who is me? brush my hair
who is me? comb my hair
I
Am Jo
I am Joh
I am Johan
I am Johann
I am Johanna
Who is me? I am I am like good girl

Karta hu mein anurodh sakrkar see
Mat baato pratibhaoo ko aarakshan ki talwar see
Mat baato insan ko
Samanyata k naam pe
Jo sresth hai use ko Milne chaiye pad
Jo worest hai use kaise bante ** best
Na woh bade hai
Na hum chote hai
Joh sreasth hai, Wahe best hai
Toh Kyu hai yeah reservation ki Dewar
Todh do aur KR do sabko saman
#reservation #hellopoetry

"Ishq woh Aag Hai joh Jagaye Na Lage - Aur Buzaaye Na Buze"*
~~~
Many waters cannot,
quench love,
neither can the floods
drown it.
If a man offered for love
all the wealth of his house,
he would be utterly despised.
Many women cannot quench
a real mans heart only one,
A true love twin flame, may.
A twin flame can't be bought
nor sold or given away
his art is priceless.
~~
Loves flame cannot be
extinguished.
except contained by my beloved.
flame who truly loves me.
I would lead thee, bring thee
into my mother's house, who would instruct me to cause thee
to drink of spiced wine;
of the juice of my pomegranate,
or my aged bubbly Purepecha champagne aged by my father David
under my starry skies where I was born.queen of my father's
forest lands.
Oh dearly mine beloved..GR
How I love thee.
~~~~
Inspired by King Salomon.
and the love of my life.

WIKI: Metropolis is a 1927 German expressionist science-fiction drama film directed by Fritz Lang. Written by Thea von Harbou in collaboration with Lang[5][6] from von Harbou's 1925 novel of the same name intentionally written as a treatment, it stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre.[7] Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks,[8] or the equivalent of about €19,000,000 in 2020.[9]

Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart".

Metropolis met a mixed reception upon release. Critics found it visually beautiful and powerful – the film's art direction by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht draws influence from opera, Bauhaus, Cubist, and Futurist design,[10] along with touches of the Gothic in the scenes in the catacombs, the cathedral and Rotwang's house[3] – and lauded its complex special effects, but accused its story of being naive.[11] H. G. Wells described the film as "silly", and The Encyclopedia of Science Fiction calls the story "trite" and its politics "ludicrously simplistic".[3] The film's alleged Communist message was also criticized.[12]

The film's long running time also came in for criticism. The film was cut substantially after its German premiere. Many attempts have been made since the 1970s to restore the film. In 1984, Italian music producer Giorgio Moroder released a truncated version with a soundtrack by rock artists including Freddie Mercury, Loverboy, and Adam Ant. In 2001, a new reconstruction of Metropolis was shown at the Berlin Film Festival. In 2008, a damaged print of Lang's original cut of the film was found in a museum in Argentina. After a long restoration process that required additional materials provided by a print from New Zealand, the film was 95% restored and shown on large screens in Berlin and Frankfurt simultaneously on 12 February 2010.

Metropolis is now widely regarded as one of the greatest and most influential films ever made, ranking 35th in Sight & Sound's 2012 critics' poll.[13] In 2001, the film was inscribed on UNESCO's Memory of the World Register, the first film thus distinguished.[14]