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Spring comes hither
Buds the rose . . .
Roses wither
Sweet spring goes . . .
O ja là
O ja là . . .
Would she carry me.

Summer soars
Wide-wing'd day . . .
White light pours
Flies away . . .
O ja là
O ja là . . .
Would he carry me.

Soft winds blow
Westward borne . . .
Onward go
Towards the morn
O ja là
O ja là . . .
Would they carry me.

Sweet birds sing
O'er the graves
Then take wing
O'er the waves
O ja là
O ja là . . .
Would they carry me.
rashi gupta Jan 2012
manzil humari hume pata nahi
phir bhi chale ja rahe hai,kisi raah pe

ajnabee kaun,kaun humsafar hai
bhulte ja rahe hai is rah pe

akele the akele hai
akele hi chale ja rahe hai is raah pe

kaha kisine kiya humne
manzil mili nahi is raah pe

manzil na sahi, koi thikana to **
jaha ruk kr samye bita sake is raah pe

kathin hai pana is manzil ko mana
par sabbra hi to hum kho rahe hai is raah pe

chale ja rahe hai, chale ja rahe hai
hum is ajnabee si raah pe

dikhai di hume manzil humari
chalte chalte is raah pe

jab pahuche hum us manzil pe
dikhai di ek aur raah is raah pe.........
Shrivastva MK May 2015
Tujhe dekhe huye kitne din,
ab raha nahi ja raha tere bin ,
kas wo pal phir wapas aa jate,
tere saath tujhe dekh man hi man
muskurate,
tujhse batein kiye huye kitne din,
ab raha nahi ja raha tere bin..


har lamha teri yaadon me khoya hoon,
yaad kar tujhe akele me roya hoon,
duniya suni- suni lag rahi tere bin,
ab raha nahi ja raha tere bin..


teri ek jhalak ke liye
beqarar hain aankhen,
tere saath baith kar
karni pyar ki do batein,
laut ke aaja sanam beet gye judai ke din,
ab raha nahi ja raha tere bin....


tujhse pyar kar maine kaun sa khata kiya,
Jo tune mere sapno ko jala diya,
Usi intejar me baithe hai ki milenge ek din,
ab raha nahi ja raha tere bin.....
Julia Anniina Mar 2016
sitä kuvittelee jokaisen hetken olevan jollain tapaa hirveän tärkeä
ja silti käyttää puolet hetkistä jossitteluun, tilanteiden tarkkailuun, vaihtoehtojen punnitsemiseen
haluten ymmärtää, mitä kaikkea on mahdollista tapahtua
mutta silloin pitäisi myös ymmärtää, että mahdollisuuksia on olemassa rajaton määrä
ja jokainen niistä on tasapuolisesti yhtä merkityksellinen tai merkityksetön

huolimattomasti läpiselattu sanakirja, tilastolaskelmia
kaaosteoria, perhosvaikutus
väsyneitä kielikuvia ja käsikirjoituksen puute
öljystä kiiltävät risteykset ja ruuhkaiset liikennevalot,
joiden takia myöhästyt junasta, jonka takia hyppäät seuraavaan
joka myöhästyy raiteella juoksevan peuran vuoksi
ja perille päästyäsi alkaa satamaan
hiukset liimautuvat otsallesi ja nyit huppua tiukemmin silmille
kiihdytät vauhtia puolijuoksuksi, jotta ehtisit sisälle ennen kuin kastut läpimäräksi
ja väistellessäsi vedestä tulvivia katuojia
unohdat väistää kaikkia muita
ja pam,
niin syntyy kolari valtatiellä
Julia Anniina Apr 2016
Pohdin, pitäisikö lauseista sittenkin karsia pois hieman pikkusieluiselta kuulostava katkeruus ja täytteeksi laitetut kirosanat, vaikka niillä jos joillakin saa kaivettua esille kauan odotettuja reaktioita. Tosin tuohon sääntöön sinun oli tietenkin tehtävä poikkeus, ja pysyä aina yhtä ilmeikkäänä ja vastaanottavaisena kuin tiiliseinä. Se piirre sinussa on yksi ainoita, josta en tunnu saavan otetta, vaikka kuinka repisin hermojani ja haavojani auki. Miellyttävämpää olisi pitää yllä kuvitelmaa, että jossakin sen tyyneyden ja päälleliimatun rauhallisuuden alla kuohuu, kuohuu niin vitun kovaa, että jossakin vaiheessa läikähdät yli reunojesi, ja voimme taas alkaa käyttäytyä niin kuin kuuluu.
Haluan hienovaraisesti varmistaa, että paikalla tuolla hetkellä, seuraten sivusta, antaen jääpalojen sulaa hiljaa lasissa. Jälkeenpäin voin vaivihkaa hivuttautua viereesi, ja niin kuin on tapana, ujuttaa sormeni hitaasti selän ja niskan kautta hiuksiisi. Vasta kun olet tarpeeksi lähellä, tunnustan harmistuneena, että oikeasti olen vihainen vain siksi, että lähtöni jälkeen maaliskuussa vaihdoit kiireesti sänkysi lakanat, etkä ole suudellut moneen viikkoon.
Ja Dec 2015
T’was the night before Christmas
And in his outhouse
Sat Ja quietly listening        
To waltz’s, by Strauss.
(Really, he was leafing thru Penthouse)

The ******* was fitted
With all manner of lights
That couldn’t be missed
No matter what heights

When up on the roof
There arose such a clatter
Ja, kicked open the door
To see what was the matter

So there sat Ja
With his pants pulled down
His *** in a hole
On his forehead, a frown

He leaped up so quickly
Through the doorway to pass
Tripped over his pants
And fell on his ***

Then flat on his back
His bare *** in the snow
He looked up to see
The roof all aglow

Poor Santa had landed                        
On that, small, sloped roof
But there wasn’t enough room
For sleigh, and each tiny hoof

Ja had decorated everything
So the outhouse, shone bright
And Santa mistook it
When he arrived that night

The reindeer slid off
Were hanging by their straps
And Santa had saved them
By grabbing, the roof *****

Poor Rudolph fell the farthest
Boy, was his nose beaming
Just then, losing his grip
Santa started screaming

Fly Dancer, fly *****
Fly Donner, fly Blitzen
Don’t let me fall into
This ****, Ja was fixin

Then just like magic
They started to float
And Santa, raising his fist
Did this warning shout
              
Be very careful old man
I’ll get you some day
Stay alert Christmas Eve
Don’t get in my way

Now, each Christmas Eve
Ja, won’t step foot out that door
Cause he knows Santa is waiting
To even the score
BOEMS BY JA 18
ESSAYS ON
LEADERSHIP FRONTIERS OF AFRICAN LITERATURE
By
Alexander   k   Opicho




Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

TABLE OF CONTENTS
Contents                                                                                                                Page
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE 4
THE CURRENT EAST AFRICA IS NOT A LITERARY DESERT 27
AFRICAN WRITERS HAVE CULTURAL RIGHTS TO FORMULATE AND CREATE ENGLISH WORDS 31
LIKE PUSHKIN, AFRICAN WRITERS MUST CREATE THEIR OWN PROFFESSION OF LITERATURE 35
THERE IS POWER IN THE NAME ‘ALEXANDER’ 40
KENYAN COURTS AND PARLIAMENT ARE BETRAYERS OF HUMANE GOVERNANCE 47
AFRO-CHRISTIAN RESPONSE TO RADICAL LITERATURE IS GOOD AND SWAGGERISH 50
YUNUS’S SOCIAL BANKING IS A GOOD BENCHCMARK FOR THIRD WORLD ENTREPRENEURS 54
HEROISM IS NOT GREATNESS BUT HUMILITY IN SERVICE TO HUMANITY 57
KENYAN STUDENTS; YOUR MOBILE INTERNET CULTURE IS ANTI- ACADEMICS 61
WHAT IS THE MAGIC IN THE WORD ‘DRINKARD’ OF AMOS TUTUOLA 63
SOCIETIES IN AFRICA HAVE TO MENTOR BUT NOT CONDEMN THE LIKES OF JULIUS MALEMA 66
AMERICA WILL NOT WIN THE WAR ON GLOBAL TERRORISM 69
AFRICA CAN OVERCOME A MENACE OF **** IN EVERY 30 MINUTES 71
COMPARATIVE ROLES OF AFRICAN-BRAZILIAN LITERATURE IN THE POLITICS OF RACIAL AND GENDER DEMOCRACY 76
NEO-COLONIALISM IS NOT THE MAIN VICE TO THE GAMBIAN POLITICS 85
RELATIVE MEDIA OBJECTIVITY IS ACHIEVEABLE IN AFRICA AGAINST POWER CULTURE AND TYRANNIES OF TASTE 89
READING CULTURE IS GOOD FOR BOTH THE POOR AND THE RICH 96
VIOLENT DEATH IS THE BANE OF AFRICAN WRITERS AND ARTISTS 100
AFRICAN WRITTERS AND ARTISTS MUST ASPIRE BEYOND A NOBEL PRIZE 104
WHAT ARE CULTURAL RIGHTS OF AFRICAN ENGLISH SPEAKERS? 109
WHY IMPRISONMENT OF WRITERS CONTRIBUTED MOST TO AFRICAN LITERATURE 113
DORIS LESSING: A FEMINIST, POET, NOVELIST, WHITE-AFRICANIST AND NOBELITE UN-TIMELY PASSES ON 121
Amilcar Cabral: Beacon of revolutionary literature and social democracy 127
How the State of Israel is brutally dealing with African refugees 131
Historical glimpses of language dilemma in Afro-Arabic literature 146
THIS YEAR 2013; IS THE YEAR OF GREAT DEATHS 153
AFRICAN LITERATURE WITHOUT POETRY IS LIKE LOVE WITHOUT VAGINAL *** 156



















PROLOGOMENA
BARRACK OBAMA READS MOBY ****
Barrack Obama is reading Moby ****
American president is reading Moby ****
Ja-kogello is reading Moby ****
Ja-siaya is reading Moby ****
Ja-merica is reading Moby ****
Jadello is reading Moby ****
Ja-buonji is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because untimely death took his father
Barrack Obama is reading Moby ****
Because untimely death took his mother
Barrack Obama is reading Moby ****
Because untimely death to his brother
Barrack Obama is reading Moby ****
Because untimely death took the grannies
His lovely Oeuvre of Melville Herman  
And what are you reading?

Barrack Obama is reading Moby ****
Baba Michelle is reading Moby ****
Baba Sasha is reading Moby ****
Baba Malia is reading Moby ****
Baba nya-dhin is reading Moby ****
Sarah’s sire is reading Moby ****
Ja-sharia is reading Moby ****
The ****** is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because here ekes audacity of hope
Barrack Obama is reading Moby ****
Because here ekes dreams of fathers
Barrack Obama is reading Moby ****
Because here ekes yes we can
Barrack Obama is reading Moby ****
Because here ekes American dream
His lovely Oeuvre of Melville Herman
And what are you readings?

Barrack Obama is reading Moby ****
Because American president is like whale hunting
Barrack Obama is reading Moby ****
Because Obama is a money making animal
Barrack Obama is reading Moby ****
Because hunting Osama is whale riding
Barrack Obama is reading Moby ****
Because hunting Gaddaffi is whale riding
Barrack Obama is reading Moby ****
Because coming to Kenya is whale riding
Barrack Obama is reading Moby ****
Because Guantanamo prison is a bay of whales
Barrack Obama is reading Moby ****
Because Snowden is a Russian whale
Because launching drones is whale riding
His lovely Oeuvre of Melville Herman
And what are you reading, Moby ****?














CHAPTER ONE
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE

I am writing this article from Kenya on this day of 23 September 2013 when the Al shabab, an Arabo-Islamic arm of the global terrorist group the Al gaeda have lynched siege on the shopping mall in Nairobi known as the West Gate where an average of forty people have been killed and a hundreds are held hostage. The media is full of horrendous and terrifying images. They have made me to hate this day. I hate terrorism, I hate American foreign policy on Arabs, I hate philosophy behind formation of the state of Israel and I equally hate religious fundamentalism. Also on this date, all the media and public talks in Kenya are full of intellectual and literary tearing of one Kenyan by another plus a retort in the equal measure as a result of the ripples in the African literature pool whose epicenter is the Professor Taban Lo Liyong .He is an epicenter because he had initially decried literary mediocrity among the African scholars and University professors, Wherein under the same juncture he also quipped that Kenya’s doyen of literature Ngugi wa Thiong’o never deserved a Nobel prize. Liyong’s stand has provoked intellectual reasons and offalities to fly like fireworks in the East African literary atmosphere among which the most glittering is Chris Wanjala’s contrasting position that; who made Liyong the prefect and ombudsman of African literature? This calls for answers. Both good answers and controversial responses. Digging deeper into the flesh of literature as often displayed by Lo Liyong.
Liyong is not a fresher in the realm of literary witticism. He is a seasoned hand .Especially when contributions of Liyong to east African literary journal during his student days in the fifties of the last century during which he declared east Africa a literary desert. In addition to his fantastic titles; Another ****** Dead and The Un-even Rips of Frantz Fanon, Professor Taban Lo Liyong also humorously called Amos Tutuola the son of Zinjathropus, what a farcical literary joke? I also want to appreciate this Liyong’s artfulness of language in this capacity and identify him in a literary sense as Taban Matiyong Lo   Liyong the son of Eshu. He is an ideological and literature descended of the great West African Eshu. Eshu the god of trouble which was dramatized by Obutunde Ijimere in the imprisonment of Obadala and also recounted by Achebe in the classical essays; Morning Yet of Creation Day. I call him Eshu because of his intellectual and literary ability to trigger the East and West Africans into active altercation of literary, cultural and political exchanges every other time he visits these regions. Whether in Lagos, Accra or Nairobi.
Now, in relation to Ngugi and intellectual quality of Kenyan University literature professors was Liyong right or wrong?  Does Liyong’s stand-point on Ngugi’s incompetence for Nobel recognition and mediocrity in literary scholarship among Kenyan Universities hold water. Are Liyong’s accusations of East Africa in these perspectives factually watertight and devoid of a fallacy of self-aggrandizement to African literary prefecture as Professor Chris Wanjala laments. Active literary involvement by anyone would obviously uncover that ;It is not Liyong Alone who has this intellectual bent towards East Africa, any literary common sense can easily ask a question that; Does Ngugi’s literary work really deserve or merit for Nobel recognition or not ? The answers are both yes and no. There are very many of those in Kenya who will readily cow from the debate to say yes. Like especially the community of alumni of the University of Nairobi who were Ngugi’s students in the department of English in which Ngugi was a Faculty during the mid of the last century. Also the general Kenyan masses who have been conditioned by warped political culture which always and obviously confine the Kenyan poor into a cocoonery of chauvinistic thought that Ngugi should or must win because he is one of us or Obama must win because he is one of us or Kemboi must win because he is the son of the Kenyan soil. These must also be the emotional tid-bits upon which the Kenyan Media has been based to be catapulted into Publicity feat that Ngugi will win the Nobel Prize without reporting to the same Kenyan populace the actual truths about other likely winners in the quarters from the overseas. I am in that Kenyan school thought comprising of those who genuinely argue that Ngugi’s literary work does not befit, nor merit, nor deserve recognition of Nobel Prize for literature. This position is eked on global status of the Nobel Prize in relation to Ngugi’s Kikuyu literary and writing philosophy. It is a universal truth that any and all prizes are awarded on the basis of Particular efforts displayed with peculiarity. Nobel Prize for literature is similarly awarded in recognition of unique literary effort displayed by the winner. It is not an exception when it comes to the question of formidability in a particular effort. However, the most basic literary virtue to be displayed as an overture of the writer is conversion of theory into practice. This was called by Karl Marx, Hegel, Antonio Gramsci and Paulo Freire, especially in Freire’s  pedagogy of the oppressed as praxis.History of literature and politics in their respective homogenous and comparative capacities has it that ;There has been eminent level of praxis by previous Nobelites.Right away from Rabitranathe Tagore to Wole Soyinka, From Dorriss Lessing to Wangari Mathai.Similar to JM Coatze ,Gao Tziaping,Alexander Vasleyvitch Solzhenystisn and Baraka Obama.This ideological stand of praxis is the one that made Alfred Nobel himself to to stick to his gun of intellectual  values and deny Leo Tolstoy the prize in 1907 because there was no clear connection between rudimentary Tolstoy in the nihilism and Feasible Tolstoy in the possible manner  of the times .In a similar stretch Ngugi wa Thiongo’s literary works and his ideological choices are full of ideological theory but devoid of ideological praxis. Evidence for justification in relation to this position is found back in the 70’s and 80’s of the last century, When Ngugi was an active communist theoretician of Kenya. His stature as a Kenyan communist ideologue could only get a parallel in the likes of Leon Trotsky and Gramsci. This ideological stature was displayed in Ngugi’s adoration of the North Korean communism under the auspice of the Korean leader Kim Yun Sung. This is so bare when you read Ngugi’s writers in politics, a communist pamphlet he published with the African red family. By that time this pamphlet was treated equally as Mao tse Tung’s collected works by the Kenya government which means that they were both illegal publications and if in any case you were found with them you would obviously serve nine months in prison. And of course when the late Brigadier Augustine Odongo was found with them he was jailed for nine months at Kodhiak maximum prison in Kisumu ,Kenya .O.K, the story of Odongo is preserved for another day. But remember that, this was Ngugi only at his rudimentary stage. But when Ngugi got an opportunity to get an ideological asylum, he did not go to Russia, nor East Germany, Nor Tanzania, nor China but instead he went to the USA , a country whose ideological civilization is in sharp contradiction with communism; a religion which Ngugi proffessess.In relation to this choices of Ngugi one can easily share with me these reflections; is one intellectually  honest if he argues that he is a socialist revolutionary when his or her employer is an American institution like the university of California in Irvine ?
Ngugi was not the only endangered communist ideologue of the time. There were also several others. Both in Kenya and without Kenya. They were the likes of; Raila Odinga, George Moset Anyona, ***** Mutunga and very many others from Kenya. But in Africa some to be mentioned were Walter Rodney, Yoweri Museven,Isa Shivji,Jacob Tzuma ,Robert Mugabe and others. The difference between Ngugi and all of these socialist contemporaries of him is that; Ngugi went to America and began accumulating private property just like any other capitalist. But these others remained in Africa both in freedom and detention to ensure that powers of political darkness which had bedeviled Africa during the last century must go. And indeed the powers somehow went. Raila has  been in Kenya most of the times,Anyona died in Kenya while in the struggle for second liberation of Kenyan people from the devilish fangs of Moi’s dark reign of terror and tyrany.Walter Rodney worked in Tanzania at Dare salaam University where he wrote his land mark book; How Europe underdeveloped Africa. Later on he went back to his country of birth in Africa, Guyana where he was assassinated while in the revolutionary struggle for political good of the Guyanese people. Yoweri Museven practically implemented socialism by fighting politics of sham and nonsense out of Uganda of which as per today Uganda is somehow admirable. Isa Shivji has ever remained in Dare salaam University, inspite of poverty. He is now the chair of Mwalimu Julius Nyerere school of Pan African studies. Jacob Tsuma and Robert Mugabe they are current presidents of South Africa and Zimbabwe respectively. The gist of this reference to African socialist revolutionaries as contemporaries to Ngugi wa Thiong’o is that a socialist revolutionary must and should not run away from the oppressor in to a zone of comfort. But instead must remain and relentlessly fight, just like in the words of Fidel Castro; fight and die in the battle field as long as it is a struggle against the enemy of the revolution. This view by Castro is pertinent as it’s a Revolutionary praxis which actually is redolent of practice of an ideology that has to be held for ever above ideological cosmentics.Ngugi scores badly on this. So if the Nobel academy looks at Ngugi in terms of defending human rights then it must be reminded that Ngugi have no marks on the same because he only ran away from the practical struggle. Anyway, Politics and ideology has its own fate. But let us now come back to literature. Ngugi and his books. As at  this time of writing this essay  Ngugi has published the following works; Weep not Child, The River Between, A Grain of Wheat, Black Hermit, Petals of Blood, Devils on the Cross,Matigari,Homecoming,Decolonizing the Mind, Writers in Politics, Ngugi Detained, Pen Points and Gun Points, Wizard of the Crow,Globalectics,Remeembering Africa, Dreams in Times of War and I Will Marry When I Want as well as the Trial of Dedan Kimathi which he wrote along with Micere Githae Mugo.Out of this list the only works with literary depth that call for intellectualized attention are ;A Grain of wheat, Wizard of the crow and Globalectics. The Grain of wheat is simply a post colonial reflection of Kenyan politics. Its themes, plot, lessons and entire synechedoche is also found in Wole Soyinka’s Season of Anomie as well as Achebe’s Anthills of the savannah. My argument dove-tails with those of Liyong’s stand that rewarding Ngugi’s Grain of wheat and forgetting Achebe’s Anthills of the Savannah and A man of the people would be a literary ceremony devoid of literary justice. Wizard of the Crow is indeed a magnum opus. I am ready to call it Ngugi’s oeuv
Julia Anniina Jun 2016
ihminen on omalle minälleen susi
ja jos ajatukselle antaa pikkusormen
se todellakin vie koko kehon
eikä sitä paranna kymmenen haukkua tai sata kehua
jos itse huutaa lakkaamatta niiden päälle
rakentaa perusteet juoksuhiekkaan
tekee turvapaikan jostakin kovin petollisesta
muiden huomaamatta tai kirkkain silmin valehdellen
kusettaa kuitenkin vain itseään

onhan sen pakko vaikuttaa jokaiseen elämän osa-alueeseen
tuosta noin vain, kertaheitolla
jos vain olet tuosta vähän kapeampi
tuosta hieman kevyempi
linnunluinen ja teräväpolvinen

mittasuhteet vääristyvät mittoja tuijottamalla
ravaamalla asuntonsa portaita ylös alas ylös
se vaati uhrauksia
mutta kyllä ne kaikki luvut muistaa ulkoa
taulukot ja tuoteselosteet, edelleen
vihreää teetä ja laksatiiveja
sitten vielä kerran

mutta onni onnettomuudessa;
fyysistä itseään on mahdoton lähteä karkuun
voit juosta maailman ääriin asti
ja silti perille päästyäsi
olet edelleen sinä, omissa nahoissasi
mieltä, ihoa, sisuskaluja myöten
keho kestää uskomattomia asioita
kestää läpi avannon pintajään ja lapsuuden vesirokon
tervan ja vatsalaukkua polttavan putken
loppumattomien lihassärkyjen
viikkotolkulla lavuaarin yllä kakomisen
aina vain kasvattaen arpea ruhjeisiin
haalistaen verenpurkaumat
jotta voisit juosta, tanssia, naida
kiivetä vuorille tai vaikka hitto soikoon puuhun
ei se siitä sen kummemmaksi muutu
vaikka sinua olisi olemassa
kolmasosan vähemmän
Mateuš Conrad Oct 2015
mój jenzyk, moja czystość, mój brat moja siora! kiedy ja tam w głowie pra dziada takim pod iglatym krzyżem żyda na równo brał?! kiedy?! kiedy?! czemu czekaniem w anglii?! czemu?! boje sie horyzontów takich jak tych! boże... czemu to marszem wydarzenie nagłe wprost na pustynie wyrytych narodów jakby kretów w mgle czerni? czemu ubogi w krakowie prosi mnie o czerń żelaza a nikogo innego?! gdzie ja w cebulowym kościele, gdzie ja?! na płacz... ja na płacz a nie na grób rodzinnym?! czemu... czemu?! daj mi chociaż wrót do ziemi! daj mi chociaż wrót do ziemi! ja lach z czynu i kości! ja lach z czynu i kości! ja werset bez czynu razy raz jeszcze raz! szfeda płacz. daj mi swego syna cień ciała, znania mieniem krzyż i pacior.*

szkło w deszczu
mówi więcej
niż mgła
przy ogniu iskry, czy tam
sfobody ćmy przy świecy,
bo kto pyta o wizerónek
słów przy lustra snów moża
czy tem narcyza
na tle jeziora bez rzeki
w gęsich makiarzu na tle
marszu gęsi szwastiki -
to o tyle pyta.
tyle mi mówi płacz,
ten izrael północy, ta polska,
z tym edynburgiem jako ateny
czy ten sankt petersburg
jako wenecja.
Julia Anniina May 2016
Jaksat usein muistuttaa ensitapaamisestamme, kerrata tarinaa verkkaisesti äänensävyllä, jonka pehmeys muistuttaa rauhoittavaa silitystä.

Silloin tuntui lähestulkoon kunniakkaalta olla juuri se ihminen, jonka valitsit niiden kaikkien vastaan tulleiden joukosta. Ehkä juuri sen takia en juurikaan vastustellut, kun vetäisit minut rivakalla otteella suoraan altaan syvään päähän. Totuin kylmään veteen ennen kuin ehdin huomatakaan, opin täydentämään lauseesi ja tuntemaan kehosi jokaisen piirteen, trauman ja eleen.
Yhtä huomaamattomasti kuusi kuukautta pauhasi ohi kosken tavoin, ja sorsat saapuivat uiskentelemaan rannan liepeille. Siinä vaiheessa olin jo auttamattomasti puolihukuksissa, kaulaani myöten kietoutuneena sinuun, keveyteesi ja mutkattomuuteesi, kehräten häikäilemättömästi kosketuksia ja kuiskien tuhmia sanoja korvaasi.

Puhuessasi et vilkuile turhaan ympäriinsä, vaan lasket katseesi kiertelemättä ja painavana iholle. Välissä venyttelet laiskasti, kohotat käsivarsiasi, jolloin paidanhelmasi nousee hieman, paljastaen kaistaleen alavatsasi suloista kaarta. Kun niskasi on taivutettuna hennosti taaksepäin etkä välttämättä huomaa, annan silmieni viipyillä sinussa hieman pidempään, kyynärtaipeista sormenpäihin asti.

Ennen sinuun tutustumista puolitutuillani oli pois kääntyessäni tapana kuiskutella paheellisuudesta ja huorista, enkä viitsi kieltää, ettekö muisto noista sanoista tuntuisi edelleen aamuisin kohmeisuutena luissani, mutten siltikään malta olla miettimättä, miltä nuo sormet tuntuisivat sisälläni.
Julia Anniina May 2016
Jaetaan tupakanjämät, kuoharipullon pohjat, huonoimmat vitsit ja rivoimmat salaisuudet
Ja kun ilma viilenee puistossa ja illassa on samanlaista huvittavaa surumielisyyttä kuin Kelan loppuun lauletussa kappaleessa
Karataan kikatellen vessaan pussailemaan
Tarraat tiukasti kiinni ja käsket pitämään pienempää ääntä
niin vakavana etten kykene lopettamaan nauramista
vaikka vatsaa ja poskia kivistää
Joku heittää leksaa viereisessä kopissa
tulee jälkeenpäin muina naisina peilin eteen oikomaan takkuja hiuksistaan
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Valitettavan harva asia on oikeasti kiinni musta tai susta
meistä puhumattakaan
Ihmiset osaavat olla niin hellyttävän itsekeskeisiä omine murheineen ja kipuineen
Eikä sellaiselta putkinäöltä ehdi edes ajattelemaan muita
Mutta ehkäpä jotkin tarinat on kerrottava
juuri tässä nimenomaisessa puistossa
kun äänesi on humalasta hutera
sukkahoususi polvista rikki ja iho vetää kananlihalle
Eikä kukaan halua olla ensimmäinen joka lähtee kotiin
Tämä on täsmälleen sellainen tarina
(saat satasen jos tulet nukkumaan mun sohvalle)
kundan kumar May 2015
maa
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
mamta ki sarowar me dub jana chahta ***
yein duniyan ki rasme se parein hona chata ***
is jhut ki nagri se niklna chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
yein badal tu mujhse kyun puchh raha h
tu bhi to maa ki mamta ko chahta h
tabhi to pani bankar maa ki god me barasta h
mai bhi apne aansu maa ki god me bahana chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
yein pat tu mujhse kyun puch rahan h
tu bhi to maa ki god me samana chahta h
kabhi patjhar, to kabhi aandhi ke karan maa ki god me aana chahta h
mai bhi apne mastak maa ki god me girana chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
Shrivastva MK Jun 2015
Kis gunah ki saja tumne mujhe diya...?
Ban ke bewafa tumne pyaar ko badnam kyon kiya....?
Mila tumse mohabbat karne ka sila mujhe,
Jite ji tumne mujhe ye judai ka zahar kyon diya...?

Na karte pyar kabhi bhi tumse agar pta hota mujhe judai ka gam,
Karke mujhe akela, kahan chale gye wo bewafa sanam,
Kya duniya ki yahi reet hain...?
Pyar aur Judai me aksar kyon judai ka hi jeet hain....?
Kis janam ka badla sanam tumne mujhse liya...?
Karke ghayal dil ko, mujhe akela yu chhod diya,

Ab to ye duniya mujhe tane mar rahi,
Kabhi laila majnu to kabhi heer ranjha ki pyar ki kahaniya suna rahi,
Ja bewafa ja khush raho uske sath jise tumne apna bna liya,
Dard dekar mujhe jo mere dil ko
DARD -E- DIL bna diya,
DARD -E- DIL bna diya.....
BROKEN HEART & BROKEN DREEMS
Mateuš Conrad Oct 2018
.nie dotykaj ich kobiet... mowie ci... nie dotykaj ich kobiet... to nie twoje, to wprost obcze, i tym bardziej owcze...jak sam, zobaczysz... nie tykaj ich kobiet!

ja nie jestem tu, w ramach potrzeb
ich kobiet, mowić słowo: nie!
ale... ich kobiet "potrzeby"
mnie naj mniej... interesują...
kiedyś... może... nie teraz...
ja, tu jestem...
  po tą kurwe swe znaczą
tytułem: językiem...
ja, jestem tu, po ich             zór!
pizdy w ramach gnoju jedno,
ale jedno nad wszysto..
ich. jęzór?

                          jeniec?
taki jeniec? jaki może być
sam język sam w sobie?
no to jaki, jeniec?!

    to...            to!
a tu...

        tu? tu... teraz hymn.
i to słynne... sto lat!
no, panowie?
co? co kurwa jest?
sto lat sto lat niech
Dąbrowski żyje nam!

            to jest moje: salve regina!
ślepy bładzi, ale ten co pyta?
tym ja, jam tym ślepym...

jam ślepy i tym samym,
jam co błądze...

         kiedy kusić trza...
  to nie tym zorem...
             ale tym, o ile sto lat
zapuźno... jam sobą...
przy twym tronie
tym ten sam.

jam mówie swą krew!
   i tą krew! swą jam: przemówie!
nawet do tych bez
kraju, i fałszywego Pana;

oczy jak iskry,
i mowa jak lustro...

   nawet do bzdet kraju,
i fałszywego Pana:

rój! i cholera nad resztą!

nawet... owszem, Panu,
ale kraju,
ale kraju...
co Panu nic wart.
Julia Anniina Feb 2016
Vaikken kaipaisikaan enää niin paljoa,
että tuntuu kuin sisukseni kääntyisivät ympäri
se ei tarkoita, etten kaipaisi lainkaan
(sitä että juot kahvisi mustana sillä unohdat aina ostaa maitoa kaupasta
tai että kaikki rakastamasi kirjat ovat minusta loputtoman pitkästyttäviä)
Sinussa on vielä se sama kodikkuus, kuin niissä pienissä pubeissa
joissa vietimme kaikki iltapäivät heinäkuussa
ja terassilla aurinko poltti olkapäillesi pisamia
Tuoksut savulta ja lämmöltä
etkä lakkaa silloinkaan hymyilemästä,
kun lukitsen kapeat ranteesi sängynpäätyä vasten

Lähtiessäni jätän ikkunan auki,
ja sinut puoliuneen
Pakkanen tuulettaa asuntosi nurkat
ja samalla sisälle tulee myös lumisade
havahduttaen sinut kohinallaan unesta
Puoliksi patjalta, puoliksi lattialta

Ja junaan kiirehtiessäni ymmärrän,
että on helmikuu
Kaupunki, joka oli minulle joskus uusi
tuntuu edelleen yhtä tuntemattomalta
ja saatan eksyä, vaikka olen vain korttelin päässä kotoani
Edna Sweetlove May 2015
A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.


Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)
Arvind Bhardwaj Mar 2016
Yu dekh kar mujhe duniya hairaan kyu hai,
Mere hasne par bhi puchti hai pareshaan kyu hai?
Yu to sabkuch samet kar rakhta hu seene me,
par na jaane aankhe is kadar beimaan kyu hai?

Koshis dil se to karta hu par ankhe daga deti hai,
Samjhata hu bahut kuch par fir bhi saza deti hai.
Khamosh rehta hu ki na samjhe koi haal-e-dil,
par ye dhokebaaz hai sabko bata deti hai.

Na jaane kyu khafa hai is kadar,
kayi baar bhari mehfil me rula deti hai.
kya samjhaau kaisa khel hai zindagi ka,
jise chaho use kahi aur mila deti hai

samajh ja ab to samajh ja yu na tod mujhko,
ye zindagi hai. ye chahe to jeena bhi sikha deti hai.
Julia Anniina Apr 2016
aamut ovat harmaita ja raukeita
iltapäivät kelmeitä ja sotkuisia
istun tukevasti aloillani
mutkalla sohvannurkassa
on pidettävä kiinni polvista
jollen halua tuntea tippuvani

kerrot avaruudesta ja viidakoista
kuinka haluaisit parvisängyn
ja köynnöskasveja katonrajaan
riittäisi pelkästään se
jos olisi syvä kylpyamme
ja aina tuoretta kahvia

taitan pääni selkänojalle
nojaat hieman lähemmäs
helähdät nauramaan
puren hampaitani yhteen
ulkona on alkanut hämärtää
mutta sätkäsi palaa edelleen
nämä ovat jäähyväiset
ja sydämeni laukkaa kuin varsalauma
Mateuš Conrad Feb 2017
it's called: whenether you dare to call it infantile, that you start imagining people being serious about selling shoe-laces; or Korans.

even those, who you left to "live"
unto the age of 70 and past,
are asking, are asking themselves
whehter it has worth it...
            your arguments don't
scare me, they threaten me,
        and when someone
feels threatened:
             they react in
a natural tribunal of effort...
  when the arguments threaten
you fear confiscates
   the dire need of death
being an alpine promise...
      and the such...
you rob me of fear,
you instill a pragmatic of death,
like the Jew paid his alimony
  what the suffered under the **** crimes...
of course,
the numbers matter....
the Marshall plan in neutral Sweden...
              or what the Poles
    got with Communism...
Jew... barricades... barricades!
messerschmitt teuton krähe schwarzkreuze,
   love your neighbour as yourself:
that too died on the cross...
   and i was but a peasant in Warsaw,
and Warasaw was but a village...
                     something worth ******* on...
and it was the ****'s worth of geography
for merely being there.
       it's there... something akin to be odd...
               i have, oddly enough, no allegiance...
i'm bound to being dreamy...
          so called lazy...
   the next best thing...
                 right now the Jews matter,
i took no deutsche marks from the swabian schweine...
             the jews did...
               jews... they did...
                     blondas *kurva
trop!
happy retirement and Hannukah...
you crass-case of albino...
                  alias neo-deutsche!
                          austrjak jebany palmą!
w głowe, jebudiet!
   Wengier! hu ha dusza, i świntosiek
                  duch, i iskra, i łamana
                          świca...
         serce mi da tą ziemie:
   i ja tą ziemie dam w cheć na
pogoń, zwane zając!

nie dla narodu, z kochanej, e, u, ro, py...
pierdole ten cyrk!
ja, niby, polok...
o to ten huj, iskra huja w pizdzie i pizde mi
na kilo jabłek potem wgryść, rozdać i sie
tylko śmiać... Jarkowski, jebany,
       Kowalski, zapomniany...
           Jazurelski: troche i coś odtąd nie tak...
czyli, ricochet, echom czy apropos?
         bo to cynic: prawde mę, to samo co prawde mlą.
hej stop to warto obgadać jako: gnój!
          i szmira, i obowiązek... niby...
   ale skupowisko nie-urzytków, tzn. słów...
rodzinka sie wkurwi na widow mnie!
    no, po prostu wkurwi!
              oj, hyba że ja ponowny Szo'pę,
i kres mego serca na łałel... via W unto V
or: Vienna.
                      as cheap as the joke can be made,
or as plastic and extending as it allows itself
to be...
             taaak, bluźnie:
        bo mi na pacierz nie wypada...
kler: zegnam sie, panie sługo... zegnam sie...
paciorek i tymianek... gówno wśród nas!
to wszystko przez
           braku ari de verci....    
  albo quo vadis -
              ryj!                 i gleba.
Bliss Dec 2018
Mann hi mann sochti hoon..
Ke kash tere aane jaane ka pta hota.
Toh phir mae tujhe rok kr kehti...
Tham ja, zara sun toh mujhe,
Aa chl aaj thoda ek doosre ko jante hai,
Samajhte hai, ke har badalte mausam mae tu
itna khoobsurat kese ban jata hai?
Zara samjha toh, kese tere aane se kisi ki zindagi khushaal aur kisi ki khamosh ** jati hai?
Aey waqt chal aaj thodi si guftagoo krte hai.
Kuch sawal jawab krte hai.
Aey waqt zara aaj do pal mujhe bhi deja.
Kuch tu mujhe sunata ja aur kuch mujhe sunta ja..!!
So Lets plan a date?
Just you (time) and me
Aryan Sam Jun 2018
Ni zindagi'ch aaja fer ni
Zindagi'ch aaja fer ni
Sathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Beh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni

Vekh mere bul'chandre
Fer hansde ne dard bhula ke
Haaseya naal pawe aadiyan
Dil honkeya ton ankh ji bacha ke haaye
Fer mere muhre khad jaa
Taza hoje koyi yaad ni purani

Zindagi'ch aaja fer ni
Sathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Peh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni

Langh ja ni rooh vich di
Agg fer ni lahu nu lag jaave
Hathaan utte kar totka
Meri zindagi di leek mitt jave haaye

Ankhiyan'ch neend radke
Ankhiyan'ch neend radke
Langhe chees koyi haddan de thaa ni

Zindagi'ch aaja fer ni
Saathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Peh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni
Mateuš Conrad Dec 2015
i tyle, reszta na coin flip
twoich ambicji;
mam, po, prostu (nie mazowieckie czy kieleckie)
               kichaniem dosyć!
syty jam i z prostatą oddany w mgle pychy;
ja serw memu mieniu i ozora
(tej trzeciej krwi krowy)
                                                          ­   poeta!
do końca wasz iglak wczorajszej wigilii
(zmień to a zmienisz czasowność):
rada memu panie... więcej narodu czy tem
racji czy tem dumy czy tem innego stanowiska
na głąbie poza polską ja racze;
ja racze! wilka gniew nad lud!
z resztą, okiem morsa fabryk na tle miganiu
to tylko nic! a mój brat kim?! obcy mocar?!
nie! nie, nie ja ludwig rus czy pruss, niet ich!
oj naród a ja jako atlas, wraz z izraelem,
a ty jako kompas, a warszawa jako kamień tonie
w wodzie hystorji wraz z napoleonem,
a więć kraków raz jeszcze wstanie wraz z mongołem;
tylko anglia może oddalać dume swego rodu
sama mniej dumna swego początku w niemczech.
Dorothy A Oct 2013
Everything faded to black. He had a hard time remembering just what the hell happened. He wasn't sure of downing some random pills from of the medicine cabinet-- his first attempt to end it all. Making sure he would not recover-- if the pills didn't do the job-- he had already devised the set up of the noose in his bedroom. Definitely, he didn't recall anyone cutting the rope, forcing him down to the floor.

Lacie joked with him. "Dude, you've got nine lives! You must really be a ****, fricking cat in disguise! That's why you'll eat those nasty tuna fish sandwiches they serve in the nuthouse! "

Chris grinned at her.  He had to agree. To refer to it as the psych ward at the hospital made it seem like more of a jail term, but calling it "the nuthouse" lightened up the severity of the situation. As grave and nearly tragic as everything  had become, it was kind of laughable to him.  He supposed he had more chances than a cat's fabled life. It all seemed so crazy that it must be funny.

Well, what could he say? He had flirted with death, but unwillingly managed to escape its grip. "Pathetic..."--he commented. "I don't not even know how to die well..."

Chris  eventually realized that he had been rushed to the hospital, but wished it wasn't true. Since then, everything was either a total blur or a bizarre state of mind . Even waking up in his room was like a remotely vague memory, almost like a long ago dream that might not really have happened.

Maybe, he was somewhat aware that his sister was screaming in shock and horror at the sight of him, shouting out downstairs to her boyfriend to help her. But the walls were turning red, a glowing scarlet- red, with an added fiery orange and yellowish-gold-- all joined together in pulsating embers. He was quickly losing consciousness. It was like some, bad acid trip. Not that Chris knew this firsthand, but it sure was like something he saw on TV or at the movies.

And now he was the star of the horror show.

Did he die?  Death was what he planned on, so waking up was not a relief, or a reality back into motion--just the opposite. It was as if being awake was the real nightmare, a delusional time when everything was not true, and was only an scary, offbeat version of the life of Chris Cartier.

The bad acid trip continued. He recalled hospital staff rushing about him, seeming like real people-- sort of. Then they morphed into fish in scrubs. From overhead, an IV was dripping into his arm. Tubes were shoved down his throat. His vital signs were displayed on a screen that made beeps and sounds, increasing the chaos and adding to the mayhem to his mind. Soon, the vital signs machine started talking to him that he was a "very bad boy" and other such scoldings.

He was thoroughly freaked out. If he was still alive, he'd rather be dead.

He wanted to run. One of the fish pushed him back down and muttered out undecipherable utterances-- like underwater gibberish . Then that fish used its slimy fins to inject him with a needle in his arm. The other fish circled around him like fish out of water--with opening and closing mouths-- as if gasping for air.

As they surrounded him as rubber monkeys shot out from the walls and bounced all over the room. On top of all this madness, the florescent lights above were flickering on and off, in sync to the wild music, like the drum beats of a distant jungle. It was one bizarre tangle of events, a freaky, crazy, out-of-control ride in which reality could not be distinguished from the animation and mass confusion. It was one overpowering ride that he would much rather forget.

When Chris got out of critical condition, he found out that he could still not go home. That would take a few weeks more. Dr. What-The-Hell's-His-Name assured him that he needed to start on the path to his psychological healing--just as grave as the physical--right here in a safe place.

It didn't seem so safe to him.

The enemy wasn't what was out there in the world, but the big, bad wolf was actually him. He had to be protected from the true culprit--himself-- and that was a mind-blowing concept. Just what did he get himself into?   

He never had been a patient in a hospital before. In all his twenty-six years, he didn't so much as even have his tonsils out. Feeling now like a prisoner,, he was still scared out of his mind-- as if it was day one all over again. When was he going to get out of here? Chris began to fear that they would never let him out. No professional had a definitive answer, as only time would tell of his improvement.

Man, why couldn't he just be dead?

His parents visited almost everyday, but it was of no reassurance to him. His mother always left in tears, and his father was lost for words. This was nothing new. When it concerned their troubled son, they felt inadequate to help him. The best his dad could say was, "Hey, Chris, we're pullin' for ya". That was of no comfort, whatsoever, like he was some fighter in a boxing ring that his old man had a bet placed on . His mom always clung to him as she said goodbye, like she needed the hug more than he did, saying to Chris through her sobs , "Miss you....love you". Her emotional state just unsettled him to the core, and he was worried for her more than for himself.    

At best, his outlook was grim. But then he met Lacie Weiss, and things started looking up.

Lacie was one of the quietest psych patients in the ward, always sticking to herself. But then he found himself sitting right next to her in group therapy, and they hit it off. He had no idea that she had a fun side. She usually looked apathetic and quietly defiant to society, a nonconformist in the form of a Goth, with edgy, dyed black hair, dark eye make-up and some ****** piercings of the eyebrow, tongue and nose. Her look was quite in contrast to his light blue eyes and sandy-brown hair. Chris never was into Gothic, viewing those who were as spooky creeps.  

It was obvious that Chris was scared and confused. Now although trying to seem tough and stoic, Lacie seemed so little, almost fragile, yet obviously trying to hide her broken self together. Petite and somewhat girlish in appearance, she was barely 5 feet tall. Chris was 5 feet 11 and a half inches, close enough to the six foot stature that he wanted to be. Only a half inch less really didn't cut it for him, though, even though his slim build gave the impression of a lankier guy. He would have loved to be as tall as the basketball players he so emulated. But such was life. He was never used to having the advantages.  

At first, Lacie never opened up, not to a single soul. Like Chris, she certainly acted like she didn't need this place, and nobody was going to help her--or be allowed to help her. As stony and impenetrable as she tried to be, group therapy it was hard to disappear in. Everyone was held accountable for opening up, and the leader was going to see to it.  No way, though, did Lacie want to crack or look weak in her turtle shell composure, in her self-preservation mode. So it was agony for her.

She first spoke to him, whispering loudly to him, onc,e in the group circle "This is all *******!"

Hanging with Chris was the one salvation that she had in this miserable experience. They both could relate more than he ever realized. They both really liked motorcycles and basketball. He had his own Harley, and it was something he loved to work on and go on long rides with it, his own brand of therapy.  In spite of how she looked, Lacie was also actually close to his age. He was twenty-six. and she was twenty-two.

They first broke the ice with casual introductions. "No, the name is not pronounced like Carter", he corrected her about his last name. "It is like Cart-EE-AY...... It's French".

"Yep", she replied. "Like mine is the same way, but as German as brats and sauerkraut,  Ja dummkopf?"

Chris gave her a weird look. She continued, "My mom's dad was from Germany, and I got my mom's name. Ya don't say it how it looks. You would say Weiss like Vice, but I couldn't give a **** how anybody says it. Nobody gets it right and original, anyhow." Her dark brown eyes flashed at him as she said, " But I think I like Chris Cutie, myself, better than Cartier.....cutie it is for me. Huh, cutie pie? "

Chris laughed hard. She was pretty coy for a die-hard Goth. She batted her eyes playfully at him and winked."You're worth being in here for, ya know", he told her, blushing, still laughing at her silly remarks.

She studied his face in response, all laughing aside. Suddenly, her mood turned solemn.  "I'll bet".

They began hanging out in the commons, walking down the halls for exercise, and swapping stories of their plights. Chris quickly found that she Lacie wasn't so steely and unapproachable as the day he first saw her.  And she discovered that he was more than a pretty boy.

"My parents weren't home when I tried", he told her one time after lunch was done. They were sitting in a corner, trying to be as private as possible. "Twenty-six years old...and I still live with them. Yeah, that's my life. I got a twin brother, and he's moved out and doing alright for himself. My sister's younger, is going to college. Wants to be a doctor".

Lacy didn't have any siblings to compare herself to. "Must be cool to have a twin", Lacie said. "I always wondered how that would be to have two of me running around! Scary, huh, dude?"

Chris shook his head. "No, it's nothing like that. Jake and I aren't identical. We are just a two-for-one deal...I mean  is that my parents got two babies in one, huge-*** pregnancy. Jake and me don't even act like twins. Half the time, I don't want to be around him."

No, it wasn't like his cousins, Adam and Alan, who were identical friends, mirror images, and best of friends. Chris never identified with that kind of brotherly relationship. He and Jake never dressed alike, or knew what the other one was thinking. And Chris felt that his brother always felt superior to him. He was the popular one. He was the ambitious one who landed a great job in computers, as a system analyst.  To add to Chris's feelings of inferiority, his little sister, Kate, had surpassed him, too. She was acing most of her classes, and boarding away at college. She was well on her way to becoming a doctor.    

"So if your mom and dad weren't around...who saved you?" Lacie asked. She stared into his eyes with such a probing stare that Chris almost clammed up. Just thinking about that day was overpowering.

"Uh...my sister and her boyfriend were hanging out in the basement. She was home from college, and I didn't know it. My parents were out-of-town. Our dog, Buster, was acting funny. He knew something was up..."

Chris stopped abruptly, but went on. "Kate, my sister, explained to me that she saw me in my room, getting up on a step ladder. She says she yelled at me to stop. I don't remember...but I guess..I guess I was going to do it anyway, and she wouldn't be able to stop me....stop me from...so I hurried up and jumped off before she could stop me."  

Lacie could almost picture it, as if she was there with him. She said, "But she did stop it. She saved you."

"Yeah", he agreed. "Buster started it all...barking, alerting my sister to come upstairs from the basement, and upstairs by my room...." All of a sudden, he felt so weird, like he was having an out-of-body experience.

"Hey, it's OK", Lacie reassured him. "It's over now. You aren't there anymore".

Chris started to cry, but tried not to. "If it weren't for Brian, Kate's boyfriend....she would not of had the strength to hold me up by herself, and cut the rope, too. I must have been like dead weight, and Brian grabbed a kitchen knife and told her to stay cool about it. Yeah, sure, like that could have been possible ! She was trying to keep the rope slack, while trying to save my sorry ****...and she was scared, shitless! "

Lacie opened up, too, relating her tragic past. She had an unbelievable tale, one hell of a ride herself.  It was amazing how detached she was when relating it, though. "Well" actually I got to fess up" "I'm not really an only child....I mean I am...but not really. I know that sounds weird---hey--but I am weird. Oddly unusual is the story of my life-- even before day one. "

Chris had no idea what she was talking about. "What are ya' trying to say?"

She added another surprising bombshell. "Also,  I have a two-year-old boy. His name is Danny. He don't see his dad--ever. The guy's a waste of space. Anyway, my mom has him. She can afford him more, and can do a better job raising him than me. Well, she does OK money-wise. Anyhow, my mom deserves him because she lost everything. And I mean EVERYTHING! Her whole fricking family practically wiped out!"

The shock that Chris had on his face-- his widened, blue eyes and open mouth were expected.   Most people had a hard time believing her.

She explained, calmly, "I mean she nearly died--way before I was born--in a car accident. And her two, little boys were with her in the backseat...and they died that day. "

Chris looked pale. "That is so awful!" he said, hoarsely, barely able to say it.

"Yeah", she continued. "Not a **** thing she could do about it, too. She was like in a million pieces. I know a part of her died right there and then, too. I just know it.  You know, dude, my mom was once really, really coasting along, just doing fine. A typical wife and mother-- a bit older than me now-- life was good. Her little boys were just cute, little toddlers--like Danny. I found out from my grandma that she was  pregnant, too, just a month or two. Nobody could have imagined it coming. She was just driving--doing nothing wrong-- when some idiot broadsided her.  I don't know if it was a guy or a lady, if they were jacked up on ***** or drugs, but they were speeding like a demon out of Hell. Her husband was at work and wasn't around."  

The boys were Benjamin and Gerard, but Lacie couldn't remember their names, for her mom could barely mention them without breaking down. It was an unbearable loss.

Chris was so horrified, amazed that Lacie related this like it was someone else's story. She was almost too cavalier about it.

"And they died ?!" he asked.

"Yeah....*****, don't it? Pure, pure agony. Downright Hell on earth. My mom had to learn to walk again. It took about year, I think."

"Oh, no! What about the baby she was supposed to have?"

"Miscarriage. Worse yet, the **** doctor told her she'd never be able to have kids again. She lost everything, man! Her husband couldn't handle it and left her. **** on top of ****, on top of more ****, on top of more. If it wasn't for her parents, and her sister's help, she would never have made it.

"But she had given birth to you, right? Or were you adopted?"

"Yeah, she gave birth to me. I was her miracle baby, and she didn't give a rat's rear end if my dad wanted me or not. He'd send her money, once in a while, but he wasn't really into either of us. Who cares though? She didn't give a **** what he thought. I was her baby. Truth is, before I came, she ended up slitting her wrists--just like me. What was the use? At first, there was nothing to live for. But now she has Danny.

"And you!" Chris quickly pointed out.

"Dude, are you kidding me? I have been NOTHING but grief for her, a real pain in her ***!"

Unlike her deceased, half-brothers, Lacie grew up before her mother's eyes, from a shy girl to a ******* rebel. Since the age of twelve, she would sneak drinks from her mom's liqueur cabinet. Eventually, she smoked *** and tried ******* and ******. Dropping out of the eleventh grade, she soon away from home, living with friends or boyfriends ever since.  Thankfully, she wasn't doing drugs when she conceived Danny. And her drinking wasn't as prevalent as it was in her teen years of partying and binge drinking. That didn't mean that her drinking problems magically disappeared, or that she was cured. Immediately, though, when she knew she was pregnant, she refused to touch a bottle, but it was just a white knuckle process that was effective momentarily--a band aid on a more serious wound. And going months without a drop of alcohol didn't deaden her urges--quite the opposite--as it only made her crave what she could not have. Often, her fears caught up with her--of especially becoming
Hazel Nov 2017
Nu er du bare én af nattens mørke kroge.
Ja, bare én ud af mange
Langsomt fordamper du, ind i en grå tåge
Af minder.
Du er, var og forbliver nu blot ét minde.
Ja, bare ét ud af mange.
Jeg gør intet, for tidevandet trækker dig langsomt ud i uigenkendeligheden.
Måske tror du vi ses, men dette er et farvel.
Ja, bare ét ud af mange.

Nu kan vi mødes i den grå tåge af minder.
Det er alt der er tilbage, og der snakker vi om alt det vi havde glemt, der kan vi savne virkeligheden.
I mens glemmer vi os selv, i vores egen uvirkelighed, for det er det der sker.
Ja, ét par gange ud af mange.

For dig er jeg nu blot “HENDE”.
Ja, bare én ud af mange.
-Hazel
Mateuš Conrad Mar 2017
it was once called being intelligent... now everyone's in on the vogue of: autistic... what the ****?!

it's a maine **** that's nearing 10kg...
i pass this rooftop "mongrel"
    in the street today, and i'm like:
you torso is smaller than my cat's head,
sorry, i agree, both of you are
ginger ninjas... but come on...
                       my cat is fox sized goo
that needs pampering...
so the ****** "creeps" into my room...
i mean creeps by: he leans against
the ****** door and it just opens... basic
physics...
                 and he's inquisitive...
you sure? i'm sure. you sure sure? i'm sure
sure.
          cats can fool me any given minute,
i'm too benevolent with them...
so he's like: hmm, he's perched on a windowill,
maybe i should perch on the windowsill too...
then he plays this *taxi driver
game with me,
looking into a glass window...
  and you know what "they" say about
glass windows in the night...
   they turn into mirrors...
              so he takes to his reflection and is like:
yo' talking to me? ***?!
               it's a bit like snap-chat,
cats have this nervous insect "twitch" about them...
they have the neurosis of sudden movements...
   and he's all: you talkin' to m'ah *******?!
    he tricks me when i want to spend some time with him
by closing the door he pushed open...
           and his eyes gaze at the "void"
of me closing the door...
              ****** had ants in his ****... couldn't sit it
out with me... the moment i revise my original
intention of closing the door, to then opening it...
with the window open: he's off!
   out the window!
               but the sheer insinuation tactic of
a cat's gaze... that gets you to places you've never
been before... the ****** opened my bedroom door to
play me... and he played me...
          i was duped by a cat...
   10kg pressing against a door? it will get it opened
no matter what obstructions are in place...
           i get it... it's april and it's getting warmer and
you want to sniff a bunch of trees and flowers in
bloom... for some reason i had a moment this afternoon
where i had a scent of cauliflower...
                             maybe mozart and the clouds...
    oh god, fame is ****... mickiewicz? byron?!
  overrated...
                    the whole idea of original sin
and plagiarism being the sin?            thank ****
no one really bothers milton!
      but get to the point where a cat fools you
to try to salvage the remains of the evening wondering
in the garden: for that extra hour...
         catch a frog?
                  maybe... you're into gambling... so am i.
the ****** made a stealth pearl harbor move from
the windowsill out the window when he insinuated
with his gaze at me having closed the door to then:
open it again...
                              and then the dash!
              off he went...
                                  for some reason i have no
capability to compliment myself in terms of i.q.,
but whatever i.q. score i might have attained:
this cat just undermined me to the point where
my i.q. score is 0.
             is it really paedophilia that i might say:
o'keefe music foundation's kids' cover of
tool's 46 & 2 is better than the original?
                      it's how it opens up...
the bass guitar... it sets the rhythm... metallica has
nothing of this sort of intro... a bit like eric
clapton live... let's say he doesn't solo during
the song *******... but he solos into the song /
rhythm... he does his virtuoso moment and
then gets serious respecting other instruments
and does the "mundane" of the rhythm and signature
of the song...
                     i required the p-word to release myself
for the instilling of the word: provocateur...
        america: the n-word          and now the p-word...
what's the m-word? mammoth? monthly?
                                           membrane? moth?!
why is american culture so... ******* infantile?
maybe i'm delusional, but it's like: wanna doughnut?
              yeah! and postcard from saturn too!
**** this cat... i close the door and he's uneasy...
i read his eyes and say: ok ok, i'll open it again...
   and with the window open,
he jumps off the windowsill into the night garden.
        oh here come the bets:
- i bet you my friday night will be more entertaining
  in d'ah clubs on brick lane!
- i'm pretty sure it will be... i've been laughing for
the past half an hour, so how does that even compare,
or even matter?
Cecil Miller Sep 2017
Ain't no woman for me, no, no,
'Cept the Lady Annabelle.
I'm gonna tell the story,
'Bout how she put me through hell.

I said to my Lady,
"You can have whatever you claim."
She took her box to the Northern fields;
She filled her box with the sugar cane.

I said, "Why'd ja have to break my heart?
Why'd ja have to break my heart?"

Aint't no kind of feeling
Like when your heart is in some pain.
And it don't help at all to know
She filled her box with the sugar cane.

I said, "Why'd ja have to break my heart?
Why'd ja have to break my heart?"
Facebook me at CJ Miller to hear a rough draft musical version. This is the start of lyrics to be set to a slow to moderate blues bass rhythm.
Julia Anniina Mar 2016
Tuskin olen koskaan nähnyt näin paljon kyyhkysiä samaan aikaan keskustorilla
Ne uhmaavat järjestelmällisesti kovaa tuulta, joka saa silmät vuotamaan ja ikkunalasit helisemään
Mutta oikeasti kyyhkysiksi kutsutaan vain niitä lintuja, joita pidetään häkeissä, sanot
Ja että horoskoopit on kirjoitettu tarkoituksella ympäripyöreiksi, jotta jokainen löytäisi niistä kosketuspintaa
Ettei ihminen kykene valitsemaan, jos vaihtoehtoja on enemmän kuin kahdeksan
ja kyllähän jokaisen pitäisi osata nimetä, mitkä ovat Kubrickin kuuluisimpia elokuvia
Mutta miten selität sen, että asunnossani taulut kaatuilevat itsekseen,
eikä parvekkeen ovi ei pysy öisin kiinni ilman lukkoa
Tai sen, että olet edelleen hengissä vaikka olet neljästi sörkkinyt rikkinäistä pistorasiaa
Sen, että jokainen tähänastinen tapahtuma onkin ollut vain yhtäjaksoista täydellistä ajoitusta,
joka on mahdollistanut tuon, että voit olla siinä ja laukoa tyhjänpäiväisiä nippelitietojasi
Ikään kuin tämä olisi jonkinlainen loppumaton kilpailu tai leikki
Jonka on senkin vain tarkoitus johtaa siihen, että revin paitasi pois ja hartiasi punaisille raidoille
Julia Anniina May 2016
Johdatat meitä läpi kapeiden portaikkojen, poikki kaltevien askelmien, jotka saattavat pettää niille astuessa
Puiden reunustamille kujille, joilla luonto tuntuu tukahtuvan omaan vihreyteensä ja kesäyön hämärään
Läpi ihmismassan, jolla on päällään kimaltavia mekkoja ja suussaan kieliä, joita en täysin ymmärrä
Paikkoihin maanpinnan alapuolelle, jotka ovat nekin laitojaan myöten täynnä
Vietämme niissä hetken kerrallaan, muiden ympäröimänä mutta silti kovin kahden
Halusit eksyä meihin ja siihen iltaan, enkä minäkään uskalla toivoa mitään muuta
Pian kätesi hivuttautuu omaani ja olemme taas ulkona
Pysähdymme katselemaan, kuinka horisontin takaa alkaa päivä nousta heti kahden jälkeen
Korkeiden rakennusten estäessä merituulen pääsyn keuhkoihin ja takin sisään
Ja Aug 2015
If you steal my poetry
In part or in whole
You sir or madam
Are a ******* *******

Steal from me once
And I am the dunce
But steal from me twice
And you’ll pay the price
WIZDUMBs BY JA 623                       27-08-2015

Besides

WIZDUMBs BY JA is a wholly owned subsidiary of JA-STA MINUTE INC. The WIZDUMBs BY JA logo and made-marks are the property of his wife who wholly owns him and everything else.
WIZDUMBs BY JA 236          copyright 20-09-2013


MAY PEACE BE WITH YOU
and your wife
Mateuš Conrad Feb 2017
nagłon a ja lupa i ja
wgard... i mokra, ja,
Moskiev... koszule mokre....
na gawron... ja płacz...
i w noc, i w czar ten tło ka ka
a raczej w tło lupy iskr...
tak... bliżej.. dalej... bliżej! dalej!

ale ja Moskiev, i oto oi na wojne,
to warte: ęć - ha ha warte ojca,
i tego, i wolne, it warte watrę...
cię, you... or what was said
to be evil... a night spent in Warsaw,
or a night i never wished i had spent...

wedle barw...
na tło... o tu huja se ma!
ty mi nie centurion
deutsche!
  hałk i lombard ego!
prawie żyd, prawie taki owy pan...
niech mnie gnat i gwałt taki
obezwładni: czyli ten,
który, kto nigdy tam
  nie raczył znaczyć wprot: list.

oj ubogi, oj ubogi, ty.

ss-man, nein!
death to ****! life! ****,
not in america... bored from life...
smooch the two of
equal strand!
ya, deutsche!
as ire stupid, came to lay claim...
dumb irish are ready to join
islam, and make a bomb...
as the dumb irish are ready to do.
boo and readier with boom!

boom!
lost the concern for a shamrock
dance.

how i wish to forget having the capacity
to speak english...
ugh...
    how i wish to forget it...
it's so crisp, so pristine...
so worth being unfathomable.
JeanlBouwer Oct 2010
Met boeke vol helde, soos ek en jy
Potgieter, Trichardt, Smuts, Kruger selfs De LaRey
Almal met die doel, om hul volk te bevry,
Die Afrikaner, uit te brei
Om hul families, van leiding te bevry

Selfs, De LaRey
‘n Lafhart, wou eers nie beklei
Later die held, wat die boere, verder wou lei
Familie man, vader seun broer en gesant

Ja, die mense was ook bang
Maar met passie,
Met drang
Met dit wat slange vang
Het hulle als aangevang

Kyk na jou vriend
Kyk na jou maat
Kyk na die, anderkant die straat
Dis jy, wat hul toekoms baat
Dis jy, wat hul vereen, ou maat

Die Afrikaners, was plesierig
Dit, kan julle glo
Nou gevul, net met gierig
En al hul misnoe
Ja, dit kan julle glo

Waar is ons eendrag
Waar is ons mag
Waar is die dae, toe ons nog lekker kon lag
Waar is ons helde, van vandag

‘n Held, in elkeen wat die taal verstaan
Elkeen, wat n weg vir Afrikaans wil baan
Elk, wat sy man wil staan
vir die taal, wat min verstaan
‘n Kultuur, wat net ons verstaan

‘n Kultuur, so ryk aan helde soos ek en jy
Helde, wat die Afrikaner wil bevry
Helde, wat nie bang is om te baklei
Helde, soos ek en jy!
Julia Anniina May 2016
Istuin pelkääjän paikalla, jalat syliin nostettuina, jotta varpaista ei katoaisi tunto.
Oli yksi vuoden kylmimmistä päivistä. Talvi oli tullut myöhemmin kuin minään aikaisempana vuotena, mutta ottanut yhden yön aikana loppukirin, ja upottanut kaupungit muutamassa tunnissa paksun lumikerroksen alle.
Ilmastointi puhalsi haaleasti päällemme, välillä katkonaisesti, välillä tasaisesti huristen.
Nukahdin ehkä jossakin vaiheessa, pää nuokkuen selkänojaa vasten.
Sujautit toisen kätesi takkini alle lämmitelläksesi. Kaksitoista viikkoa on pitkä aika, sanoit hiljaa, nostamatta katsetta tiestä. Ikkunasta näkyi metsänvarteen maamerkiksi rakennettu, nyt harmaaseen ja valkeaan peittynyt panssarivaunu.

Kolme kuukautta myöhemmin helle seisoi painostavana talojen välissä ja katukiveyksillä, saaden paidan liimaantumaan märkänä kiinni selkään. Tuon lisäksi juuri mikään muu ei ollut muuttunut.  
Et ollut vielä korjannut auton ilmastointia, ja sisätilaan putoili kanavia pitkin kukkivien puiden silmuja. En vaivautunut kysymään, minne olimme menossa, tai kuinka kauan sinne kestäisi ajaa. Mitä kauniimpi sää, sen hauskempaa oli painaa jalkaa lujemmin polkimelle, tapasit sanoa.
Rullasin puoleiseni ikkunan auki, ja lepuutin hetken kättäni sen reunalla.
Ja May 2016
Who is this Ja
Sean Hunt did ask
So I will tell you
This is my task

He’s a silly little man
Without any hair
His teeth are all gone
But he doesn’t care

He wears tiny glasses
Because he can’t see
They make him look cute
If you ask me

He writes some BOEMS
And thinks he is funny
But that hasn’t made
Him, any money

He writes WIZDUMBs too
And feels he is wise
But he has not yet
Won any prize

He makes up songs
And composes the tune
But won’t be on radio
Any time soon

Ja is that poor
Odd foolish man
Who just runs around
Does what he can

He’s the Polish version
Of that old grandpa
Just in his case
He is the Ja

He is in name
An old Polish, Jadek
I’m spelling it wrong
But what the heck

So there you have it
He’s no one of note
He’s not even famous
He’s just, an old goat
BOEMS BY JA 79
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Shrivastva MK May 2015
juda hoke tujhse tut jayenge hum ,
Tere bina o sanam ab mar jayenge hum,

O hawa tham ja jara ye to bata de
Kab ek- dusare se mil payenge hum ,
tere bina o sanam ab mar jayenge hum....

zindagi ki dor se tum bandhe **,
Bata do sanam tum mujhse kyon ruth gye **,
Tujhe pane ke liye har dukh sah jayenge hum
Tere bina o sanam ab mar jayenge hum. .. ...

Khud me dhundhane laga hoon tujhe ,
Jaan se bhi jyada chahne laga hoon tujhe
Tu meri kismat me nahi to kya hua,
Teri yaadon ko hi apna zindagi banayenge hum ,
Tere bina o sanam ab mar jayenge hum. .. ..

Rone lagi kalme bhi meri teri yaadon ko likh
kar,
Hansne laga jawana bhi mere dil ki baat soon
kar,
Najane tujhe pane ke liye kitne thokar
khayenge hum,
Tere bina o sanam ab mar jayenge hum. ..

tujhe to meri yaad bhi na aai ,
kaise katengi ye meri tanhai,
tanha yu akela es duniya se chale jayenge
hum,
Tere bina o sanam ab mar jayenge hum. .
Mateuš Conrad Sep 2018
.aye aye... trí turds... wha'? three turds... huh? tree thirds... oh paddy paddy paddy... τo 'ινκ ιτ θρoυ(γɥ)... you might 'ave even brought ubout a a taught - naught - a thought.

but but... but...
Poland is so unwelcoming?!

good...

   no attachments
of a post-colonial narrative...

oh... and the language
is hard to learn...

    by all means,
infiltrate...
            
  we've had the Nazis,
we've had the three-headed Hydra
of Prussia,
  Russia and Austro-Hungary...

we've had the Communists...
oh i'm pretty sure we
can accommodate Islam...
along with the scuttling
rats
of the gutter...

            we are a people,
and WE, as a people:
owe you nothing!
         nothing!
  take your British empire postscriptum
elsewhere, eat and ****
there, and don't come back...

i'll appropriate this native spreschen,
i'll speak it...
but don't you come around here
supposing i'll "think"
like you do...

      funny... well... not really...
Dublin was never to become the second
Edinburgh...

        but whenever I hear an Eire man
talk...
  there's that diacritical excuse of
repeating:
    paddy paddy paddy potato
pancake...
paddy paddy paddy mac (protestant)
mc (catholic) Doug -
      la la paddy paddy woo! wooooooo!

no, thank you...
  we've had the Nazis -
we've had the Communists -
thankfully all the Polish economic migrants
are returning home...
   thanks for being treated like
some sort of, quasi Roma...
              
   no problem... we can go back
to a homeland, given that we're actually
less victors, and more inheritors -
   the Marshall Plan...
well...
      if only the H'americans reached
Berlin first...
there would be no Warsaw pact...
by the way...
   i thought Sweden and Switzerland
remained neutral?
  so why pay them the Marshall Plan
funds?

       oh, but please...
move to Poland...
        see how long you'll survive...
         that feral land of lost
opportunity...
        i don't mind...
   language might be a problem...
given...
English isn't exactly pop
outside the confines of a
Jean Claude van Damme movie...

        but go on... try...
            you'd find more success in
catching a floater's worth of a ****
than exercising any
     chance to subvert the reigning
culture...

  bo? (because)?
   i'll integrate -
             (ja wtopie się w tą kulture) -
but - ale -
on one condition -
    w ramach jednej potrzzeby -
i'll retain my birth-tongue -
ja zachowam swój zór!

i'd never trust immigrants,
economic or refugee,
if they do not retain their mother tongue -
if they can't construct
bilingualism?
   they're rotten fruit...

   i'm not here to be nice -
zapomnienia mówienia po
   polszku
...
   i forgot how to speak Polish...
  
rotten fruit,
attempting integration too hard...
you can't forget
your native tongue,
just like you can't forget
riding a bicycle or
swimming...

            the argument stinks of
****!
i hate it...
    i'd expect a jew to make
this sort of argument,
rightfully so...
     i can't imagine the heartache
of having invested so much
Hebrew in German to create
Yiddish...
   a Jew i can understand...
       but some ******* Pakistani
suggests he has, on "purpose"
forgotten Urdu,
and speaks only English?

   sum? terrorist...
     no man is born without either
a linguistic, or a cultural integrity -
prior to the cuisine,
the language dies...
but then the cuisine never dies...
neither does the language -
and if the language is "dead":
the mentality remains...

         you smell something?
skunk?
   hmm... i'll speak English, i'll write
English... but i'll think in my
Western Slavic guise...
ah... sorry i'm not copper-skinned
wishing for an Indian suntan
of the lower-caste...
  sorry...
          
you're standing ****-naked in terms
of orthography - as a language -
and you're over-laden with metaphysics...
sure as **** a satan will come around
dressed in either paupers' rags
or a gentleman's nightgown;

    as i still begin, persistent -
in telling you...
a man who does not have enough
ethnic pride, in retaining, and keeping,
a language his mother used to
lullaby by him to sleep,
into his later years?
   a person, who cannot accommodate
bilingualism?
        trust score? ZEE-RHO.

i much abhor the Scots and the Eire men,
as much as i admire the Welsh
for priding themselves on
retaining Cymru -
                      no Gaelic?
   no pass...
                 English is a mongrel language...
who gives a ****?
  some Shanghai
         half-wit economics student speaks
it...
    lingua franca...
                       thus that i have
to admire... the Welsh...
     and their version of YHWH:
                     CYMR...
that... takes *****...
         the Welsh could look into
Kashubian and Silesian Polish to boot.

— The End —