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"inversion" poems
In a midwinter night’s dream   i found myself lost again,      or was it even this year ?   It may even go back farther   than yesterdays out of reach,     older than an ancient pyramid stone   Before the rebirth of past life deposits,   unborn orphaned motherless sediment,   flotsam of the ages adrift,   unknown for more than a thousand years ... waiting for so long to see beyond the bounds High atop a slippery edge-cliff   i clung  ―             Searching for a deeper understanding   of who i am; Roosting like a starving bird of prey   with a broken wing   born alone ... holding on   With a fear in his eyes that only i could comprehend      Staring way down deep in the pith,        into an internal pitch black abyss,   just begging to see beyond ―   Mindful it's so hard looking   into the eye of a storm Intimately parsing the recurrent source   of reigning pain Where the perpetual fog of isolation dwells; an inversion,     preventing dispersion   of the nimbus  cold  and  dark In the darkness, there bides a suffocating   emptiness,     A swelling silence what loudly knells,   leeching through a perennial ache An abating voice within hollers unheard,   invisible as a bitter cold wind howling   relentlessly through the hollow pang;   Echoing the subsiding say (squeezed out) ... of an orphaned soul   deep beneath the light Awakening to realize  ―  once i was alive   and i could feel me holding on to you //////////////////////////////////////////////////////////////////////
0
Dec 30, 2017
Dec 30, 2017 at 7:11 PM UTC
A deeper understanding ...
In a midwinter night’s dream   i found myself lost again,      or was it even this year ?   It may even go back farther   than yesterdays out of reach,     older than an ancient pyramid stone   Before the rebirth of past life deposits,   unborn orphaned motherless sediment,   flotsam of the ages adrift,   unknown for more than a thousand years ... waiting for so long to see beyond the bounds High atop a slippery edge-cliff   i clung  ―             Searching for a deeper understanding   of who i am; Roosting like a starving bird of prey   with a broken wing   born alone ... holding on   With a fear in his eyes that only i could comprehend      Staring way down deep in the pith,        into an internal pitch black abyss,   just begging to see beyond ―   Mindful it's so hard looking   into the eye of a storm Intimately parsing the recurrent source   of reigning pain Where the perpetual fog of isolation dwells; an inversion,     preventing dispersion   of the nimbus  cold  and  dark In the darkness, there bides a suffocating   emptiness,     A swelling silence what loudly knells,   leeching through a perennial ache An abating voice within hollers unheard,   invisible as a bitter cold wind howling   relentlessly through the hollow pang;   Echoing the subsiding say (squeezed out) ... of an orphaned soul   deep beneath the light Awakening to realize  ―  once i was alive   and i could feel me holding on to you //////////////////////////////////////////////////////////////////////
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44
Look up and breathe it all in The sky is crying, exploding with a torrential waterfall. Inhale natures’ showering an unblemished symphony The black cloud’s unavowed weight lingers invigoratingly overhead Emotions ebb and flow with the moment’s immanent spirit of light; there is a liberating sensation that excites anticipation of the sky’s impending purposefully fated  release ... Heavens… flood down holy water in a drenching act of baptism a merciful drowning in a river of celestial tears Dowsing rains wash over in a cleansing rain Refresh the dust and ashes the fallow summer leavings What once was a blossoming presence, evolving into a dimming   cold winter reign... Now all that remains is but a shadow of what once was; hearts and bones nearly eroded away by the years of fallen tears To rinse away unrequited love’s stagnant inversion, washing away the invisible bonds that bind to the loathsome heavy ball of an unforgiving chain ... Know the cleansing rain is the spirit of love, washing over a malnourished heart of soul; exposed and bared naked to a remiss world Looking out with thoughtful eyes into the boundless universe Never to stop believing rejuvenating dreams course beyond this long road Imagine the storm clouds parting in the ominous threatening sky as an uplifting awakening light comes shining through; renewing the promise that surrendering to love shall renew purpose and it feels like rain... baby can you feel it (?) December 2012 © harlon rivers ... all rights reserved                  .
0
Oct 5, 2016
Oct 5, 2016 at 7:24 PM UTC
Cleansing Rain
Look up and breathe it all in The sky is crying, exploding with a torrential waterfall. Inhale natures’ showering an unblemished symphony The black cloud’s unavowed weight lingers invigoratingly overhead Emotions ebb and flow with the moment’s immanent spirit of light; there is a liberating sensation that excites anticipation of the sky’s impending purposefully fated  release ... Heavens… flood down holy water in a drenching act of baptism a merciful drowning in a river of celestial tears Dowsing rains wash over in a cleansing rain Refresh the dust and ashes the fallow summer leavings What once was a blossoming presence, evolving into a dimming   cold winter reign... Now all that remains is but a shadow of what once was; hearts and bones nearly eroded away by the years of fallen tears To rinse away unrequited love’s stagnant inversion, washing away the invisible bonds that bind to the loathsome heavy ball of an unforgiving chain ... Know the cleansing rain is the spirit of love, washing over a malnourished heart of soul; exposed and bared naked to a remiss world Looking out with thoughtful eyes into the boundless universe Never to stop believing rejuvenating dreams course beyond this long road Imagine the storm clouds parting in the ominous threatening sky as an uplifting awakening light comes shining through; renewing the promise that surrendering to love shall renew purpose and it feels like rain... baby can you feel it (?) December 2012 © harlon rivers ... all rights reserved                  .
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55
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
0
Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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1
Suicide is not an option Everything has to be done with caution Be it wrong accusation or depression Taking your life will reduce our population Believe me, all you need is affection Speak to someone who'll relieve you of your oppression Who'll give you nothing but compassion You may need trust and care in addition When facing life challenges and tribulation Take not suicide for a compensation Try to have a little comprehension Of the afterlife using your discretion And also have a little conversation Involving you and your intuition Considering suicide may be as a result of impression Or thought in abstraction Or even to punish a relation No matter the condition It doesn't worth your life as a rendition If you do plan of taking this action I beg you take this into consideration And do a bit of cogitation That suicide is not an option Though, it's taking it toll on the nation Leading many to quick expiration My fella, suicide is not an option Try to do some reconciliation And make sure to somebody you mention To get your mind in a good position Or perhaps it might change your situation And set you in a new direction Again I say suicide is not an option Take this into admonition That your afterlife may as well be in inversion That live each day with vision Devote smile to your face a portion Do activities in admiration and jubilation And in you life begins a resurrection Thereby killing the ulterior notion And also averting a possible perdition Because suicide is never an option.
0
Jan 29, 2019
Jan 29, 2019 at 5:07 AM UTC
suicide
Suicide is not an option Everything has to be done with caution Be it wrong accusation or depression Taking your life will reduce our population Believe me, all you need is affection Speak to someone who'll relieve you of your oppression Who'll give you nothing but compassion You may need trust and care in addition When facing life challenges and tribulation Take not suicide for a compensation Try to have a little comprehension Of the afterlife using your discretion And also have a little conversation Involving you and your intuition Considering suicide may be as a result of impression Or thought in abstraction Or even to punish a relation No matter the condition It doesn't worth your life as a rendition If you do plan of taking this action I beg you take this into consideration And do a bit of cogitation That suicide is not an option Though, it's taking it toll on the nation Leading many to quick expiration My fella, suicide is not an option Try to do some reconciliation And make sure to somebody you mention To get your mind in a good position Or perhaps it might change your situation And set you in a new direction Again I say suicide is not an option Take this into admonition That your afterlife may as well be in inversion That live each day with vision Devote smile to your face a portion Do activities in admiration and jubilation And in you life begins a resurrection Thereby killing the ulterior notion And also averting a possible perdition Because suicide is never an option.
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41
i'm sure life was a peach til he was born breach but the inversion of his excursion into the hands of the surgeon left him worse an' the immersive submersion in perversive subversion was only urgin' the incursion of aspersions for subversive diversion as an apparition with volition wishin for position transition fishin for recognition of ambitious cognition this in addition to the malicious conditions that stitched in repetitions of neurochemical composition transmissions entailing the intensity of his propensity to find immense suspense in the density of a tense city hence did he commence in the dispensary of sound condensed sensory sensory sensory sensory. said the intensity of his propensity to find immense suspense in the density of a tense city hence did he commence in the dispensary of sound condensed sensory sensory sensory.
0
Mar 31, 2012
Mar 31, 2012 at 7:33 PM UTC
stitched in repetitions
She doesn’t let herself think about it anymore. She has a schedule now, a timetable, something that might look like a life if you don’t scratch the surface too hard. Wake up, call the hospital. Tend her garden, call the hospital. Get driven to the hospital and sit with Dean for hours, hours, hours, go home, cry. Lather, rinse, repeat. The only thing that changes in her life is the sky and the inversion it brings. She walks on the sky when it clouds, because it’s more solid and sure under her feet than the traitorous ground that swallowed her children whole. She bargains when it rains, to God or Big Brother or Allah or the deity of the day, because if the Jehovah’s Witnesses are right and their god is a merciful god, He will give her family back. Once there was an earthquake and she smiled so wide she thought her face would hurt, stood between two rickety, heavy bookcases, prayed that she would die. The most tragic part of her life is that she doesn’t. She knows this, knows it runs through the marrow of every bone in her body, which has to be why they all ache when they see the sunrise, as if to say another day, another tragedy . Today she wakes before the sun and hugs her knees to her chest, sits there for a good three hours after he’s called the hospital and heard the same thing as always - the only thing that changes in her life is the sky - “We’re sorry, Mrs. N----, he’s the same.” Every day it’s the same, the same, the same- -but that doesn’t make it any easier. Same dingy cab, same crotchety driver, same stale cigarette smell. She lets herself smoke in here because if she’s lucky that’ll **** her first, but she doesn’t fool herself into believing that. Her luck ran out the moment she heard that shot from the door, heard her husband scream and saw all the blood staining the foyer- But she’s not thinking about that. She’s smoking and she’s listening to the sound of the tires pummeling the ground mercilessly and she’s thinking maybe I should be that ground and she’s not making much sense at all, because she doesn’t sleep anymore and she thinks she might be halfway to insane by now. They pull up outside the hospital. She’s always surprised her feet haven’t worn a track in the ground yet that leads straight to Dean’s room. She supposes she doesn’t need one. She pushes the door open and the spark of hope he can never suppress dies with a silent scream, because Dean is the same, her life is the same, she’s the same and the same and the same and she hates it.
0
Sep 22, 2012
Sep 22, 2012 at 9:02 PM UTC
converse, inverse, it can't get worse.
She doesn’t let herself think about it anymore. She has a schedule now, a timetable, something that might look like a life if you don’t scratch the surface too hard. Wake up, call the hospital. Tend her garden, call the hospital. Get driven to the hospital and sit with Dean for hours, hours, hours, go home, cry. Lather, rinse, repeat. The only thing that changes in her life is the sky and the inversion it brings. She walks on the sky when it clouds, because it’s more solid and sure under her feet than the traitorous ground that swallowed her children whole. She bargains when it rains, to God or Big Brother or Allah or the deity of the day, because if the Jehovah’s Witnesses are right and their god is a merciful god, He will give her family back. Once there was an earthquake and she smiled so wide she thought her face would hurt, stood between two rickety, heavy bookcases, prayed that she would die. The most tragic part of her life is that she doesn’t. She knows this, knows it runs through the marrow of every bone in her body, which has to be why they all ache when they see the sunrise, as if to say another day, another tragedy . Today she wakes before the sun and hugs her knees to her chest, sits there for a good three hours after he’s called the hospital and heard the same thing as always - the only thing that changes in her life is the sky - “We’re sorry, Mrs. N----, he’s the same.” Every day it’s the same, the same, the same- -but that doesn’t make it any easier. Same dingy cab, same crotchety driver, same stale cigarette smell. She lets herself smoke in here because if she’s lucky that’ll **** her first, but she doesn’t fool herself into believing that. Her luck ran out the moment she heard that shot from the door, heard her husband scream and saw all the blood staining the foyer- But she’s not thinking about that. She’s smoking and she’s listening to the sound of the tires pummeling the ground mercilessly and she’s thinking maybe I should be that ground and she’s not making much sense at all, because she doesn’t sleep anymore and she thinks she might be halfway to insane by now. They pull up outside the hospital. She’s always surprised her feet haven’t worn a track in the ground yet that leads straight to Dean’s room. She supposes she doesn’t need one. She pushes the door open and the spark of hope he can never suppress dies with a silent scream, because Dean is the same, her life is the same, she’s the same and the same and the same and she hates it.
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12
Priti Patel's quote on EU migration - whatever it was... list of common surnames: cropper, cross, crouch, dabney, dalton, daniels, eads, easton, eccleston, fairclough, farnham, fay, gardner, garey, garfield, haight, hanes, hailey, ibbott, irvin, isaacson, jack, jackson, jacobs, kay, keen, kelsey, lacey, lacy, lamar, macey, mann, marchand, neal, nelson, neville... sure pati japati patel - i'll be an albino in Gujarat if your play the sitar in a sari; but your name sounds a bit migrant revealing, what a weird 'back of the bus' you seem to stand on - you want the Mongolians resurrected? i swear we were being ousted in line of what Queen Sheba said to Solomon: 'olive skinned throughout the geography and the unwelcome green men on sponged-knickers creaming for an ****** a french dessert...' yes pretty prior, you found home on a continent when half of the european nations didn't practice colonial antics - i guess it's easier to pick on them. but with a Patel surname you sound british already, the great experiment worked the anaesthetic of former colonialism numbed via recreational Ketamine use really numbed the skull and jaw mandibles - i hate, i hate being conscripted into post-colonial affairs of "why it all failed" what a waste of the urban hubs of Manchester or Liverpool - where once artistic expression thrived - i hate these post-colonial societies, it's as if they were castrated en masse, and they're wondering why no one has a permanent suntan in scandinavia - maybe the raw herring diet - cinnamon up your *** magician's trick with space between fudge of digestion, disappearing trick but then the cough that blinds you sweetly - i guess post-colonial nationalism wanted to listen to non-colonial nationalism - a former migrant like pretty plated smell olive skinned exploited inversion of angers but dunked a footstep into a trip-up with non-colonial nations - a bit like the greek bail-out - pretty patel is a name least likely associated with migration; you teasing the beast out?
0
Apr 21, 2016
Apr 21, 2016 at 9:33 PM UTC
hey pretty plated smell!
Priti Patel's quote on EU migration - whatever it was... list of common surnames: cropper, cross, crouch, dabney, dalton, daniels, eads, easton, eccleston, fairclough, farnham, fay, gardner, garey, garfield, haight, hanes, hailey, ibbott, irvin, isaacson, jack, jackson, jacobs, kay, keen, kelsey, lacey, lacy, lamar, macey, mann, marchand, neal, nelson, neville... sure pati japati patel - i'll be an albino in Gujarat if your play the sitar in a sari; but your name sounds a bit migrant revealing, what a weird 'back of the bus' you seem to stand on - you want the Mongolians resurrected? i swear we were being ousted in line of what Queen Sheba said to Solomon: 'olive skinned throughout the geography and the unwelcome green men on sponged-knickers creaming for an ****** a french dessert...' yes pretty prior, you found home on a continent when half of the european nations didn't practice colonial antics - i guess it's easier to pick on them. but with a Patel surname you sound british already, the great experiment worked the anaesthetic of former colonialism numbed via recreational Ketamine use really numbed the skull and jaw mandibles - i hate, i hate being conscripted into post-colonial affairs of "why it all failed" what a waste of the urban hubs of Manchester or Liverpool - where once artistic expression thrived - i hate these post-colonial societies, it's as if they were castrated en masse, and they're wondering why no one has a permanent suntan in scandinavia - maybe the raw herring diet - cinnamon up your *** magician's trick with space between fudge of digestion, disappearing trick but then the cough that blinds you sweetly - i guess post-colonial nationalism wanted to listen to non-colonial nationalism - a former migrant like pretty plated smell olive skinned exploited inversion of angers but dunked a footstep into a trip-up with non-colonial nations - a bit like the greek bail-out - pretty patel is a name least likely associated with migration; you teasing the beast out?
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50
When she speaks, you can feel the poetry pouring out of her soul And all you can do is stare hopelessly into her eyes and wonder If you have ever crossed her mind
0
Nov 29, 2013
Nov 29, 2013 at 10:19 PM UTC
Inversion of an Introvert
*Mirror! Mirror!  On the wall Though art the cause of many a fall What with them endless hours adjusting and re-adjusting Visages to desired perfection mindless of the misgiving. Wearing masks in a variety of color In a bid to entice a bachelor With whose heart she’ll most disconcertingly hold ransom Anticipating a blossom Of a methodically engineered relationship Minding her speech lest a Freudian slip Nips at the bud Her good “fortune” exposing her as a fraud. Perfect imperfections, perfectly mirrored By an imperfect mirror…*absurd.
0
Dec 11, 2013
Dec 11, 2013 at 9:11 AM UTC
Literal Lateral inversion.
Why do I choose to suffer my freedom?    Is it familiarity? A self-created religion? I bind myself, to myself, using my own hands.   I struggle to look through my own fingers. Is it because I can't see? Am I in a dream?   Where is the edge? Where is the seam? I pretend to be distressed and myself believe   Its all I've ever known, the stories of someone. I carry on, holding tight, writing more lies   A twisted ******* an inversion of life. I catch glimpses of release, the gaps in my hands   Yet as soon as I forget, I go back in. How can you fight something you've created?   How destroy the already annihilated? Nothing but questions, answers are worthless.   Nothing makes sense, not even these verses.
0
Nov 5, 2012
Nov 5, 2012 at 3:39 PM UTC
Self-deception
Hands are shaking but I know they won't fail. Stepping up the the line - my sixty mark. This is nothing like running on a trail. Different from hitting out of the park. The run-up looks easy but it's quite hard. Counting steps to correctly plant the pole. To pull myself up, my arms must be barred. My body must have the strength of a troll. Powerful kick to get to inversion. The sensation of being upside down is nasty and takes complete conversion. I fly up and over the bar and town. And the difference between me and you: my parents are proud of the high I do.
0
Aug 30, 2014
Aug 30, 2014 at 3:19 PM UTC
Get High
A Mass Inversion. I have lived to witness an Apple become a juggernaut see the followers nod their heads in belief, walking segregated on the streets unaware of their own worship. We have not yet realized that the largest religion in the world is no longer faith based, technophiles fill our rural and metro quintessential sprawl. Their numbers swell and burgeon with new converts that give funding rank and file, whom are taught to know indulgence in name only, mistaking desire for need. This technology based obsession is without age or gender restrictions, without race distinction, it asks not for ethics,        pride, morality, intelligence or privacy. It is all-consuming just as any ideology- as any religion, answering the same fervent questions, demanding tribute and changing the way you think. - The View Outside. Among the whole, the slow mass conversion, there is occasional dissension, some who glorify a golden era or fill with nostalgia for something they may not have even experienced, an immaterial escapism of the present furthered by a childish inability to accept ephemerality and our irregular morality. Sometimes amid this denial, this abstaining, there is a seed of anger that grows with gnarled roots that twist throughout with nary a cry or shout. It is a quiet anger, unconditional and baseless but for an intensity, a burning sense of being wronged, an infection that spreads without exception. And when your self-righteous halo eventually slips to catch in your now flapping jaw, your anger will fade as you choke on hard etched resolve.
0
Dec 21, 2010
Dec 21, 2010 at 9:29 AM UTC
The Illusion of Individuality.
A Mass Inversion. I have lived to witness an Apple become a juggernaut see the followers nod their heads in belief, walking segregated on the streets unaware of their own worship. We have not yet realized that the largest religion in the world is no longer faith based, technophiles fill our rural and metro quintessential sprawl. Their numbers swell and burgeon with new converts that give funding rank and file, whom are taught to know indulgence in name only, mistaking desire for need. This technology based obsession is without age or gender restrictions, without race distinction, it asks not for ethics,        pride, morality, intelligence or privacy. It is all-consuming just as any ideology- as any religion, answering the same fervent questions, demanding tribute and changing the way you think. - The View Outside. Among the whole, the slow mass conversion, there is occasional dissension, some who glorify a golden era or fill with nostalgia for something they may not have even experienced, an immaterial escapism of the present furthered by a childish inability to accept ephemerality and our irregular morality. Sometimes amid this denial, this abstaining, there is a seed of anger that grows with gnarled roots that twist throughout with nary a cry or shout. It is a quiet anger, unconditional and baseless but for an intensity, a burning sense of being wronged, an infection that spreads without exception. And when your self-righteous halo eventually slips to catch in your now flapping jaw, your anger will fade as you choke on hard etched resolve.
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48
*Covering the wall of my reality, hangs the mirror of illusion;* on its quirky plane, I see reality's lateral inversion.
0
Jul 16, 2012
Jul 16, 2012 at 9:43 AM UTC
Mirrored, real/unreal
Sunday morning lie-in, she, ny times newspaper reading, contentedly dress perusing-shopping, in the bed both, but separated by the distance of the electronic void i am raven tapping poe poems on my diminutive IPhone, twenty four inches distant from her lips no notice taken of the man so overcome writing his Sunday morn poems that are drawn so deep from places that make him so so so glad good quality weeping can be best performed silently noticing that - he writes best when writing of others, mostly, you - he writes when the rented invisibility cloak covers his face and the wellspring offers him a choice; write weep and tear or write weep and bawl or just quit everything whimsy laughs at his slo 'mo nonsense his choices this tough guy supporting a mountain of others, the inversion of his inverted triangle, him holding up the world the worrisome grief that wears him down best released in tears when writing about you, go figger and you notice stupid stuff like why we use 'and' when it just ain't necesssry how the core of 'believe' is lie that ** ** ** rhymes with woe woe woe and that 24 inches is quite the distance when you are ** ** ** weeping and she don't notice and how hard writing only love poetry can be even twenty four inches from your nose
0
Apr 2, 2017
Apr 2, 2017 at 10:19 AM UTC
24 inches of silent weeping no seeing
And when I take in this air The wind mirrors The currents underneath me. We're made of the same Un-cut-able energy. These under-waves that breathe In Blooming aneurisms, Like a great heart Caught in the rhythm of the moon And it's steady eyelid. We are but capsules of this movement On loan from the ocean. Void-mother, salt nirvana Breathing alongside us And through our many faces. Deep, hungry, all consuming black, As the only affront to the abyss. Her maelstrom-stomach Now spitting wood and bottles At the shore. Before the inversion of her, Loosening her keen grip on life She settled to exist in scars Pounding rhythm into the shore And singing in many voices. That masculine sun Holding her flat, rejecting advancements, Falls in their dance And cannot cover her turning. He flees the storms. She swallows electric Giving light to the deeper life The great glowing thuds returned She’s waking hearts to contain a fury, She's making music into movement into us. And from the movements, Bubbles take the warmth up Past the gaze of colossal ones Living their lives as silhouettes. Past caryatids in the black, With curious eyes, Holding up sponge-lined trenches Threaded with eels. Past the sand bed stretches Thick with silt-eating things Relishing the mud That rises on the corners of rocks. Past a plaice's eye Which Crawls across his face, In his short puberty, Looking for dangerous shadows. Delicate bubbles turn Their pressured skins Up through water currents, To come burst at my feet, And in the millionth morning That comes into its opening I am rocked like a child In the movement I’m made of. So I can just look forward At the sun-blink.
0
Mar 8, 2015
Mar 8, 2015 at 1:12 PM UTC
Sun-blink
And when I take in this air The wind mirrors The currents underneath me. We're made of the same Un-cut-able energy. These under-waves that breathe In Blooming aneurisms, Like a great heart Caught in the rhythm of the moon And it's steady eyelid. We are but capsules of this movement On loan from the ocean. Void-mother, salt nirvana Breathing alongside us And through our many faces. Deep, hungry, all consuming black, As the only affront to the abyss. Her maelstrom-stomach Now spitting wood and bottles At the shore. Before the inversion of her, Loosening her keen grip on life She settled to exist in scars Pounding rhythm into the shore And singing in many voices. That masculine sun Holding her flat, rejecting advancements, Falls in their dance And cannot cover her turning. He flees the storms. She swallows electric Giving light to the deeper life The great glowing thuds returned She’s waking hearts to contain a fury, She's making music into movement into us. And from the movements, Bubbles take the warmth up Past the gaze of colossal ones Living their lives as silhouettes. Past caryatids in the black, With curious eyes, Holding up sponge-lined trenches Threaded with eels. Past the sand bed stretches Thick with silt-eating things Relishing the mud That rises on the corners of rocks. Past a plaice's eye Which Crawls across his face, In his short puberty, Looking for dangerous shadows. Delicate bubbles turn Their pressured skins Up through water currents, To come burst at my feet, And in the millionth morning That comes into its opening I am rocked like a child In the movement I’m made of. So I can just look forward At the sun-blink.
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61
In the heart of the cavern, light that stands ancient behind time, beyond phenomena, the observer of melodies; This is where it all began, those aeons lost when the mollusc heeded the call to man. Inward, stalked by worry and loss, an inversion of the lines of time: beyond the zero point of recollection, where zoom microcosms of possibilities a realm not realm, but like that an existence beyond existence. Here, arose an affliction, in curled expanses that exist as some among an infinitude of potentials, worldlines, some dark and featureless, others growing and meaningless and some like here where sentient, observatory, a shadow grows around the probing ray of infant awareness. and so the ascent, from light to light through alleys of darkness. Vast, the beginnings and interludes between phantasmagoria; What accedes of in slumber, the knowledge of things and nothings. And up even until the day when the babe says 'mine'.
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Apr 9, 2015
Apr 9, 2015 at 5:21 PM UTC
Birthings | The Hermit
long days end soft i quietly fold your smirks and raunchy laughter into a neat pile slid under the doorframe legs crossed in a warm room is it denial or just a sense of security? i listen to the cars pass and for once i try not to think about whether you also sit quietly in your blanket of personality i cannot prevent the lingering hope that you are my sweet inversion oppositely compatible puzzle pieces, torn apart yet i sit here, perhaps my own inversion enough to complete all of the equations necessary with nothing but my own racing mind and beating heart so i decide not to think of you and enjoy a moment of pause in the soft glow of what isn't immediately apparent
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Apr 21, 2016
Apr 21, 2016 at 9:36 PM UTC
sweet inversion
Cosmic created verse, A paradox of inversion and introspection, I am I am... Less elastic time separating from space, Snapping back like a rubber-band, Releasing the ether to expand, Without keen observation, All happening at once, Entanglements preserved, Lightning strikes not once, Myriads cluster into singularity, Birthing God again, In minds of Hadrons measurements, Collectors dis-uniting matter, And matters of self, Empty is the chamber, That records such things.
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May 14, 2013
May 14, 2013 at 6:19 AM UTC
the sound of collapse
Being silent doesn't mean I cannot speak Not talking because I don't have the words is not being willfully ignorant For if one doesn't understand my silence My words would be harder to explain Depression is a deep emotion Like a weight that is strapped to you Sometimes light in mass Sometimes heavy So so heavy even breathing hurts Speech imposible and a hug could, even meant well, Simply break you An outpouring of emotion to you can be to much to absorb, almost destructive Your ability to feel dampened, lost Yet unseen no matter how you battle That is what some carry A load they can't shed So silently they exist.
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Oct 31, 2013
Oct 31, 2013 at 9:04 PM UTC
Inversion
Disdain for Traditional forms, A sense of Detached irony, Self-reflexivity, Expressed as a Flagrant, Meta-textual Awareness,                                                                                            adventurous                                           typography,                                                                                                                     that defies                                                                      the common                                                                      relational schemes                                                                      between text                                                                      and margin The juxtaposition Of words Governed by Syllabic content, and        freed                 from                          the                                burden                                             of                                                syntactical                                                                   strictures Meanings Changed Through Inversion (now read it upside down)                                                            *                                                                     the                                                                     poem                                                                     recites                                                                     itself* Paralyzed truth Mimics brave fear, Abdicating censure, and Redressing allusion,                                                                                                                            Liberation abounds in the trough of a sine wave
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Jul 17, 2016
Jul 17, 2016 at 12:11 PM UTC
Symptoms of Contemporary Poetry
Disdain for Traditional forms, A sense of Detached irony, Self-reflexivity, Expressed as a Flagrant, Meta-textual Awareness,                                                                                            adventurous                                           typography,                                                                                                                     that defies                                                                      the common                                                                      relational schemes                                                                      between text                                                                      and margin The juxtaposition Of words Governed by Syllabic content, and        freed                 from                          the                                burden                                             of                                                syntactical                                                                   strictures Meanings Changed Through Inversion (now read it upside down)                                                            *                                                                     the                                                                     poem                                                                     recites                                                                     itself* Paralyzed truth Mimics brave fear, Abdicating censure, and Redressing allusion,                                                                                                                            Liberation abounds in the trough of a sine wave
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46
Upside down in the void. Annoyed by priests and politicians who feast at the trough of the ignorance of mankind, blind to the devastation their righteous proclamations heap upon Eden’s polluted shore. Babylon’s ***** holds firm their fate in her celestial grasp. Standing before perdition’s impartial flame, the liar, the killer, and salvation's thief... Dante’s imagination could not conceive a suitable torment for your lamentable offenses.
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Jun 25, 2011
Jun 25, 2011 at 9:07 PM UTC
Inversion
~ windy inversion her gusty diversion from whence is she blowing and where is she going? no need to whistle as she breezes though town; a bit self absorbed she brings one of her own, drawing her chilly breath from higher deserts, hills and dells. no fury like a woman scorned, she laughs at resistance as she rallys the storm. she is her own force, and with wrending power she renders us powerless, toppling the powerful, making boughs beg and bringing trees to their knees. we as her subjects can only follow her bidding, for she goes where she wishes. a woman unfettered, a goddess unleashed; she does whatever she pleases! ~ *post script. an offshore Pacific low, drains high pressure air over the Pacific NW's eastern deserts, east through its major Cascadian arterial for air and water, the Columbia River Gorge.  either way, whichever way she blows, America's windsurfing capital, Hood River, Oregon, wins!  out here where she empties into the Willamette valley... not so much!  many homes dark tonight, though mine is not one of them.*
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Mar 15, 2015
Mar 15, 2015 at 9:49 PM UTC
inversions
I look through eyes Which seem to be blind Searching for beauty I cannot find I listen with ears That must be impaired I only hear words Which make me scared I think with a mind That cannot deduce Why am I here And what is the use I feel with a heart That searches for love But it’s only you That I can think of BOEMS BY JA 544
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Jul 19, 2016
Jul 19, 2016 at 9:46 AM UTC
INVERSION