is scared to bits,
She watches the sails of the windmill turn
And creak and groan in the gloom,
As clouds come stuttering over the marsh
In the rays of a Harvest Moon.
The father is out in the donkey cart
To tend to his aging flock,
He’s left Elizabeth waiting there
By the tick of the hallway clock,
But out on the moors and beyond the marsh
There rides one Highway Jack,
A frock coat topped with a bunch of lace
And a gold trimmed tricorne hat.
He’s whipped the horse to a lather
In a retreat from a new affray,
For the magistrates have gathered
Vowing to ride him down that day,
The redcoats wait in the village Inn
For the sound that they know too well,
When the curate sees the approaching horse
He’s to toll the old church bell.
But the curate lies in a drunken fit
On the floor of the old church nave,
And soon, by matins his soul will flit
From life to an early grave,
Elizabeth sits in the window seat
And thinks of the coin and plate,
As the highwayman dismounts, and ties
His horse to the manse’s gate.
He beats on the door, ‘Please let me in,
I’m weary and faint, that’s all.
I wouldn’t abuse your person, but
I fear my back’s to the wall.’
She leaves the seat and she slides the bar
For bracing the oaken door,
‘I dare not, sir, I fear for my life,
You’re safer out on the moor!’
Their voices echo across the marsh
Like fear, distilled in the night,
And something shudders out in the gloom
And lurches to left and right,
It seems forever, but now a sound
Tolls out, like a final knell,
For something, out in the church tonight,
Is tolling the steeple bell.
He barely makes it back to his horse
When the redcoats stand in line,
Their muskets fire a volley of shot
And his coat turns red, like wine.
They go to the church when the deed is done
To say, ‘You have done well!’
But the curate lies on the cold stone floor,
The Scarecrow tolled the bell!
David Lewis Paget
Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
When the lamp is shattered
The light in the dust lies dead—
When the cloud is scattered,
The rainbow’s glory is shed.
When the lute is broken,
Sweet tones are remembered not;
When the lips have spoken,
Loved accents are soon forgot.
As music and splendour
Survive not the lamp and the lute,
The heart’s echoes render
No song when the spirit is mute—
No song but sad dirges,
Like the wind through a ruined cell,
Or the mournful surges
That ring the dead seaman’s knell.
When hearts have once mingled,
Love first leaves the well-built nest;
The weak one is singled
To endure what it once possessed.
O Love! who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier?
Its passions will rock thee,
As the storms rock the ravens on high;
Bright reason will mock thee,
Like the sun from a wintry sky.
From thy nest every rafter
Will rot, and thine eagle home
Leave thee naked to laughter,
When leaves fall and cold winds come.
2.6k
** In An Old Cathedral**
She knelt upon a plank, plain oaken
(sable cloak, her mourning guise),
and sensed the breath of distant sighs,
pale shades of pain behind blue eyes…
While clasping close a cross-like token
(holding hope for those in need)
she prayed her Lord "please intercede,
my woes be washed, my soul be freed"…
Archangels, in the skies evoken
(candles flickered, shadows shivered),
through the panes, the moonlight quivered,
summoned forth, the wish delivered…
Forgotten words he once had spoken
(dimly echoed ’neath the dome)
swept sweetness of the honeycomb
o'er distant realms they used to roam…
At midnight's knell, in dreams awoken,
memories of love unfeigned…
Though loneliness of grief remained,
she still held hope… hope hadn't waned…
And when the dawn had early broken,
by the font, in peace, she lay…
As sudden as a sunset ray,
the light of life had slipped away…
Mar 27, 2014
Mar 27, 2014 at 4:06 PM UTC
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them—
Ding-dong, bell!
2.5k
She bleeds ‘all tragic steam work blasted mists
‘All hobbled clamped free fall for ‘all seasonal depression slump
She’s ‘all death knell cramp urgency and held back suffering kneeling
on kitchen floors ‘all like boarding school broomsticks lessons
with ‘all that theoretical **** the ***** save the man type
schlock shock rhetoric shtick
so ‘all I’ll be is her savage heretic wagon burner page-turner
on the hot coal back burner ‘all boarded up sealed shut in the walls
until she calls
Expecting me to be 'all combat ready
‘all back with a vengeance
while her thrift store hazard suit groups and droops
‘all over my haphazard dream sliced hang nailed hangover hands
hiding ‘all derelict style while between the sheets confessional
gets voided by social media air raid sirens
bringing me ‘all too close to rocks and crystals
and who ‘all needs another pathetic apathetic
junk punk when
‘all and ‘all
I'd rather die for you
because
I just can't live with myself
Jan 17, 2014
Jan 17, 2014 at 3:08 PM UTC
Adulthood's hour has come to call
Childhood's time has lost its thrall
The clock chimes now, a tolling bell
Marking the passing with every knell
No more games, no time to play
For fragile youth's long gone astray
No hobby horses or decoder rings
The time has passed for simpler things
Leave your toys to gather dust
Leave the playground alone to rust
Be one of us, the time is nigh
So hurry now, and say goodbye
To innocence and naïveté
Leave your hope out in the street
Put away your childish things
Here we have no use for dreams
Imagination's a liability
That clings with fervent tenacity
Put it away with your childish things
Here we have no use for dreams,
Here we have no use for dreams.
Mar 27, 2015
Mar 27, 2015 at 1:31 AM UTC
What is the sorriest thing that enters Hell?
None of the sins,—but this and that fair deed
Which a soul’s sin at length could supersede.
These yet are virgins, whom death’s timely knell
Might once have sainted; whom the fiends compel
Together now, in snake-bound shuddering sheaves
Of anguish, while the scorching bridegroom leaves
Their refuse maidenhood abominable.
Night ***** them down, the garbage of the pit,
Whose names, half entered in the book of Life,
Were God’s desire at noon. And as their hair
And eyes sink last, the Torturer deigns no whit
To gaze, but, yearning, waits his worthier wife,
The Sin still blithe on earth that sent them there.
2.4k
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them,--ding-dong, bell.
Jan 31, 2014
Jan 31, 2014 at 5:28 AM UTC
The cur foretells the knell of parting day;
The loafing herd winds slowly o'er the lea;
The wise man homewards plods; I only stay
To fiddle-faddle in a minor key.
2.3k
Maiden, maiden, maiden, a depilidate mobious minaret –
Holical, Eris begs an atlatl defection, the
Genuis-from-Mars technique – an erathicus lecanopteris.
Suffretex, past-perfection in pastel gloxinia,
Glowingly acidic and shiftingly glossidic, it’s cosmaltry mariala;
Ungual outmoded, holonym singing Aquilar rapax as demiurge.
Demos and Phobos weep, coruscating terrathos, killing riva.
Swell quickly, optic ophidia, lest the ira florena rise –
Rise, maiden, rise optic ophidia, ignore Irredelphine!
Strut the hematacolpa and pace-willow, but fail flow:
Deciduous telechir beckons, demanding autobogotic-hajra.
Piss-venom and picea hovea, eche verri naught echo –
Beta-decay and COBOL error, fandango with teeth
And sing praise for Eucladanic soignè solaris
Sprint quick, maiden-solidago gesparisè, to Misra pourum!
Majerns and hapax, death-knell aloud and encelia,
Enfloranè, haste! Enatic haste tichodrome, flee, anise!
Apios, harken: tryst-sans-thermobic sweeping of thresher-thrown,
Little-low else yet achroma, de-jubilance:
Fall fairly, ayah! So to be so, blanking systemic,
A thousand steps for one death.
Jul 4, 2010
Jul 4, 2010 at 12:25 PM UTC
He sat in a small compartment by
The window, on a train,
The passengers huddled around him
Saying, ‘Tell that one again!’
He spoke in a low and measured voice
As they held their breath, to stare,
Watching his hands, as they described
Vague circles in the air.
There wasn’t a sound outside, except
The carriage, clickety-clack,
A sound that would tend to hypnotise
As the train sped down the track,
In every one of his listeners
Was a picture, in each mind,
That spoke to them of that better life
Which had been too hard to find.
And seagulls circled the skies above
As he primed their minds with ‘If…’
And led them all in a straggly line
To stand at the top of a cliff.
The sea was blue and the clouds were grey
And the rocks below sublime,
As they teetered there for a moment where
They stood, at the edge of time.
For then he’d show them a garden, with
The form of an only child,
Who seemed to be so familiar
That most of them there had smiled,
The scent of a pink wisteria
Had wafted the carriage air,
And then their tears rolled back the years
As they whispered, ‘I was there!’
He showed them a woman in mourning
With a cape, and a darkened veil,
Who knelt alone by a headstone,
Each listeners face was pale.
The bell of the church began to toll
As it sounded someone’s knell,
His face was the face of the gravedigger
As he held them in his spell.
The carriage was filled with waves of fear,
The carriage was filled with joy,
He’d tell of the death of a mountaineer,
Of a child with a much-loved toy,
Their tears they’d dry as the train came in
To the tale of a Scottish Kirk,
And one by one they would rise to leave
And head off the train, to work.
But the Storyteller would stay on board
And close the compartment door,
His restless hands were trembling still
As his eyes stared down at the floor.
The train heads into the future while
The past is deep in his well,
He sits and weeps in the corner for
The tales that he doesn’t tell.
David Lewis Paget
Aug 22, 2014
Aug 22, 2014 at 8:25 AM UTC