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Chanel Dior Apr 2017
Oh Jamaican girl,where is your patois?
where is your long dreads of natural hair?
your culture?

Jamaican girl,sing your country's national anthem
How do you not like reggae?
what kind of Jamaican are you?

You see the ackee and codfish I stuffed down my throat on a Saturday morning would never be enough for them.
My extinctive use of the English language made them sick at their guts
The fact that my waistline won't move in such a manner to alarm others.

Born in the Yard
Grew up in the suburbs
Never boastful;always grateful

So Jamaican girl you try to act white on purpose?
Wear 'American clothes'
And perm your hair?

My nationality will coexist throughout my veins
Will never hit sunlight unless my tongue decides to move in that direction.
Will never be ashamed of my heritage as I am proud of it,yet also modified to not be defined by it.
Mateuš Conrad Aug 2018
. she was 19, i was 21, and i guess i was the first boy who treated her decently, allowed her to slap me in the face and stood like a copper statue before her... she wouldn't have made it at university among all the English yuppies, being pregnant... turns out, she might have opted for the Juno (the movie) route... all i know is that she graduated with a masters in anthropology... she was up in Edinburgh, i was back in London, roofing with my father doing the Scottish Widows HQ and then some other project, trying to weave myself into a managerial position in some roofing company... but then? the psychosis spiral... oddly enough - no hammers, no hearing voices wielding a hammer running down the street naked... contained... walked into a church near King's Cross st., lay on beside a the side altar, pulled the cloth from the altar, and wrapped myself in it... then heard singing, had my iPod with me... turned it off... turned it on again, turned it off... the singing still echoed the church... got up, put the cloth back onto the altar and started running around the church aisles... then a great wind dispersed the singing... what kept my sanity? well... given that i was smoking marijuana and fasting? one word... sátān... the whole 40 days in the desert? cut short... in a concrete desert... i phoned my then ex-girlfriend to meet me at this spot outside the church - right across from a royal mail HQ - and i remember the words: can you bring me bread, and water? nothing... on my own then... no... that sort of experience is no cause for jubilation, there is no ******* euphoria: you're talking about ******* it - in my case? thankfully that's only metaphorical... and i'm not buying the psychiatric *******, the easy way out answer: ooh... but youz ver in a church... what?! what the **** are these people talking about? sober people are allowed to have these experiences? well, really?! so why so many of them are negating or doubting intellectuals?! negation is the new doubt... somehow i managed to fend off the atypical munchies routine while smoking marijuana while walking in public... never bothered me... i was a reggae ***** at the time... notably Israel Vibration, Stephen Marley, Damian & Culture... & ***** and the Maytals... cliche, i know... but **** and rap?! seriously? gangster whatever the hell that means... i've just read an article about cultural appropriation... so what has the Jamaican Rastafarian culture have to do with Old Testament prophets?! JAH... they're always singing about JAH... it's a ******* yak! yah! a german YA! cultural appropriation my ***! it's Jamie Oliver's **** sauce! ****'s sake! yeah, right, Bambi on Jamaica smoking a silly one doing the reinvention of king David's psalms... no cultural appropriation there... nope... none... nothing... nothing wrong with Alpha Blondy singing about Yerushalem... nope... no cultural appropriation.... nope... none... nothing! i mentioned these bands to my Jamaican **** seller... big on the Illuminati conspiracy theories, i liked to listen to him ramble... hardly a Charlie Temple paranoid... loved his ox tail broth, his grandma made it for him... and a pretty daughter, but no mother... eh? his Thai ****? i'd prefer the shorter span of a tobacco high... where? near my old high school, Canon Palmer R.C. - now a ******* academy! whoop! whoop! sound the klaxon! you don't experience what i've experienced and start a cult with *** ****** in mind... like **** if you think you do... you... lay low... you puncture the existentialist exodus from Cartesian doubt - namely outright negation - and you wait for the revitalization of doubt, namely the pop culture variant of belief... doubt is, oddly enough, a variant of belief... and belief? be a leaf... just remember you were once attached to a branch of a tree.

yeah...

        a catholic school isn't
exactly a Jesuit school...

but being asked questions
about abortion
and euthanasia

   aged 15 or 16?

in real life?
  you short-circuit, glitch,
become ronin -

    the personal life, details?
too messy...
   she tells you she's taking
contraceptives,
   she's ends up self-harming...
she says she was abducted
and held for ransom,
she's a russian citizen,
her ex-boyfriend is still
hanging around,
  a son of some Russian oligarch...
you've only dated for a
bunch of months that do not
even make it half a year...
you don't mind condoms,
because... hell...
you'd love to see her wearing
latex...

     you know, the usual bits & bobs...

voodoo...
    for some strange reason i woke
up, and the ring finger blister
on my left hand, made by burning
out a cigarette on it
started bleeding:
  close to the bone -
and look! you get a slot motion
of your body recovering!
  no disclaimer concerning
the pros to what sharp objects
women do, by cutting...

but you know...
      asking a 15 / 16 year old
about his opinion
  about either abortion
or euthanasia?
  bad ******* move...
           at this point i'm thinking:
thank ****...

what does it even mean,
when a woman says it,
she's not exactly point-break
on Cartesian logic...

'matt, i think i'm pregnant'
'well, you know what you should
do, get an abortion.'

mind you... i am a citizen of a country
where abortion is legal...
hell, it might have worked,
*** was good, she could
reciprocate that sentiment...

oh, but if there is a kid at the end
of the tunnel?
i **** sure hope he doesn't
contact me, like a kid from
a ***** donor clinic...
      there's something malicious
waiting for him for me
to add about his mamma -

   aligned?
oh you know... *****, Henny,
  Diana and the Egyptian...
   go Charlie go!

                  please please keep
your name... we need a Charles trinity!

so yeah... Roman Catholic school...
****! oh right, outer east end of London...
Paddy central...
               i wonder...
                  but i'll never know...
the Polish Catholics are leaving...
               good on 'em...
          (yadda yadda, yeah yeah, for them)...

i'll never know...
   am i angry?
               i listen to Byzantine and Templar
chants and drink to a well earned
excess...
               sometimes the odd Bulgarian
******* to hug...
    
oh right... that one last time?
i didn't forget my genitals...
   i did an uncourteous lax of etiquette...
****!
           now it makes sense!
i forgot to trim my ***** hair!
(mumbling out) ******* eureka.
Mateuš Conrad May 2016
of course i ******* every night,
otherwise i'd be wondering
about the next Laika in space
with some next soviet conspiracy
Sputnik hovering while i chance
abbreviate a change on hairstyling
thinking: jeez, this is a little bit too
afro frizzy for a brainstorm,
maybe i better opt for Jamaican dreads?
economics of shampoo usage,
suddenly a large bank account.
i do get the idea behind treating nouns
like albinos... bleach the *******
hang them to dry in Polaroids...
while commercial flights fly at a certain
height, and the rich buggers fly high enough
to jet-stream in the cirrus uncinus bracket...
and they lie to children,
they're talking about strange satellites...
i can't see satellites, not without Galileo's
excommunication apparatus,
satellites, as far as i am concerned
orbit the earth in a non-visible spectrum
of the vacuum... hence their orbiting outside
of the visible spectrum atmosphere of
the earth, i would not be able to see
a satellite for the love of Michaelangelo.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Nat Lipstadt Feb 2015
this is a very important poem to me,
about me, and how Obama slurred my people. and never apologized

<•>

there are mornings when I wake up
in my nativity,
in my born/bred,
these struggling to be happy,
United States,
strangely hebrew-speaking,
Jamaican coffee
morning-thinking,
tallying up
what I am,
who I am,
commanded to be,
on this Earth

the labels that the
outward-looking apply,
the tags,
that you have caused
yourself to be defined,
been staked
to your claim,
in infamy and in fame,
that you have
by action and indeed,

have allow
to be presented
as entries on your
global entry passport,
with visas from the
lows and highs,
places where
your have sinned and saved,
all the acts accumulated,
and those,
in pain,
you have been a witness to

word titles that
tinge and suffuse,
summation of my presentation,
sampler of words
like
father, poet,
American,
even,
a for-real
community organizer,
and of course,
bien sûr,
a
Jew

the quality of all these life's papers,
which I grade myself,
I,
the harshest marker
of all

once a young man,
safely away in college,
under the fresh-air freedom of the
university's in loco parentis,
in the early years
spent quantifying oneself

nearly fifty years ago,
now he,
revealed and recalled
when
his college typed-letter,
lately uncovered amidst his,
recently passed mother's papers

"Don't know what kind of
Jew
I will be, but be assured,
that I will be a
Jew
all my life"

so here I am doing my post-sabbath,
top of the week,
right it down,
qualifying myself,
coffee enraged engaged,
a new Sunday tally

taking all my terms,
reordering,
re-prior-itizing,
what was prior, first,
is no longer

decades decay,
events sway,
simple words change me, stain me

nearing on five decades later,
when this
son of speakers,
son of humanists and 
son of
 writers,
son of proud
Jews
rewrites his list

today I write/substitute,
a new order,
a tag gladly taken,
a marker given,
some what in pride,
some in shame too,
first and foremost,
à la manière d'Lincoln
I am
of, by and for

"a bunch of folks in a deli"

proud member of them
that so identify,
for they are among those
that shall not perish from the Earth

those
happenstance-not,
bunch of folks in a deli,
I claim as
mine own,
as they would
have claimed me

no subtly professed,
a diminishment intended,
and now
an honorific taken,
Medal of Honor provoked and embraced,
proudly inscribed,
visible on my forehead,
in the black ink of mourning,
a Presidential Cain Citation,
a tattoo of letters,
not numbers,
now moves up to
head of the list,
I am
now and forever,
a member of that corps
(appreciate that double entendre)
I am
Je suis
JE JUIF

*"a bunch of folks in a deli"
Just google that phrase

Obama’s slur
Gathron Jul 2014
You're the ackee in my saltfish
Condensed milk in my tea
The patty in my coco bread
Without you there is no me.

Just like coconut water
You're good for my heart
And Mr.Wray without his nephew
Is like when we are apart.

When you wrap your arms around me
Like banana leaf on blue draaws
There is nothing I wouldnt do for you
You know that im all yours.

I want to be with you always
Like when tin milk get short
An dem marry it with it to de mackerel
to make sure de mackerel get bought.

Like carrot juice on Sunday
Mango in the summertime
I cant get enough of you
Please tell me you will be mine.
With lots of love
Anecandu Jul 2018
The gilded opening is terse and with age defined,
Locking away the pathway from a golden mind,
Hairlike roots of tiny letters form a braid,
Ficus-ing along stretching prongs of Purple and Jade,

Pushing they gather and spider around its ovate curves,
occasioning sprouts from cracks lips perturbed,
grammarized rain fertilizing delicate pods of flesh,
blossoming frosty lemon blooms of T's R's come to rest,

The bunched words hanging, dangling like grapes, of frailty,
dipping on fickle branches barely holding on to reality,
threatening to fall like daggered swords,
But alas are some silently whispered Jamaican words
Geno Cattouse Nov 2012
sweet an nice.mek mi mash a pum pum
Like a lizad pon lim a goin mash a pum pum.
Me can't. Feel sewwt relief les I mash a pum pum.

Peaches an cream.
Cunnamon dream
Rock and come in
Fi go mash apum pum.

Drive yu wild when I masha pum pum
Lone free style fi go mash a pumpum.
Martin Narrod Apr 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss
Moriah Harrod Aug 2012
Today I wrote to you. I haven’t seen you in seven months and sixteen days, as of 10 AM this morning. Only two weeks left. It seems unreal… It also seems that to write to you is all I have. So this morning I sat at my desk, and I opened my mind to all the things I could have said to you, but never thought to.

Do you remember the first day we met? It was in the café on Franklin Blvd. You were wearing your grey Fedora, a Hurley shirt, and those burnt sienna penny loafers we’d make so much fun of later.

I was at the table by the window, and I couldn’t help but notice you. Three of your fingernails were painted yellow, and you wore a bunch of beaded hemp bracelets on your right wrist. They looked Bohemian to me, but one day you explained the difference in that and Jamaican. You were singing a little tune while waiting in line. Later, you’d call it your “little ditty,” and you’d sing it all the time. You always said things like that, & I always fell in love with you more.

You ordered a vanilla cappuccino and a plain English muffin. I looked down at the same half-eaten muffin and cold cappuccino in front of me. I wondered why it seemed that I knew you already.

You sat down at a table a few feet away from me. You took off your penny loafers and took a handheld game of Yahtzee out of your pocket to accompany your breakfast. I was perplexed that you hadn’t noticed me staring yet.

Ah, there it was. You looked over at me. You must have sensed me by then. Immediately you smiled that half-smile you would always do, a mix between a condescending smirk and a boyishly cute pride. It was altogether endearing. You raised your eyebrows and nodded, as if we’d known each other for years. I admired your charmingly playful introduction. I would soon call you sweet pea.

………………

It was eight months ago today that you told me you were leaving. Your large brown eyes were full of promise and sorrow. I dropped my half-full coffee mug, and it spilled all over the carpet. The cat ran to lick it up, and was disappointed when the taste was utterly bitter. In other circumstances, I would have laughed and pointed it out to you, and we’d admire the cat’s zealous naïveté.

However, the cat had but a split-second of my stolid attention before my eyes met yours again, and I felt paralyzed. I asked what you meant, and you repeated yourself.

You told me of Jacob and all he meant to you. I cried when you told me how God and all his goodness took a sixteen year-old boy and his giant heart away from this world, away from his brother. You also told me how you’d avoided him for over three years before his death.

I was in disbelief that you’d never told me of him. You just looked down and said you’d had no room in your selfish green world for his coal-black sickness. Then you told me of his letter before he passed, asking one thing from each person he cared about. To help the world in a way they never would have done before, to somehow leave a legacy in his name.

My stomach felt sick. My baked-apple oatmeal felt at the tip of my tongue. How could this be happening to you? I instantaneously let go of any would-be grudge against you for being kept from the cruelly and sickeningly beautiful reality attacking your heart.

For I could see in your eyes that you were tearing your soul to shreds. You explained how in your peaceful aura had been a mask, a denial of the sickness slowly claiming your brother, waiting it out. For he couldn’t die. He would simply be better one day, and you were waiting for that. But, he did die. And you already knew what your mission would be.

You were leaving in two weeks from that day. You were flying to Africa with the church your brother had been devoted to since the diagnosis four years before this day. You’d spend eight months with the church members in Africa, working with children in a third-world country. Anything you donated would be in the name of Jacob Meyers.

You had talked about this with your family, and they agreed it would please Jacob and the legacy he had asked for. I at once stated that I was going too. My belittled heart broke cleanly in two when you told me how you had to go alone, that Jacob wanted a noble mission.

He had explained that he wanted someone to do selfless work in his name. How in order to give truly, you must give all. I knew you felt that you had to give the largest part, for you’d been the most selfish to avoid him. I let you keep your dignity and, broken, I accepted what you were doing. If anything, I loved you so much more for it.

Sorrowfully and dutifully we packed bags to attend his funeral. I never told you this, but I read four novels on sibling death. I wanted to take your hand in mine and feel what you were going to feel when you saw him laying there.

………………

In two weeks I will see you again. I will travel to the airport and pick you up and time will move once again. I often wonder how spectacularly, or marginally, you will have changed.

I have your loafers, your fedora, and your faded Hurley shirt ready to wear to the café where we met when you come back.




To my faux Jamaican sweet pea,
I miss you.
Though I have personally experienced the emotions in this poem, the setting, characters, content are actually fiction. I really appreciate the feedback though.

Like I have explained in my biography, I am not a creator of stories; they are floating all around us. I'm just the messenger to share them.
Natalie Sep 2015
"What are you?" he asks. "I mean what are you mixed with?"

He does not mean for the question to be rude. He has never seen someone quite like me, and the question has been bouncing around in his head for at least 2 minutes. So he blurts it out.

"Jamaican, Chinese, and White," I tell the stranger. I smile politely and attempt to mask my discomfort.

He only looks more intrigued. He thinks I am odd, oddly beautiful. Like a rare bird he has found. Not a bird one would ever keep. Just something to look at in awe.

"What are you?" the test paper asks, though in a more formal way. "Please bubble your ethnicity." I hesitate. I think about bubbling 3 different races, but I just end up filling in the bubble that says "other".

"What are you?" I ask my mirror. "Are you a freak? Why don't you look like everyone else? Why do they stare at you?"

"You are not pretty," i tell my reflection. "You are just different. The kind of different that no one likes. The kind of different that scares and intimidates people."

My reflection pauses for a moment. She smiles with kind eyes, forgiving my insult.

"You are everything," she tells me. "You are the sun, the moon and everything in between. You are a scorching hot fire, yet you are cold spring water. You are good and bad. You are you and I am, too. But most of all, you are human. Just like anyone else.
This poem is about the struggles and insecurities i used to have as a child of mixed race. Then growing up and learning to love myself.
Styles May 2014
Dreadlock Rasta;
No like informa,
No like imposta,
**** smoke; burning da trees
Mango scented leaves,
Burnt grapefruit scented breeze.
Wolly mammoth size locks,
Steal wool, *****, tied in a knot,
Jamaican colors wrap tie; sitting on top.
I and I, believe it or not.
No woman no cry,
No problem;
Him cool as a rock.
Charles Dickens by his side,
Studying stanzas, deciphering plots.
Prayer's meeting;
meditation- never stop.
Water’s blue waves,
Fresh fish after 12’o clock.
Under the bridge, find my spot.
By his sweet Sugarcane from,
Miss Parker Sugarcane shop
Burning a spliff, because the ****
is his only green; pastures plot.
Mary Jane, his only queen be,
Never leaving he; love him or not.
an eye on this space
just all you need to know about
my art in poetry
Tonight at midnight central. a poem about art. my longest yet coming in at 44 lines and counting. will fit in one page with Arial 10 font if you want to print it. Comments welcome from the glitterati and Poem of the Day commenters.
SheOfNeverland Jun 2014
All I need to do
Is make it through the day
Breathe in all the good
And blow the bad away.
Words form blisters on my tongue
Burning out the taste of you
Sweet and secure with a touch
Of ****** up.
I don't say that to just anyone
You know you were the first
Man I ever loved
But you weren't the last I will ever
Touch.
I left you behind in the rubble
Of what used to be our life
Our lie
Our alibi.
With every day I see clearly
The truth of what I've done
Who knew such consequence
Could be born of love and indecision.
Cloudy head and cloudy mind
Always afraid of things behind
The past never stays where it should
And I'd burn it all down if I could.
The last puff is always the worst
It's hard to swallow when my throat is
Clogged with lies
I forgot to tell you.
Mateuš Conrad Mar 2017
i actually remember when sudoku was introduced
to the west... it went down like a salt beef bagel from
that jewish restaurant on brick
                              lane
after a night out drinking...

i never took to it, in the sense that
i might compete doing it...
i mean, there's this story
about the original take that
members (which included robbie
williams) had a competition
concerning: who could
******* the quickest...
      
    that sounds stiff... but then i tried
to lessen the americanism
   since **** can also mean a jamaican
sauce... so no jerking competition...
but then again i was watching
a whole lot of blaire white
videos...
              i didn't even hear the transgender
bit after a few videos
          is that an honest statement?
well.. if you told me she was transgender
would i believe you?
       maybe only until that
trainspotting scene where begbie takes
"her" to the car and finds a surprise present...
  
   i had a moment like that in real life,
picked up this thai girl in the park
took her rome, a few beers and
  michael greilsammer's je me réveille album
later (miles davis didn't work on her)
we were off to to the garden to "talk"
of birds and bees...
           and since she looked so boyish
and wore a very tight sports bra
     and how she did say she was bisexual
i didn't know what i'd find... hmm... ha ha...
luckily i found something i was compatible
with...

that's why i mention blaire white...
            i was fooled... god, but this drivel talk
about pronoun usage,
           for a heterosexual man to understand
transgender truly, in a puritan sense
he's got to be fooled...
               otherwise it's a bit like taking
your car to the mechanic to get it fixed,
but then you go back to pick it up
     and he merely converted it to a flintstone
contraption... mate... if i wanted a bicycle
and peddle, i would have asked for one!

it would also appear that you have
to have sort of conception to begin with,
          moving the whole shabang into a lesson
in grammar? that's a bit annoying...
i like surprises... otherwise it's still just
the templar crusaders and baphomet...
   or what they call the thai surprise...

don't know, never had -
                     yep, not even with a hetrosexual girl...
that bit you are apparently invited to bleach
the hair of...

but she does make the most valid point
about the whole transgender movement -
if you can't make it work, to fool a hetrosexual man
i can't be fooled... that's why
                       most homosexuals turn to
drag, because they know they can't fake it,
so at least they can be flamboyant...
   i can't believe there's so much diversity in
that ****** category, it's a bit like
watching macaws -
  
    i was at a gay party once...
  my cousin is so he invited me and i came
and there was this guy from the previous night
at a gay nightclub that i snogged...
but you wouldn't believe why i left within
5 minutes... i was talking to a woman and she
asked me if i was homophobic / if i was o.k. with it...
em... i'm here, aren't i?
             i felt this great nausea, gave my cousin
his birthday present, and told him:
sorry, i have to leave, i feel sick.
        
   otherwise this whole topic about transgender?
if it boils down to grammar then
  there's no point to someone doing a blood great job
on themselves... which is basically beyond
the point... we know homosexuals are funnier
than hetrosexuals...
     then again i don't know what the transgender
movement actually means...
      
**** it, let's explain it using chemistry and benzene,
ortho-, meta- and trans- positioning of
                 e.g. CH3 to the benzene ring...
well i was certainly transfixed because i'd kiss
that face and wouldn't knoww what to do with
what's down south...
                                  does that point toward
what's known as the judas kiss?
                       i'm jesus was a much better looking
tran- than he's depicted as...
                
but apart from that we have metaphysics and
orthography...               and yes, benzene.

how did i start writing about this? all i wanted to point
was no. 8861... and have some sort of theory
as to how do a sudoku...
     the convergence of two identical numbers?

   e.g. 8 --> |1, 2, 3, 4, 5, 6, 7, 9 | <-- 8

                        or that's how you zoom in
onto an incomplete square and then zoom out
     on an incomplete line...

borrowing from no. 8861

x   x   x                                       x
2   x   4                                       4
7   x   5                                       5
                                                   y
                                                   y
                                                   y
                                                   9
                                                   2
                                                   y

so the above for some reason best describes my
unerstanding of sudoku...
     to be honest this wole "poem" was only
going to be that,
     and perhaps just that - an ode to the very
authentic transgender pranksters -
            authentic... i can't stress is more:
transgender is really that begbie moment:
i understand transgender as a person capable
of fooling a hetrosexual male...
            the rest? let's just say there was an
dummy experiment happening in a chemistry lab;
to me that's the whole point of trans,
     so it would seem
that judas didn't betray jesus with a kiss...
more like a kick to the *****.

   i mean, how else not tell that story?
the most popular man in judea... and suddenly
he's not recognisable that the authorities need
                     someone to point him out with a kiss?
all the rabbis were like: where is he? where's he hiding?
can anyone recognise him?
           i can't see him for miles!
i must be ****** blind or it all suddenly turned dark
and i'm reading braille...
           as i'm sure you known they built
                     the pyramids using sticks and stones.
Jackie Apr 2014
Choose ****. Choose a dealer. Choose your rolling papers. Choose a ****. Choose mind numbingly long conversations about **** all. Choose home grown. Choose frequent holidays to amsterdam. Choose red eyes. Choose the biggets pizza ever for when the munchies kick in. Choose paranoia. Choose chilling with mates. Choose hallucinating about a giant green hedgehog following you home. Choose watching Cheech and Chong. Choose skunk. Choose super skunk. Choose hiding your stash from the police. Choose spilling ***** **** water on your carpet. Choose a fake jamaican accent. Choose space cakes. Choose your future. Choose ****.
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Bryden Jul 2018
I push the button,
3
2
1
The jaws of the train clunk as its mouth opens,
the 9am crowd surging through its hollow body,
eying up the row of sickly plastic benches.
The wheels tighten, I loosen my tie,
off to the office, I sigh,
as I pull out today’s ‘New York Times’.

My eyes drift towards the woman across from me.
A fragrance of citrus and strawberry drifts off her shoulder
as she plumps her pout in the screen of her smartphone.
A bead of sweat poised on her collarbone
glitters like the diamantes on her nails.

We slow,
screeching against the rusted tracks
before the machine-lady hybrid speaks:
‘East-
a split second pause
-Sixty Seven Street’.
No one gets off, so we simply sit
beneath the sizzle of electric bulbs,
their garish light numbed by ***** glass
that cradles the bodies of last week’s flies.

Like an aged rattlesnake, the train creaks and hisses through the tunnel.
I’m attacked by a river of thick black hair
belonging to an olive-skinned woman who yaps into her cellphone:
‘no, no, quiero ver Times Square!’
I close my eyes and listen as her tongue rolls and dives
taking a bite of my bagel from Starbucks.

‘East-
anticipation
-Seventy Two Street’.
Although preoccupied with different thoughts,
expressions
destinations
the bodies on the carriage drift and sway with the motion of the train,
as it stops
and starts once more.

Two children in uniforms twirl around the carriage,
their laughter more electric
than the current that bristles below our feet.
A man
tickled by the dreadlock that sweeps over his face,
looks on with jeans so baggy
his legs melt into the seat.
The Jamaican flag blares from his t-shirt.

Next to him, a man bakes in a moth-eaten waistcoat
clutching a wallet with quivering fingers.
I follow his gaze to a picture of a woman
black and white with coffee stained edges.
His wrinkles deepen as he smiles at his
wife?
alive?
I notice glittery pools of the past forming in his eyes,
perhaps not.

‘East-
my stop
-Seventy Nine Street’.
As I glance down at the platform’s monotonous shades of concrete,
and brush the dust from my grey tweed suit,
I think to myself
how colourful Upper-East Side is.
I shall never stop travelling on the 9am subway to Seventh Avenue.
Without it,
how boring my life would be.
Without it,
I wouldn’t be me.
sapthepoet Jan 2014
At age 27 I ask myself what the hell I am so afraid of
I was born in Central America and my family
Tree reveals that I am from Belize City
This means that I’m Belizean
I’m mixed with white & black  
But I’m not African American since I don’t have any history
Or evidence of my family living in America generations after generations
I’m not even sure if my ancestors were owned by slaves or not
But I won’t assume that we weren’t


Today I ask myself why I love this country so much
That I desperately strive to become American legally
And I want to feel like an American
I know more about African & U.S. History than Central America
I feel like a disgrace to my culture
Yet I haven’t tried to google, ask my family questions
Or even pick up a book to find out more about my ancestors

Whether they’re foreigners or Americans
They tell me that I speak perfect English
And I look like I’m African American
And they can’t even hear my accent
But I think to myself,
Well it’s still there my accent just isn’t as strong and it’s not difficult for me to pronounce English after living here for 15 years
And as for my skin complexion, hey I acknowledge that fact that I’m half black
I didn’t get this skin color from sitting in the New Mexico sun for too long

From what I’ve learned the languages that exist in Belize are:
1. Creole,
2. Garifuna,
3. Spanish,
4. Maya Mopan,
5. Maya Yucateco,
6. Maya Ketchi,
7. Hindi,
8. And German.

We eat:
1. Tamales,
2. Rice &beans;,
3. Craw-fish,
4. Pig-tail, meat-pie,
5. Mango, craboo which is fruit with milk and sugar,
6. Fried plantains.
7. Rompopo is Belizean eggnog mixed with brandy or ***

My favorite food was garnaches which:
Is corn tortilla, refried beans, and shredded cheese  
Fried cake which is bread dough that is shaped
Like a moon that was cut in half and then fried in a skillet

Belize has a variety of ethnicity
Chinese, white, black, Mexican, Native American, etc
So you might look at one of us and assume
They’re Mexican because their skin color is brown
Or think they’re Jamaican, African, and African American because
Of their dark skin or their foreign accent
But that person might be Belizean

We celebrate Independence Day on September 21
They listen to reggae music called *****
My family’s dialect is creole
Da we de gon on
Means hows it going

One day I hope that I’m confident enough to embrace everything:
The culture/country that I was born in,
The American life style that I live now and
Accepting the fact that I’m still black
Even though I’m also Belizean
I don’t want to continue to be bound to my shame of my ethnicity
Or this society that manipulates you
Into believing that surviving and
Making money should be your main focus
Sehar Bajwa Aug 2018
there lives a little white boy across the street,
i swear the chaps' got wings on his feet.
but he grovels around in charcoal and mud,
cos they say he hasn't got athletics in his blood.
he breaks British records, doesnt seem to stop,
but the Jamaican colours flutter from his rooftop.
Olympics the dream,but more than that,
little master Owens just wants to be Black.

there lives a little black girl just next door,
i can hear her tap dance on the linoleum floor.
she sings the opera from dusk to dawn,
she prances and twirls on the family's front lawn.
"your dancings' awkward, your voice baritone,"
it's not in your blood, leave the dreams alone.
she smears fairness creams day and night,
little miss Britney just wants to be White.
racism and stereotyping lives on
Styles Dec 2014
he dudes want to battle my verses
they can't even read my curses
Jamaican style,I'll ****** you with curses
then write your ulogy in cursive
you can't understand my flow your so subversive
i'm deeper than the surface,
i'm so submersive
so stop playing with my time, you are so not worth it
if you want to get beat you can get tekken,
i'll transform into sun-tsu
and use your one style against you,
theirs two sides to every story
so this plot
could get complex
i'm already at the top
so if you try to climb-max
**** could get confusing,
trust me- you don’t want me ******* to my own conclusion
don’t force my hand, I’mma a dope dealer
with more beemers than than a four wheeler
Samantha Wise Apr 2015
I AM FROM NORTH PHILLY
FROM SMALL STREETS, VACANT LOTS
AND PEOPLE WHO AREN'T THAT FRIENDLY.
I AM FROM THE WISE FAMILY
WHERE THANKSGIVING IS ALWAYS AT GRANDMAS
AND WATCH OUT FOR MOM ON YOUR BIRTHDAY
I'M FROM MOVIE NIGHTS
THE SCARY ONES THAT MADE YOU JUMP
AND THE SENTIMENTAL ONES THAT MADE YOU CRY
FROM SPANISH FOOD ONE NIGHT AND JAMAICAN THE OTHERS
I'M FROM LOUD MUSIC
AND "CLEAN YOUR ROOM!" SUNDAYS
I AM FROM WRESTLING WITH MOM
AND TRIPPING LITTLE BRO IN THE LIVING ROOM
I AM FROM RELIGIOUS ELDERS
AND GRANDPA BEING IN BED ALL DAY
I AM FROM MAGAZINES ON THE WALL, SHARED BEDS AND DARK CURTAINS
I AM FROM NORTH PHILLY
Andrea Diaz Dec 2012
One
What’s your ethnicity, or your race?
Are you
Mexican, Filipino, Hawaiian, Japanese, Korean, Vietnamese, Alaskan, English, Irish, Polish, Scottish, British, Brazilian, Cuban, Spaniard, Australian, Canadian, or Jamaican?
Are you something I have not listed?
Are you a combination of multiple ethnicities?
Do you not know who you are?
Still not sure what you identify with?
Or do you not consider your ethnic culture?
Do you prefer to leave behind your roots, only sticking to one true race?
Is your race
Human, Robotic, Alien, Animalia, Plante, Fungi, Bacteria, Futuristic, Untamed, Unreal, Tideborn, Winged-Elf, Elf, Earthbound, Soul, Ghost, Zombie, Magician, Wizard, Troll, Vampire, Dragon, Unicorn, Werewolf, Mysterious, or even too epic to be identified?
Though, this question itself shouldn’t really matter
For, I do not care what the color of your skin,
The identification of where your ancestors have been
Or even who you were then
I’d treat you the same

Two,
What’s the weather like in your mind?
Is it cloudy and unsafe?
Can you bear to let another thought fill up the cloud in your mind?
Or are you still intertwined,
With the thoughts you’ve let yourself get so lost in?
Is it filled with happiness, sunshines and rainbows?
Are bunnies hopping around a sea of flowers?
Can you see the sunset in the horizon and are you capable of clearing away the sad blue skies
Is it safe for me to live in there?
Because, I want to be your thoughts,
I want to show you the sun
So,
Would you mind me living in your mind?

Three,
Are you lost?
Do you wander?
Because being lost is recreation
When we continue to lose ourselves
We tend to recreate the person we are.
We tend to go near and far
We are lost wanderers in this world we call home
So if you’re lost in your thoughts,
And if you’re lost in your world
Let me guide you to a recreation of yourself
And maybe you’ll love being lost as much as I do.

Four,
What’s your world like?
Is it like the world we live on?
The world we take shelter upon?
Is it filled with misery and mayhem?
Or is it filled with peace and tranquility?

Five,
What do you see?
Can you see the darkness that surrounds our hearts?
Can you use it to strengthen the reason to basket in the light?
Do you see the destruction humanity hath brought upon the world?
Can you see it?
Or are you too blind to realize that tranquility and peace no longer exist?
That those are just delusions your mind hath made up.
That the word of the Lord has been bent and now is broken by the people you rented your beliefs to.
That the world is now in turmoil,
And soon,
Oh so soon
It’ll be destroyed by the greed you were to blind to stop

Six,
Do you regret something?
An action you have committed,
An action you have done.
Did you let all the chances slip away?
Did you let her get away?
Because I have done that
So many times I’ve stopped counting.
For if I had kept track
It would have filled up a novel entitled How to Lose Someone (and How to Repeat it)
And so many times,
I have wished I could take it all back.

Seven,
How many wished did you make?
And how many of those wishes came true?
How many falling stars, 11:11’s, eyelashes, and fountains did it take to get it through your mind that wishes don’t come true?
That without a little bit of effort,
Wishes are just meaningless words you’ve wasted your breath on.
Because for every wish I made
Reality slapped me in the back of the head,
And told me it wasn’t going to be true.

Eight,
Have you fallen in and out of love?
Did you regret falling in love in order to fall out of it again?
Did you count the ways you can tell your lover how much you loved them?
Or did you cower in the corner?
Too afraid of something, like rejection, that never existed.
Did you misplace you love?
Are you single but your heart belongs to another?
Someone in which you cannot have?
Isn’t that just how the love life works for the wicked?
We love so much
And our hearts give away,
Yet no one is there to give us theirs
So we end up the heartless
Or even the broken hearted.

Nine,
Have you cried yourself to sleep at night?
Allowing the tears to rock you to sleep
The gentle sirens of the sorrow really do know how to sing a saddened lullaby
And sometimes,
You do not awaken feeling happy,
You may just feel even more ******
But the days you fall asleep with tears in your eyes
You may find that the day has only begun
When the morning sun
Shines on

Ten,
Would you like to tell me a story?
For I have already told you mine
I would like to hear yours.

I am of human race with ethnic culture of the Philippines and Mexico
The weather in my mind is a bit bi-polar but I believe it’s a liveable one.
The world I live in causes me to get lost that I believe I’m just a wanderer
What I see are my regrets
And boy do I have a lot
I’ve made so many wishes that I have lost any hope in having it come true
And dear sir,
I believe that it is true
That falling in love, I continued to fall out of.
But I’ve lived my life like this that I do not know how to get out of it.
I’ve cried myself to sleep at night
But mostly tears awakened me.
Sunshines have come and gone
But I still a wait for the morning sun
So will you tell me a story?
Start with the beginning and end to some where
I just want to know
How much our lives can click into one.
An old prompt I rewrote from creative writing called 10 questions i'd ask a stranger
adam hicks Aug 2013
this is for the queer kids
who are taught their ABC's
but not their L's, G's, B's and T's
for the Russian government and the I.O.C
who deny Russian queers their visibility
to the people who call me "******"
i wear your name-calling like a pink triangle
stitched to my sleeve
for the Harvey Milk's, the Christine Burns'
and every queer in between
to the allies who do more than say
"your sexuality is okay with me"
for the Jamaican trans* teen
who was murdered needlessly
to the television networks
who portray LGBT individuals positively
for the radical queers
the POC queers
the genderqueers
the queers who have felt excluded
this is for you
for us
this is a celebration
and an ultimatum
we are here
we are queer
& we will do more
than survive.
I remember when I was young brother
Hanging on the corner
Along with the other
Gangstas like me with a bunch
Of profanity
Who can see me
Floss on the weakest tricks
Hittin my switch enticing multiples chicks
But they can't ride my ****
Cuz I know devils
When they come sound the drum
Take another sip of the Jamaican  ***
I wonder why they wanna see me fall ?
But even if I fall
I'll continue 2 lift off where I had my downfall and ball
On sucka muthaphukkaz
Trust my guns quick to burn ya
Til ya ashes turned into dust
Lust after money never cuz I'm too clever
To let any one sever
Me and poetry wither it be
Reality or Fantasy
I'm a breed of many Prodigies
Raw rappin' so y'all know what's happenin'?
Re-Runs of slavery in this modern
Day society quietly
I see them eying me
From a distance fools get hesitant
Once I
Step on the scene empty out my magazine
Now these bullets is ya new cousine
Now you another victim to homicide got me feelin' alright
Check my tactics fool quick with them tools makin ya soul flee
Only to bring out the Gangsta in me



Now these corporate punks
Gotta problem with g funk
But I don't care still puffin my skunk
Another hater tossed in the trunk
Of my sixty four stay *******
Double up fool if ya want more
As sorrows pour
I want peace but my mind screaming war
Like eagles taking soar
Shoot the bird downs
Cuz I ain't a clown
And you wonder why I get around?
Hahaa
N how many brothers got they life drowned? Downed
By a system that never cared about them
Situations kind of grim
So don't ask me why keep the slugs to 45s Next to me
Cuz I ain't going to jail 4 free
I pay the price with my life
N don't give a **** if it comes out nice
Its that raw **** that make critics
Hop like crickets
Can't dodge my licks once the guns click
Now ya soul in serious ****
Body throwing a fit
Soon to be a corpse of course
No remorse to muthaphukkaz
That try to do u
Art of War principles is what I follow
Life's is big pill hard to swallow
Am I wrong for speaking the truth ?
To the young generation ahead of you
But that's ******* and I
Ain't having it
So you tricks can **** my ****
Once the lyrics hit
Ya mind ya can't shake as I make
Perfection out of poverty
Been ballin' since I was 23
Ride with me and I'll ride on yo on enemies
For loyalty
Gangsta in me brings out the Gangsta of You
fuckpolitics fucktrump fuckobama fuckbush fucktheworld tiltheendoftimeforeverwilliridetilidie
Born Robert Nesta Marley on February 6, 1945
In nine mile, St.Ann
Emancipate yourself from mental slavery none
But ourselves can free our mind
I grew up on that prophetic message and philosophy
And it never left my soul or mind
You have left a legacy
World renowned
This dreadlocks man left his mark
Permanently

I believe you were before your time
I was not yet born
When you departured
But your music was my friend
I was built on your roots
Something music lacks today
Your words emanate so powerfully
That builds faith and tear down injustice
It inspire greatness

I remember the man who chants words of ball of fire
Hitting beyond anyone’s imagination
Or comprehension of his God given talent
He has touched hearts from Jamaica to America
Europe to India to Africa all over
His music is worldwide
It’s like a life’s guide
Whether ball head or Rasta man
Bob Marley music lives on
I have yet to see someone like him
His legacy continues with his sons and daughters
With every Jamaican
His message was deep, spiritual and philosophical
To the soul and mind.
R.I.P
The Great Reggae Legend.

All Rights Reserved.
Christena Antonia Valaire Williams
Jamaica W.I
In writing-In praise-In memory (Poetry book of Anthology by Brian Wrixon, )My poem is featured.
Steve Page Aug 2018
Every Jamaican is a superstar.
It's there in the carry
in the step
in the stand.
It's there in the belief
that anything
that anyone
that anywhere
can swagger
can strut
can take the room
and make the world stop
sit up
take note
and smile.
First line credit to Idris Elba in an interview about the movie, Yardie.
RLF RN Nov 2015
For my craving, satisfy me
of this spicy, loathsome
inclination of my restless soul.
You, from the Caribbean Sea--
Santiago, let your
ambrosia signifies of how
your people colloquially
refers you, as "Rock".

Santiago, a refuge
you were once for the Jews.
As desirably firm as you are,
abolish me of these crisp desires
for they renders me with nothing,
but mere pertubation.

Oh Santiago, obscure me
inside your dry rain - shadow
areas, relatively.
For a while, conceal me
so I may somehow be
healed of this tempestuous outburst.

Sing me a lullaby, Santiago.
With such unique culture
of yours, infect me.
To be vibrant, and
to become Jamaican.
Martin Narrod Mar 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
*There's A Wocket In My Pocket by Dr. Seuss
The Scribe Aug 2012
As real as Monopoly Money....

I'm on Mediterranean Ave, buying sleeping gas, and a bulletproof vest to rob Community Chest. Inside info from Dimples. Cut her out of the money by putting 2 in her temple. Off to the projects, the Marvin Gardens. Special discounts when buying guns by the carton. The back up getaway is on Pacific Ave. Her brother will drop me off, I'll plant a bomb in his taxi-cab. Rob them, he'll drop me at the Waterworks, his car blows. I'll swim a half a mile to Reading Railroad. Give *** Jack some chump change, $500 for the caboose on the train. Low profile as we go through the ave's; Vermont, Oriental, Kentucky, and also Virginia Ave. Robin hood theory, throw out bundles of cash. We can't Stop, we'll be taking a Chance. Getting locked up in the Jailhouse, 25 with an L ****!

Jump off @ St. James church, to stash my firearm. "What if it's closed", I'll crack the burglar alarm. Walk in, see the priest, and for our sins we confess. For the rest of this mission, we'll need to he blessed. With this economy messed up, pockets they lack. Time doesn't pay the crime, they've added a Luxury Tax, to avoid the Electric Company where people get fried Jack. Walk down Indiana and blend with the panhandlers, to No. Carolina, where I'll steal us a Pathfinder(Nissan). Then we'll go, it's a quarter after 4 we got to get to the B&O.; Listen for the Jamaican yelling bloodclot. He'll extract the rest of the plan from his dreadlocks. Park Pl. will take us straight to the train station. Hide all your valuables, it's headquarters for freebasing. "What about the cops watching from the Free Parking Lot"? We'll sneak up the back street called Tennessee, and dress up like some ladies, to hide our identity. "Ooooh that's smooth and just might work, to make it to Conneticut in heels and a skirt". Get on the Shortline to Advance to New York, and lay low at St. Charles Pl., on Ventnor and Illinois.

We're at St. Charles Pl. getting undressed from the lady clothes, and the rest of the plan to pull a hit on the Parker Bros. Rifles issued at target practice, to get what we wanted. When we Pass Go, they'll pay us $200. To rent a room on the Boardwalk Hotel Top floor, to shoot the Parker Bros. as they walk out the front door. We'll lean out the window and have them centered. Since the scope is telescopic, we can see where the bullet entered. BOOYAH, the scope is off, so we missed their heads. Broke down the weapons, while we was running downstairs. Stole their Rolls Royce in front of the crowd. Still in pursuit of the Brother's for laughing aloud.......GAME OVER!
Here's a little story I tink you'll like.
It's not bout' two shmucks looking for amour.
It's all bout' me, my life, and my big fat bluntz.
Imma bout' to tell ya what Reggae's for.

Reggae stands for peace and the luv in yaself.
It's bout' them spankable honies and big fat beatz.
It's bout' sweet **** chicken and otha tasty stuff.
It's bout' that dank smell of ***** fillin' da streetz.

Reggae's da warm sensation from a fresh beef patty.
It's the chill rub-a-dub sound of dat Marley noize.
It's the Jamaican sun spreadin light on ya gurl's curves.
It's the dutty jammin ya get in to witcha dazy rond-boys.

*My life is Reggae. Reggae is my life
My first post. Hope you island boys preciate ma style.
r Mar 2014
Friggin' the best of
All maritime words
Like
Lash the friggin' tops'l
Friggin' foresail
Fifteen friggin' frigates
Five friggin' fathoms deep
Flotsam friggin' jetsam
Friggin' me timbers
Friggin' boson's mate
Scrub the friggin' deck
Aye aye, friggin' Captain

It just feels so right

As spicy as Jamaican ***
It rolls right off the tongue
Like a *****'s pearl
Just like a friggin'*****'s pearl,
Mate

r~ 28Feb14
Francie Lynch Jul 2015
With the box lid closed
It's dark inside,
There are no colours
We can't abide.
But a golden sliver of light seeps in,
To expose the colours there within.
We see red when enraged,
And scarlet dancers crowd our stage;
A red-blooded male brags virility
Through rose-coloured glasses of masculinity.
Some grow green with envy,
Reveal they're yellow in enmity,
Are blue when feeling empathy,
Turn blue holding out for sympathy,
Are tickled pink with comedy,
And white as a sheet with tragedy,
Or brown-nosed with syncophany.
If your yellow-bellied you may run,
And green-gilled after Jamaican ***,
Write purple prose when versifying,
Ashen coloured when you're dying.
True colours show outside the box,
Use grey cells to colour unorthodox.
Our true colours are harlequin,
That fade to black at our end.
Viseract Aug 2016
So she thinks I'm cute,
She thinks I'm **** and hot
I look in the mirror, beg to differ,
I think not

She told me she "really" likes me
But wants me to forget she ever told me
One-sided admiration is awkward, apparently
Says she

I tell her to chill
No need for embarrassment
Embrace you inner Jamaican
Don't allow awkwardness it's harassment

How cold is it, that I accept so easy?
Feeling nothing but relation in return
An empty heart, cold blood
And a mind in guilt, burns
I feel bad, but at the same time I don't know her as well as i'd like. What do I do?
Mateuš Conrad Aug 2016
i'm going with Loki on this one... as taught: φ... is the iota needed? never mind... φιλoφαρσα - let's just play musical hiding places: φλoκεφ - and subsequently losing an omicron with ρ, or iotas from φ, χand ψ - it's a Jewish game... a Vegan milkshake sort of gangrene bruise on how aesthetics are different across our ethnic spectrum.

and it usually begins with a white coffee in the morning
with a few cigarettes, so the nicotine tuberculosis
subsides and i phlegm out a schnitzel -
but it works, i ate two meals a day,
i starve still dinner, then eat for closure after
the binge... i rarely attempt a breakfast for champions,
given i usually finish a bottle of whiskey or bourbon
the night before... i call it the mandible diet,
ensuring that beauty is mandible, bendable,
who would **** a skeleton pose, i'm not quiet sure,
the **** industry treats their women like
the lust for flesh in the Renaissance - plump...
or simply mandible.
a fond memory: drinking absinthe on the streets
of Athens before the revolution started,
cackling a mad laugh, just so the Greeks might
remember... so many junkies on the streets back
then, before the bust... junkies with baby buggies
walking down the streets injecting Afghan sunsets
into their veins, never made it to the mount of
Parthenon, like i never went for a tourist trip of
Edinburgh castle... instead... hooked up with a few
Algerians and went to the strip-club...
mm (smile)... fun there...
ah ****, never mind, or today, a bottle of bourbon
and a pint-bottle of Heineken...
then menthol filters and papers for rolling tobacco...
then a quick walk about the neighbourhood...
madman's luck in the end... the karma brigade came
along... the infinite factors involved, more thrill
than from playing the lottery, gambler neutral...
just walk, sulk a bit, laugh a while,
have a drink, have a smoke... walk past the social
centre and it's cheap disco "get together" on
the Saturday, two girls discussing how the night-out
will plan out in the cheap outer-London bars
(not as bad as that bar in Seven Kings...
imagine walking into a house with the kitchen
having carpets... all the evaporating oil,
all the scents... this bar near my school was like that...
it didn't have hard flooring, it was all dressed in
carpets... sickly **** sweat blood... the sort of place
you'd bring your drug dealer to... and unsurprisingly
my drug dealer was a Jamaican, into his Illuminati
conspiracies, who i listened to with human respect
while he showed me aliens, hyenas talking Hindu,
and starving Buddhas breaking the 40 days and nights
in the desert limit... kinda self-deprecating
given he was Jamaican and i was a white boy rummaging
outer-East London grime... but you have to fit in somewhere,
right?)
so the two girls at the bus stop... me hardly the gambling man...
and there is was... smiling at me on the ground...
'would you believe it?' i said to my father
watching the Olympic gold medal match between Brasil
and Germany... 'a 20 quid note!'
and it was, a little bit wet, a little bit gritty...
madman's luck... in my pocket a 20 quid banknote...
that's lucky, that's more lucky than gambling
with 3 lottery numbers for the same amount...
well, actually the winnings are £10 with 3 numbers...
i have found £10 twice and a fiver... but twenty quid?
no chance! well... until now...
and that's lucky... just like that Nietzsche quote
about looking down (and being praised)
and looking up (and being ******) -
well fair enough about cheapskates - but when the probability
game comes up, and you do find some money
on the street (not merely a lost copper penny) you sort
of start thinking: i'd have more odds finding
a laughing gas ******-shell of the bullet of injection...
and there are plenty of those littering the streets around
here... don't know, but i can depict outer
London suburbs like the streets of Sudan... junkies
everywhere... so that's how you play gambler neutral:
you don't expect to find anything while walking
smoking and drinking a few beers...
but it's the sort of exercise routine that pays... ha ha,
literally... which ain't that bad as when you
realise what's happening in the world... in today's
Saturday edition of *the times
a real harrowing...
a sketch of the article:
    beware #thinstagram: does social media need a
  heath warning?
           vegan blogger, clean-eating regime,
            masking her severe eating disorder,
            death threats ensued - wellness trend
            tipping into an unhealthy obsession?
            carrots and sweet potato a.o.k.
            result? an Essex suntan... oorangé -
            psychological distress, the doughnut
            schizophrenic - i.e. the doughnuts are
           speaking to me people -
           (i'm not even going for mug smartness
            with a scythe moon extension of
            the jawline, Stephen King is an amateur
            in this respect - look up writing the
            horrors designating your ears to
            every contort of the world... the real horrors
            are the ones you can't escape,
            some of them yours, but mostly other people)
     orthorexia nervosa: crucial, the benzene ring
positioning, all the coin-phrasing-tossers
will probably come up with the other two:
metarexia and pararexia... whatever that might mean...
orthorexia? internet fuelled obsession with clean-eating
Calais / kale shakes (cos it's said Kalé in French, ******)
avocados on toast... who the **** does that routine?
£30 five-day juice cleaners... but still, the only
cure for a hangover is to keep on drinking...
gluten-free sales up 63% from 2012 to 2014...
almond milk sales 80% sales increase year by year
(given only 1 - 2% of people in Britain have a health allergy)...
NutriBullet smoothie-maker (black Friday 2014):
one sold every 30 seconds...
£9 million spent on avocados a year...
increase in kale being sold: 400%...
drinking a smoothie consisting of 12 bananas... /
            and this is happening, these people aren't living their
lives... they're selling them... me?
you think i get paid or do you think i drop a line about
Nietzsche or Heidegger like Diogenes mouthing off
Alexander the Great about blocking out the sun
****** mooove! and by the way, just so you don't think
that i think highly of Nietzsche... that fable about the madman
going into a market sq. with a lamp at noon looking for
god? ironic, because Diogenes did exactly the same thing...
but he wasn't looking for god... oddly enough he was looking
for an honest man.
I want you to think positive today
Speak up when you have something to say
Stand up and let your voice be heard
Whenever injustice knocks at your door
Don’t be afraid to cry out for mercy
Don’t be afraid to cry so the world may be at your knees

Don’t be afraid to be vocal
Whether foreign or local
Don’t be afraid to challenge the stagnant system
Whether by voice or by the written work
Let our hearts beat as one with the Congo rhythm
Sing out The great reggae legend philosophy
Bob Marley
One Love, One hearts lets get together and feel all right
I and I is a woman of righteousness
Everywhere me step Jah bless

Me radical
Every vagabond has to scatter as the power under which is dwell is internalized
Out of me the almighty specialized and their wicked cult can’t suffice
So open up your eyes
Please do realize
Take away the cobwebs, remove the mask of disguise
And see I prophecy
Paint away the graffiti of one’s mind
Remove the zinc fences and card board boxes
That tries to manipulate
See God
See the devil when he masquerades
Realize his plan
His advocates and be aware


It’s a physical
A spiritual warfare
Soldiers
Put on your armour
Prepare for war
Keep your mind open
Keep it secure
The gateways to your soul
Protect it with spiritual intervention
If you don’t
Illusion
Delusion
Difficult situation
Under the system’s manipulation
Hold an herbal, spiritual meditation
And revolutionized
Modernized this ya mind

Christena AV Williams
Jamaican Radical poet, rap lyricist and Author
Pearls among stones
All rights Reserved.

— The End —