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Tell me what intrigues you.

Simple task, right?
Tell me. What. Intrigues. You.
It could be something old or new
One word, maybe two
Whether it be why the sky isn't red
Or why we don't bleed blue

Tell me what intrigues you

Maybe its how starfish chew
Where the candles flame flew off to once grandpa blew
Why a bubble pops when caressed too soon
Or how you don't' need glasses to change your point of view

Tell me what intrigues you

Like how loving certain people can be considered taboo
When will Mr.World Peace make his debut
How despite being confined by concrete the flower still grew
Or why we can continue to do unto but not undo

Tell me what intrigues you

Like what does money really do
When change is supposedly due
Maybe where our death leads us to
Or why orphans are stuck playing guess who

Tell me what intrigues you

How windows and not lies are see through
When does the Government plan to play duck/duck/truth
Why color isn't synonymous to ivory hues
Or why the biggest fast food supplier is actually disguised as the news

Tell me, Tell me..  what is it that intrigues you?
family intrigues
were secreted in the closet
there they stayed
out of sight and out of mind
keeping them
under lock and key
twas always thought best
dragging them out for an airing
wasn't a good idea
but often intrigues
slide from under the closet door
there they are on display
a slip of the tongue
an old letter in a box
things of the past
no more interred
and causing
the discoverer
shock and surprise
the intrigues
positioned
under
open skies
A few weeks ago, I was told of a secret that had been closeted for over 20 years. It was a disclosure, which shocked me.
skin so dark, glowing so light
melanin within you intrigues my fire
I look upon your chocolate blessing me with grace
I use my tongue to runneth down
your smooth brown face .
Samantha Sep 2018
Me
You asked me who I want to be, so here’s my answer:

I want to be FEARLESS & SELFISH

I want to walk above the ground
I want to give my thank you speech
And wear the crown

I want to open my voice
I want to tell them exactly how I feel
And not give a **** about their ideals

I want room to grow from a fraction to a whole
I want my world to revolve around ME
And be able act fierce and carefree

I want to be the woman that intrigues strangers
I want to bravely approach them with friendly banter
And have spontaneous encounters that brings on laughter

I want to be someone more like me
Inspired by someone from this site, when he asked me "Who do you want to be"
Thank You :-)
Cortney Michaels Jun 2011
To Realize,

I am a girl in which the unknown intrigues, yet who’s afraid of not knowing.
I wonder what the future holds
I hear the sounds of chance and change approaching
I see my past and its memories fading fast
I want to know what I’m getting myself into
I am a girl in which the unknown intrigues, yet who’s afraid of not knowing

I pretend to be stronger than I am
I feel like I’m in over my head
I touch my foot to the pedal
I worry about not going far
I cry because I’m scared of what’s to come
I am a girl in which the unknown intrigues, yet who’s afraid of not knowing

I understand that this is life
I say what people want to hear
I dream of just getting by
I try to figure things out for myself
I hope I’m not the only one
I am a girl in which the unknown intrigues, yet who’s afraid of not knowing
Mateuš Conrad Mar 2016
when she got all the righteous requirements of expressing liberty and i looked at her expression i was like? so i've been duped into being fed the oedipus complex for 100 years while she wrote as if looking for her father in a theme park? right... gear up the revs of that feminism of yours... keep them writing, by god keep them writing, let us learn all the secrets that were so attractive once when she pampered herself with corsets and bangles and rings and earrings and perfumes! come on feminism, drag them out into the bright open blank canvas of the page like dragging witches to the stake!

in my library i only have books by women
in the range of sylvia plath and anna kavan...
believe me, feminism gave women
second thoughts about
joining the ranks of men
writing, she's having second
thoughts because she doesn't
want to reveal her secrets,
she doesn't want to internalise
life, she wants it to remain
a volumptous (voluptuous,
which sounds sexier? the former
implies volume, the latter a monkish stress
of orthographic orthodoxy) affection
to keep fingertips sensitive to skin
smooth like soap and coarse like
pavement - touchy touchy - feely feely,
she's scared that by outlining
all the secrets she'll be no longer
able to wear a corset and as theory states:
bigger the earrings of loops, the eagerer she's
to be bedded, it's a shame i don't own
more books by women who'd write like
men, and i dig the part where books
written by women are so tightly bound
by social formalities of longing for love
in long-winding sagas of the harlequin
publishing house -
feminism seems like a faulty bomb
when it comes to women writing,
i mean, a girl starts writing she looses her
predatory allure and instinct,
she starts writing she becomes vulnerable,
exposed, when *he
does it he
gets depth and confidence he can't use
in ****** interaction... historically speaking
women used to walk without leaving
footprints, men used to walk moving mountains,
she was the countless secrets and secrecies,
feminism kinda duped her,
she started making footprints via writing,
and sadly all the former allure faded -
we became apes and peasants
slightly bewildered by an atom bomb explosion
like a falling autumnal leaf;
where is that crafty ***** with a library of intrigues?
Katrina Wendt Aug 2011
Not everyone sees what I see,
But I didn’t realize that you looked different to them,
That maybe it wasn’t so obvious
Like I thought it was.

This confused me
Because I thought I’d have to fight for you
But maybe I discovered my own Narnia;
Hidden, safe from others.

The ground I’m standing on isn’t even
Because I still don’t know what to think of this (of us)
I could ask, but I’ve asked before
Somehow I don’t think it would help.

I look at the moon and the stars and the grass
I smell the night air
And I feel the Universe is at peace.
Telling me don’t hold my breath, have patience.

This in-between step intrigues me
This is all new for me;
The happenings, the feelings, the communication,
And I have a front row seat to how this unfolds.

Would anybody really understand?
We’re just two lovers,
Trapped by our lives,
Waiting for that break in time.

I freeze
When I want to talk to you.
My heart pounds
When I think of you.

I care so deeply for you
More than I thought was possible without love.
My soul… misses you,
Longs for your touch.

Friendship is all you can give
And all I can ask for, for now.
But someday, there will come a day
And then, we’ll be together.
2010
Heather Jan 2019
Him
His face
The sight brings a smile to yours
His eyes
You can stare into them forever
His lips
You wish you can kiss them
His hands
You wish you can intertwine them with yours
His mind
It intrigues you
His soul
You can love it for eternity
His heart
It doesn't belong to you
1.) You have the most loving heart. Your warmth, your gentle touch that you personify without words. Melts the supports of my heart

2.) Eyes of deep blue, that ensnare me and leave me thoughtless. How they change into everglade greens, and mystical greys. They're beautiful

3.) Few laughs may be as pure as your quiet giggle. The mere sound gives me goosebumps and a funny feeling in my stomach. You're so freakin' adorable

4.)The curves of a semi-circle aren't nearly as perfect as yours. You've worked alot for the perfect body. I simply need to ask... How can you make something that's something that is already perfect better?

5.) Spontaneous, unexpected and surprising. You keep me on my feet, keep me entertained and make me enjoy every second with you. Who knows what I am to expect?!

6.) Once upon a time, there lived to fluffy bunnies, they decided to leave their little hole and go out on an adventure. A wolf came along and bit of the rabbits head and it bled to death Its so dark, and it leaves you wondering what to think. I love your dark side. It both terrifies and intrigues me

7.) You're so intellectual. I love some of the things you say and more importantly write! You have an amazing capacity for knowledge and wisdom and you use it well. It baffles me, some of the connections you make in your essays and assignments

8.) My love you illustrate a maturity that surpasses your years. Pertaining to your ability to be responsible and reliable if and when - not that I ever am - clearly am not able to be. I think you're the one looking after me. I'm the older one, who just happens to have an 8yr old inside them~

9.) You smell amazing, but no. Seriously, you are in every way, shape or form. The most amazing, star studded, picture perfect, superbly sensational girl. I could ever have met. Yes, let the alliteration flow

10.) Because you're you, and you are *mine
~ I love you in my own selfish way ~
Need I say more?
Nicolette D Jan 2013
There's something about a sunrise that intrigues me more than a sunset
Its calming and quiet and signals the rise of all mankind
Hues of blues, blinks of pinks, and passions of purples,
all blended with the cotton clouds that sit long and still

There's something about a sunrise that impresses me more than a sunset
Its sweet and loving, and kisses the birds every morning
Its lets the leaves of the trees and the waves of the sea know the day is ok
It makes me blush and smile because I know my day will start in a while

There's something about a sunrise that upsets me more than a sunset
When the pinks go away, and the purples start to fade
And the blue takes over the sky I cant help but feel despair
because my sunrise is not there
So I go to bed at night with a ping of fright
But I know when I open my eyes I'll see my sunrise,
and my heart will be at peace again

There's something about a sunrise that puts a tear in my eye
But it signals to me that my day is alright
and gives me my morning kiss good-bye
JM Romig Dec 2009
From behind your canvas
you peer up at me taking in the details of my body.
Your scientific eyes studying  me
cold
with neither lust or disgust
as if I were a vase
or a basket of fruit.
Not long before this we embraced one another
in the throes of passion.
You've never been more into me.
The skillful motions of your lips and tongue,
throwing my body into religious convulsions
and praising your name.
It intrigues me how you can turn that off.
How you can refrain from smiling
as you draw the outline of my ******.
How my naked body so near and ready
doesn’t cause that animal I’ve come to know so well
to overpower the artist in you.
I’m truly fascinated, filled with both admiration and jealousy
for that woman you are creating.
I know that In your mind,
we've never been closer
but you look so far away
hiding from me behind that easel
cheating on my body with your interpretation.
No doubt, she will be flawless,
and have none of my ugly imperfections.
She isn’t even finished being born and I hate her already.
Although, I’ll lie when you reveal her to me.
I’ll tell you that she’s beautiful
that I really like her.
Then, I’ll make love to you
right there on the floor.
Forcing her to watch.
Copyright © 2010 J.M. Romig. All rights reserved.- From Destination: Detour - The Mini Chapbook
My life is a brilliant and vivid mosaic of failures. If depicted horizontally, it would span countless walls, each with its own tapestry. Intertwined in each image would be a visage of myself in yet another battle of me, metaphorically David, and the vastness of the woven problem, here named Goliath. The only difference however, I don't succeed. My slingshot, as it were, isn't good enough.
     "Almost" is a callous and cold word, however it is the most veril word I know. It shouldn't just be something on my body like a tattoo, but rather etched painstakingly into my hardest bones. Always. Always "Almost" is not a fulfilling way to live.
     My Father once said something along the lines of "The only way I wouldn't be proud of you or that I would be disappointed in you is if you did something or made choices that lead to your unhappiness." With that, I feel as though he couldn't have been proud of me in quite some time, and further, there is no evidence that it will change. I am unhappy all of the time. I am disappointed in myself.
     I am afraid, fearful, of the hatred inside myself at times. I try and use it to my advantage, to prove my "worth", to try and do better at the current task (whatever it may be at the time). But as it usually happens, I get so angry, even vengeful, with no explanation. I sit and think about it, come to nothing, and am scared of what I am becoming.
     I am breathing, organic garbage that, because of sentience, assumes too much of, and from, my existence. I am a ******* paradox. I am realistic but full of wishes, longing for what I know does not exist; I am pessimistic, yet full of hopes, or false hopes rather, that I know fullheartedly are hubris and lost time. Whenever I need logic, emotion takes control. Whenever I look for my heart, my mind conceals its help.
     I believe in absolutely nothing but who I think I am, but I doubt myself to my bitter, black core.
I have achieved nothing with what I have been given (everything) and therefore deserve nothing that I have.
     I Am A Fake. I Am A Lie. I pretend to understand, to know, to help, to listen, but I have no idea what the **** I'm doing, who the **** I am, or why the **** I'm even here as undeserving as I am. With that, what right have I at all to "help" anyone else when I, myself, have no idea where my words will lead them? That itself makes me worse than half of the people that have killed others because at least they know who they are and what they were doing.
     I find it hard to believe that I, personally, was crafted in the image of God because I can't imagine that I resemble (in spirit, mind or matter) anything like the Perfect Being that I love and pray to. I am handcrafted debris, trash, attempting (out of place) to be something more.
     I was once told by someone I truly loved, "How can you love someone if you don't love yourself?" It's pretty easy. You first look at them, think of all the things they do and all the things they represent that lead to them making you happy, and you fall in love with that. it isn't a choice, you just do. I do nothing that makes me happy successfully, in the end, I try and fail consistently whereas someone I love is victorious repeatedly just by being them self. Why wouldn't you love someone for making you happy, yet love yourself in spite of your inability to do so?
     I don't believe anything I've ever encountered or experienced in my, as of yet, short life has prepared me for the utmost feeling of loneliness that creeps like the most dark and shadowy oppression. No cigarette is long enough, no vat of bourbon deep enough to escape that thought. Even in upbeat company that fact lingers, and of it, I am afraid.
     Why must I settle and "stay the course"? Why hold onto a sinking ship? I don't mean in terms of living versus dying, I mean in terms of living in insufferable struggle versus changing the reality. Why is this made to seem so impossible?
     Why am I in constant debt before even being old enough, experienced enough, or brave enough to even make decisions with that debt as a possible outcome?
     Since I was old enough to formulate my own opinions of the world I live in, it's been the epitome and meter of one resounding conclusion: "I will try my best and fail, suffer, but in doing this, I will have no choice but to think one day it will get better, and I can hope in my time of struggle that when that day comes, I Might Be Able To Be Happy.
     I'm in love with someone who is half a country away. She even knows, She might even feel the same, but it is for naught. I justify this by telling myself every "writer" needs a Muse.
     I lack the natural talent required to achieve my dreams in this current world. I was born with a gift I should have kept the receipt with; something I could have traded for something more realistically useful.
     Those closest to me have no idea who I am. They are the only thing that glues my sanity, and I'm fearful if they fully knew what I am, they'd leave.
     I've condensed some of these thoughts and feelings into spoken words to those I trust the most, hoping and praying they might say this is normal, that everyone goes through this, that we are all fighting the good fight. Their deaf ears betray their silent mouths.
     The rhythm in music, the voices in plays, the words to poems, the flow of my pencil, are all I have to escape this solitary confinement. But upon realizing the only things I have to help me feel "normal" are inanimate and incapable of understanding, it only further drives me into the chasm.
     I have become everything I hate. A petulant, assuming, and undeserving child ******* about his life when it's not even fully begun, and worse, has been given everything along the way and pitifully has done nothing with ******* any of it.
     I look at my Father and my Mother, and mouth agape, am stunned at their character, their perseverance. Compared to the two people who made me, I am grovelling ****, with absolutely nothing to complain about.
     I have never made a serious decision in my life unless I fully knew the only outcome before the decision was made. This makes me a coward. Logically it might make sense, but this is real life, you shouldn't do that, and **** logic.
     I always have an excuse, I'm not a real man, I'm afraid to take a fall because it's just another piece of the prosecution's evidence pointing to the guilt I possess in relation to my long record of failures.
     I'm cast outside "normalcy" because I don't believe in society. I'm not afraid to die, death actually intrigues me, a lingering curiosity. I adore the macabre because I believe there is truth of humanity in the darkness that everyone ignores exists. We profit and capitalize on procedures that **** thousands, but because it's not us they target, and usually not until the long run, we pay no mind. I believe that more than half of our so called "society", myself included, are no better in most senses than Dahmer or Panzram. At least they were honest about the monsters they were.
     I'm obsessed with thing that don't matter; theories that wouldn't make a difference in the world if proven true, questing for a Love that I rightly don't deserve and that likely doesn't exist, searching for acceptance of anyone but at the same time and equally, in paradox, caring about none of it, especially myself.
     Most nights instead of praying to God as I intend to do, I find myself wondering if I deserve His forgiveness. I know, on some level or another, if the Holy Father, Himself, came to me at any time during those sleepless nights, I would not have an even close to decent answer arguing for His forgiveness, but rather, a full of tears and chopped up, pathetic plea for it anyway.
     I dream of someone to love romantically just for the sake of being able to love someone for exactly who they are and because doing so makes me happy. It has been so long passed of this being even close to a chance of reality, that the thought of ***, or even intimacy, without that love does not even interest me anymore.
     I'm twenty years old and every job I work wants one-hundred percent of my soul and time. Is this normal? Am I not allowed to be a responsible but stupid kid for a while before I have to settle with the reality of a mundane and mind/body numbing job that takes so much of your day that at night you can only imagine the freedom of sleep rather than having a spare few precious seconds for thinking that dying has the upside of never having to show up to that ******* place again? I have no problem with working at all, in fact, I appreciate anything that has a general task and goal that is monotonous enough to keep my mind focused just enough that anything I've written here, the things that upset me, don't leak in and ruin the day, but realistically, how can I give my soul to cutting lawn? To stocking a ******* shelf? I am part of the worst generation on Earth so far, I have potential to be better than ninety--nine percent of the drooling unfortunate vertebrae we call "society", and this is what I'm supposed to wake up for? If this is what I need to accept and I'm just going crazy, fine, I accept it, but in doing this, you need to accept that if I'm crazy, you're batshit ******* nuts.
     I find myself not ever wanting to wake up. I'm not even close to suicidal, I don't want to die yet, I just can't see a logical point, or an emotional reason for any of this nonsense to continue. Can anyone identify with that? Don't misconstrue and worry yourself with me being honest with myself, I DO wake up. I wash my face, but I look in the mirror afterwards and ask "Why?", and I get the day over with anyway so I can hurry up and get home to get ready to do everything over again exactly the same the next day the exact same way, the only difference being the date on the calender and the minutes of the one life I get slowly building themselves into hours and days that will now be an empty black void of memory in my head that could've been used for something worth remembering. Why? Why settle to sulk and squander in ***** and depression when you haven't even tried to bathe in gold and happiness?
     I hate almost everything. The way things are, have been, will be. I hate the faceless sheep that complain yet attempt nothing to change their circumstances. If there is one thing to look on with pride, it is at least I'm better than that. At least if I failed, by default it means I ******* tried.
     I lack the capacity and the capability to voice these kinds of thoughts. As well-spoken as I am, I choke the hardest when I try to speak about any of them. I have to scribble and usually type them, and further, put them in a format a possible reader might be able to understand. Alas, I have failed at that as well. I put my heart and thoughts into my poetry, but anything resonating from within me that I've pounded into the countless pages I've written is lost in a sea of meter and rule-abiding rhetoric as well as aesthetically and audibly pleasing metaphors and rhyme-schemes rather than just blunt structure. No one reads anything with nothing left to the imagination. And justly so, why would they? Why try to decipher someone's heart if it doesn't also apply to you? Why read an ending if you know you won't like it unless it has "happily ever ******* after"? Why not emulate the thoughts and endure the cramping in the thumb an forefinger if it's not something you already know or something you clicked "like" on to impress the friend with the independent mind that was the one who told you to read it in the first place? I may sound bitter, I am, and hateful, but at least I am not a liar.
     If I had one absolute thing, one pure thought, one controversial heading, one cry to all who have ever asked me and I have failed to explain it better; If I can leave you with one thing; If it were possible for me to speak one line to the empty church at my funeral when I die someday and move on to peace, it would be this:
The Words I Seek With Which I Wish To Express My True Misery Elude Me.
WS Warner Feb 2012
Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner
It was like camp
But I spent the first night
On a thin plastic mattress with ****** sheets freezing
Instead of encircling a campfire
Singing cowboy songs of the West
And little dogs

My first activity was not making a bow and arrow or a target but instead I was
sitting after breakfast
on a concrete bench
in the Sun
Trying to fill myself with that allusive happiness.
That was my plan.

On the next occasion in the open
I did not get a compass
nor a map
but I sat with a table of girls
And spoke up without being asked
They started to show off their pale pinkish arms
I was at the cutters’ table
Smoker’s edition
Layers upon layers of
Rippling Scar tissue
at the elbows in particular
It is thick.
Bleeding and healing
To be sliced open again
For crusting over.
They were cheerful
Despite hallucinations and panic attacks,
Lost children or tomorrow
Scuttling along a murky seabed that did not want them but
Here’s a cigarette

I did not make a sundial or find my canoe
Or make shoes out of leaves
but let the morning sun stick around
while the smoke issuing from their chatty mouths pinched my nose
I would take their smoking breaks with them.
I claimed two for myself and once lit,
slyly handed them over
As I listened to the chatter and laughed
I feel a faint yellow heat
From up over there.

We didn’t at first hover around each other
Talking about nothing like high school
Girls with braces and dorky pajamas
Or bend over from the top bunk to say
one more thing before lights out
At first I never added more than a informed observation about lipgloss or
a roll over the eyes over the next dumbbell talking about nothing that existed
But I was tolerated
And as their numbers diminished
only to be refreshed again
my comfort grew
I made “friends”
We laughed and co-conspired
Over pills, soda and what’s that on your tray?

There were movies on the tv
But no westerns
With horses trekking through the tall grasses
Nor
Smoke arising in the distance
Imitating a life that we were imitating as well
Yes we were!
Just a slightly different tale about
Endless treks and wandering

On the weekends
The rules relaxed and the counselors,
Had there been any,
Would have been preoccupied with private intrigues and how to make pineapple cocktails
And we, left to our own devises,
Would saunter in and around each other
Braiding hair and reading magazines.

There was a telephone.

When it was time to get into the car to go back home by way of the freeway
I didn’t have a hat that I had painted myself with only three colors
Nor feathers
or a blue ribbon for starting fires
We all said our good-byes
Even the mean one called me by my name
And we shot off like the explosive plumes of fireworks
into a dimming sky.
Michael R Burch Oct 2020
O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"
by
Alexander  K  Opicho
Eldoret,Kenya
(aopicho@yahoo.com)

Ladbrokes, the online betting firm has once again nominated Ngugi wa Thiong'o as a candidate for Nobel prize in literature 2014.The firm arrives at the probable nominee through a highly polished probabilist mechanism.It also nominated Ngugi as the probable candidate for literature Nobel prize, but the final was Alice Munro the Canadian short story writress.The eventuality of Ngugi winning the literature Nobel prize is a long a waited event in Africa , especially among Kenyans.
However, Ngugi is not the only nominee , he is among others and even to make it worse he is not the top scoring nominee. He has tied with four  others at the score of 50/1 points.These  are; Umberto Eco who wrote the famous book In the Name of the Rose, Nuruddin Farah a Kenya *** Somalian veteran poet and prose writer   and   then Darcia Maraini.
There are eleven writers of global stature who are currently scoring above Ngugi wa Thiong'o.They are operating at the level of 50/1 scores. These include ;Margaret Atwoo d, Salman Rushdie, Cees Nooteboom, Don DeLillo, Amos Oz, Javier Marias, Cormac McCarthy , Bob Dylan, Peter Handke, William Trevor and Les Murray . The missing writer in this category of global writers is Yan Martel the author of Life of Mr. Pi , whose also on the list of the favourite writers of president Barrack Obama.His book Life of Mr. Pi once shared  a prize and equivalent acclaim with Salman Rushdie's The Ground Beneath Her Legs. So, why Martel was not nominated remains the usual intrigues of Nobel nomination process.
Haruki Murakami ,Assia Djebar,Svetlana Aleksijevitj , Peter Nadas, Joyce Carol Oates , Adonis ,Milan Kundera , Philip Roth , Mircea Cartarescu, Ko Un , Jon Fosse  and Thomas Pynchon  are currently scoring below Ngugi.They are operating between 10/1 and 26/1 scores.However among them Haruki Murakami, Joyce Carol Oates and Phillip Roth were very story contenders and hence competeters for the same prize with Ngugi during last year.But Joyce Carol Oates is a weaker contender this year given than he recently wrote an offensive and tortuous poem against the eminent American  poet Robert Frost .  Oates drew from the book Lovely, Dark and  Deep  which   paints the  Frost  as an arrogant, sexist pig who gave up on his mentally ill children. The story has outraged Frost’s fans, biographers, and  his survivors.
Inspite of all these there is no literary value that can make Ngugi wa Thiong'o to deserve a Nobel prize reward for  Literature. Apart from his first  two books weep not child and the river between that had concrete literary position, his later works are pamphlets of communism , that keep of regurgitating communism as initially written by Karl Marx and France Fanon.His second last book Globalectics is written as annual lectures in respect of Rene Wellek, the books is a practical duplication of Paulo Freire , and Spivak Gavatri.His contemporaries at the University of Nairobi accusing him of tribalism when it came to supervising post graduate students. he was soft on his fellow Kiguyu's and discriminative agains Luo and Luhyia students.He lifestyle as communist ideologue is also self defeating as teaches in america at Irvine University , very busy amassing wealths just like any other capitalist.He campaign for vernacular writing is egually not water tight on the bench of praxis, as he himself teaches special English in America but not kiguyu language.
Another stunning revelation from the Swedish academy is nomiantion of Vladimir Putin the Russian president for Nobel peace prize alongside fifty something  organizations as competitors.the nominations is based on his role he played in the Nuclear disarmament of Syria.The Ukraine question has not been yet raised.But logic of these goes like historical imbroglio that puzzled the world in relation to the role of ****** in relation communism against the then gathering storm for the second world war.
Nat Lipstadt Aug 2013
In a strange mood - see/write art



in a strange way, disorganized but straight on,
light tinted magenta, issuing, in frothy large pours, from my mouth,
knowing what to say, and the meaning too,
I can more than walk, can write, on water,
where all can read weeping, Mary-miracles of seeing, living words,
themselves, on light waves lapping in a
shifting rotunda vision, color reorienting spatial senses.^

in a strange, strange stitch, seasonal spirits and witches,
Chagall, Baez, Dylan Thomas, Donovan, Richie Havens
doing their knitting in my brain, from Montmartre to the Midwest to Monterey,
painters and poets in lockstep head-messing with me,
imperfect clarity but still one voice,
see/write art,
so went and caught the wind, going gently into night
to banish the hodgepodge of uncertainty from inside out.

knowing well you don't understand fully, but jumbling tumbling
verses are sliding off my rusted tongue as fiddlers fly above,
roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side.
wretched me, in the hour I first believed, this amalgamated conception conceded,
seceded from my mind into your palate for a tasting,
tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is
all I have to portend is your affections, your attentions, to yours, am beholden.

a *****, well respected man in daylight,
the hidden references accuse,
woke up to see Wednes-day Caesarian born,
askance glanced at the prior passages of the night before,
when my palate clefted,
when eyes chose not to distinguish
between right and lefted,
in the nightlight,
a ***** man disrespects language convection/convention,
and lays before you activating stanzas and his mind, prone,
but always the truth, speaking,
the visions, leaking, mind to eye,
recombinant, into our minds eye.




^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell


Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
Martin Narrod Apr 2014
Not against the peaks of protest, these aurulent banners and jasperated jaspe so so jargoon! It's like I was suddenly alive, beat-stretched out of winter neige and into the pancosmic blisses of bright and ebullient spring, plugged with an agromania to abide this new formidable friend in the aeviternal beauty of she and I togetherness. Never to spill a morsel of a minute away from us again, upon the newly conjured spirits unto us both. To be amidst a cynosure of such affiation, to be in the temperate or tropical gardens whispering about our mutual love for flowers nad lists. This that precedes us, bright colliding auras in this newfound numinous kindling of us two. Watching it, making it happen- it unfolding before me made me naseaus with excitement, dithering what our next move out to be. I just wanted to kiss her face, her cheeks, put our hands together so quickly, just to let our amorous fug fill the room with silver albuminious smoke from our breaths. Miles below this, round the Earth to other places, there are the fixtures of bright and corybantic life commoved by other nations and other poised people of the light, that I should not be idle in my desires to usher myself into this grand and briguing introduction. So she said, we will play the question game, the inquiry game, we will state the mark, draw upon deep and fantastical recall, bring from our minds the most immense truths and share them, no matter now feral, or caustic, or melancholy- they will be shared until we explode with each other, our intrigues wrapped in our perfervid and amatory excitedness for one another. Too vast with wonder to be afraid of- am I such a fiend for such resplendence. That we could be vitrified in eternity in a veil of fulgurite. So at this nightfall, this acronychal of bloviating bliss, to write and wonder, incessantly in the finest of provincial matters to settle this garden where Thetis lives to be of her, two philocalists in verdant pasture, heaped with matters of the pen and the palm, in the droves of this beautiful advesperating eve- where first I wrote to you, and then I wrote you back.
Written in Atlanta, Georgia
Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.
Ear of Dyonisius
Marieta Maglas Aug 2013
(Frederick returned at his castle becoming a lonely man.)
Frederick was laid on the bed, seeing that beast in his room.
'It does no harm', he thought. It was tall in the evening gloom.
He was hearing the bells ringing while trying to understand
Why in front of God, this love and marriage were banned.

He fell asleep dreaming that while his stallion was grazing
In the green grass, his wife, Jezebel, was lying in the meadow,
The castle disappeared, while the time changed the life by rising,
And in the mirror's fate, that cruel reality remained only a shadow.

A life sound replacing the silence, which with a throaty grumble reigned
Touched Jezebel, and he embraced her, while she was sleeping there.
He saw that those two red icing eyes were keeping her enchained.
He woke her up with a kiss, and her sighs disappeared in the air.




She saw him, and said,' it’s like I wake up from a long twilight sleep.'
The surrounding assaults me with his new bright .This I’m really sensing.'
He smiled, ‘Sometimes, the memory of these kinds of dreams I keep.'
'It's a beast here envisioning me, and making the string's bad fate sing.'
……………………………………………………………………………………………………………..
(The ceremony of John’s coronation as a regent.)
The festive procession included the bodyguard, the table knaves,
The royal servants, the aristocrats, the dignitaries, and fighting braves.
The aristocrats carried a tabletop, on which the king's dress and jewels
Were laid out, and the councillors followed them according to the rules.

The insignia was carried by the dignitaries and displayed for the public,
Though, they wanted the kingdom temporarily to become a republic.
They carried the scepter, the golden cross, the golden eagle, the crown,
And the sword to the altar, while using words that end with a frown.

The archbishop and two of his suffragans accompanied the new king
Being followed by the bishops, abbots and clergy, who started to sing.
The procession entered the church, and the cardinal led John to a chair
In front of the altar in order to hear the sermon, the epistle and the prayer.

After the obligations about doing justice to clergy, widows and orphans,  
The king bound himself to demand nothing from his people or from persons
Visiting the kingdom that contradicted the divine and human rightness.
The new king promises to abolish the evil laws for the moral lightness.

The archbishop appealed to John to lead a good government, to care
For peace, and to protect the church. John said,'Before God I swear'.
He put his hands on a Bible, and the archbishop anointed his hands.
John said, 'I'll ask my dignitaries to collect from people their demands.’

The crown and the sword were on the altar to be used for consecration
The king was ready for the reception of the insignia during coronation.
After sanctification, John retired to a room to be dressed in his royal attire.
Returning to the church, he listened to the main sermons and the choir.

Kneeling before the altar, from the archbishop he received the sword
With words that resemble a pertinent prayer addressed to The Lord.
Drawing the sword from its sheath, he swung it in the four directions.
During the coronation, the still kneeling king asked for God's protection.

The royal councillors helped to place the crown on their king's head.  
The magnates symbolically extended their hands towards it, and said,
'The king receives the scepter and the orb!' The archbishop handed him.
At last, the king read loudly  the Gospel , and the choir sang a hymn.

The crown devolved on a minor being too young his duties to execute.
Requiring her protectorate, to govern in John's name she stood resolute.
Surah secured the throne for John to avoid the future succession struggle .
The handle of the political turmoil and  the intrigues she had to juggle.

Surah schemed to gain power, and to rule the country in John’s name
Thus, she defeated  the neighboring countries being hungry for fame .
The subdued  states could not regain their independence again.
This way, the neighboring kings became vassals during John's reign.

John's quick , easily wounded temper led him to make rash decisions.
Even so , the death of all the successors became Surah's  inner visions.
She made him feel slighted, when people didn't jump to his commands.
He lacked the patience for dealing with his administration's demands.
I wonder why we define boundaries
The LOC's, The island, The territories
Do we ever understand our existence?
Do we ever question our existence?

Intrigues my mind these thoughts ever
Reasons my thoughts over and over
Do we really think we are big?
Do we really exist the way we think?

Andromeda being our neighbor in many
Thousands of these galaxies surround us
Milky way is one such in plenty..
One dot is our planet
Unique, beautiful, lively, colorful..
Colors are recent addition not too old though..
The time when existing boundaries were drawn
Colors and flowers too were born..
Do we believe we created colors?
Do we really believe we created boundaries??


We fight for territories
We define continents
We be so proud of countries
Our existence, Our proud, Our nationality, our Identity,
Do we feel we exist because of countries??
Do we really feel we are nothing beyond countries??

Religion, Ethnicity, Culture, Color,
Do animals have it too??
Sentinelese, Jarawa, Onge tribes
Living in archipelago of Andaman & Nicobar for 60,000 years,
Who are these people living in tribes?
Which religion do they belong?
What language do they speak?
How without fire do they survive?
Do we still think we exist because of names given by us?
Do we still doubt our Creator?

To bound self in boundaries is sin
Sin against the Creator
Sin against the Soul
Sin against the humanity
Sin against belief of life..
To partition our nations is to belittle
the Greatness of His
Who created us, who created universe
Who created "Himself" to keep our belief..

Continents, Rich, Poor, Oldest civilisation, Countries, Big, Small
Are these parameters to be proud of?
If we observe us from the top of universe
We will be a fly or a microorganism
They may name us Earthica humane
Do we have to fight for land and land marks?
Do we still have to divide the mother Earth?

Is it not high time we rise and decide?
United we make our Earth unique
Souls wander the whole universe
But to live they decend on Earth
Can we not be proud of planet as a whole?
No boundaries do us part
Can we not end the hatred forever?
Bringing peace, solace and love as treasure!!
Wrote this after reading about Sentinelese, Jarawa, Onge tribes
Living in archipelago of Andaman & Nicobar for 60,000 years.... They live there undisturbed, sovereign, Part of India, no one took today have been able to communicate with them, decipher thr language etc. They are not able to light a fire, fight with arrows.


https://en.m.wikipedia.org/wiki/Sentinelese
After comparing lives with you for years
I see how I’ve been losing: all the while
I’ve met a different gauge of girl from yours.
Grant that, and all the rest makes sense as well:
My mortification at your pushovers,
Your mystification at my fecklessness—
Everything proves we play in separate leagues.
Before, I couldn’t credit your intrigues
Because I thought all girls the same, but yes,
You bag real birds, though they’re from alien covers.


Now I believe your staggering skirmishes
In train, tutorial and telephone booth,
The wife whose husband watched away matches
While she behaved so badly in a bath,
And all the rest who beckon from that world
Described on Sundays only, where to want
Is straightway to be wanted, seek to find,
And no one gets upset or seems to mind
At what you say to them, or what you don’t:
A world where all the nonsense is annulled,


And beauty is accepted slang for yes.
But equally, haven’t you noticed mine?
They have their world, not much compared with yours,
But where they work, and age, and put off men
By being unattractive, or too shy,
Or having morals—anyhow, none give in:
Some of them go quite rigid with disgust
At anything but marriage: that’s all lust
And so not worth considering; they begin
Fetching your hat, so that you have to lie


Till everything’s confused: you mine away
For months, both of you, till the collapse comes
Into remorse, tears, and wondering why
You ever start such boring barren games
—But there, don’t mind my saeva indignatio:
I’m happier now I’ve got things clear, although
It’s strange we never meet each other’s sort:
There should be equal chances, I’d’ve thought.
Must finish now. One day perhaps I’ll know
What makes you be so lucky in your ratio


—One of those ‘more things’, could it be? Horatio.
Samuel Lombardo Sep 2014
Love
Intrigues
God's
Holy
Tour!

Lift
Ignorance
Gone
Hell
Twice!

Light of
Innocence on
Garden from
Heaven in
Three Spirits!
God is light- and if you follow the light, you do not need to dispel from light you have,rather from darkness your in.
onlylovepoetry Apr 2023
When thou and I first one another saw:
All other things to their destruction draw,
Only our love hath no decay;
This no tomorrow hath, nor yesterday,
Running it never runs from us away,
But truly keeps his first, last, everlasting day.


The Anniversary by John Donne

<>
My body was at Sunday Sabbath rest,
a weekly anniversary of soul refreshment,
my eyes resting and resisting any sear-searching,
no mental irritants, no voke to yoke from a sweet vigil desired,
yet, the rough & smooth cells both, ever mindful and a calming silenced atmosphere,
a frontline of mine~full of hazards, an exposé of vulnerable tissue

when the heart is willing, then eyes will moisten,
and vulnerability is normality’s secret wardrobe’s doorway,
those exposed, thin skinned pores give free entry by the pricking of perfect poetry, re-charged cheeks flush,
and the weight of demanding pangs electric,
insist on an insertion of pen to hand

a long lapses tween love poems,
expressive of calm seas, an orderly life,
soothing waves sound, lapping and lulling,
bursts of affection, easy satisfied by a touch,
a glancing stroke, satisfying,
an actual smile, gratifying

stumble on Donne’s words, a strong coffee stirring challenge,
to the idylls and idles of comfort that cover depths-in-earnest and well earned memories of early times when fierce embraces, verbal chases, intrigues and passions, were the shrapnel of pursuit, battle and sweet and **** surrender

by command and suasion, this pointy finger releases
colored inked stanzas, a combinatory of pleasured sensations, intermixed with so many memories of moments, visualizations, of actualizations, stabbing colored delights of
sun rising and sun setting island habitudes,
and then this, this  birthing of a poem, a freshening release of
sentinel pangs

tho the room’s quietude yet prevails,
she,
(unaware of the effort emotive raging, using old words in
new combinations, tinged by vulnerabilities and graces),
bedded beside me, distracted by book and music, still, yet,
oblivious to the ferocity of my cresting creativity,
soon will
turn routinely,
feigning plaint, inquisitive and inquiring,
do you still love me?

yet and still!
will my literary eyes literally reply,

  yet… and still…
Sun April 16
5:48pm
(still) between the heart & nyc
Terry O'Leary Nov 2016
Once wars were fought with sticks and stones
to flog the flesh and batter bones
and conquer lands, defending thrones -
though gods provoke, not one atones.

The multitude (by hordes beset
with battle-ax or bayonet)
braved blades, dyed red and dripping wet -
the stains were wiped with no regret.

When raining blood, the teardrops spill,
enough to drown the daffodil
that withers in the mourning chill -
who was it said 'thou shalt not ****'?

The mad machine's now mechanized,
torment and torture legalized,
blind barbarism globalized
and wrath of demons sanitized.

Each rival's right (whichever side)
committing holy homicide
in names of gods diversified -
like Cain and Abel fratricide.

Above, a Drone that terrifies -
a button's pushed, a missile flies
to rip apart, to vaporize
(defending life, they fantasize).

Dismembered victims everywhere,
most, non-combatants, unaware -
a lone survivor, solitaire,
unfolding hands, too late for prayer.

Beneath the dust, a baby lies
with mouth agape, with bleeding eyes,
arrayed in death that money buys -
though warriors watch, none empathize.


The media's impervious -
in truth they're ever devious
for fear that reason's dangerous,
find every question treasonous.

Through eyes lit up like rosy sores,
embedded scribes report on wars
with tales to line the cuspidors -
the Fourth Estate? A herd of ******.

To paint the slaughter civilized,
objective news is sodomized -
when foreign streets smoke, pulverized,
the body counts are minimized.


Big Berthas boomed in days of yore
but now the tanks spit spikes of Thor
and mortar shells like raindrops pour
upon the lands of Nevermore.

The grumble of a hand grenade
is drowned in claps of cannonade -
assorted charnel chunks lie flayed
in battlefields where kids once played.

Somewhere a ******'s bullet flies,
somewhere a voiceless victim dies,
somewhere a famished orphan cries
while weapons warble lullabies.

The bunker busters burst the sides
of dwellings where mankind resides
and innocence in darkness hides -
the die is cast, but who decides?

Use cluster bombs and barrels too,
(crude critters in the wartime zoo),
to shred more souls than hitherto -
choose death en masse, avoid the queue!

The leaders lead (twelve steps behind),
enmeshed in intrigues, well enshrined -
yes, powers, business (so entwined)
pull twisted threads, ensnare mankind.


The mercenaries hack and maim
(god's creatures crippled, morally lame),
do beastly things that none will name -
well-paid for such, they feel no shame.

The ****** bombs and phosphorus
and ghastly weapons gaseous
are scattered widely, bounteous -
behold the desert wilderness!

Yes, Agent Orange burns slow and calm,
may leave behind a blazing palm
(or better yet, a molten mom
inside a hut)  in Vietnam.

And phosphorous… its flame so white,
exploding, falling through the night,
commemorates the Sacred Rite -
and babes in arms, thus blessed, ignite.

Cast chlorine, sarin or VX…
a lethal dose (or side effects
like blistered lungs) will serve to vex -
but death in war? No one objects…


Constructing A-bombs's arduous -
uranium, depleted thus,
can trash a tank with little fuss,
cause natal cankers, cancerous.

But doomsday warheads (dropped or thrown),
ignited, leave the sun outshone -
beneath a mass of melted stone
lies powdered ash, once flesh and bone.

When atoms split in bombs debased,
vast cities smolder, laid to waste,
a million sinless souls erased -
perhaps, one day, all life effaced.


You close your eyes but can't ignore
that body parts and bags of gore
are bursting through golgotha's door,
and strewn beyond the ocean's roar
like rotting fish that wash ashore.

Why can't we stop and end all war…


POSTSCRIPT
Regard the dreary death Arcade
of Armaments (a fruitful trade)
and tally up the millions made
by ghouls that raise a colonnade
of miles of missiles, weapons-grade,
in Armageddon's crazed parade,
and hide behind a masquerade
of lollypops and lemonade
while planning new an escapade
for sending armies to invade
and loot far oil lands, unafraid
of misery and grief parlayed
until our final days cascade
into a hell no more delayed
by happenstance or luck outplayed
that leaves society decayed,
bombarded with a fusillade
of lies upheld and truth betrayed
by pundits in the shifting shade,
and crises of the world clichéd
as sung in solemn serenade
by journalistic hacks that preyed
on wide-eyed folk in sham charade
that lulls to sleep with eyelids weighed
by tiny tears that disobeyed
to stay behind the barricade
and bathe the modern-day crusade
of war in cheers and accolade.

The bottom line? Just profits paid
for deadly sins that god forbade…
In Memoriam

What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, ****** the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier...
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.

"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in you coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No. No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my *******
and lay their lamps in my insides.
No. No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.

But I died yesterday,
"Daddy," I died,
swallowing the ****-*** animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have

as we board our velvet train.
Mateuš Conrad Apr 2018
for all its worth, ad inviduum matters,
as any stress imposed
to, "break away from the herd"...
the ever becoming need for
flamboyance and bombast
to not be: the drowning man
in a sea of corpses in the inevitable
inferno...
      as much as the saying goes
about vanity projects,
   hair make-up, or rather:
less extravagence and more on
the lines of: you can walk in *****
and torn clothes...
       but at least you've taken a shower
prior...
             yet there still remains
a stressor on individualism...
    in that...
            as long as individualism
is accepted by a herd of "individuals"...
i remember that outside of school
i knew one black guy,
as the black joke goes: he was a drug
dealer, and a single father...
what the white boy knows a black guy
joke doesn't follow up is that
he was ostricized... a fellow *****...
because they really tell you
about the Bangladeshi workers
    dead beneath the burn khalifa...
even individualism has limits,
with the motto:
   as long as it doesn't mingle with
eccentricity,
    as long as individualism doesn't
mingle with eccentricity...
   because in the latter sense?
that's the individualistic norm shattered...
everyone gets to over-hit the mark...
which shows the cracks in
the so-called notion of individualism...
notably in the west:
        cogitans est cassus primo
                    gratia rideo...
      logos incognito.
                     as such, individualism
as spare, auxiliary / collateral change...
trend setters,
    if famous for 15 minutes,
   pack leaders for 15 seconds,
and then back to the frivolous intrigues
of peacocks on a catwalk...
by individual, i think of the:
                 hersch...
                      a dangerous line between
setting a vogue and a minor
sentiment for the vanguard...
and becoming ostricized as a *****,
humouresly being attached
the term: eccentric...
     or just plain weird in the harsh
tongue of the children's blunt...
phraseology...
                             the world comes
to the boundaries of a small town
exactly 1.5 days later,
  give or take the algorithm
via prior searches...
                                   perhaps how i
understand individualism is
how Narcissus might understand
the vampirism of his brother
     Solipssus...
                  a kind of people who
behave as if without a body,
a type of people who, like vampires,
can't see their reflections...
not that they can't in a literal sense...
      as everything small begs
a curiosity,
   as everything large astounds
with awe...
             paradoxical thus,
the content of a church,
                 and the church itself...
        after all...
     the legionnaires did soak
a sponge with wine and offered it to him
on the end of a spear... which he refused...
   a pale comparison
as blueprint, to what subsequently
came to pass...
              well...
it is pale... considering you'll
never actually know, upon giving
himself up so freely...
  that there wasn't anything,
remotely comparative
with the infamous example
of Albert Fish:
              self-embedded needles
lodged in his pelvis and perineum...
just as the other case in point:
marquis de sade seems more like
a scapegoat than the sadist
his imagination and only his imagination
allowed him to be...
because what,  screaming from
the window of the Bastille, or locked
in an asylum, he could really
compete with the power of the clergy
in the form of his uncle,
the abbé de sade...
                       how can it not be
a fiction, when the power of fiction itself
has become slowly obliterated
wriggling in a cul de sac?
     how could I ever write a work
of fiction, when what was deemed
as truth, credo, is facing up to
non-mainstream footnote reading
and the 1945 archeological findings
that match up to the 2000 or so years
of heretical speculation?
riht now, he can be brown olive
tanned mulatto or whatever Dalton
hue of orange...
              if white is ivory if it is
a scalped cranium a pharmacological
soup woth of brain...
             if white is white and even amrican
south: h'white...
        clingy *******
to the feet of the Urals...
    pardonable warm *****,
only Sveedish, and only at 25ml a pop...
talking to two old people
half-awake, half-asleep...
      buddha-eyed sleepwalking almost...
as i came in contact with
the dark chapter of medicine,
not even past the 1950s America...
                 the infamous tactic
of regression: also known as
    false memory implants...
                    two old people trying
to fall asleep,
   a bottle of *****,
       shy drinking, 10 years of celibacy...
with the odd purely physical encounter
like a rag and a hand and a ***** sink...
my grandfather bemoans that
he never had a chance to say: father...
i could bemoan not having said:
i love you...
                ascribed her an endearing
nick'...
                it seems this world
hides higher pleasures bound
to a rigour so few make eruditions of.
el Apr 2020
the fact that
man
man created weapons
with the capability to **** man
and the intention
to **** man
is truly shocking
is we existed
without weaponry
so many brutal wars
could have been avoided
and many deaths
could have been
postponed
brutality and cruelty
would not
cease to exist
but
it would
exist less
i wrote this in the middle of class on a sticky note a month ago, so
Michael R Burch Mar 2020
Of Tetley's and V-2's
(or, “Why Not to Bomb the Brits”)
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable!

Keywords/Tags: limerick, light verse, nonsense verse, humor, humorous, England, English, Tetley, tea, milk, crumpets, scones, war, bomb, bombs, V-2, rocket, missile, missiles, formidable, Britain, Brits, defense, military, mrbtet, mrbtetley



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
when it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Children of Gaza Lyrics

(adapted in places to the music by Michael R. Burch and Eduard de Boer)

World premiere, April 22, 2017, in the Oosterkerk in the Dutch town of Hoorn. Dima Bawab, soprano; Eduard de Boer, piano.

I. Prologue:

Where does the Butterfly go?
I'd love to sing about things of beauty,
like a butterfly, fluttering amid flowers,
but I can't, I can't …

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow,
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the power of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

Where does the butterfly go
when mothers cry
while children die
and politicians lie, politicians lie?

When the darkness of grief blots out all that we know:
when love and life are running low,
where does the butterfly go?

And how shall the spirit take wing
when life is harsh, too harsh to face,
and hope is flown without a trace?

Oh, when the light of life runs low,
where does the butterfly go,
where does the butterfly go?

II. The Raid

When the soldiers came to our house,
I was quiet, quiet as a mouse…

But when they beat down our door with a battering ram,
and I heard their machine guns go "Blam! Blam! Blam!"
I ran! I ran! I ran!

First I ran to the cupboard and crept inside;
then I fled to my bed and crawled under, to hide.

I could hear my mother shushing my sister…
How I hoped and prayed that the bullets missed her!
My sister! My sister! My sister!

Then I ran next door, to my uncle's house,
still quiet, quiet as a mouse...

Young as I am,
I did understand
that they had come to take our land!
Our land! Our land! Our land!
They've come to take our land!

They shot my father, they shot my mother,
they shot my dear sister, and my big brother!
They shot down my hopes, they shot down my dreams!
I still hear their screams! Their screams! Their screams!

Now I am here: small, and sad, and still ...
no mother, no father, no family, no will.

They took everything I ever had.
Now how can I live, with no mom and no dad?
How can I live, with no mom and no dad?
How can I live? How can I live?

III. For God’s Sake, I'm only a Child

For God’s sake, ah, for God's sake, I’m only a child―
and all you’ve allowed me to learn are these tears scalding my cheeks,
this ache in my gut at the sight of so many corpses, so much horrifying blood!

For God’s sake, I’m only a child―
you talk about your need for “security,”
but what about my right to play in streets
not piled with dead bodies still smoking with white phosphorous!

Ah, for God’s sake, I’m only a child―
for me there's no beauty in the world
and peace has become an impossible dream;
destruction is all I know because of your deceptions.

For God’s sake, I’m only a child―
fear and terror surround me stealing my breath
as I lie shaking like a windblown leaf.

For God’s sake, for God's sake, I'm only a child,
I'm only a child, I'm only a child.

IV. King of the World

If I were King of the World,
I would make every child free, for my people’s sake.
And once I had freed them, they’d all run and scream
straight to my palace, for free ice cream!
[Directly to the audience, spoken:]
Why are you laughing? Can’t a young king dream?

If I were King of the World, I would banish
hatred and war, and make mean men vanish.
Then, in their place, I’d bring in a circus
with lions and tigers (but they’d never hurt us!)

If I were King of the World, I would teach
the preachers to always do as they preach;
and so they could practice being of good cheer,
we’d have Christmas ―and sweets―each day of the year!

[Directly to the audience, spoken:]
Why are you laughing? Some dreams do appear!

If I were King of the World, I would send
my couns'lors of peace to the wide world’s end ...
[spoken:] But all this hard dreaming is making me thirsty!
I proclaim lemonade; please [spoken] bring it in a hurry!

If I were King of the World, I would fire
racists and bigots, with their message so dire.
And we wouldn’t build walls, to shut people out.
I would build amusement parks, have no doubt!

If I were King of the World, I would make
every child blessed, for my people’s sake,
and every child safe, and every child free,
and every child happy, especially me!
[Directly to the audience, spoken:]
Why are you laughing? Appoint me and see!

V. Mother’s Smile

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much".

So more than "much", much more than "all".
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you ...

VI. In the Shelter

Mother:
Hush my darling, please don’t cry.
The bombs will stop dropping, by and by.
Hush, I'll sing you a lullaby…

Child:
Mama, I know that I’m safe in your arms.
Your sweet love protects me from all harms,
but still I fear the sirens’ alarms!

Mother:
Hush now my darling, don’t say a word.
My love will protect you, whatever you heard.
Hush now…

Child:
But what about pappa, you loved him too.

Mother: My love will protect you.
My love will protect you!

Child:
I know that you love me, but pappa is gone!

Mother:
Your pappa’s in heaven, where nothing goes wrong.
Come, rest at my breast and I’ll sing you a song.

Child:
But pappa was strong, and now he’s not here.

Mother:
He’s where he must be, and yet ever-near.
Now we both must be strong; there's nothing to fear.

Child:
The bombs are still falling! Will this night never end?

Mother:
The deep darkness hides us; the night is our friend.
Hush, I'll sing you a lullaby.

Child:
Yes, mama, I'm sure you are right.
We will be safe under cover of night.
[spoken] But what is that sound?
[screamed] Mama! I am fri(ghtened)….!

VII. Frail Envelope of Flesh

Frail envelope of flesh,
lying on the surgeon's table
with anguished eyes like your mother's eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this―
your tiny hand in your mother's hand
for a last bewildered kiss…

Brief mayfly of a child,
to live five artless years…
Now your mother's lips seal up your lips
from the Deluge of her tears…

VIII. Among the Angels

Child:
There is peace where I am now,
I reside in a heavenly land
that rests safe in the palm
of a loving Being’s hand;
where the butterfly finds shelter
and the white dove glides to rest
in the bright and shining sands
of those shores all men call Blessed.

Mother:
My darling, how I long to touch your face,
to see your smile, to hear your laughter’s grace.
Great Allah, hear my plea.
Return my child to me.

Child:
My darling mother, here beyond the stars
where I now live,
I see and feel your tears,
but here is peace and joy, and no more pain.
Here is where I will remain.

Mother:
My darling, do not leave me here alone!
Come back to me!
Why did you turn to stone?
Great Allah, hear my plea.
Please send my child back to me...

Child:
Dear mother, to your wonderful love I bow.
But I can't return...
I am among the Angels now.
Do not worry about me.
Here is where I long to be.

Mother:
My darling, it is as if I hear your voice consoling me.
Oh, can this be your choice?
Great Allah, hear my plea.
Impart wisdom to me.

Child:
Dear mother, I was born of your great love,
a gentle spirit...
I died a slaughtered dove,
that I might bring this message from the stars:
it is time to end earth’s wars.

Remember―in both Bible and Koran
how many times each precious word is used―
“Mercy. Compassion. Justice.”
Let each man, each woman live by the Law
that rules both below and above:
reject all hate and embrace Love.

IX. Epilogue: I have a dream

I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.

Look at me... I am flesh...
I laugh, I bleed, I cry.
Look at me; I dare you
to look me in the eye
and tell me and my mother
how I deserve to die.

I only ask to live
in a world where things are fair;
I only ask for love
in a world where people share,
I only ask for love
in a world where people share.

Oh, I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Reflections on the Loss of Vision
by Michael R. Burch

The sparrow that cries from the shelter of an ancient oak tree and the squirrels
that dash in delight through the treetops as the first snow glistens and swirls,
remind me so much of my childhood and how the world seemed to me then,
that it seems if I tried
and just closed my eyes,
I could once again be nine or ten.

The rabbits that hide in the bushes where the snowflakes collect as they fall,
hunch there, I know, in the flurrying snow, yet now I can't see them at all.
For time slowly weakened my vision; while the patterns seem almost as clear,
some things that I saw
when I was a boy,
are lost to me now in my advancing years.

The chipmunk who seeks out his burrow and the geese in their unseen reprieve
are there as they were, and yet they are not; and though it seems childish to grieve,
who would condemn a blind man for bemoaning the vision he lost?
Well, in a small way,
through the passage of days,
I have learned some of his loss.

As a keen-eyed young lad I endeavored to see things most adults could not―
the camouflaged nests of the hoot owls, the woodpecker’s favorite haunts.
But now I no longer can find them, nor understand how I once could,
and it seems such a waste
of those far-sighted days,
to end up near blind in this wood.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on my eyes like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
"Our time has come!" ... and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.

Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world robs her of both flight and song, what is left for her but to leave, bereaving it and us of herself and her song?



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .

What do you know of the world’s despair,
gliding in vast  solitariness  there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.

Published by Poetry Porch and The Chained Muse



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Published as the collection "Of Tetley's and V-2's"
Circa 1994 Oct 2013
He was the kind of boy that would listen to you talk about your dreams
And watch you try on a series of hats only to tell you he didn't like any of them.

This boy that could talk about kiwis
without seeming dull.

He had an affinity for hip hop music and ironic T shirts
and fancied himself a good club crawl every now and again.

The two P's were often on his dinner menu (pasta and pesto)
And he was quirky.
Not in a Zooey Deschanel kind of way,
But in the way that is effortless.
In the way that intrigues people.
Intrigues me.  

He wasn't the kind of boy you read about in books,
but should have books written about him.
I wanted to be the one to write it.

It started off as a fan-fiction
and ended as wishful thinking.
Exotic trollwood harlotry and mule kit blues
Tyrannical tyrannosaur traction padness
Cohort cavorts clastic and witch’s *** hues
Ontological ontogeny somatalogy fadness
Inductive endemic veracities and talus weather clues
Epistemological equilibrium’s homogeny badness
Timeless rhetorical ruminations and ephemeral exigency dues
Transcendent ascensional equivocal madness

Tactile acuity prescience capacity intrepid intrigues
Mystical symbiosis dharma sensorium sentiment proselyte
Torturous tractive prosthesis umbrage ultraism colleagues
Newfangled nocturnal nonchalant nether nestle neophyte
Top notch topography tortoise trauma fatigues
Faustian faux pas foist felicitous fealties socialite
Agnate nous ontological ontogeny euphenics in league
Mentalities evocative introjecting sycophant eulogizing apposite

Mystical terrestrial equestrian tellurian tableau
Panoramic imagery empiricist
Evocative exserted apomixies’ ethereal should show
Ontological somatalogy lyricist
Reflective refraction remissions opulence could know
Theosophy theophany epiphany equilibrist
Magniloquent inductive extrapolation quantum back ***
Transcendent nimbus nimiety exorcist
Re-post
Devil's elbow blues
S May 2014
It always intrigues me how things change
change no matter how big or small is significant
change starts off small and builds itself up till it's unrecognizable
change can make or break anything
sometimes when someone changes it's because of you
you've made them into this monster
how do you turn them back?
Harley Hucof Nov 2020
THE MYSTERY IN YOUR OBJECTIVES,
YOUR PREFERENCES,

WHO YOU GRANT WHAT AND WHY  INTRIGUES ME

THE LOGIC  BEHIND ENTITLEMENT AND ELIGIBILITY
THE UNNECESSARY SACRIFICES  
THE HOLY AGENDA IN YOUR CHOICES
INTRIGUES ME
 
LIFE IS NOT ALL BEAUTY AND NEITHER ITS CREATOR
YOU NEED EVIL TO BE A SAVIOR

DEVIANT , BENT , SHADY  CLAIMS TO BE DEAF WHEN I SPEAK
I WRITE NOW THAT YOU KNOW HOW TO READ

AND MY WORDS RESONATES TO THE FIFTH DIMENSION
TRIGGERING THE SPIN OF THE WHEEL OF FORTUNES IN MY FAVOR

THE WIND BLOWS , THE WOLF HOWLS , THE SKY CRACKS AND I SMILE
AS THE RAIN FALLS DOWN I REALISE ME AND THE GODS ARE ALIGNED FOR THE FIRST TIME 


Words Of Harfouchism
A letter to Elohim
Artemis X Aug 2014
Blurry regrets of stumbling nights

And entangled intrigues
Lifelong sparks and crisp clean elation
A love affair for risk-seeking souls
And a haven for the lost
that seek something
To satiate the raw, raw emptiness
Of our hearts.

You're chaos, my own version of order
filthy but magnificent
Reliably unpredictable
Escape and anchor intertwined.

And Yet,
I choose you
My sanctuary,
my crucible--
&I; love your imperfections;

For the mess of what you are
Is exactly what I see in me
And so I am yours as you are mine
And in your embrace
I feel whole and alive.
Tashea Young Sep 2016
I Solemnly Swear
No else would ever come close or ever compare.
To your unconditional Tender love and care.
Unaware that my hearts under repair.
Im Mentally Gone but Physically There.
Could this be a Secret love affair?
Can't you sense the attraction in the atmosphere?
maybe its in the confidence that you wear?
Because Out of the corner of my eye
One day you caught me by suprise
I think you could be my angel in disguise
All in my feelings, you Got me over here mesmorized.
The Presences of this King was Strong and So bold.
With Such beauty my vision could barely behold.
Truth Be Told,
You precious to Me, more valuable than Gold.
From that moment on I knew you already had my heart sold.
Something intrigues me to you.
Is it because you are Respectful, Honest, and True?
Maybe its in reference to the little things you do.
You are Something so Extraordinaire
Hard to come, So Exquisite and rare.
Even when I'm broke you got me feeling like a multi millionaire.
You give me butterflies.
Got me floating like the clouds above in blue skies.
Having vision about you and I
Becoming as One and Unify.
You as my King and Me as Your Queen.
You are the drug and Im the Fein.
I need you so bad I could scream
You are surreal to me like a dream.
You set my heart on fire.
With a passionate buring for desire.
My Confession is I sit here secretly watching you and Admire.

Sincerely Your
Secret Admirer.
Abbigail Jan 2014
There's something special about someone
you can lie awake in bed with all day,
Seeing you with your knotted hair and morning face
and still thinking you're someone worth kissing.

You can find it in the way they lie in any position at all
as long as it's wrapped around your body,
The way that they ignore every responsibility they'd said was so important
because laughing with you, your face buried in their neck,
is the single thing that surpasses everything else the world demands of them.

You’ve each held others before, the same way.
Limbs intertwined as many ways as can be found,
touching as much of their skin with yours as your shapes will allow.
You've explored the unknown inches of someone's body and
felt the chill down your spine when they did the same.
You’ve held others before,
but that doesn’t make it any less spectacular.

His legs feel different against yours than any you’ve felt before.
His lips are a new taste, a new shape,
a new, original kind of magic.
He makes different sounds as he falls asleep
and sometimes he narrates his dreams.

His face takes a different shape when he’s about to kiss you,
and a different shape yet when he only wishes he could.

His hands find new resting places on your frame
separate from those anyone else has discovered
and he’s found new words, still, to send
fluttering into the pit of your stomach
and color your cheeks a shade
that you pray he can’t see in the dark.

There’s something special about someone
you can lie in bed with at night,
Listening to your stories that never come out right,
if they ever come out at all,
and still trying to convince you that
you’ve got something worthwhile to say.

There’s something special about someone
who holds potential to make you feel a new feeling.
Whose mystery still intrigues you
and whose company still satisfies you,
Whose stories you still care to hear
and whose lips are still an enticing thought.


And he’s clearly insane,
But you’re really happy that
with your knotted hair and morning face,

**he still thinks you’re someone worth kissing.
Arcassin B Oct 2018
By Arcassin Burnham

Come a little closer let me tell you about the time me
And the bat met,
Even though it's bad , it's things that I don't regret,
A secret is a secret and I hope that you keep it,
You're gullible so you will, step inside my world a little bit,
The horrors that await you , other men could not compare
To what I've been through, whatever I say intrigues you,
Telling me it's not too late to save myself, and bathe myself
under the good mens water, but all the waters poisoned, so what
The ****,
I could tell you throwing a man off the side of a bridge was
exhilarating the first time and you'd still be okay with,
working here *****
My stories were so good too to you , that you shared yours and I admired that,
But I just wanna get out of here and never see you again,
Can you live with that?
I'm crazy and sadistic, ****** becomes simplistic,
Not taking any hostages , I'm so satanistic,
Patiently waiting, moving in silence , I'm too distant,
So lady you couldn't handle what I'm throwing , can you catch it?

Know what I think I'll call you harley , would like that?
You listened to every story I told , I lied but you didn't know that,
I'm clearly on some **** that'll make your exes wanna step back,
I'll probably **** them anyway standing over a their corpse as I
Laugh,
Besides all that your beauty speaks to me in calms of a hundred
Infested oceans , bet you didn't know that I was a poet,
There's a thin line between how much I tell you and you misinterpret,
I wanna know if your love is worth it,
If you let me out of these restraints,I'll take you out,
I'll ease the pain , you quit your job, we go rob banks,
Treat you like **** , make you go down for all the things
that I just did, I do not kid,run from the bat,
He captured you and I attack, your too attached,
We fight , we argue , I give you a smack, we laugh and
then relax , on piles of money, life is funny,
Finding someone like you makes you feel in luxury,
Making memories, clown princess of crime you mean so
much to me,
I'm sucker for your lovely body, and even in my deepest circumstance
I'm glad to have a harley.
©abpoetry2018

https://arcassin.blogspot.com/2018/10/joker-ep.html
The strokes,

of my brush,

against the Canvas,

depict the features,

forming the image,

of you,

my Romeo.



Hazel eyes mesmerize me,

revealing the key,

to your soul.

An alluring smile,

intrigues my interest,

dreaming of your lips,

caressing my own.



The view of your form,

exposes your body,

embellished in ******,

similar to the gods,

of Greek and Roman antiquity,

intoxicates me.



As I finish,

my masterpiece,

temptation persuades me,

to move towards,

you,

my male model,

to render,

my artistic expression.



You gaze into my eyes,

yearning to taste,

my lips as passion emanates,

from our kiss.



You come closer to me,

removing my blouse,

with your firm hands,

brushing against my torso.

You lower yourself down,

to your knees,

unzipping my paint-splattered jeans,

with your teeth.



After the removal,

of my garments,

you carry me,

into the bedroom,

gently placing,

me upon your bed.



Your breath warms,

my skin,

as you strike,

my exterior,

with the blade of lust,

fiercely thrusting,

in the heat,

of the night.



Our bodies unite,

interweaving our souls,

igniting an intimate explosion,

between ourselves,

consuming our spirits.



A safe haven,

becomes my reality,

as I lay into your arms,

whispering sweet nothings,

to enchant your ears.

I drift into slumber,

resting my head,

upon your chest,

holding your hand,

as my world,

is at peace.



I awake before you,

leaving to create works of art,

write sensual poetry,

reflecting on my thoughts,

of you,

to reveal my admiration,

for you,

my soul-mate,

brought to me,

by the hands of Venus.

— The End —