Submit your work, meet writers and drop the ads. Become a member
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
drumhound Jan 2014
It tastes like purple
dripping of sugar and avoidance
in a circle
of loitering semi-pubescents.
Wooden sticks
precariously cling to
misshapened ice nuggets
in varying stages of licked, bitten and
melted.

School was out.

Hormones were in.

From the other hand
Becky sipped the ****** of
Strawberry Hill.
She knew things
she shouldn't know.
I wanted to know them too.
Looking over kitschy glasses
her gaze announced
(much to a young boy's excitement and fear)
she was bound
to kiss me.

At the awkward crossroad of
popsicle innocence and cheap wine
I stood clutching
my little piece of lumber
fighting sticky fingers
and the urge
to drink my first liquor
from her lips.

There is no such thing as
12 year old mojo.
The boy's experience
was only under-dated
by the alcohol in the pretty container.
She didn't care
about mojo or
decorum or
crowds.
She cared about RIGHT NOW.

She was an evangelist for the cause,
asking forgiveness
instead of permission
for her lust
...and I was being converted.

Hitchless
she walk into the face
of a clueless child,
tilted her head
and baptized his mouth
in ***** and braggadocio.

It didn't taste like purple anymore.

It tasted like America pie and graduation.

Her unseen signature
authenticates my diploma.
I am still a patriot.
And a warm piece still reminds me
of Strawberry Hill.
I have never had another drink of Strawberry Hill because it could never taste as good as this moment.
Lin Cava Oct 2010
[Fairchild Republic, Long Island NY]

A multiplex movie theater sits there now.
Behind that a row of common eateries;
an Italian place, a mattress store, a stationery.
On the corner sits a Chinese buffet,
always busy.

Around the bend, a computer chain-store,
one of those trendy places that serve
fast food and ‘sports’ under the same roof,
overpriced spirits with kitschy, sticky bar offerings
whose names lean heavily upon original drinks
that they are not.

Across the lot,
the newest outlet of a chain liquor store;
a shoe store; cell phones and ‘stuff’...
some empty stores remain.

The last leg comes around,
the home of a national office supply store,
its sign stark red on white,
and a big box hardware store,
clashing its orange in reply.

A faux aviation tower tops the corner roof
of a well known sporting goods store -  
the builder’s hat tipped to this place
as once it was.

Beyond the façade a small airport still operates,
its real tower the same as years before
its runways dotted with lights, surrounded by roads.

Cemeteries always do well by airports.
Silent neighbors don’t complain about the noise.
Grandma is buried there.  Every person I know
who has history here, has someone buried there.
They are linked together but separate;
one Catholic, one Jewish, another a National
with its white simple stones lined up
just so, row upon row upon row.

I don’t know why it is easier to stand here
in this lot of the disingenuous,
rather than recall
what that place of the genuine became;
left to crumble, left to slowly die.
For here was the home of Republic Fairchild,
now among the dead,
as those cemeteries know.

And in the lot,
places that call themselves restaurants,
an intentional misnomer.
The multiplex, a huge construct,
only places a minor footprint
upon what was once the parking lot
to a national achievement.  

The Italian place, the corner to the
buildings that housed the offices,
and behind, the hangars to the war planes,
built with honor
and pride.

Where I stand now,
the ground once trembled
beneath the rumbling power of jet engines
built to near perfection,
to almost impossible tolerances.  
Their roar still haunting -
recalling the sound
of the free and the brave

In sorrow I watched as the buildings,
behind chain link
suffered blows from rocks thrown
by those too young to care or understand.  
Busted windows, shattered dreams.
I saw the tarmac split under natures call to green.  
Intrepid little weeds grew through each lot
and along each runway line.

The service road, now public -
beside it, overgrowth
still hides the tracks and rails
that once delivered beds of covered secrets
to be tailored and trimmed,
riveted and polished,
tested and tested
and flown
above these skies,
above proud faces,
eyes squinting upward in the sun,
above this place.  
This place, as it was then.

Lin Cava © 29-February-2008
As trite and gray as words
become with time, my heart
becomes an ashen leaf
in fall; or kitschy art;

or something even deader,
as old coals, so far abstract
from life that words should give
them meaning; In fact,

that I might be troubled
to convey this worthless stuff,
I find the lackingness of language
barely dead enough.
© K.E. Parks, 2012
Lucanna Nov 2015
.
The main reason I've tried around five new recipes a week
and all of a sudden enjoy cooking
and the reason I've bitten my nails down to bone
and texted my good friends way too many times
fragmented and weeping with questions
and the reason I've listened to podcasts minute after minute
and audiobooks
and ******* Damien Rice's creepy voice saying the words *******
over and over again
and have a wishlist on every overpriced bohemian rag site
and entered multiple contests guessing Bon Jovi's lyrics
to win 50 dollars to Applebees
and the reason I drink red white and blue ****** can after can
after hours that end with "AM"
and the reason I don't feel like hearing my client's problems
and catch myself in fantasies about running away or climbing up into trees and staying there for months
and the reason I go to angry slam poetry events by myself
and watch Sarah Silverman crying on the television
and snorting coke
or scrub my gums until they bleed
to taste the iron with those perfectly prepared meals
I even thought about joining a meetup group
instead I just met up with my therapist and noticed she's wearing the same sweater I am
What the hell is she going to be able to do for me?
Take my seventy dollars and run
and I keep edibles harbored in the corner of my cheek
saving the ounces for the most destitute of moments
when I hear I have to eat lunch with my in-laws at Red Robin
and be blinded by their white supremacy
That's when I get ****** as ****
and find it all funny
and the reason I sprint into the woods at night and look up at the stars
sweaty and haunted
and the reason I keep "getting lost" on my way home from work
and stalk my ex-boyfriend's babies on Facebook
and wet the pages of Charles Bukowski
and then watch his documentary and scream at the TV in horror
and the reason I buy bags and bags of peanut butter stuffed pretzels
and my laugh sounds unnervingly different every day, as if my role keeps changing from **** to lesbian to raging feminist to kitschy wife lover to Eskimo to poet

is due to the fact that I am in a long distance relationship with my own life
my own soul
my screaming energy and robustness
my color
and craving.
b e mccomb Aug 2016
it wasn't until years too late
that the oceans once painting
your skin into a weepy
vacation canvas finally
dried and made their salty
descent down your throat.

i hope that one day
you find your mind wandering
back to some sunbleached
air conditioned antique shop
a cool and dim refuge of
kitschy proportions

and i hope one day you can finally
appreciate an afternoon that
may or may not have held
your greenesque day of peace

(by greenesque i mean that
not only was it green but
it also held whispers of the last
chapter in your favorite book
the part where all the pieces fall in place
and nobody is happy with the outcome)


you're just a bundle of
nerves and memories
the kind that keep you up at night
and your hair uneven lengths
the kind that flash before your eyes
through grainy old photographs
and pictures engraved so deep
inside a screen you question
whether or not they
ever even happened.

there are gravel roads
somewhere out there
that smell like home and
kind cold water in a july drought

and i sincerely hope
that you someday find
one of those state-parkish
leafy hollow spring hills
settled deep somewhere
inside your heart

and i hope that someday
you drive all alone for an hour
park on the side of the road and
watch the woods for no reason
except to listen to every love song you
ever knew in your youth
and i hope that your breathing stays steady
and your eyes stay dry and starkissed.

i would cross my fingers
shut my eyes and tie my
esophagus in a knot if i knew
my wishes could grant you peace

and i hope that when you're older
your beachside sunburns and
deep fried fatigue are washed away
by all the seasons of upstate mountain air.
Copyright 7/22/16 by B. E. McComb
Ojaswee Das Aug 2019
ather aether Katherine
quintessence she’s never been
confess profess depress
transgress the process
A lifecycle.
With little to no progress

repress to the oppress
Obsess the agress
Compress the mess
Say yes to impress

You’re not blessed
Be ready to face
The detest for this
Damsel in distress.
You’re not allowed to egress

We’ve all been trained to stash
All that we have had for the brash
Trash. thats what we are if not unerring

pristine is an acknowledgment to disguise
kitschy fustian ostentatious. Be that.
No less. No more.
Katherine tried but failed to fit anymore

We’re all Katherine. You and me.
we don’t abide. We don’t fit. We don’t belong.
Here.
There.
Everywhere.

Life’s not fair.
Saint Audrey Apr 2019
Simple life, lived as a vintage television set
Ornate, one of the few luxuries exclusively for the well off
Useless.
Kitschy
A banal dream with pleasures devoid of an iota of venom
In a construct, a forsaken place, a planet without form
A perfect encapsulation, almost a replica
Of status, a microcosm
Head in the clouds.
Soul in the blood and bone
Desperate, claimed slowly by unrepentant chunks of flesh
I see the breeze on the horizon, sweeping through the fields

So I
Wake up

I never expected. It's not something I asked for.
But I rise all the same.
Once more, one more story to add to the pile

And as it turns out, I found the cure
Deep within the growths sprouting, and the sick smell
To rise once more
In the conclusion of it, I was an island to myself, but I felt at peace.
As my boots strike the sand, and my heart sinks a little lower
The pinch doesn't feel quite as real.

I could take some dedication to the facts that remain, as a claimant
Vigor worn to a shaggy pulp, my lungs crumble in a wave of synthetic dust
The scorn faced, the harsh lights shone on me, the blistering heat...
Unforgivable, as any reasonable man might conclude
I absolve no one of anything, but it all slips further from my mind, day in and day out
If I want it too or not.

To be so sure I'm awake...
How crazy am I?
The whole world breathes, exhales, in a layer of grey smoke, that soon condenses into clouds to shade me personally in my inaccessible fantasy.

The whole world's slipping further into those muted, docile gray shades.
A whole symphony of colors for these starved eyes
So hollow now...
Along barren halls, I'll run my fingers, across the faces of dead, rotted saints and take my gratification
In simple motions, drinking in the vibrancy, all the intricacy bleeding through the mock notions of simplicity

It didn't feel real then. I remember it all, in vivid detail
In those few moments, though branched and snaking through the tunnels of my fleshy wiring
I didn't feel anything.

The pinch doesn't feel real anymore
I can touch the sides of the sink.
My fingers, with gentle pressure applied, can sink into my skin
It only seems to matter when I touch it...

I stopped bothering doing it, a long time ago
It slipped from my memory
Lawrence Hall Feb 2018
We can have our Pushkin, all thinky and sad
And our poker-playing pups, cheating at cards
Ruslan and Ludmylla dancing on ice
At the Houston Airport Holiday Inn

Did Pushkin paint the poker-playing pups
Or carve tetrameters while in his cups?
That green baize poker table, a samovar
And the Big Giant Head, who needs an ace

We can have our Pushkin, all thinky and sad
And too those kitschy dogs, being real bad!
A happy boyhood memory - pictures of those poker-playing dogs in the barber shop.
Pearson Bolt Jun 2019
every white wedding is exactly the same.
kitschy mason-jar centerpiece displays,
thirsty flowers in ornate vases,
lace-trimmed tablecloths and country-pop
songs blaring from the stereo.

welcome to cookie-cutter suburbia,
copy-and-pasted from half-a-hundred
Pinterest boards depicting
indistinguishable scenes
of smiles stretched paper-thin
on spray-tan painted faces.

my tongue is a skipping record,
regurgitating the same vapid
conversation ad nauseam,
stutter-stepping through
an indistinct refrain:
“how’s school going for you?”
“oh, really? an English degree?”
“and just what do you plan
to do with that, exactly?”

bourgeois blather follows flagrant patterns.
drunk uncles splutter racist rants
at this posh reception, but i’ve been told—
no matter what—don’t stir the ***.
avoid any and all discussion
of the current president’s
child concentration camps,
the war on immigrants,
or the escalating tensions
with Venezuela and Iran.

i am sick
to my stomach
of self-indulgence:
watered-down punch bowls, patriarchal
vows to god and government. “i do,”
an endless ******* feedback loop
droning tediously until my ears bleed.
sing the same hymns over acoustic guitars
while vocals peak in microphones.
reread 1 Corinthians 13:13, beg your deity
to bless the BBQ pork and beans.

dance along to the Cupid Shuffle
and be sure
to always follow the rules:
birth, youth,
college, marriage,
work, death.
consume.
Lawrence Hall Sep 2017
Alexander Pushkin and the Poker-Playing Dogs

We can have our Pushkin, all thinky and sad
And our poker-playing pups, cheating at cards
Ruslan and Ludmylla dancing on ice
At the Houston airport Holiday Inn

Did Pushkin paint the poker-playing pups
Or carve tetrameters while in his cups?
That green baize poker table, a samovar
And the Big Giant Head, who needs an ace

We can have our Pushkin, all thinky and sad
And too those kitschy dogs, being real bad!
Slur pee Feb 2018
A kickboxing kingpin, splitting skulls
Boom! There it goes, your mind explodes
Grab a Kleenex as you head out the door.
Kibitz with the cool cats 'bout kibbles 'n bits
And smooth jazz. Bright like a kumquat,  
You don't know squat; Knowledge is a knocker
Busting through doors with manners improper.
Cackle with the cattle as they pass over the mantle,  
A klutz in the gravel, but the lil' rascal can leave you frazzled  
And clinging to the scaffolds with masterful power.
Check the cadastral, he owns God's throne and then some;
Kicking kitschy angels out the nest 'fore they grow their halos.
Shot Happy to killjoy, bound his body to a killick
and the water smacked
Now he's swimming with the goldfish and they smile back.

-SLuR
Charles Nov 2017
You are not the only person i’ve loved looking at that light
Green, blinking over the water
in fact, i said goodbye to my first staring at it
i soared with my second in its glow
but each one, each one
faded, or crashed, either by my malicious hand, or my incompetent rudder
i have pulled so much from so little
i knew that light meant everything
now i have learned, it is just a light
in reality it exists only to demarcate the left side of the safe path
not to me, not to me, to me, like one before me, it was everything
a green light blinking in the Distance
every future i could hope for
each time filled with a different You
i’ve sat in the same spot on the same sandy shore and said the same things the same way
the only difference
You
god, i hope You are different
i hope i feel differently about You
but i do not, i can not know
i hope our ship will not sink like the rest
Illuminated by my kitschy and distracted heart
always looking for the next metaphor
Blinking, noiselessly but immutable
i am sorry
**** me and my poetry
i am sorry
in the fall there will be a fourth.
David R Mar 2022
once upon a time there was a world
with smells and colours and sound
people would watch how roses unfurled
watch the blackbirds pecking the ground

there was sweet silence within the quiet
a place where angels and fairies could dwell
plenty of space for colour to riot,
forget-me-not with the bluebell

there were greens of the spring, gold of the summer,
orange-browns that made the heart sing,
fluttering of birds in wake of newcomer,
swallows and swifts circling on wing

it was a world where the people cared,
heard the heartbeat of mother-nature,
no place for kitschy pop-posts shared
incessant interruptions as leaf's crenature

the so-called prosaic had depth and music
we weren't so clever but men were still true
we lived in harmony with world's acoustic,
before we sloughed the soul's inner view

once there was a world where people connected
not on the screen but in their souls,
where the inner voice was always respected,
people in tune with their inner goals.

i pray and hope we'll still be able
to pass this on to the next generation
else a world, tottering, unstable,
has orchestrated its own cessation
BLT's Merriam-Webster Word of The Day Challenge
#prosaic, kitsch, slough
Alyson Lie Nov 2021
For a very brief time, A. & E were like
a diphthong, sitting side by side on the
bench outside the meditation center,
meeting secretly at odd times and places:
7:13pm in front of the library;
2:32pm on the cliff overlooking the Pacific.

A. wrote poems for E. and sent them on
kitschy postcards. E. was introduced to A.’s
son; A. met E.’s former spouse.

For a very brief time their pulses synchronized.
The rest of the world retreated like a
chorus line moving upstage, letting the
two of them stand alone in the floodlights.

Then, one night, alone on a street corner,
they got so close that each of them disappeared,
vanished like binary stars in a death spiral.

E. was frightened by this, and so they agreed to unhook
their limbs, letting the gravitational vortex fling them
to opposite ends of the story. No longer singular,
but plural once again—each.
Oliver David Nov 2019
I have figured it out and I have a plan:
I will not **** myself before I see Nebraska.
I picked there because it is the last place
I could think of wanting to go
Flat nothingspace in the middle of America,
And this is how I’m gonna avoid my death
I will better my life, I will find traveling companions,
I will save up my money and It’s gonna take years to do so;
I will add years to my life
With how many places there are to see first.

I want to climb to the parthenon
I want to sip tea in Japan
I want to pick fruits and eat them at roadside stands across the county
Think of them always and never go there again even though I mean to.
My house will be filled with nothing but
kitschy travel mugs and tourist trap souvenirs
Stacks of postcards to my mother that I will
not have sent in the mail because postage is very expensive, you know.
So im just gonna have to come back home every time I want to send one
place each one in her hands Individually.
and give kiss her on the cheek
Describe them and read them aloud to her if she needs the help.
And they’ll say things like
“The food here reminded me of you”
Or “met a singer on the street today who sang that song you loved to sing when i was young”
Or “I'm thinking of you, of course. I’m being safe, of course”
Or “did you remember to take your medicine”
Or “I'll write you more soon”
And I'll never have the time to visit there at all.
Donall Dempsey Jun 2023
CRASHING IN THE CABBAGE AND KALE

It was a "May Day
May Day!" in 1963

I was crashing
in the cabbage and kale.

The sky as blue
as a picture postcard  

of a summer
that could never end.

I went to ground in
a veritable vegetable forest.

Somewhere a boy was
crying as if

his whole world
was ending.

I a paper aeroplane
long longed for
saved up for

and lost
on its maiden flight.

We never ever were
to see each other again.

For him there would be
other paper planes

coming gaudy out of
a kitschy wrapper.

And in time
making one

for his own little boy
when the time came.

But for me he was
my only little boy.

I lay there in the sun.
I lay there in the rain.

Until a magpie
feathered its nest with me

and once again the sky
was as blue

as the first day
I flew.
Ephraim Feb 2021
Kinetic and kind, well kempt, never kitschy, keen on kin as the key to good karma.

Remarkably resilient, reliable and respectful, radiant, relaxed and romantic. A bit rebellious but always within reason, and responsible in all things.

Idealistic and imaginative, intuitive and intense, immaculate, impeccable and irresistible. Never intrusive. Never idle.

Svelte and slim, scrupulous and supportive, sensual and sweet, swift, speedy and skillful, selfless and sprightly, swift, never slow.

Talkative, truthful, trustworthy, thoughtful, tough, tenacious and tolerant. talented with her touch, sometimes teasing. Tender hearted. Never tacky, always showing good taste.

Yogic, youthful, yummy, yin to my yang.

Natural, nonjudgemental and nurturing. Nice and neat. No-nonsense attitude, nimble and nifty. Nubile (oh là là!) and nourishing, non-racist and never negative.

Amicable, angelic, agile, attentive, astute, agreeable, amorous and always, absolutely adorable.
Kristyna, you are the love of my life.
NP Oct 2019
The train, bus, car moves faster and thus leaves your resting gaze behind, perched upon an ever fleeing, shrinking back, neck or smile. And as the trees, houses, mountains merge into a single nauseating line; so do your memories into a single sepia kitschy photograph.
Pinkerton Sep 2019
My heart is not
an ugly sweater knit
by a distant dying grandma;
yet once received, you simply
packed it away as food for moths
supposing a trip to Goodwill could be saved
when holiday parties request adornment in
something kitschy.

My heart is not
a sweater but I had hoped
to keep you warm
Until the grim reaper
whisks yours truly away
common joe just biden his time
chronologically old fogey
(albeit boyish looking goodfella)
at moon shadows he doth bay

meanwhile stricken with
dripping wet sweaty palms,
perhaps attired with
trademark Harris tweed
this August twelfth
two thousand twenty dog day,

viz just the mere thought
to seek part time employment -
cuz I wanna supplement
(social security disability) income
perhaps out of desperation
selling myself short on eBay

unless an anonymous reader
espies adept ace at foreplay
i.e. whereby his linkedin word choice
oft times evokes double entendre
essentially this poetaster
at large concocts gourmet

reasonably rhyming literary cuisine -
thus hip hip hooray
invariably an anonymous
respondent will inveigh
against playful badinage,
and/or perchance some grumpy

humorless cat (woman)
originally whose nine lives spent
housed within San Jose
will take objection with base (sic)
lame ribaldry (mine) laughable
courtesy none other than kkk,

(kooky, klutzy, and kitschy tendency)
who though reformed Caucasian Jew
**** sitter me laughingstock, nevertheless
(modesty notwithstanding)
he brews the best latte
this side of Schwenksville, Pennsylvania,

where whiplashing, madding, and
clamoring crowd fuels melee
along Perkiomen trail
over hills and across Atlantic Ocean
eventually leads to Norway,
which namesake river from “Pakihmomink,”
or “where the cranberries grow.”

Rather than get further
bogged down with inane zeal
I best steer clear of poetic poppycock
courtesy imaginary wheel

thus the following pablum I unveil
nsync with titled malady all to real,
which plight involves hyperhidrosis
quite a debilitating ordeal,

especially when thinking
to pursue gainful employment
emphatically steadfast
and honest think (me) leal
course this humble communicates
 
(hyperbolically) embodiment ideal
if seeking to gain insight how I feel
about myself, a tense body
inept to cartwheel.
wordvango May 2020
Don't remember what
It was
Or used to be
Before it was renewed into
Modern technology
A kitschy site for
Poets
A haven for wanna-be's
Like a Cedar Tavern
In a green wish village
Online
Friendships made
And loves were lost
But, cozy,
And now dark and hollow.
What other place but
Here could you ****
Into an ashtray?
Or get drunk
With travelers
Blind poets
And masked intruders
We could agree
To disagree
Because it was
Mostly family
We adopted
We became accepted
First time in our lives,
For many,
Now all those faces so familiar
Are replaced on the wall
With just ----  
Dashes
No names at all,
I recall them.
But here,
Now into a metropolis
Where strangers hang out close
Packed but alone,
With young names
Lots of Faith's and
Hope's,
Alexander's and Popes,
Edgar would turn over,
Young faces
Xbox accomplishments
As their praises,
And the skyscrapers of progress
Block all light from the
Sun.
And you can howl
All you want
Never to be heard
And the bar
Itself
Torn into pieces
Is in storage
I've heard
Someplace inside
The backroom
Of the CVS
pharmacy
There now

Goodbye
Hello Poetry
telumne Nov 2023
can you imagine having a house with so much warmth and brown and wood and little things in it, kitschy and beautiful. paisley print and filligree. and you paint fruits and flowers on walls and paste up paper printed with wild animals and roll out thick rugs that your feet sink inches into, the edges rolled gold and the innards designed with leaves. and you live there forever and use the same chippedish dishes forever and the same blankets and embroidered pillowcases forever and you know every step on the staircase that squeaks and every nook where the spiders like to cob their webs. can you imagine the potted basil in the window.
Marla Sep 2019
I never felt at ease when I came to visit,
your bad omens were overwhelming.
That piece of corporate art at the entrance
distracted from every student's rising debt.
Your kitschy campus franchises kept us busy
while we paid to sit idly in class, no education to be seen.
Well it shall not stand.
We bankroll you, so rot when all is lost again.

— The End —