"kernels" poems
The bag exhales its emptiness.
It has run out of things to give,
only a few husks.
I prop my hand under my chin.
My darling puts her kit on the table
and strings the kernels through.
There were all shades of yellow #5.
America's #1 Finest!
She puts them round her neck,
glistening in tv-light,
that nacreous shell of a necklace.
The white noise plays on.
They start to burst, each one of them,
into a different kind of flower—
daffodils, dandelions, daisies—
it was quite a piece.
My hands are so close now, trembling,
and I am hungry.
The white noise plays on.
Quickly I ****** at them, ****** into her,
And my hand comes out empty,
only a few husks.
The petals scatter slowly around us.
The bright, yellow sun is crashing,
And so, too, does that crumpled bag
Into the trash, above which hung
My heavy heart, my sweet
And her finest around her neck.
I prop my hand under my chin again.
Apr 14, 2014
Apr 14, 2014 at 12:48 PM UTC
she’s the girl who sets a room on fire with laughs or real flame,
and she stands in that same flame; ranting about herself
with blissful intention:
aries.
she’s the girl who mows the lawn all day to throw a memorable party
on perfectly pitched grass; but then spends the entire party
with that one guy on that one roof, just the two of them:
taurus.
she’s the girl who ***** you fiercest only to then display sudden and
crippling bouts of madness; she’s one of a kind, or two of a kind,
and she means some kind of love:
gemini.
she’s the girl who you fall for so easily, and she falls for you so easily,
and everything is a dream; but a dream transforms, seasons transform,
and the peopled cities with them:
cancer.
she’s the girl who steals the show every time, and she leans on you
when she’s tired and lonely; she reads science fiction books
and tells you all the endings, strange planets fixtured in her dreams:
leo.
she’s the girl who thinks too much, drinks too much, and weighs you for all
your words; but words are her demise as she digs her arms deeper
into the dirt to catch that feeling:
virgo.
she’s the girl who piles a shrine of shiny occult objects and spools through
men like shiny other objects; she has a beautiful heart, holy or not,
but without a doubt, entirely stylish:
libra.
she’s the girl who doesn't believe a ******* thing you say but kisses you
harder when you say it; she takes you up the hill to her folks
and they sacrifice you for blood mana:
scorpio.
she’s the girl who knows you best and knows even better she’s far beyond
the depths of your league; she has deafening dreams, with or without
you in them; for ruins she will climb or create:
sagittarius.
she’s the girl who buys the popcorn and eats the popcorn and sulks on
the couch while tonguing kernels out of her teeth; she will never
truly love you, just the idea of you:
capricorn.
she’s the girl who saves your life with a tracheotomy when you nearly die
on that plum street seed; she will leave you for a another man, a man
with a good rifle and a warm little tent:
aquarius.
she’s the girl who sees synchronicity in all things, all life, all dreams
and emanations; she will love you until the smell of mexico drags her
away upon a neverending weekend:
pisces.
Dec 9, 2014
Dec 9, 2014 at 6:38 AM UTC
America, from a grain
of maize you grew
to crown
with spacious lands
the ocean foam.
A grain of maize was your geography.
From the grain
a green lance rose,
was covered with gold,
to grace the heights
of Peru with its yellow tassels.
But, poet, let
history rest in its shroud;
praise with your lyre
the grain in its granaries:
sing to the simple maize in the kitchen.
First, a fine beard
fluttered in the field
above the tender teeth
of the young ear.
Then the husks parted
and fruitfulness burst its veils
of pale papyrus
that grains of laughter
might fall upon the earth.
To the stone,
in your journey,
you returned.
Not to the terrible stone,
the ******
triangle of Mexican death,
but to the grinding stone,
sacred
stone of your kitchens.
There, milk and matter,
strength-giving, nutritious
cornmeal pulp,
you were worked and patted
by the wondrous hands
of dark-skinned women.
Wherever you fall, maize,
whether into the
splendid *** of partridge, or among
country beans, you light up
the meal and lend it
your virginal flavor.
Oh, to bite into
the steaming ear beside the sea
of distant song and deepest waltz.
To boil you
as your aroma
spreads through
blue sierras.
But is there
no end
to your treasure?
In chalky, barren lands
bordered
by the sea, along
the rocky Chilean coast,
at times
only your radiance
reaches the empty
table of the miner.
Your light, your cornmeal, your hope
pervades America's solitudes,
and to hunger
your lances
are enemy legions.
Within your husks,
like gentle kernels,
our sober provincial
children's hearts were nurtured,
until life began
to shuck us from the ear.
5.1k
The rainy season is at
The door once again,
And loneliness has
Brought me a new pillow,
But who is to defend
My repugnant soul?
Can it be the Gods?
Hear this! The rain has
Began knocking at my
Slammer door gradually,
Oh no, it is knocking
And wailing so heavily,
With his icy voice
Of storm and cold
Arresting my hearty dreams,
But I will retch at his smell
And hurry for my handkerchief,
Where is my lantern?
May be, the native doctor
Has the answer to the
Cylindrical jar containing
Her eternal juniper organs,
Indeed, it is my misfortune
To go about with the priest,
For even the child of
The priest even dies at noon,
Ah, I thought she was
Vigilant and ever-ready
To make the debtors
Chew the palm kernels,
But she became the
Portion of the exterior of
The *** that skin can cover,
I have lost my heaven,
Oh no, I have lost the
One whose neck is like a
Bunch of small-fingered plantain,
I have lost the whetstone
On which I sharpen
My thirsty sword to
Perform deeds of valour,
Let the Gods weep!
Let the ancestors wail!
Let the people of Africa,
Give me condolence of
The talking drums,
For their child is gone,
The wise woman who cut
Her thumb in order to get
A wise husband is dead,
Mother, the Okro full of
Seeds of children and literature,
Efua Sutherland, the queen,
The toad likes water, but not
When the water is boiling,
Send me something
When someone is coming,
Efua Sutherland, the queen,
You and I exchange gift.
© PRINCE NANA ANIN-AGYEI
Email: [email protected]
Apr 8, 2013
Apr 8, 2013 at 5:58 AM UTC
Rows of starched green and yellow paisley feather stalks
Marching in ordered lines along the road to 57 Eldon Way
Hot dogs and char burgers charge the air with yesterday's homecoming
Buds of moxie memories tipping long ears to big blue
Listening to the chickadees vocal pecking at kernels from the past
Morsels fall to the dirt signal life again for those willing to root
Pulled magpies to lines spy intimate joy-scattered seed below
Promising fortunes creased by hourglasses settled sand
White washed porches with rose printed borders
Nestle a "his and her" swing vantage over familiar fields
Imagined better-time scenes from selfie soaked movies
More real than all the forgotten stones ever stepped upon
Sweet tea sugar fills tall glasses of yarn spun dreams
Glory red and navy rippling a windy beat
To the clang of their steal pole clasp
Dance
Swing with them and recall a time of slower horizons
Of richer baskets
Of brighter springs
Of longer summers
Take a dip in the swimming hole
Naked, together, and happy
© 2019 MJL
Mar 11, 2019
Mar 11, 2019 at 7:43 PM UTC
Right now, my mind...
Is the proverbial popcorn machine.
Every little thing that bothers me is
likened to a kernel.
And to make popcorn, you need lots...
Bucketloads of kernels.
Dump them all in the machine.
Let them whirl.
They sit layered on top of each other
undisturbed,
on the hot bed until...
The spindly metal arms begin to rotate...
Whose sole purpose is to agitate.
Buttered with debilitating insecurities.
Sprinkled with irrational fears.
Heated with erratic temperament.
And here come the arms again.
Rotating,
churning,
inciting.
No one knows when the kernels
are going to cave and rupture.
Then...
"Pop!" would go one.
Then another...
And another...
Soon they would all start to explode.
When that happens,
I do too.
••••••••••••••••••••••
Addendum
••••••••••••••••••••••
I love popcorn.
And I don't like to share.
Apr 25, 2016
Apr 25, 2016 at 11:22 AM UTC
i miss the dogfight
of our teeth squaring off
in a shiny mirror.
you could call our canines
moon kernels or portents,
but the sentiment
is sharper. the poem
tautology to a bracelet
of crescent dents.
self-portrait: light
shadow, shadow, light.
a plane reflecting
other planes, an edge
biting an edge, biting
an edge, bitten.
the bracelet tautology
to a skyline sans sky,
one wedge of evening
held in your periphery.
i press my fingers
into a warm glass throat.
Jul 21, 2015
Jul 21, 2015 at 12:12 AM UTC
Let me know the sweetness of the canopy. The gentle cygnet garden you express in rows. I drift upon the aching embers of the bark of midnight's supper, its kingdom of darkness that I lay upon. Suspended in the air, rocking steadily on a distant plateau, tilling the granules of the earth in my map-lined hands; I pinch the rocks and sand kernels naming places as I snap my fingers. I go to the top of the city I know, a small yellow house in a crowd of tall aspens- and the Catholic church sends me soda and small biscuits, and the Hebrews help me be a better man.
I go to a place which has very small rooms. My legs are like a giant world-sized forklifts that carry the heirlooms of my parents in and out of this universe into another. I make a stride to catch a glimpse of you in passing. I tilt my eyes. I hope that I can see how beautiful you are, once more, if only I lift my head towards the way in which I know you, or the way in which I once had.
Apr 26, 2014
Apr 26, 2014 at 5:43 AM UTC
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
Dec 11, 2018
Dec 11, 2018 at 6:57 PM UTC
As green as cenote water,
calm sacred well.
Jade, smoothed and polished
by Chac’s tears and sand
and one thousand year old maize
kernels from Tikal, grown
by the first father.
Straight blade edged by lightning
sings against the tree when I cut.
Grandfather will be pleased with me
when this jade axe I gift him.
r ~ 5/22/14
May 22, 2014
May 22, 2014 at 2:10 PM UTC
Neuroeconomic
Amalgam
Uninitiated
But prescient
Drumming to remember
All last September
Kernels
Nuggets
Mirroring
Neurons
Can take down
Neocons
\|/
Signals
/|\
Subtle infrequent
Lullabies flow into
A numinous bassline
Reverberating Ohm
Indivisible
Mitosis
Becoming us
As the egg aspires
Divine feminine
Holding space
For the new
Phoenix rising
Nov 16, 2014
Nov 16, 2014 at 4:03 PM UTC
his head bleeds rivulets of flowers
on the street with few passerby
but there is still naught, not
a worrier, we are all sons of this soil
which has imbued in us the shield
of defense against pain, poverty,
wound and death, we are all idols
of this soil with our open eyes
that see but never could comprehend.
we are solemn in our expressions
but only if it could turn into actions
that we have long forgot the story of,
there is pain in every glance, and
that is all there is to it, our hands
clutching our ******* as we pass by,
our eyes squinted with the soil kernels
touched by his blood, fainted of life,
(of alcohol may be) and of lifeless visions.
his toes are half hidden beneath a car
(is he just asleep, my eyes ask me,
I have no answer, I pass by: a passerby)
a turbaned man sees through his shield
while speaking on his phone, the lips
next to me tell of the blood I failed
to see or sniff and him being passed out
by alcoholism, those lips wonder if he’d die,
may be he would, we’re all dead, when alive.
May 31, 2014
May 31, 2014 at 8:50 PM UTC
Memories of the North Sea
sift in like sand kernels
on a fast, frigid tide:
events that transpired outside
the confines of rhyme,
unfolding exactly
as they were meant to.
Never before had I seen
so many shades of gray;
the overcast, monochromatic splendor
was awe-inspiring,
instead of being bleak and bleary.
___
The smell of salt and seaweed
awakes something dormant and eternal,
deep within me.
I have a surging desire
to flush stagnancy from my blood—
salty blood and water
come together in a communion
of distant relations and movements.
Beside me, a flash of bright red
digs in the sand; my child
is wearing the only vibrant colour
to be seen for many kilometres.
The colour matches her
enthusiasm and energy,
as she moves from one spot to the next
like a dancing flame;
reflected, a fire glows from my eyes.
Unknowingly, I had dressed
in the same colours of the sky and sea,
blending into the scenery
like a chameleon:
an illusion thicker than the clouds;
an illusion of stone
for me to melt and reinvent
at the spinning speed of thought.
I watch my daughter
drink the seascape with a smile of wonder;
it's her first time visiting an ocean.
With our pants rolled up to the knee,
we wade through waves,
and collect stones and shells.
She knows the chameleon
who walks alongside her in the frothy surf.
Observing seabirds cover the steep cliffs
of the island located further out,
in a blanket of black and white feathers,
I wonder if people onshore
only see a solitary dash of red out here,
or if the chameleon
is more noticeable than I had thought.
2012 North Sea Remix
December 17th, 2012
Dec 18, 2012
Dec 18, 2012 at 4:50 PM UTC
Let's traverse the universe together.
I'll navigate the hot air balloon
And you'll mark a trail,
dotted with echoing wonder and laughter
and cookie crumbs and popcorn kernels.
Let's traverse the universe together.
We can fly paper airplanes to all our friends
and only communicate through bottled messages
and shooting stars with wishes attached.
Let's traverse the universe together.
you can lean on me when you need to, and
you'll carry me when i trip on my laces
People will point and whisper that we're time travelers,
or just gone loony.
But we're just the good amount of sane-
80% crazy, 10% sense, and
10% who cares?- As long as we're together.
We'll eat drippy summer popsicles together-
the kind that're 50 cents and you need a friend to eat with.
We'll surf rooftops to look like we're badass- and we'll trip and add to the
piles of scrapes and memories.
We'll build a secret bunker-
password and secret-code included
with more canned food than we need, just in case zombies come after us.
We'll catch frogs and try to make then fight-
but they'll just hop away, back into the pond
And we'll follow suit and go experience the world with them.
It's too short to ask why,
let's just do, instead.
Let's traverse the universe
and write odes to each other, and get drunk
off of our own poetic justice.
Just you and me.
Cherry pits and broken fragments
of sticks that once served as swords
will litter the roads we once trod.
People will say:
the world is too much for us to handle.
Well they're wrong,
we're too much for the world to handle.
Let's traverse the universe together.
May 16, 2014
May 16, 2014 at 12:03 PM UTC
First impressions dug deep into hearts of confusion
Messages of love so warm and vibrant
Perhaps we were fertile for such seeds of emotion?
Planted so accurately in our souls, cautious and yet receptive
As time proceeded the kernels of realisation developed roots, deep and stable
Reassuring our minds and relaxing our subliminal tension
Smoothing our lives as wonderful memories are built, daily
Simple hand touching and brushing of lips, sensitive and meaningful
Walking, talking and learning
A new experience that has become ‘us’, Jan and Max
No longer just two people but a synergy in living and loving
We get to know contentment and embrace it as a tender thing
Every day a careful brick of love is put in the wall of our future
Built on foundations of beautiful harmony and understanding
A creation of happiness and determination worn with confidence
Since no such feeling has ever before been available to us
Fortune and luck is one thing but such poignancy and roundness
Is seldom delivered in such an elegant packaging as our love
Each day is a treasure whatever we do
Feeling you close, hearing your voice, seeing your face.
Why is it so wonderful, was it the wait?
The lack of a belief then destroyed by the reality in fact?
Desperation of having no future, no plans and no-one to hold?
If so all of these are yet diminished by perfection
How close we are, how much we know of each other
Not just now but of the past and of the future we will share
Such true souls never to be parted, ever
These things are not accidental but designed with cosmic influence
Darling Jan since we met our growth has been amazing
Within ourselves and for each other, personally and as a couple
Stronger and stronger from one to a million and on
In this world and all to come
My whole being is completed, enhanced and fulfilled by you
Every day wonderful and a joyful symphony of love
My soul and yours are united forever and my heart...?
I gave you my heart so long ago.... on the day we met.
Feb 3, 2010
Feb 3, 2010 at 12:17 PM UTC
my teeth are sensitive too--
candy smoke strangles them
they are the crown jewels of some British empire
one day at the circus he bought me popcorn, and boy how the unpopped kernels cut my gums. I laughed and the iron taste blanketed my tongue. I noticed my chair had only three legs, and my scarf was red and sticky
o world, how I want to shake your head
and tear wires from the fusebox
to taste the sound of incandescent crackling and burnt popcorn
o shining irises, where is your citrus now?
Nov 13, 2014
Nov 13, 2014 at 4:48 PM UTC
*"Though the mills
Of God grind slowly;
Yet they grind exceeding small;
Though with patience
He stands waiting,
With exactness grinds He all."
Henry Wadsworth Longfellow*.
The Mill
The grueling weight
of happenstance,
A millstone for to grind,
It deflates the ego
And shows us
Where we're blind,
It renders flesh a ruin
Obliterates the mind,
We leave our idols desolate
Leave the ties that bind.
Under painful hardship
We release the very things
Which put us in the circumstance
And caused the suffering
We leave behind our craving
For wealth and diamond rings
Everything exalted
All exalted above God...
That means EVERYTHING
Whatever you adore
On this temporal earth
Whatever gives you pleasure
In which you find worth
These very things will shackle you!
You'll find out they're not free.
They are just the Golden Calf
Of base idolatry.
But the millstone slowly purges
Turning hour by hour
Turning the wheat kernels
Into useful flour.
And so I am refined
As I surely must
Put to naught my flesh
Make powder all my lusts
For I am as ashes
for I am as dust.
SS (C) 8/23/2017
Aug 24, 2017
Aug 24, 2017 at 1:43 AM UTC
Prohibition came, but not to Whiskey Hill.
A man has got to eat; a drunk must have his fill.
Old Abner dug a basement before fall
Beneath the milking barn at night;
Dug down and mortared up a wall;
Bought copper sheets and hammer-fit 'em tight,
Disguised his vent holes in the stall
By countersinking posts to keep them out of sight.
Set down a trapdoor and a sturdy stair,
Strawed the lot and penned up his old mare.
In all he did, he didn't tell his wife a thing;
He reasoned there was money to be made...
More than the crops would ever bring,
More than the eggs the chickens laid,
He'd be enriched by moonshine in the spring.
He learned to ferment mash from an old book,
Soaked down a bag of corn and let it sprout,
Waited twelve full days before he took a look,
Cracked kernels, poured on water, boiling hot,
Then pitched the yeast and left his hidden nook,
And all the while kept his mouth shut;
Seven days and Sunday passing by,
Old Ab could wait no more;
Ate supper quick and told his wife
He'd one more feeding chore...
Stole to the barn and shoo'ed the mare aside,
Pulled up the vent posts from the floor,
Climbed down and lit a fire inside
Beneath the still to let the vapors soar.
A thrill began as drops began to fill the jug;
The fore-shot blended in as Ab forgot
That methanol would poison off the slug,
So when a shot he took, his breathing stopped.
Above, impatient Molly stamped, then paced
Hungrily in her pen, shoved to reach her hay
And dropped the standards in their place,
Plugged tight the vents, above where Abner lay.
When Hildy woke, her husband still was out;
She walked down to the barn, no sign to see;
And thought it odd the horse was out...
The cattle lowing hungrily for feed.
The sheriff came to have a look;
No luck had he,
Old Hildy sold the place and moved away.
Where she went and how remains a mystery.
A cousin bought the place: house and barn and still (unseen).
His sons, exploring, found old Abner in the spring
Beneath the horse's paddock where he lay.
Feb 10, 2013
Feb 10, 2013 at 1:40 AM UTC
People are like popcorn.
Some pieces are big, some small.
Some pieces are chosen from the bag first, and some are left behind to be thrown away and forgotten about.
Some pieces pop early, while some take extra time to blossom from their kernels.
Some pieces are seasoned uniquely and are different than others, but some are plain and simply blend in.
Although popcorn comes in many different sizes and shades, we treat it all the same.
That's the only difference between people and popcorn.
Feb 11, 2014
Feb 11, 2014 at 9:47 PM UTC
Not a day in your life, war have your eyes witnessed
You lay safe, secure, in your ignorant pocket of peace
But their memories play before your eyes and their nightmare dance on your eyelids
The chop of the fan blades remind you of the planes, menacing overhead and dropping fire from the sky
The popping of kernels from the microwave wring forth panic-- Duck! They’re shooting! Duck for cover, you fool!
The book, it merely fell, but was it truly a book? Or was it the boom of an artillery cannon?
Screams of glee mingle into screams of pain. Your best friend, why don’t you reach out and save him? He’s only a few yards away. He’s in such pain, don’t let him die alone. Don’t let him die like this. Don’t let him die.
Stepping in the puddles makes your skin crawl. You remember their blackened skin, rotted flesh. You step out of the water quickly.
The open water is calm. Peaceful. Under the surface you can see them, the submarines. You move away from the shoreline.
Your friend, hugging you from behind-- it’s their hand, just their hand. There was never a knife. They are your friend. Or are they?
The memories. They’re not yours. Whose are they? Why do they tremble like tenor in your mind, ingrained in your DNA?
The blood on your hands is not there, open your eyes!
The jungle, the desert, the forest, the wasteland. You’re not there, you were never there.
The blood on your hands is not there, open your eyes!
Now the dark, it's suffocating. This is not your world of cracking rawhide and dirt. You were not there, this is not your reality. That white jacket should not make your breath hitch! That burning cross should not terrorize you so!
Now the dark, it's suffocating. This is not your world of fabric stars and canvas trucks. You were not there, this is not your reality. That red armband should not make your breath hitch! That fire should not terrorize you so!
Not a day in your life has this world brought its ugly head to look you dead in the eye and breath upon you, noxious breath liquefying your lungs and dissolving your eyes.
You are safe-- that blood on your hands is not real-- you are safe-- this is not your reality-- how it terrorizes you so!
These memories are not your own.
These memories are not your own.
These memories are not your own.
They are theirs, their memories, and you see them every time you close your eyes.
These memories are not your own.
These memories are not your own.
These memories are not your own.
They are not yours and they never will be.
Dec 30, 2016
Dec 30, 2016 at 3:42 PM UTC
swoosh and swirl i sway
the air convulses and contorts
pouring my limbs from one movement to the next
driving one mad with the slow moving power of the
strings
blow bubbles made of sand
and spill them upon the earth
with a sweet blowing breeze
similar to the chickens upon the ground
made of gold they eat gold
kernels
i am an axis of movement
a slowly rotating turnstile sparkling
in orange light drowning
time out of the hourglass
with the twitch of the inconsiderate wrist
bright red and gold the kernels fall into sifting
sand
Aug 1, 2012
Aug 1, 2012 at 7:04 PM UTC
How time
Eats away at our words
Like kernels of discontent
Tossed about
And taken by caustic birds
On the qui vive
Feeding off our book
Of broken pieces
Nov 23, 2021
Nov 23, 2021 at 11:01 AM UTC
Our fingers dance around each other
doing the cha cha on faded jeans instead of shiny floors,
picking popped kernels once in a while -
processed butter on the tips of our ballroom thumbs and forefingers.
Let me take a sip of your flat sugar laden drink,
taste it on my lips in a little while.
Hey!
It tickles when you draw question marks on my thighs,
just let your hands make knots with mine.
Train our eyes on the giant screen
where the heroine makes one mistake after another
and isn't that real life?
Blunders and I'm sorry's and
chance meetings and vivid colors
and the boy beside me--
Real. Life.
Maybe we should stay in the flimsy seats
while the credits roll,
pick apart the moving pictures
reminding us of first love and first fears.
Of forgotten dreams and words we lost.
Maybe we should examine the best narrative yet -
you in your soft sweater,
me in my mud-caked shoes.
Hold my hand while we descend the steps;
shadow swallows the bottom,
reminding me of movie monsters and white faced ghosts.
Usher me into the light.
Although, I have to admit,
I see you better when it's dark.
Jan 6, 2017
Jan 6, 2017 at 8:11 PM UTC
Hot oil burning kernels
Jumping in stomachs
Exploding and delicious
Hot and steaming burning
Red like pokers
Molten from flame
Bursting lips spark heated
Words like firecrackers.
Nov 18, 2013
Nov 18, 2013 at 10:28 PM UTC