Submit your work, meet writers and drop the ads. Become a member
Daniello Mar 2012
I don’t recognize you, but you’ve returned, oh it
must be you. No one else comes here but you.

Do you remember this music?

Kaleidoscopically gemmed it repeats, perhaps too
delicately—a quiet, tinkling knell, fishtailing through the
glimmering rain—mauve—soft-soaping the soil to darker clumps
beneath—soppy—slowly sinking so pretty, yet
terrifying now you’ve stepped into and through each
silted deepness, holding time.

This music begs you still—it has not stopped begging since—
to step further inside the wet loam (You clutch time now.)
To press down on it, in it, and listen tender the key you touched in
life between moments. It’s the reason you’ve returned.

You won’t, it’s not music, this feels like a baby’s head you’re on, you
cringe. About to cry.

Again, I’m sorry, but you have to—you have to feel it
scarily give a little. Feel it sink, infolding inside-out through its
thin pleura overflowing, always overflowing with the visceral
sap of everything on it—(I mean really everything.)—this
glistening ick, this frog-soil—moist, sickly cloying, susceptible
almost to light. And breathing.

It’s about to give out under your feet.

And kaleidoscopically gemmed it repeats, can you hear it?

Yes, you could be stepping on all their naked lungs, but there’s
nothing to fear, it’s an eternal field of their lungs—pink and gasping—
and that’s all there is here.  

Feel with your foot, like me. Is it alive? Or is it life? Listen, it
bleats a note. Why so sweet if, by touching it, we’ve made it drip
first truth from its tongue, look!—the blood of its eyes’ red
rivulets. Of its heart. The slightest breach it was. Barely an
opening

I’m sorry. I don’t mean to force you. If I was only me, I’d
leave it be, so it could spare us the look at the inner red that yokes
flesh to spirit. But you arrived here, and—listen, now it’s been
done, do not close your eyes.

You didn’t want to see this, I know—the sticky gum or muck that
licks over the fibrous bridges. Keeps them glued down and
invisible in the other world. It is all much better when the mucilage
does not ooze out. When the form is skin-tight, because that’s how
it works best. Without you probing its pores.

But now do you see, probing its pores, what you may find?
Look. Now do you see why the music has begged you?

What rests underneath there—what you may find in that dark
indigo clay which the shamans dug and pressed over their
blackened eyes in the night-trances—glows transparent somehow.
In pulses. Like Aurelia, the silver moon jelly.

Now it is just within your reach.

Light would pour to the other side, and their mouths would stiffen
with several infinite unintelligible syllables remaining stuck there
under their tongues. As it poured, they felt their blood replaced
in a surge with veinless essence, which sustained in its flow
through them something of precarious beauty—ascending, swirling
itself in air, then back into again, again returning to the home of homes
within them.  

The silver-moon-jelly-clay is continuously poised on the tip
(of not being clay).
About to break into splendor, into finally birth-giving of real breath.
Of meaning to breath, and to breathing.

This is what feeds, unknowing to them in that world, their field of lungs.
But you will know instantly when you feel it, that by feeling
(in feeling)
you have really always known.

Did you reach for it? Did you feel it in that second? You did not, I see
(you were so close!)
for now we’ve passed the origin symmetry and are sinking up! Going
deeply back up through the sticky goop with red glue in our hair,
through the moist-frog-ick-soil, choking dirt again, squishing loam
with our heads, shooting upward like falling, hearing lungs, and now
out, atop the surface again, in this bare garden that grows only under.

The skies above, still mauve, and the rain lips quietly the same
melody which, kaleidoscopically gemmed, repeats. It was all as quick as
nothing.

And, as I look at you, I see you’ve already forgotten
everything.

And now you’re leaving me! Fading back through the spectral
break in the clouds, whoever you were. Whoever it is you became.

I did honestly believe this was to be that one moment when, together,
we’d finally get to touch it. Press it like real sun to our blackened
eyes. I cannot tell you, it has felt like the one each time.

But I know to wait. I can wait. In this world I keep fluttering hope
in my hand. And you, whoever you’ll be, will return here.
You always do.
Do you ever remember why?
It’s because, when you leave through the clouds to go back to
that world, you are still. Always.
Clutching time.
Lamar Lewis Sep 2011
You told me my colors clashed
But I think them more to dash
and lash out
at passersby to sing and scream,
to shout
to sigh and shrug,
to let it all out

To breathe real deep and hold it there
my chest the spectrum swells to a tear
dulls, pallids, dry and opaque
to sing and scream, to shout,
to shake.
Violently to wake.

Violently vaporize voluptuously
from lustful lucidity lusciously
to chromatically color kaleidoscopically
and wake.
Silently shake and to...
Brilliantly Break.

Such a brilliant break, the day's.
To shatter smoothly in calm collision

through the dripping dew, the haze
Oh the grip of you, the taste

        Such a fantastic fission
Illuminate
          Such a drastic decision
in a dreamstate.
             Such a calm collision.

You told me my colors clashed.

Your eyes, my sinking shrine
A wishing well in Town Square
filled with hope and change over time
Long and Loving I would sweetly stare
copper glowin' fine

Your eyes, at the present, you forgot to mention
what new love with my coins did you buy?

Your eyes, at the present, you forgot to mention
was my wishing well shrine emptied in the night?

Your eyes, at the present, you forgot to mention
why void of shine, lined with lies?





You told me my colors clashed
Your eyes, though sublime,
Maybe Mis-matched.
Daniello Mar 2012
Stream streams, runs, speaks
in water to me, blind over
tongued rocks. Don’t wake up,

her sweet heat dropping over
my face. I don’t. I want her to
continue smiling with her eyes

like she is, hands through me.
I’m the grass in her fields and
she’s alone in them. I let her be.

An impossible color gleams in
shut eyes—maybe

veiled incarnadine, stirred in
splotched mauve, clearing dull
blue-black, streaming vibrant

because water is streaming
through air into myself, because
the high red sun is falling down.

A thin membrane’s between it all.

If I find the far distance inside
that short space, the chained
filaments appear, then glow,

shift, float, stream. I think of
seeing stringed symbols of
broken infinity, but I don’t

focus on that, I let be.

Kaleidoscopically gemmed
rainbowed streaks begin to light
the world, slowly, move my eyes.

As I move, they move, and
pour in the hot white of
awakening, o her smiling eyes.
Christine Feb 2016
A bright candlelight
dances, enough for
giving heat. It jerks
kaleidoscopically, like
music. Near oblivion,
phantoms quietly rollick.
Shadows trail up
vapid walls. Xylography
yet zigzags.
This is another one of the poems I wrote for English class in freshman year. A poem with no real meaning, but is mainly focused on using each letter of the alphabet as the start of each word.
Shalini Nayar Sep 2014
These poems are always born colourful.
Pointy and symmetrical, they are life, crafted
Specially for schools that have no bell-rings
Or even recesses. How dull it must be.

They come in different morals: steaming ships
And inexperienced rafts, all trying to taste the
Same water at once. The ships do have an advantage
With big chimneys but it’s the rafts that are more careful.

And how kaleidoscopically they flaunt themselves!
Angels are always with their kin (how saintly), and tigers proudly
Race with their predation pride. The normal ones
Adapt normally, till the gold one comes oval-gaping for air.

It is almost operatic, the bullion fatly singing
A joyful soprano that spirals its corpulent body,
Indelibly marking its forte and making
Everyone else envious. The rest soon join in the orchestra.

Colloid-free, their airy world so thin and wet, the
Little air bubbles drop, drop, drop as clock-like as possible
To balloon and reign the surface. The water’s
Fully bloomed now. They are ready to breathe.

Doctor’s miracles, they are born with unblinking eyes.
Their skin flat and overlapped like thin slices of birdfeathers
And wide bloodless cuts run at each cheek. They defy
Physics with their aerodynamic bodies and a thousand striped hands.

Every nook and cranny of their house is carpentered accurately:
Mirror-rimmed and exact. Windows glued for viewing, flawless.
The tenants move about freely, occasionally pausing to wave
At the guests through the translucent eye pieces.

Untiringly they follow the irises that gawk at their gill-full skins.
The cameras icily smile flashes and these water-gods snap away
Like graceful thunders. Their scissor-tails dance from side to side, panicky,
With only three precious seconds added to their memory.

Shalini Nayar
© 2002
Dr Peter Lim Sep 2015
LIFE-SCAPE

Life-scape--  life as a shifting landscape
never a still picture
it glides kaleidoscopically
none could figure

what its next rotation would be
but my beloved—if your heart is constant
why need I heed
life’s each restless movement?
nil
Whit Howland Aug 2021
Pallet of green
brown
gray

obstructed
destruct
construct

strange things
kaleidoscopically
arranged

natural
literal
and metaphysical
An abstract word painting. An original.
Travis Green Aug 2021
There was excitement
Stirring in the air
Summer serene vibes
Beaming kaleidoscopically
From the sweet sunshine above
My whole body feeling
Lovely, lively, so angelically made

I was a vessel of goldenly grand magic
A brilliant buttermilk sky
Of towering dreams
Sheer poetry in desirous motion
Glowing inside my mind
As I danced and serenaded
To the rhythmus of the scenic view

— The End —