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"jasper" poems
I. the emperor sleeps in a palace of porphyry which was a million years building he takes the air in a howdah of jasper beneath saffron umbrellas upon an elephant twelve foot high behind whose ear sits always a crowned king twir- ling an ankus of ebony the fountains of the emperor’s palace run sunlight and moonlight and the emperor’s elephant is a thousand years old the harem of the emperor is carpeted with gold cloth from the ceiling(one diamond timid with nesting incense) fifty marble pillars slipped from immeasurable height,fall,fifty,silent in the incense is tangled a cool moon there are thrice-three-hundred doors carven of chalcedony and before every door a naked ****** watches on their heads turbans of a hundred colours in their hands scimitars like windy torches each is blacker than oblivion the ladies of the emperor’s harem are queens of all the earth and the rings upon their hands are from mines a mile deep but the body of the queen of queens is more transparent than water,she is softer than birds 2. when the emperor is very amorous he reclines upon the couch of couches and beckons with the little finger of his left hand then the thrice-three-hundredth door is opened by the tallest ****** and the queen of queens comes forth ankles musical with large pearls kingdoms in her ears at the feet of the emperor a cithern- player squats with quiveringgold body behind the emperor ten elected warriors with bodies of lazy jade and twitching eyelids finger their unquiet spears the queen of queens is dancing her subtle body weaving insinuating upon the gold cloth incessantly creates patterns of sudden lust her stealing body ex- pending gathering pouring upon itself stiffenS to a white thorn of desire the taut neck of the citharede wags in the dust the ghastly warriors amber with lust breathe together the emperor,exerting himself among his pillows throws jewels at the queen of queens and white money upon her nakedness he nods and all depart through the bruised air aflutter with pearls 3. they are alone he beckons,she rises she stands a moment in the passion of the fifty pillars listening while the queens of all the earth writhe upon deep rugs
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11.2k
The Emperor
I. the emperor sleeps in a palace of porphyry which was a million years building he takes the air in a howdah of jasper beneath saffron umbrellas upon an elephant twelve foot high behind whose ear sits always a crowned king twir- ling an ankus of ebony the fountains of the emperor’s palace run sunlight and moonlight and the emperor’s elephant is a thousand years old the harem of the emperor is carpeted with gold cloth from the ceiling(one diamond timid with nesting incense) fifty marble pillars slipped from immeasurable height,fall,fifty,silent in the incense is tangled a cool moon there are thrice-three-hundred doors carven of chalcedony and before every door a naked ****** watches on their heads turbans of a hundred colours in their hands scimitars like windy torches each is blacker than oblivion the ladies of the emperor’s harem are queens of all the earth and the rings upon their hands are from mines a mile deep but the body of the queen of queens is more transparent than water,she is softer than birds 2. when the emperor is very amorous he reclines upon the couch of couches and beckons with the little finger of his left hand then the thrice-three-hundredth door is opened by the tallest ****** and the queen of queens comes forth ankles musical with large pearls kingdoms in her ears at the feet of the emperor a cithern- player squats with quiveringgold body behind the emperor ten elected warriors with bodies of lazy jade and twitching eyelids finger their unquiet spears the queen of queens is dancing her subtle body weaving insinuating upon the gold cloth incessantly creates patterns of sudden lust her stealing body ex- pending gathering pouring upon itself stiffenS to a white thorn of desire the taut neck of the citharede wags in the dust the ghastly warriors amber with lust breathe together the emperor,exerting himself among his pillows throws jewels at the queen of queens and white money upon her nakedness he nods and all depart through the bruised air aflutter with pearls 3. they are alone he beckons,she rises she stands a moment in the passion of the fifty pillars listening while the queens of all the earth writhe upon deep rugs
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I can barely see the Sun now. It's slowly drowning into a pool of clouds, turning a shade darker as it does so, like a red bindi in the sky. Awed by the mysterious beauty I stand there starring. Orange, pink and red clouds fading into a deep blue. The rest of the sky is covered with tiny shiny dots and silhouettes of birds flying home on the amber background. The Sun's glowing like a jasper and slowly it's completely under the horizon, but a few rays cut through the clouds like closing doors of the Heavens. After the sunset the sky is a different kind of heaven. The Night wears her beautiful cerulean dress, decorated with diamonds we call stars. They twinkle, they're a priceless sight, covered often by clouds or pollution seems like she is unhappy with us humans. Nature, a vast beauty all around. Despite being forgotten it shows off it's beauty in a daily routine. Do you care to notice?
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Sep 23, 2017
Sep 23, 2017 at 1:02 AM UTC
Doors of Heaven
Aquarius  ♒️ ~~~~~~~ Aquarius the symbolism for the water carrier. Quite an important member of our community Under spells by an association of the heart Aquarian crystals are Garnets and Amethyst Rainbow moonstone, Labradorite, Magnetite I would buy thee Lithium Quartz ,Moss agate. Under your care placing Crysoprase n Cryolite Some Rainforest Jasper for love of this lady. ~~~~~~~~ Written by Philip December 18th 2018.
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Dec 18, 2018
Dec 18, 2018 at 2:27 AM UTC
Aquarius ♒️ January 21 - February 19
215 What is—”Paradise”— Who live there— Are they “Farmers”— Do they *** Do they know that this is “Amherst”— And that I—am coming—too— Do they wear “new shoes”—in “Eden”— Is it always pleasant—there— Won’t they scold us—when we’re homesick— Or tell God—how cross we are— You are sure there’s such a person As “a Father”—in the sky— So if I get lost—there—ever— Or do what the Nurse calls “die”— I shan’t walk the “Jasper”—barefoot— Ransomed folks—won’t laugh at me— Maybe—”Eden” a’n't so lonesome As New England used to be!
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What is—”Paradise”
Hi, hello, I'm here. My name is Lucas-Jasper, but you can call me Jas. (pronounced J-Ass) Never call me LJ. That's weird. I'm an Aries, and I'm dumb. Sometimes I'll write about wth is going on, or I'll write poetry, or nothing at all. Idk man. (Feel free to message me whenever *** I'm always on the search for interweb friends) - Jas
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Jun 16, 2015
Jun 16, 2015 at 10:24 PM UTC
Hi
Pisces ♓️ ~~~~~ Pisces are healed by birthstones of Amethyst In tune also with Turquoise,Aquamarine,Amber Sapphires,Sunstones,Smithsonite, Labradorite Chrysoprase of green, Ocean Jasper, Flurite Especially Bluelace Agate,Rainbow Moonstone Stones Charolite, Calcite,Ametrine,Bloodstone. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Written by Philip. December 22nd. 2018.
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Dec 22, 2018
Dec 22, 2018 at 12:04 AM UTC
Pisces ♓️ February 20 - March 20.
Engulfed by light / eyes open wide/ my pupil turns white/   it’s nothing to stand in the impenetrable heat. / The sun stands before you/ with all of your turmoils / your mind is my glory hole !/ The powerful gust from a huge fan i trust/ was disguised as an infinite beam as it lifts me/ dematerialize the old grains of me/ The wind spreads her love unconditionally /DESERT JASPER / what morals are you after? In the face of sadism the expression of laughter.
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Jun 3, 2017
Jun 3, 2017 at 1:51 PM UTC
DESERT JASPER, ALIVE WITH THE MORALS YOU'RE AFTER
Mongst the salacious ferns of Artemis requested in the land of the handsome labyris women wealing and weaving Vulcans shrewd hearts of jasper and chalcendony, governess Hulda cleaves Muspellsheims yew bones fletching mandrakes philtre whetting hie Cupids perfuse herb of grace intercessorial unto volcanic pious virtues haranguing loves cataract dashing herewith demotic enditements distempered of ludic ordination; forging a year and a day halest cledonomancies volley of truths bequeathing privity of Heavens prismatic trajectory. ELEETE J MUIR.
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Nov 8, 2013
Nov 8, 2013 at 9:25 PM UTC
Rainbow Darts.
She was like the iron pyrite The teacher asked them to examine, and describe; Cold, dense and prickly, Difficult to love. Given the right light And a gentle handling, Oh, how she'd sparkle, But in that place, expectations and sensory overload rendered her lumpen, and resistant. Removed from her books and her inner world - all she needed - And placed in a maelstrom, She was bewildered and forlorn. Un-cooperative, they called her, And the teachers loved the other gems instead, Pretty little nuggets; Ruby, Jasper, Jade. Two years of discouragement and dislike And even the tentative sparkles had darkened. The other gems enjoyed each other And moved away from her magnetic pull, sensing difference. No outright meanness, not yet, But hints were brewing, whispers had started And she wandered alone, in the playground, Talking to the seagulls, and singing to herself. The teachers only wanted conformity And called her parents to voice concern about her lack of friends. Had they asked her, allowed her to have a say She would have told them it didn't matter But they were determined that it did, to them, if not to her, And her parents were added to the burden of people Worried and disappointed, watching. She knew now, she was different, she had always known but never minded, Now it was a problem. She didn't fit, Like that scratchy purple uniform, around her chubby waist Food didn't judge, dislike or condemn. That life ended, and a new struggle, in a new school, began. This was harder; the meanness was apparent now, Difference wasn't tolerated And someone wandering alone was a target. She found a place to hide, behind a staircase, with a book, But they found her, removed her and patrolled her only refuge Forcing her to submit to the torture. Every day was a war zone, So she found another way, and embraced ill-health, stealthily Spraying deodorant directly into her own face induced asthma attacks; and not all those ear infections were real, She was an accomplished actress. She got through it, millions do. She found her own place, her own friends in her own time. Among Onyx, Jet and Tigers Eye Her darkness didn't mark her out as different, And all that fake illness Was great prep for theatre, Where she was able to return to her inner world, And no-one cared if you feigned madness Or embraced the real thing. Difference was celebrated, The whispers now, were that she had a great stage presence, And a talent to be nurtured, Not a difference to be despised.
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Sep 17, 2013
Sep 17, 2013 at 4:35 AM UTC
The Girl who Talked to Seagulls
She was like the iron pyrite The teacher asked them to examine, and describe; Cold, dense and prickly, Difficult to love. Given the right light And a gentle handling, Oh, how she'd sparkle, But in that place, expectations and sensory overload rendered her lumpen, and resistant. Removed from her books and her inner world - all she needed - And placed in a maelstrom, She was bewildered and forlorn. Un-cooperative, they called her, And the teachers loved the other gems instead, Pretty little nuggets; Ruby, Jasper, Jade. Two years of discouragement and dislike And even the tentative sparkles had darkened. The other gems enjoyed each other And moved away from her magnetic pull, sensing difference. No outright meanness, not yet, But hints were brewing, whispers had started And she wandered alone, in the playground, Talking to the seagulls, and singing to herself. The teachers only wanted conformity And called her parents to voice concern about her lack of friends. Had they asked her, allowed her to have a say She would have told them it didn't matter But they were determined that it did, to them, if not to her, And her parents were added to the burden of people Worried and disappointed, watching. She knew now, she was different, she had always known but never minded, Now it was a problem. She didn't fit, Like that scratchy purple uniform, around her chubby waist Food didn't judge, dislike or condemn. That life ended, and a new struggle, in a new school, began. This was harder; the meanness was apparent now, Difference wasn't tolerated And someone wandering alone was a target. She found a place to hide, behind a staircase, with a book, But they found her, removed her and patrolled her only refuge Forcing her to submit to the torture. Every day was a war zone, So she found another way, and embraced ill-health, stealthily Spraying deodorant directly into her own face induced asthma attacks; and not all those ear infections were real, She was an accomplished actress. She got through it, millions do. She found her own place, her own friends in her own time. Among Onyx, Jet and Tigers Eye Her darkness didn't mark her out as different, And all that fake illness Was great prep for theatre, Where she was able to return to her inner world, And no-one cared if you feigned madness Or embraced the real thing. Difference was celebrated, The whispers now, were that she had a great stage presence, And a talent to be nurtured, Not a difference to be despised.
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256 If I’m lost—now That I was found— Shall still my transport be— That once—on me—those Jasper Gates Blazed open—suddenly— That in my awkward—gazing—face— The Angels—softly peered— And touched me with their fleeces, Almost as if they cared— I’m banished—now—you know it— How foreign that can be— You’ll know—Sir—when the Savior’s face Turns so—away from you—
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If I’m lost—now
Mrs. Gabrielle Giovannitti comes along Peoria Street every morning at nine o'clock With kindling wood piled on top of her head, her eyes looking straight ahead to find the way for her old feet. Her daughter-in-law, Mrs. Pietro Giovannitti, whose husband was killed in a tunnel explosion through the negligence of a fellow-servant, Works ten hours a day, sometimes twelve, picking onions for Jasper on the Bowmanville road. She takes a street car at half-past five in the morning, Mrs. Pietro Giovannitti does, And gets back from Jasper's with cash for her day's work, between nine and ten o'clock at night. Last week she got eight cents a box, Mrs. Pietro Giovannitti, picking onions for Jasper, But this week Jasper dropped the pay to six cents a box because so many women and girls were answering the ads in the Daily News. Jasper belongs to an Episcopal church in Ravenswood and on certain Sundays He enjoys chanting the Nicene creed with his daughters on each side of him joining their voices with his. If the preacher repeats old sermons of a Sunday, Jasper's mind wanders to his 700-acre farm and how he can make it produce more efficiently And sometimes he speculates on whether he could word an ad in the Daily News so it would bring more women and girls out to his farm and reduce operating costs. Mrs. Pietro Giovannitti is far from desperate about life; her joy is in a child she knows will arrive to her in three months. And now while these are the pictures for today there are other pictures of the Giovannitti people I could give you for to-morrow, And how some of them go to the county agent on winter mornings with their baskets for beans and cornmeal and molasses. I listen to fellows saying here's good stuff for a novel or it might be worked up into a good play. I say there's no dramatist living can put old Mrs. Gabrielle Giovannitti into a play with that kindling wood piled on top of her head coming along Peoria Street nine o'clock in the morning.
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Onion Days
Mrs. Gabrielle Giovannitti comes along Peoria Street every morning at nine o'clock With kindling wood piled on top of her head, her eyes looking straight ahead to find the way for her old feet. Her daughter-in-law, Mrs. Pietro Giovannitti, whose husband was killed in a tunnel explosion through the negligence of a fellow-servant, Works ten hours a day, sometimes twelve, picking onions for Jasper on the Bowmanville road. She takes a street car at half-past five in the morning, Mrs. Pietro Giovannitti does, And gets back from Jasper's with cash for her day's work, between nine and ten o'clock at night. Last week she got eight cents a box, Mrs. Pietro Giovannitti, picking onions for Jasper, But this week Jasper dropped the pay to six cents a box because so many women and girls were answering the ads in the Daily News. Jasper belongs to an Episcopal church in Ravenswood and on certain Sundays He enjoys chanting the Nicene creed with his daughters on each side of him joining their voices with his. If the preacher repeats old sermons of a Sunday, Jasper's mind wanders to his 700-acre farm and how he can make it produce more efficiently And sometimes he speculates on whether he could word an ad in the Daily News so it would bring more women and girls out to his farm and reduce operating costs. Mrs. Pietro Giovannitti is far from desperate about life; her joy is in a child she knows will arrive to her in three months. And now while these are the pictures for today there are other pictures of the Giovannitti people I could give you for to-morrow, And how some of them go to the county agent on winter mornings with their baskets for beans and cornmeal and molasses. I listen to fellows saying here's good stuff for a novel or it might be worked up into a good play. I say there's no dramatist living can put old Mrs. Gabrielle Giovannitti into a play with that kindling wood piled on top of her head coming along Peoria Street nine o'clock in the morning.
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~~~<=>~~~ jasper trees lace agate skies ebony mountains flecks of birds amber embers with sapphire eyes jaded leaves pirouette thru space emerald dew upon God's Face SoulSurvivor (C) 3/7/2015
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Mar 7, 2015
Mar 7, 2015 at 9:43 AM UTC
stones
an octagon tent wide enough that chucking rollies to the sand made impossible sprawled layers you turned to quote Dali told me how pale blue washed with lucy shimmered skyline into dimension acryllic-smeared sass drips canvas into murmurs circling dilation dimethyltryptamine stains painting dreams on my eyelids with flowerbrushes and silk, mushroom dust gathers in discarded hues on your pallet, where the colors of your irises dry into a nebula of night-blooming jasmine the scent of how you move when you sleep and sleeping is never so sweet as dancing through lucidity with you as my sheets. and i've traced your thumbprint so often i'm sure if it were stretched around a marble like buffalo skin on spirit-caller drums, a globe would be seen in which Greenland is finally proportionate-- the map on my wall always bothers you, but I do too, and everyone does, urging me under the geography etched into the sea of your surface by the crucible of your purpose and working me into empty behind your right below the 22 between i'ching and the forty two names of god clasping your fore in silver copper wound around my finger hamstrings woven like wire kambaba jasper, two to share you hang Tibetan tektites to elevate space meteorite fragments lodged in your helix, stardust blood, mandala sand from your mother, and our tendons wrappe by dexterous carpals make such a pretty pendant of my heart, for synesthesia mistakes not and my addiction to the pen has eased for you breathe murals and syllables never could match brushtrokes of carbon dioxide.
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Aug 7, 2013
Aug 7, 2013 at 1:13 PM UTC
an epic (past due)
an octagon tent wide enough that chucking rollies to the sand made impossible sprawled layers you turned to quote Dali told me how pale blue washed with lucy shimmered skyline into dimension acryllic-smeared sass drips canvas into murmurs circling dilation dimethyltryptamine stains painting dreams on my eyelids with flowerbrushes and silk, mushroom dust gathers in discarded hues on your pallet, where the colors of your irises dry into a nebula of night-blooming jasmine the scent of how you move when you sleep and sleeping is never so sweet as dancing through lucidity with you as my sheets. and i've traced your thumbprint so often i'm sure if it were stretched around a marble like buffalo skin on spirit-caller drums, a globe would be seen in which Greenland is finally proportionate-- the map on my wall always bothers you, but I do too, and everyone does, urging me under the geography etched into the sea of your surface by the crucible of your purpose and working me into empty behind your right below the 22 between i'ching and the forty two names of god clasping your fore in silver copper wound around my finger hamstrings woven like wire kambaba jasper, two to share you hang Tibetan tektites to elevate space meteorite fragments lodged in your helix, stardust blood, mandala sand from your mother, and our tendons wrappe by dexterous carpals make such a pretty pendant of my heart, for synesthesia mistakes not and my addiction to the pen has eased for you breathe murals and syllables never could match brushtrokes of carbon dioxide.
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53
Dust the base of my spine In red sparks of Jasper The cherry of a cigarette on a Smoky quartz Stability. And then you progress Caress my lower abdomen Make me contract and shake, in infinite bliss And lay me in a field of orange marigolds Sensuality. Stroke the naval centre - My life principles of power and identity Melted away In the honey calcite that drips in pearls Power. 528 Hertz, you vibrate The frequency that renews the very Physical matter of my vessel, My coded waves Love. My throat, where you talk your wisdom Lace my waist in agate And your hand circles the point of serenity Teeth in the butter soft skin Truth. And then you kiss me On the forehead between the eyes Those eyes that transform to yours, When I open my third, and see the indigo Insight. Shatter, shatter the shards through the finality The barrier of quartz and clarity And melt into my Sahasara And we become knowing. One.
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Jul 21, 2017
Jul 21, 2017 at 11:29 AM UTC
Alignment
In The Light, I am engulfed. Eyes wide open yet I see nothing but white. Feel nothing but an impenetrable heat. As if my eyes were closed and the sun were blazing right before me in all His glory. I am lifted into an infinite beam by a powerful gust. Soaring higher and higher. My body slowly begins to dematerialize into grains of sand. The wind, She spreads me all about. Each grain a gem waiting to be discovered.
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Apr 24, 2015
Apr 24, 2015 at 1:37 PM UTC
Desert Jasper
You could desperate hear me start weeping Ruckus started to crying to crack tangerine holds one still upright auburn as an immortal's loneliness fogged or condemned stays a Sahara burnt hot tambourine a hangover led Arabian a broken record some shattered the bathroom bar. I wonder for my brother's dowry on beds too kempt to be called beds and doorframes and lamps set never high enough to hit again, to stand to kneel to lock to lash to hold to my brother's body now felt to me like the female sold fragile to the greater cities with a vote, he clearly left his Argentina behind no matter how she paled, ended struck. No longer a child or sister to pass as to take guests in alone to stand our married couple's cries an unmuteable radio can't go back to playrooms for imparallel dignities' sake that made all the noise at night worth it to deal with I, don't want to play the rook if no horse of yours' beside. Now once the scarcity of your voice, if even morbid, is to be greeted by me alone, Adam and Eve we have unable to see, just for the empty halls of your decision just for me to hit, your turned leaf hidden agenda of relief, I recognise my faiths of the old of your endless mornings supposedly killed by snoring and your vividness to my thoughts a foreign concept, to note you resurrected out of mind and out of sight the congruence picks me out and slaps me that our cocoon and safe designed for you was nothing short of a coma web in your eyes to begin with instead. ... I look out to my brother's dowry to hold stubborn, fainted in my nook the head of my brother's body to sit on his old air this house keeps like a sari gem he will never long for again.
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Dec 14, 2020
Dec 14, 2020 at 10:10 AM UTC
Jasper for Broken Sands
You could desperate hear me start weeping Ruckus started to crying to crack tangerine holds one still upright auburn as an immortal's loneliness fogged or condemned stays a Sahara burnt hot tambourine a hangover led Arabian a broken record some shattered the bathroom bar. I wonder for my brother's dowry on beds too kempt to be called beds and doorframes and lamps set never high enough to hit again, to stand to kneel to lock to lash to hold to my brother's body now felt to me like the female sold fragile to the greater cities with a vote, he clearly left his Argentina behind no matter how she paled, ended struck. No longer a child or sister to pass as to take guests in alone to stand our married couple's cries an unmuteable radio can't go back to playrooms for imparallel dignities' sake that made all the noise at night worth it to deal with I, don't want to play the rook if no horse of yours' beside. Now once the scarcity of your voice, if even morbid, is to be greeted by me alone, Adam and Eve we have unable to see, just for the empty halls of your decision just for me to hit, your turned leaf hidden agenda of relief, I recognise my faiths of the old of your endless mornings supposedly killed by snoring and your vividness to my thoughts a foreign concept, to note you resurrected out of mind and out of sight the congruence picks me out and slaps me that our cocoon and safe designed for you was nothing short of a coma web in your eyes to begin with instead. ... I look out to my brother's dowry to hold stubborn, fainted in my nook the head of my brother's body to sit on his old air this house keeps like a sari gem he will never long for again.
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43
The earth was sown with early flowers, The heavens were blue and bright-- I met a youthful cavalier As lovely as the light. I knew him not--but in my heart His graceful image lies, And well I marked his open brow, His sweet and tender eyes, His ruddy lips that ever smiled, His glittering teeth betwixt, And flowing robe embroidered o'er, With leaves and blossoms mixed. He wore a chaplet of the rose; His palfrey, white and sleek, Was marked with many an ebon spot, And many a purple streak; Of jasper was his saddle-bow, His housings sapphire stone, And brightly in his stirrup glanced The purple calcedon. Fast rode the gallant cavalier, As youthful horsemen ride; "Peyre Vidal! know that I am Love," The blooming stranger cried; "And this is Mercy by my side, A dame of high degree; This maid is Chastity," he said, "This squire is Loyalty."
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Love In The Age Of Chivalry (From Peyre Vidal, The Troubadour)
To the tune of "Rinsing Silk Stream" My courtyard is small, windows idle, spring is getting old. Screens unrolled cast heavy shadows. In my upper-story chamber, speechless, I play on my jasper lute. Clouds rising from distant mountains hasten the fall of dusk. Gentle wind and drizzling rain cause a pervading gloom. Pear blossoms can hardly keep from withering, but droop.
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Tz'u No. 8
She couldn't be a mortal, just simply born; but truly a goddess, ignited, free from form. - The day the ground met with her delicate toes was the night the stars aligned in symmetrical rows. - In dream, she dances and glides upon air. Awake, she braids comets in the threads of her hair. - My greetings seem hollowed, I am drifting afloat. The language of fondness is a lump in my throat. - Her outline is gleaming with a soft, vermilion luster. Her eyes, subtle jasper, urges your core not to trust her. - Not a staza, nor an epic can contain flawless grace, or the yearning I feel when we are sharing this space.
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Jan 21, 2015
Jan 21, 2015 at 2:37 AM UTC
In dream, she dances and glides upon air.
My soul covet nay diamond and jasper, Which can be stolen or lost altogether; Neither seek you the fleeting treasures Of the world with their misty pleasures. My heart desire not cars nor mansions Alone in this earth full of constant frictions; Neither pant you after momentary majesty, Rejoicing in an ebbing estate of excellency For moths and worms shall consume apace At death, this body, and its glamour face. You cannot the devil confront with riches: Job would have won cheaply his challenges. But seek ye rather first the spiritual gifts-- Coveting earnestly heaven's endowments: For life's purposes are by them established; Without them dreams cannot be fulfilled.
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Feb 16, 2014
Feb 16, 2014 at 2:31 AM UTC
Covet Earnestly the Best Gifts
i. At the fore of the gateway Precious stone's exhibited; Her beauty and grace. ii. A crystal shined gold Floweth from her soul; Mine soulmate of heaven's place. iii. From her feet To her waist; A wine of jasper grape's. iv. Inside her ambience rested Sapphire, chalcedony Emerald, sardonyx Sardius, chrysolite Beryl, topaz, Chrysoprasus, Jacinth, Amethyst. v. I was awestruck God gaveth me unadulterated holiness; I am verily hooked To mine queen, mine Jane, mine happiness. ©Brandon Nagley ©Lonesome poets poetry ©Earl Jane Nagley dedication-Filipino rose
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Nov 10, 2015
Nov 10, 2015 at 3:53 PM UTC
Her precious stones awestruck me
Out Behind the Barn me and Jimmy Dickens were in the barnyard feeding chickens we were both 11 about that time when up the road came Susie Kasper with her cousins Ted and Jasper a couple of teens headed for a life of crime they signaled out to us I could hear Teddy cuss they walked up and whipped out a couple of butts they said here take a puff if you like this I got better stuff so I did just like a dumb old klutz I coughed and I wheezed I farted and then I sneezed my eyes were leaking like a sieve Jimmy was smarter I guess but he too finally said yes took a hit and felt the burn of a shiv we both puked as they laughed it was there very special craft they always managed to make you look like a fool but they patted us on the backs said boys now just relax you won't learn a lesson like this in no school then Susie gave me a big wet kiss wow sure wasn't expecting this I was in a trance until I heard this horn it was my mom back from the store she yelled someone help me with this door but I was busy gettin educated out behind the barn Gomer LePoet....
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Sep 20, 2011
Sep 20, 2011 at 3:44 PM UTC
Out Behind the Barn
My happiness comes from me ask my friends and the world around me blossoming in a spark of crimsony red moon glow on forethought walks through the shivering lenses of percept that trickle down our backs as we enlighten ourselves with all that is in between and unseen. It is as if our aged limbs were caressed into a symphony of leverages and their shapes. We cannot be cadavers. We are arms of cheer and picture jasper, adolescent googled-eyes gathers with virile fixations on our partners as we prey on the map lines subtly employing our eyes as we dart across each dimple, pimple, freckle, and gently worn rash lines. These are the dogs of our incessant barking. Idling for sincerity, as actors swiftly press Winter into us while our limbless diction presents our inadequacy Rd upon our ugly and I'll-tempered neighborly-things. Aliens of the afternoon, first floor agony and karmas standard for living in a reduced climate One. Wearing down the hooves, undulates from Pepperdine mark trails with breaking breads and twigs and bones. Undulates from another world, behoofed and bemoved, curdling their sappy reselling a of drat and unkindly remarks. And we have begun to wonder when evolution will kick-in. When will the military come for them at the doors and vacate is all from our nontoxic lie-shrouded apartment complexes, condos, and cabins. Slaughter numbers of letters and integers right out in the street; loonies in the town square and the moose are crying.
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Sep 17, 2016
Sep 17, 2016 at 9:52 PM UTC
Weighing Us Down, Down In The Weather
how do i even begin to describe this color, because it is so ******* versatile. firstly it is the color of royalty and magic-- stuff of fairy tales that leap from the page and into your mind's eye. richly-hued gowns reach the polished floor; crowns and scepters shine with amethyst, with jasper, with tanzanite. this color shines in the stardust of a wizard's cloak, shimmering in the candlelight as he pours over texts and trinkets with a glowy-eyed owl brooding on his shoulder. it billows from the smoke of a witch's potion-- eye of newt and wing of bat and toe of frog combine into a roiling haze that will make the princess fall in love and then kiss death. "double, double, toil and trouble... your dreams and despair await." this color is also one of spring. it dots on the hills in delicate petals of heather and lavender, and the slightly darker pansies and geraniums. it scatters on the wind and leaves its perfume for butterflies and bumblebees and girls in love. before the sun rises and paints the sky in its warmth, the world stands still in a state that is neither dark nor light. the stars have gone but morning has not quite arrived to take its place; birds are not yet chirping and bugs and not yet buzzing-- in fact the only sound is your own mumbling as you press your face into the pillow as though trying to push away the responsibilities that loom in the daytime. it is here that this color is perhaps at its softest. now, there is one more place this color shows itself, though I'd rather it not be the case. it is the shade of hurt and fear, the shade of loneliness. this color blooms on her back and shoulders and over her eye-- in bruises dark enough for her to seek cover-up and a restraining order. this color outlines the handprint of his attacker, when he was wrenched into an alley and stripped of his sense of security. this color looms over the dispossessed no matter how brightly the sun is shining. instead of hugs and kisses, these lost souls are met with remarks like "loser" and ***** and ****** solitude is sanctuary as invisible hands attempt to choke the life out of the outcasts. do you see what i meant when i said that this color is versatile? it is a color of kingship and witchcraft, of nature and pain. it is not the color of singular definition.
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Apr 18, 2013
Apr 18, 2013 at 10:49 AM UTC
p u r p l e
how do i even begin to describe this color, because it is so ******* versatile. firstly it is the color of royalty and magic-- stuff of fairy tales that leap from the page and into your mind's eye. richly-hued gowns reach the polished floor; crowns and scepters shine with amethyst, with jasper, with tanzanite. this color shines in the stardust of a wizard's cloak, shimmering in the candlelight as he pours over texts and trinkets with a glowy-eyed owl brooding on his shoulder. it billows from the smoke of a witch's potion-- eye of newt and wing of bat and toe of frog combine into a roiling haze that will make the princess fall in love and then kiss death. "double, double, toil and trouble... your dreams and despair await." this color is also one of spring. it dots on the hills in delicate petals of heather and lavender, and the slightly darker pansies and geraniums. it scatters on the wind and leaves its perfume for butterflies and bumblebees and girls in love. before the sun rises and paints the sky in its warmth, the world stands still in a state that is neither dark nor light. the stars have gone but morning has not quite arrived to take its place; birds are not yet chirping and bugs and not yet buzzing-- in fact the only sound is your own mumbling as you press your face into the pillow as though trying to push away the responsibilities that loom in the daytime. it is here that this color is perhaps at its softest. now, there is one more place this color shows itself, though I'd rather it not be the case. it is the shade of hurt and fear, the shade of loneliness. this color blooms on her back and shoulders and over her eye-- in bruises dark enough for her to seek cover-up and a restraining order. this color outlines the handprint of his attacker, when he was wrenched into an alley and stripped of his sense of security. this color looms over the dispossessed no matter how brightly the sun is shining. instead of hugs and kisses, these lost souls are met with remarks like "loser" and ***** and ****** solitude is sanctuary as invisible hands attempt to choke the life out of the outcasts. do you see what i meant when i said that this color is versatile? it is a color of kingship and witchcraft, of nature and pain. it is not the color of singular definition.
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