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Lawrence Hall Feb 2019
The cultural filters are all in place
And truth, some say, is past its sell-by date
Weak hymns embalmed by hippies, and lost in space
Where time is always 1968

A poison-green tattoo on a fleshy back
No incense, but the Purell’s pretty strong
A ten-year-old gobbles his comfort snack
During Communion and a three-chord song

Our bishops quack and honk in flocks and herds -
We need a starets
                                           but all we get are words:


Intensify the Dallas Charter accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called intensify the Dallas Charter metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions Accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent intensify the Dallas Charter…
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb
Dan Filcek Apr 2015
Electromagnetism and electrochemistry added to the expanse of erudition.
Central calculations comprised of charged consecration
Diamagnetism and also electrolysis
Took in little of the ritual pedagogy
Most influential of archaic scientists.

The base for the conceptualization of the dynamic sphere.
Introduced the physics of ensconced enthrallment
Affecting rays of light
To say nothing of the underlying relationships there
Two phenomena, both similarly discovered

Inventions: Electromagnetic induction, diamagnetism, and the laws of electrolysis.
the form of electromagnetic rotary devices
Foundation of electric motors
Truly technology was largely due to his effort
Electricity became practical for use

Scientific knowledge increased: investigating as an alchemist, discovered benzene.
Inventor of Clathrate hydrate of chlorine,
In its early form
the system of oxidation numbers, and the burner
Popularized terminology such as anode, cathode

Ultimately became the first and foremost, ultimate, and respected .
Chemistry Professor at the Institution
Position of a lifetime
He was an excellent experimentalist of conveyed ideas
Mathematical abilities in simple language  

His powers did also extend as far as trigonometry.
Took any but the simplest algebra
And worked around it
And also summarized it in sets of equations
The basis of modern theories
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. source - https://en.wikipedia.org/wiki/Michael_Faraday
Sara Jun 2018
Oh, to be a poet
one must be so emotional.
Well, no. Not necessarily.
We're only really capable
of understanding feeling,
investigating our emotions.
It doesn't mean we cry all day,
or pass nights in dark rooms moping.

We have lives; come home from work
or get in on a night bus back;
it's from all this experience
that we can draw out fact.
From mundane to extraordinary
we will become inspired.
Our strength is versatility
and life ignights our fires.

So, we do not all have to be
constricted to intensity
-to ponder oh-so seriously
on what it simply means 'to be'.
We can be strong, flirty, or mean
or to the brim with confidence.
For, what does 'to be a poet' mean,
if you cannot explore yourself?
'Our strength is versatility' is something I feel is very important and sometimes forgotten among stereotypes of what poetry should be about
You've asked me what the lobster is weaving there with
        his golden feet?
I reply, the ocean knows this.
You say, what is the ascidia waiting for in its transparent
        bell? What is it waiting for?
I tell you it is waiting for time, like you.
You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.
You question me about the wicked tusk of the narwhal,
        and I reply by describing
how the sea unicorn with the harpoon in it dies.
You enquire about the kingfisher's feathers,
which tremble in the pure springs of the southern tides?
Or you've found in the cards a new question touching on
        the crystal architecture
of the sea anemone, and you'll deal that to me now?
You want to understand the electric nature of the ocean
        spines?
     The armored stalactite that breaks as it walks?
     The hook of the angler fish, the music stretched out
     in the deep places like a thread in the water?
    
     I want to tell you the ocean knows this, that life in its
        jewel boxes
     is endless as the sand, impossible to count, pure,
     and among the blood-colored grapes time has made the
        petal
     hard and shiny, made the jellyfish full of light
     and untied its knot, letting its musical threads fall
     from a horn of plenty made of infinite mother-of-pearl.

     I am nothing but the empty net which has gone on ahead
     of human eyes, dead in those darknesses,
     of fingers accustomed to the triangle, longitudes
     on the timid globe of an orange.

     I walked around as you do, investigating
     the endless star,
     and in my net, during the night, I woke up naked,
     the only thing caught, a fish trapped inside the wind.
james nordlund Nov 2018
Whilst installed in the Blackhouse,
RumputiN's and vlad the impaler's latest
craven political attack on the military,
Against Admiral McRaven, who headed up
the capture of Osama, is just more raving.
This is clear to everyone since they,

the bi-headed underworld crown of
the bipolar axi of global supposed power,
RumputiN, republican capitalist materialists,
vlad the impaler, totalitarian socialist
materialists, put our military on TX's SE
border with Mexico, even though the "caravan"
which was 40 days away, was projected
to be arriving at the SW part instead,

A political stunt to get republican politicians
between 1/2 and 1 % more votes in the Midterms,
While it worked for the criminal gaining of votes,
The military is doing next to nothing there,
And should be allowed home by Thanksgiving.
Meanwhile, Trumpler said, the "Admiral didn't
do so well, since it took so long to capture
Bin Laden", when it was king george and his ****,
cheney, who ordered Osama to be allowed to escape
from Bora, Bora to Pakistan for safe keeping in

Abbottabad, "5 miles S. of Pakistan's Westpoint".  
You see, Bushs and Bin Ladens had been in business
for decades, and in the M.E. business is thicker
than blood, Bush could no more **** Bin Laden than
he could his own flesh and blood.  It's well known
that he received wedding invitations to Osama's kids
weddings, etc., for years, so, Trumpler blaming
McRaven and O'bama, when they caught him in the 2nd year
of his Presidency, is just more precious examples of our
king kong sized terrible two's use of 1st conclusion,
superficial, linear thought stragedy to attack everybody,
in attempts to silence, cower most if not All, in vain.

These attacks by Trumpler are also misdirections, to take
the news cycles off: his party's extreme losses and evident
voter crime they did, like in GA, where Abrams "couldn't
concede in her Governor's race for that would mean it was
proper...", it wasn't because Gov. Elect Kemp determined that
"...it wasn't a free, fair election, ...democracy failed in GA".
Also, his illegally installing Whitaker, a criminal the FBI is
investigating, to acting Attorney General, to preside over the
Mueller investigation (cover-up for: it doesn't use the RICO act
and asked for him to answer a take home test months ago, he
hasn't even handed in yet, while "...We(e),...", got our last
take home tests in 1st grade).  As well as his wasting a 1/2 a
billion of your tax $ on further militarization of our S. border.
His false, lame attacks against democratic leaders are unending.

On the letter by 16 democrat politicians who signed onto "the
leadership fight against Pelosi (for the republicans), Ocasio-
Cortez, Elect, says, "what's the point of changing just to...,
we might get a more conservative leader, for signers aren't diverse,
14 are male, very few people of color, progressives aren't signing."
I agree, why would the non-repubs get rid of their strongest
political leader going into impeachment time and 2020?  The supposed
left said "Hillary wasn't perfect", and helped to install him, when,
if you didn't vote Hillary you voted for the bi-headed, RumputiN/vlad
the impaler, head of the global oligarchy and bi-polar global axi of
supposed power to dictate the extermination to extinction of humanity,
large mammals, for the corp structure's convolution's devolutionary
direction + 'la machine''s, sociological programming (machining) human
(into not) being, individually, which is the social challenge of our
day, as the convolution's dictating cult of personality is almost all
and the socialist's extemist lie that "there's no reality without
their agreement", is the political one.  Don't be undone, be one well.
Thanx for the great worx, I look forward....  "...We(e),..." are advancing the Evolution in it's struggle against the corporate structure's (la machine) convolution and it's devolutionary direction.  You, indivisible life and illimitable potential, and your worx go along way in that evolutionary direction, for, we can walk in nature's balance, giving back to Earth's abundance.  If you didn't vote Hillary you voted for the bi-headed, RumputiN/vlad the impaler, head of the global oligarchy to dictate the extermination to extinction of humanity, large mammals, for the corp structure's convolution's devolutionary direction + 'la machine''s, sociological programming (machining) human (into not) being, individually, which is the social challenge of our day, as the convolution's dictating cult of personality is almost all and the socialist's extemist lie that "there's no reality without their agreement", is the political one.  All life are necessary threads in life's fabric, we can't allow to be torn asunder, as we followed none, we leave no footprints that will echo on, in all ways, always.   reality
John Jan 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica.
     I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that.
     Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night,  after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one.
     One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth.
     What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785.
     Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on.  But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me."
    
     The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with  Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us.
     At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward.
     Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned.
     "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned.
     The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it.
     "We have to open it," Jessica proclaimed after a second of curious inspection.
     "There's no way were going to find the key," I told her.
     "So we'll break the lock, Jack. Duh," she replied in her sassiest tone.
     I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe.
     "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below.
Jessica smiled again, very pleased with herself and looked to me.
     "Wonder what's inside...," She said, lifting the top half of the box open.
     After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself.
     I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands.
     "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her.
     "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!"
     "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening.
     I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness.

     Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong.

     I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.
It's definitely more of a short story but I felt obligated to post it here for some reason.
Society has good intentions Bureaucracy is like a friend
5 years ago - other furies other losses -

America's
trying to control the uncontrollable Forest fires, Vice

The essential smile In the essential sleep Of the children Of the essential mind

I'm
all thru playing the American
Now I'm going to live a good quiet life

The
world should be built for foot walkers

Oily
rivers Of spiney Nevady

I
am Jake Cake
Rake
Write like Blake

The
horse is not pleased Sight of his
gorgeous finery
in the dust Its silken
nostrils
did disgust

Cats
arent kind Kiddies anent sweet

April
in Nevada - Investigating Dismal Cheyenne Where the war parties
In fields
of straw
Aimed over oxen At Indian Chiefs
In wild headdress Pouring thru
the gap
In Wyoming plain
To make the settlers
Eat more dust than dust
was eaten In the States From East at Seacoast Where wagons made up To dreadful
Plains
Of clazer vup

Saltry
settlers
Anxious to ******* The Mongol Sea (I'm too tired in Cheyenne -
No sleep in 4 nights now, & 2 to go)
Katlyn Orthman Oct 2012
Death was not unfamilar to me. I'd killed my share of things classified as monsters. I wasn't complaining really, my job kept the humans safe. I just felt guilty, I was practically a monster myself. They call us Warriors of the night, we're not Vampires, we are born with extra strenght and a long life span. I was born a long time ago, I was raised to **** monsters that terrorize the human race. Since I was six, I'd been trained to ****. I was a killing machine, best of my kind. Yet somehow, even though what I do is considered an honor, I don't feel proud. I've been doing my job much to long, and lately I'd began getting sloppy with my work. God knows Rowan would be one ****** of boss if he heard about me letting the group of baby Werewolves. I wasn't a complete heartless ******* to **** a bunch of babies.
    I might've been two years ago, before the whole incident happened. I layed my head in my hands, I couldn't go there, not now. I needed a clear head. My small apartment in Master Singu's house was getting messy. I hadn't had time to clean lately with all of the monster attacks that had been popping up lately. Ghouls, Goblins, Oni, Ogre, you name it and it's been attacking. Wasn't much we could do with the Banshee, they were more of a signifier then a monster. A signifier of death, and usually they gave me a heads up if the person who's house it's been surrounding, is gonna die. Banshee were cruel looking creatures, never gotten to close to one, they make **** sure of that. Not sure I ever want to. They were ruled by the one and only, Death. And i will gladly stay as far from death as possible. Haven't heard too many good things about him. Death is one of the Four horsemen. Scariest ******* in the underworld, and I would gladly never meet any of deaths brothers or sisters, what ever the gender their welcome to stay away. There was a soft knock on my door, io glanced at the clock on the wall, it was already three. Warriors worked night shift basically, since thats the time most monsters like to come out.
    The victorian styled door was a black cherry carved wood, with a ancient symbols carved in so no evil spirit couls cross into my apartment, so I wasnt worried any monster was at my door. But I was suprised to see Cameron when I opened the door. Cameron and I used to work the nights together until he'd gone off and gotten married to Sylvia, who was a vampire. Vampires were only considered monsters when they didnt follow the rules. No feeding off of unwilling people, only donors, and they couldnt go around killing people. Their biggest rule though was not to tell any human what they were, Warriors like me had a lot of people to execute.
   "Cameron, never thought I'd see you around here anymore," just as I was talking to him I realized, Cameron looked scared and desperate. Unlike someone who spent his life killing evil monsters that were twice the size of him. " What's wrong Cameron?" He shook his head and walked past me, through the door and into the living room. "It's Sylvia, Theon please help me," Camerons voice was going all thick and his eye's all watery. This was deffinetly something bad. " Tell me, what has happened with Sylvia?" I needed Cameron in his most focused form to help me out, but as I looked at the shaking man I knew he was beyond that. " You remember the king vampire we took down to save Sylvia?" Cameron said quitely, but I knew instantly what vampire he was talking about. That vampire had killed Abelia. I quickly swept that from my mind and focused back on Cameron. " Yes I remember, "  I had no idea where Cameron was going with this. " You remember his brother than, the one that got away, he said that we would both pay. He, ah, made you pay that day. I never thought that he would carry out with his threat. He kidnapped Sylvia, and Sylvia is pregnant, " Cameron almost lost it right there.
    I never thought that, pip squeak of a vampire had it in him, but he was smart and possesed powers we hadn't known about until we had come across them. Their king that we had slayed, had been capturing girls of all species and abusing them in such barbaric ways.
We had to put an end to his affairs, and we did but his brother wasn't too happy about it. He'd done one of his tricks and manifested behind Abelia and snapped her neck. Everything for me had stopped, all I could hear was the blood in my veins. I didn't breath, I could still remember the deafining roar I had unleashed as my monster had gripped me, took the reins and killed all of the mans servants.
Blood had bathed the walls that night, not even the crickets dared to sing. The sun rose late that morning, and I sat inside this very apartment, on that very couch, and cried. For the very first time, I had cried until my eye's swelled shut, until my throat could bare no more. Until I passed out.
    "We'll get them back Cameron, don't worry. For now get some rest, we'll start investigating later tonight, I have meeting to attend," I was going to **** that ******* when I found him. He had taken my only love from me, and he would pay this time, I would make that absoultely certain. Cameron nodded and headed for the door. It was a long way back to his house, and he crossed quite a few bridges. I didn't want him making any bad decisions, " Cameron you can crash here, I have a guest room your welcome here man," I say casually so he doesn't get all prideful. He stops and looks at me for a moment then nods " Yeah, thanks man, and also thank you for agreeing to help me on this I know it's a bit of a touchy subject for you, just know i appreciate it." He made his way down the hall, I listened for the soft click of the door shuting before i went to leave.
    I grabbed my coat, and the keys to my Ducatti and ducked out the door. The hallway was long and at the end of it was two flights of srairs, I lived on the third floor. My motorcycle was parked right were I left it, it was a beauty. Black and red sleek metal and nice leather seats. I loved the bike so much I had named her Racer. I loved to drive fast, and so did she. I tore off out of the parking lot and listened to the purr of her engine on the way to Rowan's , my boss, office. It wasnt to far, but I wasn't in a rush either so i took the long road just to stall. I knew Rowan planned on giving me a partner. Probably some ****** that didnt know his way around a swiss army blade, let alone a sword. Warriors didnt use guns unless absoultely necessary. I loved the feel of my sword slicing through the air. I didn't, however, enjoy the noisy bang of a gun. A sword was like another limb, you have to trust it to take you were you need to go.
    Rowan's office light was on, and I could make out the form of three bodies. Great, I knew it, Rowan was going to assign me a partner.
I hated partners, the only one I'd ever slightly enjoyed had been Cameron. I got off my bike, patted the seat for good luck, and made my way into Rowans office. When I pulled open the door I was ready to yell at Rowan for even thinking of giving me a partner, instead i dropped my hand off the doorknob. " *******," was all I coluld say. I was stunned to silence.
To be continued! Hope I left you wanting to know more!
Nigel Morgan Apr 2013
As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.
Mateuš Conrad Aug 2018
. give me enough *****, lime juice and pepsi, the right song, and i will show you a control-environment psychotic episode...

sometimes, it's not about what you
know, versus who you know -
notably? when you're aiming at knowing
yourself...

      and psychosis?
   the synthesis of a soul while within
the confines of a body?
       one such example is walking
under two street lamps,
and spotting two shadows,
   immediately investigating,
whether or not, someone is walking
behind you, with a stalking
proclivity...

  you turn around -
  nothing but a hallowing voice
on the slightest of breezes -
the kind that barely motivates
branches to bow...

       - everyone knows that
the italians are famous for their pasta,
just like the french are, for their buns...
some Pakistani makes a joke
about the western love for cabbage...
esp. pickled cabbage -
mashed up with wild mushroom
to make up the filling for slavic
dumplings...

       sure... how's the turmeric?
i've been dying for the turks
working in kebab shops
to elevate the lamb doner (kebab)
using pickled cabbage -
  like they might use pickled
chillies -
       oh look... both are muslims -
the Ottoman's might have
figured out the southern slavic
palette, having occupied
the Balkans...

          we do more with potatoes
than a mere boiling down
to, what could never become an Irish
famine...
   first?
     there's the *****...
    nothing quiet unlike the whiskey
perfumery of pict-land of Scotland...

     Silesian potato doughnuts -
usually served with a cabbage radish -
pickled -
          and a thick pseudo-Hungarian
sauce...
   the potatoes are boiled,
then mashed,
   then sliced into 4 portions,
1/4 is moved aside,
      potato flower is added in equal
volume, and one egg...
   then it becomes mashed bashed
and given the skin
     tenderness of a drunk's wife's skin...
cut and molded into little doughnut
shapes,
   the index finger is inserted
into each one,
          and then each "infantry" member
is boiled,
till ready, i.e. floating on top
of the salted water...
             and there you have...
        Silesian potato doughnuts -

and there is a variant - potato hooves...
same ergonomics -
but instead of potato flower,
plain flower -
               i can't remember the proportions...
also boiled...
         but best cooled,
and subsequently fried -
for a crispness -
         mingled with honey
and something the Hindus know
that the Slavs also make -
     not exactly quark cheese -
   but getting there - more flaky...

    mind you...
   the whole out of Africa story?
   given that so many Roma live and trade
in Poland?
            perhaps having incorporated
the Africans into your pre- and post-colonial
nations, the genesis story would
begin with: out of Africa...
  
        and they swam across the mediterranean...
funny...
    you's sooner see a white competitor
in the 100m sprint final,
   than in the 100m final of
     the breast stroke / butterfly / etc. final...

no...
      i place my origins in India...
moving across the platitude of Siberia...
i have more in common with
Raj origin story... than i have anything
to do with: Zulu and the pinnacle
of Giza...

     i place my origins there...
         and those potato hooves?
they have a name in Italian...
       they're called gnocchi...
served with parmigiano-reggiano
       & pesto...
    never fried,
          and subsequently hardened -
next time i hear the cabbage
joke from some copper-skin
about a group's palette...
       having, actually enjoyed
the other group's palette?
             skin is a base no one works
from to make obsolete
     and redundant bigotry...
    we don't have to share
the same physiognomy...
  but sure as **** we can share
a meal;
        like among the russian drinkers...
i honestly quiet enjoyed
their dried fish ***-bits
to nibble on...
    because, whoever said that...
beer was to be accompanied by
peanuts?
And after the last Galactic War, those from the stars came and gods became. They indulged in the pleasures of the Earth. They created and mated. Over time they got bored and got innovative. They created hybrids to work for them and adore them. This hybrid had a confused consciousness. Once this hybrid was one (whole) but because he was too god-like and powerful, he had to be separated. Male and female were born. Because this separation caused a void in each and a longing for freedom, laws were made and temples built. And the world as we'd have it would be As It Is In Heaven. There were different civilizations of lords and they contended with each other as to what the best way to rule man was. So each sect had its belief system. However this didn't build a bridge to close the gap between male and female. These laws of Conduct and Engagement became integrated into what is called the Game. If you were a man you had to court a woman in order to have her company but because of intense ****** activity and interbreeding you had to marry before having ****** *******. The women were encouraged to make the men trail, suffer and earn to have ***. This was effective to the lords for man would concentrate on the illusion of the game rather than the divine art, mystery, sophistication and connective power of ***. So *** outside of marriage was ridiculed, the participants scorned.

There were brawls and arguments about who had the right to court which woman. The highest honour was laying with a goddess or god; as it gave you all knowledge and ability - This was forbidden by other gods as it would amplify the mobility and authority of man. It was decided then that those of the genetic line of the dominant gods of the time or the empire with the largest influence had a birth-right to marry the fairest women. It was at this point that kingship was born, the MacGods of pure blood. They would then be the intermediary between man and the gods. They would see that the game is carried out  as well as other affairs. This new style of relationship conduct caused much conflict, hate and intolerance. And as the ages went with man defending himself with passive oppression; as division was succeeding with language, culture and tribes... Those who were in resistance sought to restore or imprint the liberty of humankind; they were known as the Rebellious Liberals. In those days if a man fornicated without being married he was hanged. These acts of tyranny and Authoritarian dictatorship led to man hating the gods; yes man hated his selfish parents. So the wars against the gods began. And the kings sought to protect the dynasty of the gods. The gods that were conquered hid in the underground, others fled into other galaxies and planets and colonized there. The beauty of love had endured a grotesque wound. Man helpless continued to submit to the rules of the game. As the world fell from 4-D to 3-D man was taught that he would communicate with his ancestors in the afterlife for guidance, as well as when asleep and in trance states.

However the game survived under kings, although peoples separated and new tribes were formed; men held on to rituals and believed it was the will of a god or another. This consciousness tore the heart of the Earth and the insecurities of self expanded, an incessant feeling of fear and an imbalance of self-love. This led to many looking to and aspiring to kings... Over the ages the glamorous have had an upper hand to court and lay fairladies. The indoctrinating dogma that is religion sprout patriarchal homes.

This bred insubordination and woman became the place of weeping. The ages passed and men grew arrogant, women bitter and helpless. The institutions of the game, marriage and religion were now attacking the love they claimed to protect. The world grew careless and bitter, male and female drifting so far apart as though they were never one. Consequent to this there were poets and liberals, there were also charlatans who were lackeys for the game. The male charlatans giving advice to men, the female charlatans giving advice to women. So psychotic ideologies were passed from father to son, mother to daughter - father to daughter, mother to son. A new age sprung with the evolution of man, or rather devolution of man as mystics would have it, this was the age of Banking. Not that there weren't enough troubles. Now money grew itself an ego, an ego to be protected, protected by the very descendants of the gods-MacGods, they were the gatekeepers. It was expected that bank-robbers would be heroes and the new face of man. All this in effort to uplift a self long wounded. It wouldn't be long that gangsters would be overthrown and police the new heroes... But a crazy world it was as both faces would grow to be corrupt with no one investigating the source.

The source now devised Feminism, this would bring justice to women on the face of it but rather vengeance to men. Men would wear a new garment of infants and senseless idiots. What happened to the justice? There was no justice.

Women would replace the face of old obnoxious, selfish and abusive men. With better jobs, equal opportunities, better insurance; the sky was the limit for women. Men faced a new threat either than themselves or the threatening boundaries of the game (which leave you a public fool if you don't follow, a player if you do) - and players were cool - the threat was the wounded vengeful woman who was now given the power to run the game. Judicial systems protected woman, Education systems, Banking Systems, Insurance Systems and Media and Industry; all protected woman. The game promised self-esteem if its rules were followed but it only led to folly, sorrow and despair. As women have wide coffers, power they can bear and power was given to her by the source. Justice became vengeance, impatience became resentment, being broke meant loneliness. Institutions of poetry, art, fiction and even the white magical arts were under attack. The new god was money and everyone would be made to bow, his guitar would be love, esteem, health, cognition and consciousness; and masterfully play he did.

It was now up to the few descendants of the liberals to uplift the consciousness of the world once more... That there be love, peace, harmony, hope, equality and human liberty. The 144000 Pleiadian Warriors led by the General Immanuel who fought for humanity promised to return in a burning, blinding and stormy white cloud. Hovering in a ship of space (spaceship). And the liberals and poets of old from the ashes would rise and the Game of the Lords meet its demise. One again we shall be, whole and eternal.
Various sources or references inspired this story... In effect love is its destined glory
Nihl Jun 2013
“And as for you, River, there will be a day when you will flow with blood more than water. And dead bodies will be stacked higher than the dams. And he who is dead will not be mourned as much as he who is alive. Asclepius, why are you weeping? ”

CHAPTER I

The lake house was always a place of good memories. I couldn’t help but remember the countless summers just like this one, where I had spent days down by the lake, beside my father, catching rainbow trout with nothing but a line and a little bread or bait worm. The sound of crickets chirping in chorus at dusk, while just a slither of gold managed to peek over the mountain range that hung like curtains, draped across the horizon on every side. It was our paradise on earth, the Coulter families’ personal heaven. A humble log house nestled in the heavy shadow of the Rocky Mountains. Standing peacefully beside our private little lake, cradled within a thick pine forest. It was our pine forest.
-
We had arrived at the house two days ago, on a particularly overcast Friday afternoon. But the grey sky had parted, and left us with clear blue skies almost as soon as we arrived. Now nothing but the occasional broad, pearl-white, sky conquering clouds would dare to appear. This made the weather perfect for a swim in the lake, as well as an afternoon frying the day’s catch of trout in the fire pit just outside the cabin. I was inside the cabin, stuffing the weekend’s filthy clothes into my pack, in preparation for the long journey home tomorrow morning. Dad was gathering a load of firewood from our great proud pile of logs outside. I always liked adding to the pile the same way I found a mundane joy in saving money, I watched as we built it up into a neat pyramid, then imagined how long it would last us and how many cold nights they would ward off.
After packing my last well-worn flannel shirt into my now plump olive duffle bag the sun had disappeared behind the mountain; leaving a quickly dying amber streaked across the western sky.
I could hear my father’s footsteps as he entered the house, dropping a collection of heavy wood at his feet in front of the fireplace. Then quickly transporting the two best-looking ones straight into the warm mess of crackling flames that kept our cabin warm. I climbed under the covers of my bed and sat with my back against the wall, with a clear view into the living room.
I am Curtis, and George Coulter was my father, a broad man with dark brown hair, a short cropped haircut, bright blue eyes and dark stubble with traces of silver sneaking through. He was a weathered man with a tough 37 years over my easy 16, and always seemed to dress like a cliché lumberjack. Apart from the weathered appearance, sprouting grey hair and working class fashion sense, we were practically a splitting image. My mother would always say that looking at me was like stepping back in time and that every day I looked more like him.
-
“That should keep it going for a while.” George said, obviously exhausted from the events of the weekend and He slowly moved just inside the doorway and leaned against the frame, rubbing his eyes with his right hand before bringing it down to form a soft v shape on his chin.
“I’ve already loaded the truck, so we’ll be able to leave bright and early tomorrow.” He turned his head quickly as if to listen carefully for something else in the room. I found this to be a perfect opportunity to shoot a question I’d been wondering recently.
“Do you think there really is life after death?” I asked him abruptly and he looked straight at me with a quizzical expression and replied “Why do you ask, did someone say something?” I sat up straight on my bed pulled my hands into my lap.
“No, no one said anything. It’s just that I rode my bike by the cemetery last week, and there was a statue of an angel in the middle of all the gravestones, it just made me wonder, you know. Does all that stuff really exist?” I had a lump in my throat and swallowed hard to keep in down. My father sat down beside me at the foot of the bed.
“I think…” He started, still searching for the right words to say. “I like to think that there’s a place somewhere up there for us.” He turned his gaze towards the window and observed the last light in the sky before turning quickly back to me.
“Do you think mom will be up there?” I asked, and his face dropped a little.
“Your mother is up there waiting for us and the first thing she’ll do is tell us to take our shoes off so as not to get the cloud *****.” He said with a slight smile, I laughed at the idea as he continued. “But you don’t have to worry about that for a long time Curt.” He grinned, roughed up my hair, and then forced me into bed playfully. “I’ll do my best to make sure of that.” He rose from the bed and advanced towards the door. “Now get some sleep. I don’t want to have a conversation with myself on the ride back.” He disappeared into the main room and slumped into a lazy boy chair to gaze at the fireplace in the warmth of our now quiet cabin, as my room was filled with the soft lullaby of crackling fire. I turned towards the window and stared out towards the stars, my mind wandering as I closed my eyes. Tomorrow we would begin the long journey home.
-
Without any warning I was startled awake by a terrifying ripping sound. A great rip echoed throughout the house like a plastic bag violently flailing about in heavy wind. I immediately sat up on my bed, and blindly stared out into an ocean of black. A strange loud thumping sound rang from the living room in regular intervals. It had seemed like no time at all had passed since I had closed my eyes, my heart was thundering like the gears on a full-speed freight train and my eyes fed off the darkness in the room, starving for even the slightest idea of a source for the noise. But all I could see was darkness beyond my doorway. I struggled to pull myself back together from my state of screaming fear and cautiously got to my feet.
As far as I could tell the thumping was coming from outside, as I moved towards the doorway and peered into the living room. For some reason the fireplace that should still have been flickering with hungry flames was now dark and dead, as though it had gone cold days ago and the house completely vacated. The warmth that the fire had supplied moments ago had now been replaced with a cruel cold midnight breeze sailing in through the wide open swinging cabin door. The cabin door was clashing against the cabin wall outside in the wind I now knew was the source of the horrifying thumping that my imagination had played so helplessly with. My breath became shallow as I contemplated my situation, how long had I been asleep, and where was my father? I turned to the lazy boy in the living room and noticed it upturned and vacant. My heart started firing again like a machine gun and cold sweat now dawned on my brow. There was no sign of dad, not in the cabin at least. With my heartbeat slowing to the manageable speed of a cruising passenger train, I wondered where he could have gone while struggling to tame the rising feeling of dread as I hurried towards the front door and looked out over the hill and down towards the lake. There was no jagged black figure or human form in sight. A great deal of me was hoping to catch him investigating the same noise that startled me. But he was nowhere near, which made my blood run cold.  
-
The unforgiving night’s ice cold wind stung my ears and pinched my face, my breath trailing off in vapour. “Dad!” I called out, towards the southern wharf down by the water, nothing. Again I called, towards the vegetable patch on the eastern side of the house, nothing. I tapped my fingers anxiously on the door frame before proceeding down the few steps leading into the cabin, closing the cabin door behind me to stop the jarring thump. With that I was engulfed in the darkness and violent wind. Disoriented I called out once more towards the pine forests to the west, “Dad!” my voice cracked from desperation and bounced through the gale, ringing in the distance as if it had been carried by the wind and exploded skyward, amplified by the mountains surrounding the lake.
-
A light! A light darted between the tree line and danced in the darkness before disappearing just as quickly as it came. I stared in awe as the wind found its way through my clothes and now chilled me completely. My bare feet screamed from the cold grass that I tortured them with and I could hear the abhorrent ripping sound bellowing back at me from the distant forest. I stood still, confused and staring hopefully. I heard him, faint at first, but I was certain that I heard my father’s voice on the wind.
“Curt.”
I followed the voice out into the darkness, past the fire pit and towards the western tree line. I waved my arms in front of me pathetically probing the air for something to guide me. My eyes squinted hard to try and make out detail from nothing. “Curt.” Again it whispered from the distance. I stumbled across the field until I reached the outskirts of the woods and I could feel the first cluster great pine looming overhead. The wind and chill was slowly cut off by the wall of trees, as I followed the origin of my father’s voice.
The forest bed was thick with undergrowth and as familiar as this place was during the day, at night it was like another world, a world in which sight had to be thrown to the wind and I was forced to rely on my other senses for navigation. I could smell the heavy musk of the leaf litter, and hear the wind from the field. But I could see nothing more than the glare of the full moon hanging behind the thick clouds and the faint outline of the countless pine trees that shot skyward.

It was strange, I could smell him now. I could smell my father laced upon the air, boot-polish and old sweat. The same smell hanging among the trees as the red plaid shirt that he'd use to polish his boots and labour all weekend around the lake house. It was as if he was right beside me, this idea urged me to quickly turn side to side hoping that this was in fact, true. But all I found was more vague lines in darkness, freezing fingers and whipping wind songs from the distant clearing. The smell slowly disappeared, replaced with an eerily familiar, metallic, pooling scent…
My heart thundered at the realization, Blood. I could smell blood swimming in the air, as if someone painted the trees with buckets of human blood. I could taste it on the tip of my tongue the air was so filthy with the scent.
-
My eyes opened wide, panicking at the lack of visual aid as I stopped dead in my tracks. Something felt awkward, space felt strange, warped and twisted. It was like the world was turned on its side. It felt as though someone somewhere had invaded the space I now stood in. And I could feel its presence, I felt its eyes burning a hole in the back of my head, and the hair on my neck stood upright. My heart began racing faster and faster, thumping now like the cabin door, slamming against the wall in the wind. I could feel something out there, watching and waiting. I could feel it getting nearer, getting ever closer and growing. It was as if it was feeding on the shadows and becoming larger, filling the darkness with its horrid presence. I couldn't bare it anymore; I felt it creeping up on me and my skin was crawling. My head screaming for me to turn around but I couldn't move. I felt an impossible grip encompass my entire body and swallow me in darkness. Cold sweat like ice running down my cheeks and my clothes were now saturated.
-
My breath was pounding rapidly in short, sharp bursts as I watched it fog and pillar upwards through the cutting wind. I couldn't hear anything past the roaring noise in my head, raw panic like nails on a chalkboard. My thoughts were like a game of Ping-Pong, bouncing back and forth and I couldn't focus on anything. I felt it slithering at my heels now, like a python slowly constricting its prey, playing with it before a sudden death. A twisted cold breath falling onto my shoulders as every muscle in my body tensed to point where it felt I could explode at any time. I it leaned in closely beside me, with its face hanging inches away from my ear. I could hear its lungs gathering the icewind for speech, and its tongue slithering in between razor teeth, preparing for the first terrifying bite.
-
“It’s so close.” Hisses from its jaws in several thunderous voices spawning from the darkness in every direction, the trees dissolve, the sky falls apart and my entire world collapsed away into pitch black.

N.H.

CHAPTER II
http://hellopoetry.com/poem/possession-two/
anastasiad Feb 2017
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alebastard jones Sep 2015
When my ****** showed up on under the "people you may know" tab on fb. It felt like the closest to investigating a crime scene that I've ever been.
That is if you don't count the clock work ****** that I make of my own memory every time I go down Colfax avenue.
Still
I sit in my living room and I search for clues.

Click

He is Smiling...

And I see myself caught in his teeth,

He's Dancing in some club In a city I have never been to.

Click.

He is eating sushi over a few beers with friends

And I am under his finger nails.

Click,

I know that alley.

Click.

I killed the memory of that t shirt.

Click.

This...

Is a baby picture,

There is also an older man,

Presumably his father.

They're are both round, And bright and still

Smiling....

Click.

He is shirtless,

And I see myself in the weight room mirror,

"#beastmodeselfie"

I call him the WOLF, when I write about him.

The WOLF!

So as to make him as story book as possible.

The WOLF!

When I write about him.

Which is to say my

Memory..

Escapes the ****** When the internet suggests it.

Facebook, Informs me we have

3

Mutual

Friends..

Which is to say, That he is people you may know.

And that, I AM People you may know.

And there are people who know,

And people that don't know,

And  people that DONT KNOW THAT I WANT TO KNOW,

people that I am afraid to LET KNOW,

and probably people that know him,

That know of me, that know OF the word

NO!

NO!

NO!

NO is a flock of sleeping sheep sitting in my mouth.

And now.....

Now I know the wolf's middle name...

And what he listens to on spofiy.

And the all to familiar company he keeps,

And he can no longer be

"The wolf."

Or the nameless grave I dig for

Myself.

We have...

3

Mutual

friends

on Facebook.

And now it feels as if they

Are holding the shovel.

64 people..

liked the shirtless gym pic.

4 people

Have told me that they'd rather I said

Nothing.

2 police officers,

Told me I must give his act a

name

or it didn't happen!

That obviously I could have

Fought back.

Which is to say

No one comes running for young boys who cry

****...

When I told my brother,

He also asked why I didn't fight back.

Adam....

I am...

Right now.

I promise.

Everyday, I write a poem titled

"Tomorrow"

It is a hand written list

Of the people I know that

Love me.

And I make sure  to put my own name at the top

By Kevin kantor
You are not a victim, you're a survivor
Mateuš Conrad Sep 2018
.there are only two aspects of forgiveness worthwhile, kept in anticipatory slumber, (1) is watching the masses congregate within the confines of your thinking, but (2)... watching how individuals in said massing of resources... seem to be akin to: someone walking on tip-toe on a bed  egg-shells... i'm met a few crazies... and i've prescribed myself investigating a few normal-folk, who are seemingly petrified, "thinking" than such: negations of ease, akin to depression, have an epidemic ontology.... that they are contagious... more or less.... like a sick ego, that bribes one's thinking and sows a false duality between what constitutes a body, consumed, with what otherwise, constitutes a mind... i've seen a few crazies... they seemed to like me, even when i suggested that we only just met...  the most senile people in the world... thus, to be frank... i'm more concerned with the sanity projects... with their emotional intelligence worth less than the emotional relativism of a gnat to a bear, which begs the reason os arguing: none... who... are so barren... they'd prefer the status of a pawn, in a game of chess, akin to Jimmy Savile...so much for the Saxon logic of: innocent until proven guilty... more like: innocent proven by death, after which... there is no case for either innocence, or guilt... i'm of the conviction... that... i'd rather see an innocent man claim redemption in life... than a guilty man laugh at a redemption in death; sorry... but i don't share the sort of sentiment that argues otherwise... better an innocent man claim redemption while alive... than a guilty man "claim innocence" while dead... part-and-parcel of the legality of the death penalty... the former argument: guilty until proven innocent makes a whole lot of sense without a death penalty... and the latter? no logic behind it... it makes no sense... then again... i am drunk, and i do not delve into sober issues or: serious circumstance... i allow sober people to meddle in such affairs... after all... sober people... make... the most... compelling arguments and, to boot, the most convincing opinions for up-coming affairs! why become a thief in their ordinances?! please! let the mice play, while the cat is away!  i need no bargain with ****-stormers and ******-buggery!

oh i've been to a few psychiatric interviews
over the past 10+ years...
always wondering: what am i doing
here? psychoanalyzing the psychiatrists?

you do know what a psychiatrist is
a poor man's psychologist -
with the added branch of pharmacological
applicability?
  a psychologist will just talk,
perhaps serve you camomile tea...
but prescribe zero drugs...

the talking, the endless talking,
the talking
of a west London psychologist...
who ends the relationship when
you mention:
i've had a dream of Allah...
god he's grotesque...
but, point: there was
someone with him...

  i thought that Allah had no
companions, or rather: he took none?
oops...

i remember analyzing this
situation once,
a ****** psychiatrist brought in
aa medicine student
who wanted to specialize in
psychiatry...
   apparently he concluded that
i was sane...
nice... being the subject
of learning curvature
surrounding a medicine student...

next came the allotment plant
to mind the crazies
while mingling them with the physical
retards...
stole a lot of potatoes that day...
the retards slurred,
exposed their genitals...
and were huddled together like
cattle by the social workers...

******* marvelous!
couldn't expect a lesser
Moulin Rouge reinterpretation
if i wasn't watching harlots
dance the: flinging
of the undergarments on show
that warm July afternoon!

but always, whenever i visited
a psychiatrist in a clinic:
always...
  why am i here?

you know what scares psychiatrists?
EM-PA-THY...
scares the living life out of them...
empathy is what psychiatrists
apprehend the most...
   so you're neither a psychopath
or a sociopath?
what are you then? comes the auto-suggestive
interpretation
of the ****** expression that
comes with suggesting,
even the slightest lack of contempt
for a basic human emotion...

scared, ****-less!
as if on a diet of ****** ruling
over Sudan, or similar ****...
famine after famine,
scared, but unable to soil their underwear,
given... well... the ******* famine...

oh i love psychoanalyzing
psychiatrists,
they have a shorthand blistering
beneath their appreciation for
listening...
their pharmacology branch...
caught one psychiatrist off guard...
he says, out loud,
that... i was abused as a child...

and?
  perhaps i was, perhaps i wasn't...
better that than being treated like
the modern Humpty-Dumpty...
walking on egg-shells typo,
rather than type, of what constitutes
the ontology of individualism...

i had to retort  with / resort to seeking
the opinion of a Polish neurologist
who, with a basic question
'doctor, am i mentally ill?'
replied
  'whoever said you're mentally ill,
is mentally ill themselves!'
case closed...
    
hence the statistics are believable
surround the death of Ellie...
teenage suicide rose in England
by 67% between 2010 and 2017...
    
so you do know the difference between
a psychologist, and a psychiatrist?
camomile tea...
   a psychologist is a humanist,
a psychiatrist is a physician...

if you're rich enough...
you see a humanist...
  poor? shorry...
   the pharmaceutical branch
of the practice is coming into practice...
but don't worry...
chances are...
    you talk what they want to hear
for a while, and then you start
talking what: they don't want you to hear...

hell...
  with this type of medication
and the whiskey...
i could turn into a semi-variant of a
hibernating bear!
i don't mind...
           i found that the glorification
pompous camp of cancer "survivors"
had their stab in the dark...
   because can we only regress
to glorifying surviving one type of
disease, while making stigma of
another kind?

the mentally ill are less of my concern....
i'm worried about the dim-wits
who abuse antibiotics!
   and i am... ******* numb-skulls...
taking antibiotics like
free-prescription vitamins!
creating the perfect niche for
super-bugs!
                      dim-wits!
         numb-skulls!
  and i thought that head-banging was
a source for erasing brain cells!
jeffrey conyers Jan 2019
If innocent?
Why cry foul?
Just sat back and let the investigation happen.

Only the guilty cries the loudest.

If not involved in con-game?
Then just relax and reel in knowing nothing happen.

Then again, you got to quiet your lawyer.
Only when you open your mouth?
Do the story get twisted?
Brent Kincaid Dec 2015
It was supposed to be
The dawn of a new age;
A new set of dialogue
On a more balanced stage
With better lines for
The actors to deliver.
It was supposed to start in
The sixties and last forever.

We didn’t really know for sure
What this Aquarius stuff was
But it seemed to us to be
A metaphysical enough cause,
To change the way we acted
And to shout down the rest;
To face the demagogues
Then put them to the test.

We stopped wearing uniforms
That said we went along
With the hard-assed leaders.
We put a lot of it in our songs.
We called them what they were
Greedy warmongering ******.
We protested and picketed
And promised so much more.

We spoke out loudly on TV
And in crowds in the streets
That we were through will genocide
And would not accept defeat.
We cried out that our government
Had assumed the role of villain
And was murdering for no reason
Not just men, but even children.

But, we let it all die down;
We let the government slide
On investigating the truth
And keeping the truth inside
A carefully chosen batch of
Criminals in public office.
We let them go on making war
And making money off us.

We let them cheat and lie
And re-write acceptable laws
To support their bloodthirstiness
And we gave up on our cause.
Maybe all that protesting gave
All our marching feet limps.
Or maybe it’s because all along
We were just a bunch of wimps.
Shiv Pratap Pal Jan 2019
Questions Please
Put up a question please
Throw me a question please
Question, any question

Burning or sensational
big or small or silly
easy or tough or absurd
hypothetical or factual

All questions are invited.
Only and only questions
No Answers at all
As I already have answers

I have answers to all the questions
that ever existed, but ceased to exist today.
I have the answers to prevailing questions
that are making us crazy day by day

I even have the answers to the questions
which are still in the future's belly
waiting to be born one day
in this beautiful and ugly world

Questions please
All sorts of questions
May be from geography or philosophy
Or from religion to defence studies

It may be from medical science or history
Or from space research too
Animal husbandry is no taboo
Questions on skydiving are also welcome

Politics is my all-time favourite
although I can answer sports or adventure
Questions on corruption are also solicited
You can ask on oceanography or calligraphy too

I know everything, literally everything
but neither I am 'Google' nor 'Bing'
I am not even 'Duck Duck Go'
nor I claim to be 'Baidu'

I guessed your question.
You are wondering – "Who am I?"
It's very-very simple Man!
I am a nasty spokesperson from the ruling party

I may be found mostly in television debates
as a panelist, as a debator, as a joker
as a disturbing element, as a liar
as a person making hue and cries

You may or may not like my answers,
but, please like me, please love me
Raise slogans for me, Praise me
Make me famous, make me a celebrity

But even if you dislike me
I don't care, I have my media
I have my own followers
I also own a troll army

I train them perfectly
I pay them heavily
I spend too much on
News media and Social media

I have my own trustworthy mob
who is always ready for violence
anytime and anywhere
at any cost whatsoever

Beware, I am from the ruling party
I inherit a complete readymade system
of Investigating agencies, Ready to book anyone
on false and frivolous grounds.

And it will take years to prove innocence
Innocence may be proved, may be disproved
This also depends on Money, Power and Links
Or the nasty arithmetic of alliance with us in future

So if you still chose to dislike me
It's your choice, but wait
I can still become a minister
Or even a prime minister

I have the quality to lure voters
I have the answers to all the questions
That ever existed or are existing
Or that are stilling waiting to be born.
I have all the answers  so please throw a question to me.
Mateuš Conrad Jul 2018
/                                america, july 18th:
  and the utter media shambles -
like ****** and steroids
for the uninitiated -
     tongues without the rattlesnake
trill of an ᚨᚱ:
   numbed w'ah w'ah peddling
of woe to row the sinking boat:
maniac adult funfair
attempting a nostalgia
for the playground game
of bulldog...

                russia, 25th march:
the kemerovo fire (siberia) -
          children frying, screaming,
perhaps even hoping -
  a shying herod, the example
of: as moloch descended...
          prayers in the fire
                  by the innocents...

england, july 19th -
   alternative to rehydrating
using water...
    a generous 5 hour sleep -
******* on the remains
of last night's lemon
     used to infuse the subtle
smoky of bell's whiskey,
playlist:

- the jon spencer blues
  explosion (bellbottoms)
- britney spears (criminal)
- twenty one pilots (heathens)
- calvin harris (this is what you came for)
- camila cabello (habana)
- rihanna (disturbia)
- birdbrain (youth of america)
- ghost (ritual)
- focus (hocus pocus)
- edwyn collins (a girl like you)
- the guess who (american woman)
- the knack (my sharona)
- cronica (herr mannelig)

and then onto buckling in
4 beers and thinking
about black holes as the pin-head
of antimatter -
a dead sun...
     dead, but not dead...

   and the first, crude graphic
tomb raider game...

   rather than having completed
it...
     since only owning
a demo...

                 investigating
the possibility of 2D objects in
3D space...
       well: the universe isn't even
exactly 3D: it's hyper-3D...
    but in the tomb raider game
you could walk up to a minor
detail in the game, a fern,
and observe two-dimensionality
in a "three dimensional space"...

   namely: the ferns were all 2D,
and rotated within a "hyperbole"
of the eye -
   however you observed the "object"
it rotated round and round,
never allowing you to see
    its demoniac otherside -

i can only expect dead suns to
behave in such a manner -
   two dimensional objects in a three
dimensional subject matter -
almost paradoxical -

     rotating at immense speed...
invigorating a near but not quiet
a postportem of a death...

       and you really can see UV light
surface
staring at a glaring hot sun with
a naked eye -
   and see the same hyper-rotation -
it's almost like looking at
molten silver, but with a hint
of violet - i.e. akin phosphorescence:
but in the daytime...

and who said you need to
ingest hallucinogenics -
    and enter the labyrinth of a short,
short, history,
    of the chipmunk caveman?

i'm just drunk, you're probably
sober...
    but those guys doing
a timothy leary sermon?
   they're...
     gone.......................... gone -
     they hit the tangens curve.
topaz oreilly Oct 2012
The bomb blast tore like a new toy.
Science who ranks as distemper
outshone the future.
Scribes of contemporary fore
deliriously notated
the torn ligaments.
Opiates scream dying life
The bomb blast imploded
our unspoken rationale
short of Humanity.
daniela May 2015
you know, i’ve been thinking a lot about comets
because all stars are destined to explode
and the more light you give off
the faster you burn out
i guess this is why they say only the good die young,
i guess i’ll live forever
but immortality sounds lonely and most living legends tie their own nooses,
and the rest of us live just by making excuses
i'd count out all the stars in between us like miles
but you're half way round the world and i'm more than a few days behind
i'd count out all the stars between us, make promises and wishes on them
but i know they’d both be empty
but stars are always dead on arrival
but you’re too far away even if you're right next to me
we were looking at the same stars, just not the same constellations
and i'm so ******* sorry for all the things i let burn out,
all the things i let go ruined instead of dealing with them
i’m afraid of failure so sometimes i don’t try at all
i’m sorry you got the worst parts of me
i’m sorry you got my collisions instead of constellations

you know, i’ve been thinking a lot about comets
because you were afraid of commitment mostly because
you thought you were supposed to be and i said
i love you like a bomb going off too soon
my whole body is on fire,
you ignite me like lighter-fluid and bad decisions
and the best things burn out fast
the shortest lights burn the brightest
it’s science, it’s physics, we can’t fight this
we were doomed from the start, it’s inevitable
that we have to take things apart
somebody told me love is having the perfect opportunity
to hurt somebody and letting it go,
so i guess that’s how i know we’re not in love
because we hurt each other just to prove that the other one
still cared enough for it to sting
because i learned that you’re not real unless you make marks,
so i hope it ******* scars
i hope you can always see the bruises in the shape of my lips
i hope you never forget

you know, i’ve been thinking a lot about comets
i’ve been thinking about whether comets or craters are more important
whether it’s about the way you blaze out or just your ashes
whether it’s about what you do or what you leave behind
i’ve been thinking about why we treat
black holes and supernovas as opposites
when they’re really not that different at all
both catastrophes in their own right, yet one of them seems more poetic
but you don’t get to decide the amount of pain you’ve inflicted,
we are all afflicted with this thinking that we’re the only exception
i think we are all guilty of thinking
we’re supernovas instead of blackholes

you know, i’ve been thinking a lot about comets
i’m a mess and not just metaphorically,
sometimes i kind of think i’d be a lot happier without
all the things that make me myself
i am in a glass jar watching myself implode because
i kind of wish i was born with more serotonin and a different kind of motivation,
like i’m an observer to myself
and i’ve always viewed my own heart breaks
almost as the out-of-body experience, like a third party
investigating the remains of what was or what wasn’t
i am the medical examiner of my heart
and poetry is a lot like dissection
and love is a lot like hate
and living is a lot like dying
but regret is just a waste of emotion and love is just a waste of devotion
and going out with a bang
is much more glamorous than going out with a whimper
and nobody talks about slow burn, only the explosion
if you were a star then you were a shooting one,
and you’re always most popular the day after you die
but i’m done with that ****,
this is not a dead poet’s society
this is a society of poets who wanted to die but didn’t
because i think this might be a sad poem,
but i am not a sad person or at least i've been trying not to be
because we were all born to die, but we were also all born to live
measured by the blaze of our burnout, the trail behind us
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets
i think this poem is probably about like three different things / feelings
John May 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica. I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that. Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night, after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one. One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth. What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785. Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on. But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me." The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us. At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward. Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned. "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned. The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it. "We have to open it," Jessica proclaimed after a second of curious inspection. "There's no way were going to find the key," I told her. "So we'll break the lock, Jack. Duh," she replied in her sassiest tone. I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe. "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below. Jessica smiled again, very pleased with herself and looked to me. "Wonder what's inside...," She said, lifting the top half of the box open. After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself. I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands. "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her. "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!" "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening. I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness. Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong. I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.u
Originally wrote this as a reddit.com/nosleep thread. Hope you all enjoy it nonetheless.
Mateuš Conrad Jan 2020
.i do expect you to become lost in this labyrinth - at least that's what i'd rather say - sleep-deprivation is for "some" reason to escape the mediocre of having catched the "8 hour wink"... or whatever the Minotaur wouldn't call it... because i wouldn't call it a "problem" of "gender-neutral pronouns" either... i would call it a "problem" of noun-acquisition-status of letters; notably in greek and hebrew.

friends of "the" family have been looking
for on fb,
****... the caron S (š) will not do!
i need to use two alphabets that...
did not nurture yiddish into existence!
cyrillic didn't accept hebrew...
it'll have to do...
it wouldn't be enough to simply write
my name in cyrillic...
and no... in hebrew no less!
since the vowels are hidden...
and inserting the proper hebrew vowel...
it still wouldn't matter that...
my surname is missing... the galician germanic
e(ch)lert or the e(sch)lert...
no... but how is one to insert
the right kind of vowel: all in hebrew niqab
harem of diacritical markers subscript...
when... you don't have...
enough letters as nouns as scientific
constants as the greeks... do...
i guess only η (eta) stands out as a sore thumb /
black sheep... but i am bound to be wrong,
in the meantime:
well it's hardly a letter-with-a-noun
inclined akin to alpha (α) -
otherwise all is well...
we use the prefix prime (the grammaton per se)...
and discard the suffix when constructing words...
ergo? a-lpha...
and so an so forth...
till be arrive at...
blasting your ears nearing deafness because:
beethoven's mrs. H is:
music so you have to shout over it!
loud! what?! loud music!
loud music what?! loud music
to shun the "pain"...
oh... see you in one of those classes
when you can write sign-language for the dead
when you've been allowed to write braille!
see you sputnik ****!
yeah, see you deaf in one year divine John!
but you get the promise that's:
not your everyday latin castrato sing-along...
those greeks sure have all the best
science... stabilizers... not a lot of songs
to sing along to... because their letters
are also noun-status: also have noun-status...
otherwise the ol' prefix use...
and the suffix recycling centre...
a word like: matter...
well...
   ματτερ - no... i will not use the greek word...
i'll state... mmm... hm!
mu implies m- and cutting off the -u...
alpha implies a- and cutting off the -lpha
tau implies t- and cutting off the -au...
epsilon implies e- and cutting off the -psilon
rho implies r- and cutting off the -**...
and so... we have the word matter...
and the recycled materials for...
some other words...

hebrews? hebrews do have... noun-status letters...
(א) aleph - what's vogue?
inserting the iota into the omicron that's
the marriage: φ (phi)...
or whether it's the turning of the iota in
the omicron to provide the opening of the door
θ (theta) to see: that light at the end of the tunnel
delta (Δ)... again... it's only aleph we're "investigating"...

the other letter in hebrew with a noun-status?
(ג) g'imel...
another is (ד) d'alet...
(ז) z'ayin...
(ל) l'amed...
(ס) s'amekh... most certainly (ע) a'yin...
(צ) t'sadi...

interlude: what is the distance
between (א) a'leph and (ע) a'yin?
a kametz...

now we can "debate" - noun-status letters...
the greeks are in the same sort of pickle
as the hebrews...
there can be a debate whether...
the greeks have more than:
alpha, beta, gamma, delta, epsilon, iota,
lambda, omicron, sigma, upsilon, omega
as noun-status letters...

why? because it becomes silly...
(ק) qof and (κ) kappa...
(ר) resh and rho (ρ)...
(שׁ) and... well... to be honest...
that's heading into cyrillic territory...
and the caron S (ш)...
given (ס) samekh and sigma (σ)...

this always happens to me when i come
across a hebrew...
even if he's old and riddled with dementia...
i see him with his polish bride
and i see a "romanian gypsy"...
the feeling is... strange...
this hebrew is like an old cousin of mine...
but it's always a touch of magic...

i am not good at solving crosswords...
(כ) 'xaf' and chi (χ) -
perhaps i have exagerrated the letter-as-noun
status on some of this greek and hebrew...
tightly-knit bed-fellows...
as the boasting resounds in the labyrinth
of the rise and fall of the roman empire...
and the barbarian attempts to have
settled the lands near the seven hills...
and revived the eagle...
spec-ta-cu-lar failures!

the germans should console themselves
with having a crow on their marching banners...
and polacks should...
satisfy themselves with the unicorn myth
of an all-white bald eagle... albino eagle...
and so the harry potter: minus ***** 'arry
can have their unicorns, swans,
honey-badgers, welsh dragon,
st. andrew's gryffindors... etc. -

name, a name... i need to... change it...
obviously...
no hebrew vowels will be used...
since... their use... is devoid of what's already
concrete usage of diacritical markers
in established letters...
if cyrillic and hebrew is to be used...
and not greek and hebrew:
because... well thank you for the new testament
riddle... let's move... away...
to "greater" / other... things....

i can't use a kametz alpha
a tzere epsilon
a chirek iota
a cholem omicron
or a shurek upsilon (omega)...
so all the vowels will have to by cyrillic...

my... latin, name?
mateusz konrad... let's drop the surname...
let's call it a game of:
ibn... or ben... matthew son of konrad...
and since i don't have a... confirmation name...
what name? i would have chosen: Isidore...
after the saint of seville...
or... Ignatius (of Loyola) -
the only fun part of going to a catholic school
was... learning about the counter-reformation
and writing an essay about it...
and their library was decently stacked...
so... plus plus...

this is but a simple exercise...
first the name in cyrillic...
there will not be a full name in hebrew...
which i'll probably lace with greek...
and it will still make all the more perfect
sense... should it be transliterated back
into anglo-ßaß...
yeah: why i don't have a girlfriend...
with these sort of interests?
i guess an hour with a *******
once a year is enough for me...
and for womankind in the hospice of omni...

just following the laziness
of the russian visa authorities are the embassy...
they didn't translate mateusz into matvei
or konrad into: Дракон...
мат-вей...

these are the sort of idiotic tier-1 level
кaцaпс... working in the russian embassy in Loon'don...

because i was never going to be the матвей
who'd **** an илoнa like the 300 deadly mongrel
saracren mameluks or the spartans... no...
i counter the 7 headed beast on her
with every ****** in that one night
i was making my final goodbyes...
but keeping the mikhail bulgakov novel...
through a repose in Warsaw and...
i finished what, "apparently" i wasn't supposed
to finish...

and she is one of those troubled girls...
every ****** partner that meant anything to her...
she will have a tattoo of that lover
on her body... i know my place on her body...
it's on the right shoulder-blade...
the tattoo is of a dragon...
i know because i've met girls like her...
elsewhere...

even as i was being driven home after taking
my mother for her rheumatoid arthritis check-up,
blood test, x-ray... and the pakistani cab-driver
was talking about all the precautions he needs
these days: video ahead of the bonet for insurance
policy... a camera looking in...
and audio recording on his smartwatch...
because what he said... didn't surprise me...
i once picked up a spanish girl - Tamara in a club...
and she decided to take me home
for a one night stand...
as we were approaching the house she was
sharing with three homosexuals
she decided to jump out of the cab...
and make a runner... i calmed the cabbie:
i'll pay for it...
we tried to later **** the hetreosexual way
with her calling me angel because
of my "erectile dysfunction" under the bed sheets
in that putrid smoke of cocoon ***...
like the birth of a rancid moth embryo and
choking from the heat of dust and alcohol
and... what i am alluding to is that some girls
do jump out of cabs to avoid paying the fair...
i knew what the pakistani cabbie was saying...
she owed him 40 quid...
he filed the whole thing to the police...
she accused him of ****** assault...
the story would have fit...
she run from the cab when he tried to sexually
assault her... but... he did have
that audio recording from his smartwatch...
in the end the girl was fined 700 quid...
which is nothing... compared to...
what's that called in h'america? a false accusation?
slander?
i know that girls jump out of cabs...
to avoid paying the fare...
i drove with one... who did just that...
i guess she was so used to this act that she
forgot i was sitting next to her...

- all the *****... but then all the chem-soup
post-psychiatric *******?
the ***** i can stand...
the pills are just tasmanian devilish when
it comes to catching the perfect
battery insomnia recharge...
and always meeting and respecting
the elder of the group darwinistic:
prat pact... a hebrew...
there always needs to be a yew
a *** in the equation...
no... not some english society
uncle tom worth of a high society rabbi...
i mean a jew that will support
west ham... because...
it's an irrational team...
it can fathom beating chelsea (A)...
but then... "forget" to win against...
for god's sake! Norwich (H)!

i know! i know! joseph conrad took his place!
here's my part anagram!
Mатвей Дракон...

the near non-existent diacritical presence
in the english language...
well... no "surprise surprise" if...
you're starting with
и (i) or rather (ı)...
and what's being the flock of salmon
up the river, being caught?
the j but not (ȷ)... imagine my... "surprise"
that the russians arrived at...
и and ı - in tow... ȷ and the й...
the breve...
parabolla or... my eyes only see
the microscopic details when someone
will simply slurr?

- borrowing from yesterday and...
in the early night of winter standing
in the garden with four potatoes
and something else...
looking up at the sky...
i am used to seeing unusual "things"
in the sky -
i'm not unusual when it comes
to having seen a u.f.o. - fluorescent
and squid like in colour -
but i'm also the sort of person that
would carry a few beers for such
spontaneous encounters -
rather running around like a raving
lunatic armed with a camera
filming the whole thing...
i have no proof: i hope my words are enough...
and if they're not?
well... if it can be seen with a naked eye -
i don't need to blink via a technological
feed and argue about: quality of the picture...

but even i wasn't ready for...
what i saw today...
those are roaming stars? aren't they?
and i really did forget to count how
many moved in the same direction
askew - one by one with equal distance
between them - before the distance between
extended - there must have been more than
10 - i'd say there were around 20!

is this always how things are -
when one contemplates the tetragrammaton?

part anagram? well because the russian
do have a version of the hebrew matisyahu...
but they do not have the german conrad
in their language...
probably as to why the germans do not
really have... a yuri or nikita in their language...
nikita after all sounds more feminine than
masculine - anyone could with hindsight
speak of mr. rocketman's lover of
the same same... as not some russian beau
example of the fairer ***...
but a comrade khrushchev...

- and why wouldn't i call those russians
that work in the russian embassy in Loon'don
кaцaпы? for one... they just type letter for letter:
a mateusz / a matthew is a мaтэусз...
for all "legal" purposes...
they already have the сз = ш...
bureucratic purposes...
and no wonder some are like:
how do you say that?
too many consonants some add...
and i really did think that all of us were
allowed to be fully literate...
that's not the case... blowing my own horn...

having a wet ***** over: because i like my given
names... perhaps that's why i didn't want
the confirmation option of being allowed
to change any of my given names: legally...
to one of my own chosing...
when i was 15 / 14 i didn't even known
or think about a name like Isidore...

when the german name became coupled
with a hebrew loan...
otherwise the russian with the first
being an anagram... drakon -
Mатвей Дракон - it's just a name -
it's my name - what's in a name is what's
precisely not in anonymous names
.666 handles and avatars on the internet...
i can own my face - and i can own my name...
because - i kind of like it...

again: on in russian can the west slavic
C be distinguished from the K... Ц -
and back into the cyst of the western lands...
Ç or what came with sigma's tail...
it's so... boring... to have less the different
sounding letters - given no diacritical markers -
and only the "exotica" of spelling -
all the metaphysics in the world combined
and concentrated in greenwich...
but no real orthography...
i could begin the day by bemoaning this poverty
of the english language...
oddly enough as both the outsider coming in...
the immigrant who became a citizen...
and as the insider coming out and coming in
again on that expatriate spectrum of
working from the thesaurus: IMMIGRANT...
for all the beauty of Macbeth...
i can have to ruse myself to bemoan
conventional english... the formal english...
the antithesis poetica...

but i do somewhat "know" why it's called
a tetragrammaton...
i wouldn't classify any of the letters that make it up
as noun-worthy letters...
the kametz (a) and the tzere (e) are nouns...
and letters... but you don't see them when
the hebrew doesn't exfoliate and is left
crude with "missing vowels" for the gentiles
to read...
saying that... calling ה (he) a noun is pushing it...
as is calling ו (vav) a noun...
or י (yod) - although...
the yod could be allowed a noun-status
as... an apostrophe... or a version of the caron -
but the remaining letters of the tetragrammaton...
are "syllables" in that they are consonants...
and when the tetragrammaton comes face
to face with noun-status letters of its own
universe: g (ג) gimel, d (ד) dalet, z (ז) zayin -
l (ל) lamed, s (ס) samekh, ц (צ) tsadi -
resh? shin? the gates are open to allow the question
in... but when...
there's also siamese Adams aleph (א) and Ayin (ע)
being and nothingness respectively...

what could Islam possibly offer me...
intellectually?
when i once asked a muslim what...

alif, lam, meem                                      meant...
he replied... only god knows...
so i thought... only god?
i must have been talking to one of those muslims
who have arabic overlords...
before they can catch a whiff of the almighty
blah'llah...
ا, لَـ, مَـ
again... greek only touches upon...
the initial - the medial and the final
version of sigma...
isolated you would see the capital sigma...
Σ - which could also be treated as the initial
letter - given that the σ looks more like a medial
form - although it's also initial -
whereby ς is the final form -
almost like the english: 's... apostrophe s -
which could be claimed to be an article of possession...
or the plural article when the apostrophe
disappears - or when the ς altogether disappears
when: the possession is plural:
a teachers' strike... e.g.

no not with a fatha - we have our own diacritical
markers... thank you...
but good question...
so... why is the meem written in an isolated
form in the word - yawm (day)...
but not in a final form?
but i do not write in a squiggly line in this digital
arena... perhaps my language looks simply
written... oh yes, the aesthetic of the arabic script
is always stressed...
but even the hebrews think like the greeks
and the latins... in a way...
nothing has to flow in one river-wry format...
there's no isolated letter... of a letter -
as there's no initial no median and no final
form of it... but there is a "question"
of the hiding of vowels...
for gentiles and muhammadians alike...

- perhaps some will call it the trans-community...
there was once a dead poets' society...
evidently with the rise of de-transitioning...
there's now a nag hammadi library society...
circa 1945 when this library was left unchecked
in the hands of: the children
with too many toys and too many sandpits...
probably that one neu-mecca of san francissco...
at least the dead sea scrolls:
that were unearthed at about the same time...
treated the hebrew far better than
the nag hammadi library treated its children...
and why the former power, the vatican,
didn't step in... to control these text...
as they flew out on a *****-nilly without
herr zensor... herr inquisitor...
i will never know...
the scouts of medicine left... black holes
of having advanced in the field of anaesthetics...
too many toys for the the children
with too many sandpits...

- because i would rather the fascination
with a language... than its immediate...
polyglot acquisition and use...
if i put my head to it... perhaps i could
speak the 7 languages my great-grandfather spoke
before jumping into the Niagara Falls
leaving a postcard sent...
but when i peer into the details...
i quiet like these two trenches of mine...
this english this canvas and my eye toward
the east and the south and semites...
just because english is a language without
diacritical markers...
a language filled with metaphysical dialectics:
but missing any mention of orthography...

a hebrew might hide a vowel...
and write only consonants on street signs
for a gentile to read...
but then the gentiles' languages morphed...
and a vowel became distinct...
there is A that begins the word: ah-men...
but there's also an A that is invoked with a tail
to point and identify a tree, an oak:
dąb...
so much for kametz being hidden...
if there's no 2nd tier "complexity" of kametz...
but there is one for the visible...
A - vowel - a vowel with a tail...
but without a name -
as all letters are - whether vowel or consonant...
in the litany and choir of the castratos
of ancient Rome...

pause with me...
what music are you listening to?
i'm listening to... years of denial - burning sun
(veyl channel) - 1,319 views...
i like to... find the better alleys of my entertainment...
as i can't hate kevin spacey...
not because of kevin spacey...
but because of lester burnham...
or more to the point...
why thomas newman reminds me of a...
reincarnation of Satie...
not a Chopin or a Liszt virtuoso of the piano...
not a when a hammer strikes
a line of 88 nails...
but when a butterfly chances the here and there,
on a shy-loot of a beauty of scarce sounds...
just the same of nostalgia for this era of
movies borrows me from out any new
suspence... as that sort of nostalgia creeping
into people born in the 1960s who truly
admire h'american movies from the 1950s...
even i am to blame when i feed
a nostalgia - more to the point for the technicolour
acryllic glow akin to...
richard quine's 1958 bell book and candle...
but of course scandinavian existential cinema
of a Bergman would be in black and white...
black and white photographs...
but if we're talking movies?
Undogmatic & Kernfeld - thought experiments...
Amanti d'oltretomba (1965)...

i will have to refine the greek to hebrew to greek
similarities...
an Ezra Pound can hide behind counting
matchsticks and reading into chinese ideograms...
when lo and behold! some japanese *******
comes up with a minimalism of the on'yomi...
or perhaps japanese is a language
that fuses elements of braille?
no point question the matter since
the mongols famously didn't come over to Japan
to add to the already Mandarin caste of
the kun'yomi...

but no... these greek letters are nouns...
even though π is equivalent to understanding
the wheel a posteriori: as a circle -
prior to there was only a wheel but no
knowledge of the dynamic of the radius,
or the diameter...
but it's still a prefix weak hardly a noun...
alpha and beta are nouns because they
denote something - prefix category shared -
but... the alpha and the beta male...
even gamma rays...
what's that? π-networks of coming back
to point (0, 0) in terms of:
no more than three powers of seperation between
you and some random from hugh yawn'khh?
my bad...
but η, μ, ν, ξ, π, ρ (ρ requires delta epsilon
and sigma to imply island of Rhodes)...
τ - but this is not China and tau is not Tao...
to tow is... to tow...
φ, χ, ψ... these could be names...
but ψ is like a crucifix for psychologists...
so these are... but at the same time:
are not names...
working from Latin, "borrowed"...
A (or aye)... B (queen bee)... C (i çee)...
D (dye or dry or d.i.y.)... E (eh? vowel catcher
arm no. 1 of the tetragrammaton)...
surd if the other arm... most notably in gujarati...
or not...
but this leftoever ancient Latin:
                                sing along! sing along!
a, be, cee, dee, e, ef, gee, h "hatch" / hay,
i, jay, kay, em, en, o, ***, que queue cue,
Ar, Tee, U, Vee, ekhs (x), why (y), zee or general Zod /
Zed... etc.
do i remember the "correct", french pedagogic
sequences of: letters of the alphabet?
i thought the whole "game" was about
the lexicon? and the lexicon within the lexicon
of the correct spelling?
are there 26 letters in the english alphabet?
there are! mein gott!
do i have to monkey-play-me-harmonica -
monkey-play-me-the-acordeon and tap to play
the drums... really? now?!
there were never going to be any alphabetical
sequence of events...
if i can remember that there are 26 letters:
the order of the pedagogues doesn't matter...
the lexicon matters... one's own vo(gue)-ca-bu-Larry...
short of Lawrence...
and shouldn't i give up my Lawrence Vogue...
i will certainly to remember to give
the "correct" order of what begins
with abc- and ends with -xyz...
this is the inbetween...
please see fit to spot a sparrow or a typo...

becuase if the british are to be proud of their past...
proud in the sense that it is...
fermenting and all this decline of the west "thing"...
of the people that has to "somehow" welcome
a revival... кaцaпы (plural of кaцaп)
is a racial slurr - designated for russians...
by those who had a pseudo-isarel interlude...
of what was known as the polish-lithuanian
commonwealth - of the last european pagans -
who didn't become the prussians
and made the bavarian spirit rigid
and militaristic...

i find this part of history... rather... infantile...
i have been taught a version of history
through the lense of infantalism...
perhaps science-fiction was the serious medium
of literature after all -
all of the past - if it is to be called a past -
is prescribed by zeitgeist -
my contemporaries' suggestion to be an infatile dream!
it must be a version of infantilism!
at least: that's my response in relation to:
the past having any aspect of being worth
celebrated...
me struck dumb being coerced by a...
genetic archieology of a past...
what some of the current people invest in...
mirror mirror: on no wall beside
mirror mirror: my face...
speculum speculum: well! there's always history
as etymology!
i don't like the word faciem...
where does visage come from?
oh... right...

quest to perfect the algorithms to escape
the everyday speculum was prime suspicion:
to speculate...
i guess any search engines requires:
etymological root...

mirror mirror: my void eating face...
my pulpit of vanity -
my valley of aeons...
my detail of the smirk the demonic glee...
of your most greyish glee...
of no concern for celebrated beauty...
or at best: no beauty to be exemplified
and stealing memory having invested
in the memory of cinema...
mirare mirare: comesse vacare visage meum...

now that's rather different...
isn't it? a history lesson with...
a stress for a post-scriptum in-and-out
"epilogues" (misnomer) and a return
from the trivia interlude back into the narrative...
only with an understudy of etymology...

who do i look like? some ******* ***
who would use such a ***** word as epistemology?
"epilogue" is a misnomer in the context when...
there was never a justifiable metaphor...
a misnomer is a metaphor:
for the **** by the ocean of the shore
in the vicinity to claim town status - Dover -
albino cliffs: more or less...
epistemology is a word most frequently used
by people... who read to people...
encyclopedic entries... cyclopes reading...
all that matters is the cwowd: which is the Velsh
variation of: that already numb-R lost trill
of tarantula bit anglo-ßaß...
which didn't require zeppelins or h'american
spaghetti accent westerns of draw and drule
and drawl...

such a minor racial slur when it comes
to the russians... soviets or red barons...
you must have never visited Moscow or St. Petersburg...
**** the right sort of ******-up russian girl...
and... if you're lucky!
she's take you to... the russian versailles!
Peterhof -
the racial slur stills remains...
a thank you matka rosiya...
satellite son over 'ere: the bellowing from Berlin
is like a sudden plague of hyenas attempting...
no... the foxes are imitating the hyenas...
which is which or rather: which is why?
a mutual agreement: reciprocated...
a great a great much decent ****...
for both of us...
the memory still feeds me...
oh no, it doesn't haunt me:
it feeds me... i could only find replicas
in brothels... i would never dare usurp
this catherine this tsarina of my memory...
i would never dare invest my personality in someone
else... she can be married her... 3rd time...
and this might be her 10th repentence...
of an 11th lover...
on this sinking ship: Potemkin i go as one -
reincarnation or no...
i still don't believe: this hindu myth of:
only a fixed number of people were every to be
born... and the rest are the harsh realities
of the base focuses of animals...
as we somehow drag these n.p.c. mysterions with
us... whether strangers or fathers or mothers...
are you not attached to your grandson:
dearest "catherine"?

such is the tyrany of the hindu polygamy
trans-temporal polytheism...
a diadem with a mouth for an eye...
and an eye for a mouth: or what better way
to salvage this grief of being only being 20 and 21
when having met and having to vow to
allow ourselves our each his and her seperate
lives...
at least some people call it:
the house of lords... and the house of commons...
on a much grander scale...
oh i'm pretty sure tsar (ras)Putin is much amused...

as i am now speaking with a borrowed tongue:
someone lent me a tongue -
i desired to speak with it -
imagine this complete lack of horror with regards
to being lent -
when reicarnation comes to the fore...
i agree: with "him": a most disagreeable
metaphor for... whatever it is the hindus truly believe
to be: the most humane form of
being allowed a human: self-consciousness
and a relationship to all those teenage
*****-dear-diary entries of... precursors
to the menapause and... the blue blood gremlins
of the big pharma pills-down...
the big pharma *******...

unless asked... always in uniform before your "majesty"...
as with any decent *******...
god forbid one of them thinks i'm jesus christ...
come back...
but never with these... grey-area maidens...
this "tool" will not be aroused
on the simple signature end contract promise
of: he made it to the finish line of a one-night stand!
where's the finish line of a one-night stand?
the next day? the *******, the *******...
her ******? at least the new generation
have the... cipher password for sexting...
or whatever has become of a good old fashioned
**** your brains out?
via you **** a plum sore tattoo into my pelvis
with your coccyx like a well balanced
african body of ivory beauty?!
you know the type... it looks like butter
in moonlight... like... what's the point of a niqab
in africa?! it's already... a warewolf has come
among the wolves...
and how i miss you, i esp. miss you when
i sit on my windowsill and listen to foxes
mating...
how those ******* squeal yank and bite nothing
but bone having omitted both the flesh
and the fur!
i miss you the most when i sit at night -
and listen to foxes mating;
after all... this is essex... this is england...
foxes at around 1am are my cognac...
beside ms. amber: and you know you'll also
be ******* her when i've had my fill...
but oooh... look at me: oooh...
gravy...
but i've watched! crows don't attempt fucky-fucky
tow-dollar sucky-sucky bangkokh style
during the die... all that is black that's worth
the crow is done in the night...
perverted pigeons during the day!
****-*******-me-into-a-voyeurism of their
greedy insect esque antics of coo coo...
then jump onto the rucksack of a female...
and all those beta-male pigeons... and that: huh?!
moment of bewilderement when he "thinks"
he has cooed like an alpha...
only the memory of you...
and all the prostitutes after you...
which always made imagining ******* you again
all that more simple; there was no кaкaшкa
with them to begin with.
jeffrey conyers Aug 2018
Okay, the only one has been hiding their racism were whites.
Trying to blend into society with others because employers require a get along attitude.

Go to a bank and instantly you know the hiring schemes.
And this any community.
Same, with certain restaurants you attend.
It's the blend that point the management comfortability out.

White flight, existed because the "fearful" can't adjust to a changing society.
History has shown this.
And they have created it.

Jim Crow's laws weren't created by blacks.
Asians placed in America concentration camps wasn't their idea.
And these were American citizens.

History presently has shown that the new "pick on" group is the Latin communities.
They MS13 or this or that.

Many white businesses must be enjoying their employment keeping them in business.
For in many big cities they building the complexes and hotels, and sidewalks.

History has shown when it comes to justice they the first to try to scheme out of their crimes.
But quick to holler about locking up criminals until it's them.

History has shown when investigating wickedness in government.
They lead the pack.
Then this is just an opinion.

And no way connected to alternative facts.
Elizabeth Bleu Sep 2014
How do we create a system in which women are really free?
Is that we want undefined freedom where we have no men and we hve what lesbians have? Or do we want the same equal rights as men?
We as feminist cannot be so narrow minded
+Liberal feminists want women to have the same equal rights as men.
Are they not the same women who want their men to be all-male and masculine?
+Marxist/socialist feminists  focuses on investigating and explaining the ways in which women are oppressed through systems of capitalism and private property. According to Marxist feminists, women's liberation can only be achieved through a radical restructuring of the current capitalist economy in which much of women's labor is uncompensated. For these women, do not realize that they are the ones who chose to became mother's and end up with the 'unpaid compensation' of taking care of the child that comes along.
Radical feminism blames men entirely on the exploitation.
If there was no men, would we have been as happy as expected if we were to really revolutionize this system, of oppression, capitalism,discrimination and exploitayion.
As women, it is always right to fight for what we believe in.
But it is the truth that we should fight for, justice and peace among men.
Exploits made my men over years have cause women, who are considered'by nature' to be subject class , to think that they are really less than men. ?In truth, we are made from the same flesh and organs just as them.

Is it not us females who bleed once a month, bears children and cope with the problems that comes with the family we have to grow and breed?
We are strong enough but at the end of the day we need someone to submissive to and that should only ne the lawful wedded husband that the Lord himself has granted us with.
We are called to be strong but submissive when the time and place  comes as there is a time and place for everything understand.

Strong and submissive should be our mission without being confused by men and that is the type of feminism we should live by.
American Detectives
Never remove their hats
When investigating murders
In other people's flats.

P.S. Chinese Tecs
Are far more dreaded!
And they always appear
Bare-headed!
Mateuš Conrad Oct 2015
the narrative does not cling to classicalism of stating whether the pronoun usage is either singular or plural or both to allow an armchair of expression; after all... there's enough for us to bypass the classical philosophical debate about subject and object, simply investigating pronoun usage in relation to singularity or pluralism.*

there’s a theory where poetry came from,
one read: cleopatra wanted to hear sweet-nothings
calibrating a razor with a viper’s kiss...
another read: she báthory?
she báthory? she the one that turned milk into blood?
she can burn in hell.
i thought we were un-dialectical in the realms of concern?
no... you see... poetry came from punctuated-impressionism...
or a fear of it... punctuation of course, not from the impressionism...
poets fear punctuation...
give them a semi-colon
and
they
treat
it
like a sidelined line of verse.
this is poetry in mathematical equations:
i had a pear(,)
it was a spare(.)
i had a care for traffic(-)
so i missed( )
the expressions and started using an obelisk to quarter up the mammoth
into chop suey...
poets simple say: next line! when prose says next paragraph
and the prized execution of the 100m sprint . . . (.)
that’s universal alpha romeo with alfa bravo charlie delta (echo)...
come on in the u-turn... give us a smile......... :),
poets says... i need breathing space
without sentenced timing of silence, for the toad to feed inspiration
and envy!
no wonder you came with the alpha - zulu
alphabet given that you used ɪɡ and zoʊ...
so tell me... where’s this copernican west upside down
(this heliocentric west with east being the big bang)?!
i'd swear the thing stopped orbiting in circles
and a thing that's on it's thought started to become
orbital... a fashion sense of the 60s 70s 80s 90s repeated -
that's right, the whole thing became heliocentric
and we became narcissists instead of solipsists
in the geocentric system of worked-up plagiarism
with adequate excuses.)
it's here it the poets apprehensive of punctuation symbology
and instead writing "sparingly,"
to write, e.g.:
i
hate
        this
love
                affair
claimed
                     to
be
          the
world...
                 i
rather
                         chisel
chequers
                         into
geometry
                     of
x4
              90º.
makes sense poets begot fear of
punctuation and not grammar, they
serviced to explore nothing else,
leaving grammar open long enough to *****
mathematics in... remember...
poets are firstly concerned with punctuation...
secondly with grammar...
philosophy for poets is grammar;
**** i'm um um so drunk i'll need to revise.
Seán Mac Falls Nov 2012
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­          
                                                             ­­                       — after Neruda
I didn't find the time in the months I was around you
To ever say, "Hello,"
Or learn your name.
Angela S.
I didn't know it until today.

I didn't know that you were thirty-six until I read the articles about you.
I knew that you were late to choir sometimes,
And you wore shorts even when it was cold.
I didn't know you lived in those apartments until the police were investigating them.
My sister lived so close to there.

I didn't find the time to know you,
Angela S.
But I found the time to judge you.
You stood between seconds and you were a first.
You didn't know your parts very well.
I was annoyed.
It's concert choir, no audition.
I shouldn't have been so bothered.
I'm sorry.

That was the last time I saw you.
I didn't know you had a son until after he found your body.
I knew next to nothing about you until you were shot.
We sang the same music for months.
A woman I've been singing alto with all term was murdered yesterday, and her little boy found her. Last week I was bothered that she sang the wrong line. Now she's dead.
Seán Mac Falls May 2012
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                   
                              ­                                                      — after Neruda
They hailed
and prostrated on the dust
as the monstrous jeeps passed.

Chants of praises
in loud native phrases
all for one man with deep pockets.

White man would look and say,
" Africans "
Black man would look, smile
and shake his head.

We say Nigeria is distressed
We say there is no money
We say all our leaders should face the firing squad
We say alot of things.

Churches are increasing,
Spiritual leaders are prophesizing,
Intellectuals are holding conferences,
Analylists are investigating,
Ministers are budjeting
and yet nothing is changed.
Still that black man on
the presidential seat wants
a second term.
Another term of nothingness.

I know everyone deserves
a second chance,
but ruling Nigeria
isnt a dice game.
We are in a state of nature
where every man is a danger
to the next.
Even body parts can not be guaranteed
to remain in one piece,
even in death
because of these ritual get-rich quick individuals.

Just like a mathematical equation,
Nigeria's solution
is " no solution ".
But, because there is no answer
doesnt mean it can not be solved at all.

I would not be the first to write about Nigeria
nor will i be the last,
but let history record
that at least i verbally cared.
Seán Mac Falls Jan 2015
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­          
                                                             ­­                       — after Neruda
judy smith Jun 2016
DRESSMAKERS to the stars J’Aton have turned designer detectives after one of their most valuable couture gowns was stolen from a bride’s home last week.

The one-of-a-kind gown, which was stolen from Leanne Bartucca’s Greenvale residence along with other valuables, is estimated to be worth more than $40,000.

It weighs more than 18kg, and features intricate 100-year-old vintage French lace that has been carved and sculpted onto leather and layered tulle.

J’Aton designers Anthony Pittorino and Jacob Luppino, who also made the wedding gowns of Rebecca Judd, Nadia Bartel, Jodi Gordon and Yvette Prieto, wife of Michael Jordan, are appealing to the public in the hope that if it goes for sale online, someone will recognise the distinctive dress.

“We are so devastated for our dear friend Leanne; that dress has a special place in our hearts and is so sentimental to us all,” the pair said.

“It’s a dress that we created especially for Leanne, it has her and her husband’s initials embroidered into the train and we just hope that if anyone recognises the distinguishable design for sale on websites or social media, that they ­report it to the police.”

Ms Bartucca, who wore the dress in March, 2014, says she has been devastated by its theft.

“It’s such a sentimental thing; my family and the J’Aton boys have been checking the internet daily in the hopes that we will see it for sale,” she said.

“I had dreams of using the fabric from it for my children’s christening gowns, and even framing a section of the fabric for our home.

“[The thieves] definitely knew what they were doing. As a former fashion buyer, I was surprised how much they knew — what they left behind was just as telling as what they took.

“They could tell the difference between real and fake jewellery, they left certain shoe brands behind and obviously went straight for the J’Aton dress, which was covered in tissue paper and in a white box at the top of the wardrobe.”

Police said they were investigating whether the burglary was in relation to another in the same area.Read more at:http://www.marieaustralia.com/white-formal-dresses | www.marieaustralia.com/black-formal-dresses
Mateuš Conrad Oct 2018
.i somehow found myself in a predicament, i can only read German philosophers in English, and that's my sole exclusion "manifesto"... basically i can't fathom reading the genre of philosophy in the English tongue.... i can't... unless they're German... i have to return to the Slavic intricacies, whereby my consciousness is occupied with a translation perspective... English was never supposed to aim as high as speaking of philosophy, the English were never adept in asking questions: given they always gave the answers in technological, scientific, architectural foundations; the people of practicality... their downfall? tickling Marxism translated out of economics, and into culture... their one downfall... and.. it looks, partially, as it worked.

what, what what have we 'ere?!
   bobby on the beat...
lookie lookie, lookover here,
the jokes runs...
and the priests in Eastern Europe
are known as crows...
krúki...
     as a peoples who weren't
invaded by the Romans?
   looks like i've learned a thing
or two... about orientating myself
with the said letters...
no... St. Cyril didn't come past my parts...

etymology:
   sve-                (self sight /
           swoje         /       my)
  -to-                    (that / this)
    -vid               (widze, i see) -

basically?
the god, "in question"?
                 what i see, myself...
i see, as myself,
and  what is, self,
is what, i see...
detached from anyone else
that sees...
  (i see what i want to see...
i see my own, and as my own,
this is what, i see).

the priests are crows,
the police-officers are dogs...
i love crows...
ever see crows mate in daylight,
akin to pigeons?
  i've never seen crows mate
in daylight, in public...
they leverage their courtship
to the night,
in secluded areas...
             crow knows best...
a crow will to imitate a pigeon...
a crow will mate with a female
at night...
   and notably: in a secluded
march of a land...
a crow is not a pigeon is
not a reverse exhibitionist...
     a crow is a crow is: crow...

just like with the German philosophers...
some, i can actually read in English,
rarely, but i can...
within the confines of the obscure works,
esp. their revisionist texts...
e.g.
               via the variant:
da-ist-sein...
                      there is being...
well not **** Sherlock...
i've just encountered it about
the "second" time for the past 32nd year!
but da-ist-sein...
  well... there's no a priori schematic
to encompass the statement with...

   how the people prance citing Hegel,
while forgetting the basic building
block of Kant... like Beethoven mattered...
when Handel was the orientating
composer to pay attention to...

sure... da-sein can have an a priori
and an a posteriori reality...
but da-ist-sein doesn't have an a priori
contingent plan for rhetoric...
a sophistry...
      mind you..
  we live in the times where
sophistry married solipsism,
and said:
           take some time to reflect
spending time with transitions,
airport banalities of trans-national
transit, in terms of people...
taking a bus trip seems like
a breeze these days...

                 fascinating,
the English educational system involves
the Roman Empire...
oddly or rarely considered luckily am
of a people not conquered by the
pre kilt pansies...
                          and i'm scratching my head,
thinking...
                    but up to a certain year:
i seem to have no past,
just like you...
lost to the vehemency of institutionalizing
Darwinism as a replacement
of whatever history is implied
at that point...
not physics, not geology...
  thank **** that chemistry is not prone
to exert a historiological influence...
where i was born?
a flint-stone colony... half an hour's
worth of a bike-ride...
flit-mining... flit-stones...
   whenever science teases the humanities
by incorporating a "study" of history?
i lose it... chemistry never does this
sort of *******...
but biology with its historical Darwinism,
but physics with its historical Big Bang theory,
these sciences play both science
and a humanism game...
   bad idea...
  chemistry at least affects
the romantic movement...
what is a day in the day of the month
of the year, of a day, within the confines
of james joyce's Ulysses?
           oh look...
the double standard of the maxim:
an insignificant spec of dust that's a worth,
somehow, worth investigating...
nonetheless a spec of dust...
   the larger the universe becomes,
the smaller the human cognitive potential
becomes...
but the smaller the universe becomes,
the larger the human cognitive potential, is.
Mateuš Conrad Dec 2015
the famous czech immunologist (miroslav holub) got it right, holding his complete works, seeing the precious output,  then hearing him say it: 'i'm not against the repetition, but what the hell would i write if i lost my first ambition of a career? i would write dross, but i'm not against balzac or dickens doing the ironing work - but i just couldn't do it - better me likened to a butterfly that was the czech spring of '68. indeed mummified flowers between the pages.'*

the main reason poetry books will never be
shelved, itemised, on the inventory: BEST SELLER,
is because they use priceless things in their contents
section of approved poetics ticked off...
poets mention the moon, the night,
the sun, the orange glaciers of skin of suntans
bundled up in fat and sold as ****,
poets forget they are touching priceless things
with words, i'm sure a readership numbering
1,000 will dry your socks after that marathon
run on lake verbose in the middle of hunting season,
but it will never go past that,
that's the fury and the fear surrounding
hunting down the poet who exceeds producing
the noble prize winning output of a szymborska,
~100 poems a lifetime means you really did live
it out, and wrote with slithering undertones
the art, the paradoxical art of the ancient world
trumpet or saxophone - it wasn't philosophy
that attacked us... but the woodwind instruments,
the harps are safe, i stashed them while cracking
and playing bone poker dominoes with my fingers.
poetry doesn't attract the most socially acceptable
form of lying: namely fiction -
poets don't lie - there's no genre that does it better
than writing fiction - and if they do lie,
it's un-intentional - mechanical, like the world,
like the world being so mechanised it almost
feels self-content without applause but an opera
chorus of screams and other forms of hysterics.
some books talk of seen and unseen realities,
i beg to differ, i can claim certain unseen realities
in the seen realities, take for example
man's ability to walk the method of onomatopoeia
like virgil walking dante through the inferno...
man as an animate thing can clearly imitate
other animate things.... he can howl, meow and bark,
he can imitate the pig's and the deer's snout
when impregnating a mare...
the grunt hot breath riff of things...
but he misjudges his accuracy of recording sounds...
he simply cannot fathom the sounds of inanimate
things in the realm of onomatopoeia;
it's not that he mishandles the 26 symbols,
but when he tries to make the visible doubly-visibly-divisible,
to notate knocking on a door, to notate
the scorching sounds of the sun in the equilibrated
exchange of hydrogen & helium (sun gods
laugh after all), when he tries to notate
the carbonated water fizz, the beer bottle cap
charles i pop / apache scalping with a tomahawk...
he's off by a mile and a marathon...
we can't mutilate words into sounds just to see
certain sounds (primarily of inanimate things)
with letters... there's an impasse about the whole thing;
this is trans-verbosity, overt-verbosity that cannot stand...
it's pointless trying to see a complex sound
with letter governed by the onomatopoeia...
it's enough to hear it... touch it... seeing is not believing
in this instance... this insistence...
after all we're utilising priceless things to get out message
across... so if man makes it worthwhile,
an onomatopoeic antonymous decision i have crafted:
the sound of the universe's vacuum "silence"
is counterweight to neither the sound of atoms congregating
into celestial orbs... but rather the place where man
out to shove his parallel representation of thought.
you can already see invisible realities within the realm
of visible realities, the many missing and the many amiss
onomatopoeias of what animate things echo from when
interacting with inanimate things... paradoxically
atoms are in an inanimate equilibrium as animate things
likened to the celestial bodies in orbit,
but in fact they are inanimate in an animate equilibrium...
worth a worth's worth of study in a laboratory allotment...
and if it was a cow's digestive system you were investigating,
the inanimate equilibrium is being worked on:
the equilibrium of what sort of usefulness from experience
can be possibly passed on;
but wait, you can't write me the onomatopoeia
for the crating of carbon monoxide (CO),
or formic acid (HCOOH),
or myristic acid - nutmeg  (CH3 branch with twelve CH2
and the carboxylic ending),
nor the ester (RCO2R) - because now you're
using a chemical alphabet of the periodic table,
and all necessary onomatopoeias are lost
to the names of the necessary elements
that begin with hydrogen, and end with anything
remotely removed from a famous scientist
by the elemental name akin to einsteinium.

— The End —